The publication of ‘The Making of SWALLOW & AMAZONS’

by Sophie Neville who played Titty Walker

‘Forty years after she enchanted film-goers as Titty in Swallows and Amazons, Sophie Neville has found a new audience… telling the behind-the-scenes secrets of the film of Arthur Ransome’s classic novel.’ The Daily Mail The Making of Swallows & Amazons ‘…is based on diaries, letters and old photographs which Sophie has turned into a heart-warming account of making the movie, which starred Virginia McKenna and Ronald Fraser.’

The Telegraph ~ Culture: ‘Set in the Lake District in 1929, the film follows four young adventurers who sail a dinghy around Lake Coniston, cook for themselves over campfires and sleep in makeshift campsites.’

‘…The occasional chaos and terrible weather during filming contributed to the eventual popularity of the extraordinary and very much loved film.’ The Times

‘The film Swallows & Amazons is 40 years old, but thanks to its careful period evocation, its respect for Arthur Ransome’s original book and the performances of its child actors, it’s become a timeless classic. One of those children was Sophie Neville, who played Titty, and who kept a diary during the filming. That diary, with her adult recollections, is this book. It’s a fascinating insight into filming on location in the Lake District…’ Classic Boat

‘… The result is compulsive reading as she recalls that cold wet summer, while the camera crew wrapped up warm and she shivered in her skimpy dress as Able Seaman Titty Walker. Sophie brings to life all the many memorable characters who worked on the film and in particular the other children, the Director Claude Whatham who developed a great relationship with his young cast and the stars Virginia McKenna and Ronald Fraser. Nor are the other young actors forgotten for there are diary contributions from Suzanna Hamilton who played Susan, Stephen Grendon who played the Boy Roger and Kit Seymour who played Nancy Blackett. The text is supported by numerous illustrations showing life on and off the set.’ Roger Wardale, author of Arthur Ransome: Master Storyteller and other books

‘You don’t need to be a Swallows & Amazons fan to enjoy this book – it’s universal!’ Winifred Wilson, Librarian of The Arthur Ransome Society

‘This was a most unusual and interesting book. I picked it up expecting to browse through it, and found myself so drawn in to Sophie Neville’s detailed, amusing and insightful description of film making in the 1970’s that I was unable to put her book down. As Arthur Ransome fans, my family and I have always loved the film, and felt that Sophie Neville was ‘just right’ as Titty. What fun it has been to be introduced to the young twelve year old Sophie with her intelligent awareness of the challenges facing the production crew while she shivered in her cotton dresses. The many photographs and illustrations contribute richly to bringing the 1970s setting to life. Sophie recorded her experiences beautifully, and in so doing, added one more valuable book to the cultural heritage of all Arthur Ransome fans.’ Juliet Calcott, English teacher, South Africa

Lots of photos throughout the book bring the scenes to life – a delightful read.’ Celia Lewis author of An Illustrated Country Year

Sophie Neville has been chatting to Mark Forrest on The Evening Show.

Screenshot of The Making of Swallows and Amazons book cover on Instagram

The second edition of this paperback is published by The Lutterworth Press, available online here

**********

Your questions about Swallows & Amazons

Sophie Neville with Suzanna Hamilton on Coniston Water in Falcon ~ photo: Gordon Bourne — ~ Sophie Neville with Suzanna Hamilton on Coniston Water in 2003 ~ photo: Gordon Bourne

‘How did Titty capture the Amazon?’

What did the Swallows and Amazons wear?

The Swallows and the Amazons – where are they now?

These are some of the many questions that people type into search-engines. Members of The Arthur Ransome Group on Facebook have also had questions:

Dan Ford asked, ‘I think I heard it said that the four Swallows and two Amazons all wore life-jackets under their clothes whilst filming. If that is so, they were very well concealed, so were they specially made for this use?’

We didn’t wear life jackets under our costumes, we only ever wore buoyancy aids when travelling out to the location. Last time I went out rowing on Coniston Water I didn’t wear a life-jacket either, which was very naughty.

Chris Rosindale asked: ‘What became of ‘Amazon’ from the film? Is she still in existence like ‘Swallow’?

Amazon on Coniston 2003 — Amazon at Bank Ground in 2003 ~ photo: Geraint Lewis

Suzanna Hamilton and I went out on Coniston Water in Amazon in when the BBC invited us to Bank Ground Farm to appear in Countryfile with Ben Fogle. We met her owners who live in Kent. I gather she was the same dinghy used to play Amazon in the 1963 BBC serial of Swallows and Amazons made when Arthur Ransome was still around to comment. Her owner told me, ‘She was built locally on Windermere sometime in the 1930.’

Amazon sailing — Amazon under sail while filming Countryfile in 2003 ~ photo: Geraint Lewis

Duncan Hall writes, ‘Just before Roger finds the camp, I’m fairly sure I can see a chimney in the background (somebody last said that it was a tree stump but it doesn’t look like a tree stump) – did you film any “on island” sequences on the mainland? Also – I know Rampsholme on Derwent Water was used for some “Wild Cat Island in the distance” shots, but it was mostly Peel Island. Did any Windermere islands get used for Wild Cat Island locations?

The Boy Roger was definitely on Peel Island when he was looking for the camping place. I remember he got rather scratched by brambles. I can see what does look like a chimney in the background but it would have been a stump.

Some of the scenes set on Wild Cat Island were indeed shot on the mainland. This was because there is no light house tree on Peel Island. I don’t think there was one in Ransome’s day. We filmed the light house tree scenes on two different promontories near Friar’s Crag overlooking Derwentwater and the Houseboat Bay. For a description of one location please click here.

Falcon with Amazon in Secret Harbour: photo Geraint Lewis — ‘Peggy Blackett’ & ‘Amazon’ in Secret Harbour on Peel Island: photo Geraint Lewis

Chris Clarke has asked, ‘Were any of you allowed to keep props from the film set as a souvenir? For example, were the Amazons allowed to keep their red hats?’

A number of red hats were made and I think the Amazons may have been able to keep one each. Their hats were initially bright pink, but my mother was insistent they should be red and others were knitted locally. She tried to get ones made more like a finely knitted woolen hat of mine that would have been much more in keeping with Ransome’s original sketches. However this picture was not known of back then and the Wardrobe Master, and the Director went with the design of the ones you see on the screen. Funnily enough the caps do look a bit pink in Mum’s faded photo.

Virginia McKenna with us at Bank Ground1 — The Amazons sitting with the Walker Family at Holly Howe ~ a scene neither in the book or film of Swallows & Amazons: photo: Daphne Neville

I still have a bow, two arrows with green feathers and a pair of flags used for rehearsal props. I was given one of the pink hats but it meant nothing. I didn’t keep any of my costumes, but Caroline Downer who played Dorothea says that she still has the buttercup yellow dress she wore in either ‘Coot Club’ or ‘The Big Six’.

Scores of people have asked, ‘Where was Swallows & Amazons filmed?’

One of the secrets of filming Swallows & Amazons is that while most of the film was shot on Coniston Water, we also filmed with the dinghies to Derwentwater, Windermere, Elterwater and rather a smelly lily pond.

Ben Fogle making a documentary about the locations used for Swallows & Amazons (1974) – photograph: Geraint Lewis of the Arthur Ransome Trust

'The Making of Swallows and Amazons (1974) by Sophie Neville' — Different editions of ‘The Making of Swallows and Amazons (1974) by Sophie Neville’

You can find more answers in ‘The Secrets of Swallows and Amazons’ or ‘The Making of Swallows and Amazons’ available online or to order from your library.

Book covers inspired by the film ‘Swallows and Amazons’ 1974

Stephen Grendon, Simon west, Sophie Neville and Suzanna Hamilton on the cover of the 1974 Puffin edition of 'Swallows and Amazons' — Stephen Grendon, Simon West, Sophie Neville and Suzanna Hamilton on the cover of the 1974 Puffin edition of *‘Swallows and Amazons’* by Arthur Ransome

When the EMI/Theatre Projects film of Swallows & Amazons was released forty-eight years ago, Puffin books brought out a paperback featuring the dinghies near Cormorant Island on the front cover. The photograph was taken on Derwentwater at the point in the story soon after Titty has been found to have captured the Amazon. Did you ever have one of these?

Nancy and Peggy Blackett are featured on the back cover, hiding in the reeds at the mouth of the Amazon River. We were invited to a Puffin Club party at the Commonwealth Institute to launch the book. It was re-printed twice in 1974, which might reflect the popularity of the film. 75,000 copies were brought out.

Unbeknownst to me, Heinemann Educational books brought out this cover in 1982.

The photograph would have been shot when we were rehearsing the scene when the Swallows first land at Peel Island on Coniston Water. It was mid-May and I got terribly cold in my thin cotton dress. Suzanna wasn’t feeling well and were all tired, as you can see.

Sophie Neville and Simon West on the cover of 'Swallows and Amazons' published by the Daily Mail — Sophie Neville and Simon West on the cover of *‘Swallows and Amazons’* published by the Daily Mail in 2003

Almost thirty years after Richard Pilbrow released the movie, a hardback was produced with a tinted black and white still from the film taken when we were fishing in Shark Bay. This was shot on Elterwater, a small reedy lake near Windermere. We have Arthur Ransome guardians to thank for this. The draft copy had a rather clonky cartoon that they were not happy with. It can be seen by clicking here.

This book cover was advertised every day for a week on the front cover to the Daily Mail and profiled in the magazine as one of their thirty books featured in their Children’s Golden Library collection.

The offer was featured nationally in a television commercial. I saw the advert myself a couple of times and wondered what effect the promotion would have. Simon and I weren’t given any warning and received no remuneration for having our faces spun around in the advertisement, although a box of books arrived unexpectedly at my house. I gave one to the lady who was translating Swallows and Amazons into Chinese.

This hardback is often available on eBay, where I found this 1992 edition published by Cresset Press. I hadn’t seen it before. Suzanna Hamilton thought the choice of photograph rather bizarre.

I preferred the still from the movie used on the cover of the first VHS tape.

'Swallows and Amazons' on VHS — The cover of the original VHS version of *‘Swallows & Amazons’*

This is probably because it reminded me of the 1970 Puffin book cover that I read as a child and took with me to the Lake District when we started filming in May 1973. I underlined all Titty’s dialogue in pencil.

The cover of this audio cassette tape ‘talking book’ is quite interesting. Which scene does it depict?

Mike Dennis wrote in to say:

‘It’s an abridged version read by Bernard Cribbins, originally released as two cassettes. He does a good job but I seem to remember the adaptation is a bit rushed towards the end to get the whole story in to the time limit of the cassettes (2 hours), it was released by EMI’s ‘Listen For Pleasure’ division.

The publishers, Red Fox, commissioned an illustration for their cover along the same lines, depicting the characters in the 1974 movie.

The current designs for Arthur Ransome’s paperbacks were on display at the V&A after winning the Book Cover Illustration Award. Association with the movie can hardly be claimed, but hopefully the film will have helped to keep Ransome’s stories on the shelves of bookshops worldwide.

Possibly as a result of this, or perhaps because they just liked the colours of the design and the book, Apple iPad featured the cover on their illuminated advertisements seen around London:

I walked up the steps of Tower Bridge underground station to see Swallow’s flag flying: fabulous!

Robert Thompson has made an online survey including covers of all the children’s books by Arthur Ransome, which you can access by clicking here.

Does anyone know of any other book or audio tape covers that used photographs from the film? Do add your comments in the box below.

Adaptations of ‘Swallows & Amazons’ discussed in the Independent by Jonathan Brown

Author Arthur Ransome loathed BBC’s ‘Swallows and Amazons’, his diaries reveal

JONATHAN BROWN wrote in the Independent in 2014:

When the BBC announced plans to recreate the classic outdoor children’s sailing adventure Swallows and Amazons it was hailed as a blockbusting antidote to the health and safety culture of the mollycoddled video-game generation…

However, previously unread diaries of its creator, Arthur Ransome, reveal that the author considered the corporation’s last attempt to bring his much-loved story to life to be a “ghastly mess” marred by “dreadful ham” acting. The diaries reveal how Ransome clashed repeatedly with BBC executives in the early 1960s when the BBC commissioned a six-part dramatisation for television, starring Susan George, then aged 12, as Kitty (changed from the original Titty) Walker.

Ransome, then in declining health, was living in virtual retirement in his remote Cumbrian cottage Hill Top overlooking the spectacular Rusland valley with his wife Evgenia – the former secretary to Leon Trotsky, whom he met while working as a foreign correspondent and spying for Britain in revolutionary Russia. It was a spartan existence, often with no electricity or running water.

In a series of brusque entries at odds with his generally affable demeanour, he describes how he repeatedly fought with BBC executives over attempts to introduce two new characters – Ernie and Sam – to the story. Both he and his wife attempted to rewrite the script after concluding that one episode was “bad beyond belief”.

Rupert Hart-Davis with Arthur Ransome

At his home Hill Top with his publisher Rupert Hart-Davies

“I have agreed to Genia’s proposal that we shall wash our hands of the film leaving it to Mr Walls [of the BBC] to play the farceur as much as he likes. They may be right in thinking that vulgar ham acting is what the T.V. gapers want,” he wrote in July 1962.

Ransome was particularly unimpressed with the performance of popular British actor John Paul as Captain Flint – the character… said to be based on Ransome himself – describing it as “dreadful HAM”.

On attending a screening at the Hammer Theatre in Wardour Street, central London in October 1962, he concluded: “Saw the ghastly mess they have made of poor old Swallows and Amazons … MacCullogh [his friend Derek MacCullogh, former head of children’s broadcasting at the BBC who was also known as the presenter Uncle Mac] did not come possibly to avoid trouble with his employers.” It was eventually broadcast the following year.

Stephen Sykes now owns Hill Top and has restored the Ransomes’ former home. He is also helping transcribe the author’s sparsely detailed diaries from his years at Hill Top, which are kept at Leeds University’s Brotherton Library. Sykes said the writer received £3,500 for agreeing to the BBC broadcast – a considerable amount of money. “He was clearly making a very good living out of the rights to Swallows and Amazons. This was his baby and he had obviously pored over it. It is a very leanly written story and it was pretty clear it was written by a journalist because of its clarity, because there is nothing extraneous,” he said.

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Hill Top in the Lake District today

“He is extremely protective of his own work. He felt he didn’t want a word changing, and that he had honed the story down and it was what it was,” he added.

swallows and amazons map tea towel

Swallows and Amazons was first published in 1930. It recounts the adventures of the children from two families who while away an idyllic summer getting into scrapes sailing their dinghies across Coniston Water and Lake Windermere. As well as the television series, many theatrical and musical adaptations have been staged, and the story was made into a film in 1974 staring Ronald Fraser and Sophie Neville.

When the latest project was announced in 2011, head of BBC Films Christine Langan said it would seek to encapsulate a forgotten era of childhood adventure “from the pre-health and safety generation”.

Producer Nick Barton of Harbour Pictures, who is collaborating on the film with the BBC, the Arthur Ransome Society and the author’s literary estate, said it had not been decided yet whether the children would be shown sailing without their life jackets.

But he said viewers could expect to experience the full majesty of the book’s setting. “The lakes and the mountains are very big and we are keen to recreate that grandeur of the scenery in the film,” he said. A spokeswoman for BBC Films said: “The film is still in development.”

To see a copy of the original article online, please click here

To contact Stephen Sykes at Hill Top, the Ransome’s last home, please click here

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Memories of filming ‘Swallows & Amazons’ (1974) from Jane Grendon

Jane Grendon and Sten Grendon — Sten Grendon with his mother Jane Grendon in 1973

When Sten Grendon was given the part of Roger in Swallows & Amazons (1974), his mother Jane Grendon came up to the Lake District with him to work as a chaperone, looking after all the children appearing in the movie.

Jane Grendon opposite Peel Island — Jane Grendon keeping an eye on the children watching ‘Swallows & Amazons’ being filmed on Coniston Water in 1973 – seen here opposite Peel Island

Jane said that before filming began,

‘…one of the very first things we were asked was, ‘can Sten swim?”

‘I know he could doggy paddle. Neville organised swimming lessons at Pitville Pool, Cheltenham which included jumping off the diving boards. At the time I didn’t know why and I don’t think Sten is a natural in the water and the swimming lessons didn’t prove very successful. Claude told me – at the end of filming I think, when he gave me a copy of he original script – these lessons were because in the original script Roger was to jump in the water after Uncle Jim walked the plank.’

Jane sent me a copy of the page in question. I had not seen it before:

A page of David Wood's original screenplay: 'Swallow & Amazons' (1974) — A page of David Wood’s original screenplay: ‘Swallow & Amazons’ (1974)

‘There are some personal memories. An aunt gave me the book for my birthday and I tried reading it but I hated all the technical boating details and I thought the children rather priggish so I didn’t enjoy it one bit and so was rather downhearted for Sten to be part of a story I hadn’t liked.’

Jane and her husband lived deep in the Cotswold countryside, at the rural Whiteway community, near Stroud in Gloucestershire. As I recollect, they had both qualified as teachers.

‘At the time of casting and during all the arrangements we had no phone at home and had to rely on a neighbour and the production team used to hold on while Ros came and fetched me! They must have really been fed up as it must have taken 10 minutes or so sometimes for me to get to the phone!’

Jane hadn’t imagined that she would end up in costume herself, if only for a day. She looked wonderful.

Jane Grendon and the bus — Jane Grendon in 1929 costume whilst filming the Rio scenes for ‘Swallows & Amazons’ at Bowness-on-Windermer in 1973

‘…. so there I was – a naïve, country girl flung into this alien world of a film unit. I was like a fish out of water! But I think it came out in your account that I related to you children better than I did to the adults around.’

Jane’s husband Michael was able to bring Sten’s sister, their little daughter Jo, up to watch the filming over half-term.

Jane Grendon with Martin Neville, taking part in a Weetabix commercial shot on location near Bisley in the Cotswolds in 1973

That summer Jane appeared in costume once more when Claude Whatham asked if Sten Grendon could also appear in a commercial he was directing for Weetabix, back in Gloucestershire at harvest time. This time she found herself on location not far from her own home and was always smiling.

Jane still lives the same house. Her husband Michael has retired from teaching and they have just celebrated their 50th wedding anniversary.

Sophie Neville with Jane Grendon in 1973 — Sophie Neville with Jane Grendon, filming at Runnymede in September 1973

‘The Secrets of Filming Swallows & Amazons’ ebook is out now

Thanks to the encouragement and help of my blog followers and Arthur Ransome enthusiasts around the world, I have managed to put my diaries, letters, old photographs and documents together into a 70,000-word memoir.

“Sometimes extraordinary things do happen to ordinary people. Little girls can find themselves becoming film stars. Long ago, and quite unexpectedly, I found myself appearing in the EMI feature film of Arthur Ransome’s book Swallows and Amazons, made for a universal international audience. I played Able-seaman Titty, one of the four Swallows. Perhaps it would be more accurate to say that I became Titty for a while, wearing thin cotton dresses and elasticated navy blue gym knickers, which the camera crew soon referred to as passion killers. The book was written in 1929 and although the film adaptation was made in the early 1970s it had an ageless quality and has been repeated on television year after year, typically on a Bank Holiday between movies starring Rock Hudson or Doris Day.

I got the part of Titty because I could play the piano. Although I had no ambition to be an actress, at the age of ten I was cast in a BBC dramatisation of Cider with Rosie. They needed a little girl to accompany the eleven-year-old Laurie Lee when he played his violin at the village concert. I plodded through Oh, Danny Boy at an agonising pace.

‘Do you think you could play a little faster?’ the Director asked.

‘No,’ I said, flatly. ‘These are crotchets, they don’t go any faster.’

Claude Whatham must have remembered my crotchets, for two years later, in March 1973, my father received a letter. It arrived completely out of the blue, from a company called Theatre Projects.

We are at present casting for a film version of SWALLOWS AND AMAZONS which Mr Whatham is going to direct. We were wondering if you would be interested in your daughter being considered for one of the parts in this film.

Amazing!”

From ‘The Secrets of Filming Swallows & Amazons’ by Sophie Neville

Preview copies of ‘The Secrets of Filming Swallows & Amazons’ at the Cruising Association dinner at the Water’s Edge Bar and Restaurant, Mermaid Marina on the River Hamble.

“This heart-warming memoir is illustrated with colour photographs, most of them taken at the time by Sophie’s family, and contains links to behind-the-scenes home movie footage for readers with browser-enabled tablets. It delivers a double helping of nostalgia for both fans of the era of Arthur Ransome, and the groovy times of the early 70’s.” ~ from the Amazon Kindle description

Also available for other reading devices on Smashwords

Thanks to those of you who contributed comments, questions, and aspects of local history on this blog. I would love to know what you think of the book!

If you would like a copy but don’t have a Kindle, you can download a free Kindle app.

Sophie Neville on the pontoon during the filming of 'Swallows and Amazons' — Richard Pilbrow, Denis Lewiston, Claude Whatham, David Cadwallader and Sophie Neville aged 12 playing Titty ~ photo: Daphne Neville

Arthur Ransome’s Lakeland homes and places where you can stay in Cumbria

Arthur Ransome first visited the Lake District as a tiny baby. He said that his father, ‘carried me up to the top of Coniston Old Man at such an early age that I think no younger human being can ever have been there.’ Thereafter the family traveled up by train every summer, from 1884 – 1897, to stay on the Swainson’s farm at High Nibthwaite at the southern end of Coniston Water.

The four children were allowed to run wild in the hills or slide down the knickerbocker-breaker rocks above the farm whilst their mother painted and their father fished the River Crake. They had the use of a rowing boat, which they would take a mile up the lake to Peel Island for a picnic.

Peel Island on Coniston Water, which you can visit by boat.

I’d love to take my family to spend a week at Low Water End, a holiday cottage at the southern tip of Coniston Water, which has boats, lake frontage and a small slipway.

Another lovely place to stay is Hill Top Farm, a traditional Lakeland house built in the 1700s and now owned by Martin Altounyan, son of Roger Altounyan and grandson of Dora Collingwood who was such a great friend of Arthur Ransome’s. They say you can see the Crake estuary from the garden. It is near Penny Bridge village, four miles from Coniston Water and just three miles away from Hill Top at Haverthwaite where Arthur Ransome lived at the end of his life.

As a young man Ransome escaped from London for a holiday in Coniston village and found himself invited to stay nearby at Lanehead by WG Collingwood, Dora’s father. Ransome writes in his autobiography that had originally meet the family in 1896 on Peel Island. ‘Mrs Collingwood told me that she remembered that meeting on the island and her surprise that my mother, who was a very pretty young woman, could have a family of such very ugly children.’

The rocks at the end of Peel Island where the Collingwood family traditionally had picnics

By 1904 Arthur Ransome was being taught to sail by Dora, Barbara, and Robin Collingwood in a heavy old dinghy called Swallow that they were able to take out on Coniston Water. He later stayed at Low Yewdale at the north end of Coniston, which I believe still offers Bed and Breakfast or a self-catering cottage. Ransome would set up ‘a tent on a small mound close to Yewdale Beck a hundred yards up the valley’ so that he could sleep outside when it was fine. In her guide-book, In the Footsteps of the Swallows and Amazons Claire Kendall-Price shows you how you can walk from Low Yewdale to Ambleside via The Drunken Duck, a pub you can now stay at that I believe Ransome visited.

It is easy to see how all this experience, the houses Ransome loved and places he knew of since childhood were poured into his Swallows and Amazons series of books. You will have to tell me which of his stories were written here:

After many adventures in Russia and the Baltic, Arthur Ransome bought his second wife Evgenia to live at Low Ludderburn on Cartmell Fell above Windermere where they lived from 1925 until 1935. He loved the work room made for him at the top of the grey barn outside. They moved to Suffolk for a while but returned during WWII to live at The Heald, which overlooks Coniston Water.

The Heald, East of Lake Road, Coniston Water — The Heald above Coniston Water where Arthur Ransome lived between 1940 and 1945 ~ photo: Peter Walker

It was here that Ransome wrote The Picts and The Martyrs. They had a jetty there where he kept his boat Coch-y-bonddhu, which is used as the model for the Scarab, a sailing dinghy bought for Dick and Dorothea Callum in the novel. The gardener’s cottage to The Heald has recently been rebuilt and is for sale.

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In their later years, the Ransome’s loved at Hill Top Farm near Ealingshearth, where the views are stunning. It has been renovated but retains many of the original features.

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You can book the converted stone barn at one end if you are ever looking for holiday accommodation. Please read more on another post here.

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There are a number of books about the life of Arthur Ransome, not least his own autobiography published by Jonathan Cape from which I have quoted briefly here. I can recommend Arthur Ransome, Master Storyteller by Roger Wardale and The World of Arthur Ransome by Christina Hardyment – which has a photo of me in Amazon on the cover, along with others:

World of Arthur Ransome by Christina Hardyment

You can read about the adventures we had making the original film of ‘Swallows and Amazons’ (1974) here:

Questions about making the classic film Swallows and Amazons (1974)

Behind-the-scenes while filming 'Swallows & Amazons' in 1973 — Behind-the-scenes while filming ‘Swallows & Amazons’ in 1973

The classic movie of Swallows & Amazons is often broadcast on BBC TV. If you would like to know more about how the film was made you can find the details on this site or leave any questions in the comments box below.

To read about our first day’s filming at Haverthwaite Railway Station click here and keep reading.

Sophie Neville having her hair cut on location for the part of Titty Walker in 1973

Do you know what lake we were on in the photograph below? We were busy loading urns of tea into a run-around boat to take out to the film crew who might have been on Cormorant Island. If you click on the photo you will get to the page of my diary, kept in June 1973, which describes this day.

Wardrobe Master Terry Smith and Sophie Neville in her costume to play Titty. But what is the name of the boatman? Doers anybody know? — Wardrobe Master Terry Smith and Sophie Neville in her costume to play Titty. But what is the name of the boatman? Does anybody know?

There are still many questions about the making of the movie that remain unanswered.

A journalist on Peel Island — Does anyone know the name of this journalist who visited us on Peel Island?

This shot was taken while setting up the scene at Peel Island when Captain Flint brings Sammy the Policeman to question the Swallows. If you click on the photo you will find the photograph that the journalist ended up with. Titty’s hand is still on Captain Flint’s arm.

Making a movie is very different from watching one. Here is a record of Titty rehearsing the shot when she moves the camping equipment for fear of a tidal wave. It was a cold day on Coniston Water. The jersey came off when they went for a take.

Here you can see Lesley Bennett, playing Peggy Blackett, careening Amazon at Beckfoot. The same 35mm Panavision camera was focused on Kit Seymour, playing Captain Nancy.

The location used for Beckfoot and the Amazon boathouse can be found at Brown Howe on the western bank of Coniston Water. If you click on the photograph of Peggy you can read more about what happened that day.

If you would like to get future posts, please click the Follow button at the bottom of the side-bar.

You can read the full story about the making of Swallows and Amazons here:

Other Arthur Ransome books adapted for film and television by David Wood

Sophie Neville in Secret Harbour — Sophie Neville playing Titty Walker in 1973

David Wood, who wrote the screenplay for SWALLOWS & AMAZONS in 1973, has recently told me about his work adapting other Arthur Ransome books – GREAT NORTHERN?, PIGEON POST, WE DIDN’T MEAN TO GO TO SEA and WINTER HOLIDAY – all for Richard Pilbrow of Theatre Project Films.

Richard Pilbrow and Claude Whatham at The Secret Harbour on Peel Island, Coniston Water — Producer Richard Pilbrow with Director Claude Whatham in their wet weather gear at The Secret Harbour on Peel Island, Coniston Water

‘It was decided that GREAT NORTHERN? should be the follow-up to the SWALLOWS film, because it was ‘different’, being the only book set in Scotland. Also, the villainous birds’ egg collector was a strong adult role – Peter Sellers was mentioned….. We had great fun looking for locations, swooping around in a helicopter over Harris, Lewis etc.

Sophie Neville, Suzanna Hamilton & Sten Grendon with David Wood and Claude Whatham in 1973

‘Word got out that I was working on GREAT NORTHERN? and I had a very firm letter from Mrs Ransome saying that no permission had been granted to work on this title, and that it would not be granted!! No reason was given. Years later, the Ransome autobiography suggested that Mrs R didn’t like GREAT NORTHERN? and criticised it to Ransome’s face. Also, he used sometimes to swan off to the Highlands with his friend, Quiller-Couch (I think) to fish, leaving Evgenia on her own back in the Lake District. The only communication from him would be the occasional delivery on a horse and cart from the railway station of a salmon, caught in Scotland the day before! Maybe she resented Scotland for luring him away! But she was determined that GREAT NORTHERN? the movie would never see the light of day!! But I still wrote a complete screenplay! I did a film treatment for WINTER HOLIDAY, that never got off the ground either.’

David Wood's screenplay of Swallows and Amazons — The script of the movie ‘Swallows and Amazons’ that I never saw until 2011

PIGEON POST was to be a six-part serial, a BBC-Theatre Projects co-production. David remembers that they got as far as looking for locations in the Lake District. I started making preparations to cast the children for this drama which Joe Waters wanted to produce in 1983, directly after making COOT CLUB and THE BIG SIX under the generic title SWALLOWS AND AMAZONS FOREVER! that had been adapted for television by Michael Robson.

‘WE DIDN’T MEAN TO GO TO SEA was also to be a serial. I did a treatment, visited Pin Mill and other locations, and met the man who built one of Ransome’s boats, or maybe worked on it with his father. All the materials and scripts still exist, but they are probably a bit too ‘straight’ for contemporary taste.’

David Wood’s numerous other forthcoming events and theatrical releases are listed on his website.

Sophie Neville with Claude Whatham on Peel Island

Can you help us? Was Quiller-Couch the friend who whisked Arthur Ransome off to fish in the Hebrides? Does anyone know where they went?

You can read more about the adventures we had whilst making Swallows and Amazons is these books, available to order online here

News from David Wood, who adapted Swallows & Amazons for the big screen in 1973

Sophie Neville with David Wood and Claude Whatham

David Wood, who originally worked with Evgenia Ransome to adapt her husband’s book Swallows & Amazons for the big screen in 1973, has recently written to tell me:

‘Several attempts were made to follow up SWALLOWS. I did a screenplay of GREAT NORTHERN?, plus detailed treatments of WINTER HOLIDAY (for film) and WE DIDN’T MEAN TO GO TO SEA (for television), plus a six-part serial based on PIGEON POST. But all of them bit the dust!!!

Claude is the only director for whom I worked as an actor on film (SWEET WILLIAM), television (CHERI, DISRAELI) and stage (VOYAGE ROUND MY FATHER), as well as working with him as a writer (SWALLOWS and a film that never got made called THE HEYDAY).

Claude Whatham must have made the BBC adaptation of Colette’s novel Cheri just before Swallows & Amazons as it was broadcast in April 1973. Brenda Bruce, who I knew as Mrs Dixon, played Charlotte whilst David was Desmond, supporting Scott Anthony and Yvonne Mitchell as the lovers Cheri and Lea.

David Wood played Lord Derby in the 1978 BBC costume drama Disreali that Claude Whatham directed. Whilst Ian McShane had the title role, the part of Queen Victoria was given to Rosemary Leach, who later played Mrs Barrable in the BBC serial of Coot Club and The Big Six. Suzanna Hamilton appeared in it too as one of the princesses. She must have been about seventeen – a good age to be zooming about in a crinoline with scooped up hair. It would have been quite a contrast to playing Mate Susan on Peel Island in the Lake District.

Suzanna Hamilton with director Claude Whatham on Peel Island

When he was in his twenties David starred in the feature film if…. with Malcolm McDowell. You can get it on DVD or watch the Youtube pasted in the Comments below. I’d love to see the wartime drama Aces High, the movie directed by Jack Gold in which David played Lt Tommy Thompson opposite Simon Ward, Peter Firth and Christopher Plumber as well as Malcomb McDowell. John Gielgud played the Headmaster in scenes shot at Eton in this film, while Arthur Lowe played his house master in if… I am not sure which school they used. You will have to let me know. Arundel?

In 2004 David was awarded an OBE for services to literature and drama. I was not surprised. His output has been prolific. To find out more about his work as an author and playwright do watch this short BBC documentary Meet the Author presented by Nick Higham.