‘I’d like to go to Africa and see forests full of parrots!’
I’m not sure about the parrots but I’m off on an African adventure soon – details to follow in my next post.
Very Happy New Year to one and all. May 2018 prove fulfilling.
‘I’d like to go to Africa and see forests full of parrots!’
I’m not sure about the parrots but I’m off on an African adventure soon – details to follow in my next post.
Very Happy New Year to one and all. May 2018 prove fulfilling.
A British film starring Talulah Riley, Martin Compston, and Joe Thomas of In Betweeners fame, has come out on DVD. It also features our tame otters. I travelled up to Dunoon in Scotland to help with the scenes that, in the story, entail an injured otter brought into a wildlife conservation centre set in a beautiful location outside Glasgow.
Belinda the Otter with Sophie and Daphne Neville
The romcom is written and directed by Talulah Riley who was keen to use our very energetic young male otter Rudi in a scene where the otter is released back into the wild. To achieve this on film, without losing him altogether, was quite a feat but he enjoyed himself and the result looks endearing.
When one of the producers asked if I had worked on any other films featuring animals, I had to admit there have been quite a few. We once had a baboon in the studio and I became quite used to filming with trained elephants. I worked with a whole variety of exotic animals on the vet series ‘One by One’ from a pelican to a full grown leopard. In the mid 1980’s I was lucky enough to spend four months on Corfu making the first BBC adaptation of Gerald Durrell’s autobiography ‘My Family and Other Animals’ with Brian Blessed and a huge number of tortoises. As it happens, Rudi will appear in the next series of The Durrells, with filming due to start soon.
To see more about what the otters have been up to, please go to Daphne Neville’s website here.
There are more photographs of the otters here
The DVD, which will be released on 3rd October, is available for pre-order here
One of our hand-reared otters who stars in ‘Scottish Mussel’
Sophie Neville who played Titty Walker
‘Forty years after she enchanted film-goers as Titty in Swallows and Amazons, Sophie Neville has found a new audience… telling the behind-the-scenes secrets of the film of Arthur Ransome’s classic novel.’ The Daily Mail The Making of Swallows & Amazons ‘…is based on diaries, letters and old photographs which Sophie has turned into a heart-warming account of making the movie, which starred Virginia McKenna and Ronald Fraser.’
’The Telegraph ~ Culture: ‘Set in the Lake District in 1929, the film follows four young adventurers who sail a dinghy around Lake Coniston, cook for themselves over campfires and sleep in makeshift campsites.’
‘…The occasional chaos and terrible weather during filming contributed to the eventual popularity of the extraordinary and very much loved film.’ The Times
‘The film Swallows & Amazons is 40 years old, but thanks to its careful period evocation, its respect for Arthur Ransome’s original book and the performances of its child actors, it’s become a timeless classic. One of those children was Sophie Neville, who played Titty, and who kept a diary during the filming. That diary, with her adult recollections, is this book. It’s a fascinating insight into filming on location in the Lake District… Classic Boat
‘… The result is compulsive reading as she recalls that cold wet summer, while the camera crew wrapped up warm and she shivered in her skimpy dress as Able Seaman Titty Walker. Sophie brings to life all the many memorable characters who worked on the film and in particular the other children, the Director Claude Whatham who developed a great relationship with his young cast and the stars Virginia McKenna and Ronald Fraser. Nor are the other young actors forgotten for there are diary contributions from Suzanna Hamilton who played Susan, Stephen Grendon who played the Boy Roger and Kit Seymour who played Nancy Blackett. The text is supported by numerous illustrations showing life on and off the set.’ Roger Wardale, author of Arthur Ransome: Master Storyteller and other books
‘You don’t need to be a Swallows & Amazons fan to enjoy this book – it’s universal!’ Winifred Wilson, Librarian of The Arthur Ransome Society
‘This was a most unusual and interesting book. I picked it up expecting to browse through it, and found myself so drawn in to Sophie Neville’s detailed, amusing and insightful description of film making in the 1970’s that I was unable to put her book down. As Arthur Ransome fans, my family and I have always loved the film, and felt that Sophie Neville was ‘just right’ as Titty. What fun it has been to be introduced to the young twelve year old Sophie with her intelligent awareness of the challenges facing the production crew while she shivered in her cotton dresses. The many photographs and illustrations contribute richly to bringing the 1970s setting to life. Sophie recorded her experiences beautifully, and in so doing, added one more valuable book to the cultural heritage of all Arthur Ransome fans.’ Juliet Calcott, English teacher, South Africa
Lots of photos throughout the book bring the scenes to life – a delightful read.’ Celia Lewis author of An Illustrated Country Year
Sophie Neville has been chatting to Mark Forrest on The Evening Show.
Please see her post on the Funnily Enough, the website or click on his image above and slide the cursor to 02:14:20
~ David Stott aged 19, far right ~
David Stott has emailed me, sending a photo of himself with his friends in the summer of 1973:
‘It was taken at college just before l started work on Swallows and Amazons… I am the one on the right with the yellow sweater. Love the hairstyles. Fashion-wise it was the era of Crimplene, as evident in my friend Pauline’s dress. I remember I wore a brown Crimplene jacket when I was driving the unit car.’
For the last twenty-six years David has been the resident proprietor at the Crossways Hotel near Willmington, a beautiful Georgian restaurant with rooms in East Sussex near Glynebourne, which makes the perfect place to stay if you are lucky enough to get tickets for the opera.
David recently added more tales of impro-parrot-y to the comments:
‘I also remember the incident when Ronnie Fraser sang “Drunken Sailor”. I delivered him back to location from a very drunken session at The Lodore Swiss Hotel, dragging him from the bar. He was not a pretty sight. Was it that the same afternoon that he had to fall into the lake? My memory is a little sketchy, but l seem to remember he was pretty far gone on that occasion as well.’
‘My neighbour Mrs. Dora Capstick was employed to show Captain Flint how to play the accordion. Of course I think the music was dubbed at a later date.’ I can only suppose that she taught him how to play the sea shanty, What shall we do with the drunken sailor? since that is what he was playing in the shot at the end of the film.
‘I had forgotten the name of the parrot lady, Mrs. Proctor, she lived in a cottage in one of the old yards in Kendal. I was scared to death of Beauty and I don’t know how you could bear to have him on your shoulder.
‘I vaguely remember your mother and I was friendly with Jean McGill the unit nurse who was another local Ambleside Girl.’
‘I was friendly with some of the production assistants but cannot remember their names. Quiet a few hours were spent on the double-decker buses that were used on location.
‘Another memory I have is having to wait for the London train to collect the rushes then get them back to the Kirkstone Foot Hotel for an evening screening and felt very privileged when l was allowed to stay and watch them.’
Does anyone else remember helping to make the movie Swallows & Amazons, or coming to watch the filming in 1973? Please do add your memories in the comments box below.
The stars were Virginia McKenna of “Born Free” fame and Ronald Fraser. I was reminded of this period of my life when l read the headline ‘X-RATED antics of Swallows and Amazons’ in The Times. The title related to the release of an e-book by Sophie Neville one of the child actors in the film. Sophie was 12 at the time and I was 19.
Sophie recalls how Ronnie (Ronald Fraser) was always drunk. Well this is not strictly true. In the morning Ronnie was reasonably sober and for this reason the director Claude Whatham would try and get most of the shooting with Ronnie in the can before the lunch hour came around when I would be summoned to take him to the nearest hostelry. Ronnie would then order his own concoction “The Fraser’. I cannot for the life of me remember what it consisted of, but believe you me these disappeared at a rapid rate of knots down Captain Flint’s (his character’s) throat. By the time the liquid lunch came to an end l would have to bundle him into the back of the car and deposit him back on set, much to the dismay of the producer Richard Pilbrow and the director Claude Whatham. Afternoon shooting was often a disaster when Ronnie was involved and I’m sure he frightened the children from time to time.
Well if the children were sometimes scared by Uncle Jim, as Captain Flint is known, then l was scared of the parrot that Uncle Jim had on his boat. The first day that I had to collect the parrot the old lady who owned him travelled with him to the location on Derwent Water. However she soon became bored with all the hanging around and after that she entrusted me with the parrot. Now birds are not really my thing and I really did not like handling him. He would travel to the location in an old shopping bag with a zipper, where l would hand him over and he would be placed in his cage. This was all well and good, then came the day that was so wet they did not use him, but instead he stayed in the production office at the Kirkstone Foot Hotel where the crew were hanging out. I was told he was in the bathroom, l expected him to be in his travel bag, but no he was sat on the edge of the bathtub looking at me. By this time he hated being put in the bag it took me all my time with a towel to catch him, finally after being scratched and bitten I got him home to his Mum.
The hardest thing to stomach was the fact that the parrot was paid more per day than l was.
Thank you so much for writing in, David. Your story about the green parrot had me roaring with laughter. I am told that he was a male parrot called Beauty, who belonged to Mrs Proctor of Kendal. Her grand-daughter rang in when I was interviewed on Radio Cumbria recently. She told me that her gran, old Mrs Proctor could do anything with him, and was well know for walking around Kendal with him sitting on her arm. I don’t think anyone else dared get close. Since I played the part of Titty, I had to have him sitting on my shoulder in the cabin of the houseboat, while delivering the most important lines in the film. We were then meant to leap about singing, What Shall We Do With the Drunken Sailor? This was a bit ironic since Ronnie was half-plastered by then. He was pretty permanently pickled. In the penultimate shot of the film, while pretending to play the accordion, he was still drunk from the Wrap Party 36 hours before. The parrot was not invited to the party but did receive a fee of £25 for appearing in the film. His owner used this to buy him a bigger cage.
I don’t know who thought up the ‘X-rated’ headline at the Times (which was absurd) but a reporter from the Daily Express provided the receipt for ‘The Fraser’ in 1973 – I have the clipping (above). Geoffrey Mather wrote: ‘A Fraser is a drink of his own invention. It consists of a large vodka with a kiss of lime and a ton of ice, topped up with soda in a large glass’. We all bought the copies of the newspaper in Ambleside. My mother was horrified as instead of being a story about making the film it was a half-page article about Ronnie’s antics in the bar of the Kirkstone Foot Hotel on Windermere.
The Times. What author would not be thrilled to have their ebook profiled in a Saturday feature article? But look at the headline. I shall never live it down. Far from being scandalous, my story is appropriate reading for any age group.
Richard Kay’s piece in the Daily Mail seems to have sparked off quite a bush fire. A News journalist from the Telegraph rang, as mentioned in my last post. Before I knew it, there was an over-excited headline on the internet
I was told-off by our Church Warden, who then handed me a clipping from the Saturday Telegraph, which read: ‘Swallows and Amazons a debauched adventure’. I didn’t dare look in the tabloids.
Anecdotes about Ronald Fraser’s legendary drinking habits are mounting up. Spare me from being a prattler, but Ronnie would have loved this. Star of thirty post-war movies and numerous television programmes, he liked nothing more than to sit in a pub sharing scandalous stories with his friends from the press. A showman to the end, his coffin was carried by Sean Connery, Peter O’Tool, Simon Ward and Chris Evans.
Peter Walker e-mailed me from Cumbria:
In 1973 I worked for Post Office Telecommunications (now BT) as a local maintenance engineer. One summer’s day I had been given the job of repairing a fault on the payphone in the White Lion Hotel in the centre of Ambleside. As I pushed open the door to the bar it slipped out of my hand and the handle caught a customer in the back who happened to be taking delivery of a large drink.
I apologised, and he said “No damage done my boy… haven’t spilt a drop!”
I said I was referring to his back, “Don’t worry,” he said, “being stabbed in the back is normal in my line of business!”
A wonderful story that I have already added to the ebook:
…long after the filming, when Ronald Fraser was having a pint with his friends, he was fond of muttering ‘Natives!’ especially if someone ate the last of his crisps.(As you probably know, this was one of Titty’s lines in the film used when the Swallows were nearly run down by a Windermere steamer.)
His fans and old drinking pals added comments below the online feature in Friday’s Telegraph:
Ronald Fraser sounds like he was well cast for the part, the black sheep of the family who was also the favourite uncle and usually totally p-ss-ed.
Ronald Fraser – a joy and wonderfully in-character as the freeloading drunk on the trans-Atlantic liner in the original TV adaptation of Brideshead.
“Debauchery” implies REAL shennanigans. Ronnie was usually too plastered to do more than stand, let alone move, let alone “do” anything. I assume the word is used ironically.
I had the pleasure of meeting Ronnie Fraser several times in the Richard Steele on Haverstock Hill in 1969/70, and of conversing and drinking with him. He was a total lush, but charming, funny and scandalous. His fund of acting stories was endless. I’m surprised he made it safely through S&A! (Swallows and Amazons)
I also remember Ronnie Fraser from the Richard Steele. One evening he was serving behind the bar, in his cups he served me 4 drinks and instead of adding up the price he just said “that looks about 10 shillings worth to me!”
The Richard Steele was a proper boozer with a mixed clientele which included Anthony Booth, Rupert Davies and Eric Sykes. And a great selection of posters on the walls. I went back in there a couple of years ago and it has lost the buzz it had back in those days.
he also was in the star in st.johns wood too dont think i ever saw him sober either.that would be about 1975 -1979
Yep. I too drank with him in The Richard Steele in 1976/7. Total gentleman and a great character. He used to drink with Alan Browning. Glynn Owen was another regular and one or two others of note.
I loved that film and thought it very faithful to the source book. My sister has met Ronald Fraser and as well as being a boozer he was also apparently something of a swordsman.
I thought that Ronald Fraser was miscast – he was too much the buffoon and his speech impediment wasn’t appropriate to the role.
General comments about the film were also added to the Telegraph site:
I had a slightly surreal experience 10 or 12 years after it came out. It was on TV and I sat happily through it, then I put in the video of the John Hurt movie 1984. In it, the girl I’d just been watching playing Susan as a 12 year old instantly aged 10 years.
It was raining in the Lake District- that’s a major surprise. One place there has recorded 200 inches of rain in a year!
It’s good to find someone else who shared those lovely £sd days!! I remember the posters vividly.
It was indeed largely a time of great adventure for a child at that time. As kid’s, at weekends & holidays, we often wouldn’t be seen from morning ’till evening, off exploring our surroundings. Totally unlike the generally mollycoddled, world wrapped in cotton wool that you usually see with today’s parents and their children.
Great book and an excellent, very English film! Pity that Arthur Ransome was a traitorous Communistic Guardian hack! I imagine that Soviet Commissars, used to Black Sea dachas, would have found The South Lakes far too drizzly for a summer holiday. No doubt Mr Ransome would have been keen to host them.
Well, you have to admit it was excellent cover for his job of reporting everything the Bolsheviks did to MI6.
Your comments are invited below.
For those who have not already seen it, here is some behind the scenes footage of filming on that houseboat in 1973.
Thanks to the encouragement and help of my blog followers and Arthur Ransome enthusiasts around the world, I have managed to put my diaries, letters, old photographs and documents together into a 68,000-word memoir.
“Sometimes extraordinary things do happen to ordinary people. Little girls can find themselves becoming film stars. Long ago, and quite unexpectedly, I found myself appearing in the EMI feature film of Arthur Ransome’s book Swallows and Amazons, made for a universal international audience. I played Able-seaman Titty, one of the four Swallows. Perhaps it would be more accurate to say that I became Titty for a while, wearing thin cotton dresses and elasticated navy blue gym knickers, which the camera crew soon referred to as passion killers. The book was written in 1929 and although the film adaptation was made in the early 1970s it had an ageless quality and has been repeated on television year after year, typically on a Bank Holiday between movies starring Rock Hudson or Doris Day.
I got the part of Titty because I could play the piano. Although I had no ambition to be an actress, at the age of ten I was cast in a BBC dramatisation of Cider with Rosie. They needed a little girl to accompany the eleven-year-old Laurie Lee when he played his violin at the village concert. I plodded through Oh, Danny Boy at an agonising pace.
‘Do you think you could play a little faster?’ the Director asked.
‘No,’ I said, flatly. ‘These are crotchets, they don’t go any faster.’
Claude Whatham must have remembered my crotchets, for two years later, in March 1973, my father received a letter. It arrived completely out of the blue, from a company called Theatre Projects.
We are at present casting for a film version of SWALLOWS AND AMAZONS which Mr Whatham is going to direct. We were wondering if you would be interested in your daughter being considered for one of the parts in this film.
From ‘The Secrets of Filming Swallows & Amazons’ by Sophie Neville
Preview copies of ‘The Secrets of Filming Swallows & Amazons’ at the Cruising Association dinner at the Water’s Edge Bar and Restaurant, Mermaid Marina on the River Hamble.
“This heart-warming memoir is illustrated with colour photographs, most of them taken at the time by Sophie’s family, and contains links to behind-the-scenes home movie footage for readers with browser-enabled tablets. It delivers a double helping of nostalgia for both fans of the era of Arthur Ransome, and the groovy times of the early 70’s.” ~ from the Amazon Kindle description
Also available for other reading devices on Smashwords
Thank you again for all of your time and patience, and to those of you who contributed comments, questions, and aspects of local history on this blog. I would love to know what you think of the book!
If you would like a copy but don’t have a Kindle, worry not. We have added a link whereby you can download a free Kindle app. Please go to my Book Page and scroll down for the details.
Thanks to the support of readers and reviewers I was brave enough to share my story, ‘Funnily Enough’ with the panel of judges at The International Rubery Book Award. I now have a cut glass trophy, which has its own silk-lined box.
In this morning’s despatches ~ via the Royal Mail ~ a letter arrived saying, ‘I’m sure we would all love to know how the recent screening of the film went and how you enjoyed the experience.’
Last Sunday, Suzanna Hamilton and Sten Grendon joined me at the Michael Croft Theatre for a special screening of Richard Pilbrow’s 1974 adaption of ‘Swallows & Amazons’ put on for an audience of excited children by Dulwich Film. We hadn’t watched the movie together since the premiere at the ABC in Shaftesbury Avenue in 1974. I hadn’t even seen Sten since that year. As we walked into the darkened auditorium, Sten’s girlfriend, who struck me as being rather special, insisted that we sat together to watch the film.
Blurred memories do come rushing back. I never managed to produce a real owl hoot. Simon could – and I am sure Captain Nancy was adept, but it was all the trying to that brought us together.
And as I watched the one thing that really struck me was, ‘How big Landing Place beach was then!’ I found myself leaning over and whispering to Sten that it has all but washed away. He didn’t know that the beach had been especially constructed for the film. It had been kept a secret.
Our experience of making the film in 1973 was really quite technical. It was a wet summer and we had something of a battle against the elements to complete the scenes scheduled for each day. Back then, the aim was to capture enough footage to make the equivalent of 4 minutes of film in the final edit. You’d think this would be easy but each frame had to bear scrutiny on the big screen. Since attention to detail was paramount, even making scrambled eggs in front of the camera was a demanding task.
As the wind blew north up Coniston Water we joined in the concentration required for the task of film-making. We were in Cumbria to work back then, even if working in the Lake District was something of an adventure, something we did for fun.
So when we relax back and watch the film now we have a huge appreciation of what Claude Whatham put together. We laughed out loud, appreciating the humour. Much of this was generated by the serious expression on Roger’s face when he was picking up the why and wherefore of how something worked for the first time. It’s been a rare and ageless form of comedy that children loved forty years ago and evidently still love today. They always notice, ‘the bit when Roger doesn’t realise the cap is on the telescope.’ Adults love the fact that Roger always seems to be eating.
‘Oh yes!’ Sten remembered afterwards. ‘That pork pie I ate standing in the Amazon River. I was offered the choice of eating a meat pie or an apple. Well, I chose the pie, but it wasn’t so great when I had to eat another for the second take, and then another two for a different camera set-up.’
Isn’t it funny how well one can remember food?
‘Are you really old?’
‘Not so very old, by I was younger then,’ as Virginia McKenna said in the guise of Mrs Walker remembering her days camping in homemade tents. I bet someone asked Arthur Ransome the very same question.
I grew taller and had my teeth put straight. Same straggly hair. Sten still has all his thick dark hair and is quite tall himself. He works as a gardener now. Suzanna still has the biggest smile. She is the one who now needs to stand on a camera box but then she is the only one of us who does. What I mean to say is that she is the professional actress. We just turn up for fun.
‘And the others?’
I don’t know. Really, I don’t know. I’d love to see them again but am quietly waiting for them to contact me. I hope they do. I have the first proof of a book to send them – it’s the diary I kept whilst making the film, forty years ago.