David Wood, the award-winning playwright who adapted ‘Swallows and Amazons’ for the big screen in the early 1970s, wrote to say, “A fan recently reminded me that SWALLOWS, the film, will be celebrating its 50th birthday next year! Hard to believe, but true!”
He’s right. The Royal Gala that launched the film was held at the ABC in Shaftesbury Avenue on 4th April 1974. I still have the dress I wore and found a copy of the programme signed by other children in the cast. You can see photos in post I wrote about it here.
“I couldn’t attend the premiere,” David said, “I was rehearsing in Manchester!” This was a pity as it would have been amazing to watch the first film he’d written on the big screen with members of the cast present.
The event was followed by the publisher Kaye Webb’s Puffin Show at The Commonwealth Institute in Kensington High Street where the dinghy Swallow was on display from 9-21st April. I remember going along to meet readers. One of them wrote to me years later, thrilled that she’d won a new copy of the book. You can read her letter and find the Puffin Post article in an earlier post here.
“Do you think anyone will do anything to celebrate the anniversary? Are there any producers or distribution companies that might be approached? I am in touch with Richard Pilbrow, in America. I might drop him an email… Let me know if you think we ought to try to do something… a special screening, perhaps?”
When I suggested a few News presenters who might be interested in becoming involved, David replied saying:
“John Sergeant and I were at Oxford together, and performed in revue and cabaret….I directed him in a musical!
“Libby Purves interviewed me a few years ago at The Story Museum, Oxford. I was on Midweek twice too….”
“Have never met Ben Fogle, but years ago I knew his mother, Julia Foster. Her first husband was Lionel Morton, pop singer and Play School presenter, who played Owl for me in the first London production of THE OWL AND THE PUSSYCAT WENT TO SEE……in 1969!!!!!!”
“I was delighted that Virginia McKenna got her Damehood! Well deserved.”
This year marks the 50th Anniversary of making the film in the Lake District. I explained that I had been invited to give a talk to members of the Royal Thames Yacht Club in Kensington in April, hoping her could join me.
“I will put your April 18th talk in the diary – not sure yet if I will be free to come! But would appreciate you asking if I could attend. Last time I was there I gave a magic show for the members’ children!! About 50 years ago….just like the film!”
“The plans sound exciting. I wonder if the Arthur Ransome Society, to whom I gave a talk not long ago, might be interested in arranging something…”
They are. The idea is to put on an event at Windermere Jetty Museum in July 2024, under the auspices of Lakeland Arts. The Arthur Ransome Society are hoping to have both Swallow and Amazon there.
David then wrote to say: “The Cinema Museum, a rather wonderful institution in the Kennington area of South London, have pencilled Saturday April 6th 2024 for two screenings of SWALLOWS, to celebrate fifty years.” We have been invited to give Q&As and sign copies of our books. “Martin Humphries, who runs the Cinema Museum, organised a similar event about IF…., when I did a Q&A after the screening.”
This year is also the 50th Anniversary of the Lakeside and Haverthwaite Steam Railway where we spent the very first day of filming on 14th May 1973.
I found telling the story, with all the different voices, more difficult than I had imagined but the audiobook has been beautifully produced, with sound adding a different dimension to this filmography that resonates with the lives of so many.
You can listen to a free sample in the Audiobook Store here
There are a number of different online retailers. It is available on Spotify:
I gather it will be available on Audible but they are very slow to add books.
I hope it will take you back to that long hot summer in 1929 when the Swallows first set sail and remind you of the early 1970s when we made the original film in the days before mobile phones or computers without CGI or green screens. We literally walked into the page of the books and sang out Arthur Ransome’s immortal lines as the wind took us up Coniston Water. I hope you enjoy it.
What is most memorable about the making of ‘Swallows and Amazons’ for you?
I love exploring the places Arthur Ransome features in his stories. We were privileged to live out the pages of the book on location in the Lake District, but sailing in nothing but a short cotton dress and a pair of navy blue gym knickers was decidedly chilly – we earned our passage.
Would you consider Susan to be an influence on Titty within the story?
Susan made camping on the island possible. Suzanna Hamilton, the remarkable British actress who played Susan in the original film of ‘Swallows and Amazons’, became our rock without becoming prim or losing the joy and excitement of adventure. She went on to play leading roles in a number of major movies including ‘Out of Africa’ opposite Meryl Streep and ‘1984’ with John Hurt and Richard Burton. She is still working on cutting edge productions and recently had a guest appearance in ‘Eastenders’.
Is there anything you think should always be included in different versions of ‘Swallows and Amazons’?
You must feature the green parrot! It’s vital to enter the world of a 9-12 year old child, capturing the trepidation. It would be interesting to adapt Arthur Ransome’s books without featuring adults, or only including them as shadowy facilitators.
How did you feel about playing a part where you were able to be the cunning and playful younger sister?
In real life, I was the elder of three sisters so took on the roles of both John and Susan. Playing Titty felt something of a release. I was freed from the responsibility of taking the helm.
Titty is well-read and bright, creative and imaginative but I wouldn’t call her cunning. She longs to be alone on the island to experience what it was like to be Robinson Crusoe, which is why she volunteers to stay behind to light the candles, but is that a cunning plot? She is an innocent.
What was your favourite line in Swallows and Amazons?
Titty’s lines are challenging and can only be uttered with humour and an acceleration of charm. I rather enjoyed, ‘X marks the spot where we ate six missionaries’, although I don’t think it can be found in the book. ‘Thank you so much for letting us see your lovely serpent’ would probably be disallowed these days.
Did you have a favourite scene?
Finding the lighthouse tree was a short sequence that worked well. We shot it on the banks of Derwentwater towards the end of the filming. But I most enjoyed our day with the charcoal burners. They were wonderful.
What did you enjoy most about filming in the Lake District?
We loved High Force, the waterfall, and exploring the mossy woodlands. Secret Harbour on Peel Island is very special, as is One Tree Island where we found the treasure.
Do you feel that you and your character influenced children?
Even now, nearly 48 years after the film was released, I receive correspondence from people telling me how the original film of ‘Swallows and Amazons’ influenced their lives or helped carry them through a tough patch. It is always wonderful to hear how Titty has inspired others.
Maurice Thomas who used to live in Cockermouth wrote: ‘My mum and my Auntie Gladys took me to see this little children’s flick in 1974/5 as it was a double bill with ‘The Railway Children‘. I remember ‘The Railway Children‘ reasonably fondly, but ‘Swallows & Amazons‘ had me utterly mesmerised.’
If you were to give any advice to actors wanting to perform in ‘Swallows and Amazons’ what would it be?
Visit the locations. Go to Bank Ground Farm and run, fast, down the field to dip your hands in the lake as Arthur Ransome did as a child. Capture that feeling and carry it with you as you sing out the lines.
And be prepared for the impact the story will have. It could follow you all your life.
To read another recent interview with Authors Reach please click here
If you would like to read more about the secrets of filming Swallows and Amazons, you can ‘Look inside’ the ebook free of charge here:
Are you looking for a special Birthday or Christmas present for someone who happens to love the original film of ‘Swallows and Amazons'(1974)?
Paddy Heron of Children in Read has a huge number of amazing books listed in a charity auction being held to raise funds for BBC Children in Need. Nearly £21,000 has already been pledged, which is amazing. We have 3 days left to bid, so you have time to chat to the family!
‘The Making of Swallows and Amazons (1974)’ is listed as Lot 298, in the section ‘Film & Television’ above Nigella Lawson’s book ‘Coot, eat, repeat’.
and scroll down until you see the image of the book you would like to bid on, then click on the price button and you can enter a bid when the large image pops up. You don’t pay until you win on the final day. I will pay the postage within the UK and inscribe the copy to whom you wish.
We now have another bid for £101. Copies on Amazon.UK – where is it has 47 reviews, are now listed as costing about £76. I promised that if the bidding went higher than £78 I would personally inscribe this large paperback edition and include a signed first edition hardback copy of my autobiographical book ‘Funnily Enough’, worth £15, which includes a few pages about filming ‘Swallows and Amazons’ in the Lake District.
I said that the bidding goes any higher than £101, I will include a copy of ‘Ride the Wings of Morning’, my memoir about leading a Swallows and Amazons style life camping in Africa:
In the summer of 1973, I was transported to the shores of Windermere, ‘The Great Lake in the North’ to appear as ‘Titty Walker’ in the classic movie of ‘Swallows and Amazons’, starring Virginia McKenna and Ronald Fraser.
We were fortunate enough to film the scenes set in Rio at Bowness-on-Windermere before the original green boat sheds were demolished in favor of an amusement arcade.
George Pattinson brought along his steamboat the Lady Elizabeth, which you can see here beyond the Windermere skiffs pulled up on the shore.
George’s personal collection made up the basis of the Steamboat Museum now rebuilt and known as Windermere Jetty, where we found the Lady Elizabeth under full restoration.
Eighteen foot long, she was built in New York State in about 1900 and brought to England, so was likely on Windermere in 1929 when Arthur Ransome wrote ‘Swallows and Amazons’. She sank off Cockshott Point beyond Bowness, but Mr Pattinson salvaged and renovated her in 1955. You can read more here.
Other exhibits included the exquisite steam launch Osprey, in fine fettle with her copper steam kettle kept brightly polished. I knew her from taking part in a Steam Boat Association rally on Windermere in 1991.
The RNSA dinghies used to play Swallow and Amazon in the 2016 movie can also be seen in the wet dock at Windermere Jetty.
Look up, and you can spy a green beetle on an old burgee.
Arthur Ransome’s dinghy Conch-y-bonddhu, known as Scarab in his books, is on display with Beatrix Potter’s rough, flat-bottomed rowing boat (the pointed bows of which can be seen here hanging on the wall to the right).
‘Swallows & Amazons'(1974) starring Virginia McKenna was broadcast on BBC Two, recalling the adventures of the Walker and Blackett families on a ‘Lake in the North’ in August 1929 before the school term began. Once hailed as ‘The feel-good film of Lockdown’, it transports us back to a time of freedom, celebrating the beauty of the English Lake District. It was available on BBC iPlayer here and is currently streaming on Amazon Prime where you can watch the trailer.
You can watch a short re-mix here:
It was wonderful to see the feature film heralded as ‘Film of the Day’ but Hilary Weston of The Arthur Ransome Society pointed out that there are a few errors in the write up.
Arthur Ransome wrote the novel ‘Swallows and Amazons’ in 1929. The first illustrated hardback was published by Jonathan Cape on 1st December 1930. There are twelve books in the series, however only five are set in the Lake District. ‘Missee Lee’ sees the Swallows and Amazons exploring the South China sea with Captain Flint, while Dick and Dororthea join them all on the Sea Bear to cruise the Otter Hebrides in ‘Great Northern?’. The 13th story in the series, an unfinished manuscript entitled ‘Coots in the North’, is set in Cumbria.
Arthur Ransome died in 1967, aged 83, so was not around to see this feature film made. He had been grumpy about the 1963 BBC serial made in black and white, which starred Susan George as ‘Kitty’ (rather than Titty).
After he died, his Russian wife Evgenia was determined to avoid what they called a ‘Disneyfication’ of the books and kept a tight hold on the script, character names, locations and casting of Richard Pilbrow’s 1974 adaptation. As a result, David Wood’s screenplay adheres to the story and was approved by Mrs Ransome who gave the go ahead. On watching the finished film, her only adverse comment was that one of the kettles used was of the wrong period.
Arthur Ransome’s father died when he was thirteen and the theme of fatherlessness flows though his books granting the young characters independence. In ‘Swallows and Amazons’ it is Nancy and Peggy, the Amazon pirates, who have no father.
The story opens when the four elder Walker children are given permission to sail off to camp on an island by their father who is absent, in Malta with the Navy, and sends the famous telegram: BETTER DROWNED THAN DUFFERS IF NOT DUFFERS WONT DROWN (with no apostrophe).
Vicky, the fifth sibling and baby of the Walker family, keeps the Swallows’ mother at Holly Howe farm on the mainland. Tension is created after the Amazons let off a firework on their uncle’s houseboat while he is absorbed in his writing and ignoring them. He shook his fist at the crew of the Swallow assuming they were responsible for the damage and was labelled ‘Captain Flint’.
In his memoir, ‘A Theatre Project’, Richard Pilbrow describes how the idea of adapting ‘Swallows and Amazons’ came to him as he watched the sun set over Windermere one night when visiting the Lake District. He put the idea to Nat Cohen of EMI who was looking for a classic book adaptation similar to ‘The Railway Children’, which had been a box office success. Nat Cohen hadn’t heard of Arthur Ransome but his assistant loved his books and raved about the idea. EMI Films provided the initial budget of £250,000 although more was spent. The movie was directed by Claude Whatham who may well have been influenced by the Children’s Film Foundation but he was regarded as avant guard at the time and, like Richard, motivated by the beauty of the Lakes.
The original poster for the film used an ampersand in the title graphics but this was lost as it was translated, sold worldwide and remastered.
Someone who must love the old film claimed the error in the write up was that it was only given three stars. The DVD now has a 4.5 star rating on Amazon but it only gets 6.5 out of 10 on IMDb – the International Movie Data base, which is equivalent to three stars. You can add a review on this site here.
Mark Walker of the Arthur Ransome Group added: And they got the title of the article completely wrong. “Film of the *Day*”, indeed..!! Film of the Year, Decade, Century, Millenium….any of the above could have been more appropriate..!!
RTE Guide declared, ‘The definitive adaptation of Arthur Ransome’s ‘Swallows & Amazons’ is on BBC Two.’ More people than ever seemed to watch the classic film, starring Virginia McKenna, which attracted comments on Twitter, Facebook and Instagram while emails were being sent in.
Dr Lucie Bea D – And Swallows and Amazons is on! A very very early cinema memory for me; I saw it in Hereford and was given a colouring in picture of the Amazons hiding in the reeds watching Swallow.
I’ve just enjoyed watching the film on tv again (I watch it every time!) I can remember watching the film in 1974 with my mum and grandma when I was a nine or ten year old, at the then called Mecca Cinema in Horsham,Mecca Cinema in Horsham, Sussex (sadly now demolished) I remember loving the natural setting and the adventure in the film and remember it being thrilling and suspenseful! Still my favourite film, so cheerful and uplifting. The lovely music! All still brings a tear to my eye.
Back then in the 70s we didn’t have the lakes but at every opportunity our little band of local children would run off over the fields playing, building camps and climbing trees in the woods – such happy, carefree days. Been looking at your website too – what a huge resource about the film – good time at the moment to look through it! Thank you for all the information and being in such a happy film, John Rose
Michael – I spent my summers up in the Lake District as a boy and loved/love the book
Peter Hamilton – Swallows and Amazon’s was one of my all time favourites as a child, it was an adventure that seemed more attainable than famous five etc. I really hope my son loves it as much as I did when he’s older…. I adore lake Coniston. Even in high summer that water is icy and very deep innocent happy times… I‘ve tried to sail out to the island on Coniston lake but there wasn’t enough wind so didn’t quite make it. I collected a fair few of the books in my 20s, brings back lots of memories
Duncan HallIt’s such a good film. Doesn’t feel dated at all, to me.
Peter Ashby something timeless about the film. I can happily sit and watch it any time
Graeme Wood – Just goes to show how timeless the story is..
Graeme Wood – It’s a lovely film. As a kid I wanted to jump through the TV screen and join in (ditto the BBC adaptations of Coot Club and The Big Six). Hopefully kids will watch and want to read the books.
Michael – I’ve loved it all my life. I remember my dad rowing me out to an island on lake Windermere and showing me holes in trees, he said they’re from arrows!!!!!!
Maddy Knibb – I also had a wooden swing that collapsed so I turned it into a boat, with broom handle and sheet mast and sail. Guess which books were played out – Swallows and Amazons! It was by a laurel hedge and the leaves made great fish to be cooked on pretend fires!
Perfect opportunity for children to replicate #WildcatIsland with homemade tents in the living room
Glenn Evans – Read this to all my children when they were toddlers. And saw the film in 1974 myself.
Michael – It was only yesterday as far as I’m concerned
Jude – Remember watching the boats on the lake being being filmed from my bedroom window – what a lovely way to slip back into my childhood
Mandy Morley The most classic, and my favourite quote: “I’ll shiver your timbers for you if you don’t stop chattering Peggy!”
Portway Junior School say, ‘the Portway Press also contained a link to the children’s classic ‘Swallows and Amazons‘ film – an excellent watch in this wet weather’.
The school term is over, ‘Swallows and Amazons’ is on BBC iPlayer and Christmas missives are arriving in the post. I have just been sent this homemade card from someone who came to the premier of the original film in 1974, when I was fortunate enough to play Able seaman Titty.
~Captain Flint hanging Christmas decorations around his houseboat on a card made from a Puffin book cover~
I dug out the Puffin paperback of Swallows and Amazons my father gave me when I was a girl and read avidly, along with other books in the series, by the time I was eleven years-old. It is a 1970’s edition in which I’d underlined everything Titty said. I must have re-read this copy when busy preparing for filming the 1974 movie financed by EMI.
Kaye Webb, the editor, had written an introduction saying, ‘This book is about sailing, fishing, swimming, camping, and piratical exploits.’ She wanted to make it available to children, thinking that discovering Swallows and Amazons ‘for the first time must be as exciting as a Christmas morning.’
Underneath, I’d noted down the skills I would need to acquire before playing the part of Titty. ‘Owl Hoot’, was one item, ‘wisle’ (sic) another. I was somewhat apprehensive about dancing the Hornpipe but excited about ‘being a cormorant’, having no idea how cold this experience would prove.
According to Trade News, 75,000 copies of a new Puffin paperback were brought out to accompany the original film. A still was used from the scene where the Swallows sail both dinghies from Cormorant Island. It retailed for 35p. Meanwhile Jonathan Cape printed 12,500 copies with the original dust jacket to accompany the release on 4th April 1974.
Today, I am most interested in Ransome’s prose, amused to find the phrase ‘X marks the spot where they ate six missionaries’ does not appear within the pages of the book. It was given to Titty in 1973 by the screenwriter David Wood. However, there are words of wisdom a-plenty that were not used in the film adaptations:
‘I like cooking,’ said mate Susan.
‘If you want to go on liking it, take my advice and get someone else to do the washing up’, is Mother’s reply. (I wonder who might have said this in reality.)
‘You can be wide awake and not see a thing when you aren’t looking’ is one of Roger’s observations.
John was able to look back to ‘a different, distant life’, which is exactly how it feels when the excitement of Ransome’s world spoils you for the ordinary. It’s true: those involved in outdoor activities develop in leaps and bounds ending up, ‘not at all what they had been.’
What is it about Arthur Ransome’s writing that captures your imagination? Rowing? Sailing? Cooking over a camp fire? Which book has most influenced your life?
Lat time ‘Swallows and Amazons'(1974) was screened on BBC Two, at least one film fan held a TV party with a 1930’s theme. Others ‘stoked up the wood-burner and settled down to spend an afternoon re-living summer in the Lake District’, adding, ‘It is as if Christmas wouldn’t be Christmas without ‘Swallows and Amazons’ – a timeless classic to watch again and again.’
For the latest edition of the paperback on ‘The Making of Swallows and Amazons(1974)’ with details of where the film was made and what those who appeared in it are doing now, Please click here
The ebook, entitled ‘The secrets of filming Swallows & Amazons (1974)’ is similar with a few more stories for adult readers and has links to behind-the-scenes cine footage. It can be downloaded from iTunes, Smashwords,Kobo and Amazon Kindle
It would be lovely to hear from anyone who saw it in the cinema when it first came out in cinemas in the summer of 1974 – more than forty-five years ago.
Simon Hodkin kindly sent in this cinema programme that he has kept since watching the movie when he was a boy growing up in North Wales.
Arthur Herbertson managed to track down these rare publicity sheets for ‘Swallows and Amazons’ typical of movie games of the period:
Arthur has a collection of the four jigsaw puzzles and the Puffin paperback that came out with the film.
There was a vinyl LP narrated by the screenwriter David Wood that you can still purchase.
Arthur found a publicity brochure that I had never seen before.
To read comments from people who saw the film at the cinema in 1974, please click here
The original story was written by Arthur Ransome in 1929 ninety years ago, so the film hits the half-way mark between the original readers and today’s audience. It’s funny, the critics in 1974 are asking the same question as raised in the billing this week: Do ‘modern youngsters struggle to relate to such old-fashioned game playing’?
Do add your thoughts to the comments below.
~Billing in the Christmas edition of the Radio Times 2019~
An article first published in Mixed Moss, the journal of The Arthur Ransome Society:
‘I can’t see it.’ The man was standing in the rain outside the cinema. ‘You said Swallows and Amazons has parallels to missionary life but I don’t get it.’ He was a vicar, camping with his family in the Lake District. After spending a week at the Keswick Convention, he’d brought his children to see the original film Swallows and Amazons (1974) at the Alhambra cinema where I was giving a Q&A after a screening of the movie.
‘I once went on a short-term mission to Australia,’ I told him. ‘People would ask me if I was going to convert the natives.’ The archaic idea of berating aboriginal people almost filled me with horror but use of the word ‘natives’ reminded me of Swallows and Amazons. This led me to consider how deeply Arthur Ransome was influenced by missionary journeys of the early 1900s. As the author, Julian Lovelock points out, ‘exploring, trading and being a missionary were, in Victorian times, all shades of the same colonial activity. Dr Livingstone is often described as an ‘explorer-missionary’. This is the 80th Anniversary year of the publication of Secret Water where ‘missionaries’ enter Ransome’s world in their ‘mission ship’ Lapwing.
Linda Hendry, of The Arthur Ransome Society (TARS), observed that as a boy of ten, Arthur envied his Aunt Edith and Aunt Jessie who were going off to China as missionaries. Did this idea of adventures last with him?
Although his father, Cyril Ransome, came from a clerical background and ensured Arthur received a biblical education in Windermere, Margaret Ratcliffe of TARS reports that ‘there is never a hint of spirituality’ in his letters and diaries. ‘Arthur and Genia were not of an active religious persuasion; Christmas and Easter were ordinary days for them.’ The only time he went to church on a regular basis was when he lived in Finsthwaite and his closest fishing friend was the vicar, the Rev. Roland Pedder. ‘Arthur Ransome never mentions that they discuss spiritual matters, rather hooks, bait and water levels.’ I agree with Margaret’s view that any analogy ‘would have been subliminal on his part, rather than conscious’ but it is embedded in the story, all the more interesting for being unintended.
The reality of going on overseas missions does have parallels with Swallows and Amazons. You tend to set off as a group or family, like the Walker children, and usually end up helping people who need a bit of support, even if it is not what you might expect. Those once wounded often make the best doctors.
One of the key themes, perhaps driving force behind Swallows and Amazons is fatherlessness. Is the story an out-working of Arthur Ransome’s grief for his own father, who died when Arthur was thirteen? Was he desperate to prove himself as reliable and resourceful as Captain John, planning the expedition while Commander Walker was in Malta preparing to sail to Hong Kong? As it is, the Swallows gain Daddy’s permission while remaining under the umbrella of their mother’s care, making sensible preparations before setting sail. This is very like missionary groups who usually need permission from the church with back-up and support from their mission organisation.
Peter Wright, chairman of The Arthur Ransome Society, added, ‘The Amazons seek out the Swallows in much the same way as indigenous people came to find out about early explorers.’ Any number of missionaries have had arrows fired at them. The Swallows discover that Nancy and Peggy not only prove to be the same age but share their terminology and outlook on life. They too have no father around and have recently been rejected by their uncle who is busy writing. As a result, they are being rebellious and let off a firework on the roof of his houseboat. The Swallows make friends with the Amazons and end up helping Uncle Jim to see sense.
Everyone’s moral values are tested in Swallows and Amazons. Uncle Jim realises he has been neglecting his relationship with his nieces and sees what ‘a cross-grained curmudgeonly idiot’ he’d been to ever doubt John Walker’s integrity. Although this casts a shadow on idyllic island days, it almost visibly builds John’s character before his leadership skills are stretched by challenges set by Nancy. The other characters use their gifts to the full, Susan becoming the practical facilitator and Roger learning to be helpful. Titty is the one keen on diving for fish like a cormorant. She keeps the journal or ‘ship’s log’ and takes guidance from the Christian novel Robinson Crusoe that, ‘tells you what to do on an island’, being well-aware that missionaries could be eaten by cannibals. Although her active imagination is undervalued at first, she comes up with ideas that prove vital.
When the Swallows meet indigenous people of the area such as the charcoal burners, they are both polite and respectful, taking an interest in traditional beliefs, such as keeping an adder under the bed for luck. Although Roger makes a bit of a gaff, saying Old Billy ‘doesn’t look much like a son’, the others take an interest in ‘savage’ language and culture.
The Swallow’s mother looks out for them constantly. She reprimands John and sets rules when he goes too far, ‘No more sailing at night’, but continually ensures they are provisioned and their needs met. It might not be expected, but there are battles to be won on the mission field. They are usually tricky, demanding timely action and often involving discomfort akin to sleeping in a dinghy moored by Cormorant Island. Interestingly, it is Titty, the littlest girl, who finds the strength and courage to also unearth the buried treasure and bring restitution.
‘What did the burglars do when they found the treasure had gone?’ one little girl at the cinema asked?
Quick as a flash, Marc Grimston of TARS EAST, who was in the audience, said, ‘Captain Flint carves a fish for them to find instead of the trunk.’ Repentant and forgiven himself, Jim Turner opts to convince the thieves of their guilt rather than report the burglars to the police.
The great thing is, that whilst fishing from boats and weathering the storm, firm friendships are forged that take the Swallows and the Amazons on further adventures, even to the ends of the Earth. There is something inspirational about these that stories lead others to extend themselves, hoist their sails and live life to the full.
You can’t go out as a missionary expecting to convert the natives. You need to come alongside people who are hurting, find the key to their needs and help them use their God-given ability to fulfil their dreams. It can be scary and things won’t always go smoothly but you are usually warned of danger. There will be a need for strong leadership when times become testing but it should be fun. If you can gain people’s trust and hold on to the unity there will be celebration and feasting in the end.
The vicar, standing in the rain beside his bicycle, began to appreciate the parallels. You may find more. One thing is certain: there is something about the Swallows and Amazons series of books that enables adults to enjoy them as much as children. We can escape pressures of contemporary life and are inspired to fulfill our dreams, becoming all the good Lord wants us to be, doing all the things He has prepared us to do.
You may disagree completely, you may can find parallels in other Arthur Ransome books. Please write in, using the comments box below.
Duncan Hall of the Arthur Ransome Group on Facebook wrote: ‘Of course, throughout (the series of Swallows and Amazons books) there are references to fictional and non-fictional adventures of exploration and discovery which historically sat with Empire, missions and trade as well as with piracy, etc. They do contrast with a political outlook that is clearly oppositional to those traditions. We always end up being impressed by savages (in the Lakes or the Walton backwaters) rather than hoping to civilise them. In Missee Lee, we obviously want to protect the location of the Three Islands, rather than send Daddy’s gunboats over there (despite the pretty monstrous business that Miss Lee presided over, we are convinced that the Brits destroying their way of life would be more monstrous still).