Category Archives: Swallows and Amazons

Swallows and Amazons maps now available on useful items

The maps I drew, depicting locations mentioned in Arthur Ransome’s book ‘Swallows and Amazons’ and the 1974 film, are now available on a number of products. I though they might make good gifts.

There is 20% off today. Use the code 20ART. The offer expires on May 13th at 11.59pm

Windemere spiral notepad

There is this cover for any type of  iphone

as well as one that fits different Samsung models

 

You’ll see cards, notebooks and prints available if you click around the site.

They have travel mugs,

Forgive me, different maps seem to fit the dimensions of each item in different ways. Rather a prescriptive machine has dictated what is possible. They offer a ceramic mug although the map doesn’t fit it well.

 

All the items with a decorative map of Windermere can be found on Redbubble here

The map of Derwentwater is probably a better shape for an iphone cover.

Derwentwater Iphone

 

Items with a map of Derwentwater can be found here

This small tote bag measures 33cm x 33cm 

Click here for details of the 40cm x 40cm cushion + cover

 

Items with the map of Coniston Water can be found on Redbubble here.

 

They have the phone covers, travel mug and a selection of prints

 

They offer three different styles of T-shirts with this map, so you won’t get lost.

The company offer secure payments, worldwide shipping and free returns but I fear they are quite expensive. Click here for this drawstring bag

Drawstring bag with map of Coniston Water

My other designs have worked better than maps.  You can see some of them here.

Here is an ipad case, below

Coniston Ipad case

 

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Speaking at the Essex Book Festival

Secret Water 1939

Each year, at Christmas time, my father, who was born in 1929, would look forward to receiving a copy of the latest Arthur Ransome novel. 2019 marks the 80th anniversary of the publication of ‘Secret Water’, the only book in the Swallows and Amazons series to be set in Essex. While my father’s Jonathan Cape hard-backs were sadly lost to life’s chaos, I was lucky enough to find a first edition given to another little boy for Christmas 1939. This March, I took it with me to Harwich, near to the Walton Backwaters where the story is set, to help celebrate the 20th Essex Book Festival, whose theme for 2019 is Uncharted Waters.

Peter Willis, Neil D'Arcy-Jones and Sophie Neville at the Essex Book Festival 2019~Author Peter Willis, Neil D’Arcy-Jones and Sophie Neville~

“Here we are, intrepid explorers, making the first ever voyage into uncharted waters. What mysteries will they hold for us? What dark secrets shall be revealed?” Titty Walker in the 1974 feature film ‘Swallows and Amazons’.

 

essex book festival-2019

I had been invited to speak on a panel led by journalist Neil D’Arcy-Jones with Peter Willis, President of The Nancy Blackett Trust and Julia Jones, author of The Strong Winds series who owns Arthur Ransome’s yacht, Peter Duck. The discussion was introduced by Seona Ford, Chairman of the Essex Book Festival, and supported by Ros Green, the festival director and Brian Key, chairman of TARS EAST – The Arthur Ransome Society’s eastern branch. The event was sold out with members of the audience travelling from as far a field as Durham.

Buoy in Harwich

~A buoy akin to those featured in Ransome’s novels outside the 1912 Centre~

A huge variety of activities had been laid on that day. AL Kennedy, winner of the Costa Book of the Year, read from the tale of The Little Snake deep in the bowels of the Harwich Redoubt, a circular fort built in 1808, where a display illustrated the Kindertransport of 1938 when two hundred children were temporarily housed nearby.

AL Kennedy

~Award-winning author AL Kennedy reading from her new book The Little Snake~

Although I had sailed past in the Nancy Blackett, I hadn’t been to Harwich since I worked on the BBC TV series One by One, a drama about the adventures of a vet starring James Ellis and an elephant with tummy trouble. Instead of a film crew, we found an offshore pirate radio revival was being celebrated with the help of a shanty band in Harwich harbour, the final berth of Radio Caroline’s The Boat That Rocked.

Light vessel 18

~LightVessel 18 moored on The Quay to host nautical storytelling and poems~

Arthur Ransome enthusiasts met for lunch at a hostelry named after Samuel Pepys, MP for the historic port that was home to Christopher Jones, Captain of The Mayflower. Marine artist Claudia Myatt arrived from a workshop she hosted on nautical flags and knots, using activity books she wrote and illustrated for the Royal Yachting Association.

Claudia Myatt in Harwich

~Artist and book illustrator Claudia Myatt with one of her RYA books~

The literary events were covered by a number of Essex newspapers with interviews on BBC Radio Essex.

~Claudia Myatt’s sketchbook~

For other exciting talks and events held this month by the Essex Book Festival in Colchester,  Chelmsford, Harwich, Baintree, Southend-on-Sea, Brentwood, Epping and other venues around the county, please click here.

~Claudia Myatt’s sketches of Pin Mill on the River Orwell~

Claudia Myatt's sketch of a yacht at Pin Mill

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‘Walton’s Secret Water’ – a new DVD on the Walton Backwaters

In my role as President of The Arthur Ransome Society, I was interviewed by Chris Opperman for a new documentary produced by David Webb on the Walton Backwaters, known by Arthur Ransome enthusiasts as ‘Secret Water’.

You can read a little more about the content here.

The 75 min DVD entitled ‘Walton’s Secret Backwaters’ is compatible with all DVD players displaying the DVD Video & PAL logo. It can be purchased online here

Chris Opperman, who chatted to me at the Royal Harwich Yacht Club on the Orwell, has sailed in the area for years. After a career in newspapers, he produced programmes for Radio 4 and the World Service before presenting the breakfast News and countryside documentaries on BBC Radio Suffolk.

As President of The Arthur Ransome Society, I represent the 1,000 or so members of the literary society devoted to the Swallows and Amazons books, including those set in East Anglia. There is usually a lot of flag flying since many members also sail. Swallow, the dinghy used in the original film ‘Swallows and Amazons’ has taken part in Swamazons events on the Walton Backwaters since she was renovated in 2011.

We celebrated the fact that Arthur Ransome’s book ‘Secret Water’ was published eighty years ago at the Essex Book Festival when I was joined by authors Julia Jones and Peter Willis in Harwich on Sunday 3rd March.

Essex-Book-Festival-Arthur-Ransome-300x200

I signed copies of ‘The Making of Swallows and Amazons (1974)’ afterwards. It was great to see it featured in the DVD.

 

 

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Film adaptations of ‘Swallows and Amazons’ on BBC Two

Swallows and Amazons film poster

If you enjoyed the original film adaptation of Arthur Ransome’s book ‘Swallows and Amazons’ broadcast on BBC Two today, do think of getting a copy of  ‘The Making of Swallows and Amazons’, published by The Lutterworth Press or the ebook entitled ‘The Secrets of Filming Swallows and Amazons’. You can read the first section for free on Kindle here. Quite fun!

It’s surprising ‘Swallows and Amazons’ hasn’t been re-made a number of times. The 1974 movie was sold all over the world and has been screened so often it’s become regarded as iconic, labelled ‘a cult classic’ or ‘enduring success’. You can listen to Wildfred Joseph’s film score here:

Thanks to Claude Whatham’s extraordinary skill in creating a period film that never dated, cinema audiences emerge asking if it was made last summer.

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The Danish poster of ‘Swallows & Amazons’ 1974  giving the Swallows a Jolly Roger or pirate flag

Although it was shot 45 years ago, fan mail still arrives from Australia, the USA and Japan. Families can quote David Wood’s script fluently, having watched the DVD thirty times or more. The biggest complement is that they talk of being ‘Titty-ish’ or ‘just like Titty’, the little girl whose imagination gave her the strength and courage to excel.

-A carefully made fan letter showing Sophie Neville playing Titty Walker in 1974-

When I went to watch the 2016 film of ‘Swallows and Amazons’ being made on location, I warned the actors they were in for the long haul. Although the new adaptation has older children in the cast, and additions to the plot, it was heralded as a great British film, a landscape movie of significance about the thrill of exploring the great outdoors. Broadcast on BBC Two earlier this December and it is out on both Blu ray and DVD. For the Hanway Films billing of ‘Swallows and Amazons’ 2016, please click here.

Swallows and Amazons in Czech

A Czech poster of ‘Swallows & Amazons’ 1974

 

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Filed under 1973, Acting, Arthur Ransome, Autobiography, Biography, British Film, Cinema, Claude Whatham, Cumbria, David Wood, Entertainment news, family Entertainment, Film, Film History, Film production, filmography, Lake District, Memoir, Movie, Movie stories, sailing film, Sophie Neville, Swallows & Amazons, Swallows and Amazons, titty, truelife story, Uncategorized, Vintage Film

Literary presents for Christmas 2018

When I made a tradition of suggesting literary themed Christmas presents I didn’t expect to find fabulous cushions like these but they have great ideas on the Redbubble website 

Did Penguin ever publish ‘Swallows and Amazons’ or was it only Puffin?

They have a whole range of T-shirts

A tote depicting Bank Ground Farm on Coniston Water (33cm x 33cm)

or a little purse with a picture of Peel Island

Peel Island purse

I am new to Redbubble, and have not been able to examine the quality of the products for myself, but I’ve taken the step of launching my own range based on my maps and the covers of my own books.

Here is my map of Coniston, drawn to illustrate ‘The Making of Swallows and Amazons’ on a 15″ x 19″ draw-string bag. 

Drawstring bag with map of Coniston Water

The full range or products featuring the Coniston map of Swallows and Amazons can be found if you scroll down here.

Map of Coniston on lady's T shirt

Here is a phone case with my map of Windermere on the cover. There is also one of Coniston. They currently come with 20% off if you enter the code COVERED20

You can fine the full range of products featuring the Windermere map here

Spiral notebook with map of Windermere

This Ride the Wings of Morning tote bag measures 13″ x 13″ costs U$20

They promise to make travel mugs like these

You can see one of my attractive acrylic blocks here:

You can even buy a mini-skirt, clicking here

Funnily Enough mini skirt

Since they are based in the USA and Melbourne I don’t know how long these gifts would take to reach you.

I also found Swallows and Amazons cuff links available here

And this useful waterbottle with a Jago Silver version of the crossed flags here:

I came across a case for a Kindle Fire decorated with swallows on Amazon.co.uk

and swallows on a sailor’s top from Joules with a selection available at a good price on eBay here

I don’t know if Swallows and Amazons thimbles are still on ebay

Swallows and Amazons thimble - Christmas presentI am not sure Arthur Ransome’s Literary Estate know about them. They do recommend this pair of  bone china coffee cups feature  exquisite designs incorporating Arthur Ransome’s own illustrations from the Swallows and Amazons books and are currently reduced by 40% here:

The Nancy Blackett Trust sell these wonderful tea towels, along with other designs

Swallows and Amazons Teatowel Christmas gift

You could give someone an activity, such as a sail in Swallow, the original dinghy used in the 1974 film ‘Swallows and Amazons’. She is currently in Kendal so you could ask to go sailing on Coniston or Windermere. This can be booked through SailRansome.com

A member of the Arthur Ransome Group on Facebook is asking for a new DVD that has just come out on the location described by Arthur Ransome in his book ‘Secret Water’. It is available here.

Please click here and scroll down for ideas collected in 2017

Present ideas suggested in 2016

Nothing to do with Swallows and Amazons but I have a short piece in this Christmas book, which might prove useful if you need to hold a carol service and are looking for some new readings. It makes a good present for anyone who loves stories. check it out on Kindle, order a copy from your library or buy one online here.

Very Happy Christmas to one and all!

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Alison Hull interviews Sophie Neville on her involvement with the original movie ‘Swallows and Amazons’ (1974)

Signing copies of ‘The Making of Swallows and Amazons’ in Cumbria

1 – How did you get the part of Titty?

In March 1973, a letter arrived, out of the blue, inviting me to audition for a role in ‘Swallows and Amazons’. I was twelve years old, an ordinary school girl at a convent in Berkshire. I’d read the Arthur Ransome books but had no idea I was up for the lead in a major EMI feature film intended for a universal international audience. The movie was directed by Claude Whatham. Back in 1970, he’d cast me as Eileen Brown, opposite a boy playing Laurie Lee, in the BBC’s first adaptation of ‘Cider With Rosie’. It was a role that demanded learning a piano piece so complicated it took twenty-one hours to master, but I did it. Claude must have respected my hard work. I was too tall to play Titty but, after a sailing audition at Burnham-on-Crouch, I was offered the part. He cast Sten Grendon, who’d played the young Laurie Lee, as Roger, Suzanna Hamilton was Susan and Virginia McKenna starred as our mother. She later admitted to finding her character rather dull but it was her name, in lights outside cinemas, that drew big audiences. We’ve kept in touch. She is still acting, aged 87, and has led the Born Free Foundation’s international campaign to redeem the lives of wild animals held in miserable conditions since 1998.

With Virginia McKenna on location at Bank Ground Farm near Coniston, in 1973 

2 – Why was it so suitable for you?

We loved visiting the Lake District as a family. My father helped the Maryport Button Factory with their publicity and once took us to stay on a farm near Castle Craig above the River Derwent. I spent my childhood camping and messing about in boats, adding a sail made from a dust-sheet to an old rowing skiff. The great thing about the original film of ‘Swallows and Amazons’ was that Simon West, who played Captain John, was an exceptional sailor. He went on to become a national champion. Kit Seymour, who played Captain Nancy, also had a natural command of the waves. It shows on screen. They were able to handle our small boats when squalls rolled down from the fells. I didn’t have their innate understanding of the wind but it was Titty’s job to row everywhere – back from the charcoal burners and off to One Tree Island on Derwentwater. “Pull harder, Roger!” I managed to row Amazon out of Secret Harbour in one take, with the cameraman and a massive 35mm Panavision Camera on board.

The Swallows voyage to Wild Cat IslandSimon West, Suzanna Hamilton and Sophie Neville in Swallow, 1973

Casting-off Swallow was more of a challenge. It doesn’t show on a small screen, but when ‘Swallows and Amazons’ is screened in cinemas, you can spot the sequence when I slip on a rock with the telescope in one hand. I was up to my waist in water but got back on my feet and battled on, waving as the others sailed up Coniston Water. I knew how difficult the shot was to achieve and was desperate to do my best for Claude Whatham.

Standing on Peel Island in a soaking wet dress while the Swallows sailed north

3 – Did it fire your wish to work in TV?

No! It was directing plays while reading Anthropology at Durham University that ignited a desire to work on television dramas. However, the experienced I’d gained acting in movies helped me win a place on the BBC TV Graduate Trainee scheme. After working on ‘The Russell Harty Show’, I grabbed the chance to cast children on the adaptation of Arthur Ransome’s books set on the Norfolk Broads: ‘Coot Club’ and ‘The Big Six’. I found Henry Dimbleby, then aged thirteen, to play the lead and spent three months on location with Julian Fellowes and Rosemary Leach – who I’d met when she played Laurie Lee’s mother. I later worked on ‘Doctor Who’, ‘Eastenders’ and ‘My Family and Other Animals’, before producing an INSET series, directing one episode at a village school in Cumbria. I began casting children in the Lake District to appear in BBC adaptations of Arthur Ransome’s Lakeland books but they were axed, which was sad, as we were all set to make ‘Swallowdale’ and ‘Pigeon Post’ on the high moors.

Sophie Neville directing a drama-doc with BBC cameraman Lorraine Smith

4 – What does the Lake District in general, and Keswick in particular, mean to you?

We live on the south coast but take the train north at any opportunity. I’m now President of The Arthur Ransome Society and came up for a fabulous weekend in May when we sailed from the jetty at Bank Ground Farm – Holly Howe in Ransome’s books. I gave an illustrated talk on the secrets of making ‘Swallows and Amazons’ at the Bassenthwaite Institute, using behind-the-scenes photographs taken when we were filming on Derwentwater forty-five years ago. We shot all the scenes involving Captain Flint’s Houseboat in a bay on the western shore. She was played by the Lady Derwentwater, converted for the drama by Ian Whittaker, a talented young set dresser who went on to win an Oscar for set decoration on the feature film ‘Howards End’ starring Sir Anthony Hopkins and Emma Thompson. We shot the lighthouse tree scenes near Friar’s Craig and used Lingholme or One Tree Island for Cormorant Island, where Titty finds the treasure chest. We enjoyed making Ronald Fraser, the film actor playing Captain Flint, walk the plank and sailed up Derwentwater to the strains of ‘What Shall We Do With The Drunken Sailor’, played as the end credits roll. Forty years later, Suzanna Hamilton and I were asked to lunch with Richard Pilbrow the producer of ‘Swallows and Amazons’. Buskers were singing this song outside the restaurant in Covent Garden. We couldn’t believe the coincidence.

Meeting fans of Swallows and Amazons at Keswick in July

I meet people from far and wide who tell me the 1974 film of ‘Swallows and Amazons’ inspired them to visit the Lake District. It has been broadcast on television every year for the last forty years and was last shown in Australia on Boxing Day. It has been dubbed into Czech twice and is often shown at festivals as only ‘U’ certificate movies can be screened outdoors. I just hope this has proved a blessing to the people of Keswick, which I so loved visiting as a child. I thought the 2016 film of ‘Swallows and Amazons’ – that I appear in for approximately two seconds – would overshadow the classic version but it has simply raised awareness along with DVD sales. Fan mail continues to arrive. A beautiful card came today. Arthur Ransome would have been touched. It had fish on it.

Funnily Enough - the first extract in iBelieve Magazine

Editorial coverage and a literary award for ‘Funnily Enough’

5 – Do you want to mention mental health/physical health issues are always in the news?

I find that many of my readers are stuck in bed or battling with ill-health. I hope they are amused and uplifted in some way by stories in my books. ‘Funnily Enough’, a diary I kept after collapsing at the BBC, is about my own struggle with what I am pretty sure was a tick-bourne disease. I lost my job but recovered in Southern Africa, where I fulfilled Titty’s dream of seeing “forests full of parrots” and produced decorative maps for a living, inspired by Spurrier’s illustration on the original cover of ‘Swallows and Amazons’. I used maps and details from my sketchbook to illustrate a paperback entitled, ‘Ride the Wings of Morning’, which is out in colour as an ebook.

On the crew of the Gloriana in the Boat Race Flotilla in March featured on BBC Television 

6 – What else?

People often ask how ‘Swallows and Amazons’ influenced my life, keen to know what I am doing now. I am still keen on rowing. I completed the Voga Longa, a 32 kilometre marathon through the Venetian lagoon with Olympic gold medallist Ed Code and was on the crew of The Queen’s row barge Gloriana for the Boat Race Flotilla this year. This summer, I grabbed the chance to row through the canals of Amsterdam, which was fascinating. However, it was the Amazons bows and arrows that impacted my life. After learning to shoot on the shores of Coniston Water, I was cast as an archery champion in another movie and have since won three Ladies Championships. I met my husband at an archery match. My stepson shot for England in July, winning a tri-annual match against the Royal Company of Archers (so proud!) I gave a talk recently demonstrating how the arrows in ‘Swallows and Amazons were’ fired over my head. The shot looks so dangerous that it was cut from the TV version of the film, but is included in the re-mastered 40th Anniversary cinema Blu-ray version, which we are now able to watch on the big screen.

Rowing in from De Hoop Rowing Club in Amsterdam, July 2018

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Swallows, Amazons and Archery

Much has been written of the legacy left by Arthur Ransome’s, who inspired so many go camping, fell walking or sail the seven seas. I hope he would be amused to learn it has been the arrow, fletched with green parrot feathers, that has flown through the pages of my life.

Sophie Neville the archer c 1969~Sophie Neville dressed as a medieval archer in 1969~

 Archery became a popular sport for ladies in Victorian England. The influence was not lost on Arthur Ransome who writes in his autobiography that his Great-aunt Susan was a keen toxophilite who attended bow meetings at Belle Isle, the long island on Windermere. Another great-aunt was shot in the bonnet by an arrow when the Boxer Rising reached Peking while she was serving as a missionary. I gather it was his sister Joyce who owned a green parrot whose feathers made good pipe cleaners. Did they ever get used for flighting arrows? Arthur doesn’t seem to have taken up a bow beyond, perhaps, playing Red Indians as a child with his friend Ric Eddison. Does anyone know otherwise?

Titty may not have known that the real Queen Bess was a proficient archer, but Roger certainly expected savages to be armed with poison-tipped arrows as he took dispatches across the Peak at Darien.

Did Nancy and Peggy ever don Red Indian head-dresses? Since they are described as wearing red caps when the Swallows first encounter them, I assume this idea was instigated by Helen Edmundson’s musical and reinforced by the 2016 film. Although far from nautical, this is akin to certain antics in Secret Water and certainly adds visual drama to the confrontation.

Practicing with bows and arrows

~Sophie Neville with Peter Robb-King, Ronnie Cogan, Lesley Bennett, Kit Seymour and Terry Smith~ 

I learnt how to shoot in 1973 when the Amazons were being taught how to pull a bow made of Lakeland hazel for the original movie of Swallows and Amazons. As children, we all wanted a go. I still have a practice bow and a couple of arrows whittled on location by Bob Hedges, our property master. I remember one hitting the campfire. ‘Don’t touch the point – it might be poisonous!’ Please note that the shot of the arrows zooming over our heads looks so dangerous on screen that it was cut from the television version of the feature film. This was no snazzy visual effect. The arrows were genuine, however they were strung on taut nylon fishing line rigged over our heads to ensure we would not get hit. They were fired by the prop men and not the Amazons.

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~Daphne Neville who won many archery prizes teaching Lesley Bennett (Peggy Blackett)~

As female Amazon warriors were redoubtable archers it is easy to imagine Captain Nancy bent a sapling to her will and had Peggy making arrows. It is reasonable to assume they used longbows on Wild Cat Island, but in Swallowdale it is a crossbow that graces Ransome’s illustration. How Nancy got her hands on one is unknown but it must have been simpler to use in a boat with discretion and accuracy. Did Ransome ever try this out?

Sophie Neville shooting

~Sophie Neville shooting with a compound bow in the Emirates 2016~

What happened to the bows and arrows after Swallowdale? Archery is something you usually grow into, rather than out of. By the age of fifteen, I’d gained the part of an archery champion in an adventure movie called The Copter Kids. This necessitated target practice with a modern re-curve bow and ended with me shooting from a helicopter.

I now belong to a number of archery societies and, like Great-aunt Susan, set out with my tabs and tassel, quiver and longbow. Luckily the skill, much like an appreciation of Arthur Ransome’s writing, is something that tends to improve with age. I met my husband at one bow meeting, have held three Ladies’ Championship titles and managed to reach a distance of 145 yards when we celebrated the 600th Anniversary of Agincourt.

I have never fired a crossbow. Since they are potentially lethal weapons, Nancy could have been detained for firing hers even if the tip was not deemed poisonous.

Author Sophie Neville

 ~Sophie Neville at a West Berks bow meeting~

A version of this article was originally published in Mixed Moss, the journal of The Arthur Ransome Society.

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Exploring Arthur Ransome’s Lake District

Letter from Arthur Ransome

~An illustrated letter from Arthur Ransome, 1955~

I have been sent a copy of a letter written to a reader by Arthur Ransome in June 1955, revealing where some of his locations can be found. I was interested to read that, ‘the lake is mainly Windermere with some things stolen from Coniston.’

This summer, we spent a long weekend with The Arthur Ransome Society when we managed to find quite a few locations around Coniston Water that are featured in Ransome’s books.

~Low Yewdale Farm, near Coniston ~

The curator of the John Ruskin Museum took us on a walk around the village of Coniston and under the Yewdale Crags towards Tarn Howes. We passed Low Yewdale Farm where Arthur Ransome stayed as a young man. It is just as I imagined Swainson’s Farm in ‘Swallowdale’. The footpath takes you down to the beck where Ransome fished for brown trout. I could imagine Roger attempting to tickle trout there.

If you follow the path on south, then branch left up the East of Lake Road around Coniston Water, you will find another footpath leading to Bank Ground Farm.

A hand-painted sign guides you through fields, where Galloway cows maybe grazing. Look up and you will literally find yourself at Holly Howe, the long white farmhouse where Mr and Mrs Jackson live in ‘Swallows and Amazons’. You can imagine the Walker children running down the meadow to the Peak of Darien.

Ernest Altounyan sailing Mavis on Coniston

~ Dr Ernest Altounyan rigging Mavis on Coniston Water~

It was here that the Altounyan children, Taqui, Susie, Titty, Roger and Brigit spent one summer holiday in 1928, while visiting their grandparents who lived next door at Lane Head. They learned to sail on the lake in two dinghies: Swallow and Mavis, later re-named Amazons, who can be visited at the John Ruskin Museum in Coniston.

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~Bank Ground Farm in Cumbria where the movie ‘Swallows and Amazons’ (1974) was made~

The barn, inside which we filmed some of the night sequences for the original movie of ‘Swallows & Amazons’, has been converted into self-catering holiday accommodation that can house a number of families quite easily. From here you can run down to the boat shed where John, Susan, Titty and Roger found Swallow and imagine them setting off  on their voyage to Wild Cat Island leaving the Fair Spanish Ladies on the stone quay.

~The boatsheds below Bank Ground Farm, on Coniston Water~

Wooden jetties have been added recently and it is possible to either launch your own boat or hire a kyak from Bank Ground Farm.

~The northern end of Coniston Water~

We had a bedroom in the barn that looked north towards the Langdales. If you walk up the farm drive, you can look back towards Coniston Old Man, Kanchenjunga, which the Walkers and Blacketts climb in ‘Swallowdale’.

~Bank Ground Farm with the village of Coniston beyond~

Arthur Ransome was taken up the Old Man of Coniston as a tiny baby. You can climb it today but wear more than sand shoes. Stout walking boots are called for. The task of reaching the summit should not be underestimated.

We were able to get out on the lake to find a few more locations. This red-sailed dinghy, named Peggy Blackett, is a copy of Arthur Ransome’s Cochybundhu, used as the model for Dick and Dorothea’s boat Scarab.

~Sailing on Coniston Water towards the village of Coniston~

It is a long way down Coniston Water to Peel Island but it is there that you will spot the Secret Harbour, instantly recognisable as belonging to Wild Cat Island. We went there in the SL Gondola, that now belongs to the National Trust. Ransome knew the steam launch as a boy when he made friends with the captain.

~ Secret Harbour on the southern end of Peel Island, Coniston Water ~

In the cemetery of Coniston village I found the grave of Titty Altounyan, the girl who inspired Arthur Ransome’s well-loved character. I never met her but was with her niece Barbara that long weekend in Coniston, when we both thoroughly enjoyed walking, sailing and steaming along in Ransome’s footsteps.

~ Sophie Neville visiting Titty Altounyan’s grave in Coniston ~

For details of more locations at the southern end of Coniston Water that are featured in the Swallows and Amazons series of books, please click here.

Think of joining The Arthur Ransome Society and come looking for locations described in his books. You will find the details here.

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Boats used for making the original film ‘Swallows and Amazons’ (1974)

I went on BBC Radio Cumbria recently, to ask if I could meet anyone involved in filming the original film of ‘Swallows and Amazons’ in the summer of 1973, since it was made on location in the Lake District with a young crew.

~Nick Newby of Nicole End Marine~

Nick Newby of Nichol End Marine in Portinscale came to find me when I was helping at the Keswick Convention. As a young man in the 1970s, he provided boats for a number of films and was contacted by Graham Ford, the production manager of Swallows and Amazons in the Spring of 1973. Graham had began working with Mike Turk who had started building boats for TV and films at his family firm, Turk’s Launches, but this was based on the Thames in London. They needed help from someone in the Lake District who knew about traditional boats.

Ronald Fraser being transported to the Houseboat

~Ronald Fraser being trransported by Dory to The Lady Derwentwater in 1973~

Arthur Ransome had clearly based Captain Flint’s houseboat on the Esperance, originally a steam launch cruising on Windermere. You can read more about her and see photos here. ‘Since she was sitting on the bottom of Whitecross Bay at the time,’ Nick told me, ‘the film crew decided to use the Lady Derwentwater.’ This was a launch licensed to carry 90 passengers that Nick had worked on and knew well. ‘She is about 58 foot long and quite a rigid boat, having four full length steel RSJs set inside her. She was built the Lakes in 1928. We moored her at Brandelhowe in Great Bay for the filming. You need to be careful getting in, as there is a rock shelf.’ The advantage of using her was that you could see the view over the lake from her large cabin windows, which enhanced interior scenes. The Lady Derwentwater, whose nick-name is Dishy, has since been re-built with a different stern, but you can book a passage and go out on the lake in her yourself.

Lady Derwentwater 2018

~The Lady Derwentwater today~

Nick told me that Captain Flint’s eight foot Wright’s dinghy, the houseboat’s tender, had been made by Wright’s Brothers of Ipswich. The Jackson’s ‘native canoe’, rowed out to Peel Island by Virginia McKenna was ‘a family fourteen’ Wright’s sailing dinghy with a centre case. He knew many of the traditional boats in the Lakes. ‘I served me time as a yacht and boat builder at Shepherd’s in Bowness Bay.’ This company was based the green double-story boat sheds featured in the ‘Rio’ scenes. ‘During the winter we used to have to break the ice on the buckets of water when we were rubbing down boats. The sail lofts had a square panel in the apex so we could poke the 8 to 10 metre masts inside. A boom could go up the stairs but a mast certainly couldn’t. ‘

Virginia McKenna with Sophie Neville on Wild Cat Island - contact sheet

~Virginia McKenna with Sophie Neville and DoP Denis Lewiston~

‘Amazon belonged to a chap called Vosey who was rather reluctant to let her be used for the filming,’ Nick said. ‘We did her up a bit after the filming.’ I gather she had been used in the black and white BBC serial of Swallows and Amazons made in 1962 when  Susan George played the party of Kitty.

~Swallow sailing towards the filming pontoon in 1973~

I believe Swallow had been found at Burnham-on-Crouch as she was built by Williams King and Sons. Mike Turk, who had built a shallop for the 1966 movie ‘A Man For All Seasons’, purchased her for the film and brought her up to the Lakes. She had no added buoyancy. Nick claims that being a wooden boat she would never sink but I reminded him that we came close to hitting the MV Tern on Windermere when loaded with camping gear, which was a bit scary.

MV Tern of 1891 on Windermere

~MV Tern on Windermere today~

Swallow was later used at Elstree Studios when the sound was dubbed onto the finished film. Mike kept her out of the water in his store at Chatham until SailRansome bought her at auction in 2010. She was sensitively restored by Pattersons, has a new sail, added buoyancy bags and is now available for anyone to sail in Cumbria.

Swallow and the pontoon

~Mike Turk’s filming pontoon with Swallow attached in 1973~

‘Mike already had the flat-bottomed filming pontoon. It had originally been used for carrying a vehicle. We added twin outboard engines and rigged scaffold under the water so that either Swallow or Amazon could be attached to it but still keel over naturally as they sailed. When the dinghy went about, I would turn one outboard and thrust the other into reverse so that the pontoon went about with them.’ I remembered that the first time they tried this Swallow’s mast footing broke. Amazon’s mast-gate broke on another occasion. Nick had to persuade a friend to let him borrow his welding workshop and managed to mend it over night, so that she could be ready on set first thing the next day.

Behind the scenes while filming Swallow fromthe pontoon

~The camera pontoon, Capri and one of the Dorys used behind-the-scenes~

Nick went on to say the pontoon leaked a bit. ‘We would have to pump out hull every morning.’ The Capri used behind the scenes was Nick’s equivalent of a marine Land Rover. ‘It had a reinforced glass fibre hull for increased capability and a 55-horse power engine that had been used for the Olympics. We used it for Ken Russell’s film ‘Tommy‘, the rock opera with Roger Daltry and The Who. Once, when we were using it for Swallows and Amazons, Clive Stuart shoved it into gear with rather too much gusto. Someone only just managed to grab the director, Claude Whatham, before he was flung over the back. ‘Claude was spitting feathers after that.’

BW Wearing Life Jackets in the Safety Boat - trimmed

~Suzanna Hamilton, Simon West, Sophie Neville & Sten Grendon with David Stanger at the helm of the Dory in 1973~

Mike Turk provided two Dorys, built at his yard, to use as run-around boats. One was driven by David Stanger who is now skipper of a launch on Ullswater. It was a stable boat but you needed to watch how it was not overloaded. Water came over the bows one day giving my mother rather a shock.

Nick Newby with Sophie Neville in Keswick

~Nick Newby at the Alhambra cinema in 2018: photo Marc Grimston~

‘The boating world is a small world,’ Nick assured me. This July, forty-five years after making the film, he brought his grand-daughter to watch ‘Swallows and Amazons’ at the Alhambra Cinema in Keswick and gamely came up on stage for a Q&A to explain how some of the sailing scenes were achieved.

In his time, Nick Newby has worked a number of films made in the Lake District including Mahler – a Ken Russell film starring Robert Powell, a movie called Gothic (1986) starring Julian Sands and Natasha Richardson, Julia (1977) starring Jane Fonda and Vanessa Redgrave, Brazil (1985), Planet of the Apes, a couple of episodes of Sherloch Holmes with Ben Kingsley, and a number of adverts.

Mike Turk, Swan Upper and Queen’s Waterman, who provided boats for numerous films from Moonraker to Hornblower, sadly passed away aged 78. You can read his obituary here. He went on to work on a number of James Bond movie. You can see his film credits here.

Swallow on the Alde

A group of Arthur Ransome enthusiasts clubbed together to buy Swallow from Mike’s collection in 2010. She is currently kept on a trailer at Kendal in the Lake District. If you would like to sail her, please visit SailRansome.com

For Nicol End Marine, about two miles outside Keswick on Derwentwater please click here

 

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‘I Chaperoned Six Film Stars’ Daphne Neville’s memories of making the original film of ‘Swallows and Amazons’ in 1973 part three

Daphne Neville in about 1973

Daphne Neville in about 1973

I clearly remember my mother winding carbon paper into the roller of her portable typewriter and bashing out articles. Ping! the bell would ring as she reached the end of a line. She would then pull left on a shiny paddle, with relish, to begin a new paragraph. She seemed to type like the wind, it was only a pity she didn’t write more. Was it more time-consuming when making changes was so laborious and a dictionary needed to be flicked through to check spelling? I was forever pouring through a thesaurus and looking for reference books in libraries as a child in the ‘seventies but find computers seems to steal more time.

Sophie Neville with the cast of Swallows

~The photograph that illustrated an article in Woman magazine taken at the Commonwealth Institute in 1974~

Here is the second part of the article Mum wrote for Woman magazine when the original film of ‘Swallows and Amazons’ was screened in cinemas around the country in April 1974. Earlier pages can be read in a previous post here and there is also a programme she wrote for BBC Radio Bristol on the same subject here.

Jean McGill, Jane Grendon, Sten Grendon, Kit Seymour, Sophie Neville, Claude Whatham, Simon West, Lesley Bennett, Suzanna Hamilton, Ronnie Cogan, 1973

Daphne Neville giving Lesley Bennett (Peggy Blackett) archery lessons, 1973

The Saucepan and her mother, Daphne Neville in 1973

Terry Smith, Sophie Neville and Daphne Neville on location in the Lake District

Wardrobe Master Terry Smith with Sophie Neville and her mother Daphne Neville outside the Make-up caravan on location near Keswick in Cumbria

I’d forgotton that Kit was sent half a Birthday cake but do remember Ronnie Fraser arrived at her party quite tiddly. I am amused to learn we finally left Oaklands Guest House with fifty peices of luggage but I still have a hazel bow and arrow set, which I don’t expect ever fitted into a suitcase.

Please let me know if you would like to see old scripts and letters relating to the original publicity for the film, kept in my mother’s archives.

To read more about Daphne Neville’s adventures in film and television please click here

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Filed under 1973, Acting, Arthur Ransome, Autobiography, British Film, Cinema, Claude Whatham, Cumbria, Emi film, family Entertainment, Family Film, Film, Film Cast, Film Catering, Film crew, Film History, Film production, Filmaking, filmography, Humor, Humour, Lake District, Memoir, Movie, Movie stories, Richard Pilbrow, Sophie Neville, Suzanna Hamilton, Swallows & Amazons, Swallows and Amazons, Titty in Swallows and Amazons, truelife story, Vintage Film, Virginia McKenna, Zanna Hamilton