Landscape Photographs – Sophie Neville

A Little Bit of Film History

Contact sheet - Sophie Neville with Amazon's anchor

~ Titty with Amazon’s anchor ~

When I first posted an extract from ‘The Secrets of filming Swallows and Amazons’ on a literary website, someone wrote a review assuming it to be a novel. They must have thought that I was some poor creature who had imagined the whole thing. The reviewer considered the plot too far-fetched and fantastical – as you might if it had not been true.

‘You must have been dreaming.’

‘But Captain Flint, there were burglars, you’ve got to believe me.’

Poor Titty! No one ever believed her. Fortunately quite a bit of documentary evidence exists to support the fact that a certain feature film was made in the Lake District in 1973. I do wish I’d kept a copy of the book review though.

Contact sheet - finding Titty in Amazon

~ The Swallows find Titty sleeping in Amazon near Cormorant Island ~

Contact sheet - Suzanna Hamilton and Sophie Neville sailing Amazon

~ Titty and Susan sail Amazon back to Wild Cat Island ~

Contact sheet sailing Swallow & Amazon in 1973

~ Sailing Swallow and Amazon on Derwentwater ~

Contact sheet - sailing Swallow & Amazon on Derwentwater

I was encouraged to collect things as a child, in case they might one day be of value. Back in 1973, I was given a number of black and white photographs and contact sheets of stills taken by Albert Clarke on the set of ‘Swallows & Amazons'(1974) – if you can call Derwentwater a movie set. I pasted some of these in a scrapbook but others remained in a roll that has only recently been returned to me. Each sheet looks roughly like this:

The Making of Swallows & Amazons contact sheet - both boats

The eye is easily tired by looking at the whole set but scanning and editing reveals a little bit of film history in every shot. I can see here that Titty wasn’t letting Amazon’s anchor down, she was hauling it in while Susan was at the helm, with a fair wind in her sails. This must have been quite tricky.

Sophie Neville pulling up Amazons' anchor

You can tell by the numbers above each shot how many were taken and in what sequence. presumably 2003 photographs had been snapped by the time the Swallows found Titty moored near Cormorant Island.

Contact sheet - filming Swallow

~ These bizarre shots show the film crew afloat on their pontoon ~

The photographs below show Virginia McKenna rowing away from Peel Island on Coniston Water in a native canoe with DoP Denis Lewiston and his 35mm camera, which is pretty unique.

One thing is certain, if these contact sheets had not been given to me they would have been thrown out and yet, over time, they have become precious. Do add a comment below if you would like to see more.

It is quite interesting to see which shots were chosen for the press. You can see a few of the action shots used in magazines of the time by clicking here. Newspapers tended to chose photographs akin to portraits as you can see here.

Recent newspaper articles tend to use a black and white film still that was clumsily tinted giving the lake water an unreal and bright blue hue as you find here.

Some of the black and white prints are now held at BFI. StudioCanal hold a vast selection of the best photos in their library and have an on-line shop here. I have included about a hundred behind-the-scenes snaps taken by my parents in the latest edition of ‘The Making of Swallows and Amazons’ recently published by The Lutterworth Press, available from libraries, bookshops and online stockists including The Nancy Blackett shop, where proceeds go towards the upkeep of Arthur Ransome’s favourite little ship.

9780718894962_cover Amazons.indd

‘An A-Z of Cumbria and The Lake District on Film’ has been launched

by Hayloft Publishing, written by David Banning with a forward by Sophie Neville.

‘This is the finest comprehensive guide to the history of movies filmed in Cumbria and the Lake District, since the early twentieth century to the present day… it will take you on a journey through the filmic landscape of one of the world’s most beautiful places.’

‘You will be able to immerse yourself in the lush green world where Star Wars created an alien landscape or take a trip around Swallows and Amazons country, not to mention joining the ranks of Withnail and I pilgrims or sampling the nostalgic Breif Encounter tea rooms where a tiny piece of grit kick-started an enduring romance.’

To read more, please click here for Cumbria Today or click on this image for a review in the Cumberland & Westmorland Herald:

There is also a feature in the Westmoreland Gazette here

For more information from Hayloft Publishing, and to buy this book, please click here

Terry Abraham, who made the film Life of a Mountain, writes: There are countless books covering aspects of the most beautiful corner of England but none which reveal little known facts regarding it as a location for filming. David thoroughly and interestingly brings to light the great number of films both large and small that have featured Lakeland on camera. Some less obvious than others but no less absorbing, you may well wish to seek out and visit where productions have captured the scenic delights of Lakeland. David’s book is an engaging and enlightening read and definitely one for the shelf alongside other works celebrating England’s finest landscape.

Be the first to review this book on Amazon.co.uk

David Banning lists ten of the best films made in Cumbria. Please click on these links for the International Movie Database details and film trailers:

Brief Encounter, 1945

The Dambusters, 1955

Swallows and Amazons, 1974

The French Lieutenant’s Woman, 1981

Star Wars Episode VII – The Force Awakens, 2015

You can see a shot of Derwent Water at 1.23 mins into the official film trailer for Star Wars after ‘This Christmas’ graphics, here:

Wading to the Island

‘Where are they now – the cast of ‘Swallows and Amazons’?’

I can see from my admin page that this question is often typed into search engines – three times before 8am this morning. An awful lot of people seem to want to know what the children who played the Swallows and the Amazons back in 1974 are doing now they are all grown up. For this little Swallow it really has been ‘Swallows and Amazons Forever’. I’m still wading out to the island.

‘Titty the Isrealite’ photo of Sophie Neville taken by Hilary Weston

Now a writer, I am officially President of The Arthur Ransome Society, one of the largest literary societies in the United Kingdom with six branches and quite a number of overseas members. They even have association with the Arthur Ransome Club in Japan.

This year we held our International AGM weekend in Dumfries in the lowlands of Scotland, when we much enjoyed walking along the Solway and across the wade to Rough Island, just as Titty walked out across the mud in Arthur Ransome’s book ‘Secret Water’. There seems little difference except that I have a dog called Flint rather than a kitten called Simbad.

The great excitement at our IAGM this year was that Nick Barton, the CEO of Harbour Pictures came up to Dumfries with his screenwriter Angela Gibb to tell us about their new adaption of ‘Swallows and Amazons’ due to be released in cinemas on 19th August. I helped him to carry a huge plasma screen up to the hotel where the conference was taking place so that members could watch the thrilling new promo. We were sworn to secrecy, but you can read of all Nick told us in a feature article in the Saturday Telegraph by clicking here. This online version has more photos than the print version and mentions The Arthur Ransome Society. There is additional comment in the Sunday Telegraph.

Sophie Neville who in 1973 played Titty Walker in the EMI movie of ‘Swallows & Amazons’ dressed up to face the Scottish weather

Arthur Ransome, his boats and the Altounyan family

‘Paddling with Peter Duck’, John McCarthy’s documentary for BBC Radio 4, can currently be listened to on IPlayer Radio. It is about the boats owned by the author Arthur Ransome and includes extracts read from his classic book Swallows and Amazons by Kate Taylor.

While the broadcast is a portrayal of Arthur Ransome and his boats, it touches on his friendship with the Altounyan family who inspired him to embark on writing the series of twelve Swallows and Amazons books. It is easy to understand this when looking at their photographs.

The Altounyan children with friends in Syria.

The girls seem to be Taqui, Brigit and Titty

Could it possibly be Arthur Ransome sitting on the right? He visited the family in Syria in 1932, when he must have been about forty-eight, but was never known to have worn shorts, although it would have been exceptionally hot in the Middle East. Click on the photos to enlarge.

Is this Arthur Ransome ? sitting on the bow of Peter Duck in Syria, the chap wearing the same hat and clothes as in the photo above? He took this dinghy out to Syria as a gift for the Altounyan children and wrote his novel Peter Duck while he and his wife Evgenia were staying with the family in Aleppo.

Possibly Arthur Ransome sailing Beetle II the Altounyans’ gunter-rigged dinghy at Amouk in Syria

Ransome’s friend Dr Ernest Altounyan in 1935

Dora Altounyan (nee Collingwood) in 1935

Was she the model for Mary Walker, the Swallows’ mother who grew up in Australia?

Roger at Dovedale

Roger Altounyan as a boy

Dr Roger Altounyan sailing ‘Mavis’ on Coniston Water.

Sadly there is no sign of the original Swallow bought at the same time as Mavis by Arthur Ransome and Ernest Altounyan in Barrow-in-Furness, and later sailed by the Ransomes on Windermere. Mavis was later re-named Amazon by Brigit Altounyan, the youngest of the five Altounyan children, known as The Ship’s Baby.

Brigit Altounyan as a girl

Brigit married, becoming known as Brigit Sanders and later became President of The Arthur Ransome Society. The original lugsail dinghy Mavis or Amazon can be visited in the Coniston Museum in Cumbria. To read more please click here to see this previous post.

Dr Ernest Altounyan on Coniston Water with ‘Mavis’, one of the dinghies that inspired ‘Swallows and Amazons’

These unique photographs were recently found in Cheshire by the antiques dealer John Jukes who asked me if I could return them to the Altounyan family. This I have done and show them here by kind permission of Roger’s daughter, Barbara Altounyan. Please do not copy these photos.

To listen to John McCarthy’s Radio 4 broadcast, please click here

Changes to the original screenplay of the film ‘Swallows & Amazons’ (1974)

One of the questions asked by fans of the film Swallows & Amazons, produced by Richard Pilbrow in 1973, is whether any of the scenes written by David Wood ever hit the cutting-room floor. Looking back through the original screenplay I can see that the answer is, not many.

The shots of finding Swallow in the boatshed, bringing her out and raising her flag were moved forward, under the Voice Over of the Walker children reading out the letters to their father.

Simon West talking to director Claude Whatham with Sophie Neville

There is a scene in the book set at Holly Howe when medical supplies are being packed for the voyage. This was shot with Virginia McKenna at Bank Ground Farm above Coniston Water, but must have slowed down the pace of the film as it was replaced by a montage of shots, which are much more exciting.

Virginia McKenna as Mother with Sophie Neville as Titty making Swallow’s flag

Making patterans on the way to the charcoal burners, was a lovely scene from the book that was recorded but never included in the film. Captain John can been seen explaining how gypsies use them as secret markers in this black and white still from the film. It was shot on a mossy bank in oak woodland so very characteristic of the Lake District. It was at this dramatic location, high above Derwentwater that this behind-the-scenes shot of the director, Claude Whatham was taken. You can see Cat Bells in the background.

Claude Whatham talking to his cast: Sten Grendon, Simon West, Sophie Neville & Suzanna Hamilton

Mrs Ransome, who worked closely with the screenwriter agreed that the storm scene on Wild Cat Island would not to be included in the screenplay, which we all thought a great pity as children. Such a violent gale blew in one day when we were filming on Peel Island that we would have had the right weather conditions, but you can not include everything. Jane Grendon, whose son Sten played Roger wrote to tell me that before filming began, ‘…one of the very first things we were asked was, ‘can Sten swim?” ‘I know he could doggy paddle,’ she continued. ‘ Neville (Thompson, the online Producer) organised swimming lessons at Pitville Pool, Cheltenham which included jumping off the diving boards. At the time I didn’t know why and I don’t think Sten is a natural in the water and the swimming lessons didn’t prove very successful. Claude (Whatham) told me – at the end of filming I think, when he gave me a copy of he original script – these lessons were because in the original script Roger was to jump in the water after Uncle Jim walked the plank.’ Jane sent me a copy of the page in question. I had not seen it before: It was a page of the script we never had the time or enough fine weather to shoot. I am so glad.

Readers often ask if any scenes involving the Amazons were cut, but none were left out. Nancy and Peggy simply do not appear in the book as much as one might remember.

Please leave any questions about the making of ‘Swallows & Amazons’ in the comments below.

Announcing the publication of ‘The Making of SWALLOW & AMAZONS’

The long-awaited paperback published by Classic TV Press

Sophie Neville who played Titty Walker

‘Forty years after she enchanted film-goers as Titty in Swallows and Amazons, Sophie Neville has found a new audience… telling the behind-the-scenes secrets of the film of Arthur Ransome’s classic novel.’ The Daily Mail The Making of Swallows & Amazons ‘…is based on diaries, letters and old photographs which Sophie has turned into a heart-warming account of making the movie, which starred Virginia McKenna and Ronald Fraser.’

’The Telegraph ~ Culture: ‘Set in the Lake District in 1929, the film follows four young adventurers who sail a dinghy around Lake Coniston, cook for themselves over campfires and sleep in makeshift campsites.’

‘…The occasional chaos and terrible weather during filming contributed to the eventual popularity of the extraordinary and very much loved film.’ The Times

‘The film Swallows & Amazons is 40 years old, but thanks to its careful period evocation, its respect for Arthur Ransome’s original book and the performances of its child actors, it’s become a timeless classic. One of those children was Sophie Neville, who played Titty, and who kept a diary during the filming. That diary, with her adult recollections, is this book. It’s a fascinating insight into filming on location in the Lake District… Classic Boat

‘… The result is compulsive reading as she recalls that cold wet summer, while the camera crew wrapped up warm and she shivered in her skimpy dress as Able Seaman Titty Walker. Sophie brings to life all the many memorable characters who worked on the film and in particular the other children, the Director Claude Whatham who developed a great relationship with his young cast and the stars Virginia McKenna and Ronald Fraser. Nor are the other young actors forgotten for there are diary contributions from Suzanna Hamilton who played Susan, Stephen Grendon who played the Boy Roger and Kit Seymour who played Nancy Blackett. The text is supported by numerous illustrations showing life on and off the set.’ Roger Wardale, author of Arthur Ransome: Master Storyteller and other books

‘You don’t need to be a Swallows & Amazons fan to enjoy this book – it’s universal!’ Winifred Wilson, Librarian of The Arthur Ransome Society

‘This was a most unusual and interesting book. I picked it up expecting to browse through it, and found myself so drawn in to Sophie Neville’s detailed, amusing and insightful description of film making in the 1970’s that I was unable to put her book down. As Arthur Ransome fans, my family and I have always loved the film, and felt that Sophie Neville was ‘just right’ as Titty. What fun it has been to be introduced to the young twelve year old Sophie with her intelligent awareness of the challenges facing the production crew while she shivered in her cotton dresses. The many photographs and illustrations contribute richly to bringing the 1970s setting to life. Sophie recorded her experiences beautifully, and in so doing, added one more valuable book to the cultural heritage of all Arthur Ransome fans.’ Juliet Calcott, English teacher, South Africa

Lots of photos throughout the book bring the scenes to life – a delightful read.’ Celia Lewis author of An Illustrated Country Year

Sophie Neville has been chatting to Mark Forrest on The Evening Show.

Please see her post on the Funnily Enough, the website or click on his image above and slide the cursor to 02:14:20

**********

A unit driver on the film ‘Swallows & Amazons’ has written in with his memories of 1973

A comment from someone who worked on the film ‘Swallows & Amazons’ in 1973 ~

l had just finished my three years at college and was at a loose end before l started my working life. I was living in Ambleside at the heart of the English Lake District where Arthur Ransome’s children’s story “Swallows and Amazons” was being filmed at the time. I landed myself a job working for the film unit. I was full of my own importance as l was driving the stars and director of the film.

Virginia McKenna playing Mrs Walker at Bank Ground Farm above Coniston Water

The stars were Virginia McKenna of “Born Free” fame and Ronald Fraser. I was reminded of this period of my life when l read the headline ‘X-RATED antics of Swallows and Amazons’ in The Times. The title related to the release of an e-book by Sophie Neville one of the child actors in the film. Sophie was 12 at the time and I was 19.

Sophie recalls how Ronnie (Ronald Fraser) was always drunk. Well this is not strictly true. In the morning Ronnie was reasonably sober and for this reason the director Claude Whatham would try and get most of the shooting with Ronnie in the can before the lunch hour came around when I would be summoned to take him to the nearest hostelry. Ronnie would then order his own concoction “The Fraser’. I cannot for the life of me remember what it consisted of, but believe you me these disappeared at a rapid rate of knots down Captain Flint’s (his character’s) throat. By the time the liquid lunch came to an end l would have to bundle him into the back of the car and deposit him back on set, much to the dismay of the producer Richard Pilbrow and the director Claude Whatham. Afternoon shooting was often a disaster when Ronnie was involved and I’m sure he frightened the children from time to time.

Well if the children were sometimes scared by Uncle Jim, as Captain Flint is known, then l was scared of the parrot that Uncle Jim had on his boat. The first day that I had to collect the parrot the old lady who owned him travelled with him to the location on Derwent Water. However she soon became bored with all the hanging around and after that she entrusted me with the parrot. Now birds are not really my thing and I really did not like handling him. He would travel to the location in an old shopping bag with a zipper, where l would hand him over and he would be placed in his cage. This was all well and good, then came the day that was so wet they did not use him, but instead he stayed in the production office at the Kirkstone Foot Hotel where the crew were hanging out. I was told he was in the bathroom, l expected him to be in his travel bag, but no he was sat on the edge of the bathtub looking at me. By this time he hated being put in the bag it took me all my time with a towel to catch him, finally after being scratched and bitten I got him home to his Mum.

The hardest thing to stomach was the fact that the parrot was paid more per day than l was.

David Stott

One of the daily unit call sheets issued on 'Swallows & Amazons' (1974) — One of the daily unit call sheets issued on ‘Swallows & Amazons’ (1974)

I replied:

Thank you so much for writing in, David. Your story about the green parrot had me roaring with laughter. I am told that he was a male parrot called Beauty, who belonged to Mrs Proctor of Kendal. Her grand-daughter rang in when I was interviewed on Radio Cumbria recently. She told me that her gran, old Mrs Proctor could do anything with him, and was well know for walking around Kendal with him sitting on her arm. I don’t think anyone else dared get close. Since I played the part of Titty, I had to have him sitting on my shoulder in the cabin of the houseboat, while delivering the most important lines in the film. We were then meant to leap about singing, What Shall We Do With the Drunken Sailor? This was a bit ironic since Ronnie was half-plastered by then. He was pretty permanently pickled. In the penultimate shot of the film, while pretending to play the accordion, he was still drunk from the Wrap Party 36 hours before. The parrot was not invited to the party but did receive a fee of £25 for appearing in the film. His owner used this to buy him a bigger cage.

I don’t know who thought up the ‘X-rated’ headline at the Times (which was absurd) but a reporter from the Daily Express provided the receipt for ‘The Fraser’ in 1973 – I have the clipping (above). Geoffrey Mather wrote: ‘A Fraser is a drink of his own invention. It consists of a large vodka with a kiss of lime and a ton of ice, topped up with soda in a large glass’. We all bought the copies of the newspaper in Ambleside. My mother was horrified as instead of being a story about making the film it was a half-page article about Ronnie’s antics in the bar of the Kirkstone Foot Hotel on Windermere.

Daily Express Article page two — Sophie Neville, Suzanna Hamilton, Lesley Bennett, Simon West, Sten Grendon and Kit Seymour with Ronald Fraser. Who is operating the boat?

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