Category Archives: Movie disasters

‘An A-Z of Cumbria and The Lake District on Film’ has been launched

by Hayloft Publishing, written by David Banning with a forward by Sophie Neville.

‘This is the finest comprehensive guide to the history of movies filmed in Cumbria and the Lake District, since the early twentieth century to the present day… it  will take you on a journey through the filmic landscape of one of the world’s most beautiful places.’

A-Z Cover image

‘You will be able to immerse yourself in the lush green world where Star Wars created an alien landscape or take a trip around Swallows and Amazons country, not to mention joining the ranks of Withnail and I pilgrims or sampling the nostalgic Breif Encounter tea rooms where a tiny piece of grit kick-started an enduring romance.’

To read more, please click here for Cumbria Today or click on this image for a review in the Cumberland & Westmorland Herald:

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There is also a feature in the Westmoreland Gazette here

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For more information from Hayloft Publishing, and to buy this book, please click here

Terry Abraham, who made the film Life of a Mountain, writes: There are countless books covering aspects of the most beautiful corner of England but none which reveal little known facts regarding it as a location for filming. David thoroughly and interestingly brings to light the great number of films both large and small that have featured Lakeland on camera. Some less obvious than others but no less absorbing, you may well wish to seek out and visit where productions have captured the scenic delights of Lakeland. David’s book is an engaging and enlightening read and definitely one for the shelf alongside other works celebrating England’s finest landscape.

Be the first to review this book on Amazon.co.uk

David Banning lists ten of the best films made in Cumbria. Please click on these links for the International Movie Database details and film trailers:

Brief Encounter, 1945

The Dambusters, 1955

Swallows and Amazons, 1974

The French Lieutenant’s Woman, 1981

Brazil, 1985

Withnail & I, 1987

28 Days Later, 2002

Miss Potter, 2006

Sightseers, 2012

Star Wars Episode VII – The Force Awakens, 2015

You can see a shot of Derwent Water at 1.23 mins into the official film trailer for Star Wars after ‘This Christmas’ graphics, here:

 

 

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Launching the second edition of The Secrets of Filming ‘Swallows and Amazons'(1974)

 

front-cover-1974

A second edition of the ebook ‘The Secrets of Filming ‘SWALLOWS & AMAZONS'(1974) is now avaialble on Amazon Kindle, Smashwords, itunes, Kobo, and Nook for £2.99 . You can download this free of charge if you already own the first edition.

If you would like a copy but don’t have a Kindle, worry not. We have added a link whereby you can download a free Kindle app. Please go to my Book Page and scroll down for the details.

If you already have a copy of the ebook, contact a Customer Advisor and ask for a free update. You just need to give Kindle the ebook’s ASIN number. The ISBN for all online editions except Kindle is: ISBN 9781311761927

ASIN is: B00GNFYZJS. The full instructions are: Select “Help” from the right hand end of the top grey bar on your online Amazon account page on the main site. Click on ‘Contact us’ on the right. Under ‘What can we help you with?’ select Amazon Content and Devices. Tap on your Kindle device in the boxes shown, then scroll down the page to ‘Select an issue’ and in the drop down menu select ‘My Kindle books and subscriptions’ Follow the prompts to connect to a Customer Advisor on live chat. Tell them that there is a newer version of the book than when you originally purchased and ask them to deliver the latest updated edition to all of your devices. This is free, although it takes a few minutes. There may be a different proceedure to download new versions from other booksellers – I advise doing whatever is similar. From other sellers you will need to supply the book’s Smashwords ISBN: 9781311761927

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A beautiful photograph of Virginia McKenna taken on location in the Lake District in 1973 by Philip Hatfield

Since being contacted by others who were involved in the filming, I have been able to add a few more anecdotes and images, including this beautiful shot of Virginia McKenna kindly sent in by the photographer Philip Hatfield.

I found a copy of my original contract for the film and when Jean McGill rang from Bowness, a few more secrets floated to the surface.

Sophie Neville and David Wood

CBBCTV’s Cinemaniacs  interviewed the screenwriter David Wood and myself on how the original movie of Arthur Ransome’s ‘Swallows and Amazons’ was made back in the summer of 1973.  The idea was to use 30 second clips, so please excuse my over-the-top reactions, but you can watch the whole recording below.

‘This has to be one of the most delightful interviews in my recent memory.’ Tim Lewis, USA

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More memories of making the original film ‘Swallows & Amazons’ in 1973

Following my last post, David Stott has written in to say, “When l got the job driving for ‘Swallows and Amazons’ l think I took over the production car when Jean started driving you children around in the mini-bus.” This must have been in May 1973 when the original film of Arthur Ransome’s classic book was being made in Westmorland.

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David explained that, although he lived in Ambleside, he has not seen Jean since the filming, so enjoyed reading that I had been in touch with her. “Jean’s Mum was called Girlie and she used to run a nursing home on Lake Road. Jean had a brother who was nicknamed Blondie.  We would often have a cup of tea with Girlie in the nursing home kitchen.”

Lake District 6

David has all sorts of memories of filming ‘Swallows & Amazons’ in the Lake District that I knew nothing about. “Jean mentioned that she took Ronnie Fraser for an early morning glass of champagne to get him going.  I remember having to take him to the Lodore Swiss Hotel in Borrowdale while filming on Derwentwater.  He would order what he called, ‘A Frazer’, which was some sort of vodka cocktail.” David was only about seventeen at the time. Driving Ronald Fraser around must have been something of an eye-opener.  “I remember bringing him back to film ‘walking the plank’ and he was very drunk at the time. Expect he needed it for the cold water.  He could be a little difficult when he had had a few.”

Boats at Lake 2

“I was rather star struck when l was driving Virginia McKenna,” he admitted.  “On one occasion I had to drive her from the farmhouse on Coniston to Grange railway station. She was telling me all about filming ‘Born Free’ with the lions and I drove a bit slowly as l was enjoying her company.  We arrived rather late and l had to throw her and her luggage onto the train just as it was leaving.” I asked Virginia about this but she couldn’t remember ever being late for the train. I can only imagine that David must have coped well.

 

Rydal Water Summer

“On another occasion I think l had Richard Pilbrow in the car,” he was the producer of the film. “We were driving back from Derwentwater when a cow jumped off a bank and landed on the bonnet, causing quiet a lot of damage.  I was dreading going back to Browns Motors and telling Alan Faulkener the owner what had happened.” Richard is still alive and well.

Lake Jetty 2

David, who now owns Crossways Hotel near Glynebourne,  comes from an old Cumbrian family. His  grandmother lived at High Green Gate, the farm next door to Beatrice Potter  Hilltop. “My great grandfather was Farmer Potatoes in the ‘Tale of Samuel Whiskers’. It was sketched from a photograph that my mother still has.  There is shortly to be an article in Cumbria Magazine about Beatrice Potter’s relationship with the Postlethwaite family.”

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One of our locations – Haverthwaite Station today

“My father was the local joiner in Ambleside. He also kept about 1000 hens and delivered eggs around the hotels at the weekends.  My brother and l would often help him on a Saturday morning.” David obviously knew the roads of Cumbria well.

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Were there any disasters? and other questions asked about making the film ‘Swallows & Amazons’ in 1974

On Saturday 26th September at 3.00pm the original film of Arthur Ransome’s book ‘Swallows and Amazons’ was screened at the Riverside cinema in Woodbridge, Suffolk as part of their celebration of ‘100 Years of Film’.

I was on stage to answer questions about how we made the film after the screening.  Swallow, the dinghy we used on the movie was rigged up outside the cinema and admired by many.

Q&A title on screen

Back in April, I was invited to a similar screening of ‘Swallows & Amazons’ (1974) also held to raise funds for the up-keep of Arthur Ransome’s yacht Nancy Blackett. As the film ended I was invited up on stage to answer questions about how it was made. Marc Grimston sent a list of these, so I could answer them here for those unable to get cinema seats.

As a child were you like Titty? In 1973, I was aged twelve and at five-foot two, was really too old and too tall for the role of Titty but it was easy enough to pretend to be nine years old. I was on-screen a great deal so it probably a good thing that I was old enough to cope with long filming days. I thought I was much more like Mate Susan but perhaps that made it easier for me to play Titty.

How many tried for the role of Titty? About 1,800 children originally auditioned for the six parts in ‘Swallows & Amazons’. Claude Whatham, the director, wrote inviting me to an interview. In the end there were five girls up for the part of Titty. You can read more about the final audition here.

Q&A at Cinema Screening

Sophie Neville on stage with Peter Willis, President of the Nancy Blackett Trust

Had you read the books before? I had read most of the books in the series and loved them, so it was very easy to take on the part. We never had to sit down and learn lines because we knew what to say from reading the book.

Q&A to packed house

Sophie Neville  taking about Swallows & Amazons

Were they any disasters during filming? Swallow’s mast broke!

How did you stay safe with the snake? It was a real adder, but quite a tame one. I think they lowered its metabolism by keeping it cool.

How did they make the lion noises? It was a recording of a real lion.

How did you capture their boat? In one take!

How did they film the night scenes? We shot many of them inside Mrs Batty’s barn.

Q&A ar Riverside Screening

Sophie Neville with Swallow’s flag

When you filmed the approach to the houseboat it seamed as if Amazon was coming in fast, was she? Yes, she hit it quite hard!

How long did it take to film? We spent forty six days onset in total, which meant spending about seven weeks in the Lake District.

Do you still have the parrot? I don’t. The green parrot belonged to Mrs Proctor of Kendal where the residents were terrified of him.

What happened to Amazon? She is owned by a family living in Kent who love sailing her in the lakes. She was the same Amazon as used in the BBC serial of ‘Swallows and Amazons’ made in 1962, when Susan George played Kitty.

Have you been back to the island? Yes! I last returned with Nick Barton who is planning a new film adaptation of ‘Swallows and Amazons’.

Are there adaptations of any other Swallows and Amazon books? Yes, in 1983 I was able to work on the BBC serialisation of ‘Coot Club and The Big Six’, starring Rosemary Leach, Colin Baker, Henry Dimbleby and Julian Fellowes as one of the Hullabaloos. It was my job to cast the children and look after them during the three months we spent on location, which was great fun.

Q&A at Woodbridge Screening

Click here for further details: Riverside Cinema in Woodbridge

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Sophie in Suffolk ~

11015906_10202996212506899_2127206965502510144_nQ&A with Sophie Neville at the Riverside Cinema ~ photo: Claudia Myatt

The screening of Swallows & Amazons on Sunday was sold out. 250 tickets. They were endlessly turning people away. ‘We should have shown it again in the 6.00pm slot,’ I told the manager. ‘Oh, we have American Snipper on then.’ It stars Bradley Cooper and Sienna Miller. ‘How many have booked to see it?’ ‘Three.’

Cromer Crab

Delicious lunch served at the Riverside Restaurant 

~ photo: Pandora Doyle ~

All age groups were represented in the audience who came to the event – a fundraiser in aid of the Nancy Blackett Trust. About 70% had seen the film of Swallows & Amazons before. Some knew it well.

Swallow, the clinker built dinghy, originally built by William King and Sons at Burnham-on-Crouch and used in the 1974 film, was rigged up outside the cinema for everyone to meet. She is going to be at a number of The Arthur Ransome Society’s events in Suffolk and Essex this summer. We used the best photo of Swallow under sail for the cover of the paperback on how the film was made, which was on display in the cinema lobby after the film. It is now available online or from the Aldebrugh Bookshop in Suffolk.

The Making of SWALLOWS & AMAZONS

Someone asked if we had any disasters while making the film.

Swallow’s mast broke, we nearly sailed under the Windermere steamer and we were often rained off,’ but I couldn’t think of anything utterly disastrous from my perspective. I’ll have to ask Richard Pilbrow who produced the film back in 1973. I can list other questions asked by the audience in the next post. Do add any you might have to the comments box below.

The Riverside Cinema in Woodbridge are thinking of showing Swallows & Amazons again in September to help them celebrate their centenary ~ ‘100 Years of Film’. Do add a comment in the box below if you would like to organise a screening of the film at a cinema near you.

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‘Swallows and Amazons’ (1974) the opening locations of the classic film

Ext : Ulverston Railway Station ~ filmed at The Haverthwaite Railway Station

An article in The Times 1973

A photograph taken for The Times of us all aboard the steam train at Haverthwaite

On the first day a of filming in May 1973, a huge effort was made to ‘dress’ Haverthwaite Railway Station, at the southern end of Windermere, to bring across the feel of a bustling 1929 destination. Local people had been previously fitted with costumes in the Ambleside Church Hall, there was a horse and cart, porter’s trolleys laden with trunks and old bikes, which were of great interest to us.  Having stepped down from the steam locomotive we were piled into an open-topped period vehicle, for publicity photographs.  I liked being on the car but thought the photograph was silly, especially since Kit Seymour and Lesley Bennett who were playing The Amazons were wearing ordinary clothes, rather than period costumes. The result was later published in both The Guardian and Woman’s Realm. Virginia McKenna was interviewed by the journalists while we were hurried away to get on with our lessons. Our tutor taught us Art. I drew the a picture of the motor car.

With Virginia McKenna on the first day of filming

A publicity shot for the film featuring Virginia McKenna, with Kit Seymour, Steven Grendon, Sophie Neville, Lesley Bennett, Simon West and Suzanna Hamilton, taken on the first day of filming and published in the Guardian and other newspapers

The yellow motor used in the film for our taxi was a superb. I can only imagine it was far grander than a real Lakeland taxi would have been. Sten ~ playing Roger ~ hung out of the window as Claude, ‘filmed us driving out of the station, along the platform (?) at top speed,’ as I recorded in my diary.

Director Claude Whatham talking to Virginia McKenna at Haverthwaite Railway Station

Ext: Holly Howe ~ filmed at Bank Ground Farm by Coniston Water

Arriving at Holly Howe in the yellow taxi was truly exciting. It was not filmed the next day, as I think rain set in. Claude waited for good evening light. But I remember the thrill of drawing up outside the farmhouse in the old car and pulling on my hat as we spilled out and ran past the big farm horses Mr Jackson was leading into the yard. I’m afraid our OOV (out of vision) dialogue was added later.

The screenplay of the 1973 film ‘Swallows and Amazons’ adapted from Arthur Ransome’s book by David Wood

If you ever go to Bank Ground Farm near Coniston, called Holly Howe by Arthur Ransome in his books, you must run down the field to the lake as we did. As soon as you arrive. And at top speed. And you will be filled by the same feeling of elation as we were when we played the Walker children.

Bankground Farm

Steven Grendon, Sophie Neville, Suzanna Hamilton and Simon West at Bankground Farm on Coniston Water in the Lake District

The slope, formed by glacial scouring and subsequent deposits long ago, is steeper than you think.  You soon learn the art of glaumphing, which I became adept at as a child.  What struck me when I returned to Bank Ground Farm one Spring, was that sadly the great trees have gone from around the old farm gate and the boatsheds by the lake.  They must simply have reached the end of their lives.

Stephen Grendon, Sophie Neville and Simon West with Mr Jackson at Holly Howe~ photo: Daphne Neville

Ext: Peak at Darien ~ filmed by Derwent Water

Most Arthur Ransome devotees will know that the Peak at Darien, where once stood stout Cortez, is familiar to readers as it appears in two of the illustrations in the book, but can not be found below the farm. Mrs Ransome said that you could find it on Windermere. In April 2011, when I was on an early recce with Nick Barton, CEO of Harbour Picture Productions, we did pass one promising spot:

A possible Peak in Darien by Lake Windermere

However Richard and Claude chose Friar’s Crag on Derwent Water for the location . I didn’t know it but Christina Hardyment writes in her excellent book, Arthur Ransome and Captain Flint’s Trunk that they had found the very place Ransome had in mind, “without the slightest idea that they were quite right to be doing so.”  She found that Ransome had marked up postcard of Friar’s Peak for the 1930s illustrator Clifford Webb to work from. It feels completely right when you are there, with the iconic view of an island under the towering mountains. It was over this that they added the opening titles.

South Cortez, however, was not there. Neither were we children. The shot was taken later on in July. By the time we had been transported from Coniston to Derwent Water for this scheduled scene the sun was going down.  We’d been delayed by the make-up artist who was determined to tone down the tans we had developed.  This took ages. He used a very small sponge. My mother was frustrated as she thought that this would never have shown up, but he put his foot down with the result that we were ‘late on set’ for the evening shots. Claude Whatham was very cross about it.

Sophie Neville as Titty arriving too late in the day to film at Friar’s Crag on Derwent Water. The island protrayed as Wildcat Island can be seen in the distance ~ photo: Daphne Neville

One of the big secrets of the film ~

One of the big secrets of the film is that the sequence when we run up to the Peak at Darien and first set eyes on the island in the lake was shot under an oak tree in Runnymede. Near the River Thames. We were looking at the director, not an island at all.  It must have been an expensive ‘pick-up shot’, but we enjoyed meeting up again immensely. Claude had made an effort to gather together the same crew members and I was back in my lovely silk dress once more. We knew how to act by then and the joy of being together again shows on our faces.  The result was a scene to set the film off on the right foot.  We were jubilant, so excited, that, like swallows, we could have taken flight.

Sophie Neville, Claude Whatham and Simon West with Richard Pilbrow in the foreground ~photo:Daphne Neville

The opening titles ~

I would have to check with Richard Pilbrow to be certain but I think that Simon Holland, the Art Director, penned the SWALLOWS and AMAZONS graphics for the opening titles.  I remember a discussion about the font type. A very fashionable script used on the poster of the film was favoured. I said that I thought they ought to use the handwritten capitals that Clifford Webb had penned on the map in the opening cover of the book and copied by Simon Holland (and me) on our chart. This was chosen.

Click on this image to see the poster of the film

The Seventies’ font, above, had been used for the  titles of  Lionel Jefferey’s movie The Railway Children, which starred Jenny Agutter. As a viewer I felt that this soon dated it, whilst Swallows and Amazons sailed onto our television screens in the 1980’s and 1990’s, indeed into the 21st century, without being spoilt by what became most unfashionable graphics. Of course now that particular retro font is all the rage.  For sometime a DVD has beeen available which gives you both films.

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