RTE Guide declared, ‘The definitive adaptation of Arthur Ransome’s ‘Swallows & Amazons’ is on BBC Two.’ More people than ever seemed to watch the classic film, starring Virginia McKenna, which attracted comments on Twitter, Facebook and Instagram while emails were being sent in.
Dr Lucie Bea D – And Swallows and Amazons is on! A very very early cinema memory for me; I saw it in Hereford and was given a colouring in picture of the Amazons hiding in the reeds watching Swallow.
I’ve just enjoyed watching the film on tv again (I watch it every time!) I can remember watching the film in 1974 with my mum and grandma when I was a nine or ten year old, at the then called Mecca Cinema in Horsham,Mecca Cinema in Horsham, Sussex (sadly now demolished) I remember loving the natural setting and the adventure in the film and remember it being thrilling and suspenseful! Still my favourite film, so cheerful and uplifting. The lovely music! All still brings a tear to my eye.
Back then in the 70s we didn’t have the lakes but at every opportunity our little band of local children would run off over the fields playing, building camps and climbing trees in the woods – such happy, carefree days. Been looking at your website too – what a huge resource about the film – good time at the moment to look through it! Thank you for all the information and being in such a happy film, John Rose
Michael – I spent my summers up in the Lake District as a boy and loved/love the book
Peter Hamilton – Swallows and Amazon’s was one of my all time favourites as a child, it was an adventure that seemed more attainable than famous five etc. I really hope my son loves it as much as I did when he’s older…. I adore lake Coniston. Even in high summer that water is icy and very deep innocent happy times… I‘ve tried to sail out to the island on Coniston lake but there wasn’t enough wind so didn’t quite make it. I collected a fair few of the books in my 20s, brings back lots of memories
Duncan HallIt’s such a good film. Doesn’t feel dated at all, to me.
Peter Ashby something timeless about the film. I can happily sit and watch it any time
Graeme Wood – Just goes to show how timeless the story is..
Graeme Wood – It’s a lovely film. As a kid I wanted to jump through the TV screen and join in (ditto the BBC adaptations of Coot Club and The Big Six). Hopefully kids will watch and want to read the books.
Michael – I’ve loved it all my life. I remember my dad rowing me out to an island on lake Windermere and showing me holes in trees, he said they’re from arrows!!!!!!
Maddy Knibb – I also had a wooden swing that collapsed so I turned it into a boat, with broom handle and sheet mast and sail. Guess which books were played out – Swallows and Amazons! It was by a laurel hedge and the leaves made great fish to be cooked on pretend fires!
Perfect opportunity for children to replicate #WildcatIsland with homemade tents in the living room
Glenn Evans – Read this to all my children when they were toddlers. And saw the film in 1974 myself.
Michael – It was only yesterday as far as I’m concerned
Jude – Remember watching the boats on the lake being being filmed from my bedroom window – what a lovely way to slip back into my childhood
Mandy Morley The most classic, and my favourite quote: “I’ll shiver your timbers for you if you don’t stop chattering Peggy!”
Portway Junior School say, ‘the Portway Press also contained a link to the children’s classic ‘Swallows and Amazons‘ film – an excellent watch in this wet weather’.
The school term is over, ‘Swallows and Amazons’ is on BBC iPlayer and Christmas missives are arriving in the post. I have just been sent this homemade card from someone who came to the premier of the original film in 1974, when I was fortunate enough to play Able seaman Titty.
~Captain Flint hanging Christmas decorations around his houseboat on a card made from a Puffin book cover~
I dug out the Puffin paperback of Swallows and Amazons my father gave me when I was a girl and read avidly, along with other books in the series, by the time I was eleven years-old. It is a 1970’s edition in which I’d underlined everything Titty said. I must have re-read this copy when busy preparing for filming the 1974 movie financed by EMI.
Kaye Webb, the editor, had written an introduction saying, ‘This book is about sailing, fishing, swimming, camping, and piratical exploits.’ She wanted to make it available to children, thinking that discovering Swallows and Amazons ‘for the first time must be as exciting as a Christmas morning.’
Underneath, I’d noted down the skills I would need to acquire before playing the part of Titty. ‘Owl Hoot’, was one item, ‘wisle’ (sic) another. I was somewhat apprehensive about dancing the Hornpipe but excited about ‘being a cormorant’, having no idea how cold this experience would prove.
A new edition of the Puffin paperback was brought out to accompany the film. A still was used from the scene where the Swallows sail both dinghies from Cormorant Island.
Today, I am most interested in Ransome’s prose, amused to find the phrase ‘X marks the spot where they ate six missionaries’ does not appear within the pages of the book. It was given to Titty in 1973 by the screenwriter David Wood. However, there are words of wisdom a-plenty that were not used in the film adaptations:
‘I like cooking,’ said mate Susan.
‘If you want to go on liking it, take my advice and get someone else to do the washing up’, is Mother’s reply. (I wonder who might have said this in reality.)
‘You can be wide awake and not see a thing when you aren’t looking’ is one of Roger’s observations.
John was able to look back to ‘a different, distant life’, which is exactly how it feels when the excitement of Ransome’s world spoils you for the ordinary. It’s true: those involved in outdoor activities develop in leaps and bounds ending up, ‘not at all what they had been.’
What is it about Arthur Ransome’s writing that captures your imagination? Rowing? Sailing? Cooking over a camp fire? Which book has most influenced your life?
At least one film fan held a TV party with and 1930’s theme to celebrate. Others stoked up the wood-burner and settled down to spend an afternoon re-living summer in the Lake District. It is as if Christmas wouldn’t be Christmas without ‘Swallows and Amazons’ – a timeless classic to watch again and again.
For the latest edition of the paperback on ‘The Making of Swallows and Amazons(1974)’ with details of where the film was made and what those who appeared in it are doing now, Please click here
The ebook, entitled ‘The secrets of filming Swallows & Amazons (1974)’ is the same with a few more stories for adult readers and has links to behind-the-scenes cine footage. It can be downloaded from iTunes, Smashwords,Kobo and Amazon Kindle
It would be lovely to hear from anyone who saw it in the cinema when it first came out in cinemas in the summer of 1974 – more than forty-five years ago.
Simon Hodkin kindly sent in this cinema programme that he has kept since watching the movie when he was a boy growing up in North Wales.
Arthur Herbertson managed to track down these rare publicity sheets for ‘Swallows and Amazons’ typical of movie games of the period:
Arthur has a collection of the four jigsaw puzzles and the Puffin paperback that came out with the film.
There was a vinyl LP narrated by the screenwriter David Wood that you can still purchase.
Arthur found a publicity brochure that I had never seen before.
To read comments from people who saw the film at the cinema in 1974, please click here
The original story was written by Arthur Ransome in 1929 ninety years ago, so the film hits the half-way mark between the original readers and today’s audience. It’s funny, the critics in 1974 are asking the same question as raised in the billing this week: Do ‘modern youngsters struggle to relate to such old-fashioned game playing’?
Do add your thoughts to the comments below.
~Billing in the Christmas edition of the Radio Times 2019~
An article first published in Mixed Moss, 2019, the journal of The Arthur Ransome Society:
‘I can’t see it,’ the man was standing in the rain outside the cinema, ‘you said Swallows and Amazons has parallels to missionary life but I don’t get it.’ He was a vicar, camping with his family in the Lake District. After spending a week at the Keswick Convention, he’d brought his children to see the original film Swallows and Amazons (1974) at the Alhambra where I was giving a Q&A after a screening of the movie.
‘I once went on a short-term mission to Australia,’ I told him. ‘People would ask me if I was going to convert the natives.’ I explained the archaic idea of berating aboriginal people filled me with horror but use of the word ‘natives’ reminded me of Swallows and Amazons. This led me to consider how deeply Arthur Ransome was influenced by missionary journeys of the early 1900s. As the author, Julian Lovelock points out, ‘exploring, trading and being a missionary were, in Victorian times, all shades of the same colonial activity. Dr Livingstone is often described as an ‘explorer-missionary’. This is the 80th Anniversary year of the publication of Secret Water where ‘missionaries’ enter Ransome’s world in their ‘mission ship’ Lapwing.
Linda Hendry, of The Arthur Ransome Society (TARS), observed that as a boy of ten, Arthur envied his Aunt Edith and Aunt Jessie who were going off to China as missionaries. Did this idea of adventures last with him?
Although his father, Cyril Ransome, came from a clerical background and ensured Arthur received a biblical education in Windermere, Margaret Ratcliffe of TARS reports that ‘there is never a hint of spirituality’ in his letters and diaries. ‘Arthur and Genia were not of an active religious persuasion; Christmas and Easter were ordinary days for them.’ The only time he went to church on a regular basis was when he lived in Finsthwaite and his closest fishing friend was the vicar, the Rev. Roland Pedder. ‘Arthur Ransome never mentions that they discuss spiritual matters, rather hooks, bait and water levels.’ I agree with Margaret’s view that any analogy ‘would have been subliminal on his part, rather than conscious’ but it is embedded in the story, all the more interesting for being unintended.
The reality of going on overseas missions does have parallels with Swallows and Amazons. You tend to set off as a group or family, like the Walker children, and usually end up helping people who need a bit of support, even if it is not what you might expect. Those once wounded often make the best doctors. One of the key themes, perhaps driving force behind Swallows and Amazons is fatherlessness. Is the story an out-working of Arthur Ransome’s grief for his own father who died when Arthur was thirteen? Was he desperate to prove that he is as reliable and resourceful as Captain John, planning the expedition while Commander Walker was in Malta preparing to sail to Hong Kong? As it is, the Swallows gain Daddy’s permission while remaining under the umbrella of their mother’s care, making sensible preparations before setting sail. This is very like missionary groups who usually need permission from the church with back-up and support from their mission organisation.
Peter Wright, chairman of The Arthur Ransome Society, added, ‘The Amazons seek out the Swallows in much the same way as indigenous people came to find out about early explorers.’ Any number of missionaries have had arrows fired at them. The Swallows discover that Nancy and Peggy not only prove to be the same age but share their terminology and outlook on life. They too have no father around and have recently been rejected by their uncle who is busy writing. As a result, they are being naughty, letting off a firework on the roof of his houseboat. The Swallows make friends with them and end up helping Uncle Jim to see sense.
Everyone’s moral values are tested in Swallows and Amazons. Uncle Jim realises he has been neglecting his relationship with his nieces and sees what ‘a cross-grained curmudgeonly idiot’ he’d been to ever doubt John Walker’s integrity. Although this casts a shadow on idyllic island days, it almost visibly builds John’s character before his leadership skills are stretched by challenges set by Nancy. The other characters use their gifts to the full, Susan becoming the practical facilitator and Roger learning to be helpful. Titty is the one keen on diving for fish like a cormorant. She keeps the journal or ‘ship’s log’ and takes guidance from Robinson Crusoe that, ‘tells you what to do on an island’, being well-aware that missionaries could be eaten by cannibals. Although her active imagination is undervalued at first, she comes up with ideas that prove vital.
When the Swallows meet indigenous people of the area like the charcoal burners, they are both polite and respectful, taking an interest in traditional beliefs, such as keeping an adder under the bed for luck. Although Roger makes a bit of a gaff, saying Old Billy ‘doesn’t look much like a son’, the others take an interest in ‘savage’ language and culture.
The Swallow’s mother looks out for them constantly. She reprimands John and sets rules when he goes too far, ‘No more sailing at night’, but continually ensures they are provisioned and their needs met. It might not be expected, but there are battles to be won on the mission field. They are usually tricky, demanding timely action and often involving discomfort akin to sleeping in a dinghy moored by Cormorant Island. Interestingly, it is Titty, the littlest girl, who finds the strength and courage to also find the buried treasure and bring restitution.
‘What did the burglars do when they found the treasure had gone?’ one little girl in the cinema asked?
Quick as a flash, Marc Grimston of TARS EAST, who was in the audience, said, ‘Captain Flint carves a fish for them to find instead of the trunk.’ Repentant and forgiven himself, Jim Turner opts to convince the thieves of their guilt rather than report them to the police.
The great thing is, that whilst fishing from boats and weathering the storm, firm friendships are forged that take the Swallows and the Amazons on further adventures, even to the ends of the Earth. There is something inspirational about these that stories lead others to extend themselves, hoist their sails and live life to the full.
You can’t go out as a missionary expecting to convert the natives. You need to come alongside people who are hurting, find the key to their needs and help them use their God-given ability to fulfil their dreams. It can be scary and things won’t always go smoothly but you are usually warned of danger. There will be a need for strong leadership when times become testing but it should be fun. If you can gain people’s trust and hold on to the unity there will be celebration and feasting in the end.
The vicar, standing in the rain beside his bicycle, began to appreciate the parallels. You may find more. One thing is certain: there is something about the Swallows and Amazons series of books that enables adults to enjoy them as much as children. We can escape pressures of contemporary life and are inspired to fulfill our dreams, becoming all the good Lord wants us to be, doing all the things He has prepared us to do.
You may disagree completely, you may can find parallels in other Arthur Ransome books please write in, using the comments box below.
Duncan Hall of the Arthur Ransome Group on Facebook wrote: ‘Of course, throughout (the series of Swallows and Amazons books) there are references to fictional and non-fictional adventures of exploration and discovery which historically sat with Empire, missions and trade as well as with piracy, etc. They do contrast with a political outlook that is clearly oppositional to those traditions. We always end up being impressed by savages (in the Lakes or the Walton backwaters) rather than hoping to civilise them. In Missee Lee, we obviously want to protect the location of the Three Islands, rather than send Daddy’s gunboats over there (despite the pretty monstrous business that Miss Lee presided over, we are convinced that the Brits destroying their way of life would be more monstrous still).
In my role as President of The Arthur Ransome Society, I was interviewed by Chris Opperman for a new documentary produced by David Webb on the Walton Backwaters, known by Arthur Ransome enthusiasts as ‘Secret Water’.
The 75 min DVD entitled ‘Walton’s Secret Backwaters’ is compatible with all DVD players displaying the DVD Video & PAL logo. It can be purchased online here
Chris Opperman, who chatted to me at the Royal Harwich Yacht Club on the Orwell, has sailed in the area for years. After a career in newspapers, he produced programmes for Radio 4 and the World Service before presenting the breakfast News and countryside documentaries on BBC Radio Suffolk.
As President of The Arthur Ransome Society, I represent the 1,000 or so members of the literary society devoted to the Swallows and Amazons books, including those set in East Anglia. There is usually a lot of flag flying since many members also sail. Swallow, the dinghy used in the original film ‘Swallows and Amazons’ has taken part in Swamazons events on the Walton Backwaters since she was renovated in 2011.
If you enjoyed the original film adaptation of Arthur Ransome’s book ‘Swallows and Amazons’ broadcast on BBC Two today, do think of getting a copy of ‘The Making of Swallows and Amazons’, published by The Lutterworth Press or the ebook entitled ‘The Secrets of Filming Swallows and Amazons’. You can read the first section for free on Kindle here. Quite fun!
It’s surprising ‘Swallows and Amazons’ hasn’t been re-made a number of times. The 1974 movie was sold all over the world and has been screened so often it’s become regarded as iconic, labelled ‘a cult classic’ or ‘enduring success’. You can listen to Wildfred Joseph’s film score here:
Thanks to Claude Whatham’s extraordinary skill in creating a period film that never dated, cinema audiences emerge asking if it was made last summer.
Although it was shot 45 years ago, fan mail still arrives from Australia, the USA and Japan. Families can quote David Wood’s script fluently, having watched the DVD thirty times or more. The biggest complement is that they talk of being ‘Titty-ish’ or ‘just like Titty’, the little girl whose imagination gave her the strength and courage to excel.
-A carefully made fan letter showing Sophie Neville playing Titty Walker in 1974-
When I went to watch the 2016 film of ‘Swallows and Amazons’ being made on location, I warned the actors they were in for the long haul. Although the new adaptation has older children in the cast, and additions to the plot, it was heralded as a great British film, a landscape movie of significance about the thrill of exploring the great outdoors. Broadcast on BBC Two earlier this December and it is out on both Blu ray and DVD. For the Hanway Films billing of ‘Swallows and Amazons’ 2016, please click here.
When I first posted an extract from ‘The Secrets of filming Swallows and Amazons’ on a literary website, someone wrote a review assuming it to be a novel. They must have thought that I was some poor creature who had imagined the whole thing. The reviewer considered the plot too far-fetched and fantastical – as you might if it had not been true.
‘You must have been dreaming.’
‘But Captain Flint, there were burglars, you’ve got to believe me.’
Poor Titty! No one ever believed her. Fortunately quite a bit of documentary evidence exists to support the fact that a certain feature film was made in the Lake District in 1973. I do wish I’d kept a copy of the book review though.
~ The Swallows find Titty sleeping in Amazon near Cormorant Island ~
~ Titty and Susan sail Amazon back to Wild Cat Island ~
~ Sailing Swallow and Amazon on Derwentwater ~
I was encouraged to collect things as a child, in case they might one day be of value. Back in 1973, I was given a number of black and white photographs and contact sheets of stills taken by Albert Clarke on the set of ‘Swallows & Amazons'(1974) – if you can call Derwentwater a movie set. I pasted some of these in a scrapbook but others remained in a roll that has only recently been returned to me. Each sheet looks roughly like this:
The eye is easily tired by looking at the whole set but scanning and editing reveals a little bit of film history in every shot. I can see here that Titty wasn’t letting Amazon’s anchor down, she was hauling it in while Susan was at the helm, with a fair wind in her sails. This must have been quite tricky.
You can tell by the numbers above each shot how many were taken and in what sequence. presumably 2003 photographs had been snapped by the time the Swallows found Titty moored near Cormorant Island.
~ These bizarre shots show the film crew afloat on their pontoon ~
The photographs below show Virginia McKenna rowing away from Peel Island on Coniston Water in a native canoe with DoP Denis Lewiston and his 35mm camera, which is pretty unique.
One thing is certain, if these contact sheets had not been given to me they would have been thrown out and yet, over time, they have become precious. Do add a comment below if you would like to see more.
It is quite interesting to see which shots were chosen for the press. You can see a few of the action shots used in magazines of the time by clicking here. Newspapers tended to chose photographs akin to portraits as you can see here.
Recent newspaper articles tend to use a black and white film still that was clumsily tinted giving the lake water an unreal and bright blue hue as you find here.
Some of the black and white prints are now held at BFI. StudioCanal hold a vast selection of the best photos in their library and have an on-line shop here. I have included about a hundred behind-the-scenes snaps taken by my parents in the latest edition of ‘The Making of Swallows and Amazons’ recently published by The Lutterworth Press, available from libraries, bookshops and online stockists including The Nancy Blackett shop, where proceeds go towards the upkeep of Arthur Ransome’s favourite little ship.
3rd June 2017, marked the 50th Anniversary of Arthur Ransome’s death – a day to remember his books and the inspiration they have brought to our lives, not least since he encouraged the pursuit of outdoor activites such as sailing and camping, along with reading, writing and keeping a ship’s log. I’m not sure what he’d think of some of the conversations I’ve had about Swallows and Amazons but at least his well-loved story is being talked about.
Last time I gave a Q&A about the 1974 movie of ‘Swallow and Amazons’ at a cinema, I was interviewed by the actress Diana Quick, which was wonderful as she was so easy to talk to. She asked a few questions that have not come up before.
Did you children feel the film was like the book?
Very much so, I’d read most of the books in the series and ‘Swallows and Amazons’ twice. Richard Pilbrow, the producer was aiming to keep as close to the Arthur Ransome’s well-known story as possible. I never saw David Wood’s script, but simply sung out Titty’s dialogue from my Puffin paperback. It was amazing to find ourselves in Secret Harbour, just has Ransome had depicted it. We were rather disappointed that the storm scene was cut but could appreciate that ‘you can’t have everything’.
How much time did you have to get to know one another?
Not long, only two or three days. The weather wasn’t that good but we were taken out sailing which was fun and Virginia McKenna was wonderful at getting us to play games that broke the ice. We played consequences with folded strips of paper, the results of which made us laugh a great deal.
Would you have felt able to take a boat out as Titty does, on your own at night?
Yes, I managed to launch Amazon and row her out of Secret Harbour in one take, but I was aged twelve, rather than nine, which is Titty’s age in the book. Amazon was a very easy dinghy to handle and had been used in the BBC serial made in 1962, when Ransome was alive.
Although he claimed to have read ‘Swallows and Amazons’ forty-two times, David Blagdon, our sailing director, forgot that Titty was meant to sail Amazon back to Wild Cat Island, so I never practiced taking the helm, or sailing her alone. In the end the Mate Susan took my place, which I felt was a bit of a shame as in the book Titty sailed her back with John crewing.
It is interesting that Titty, the most adventurous character was played by you who have gone on to lead an adventurous life.
It may be partly the way I’d been raised. My father grew up reading the first editions of Ransome’s books in the 1930s and we often went camping as a family, certainly every summer holiday. My mother still goes camping at the age of eighty.
Perhaps the director, Claude Whatham recognised an adventurous spirit. I always need to see around the next corner. I was hugely inspired to travel by my father and by friends at university, particularly Alastair Fothergill who has spent his whole life travelling while making wildlife films, most recently African Cats, Chimpanzee, Bears and Monkey Kingdom for DisneyNature.
Have you got any tips for camping?
Yes! There is an art to camping:
You can always fill a metal water bottle with hot water at night and use it as a hot-water bottle in your sleeping bag. If you get thirsty later you can always take a drink without having to get up.
I usually keep my clothes for the next day with me in my sleeping bag so they stay warm and dry.
It’s important to keep tents clean. Never brush your hair inside a tent and never let anyone step of the fly sheet when they are folding it up otherwise you risk having footprints on the ceiling.
Make sure you keep a supply of dry firewood.
There are dangers to camping: always set down a cup on the ground before filling it with boiling water from a kettle. It is too easy to get burnt by super-heated water if you hold it.
I pack a leather glove or pot holders for cooking over camp fires.
Take care about where you place knives, barbeque grids or pans as it is easy for others to tread on them in the dark.
Make sure your torch is in the same place every night. I keep a small torch in my washbag.
Take a hair-dryer. If there is ever an electricity supply you can use it to heat your tent or dry out wet clothes and sleeping bags. We got soaked riding through New Zealand once but arrived at a sheep shears’ shed and found great comfort in drying our socks. I gave this task to rather an annoying German man who took such pride it doing the job thoroughly that he regained our respect on a number of levels.
Enjoy every moment.
If anyone has any questions, please leave a comment below.
The long-awaited second edition of ‘The Making of SWALLOWS AND AMAZONS (1974)’ is being published in paperback by The Lutterworth Press on 25th May. Pre-orders are now available from their website here
This memoir of an odd thing that happened in the early 1970s is similar to the first edition but has a new cover and includes a few more stories, photographs and names from the ‘seventies that have floated to the surface. It compliments StudioCanal’s 40th Anniversary DVD and Blu-ray and makes a good present for anyone who has grown up watching the 1974 film.
Last weekend Sophie was signing copies of her books at the Tavistock Festival and gave a talk at the Roseland Festival in St Mawes before a screening of ‘Swallows and Amazons’ (1974) on Sunday evening at the lovely Hotel Tresanton cinema.
by Hayloft Publishing, written by David Banning with a forward by Sophie Neville.
‘This is the finest comprehensive guide to the history of movies filmed in Cumbria and the Lake District, since the early twentieth century to the present day… it will take you on a journey through the filmic landscape of one of the world’s most beautiful places.’
‘You will be able to immerse yourself in the lush green world where Star Wars created an alien landscape or take a trip around Swallows and Amazons country, not to mention joining the ranks of Withnail and I pilgrims or sampling the nostalgic Breif Encounter tea rooms where a tiny piece of grit kick-started an enduring romance.’
To read more, please click here for Cumbria Todayor click on this image for a review in the Cumberland & Westmorland Herald:
For more information from Hayloft Publishing, and to buy this book, please click here
Terry Abraham, who made the film Life of a Mountain, writes: There are countless books covering aspects of the most beautiful corner of England but none which reveal little known facts regarding it as a location for filming. David thoroughly and interestingly brings to light the great number of films both large and small that have featured Lakeland on camera. Some less obvious than others but no less absorbing, you may well wish to seek out and visit where productions have captured the scenic delights of Lakeland. David’s book is an engaging and enlightening read and definitely one for the shelf alongside other works celebrating England’s finest landscape.