Are you looking for a special Birthday or Christmas present for someone who happens to love the original film of ‘Swallows and Amazons'(1974)?
Paddy Heron of Children in Read has a huge number of amazing books listed in a charity auction being held to raise funds for BBC Children in Need. Nearly £21,000 has already been pledged, which is amazing. We have 3 days left to bid, so you have time to chat to the family!
‘The Making of Swallows and Amazons (1974)’ is listed as Lot 298, in the section ‘Film & Television’ above Nigella Lawson’s book ‘Coot, eat, repeat’.
and scroll down until you see the image of the book you would like to bid on, then click on the price button and you can enter a bid when the large image pops up. You don’t pay until you win on the final day. I will pay the postage within the UK and inscribe the copy to whom you wish.
We now have another bid for £101. Copies on Amazon.UK – where is it has 47 reviews, are now listed as costing about £76. I promised that if the bidding went higher than £78 I would personally inscribe this large paperback edition and include a signed first edition hardback copy of my autobiographical book ‘Funnily Enough’, worth £15, which includes a few pages about filming ‘Swallows and Amazons’ in the Lake District.
I said that the bidding goes any higher than £101, I will include a copy of ‘Ride the Wings of Morning’, my memoir about leading a Swallows and Amazons style life camping in Africa:
I received an interesting series of emails recently from a stone mason called Philip Chatfield:
“Hi Sophie, I was watching ‘Swallows and Amazons’, the old classic, on Talking Pictures TV… great channel. Curiously, I have, hanging in my cottage ceiling timbers, the lantern you used for the Lighthouse on Wild Cat Island !!!!!!”
‘Lanterns like this pattern are not common, so I presume it must be the one used in your 1974 film. I like to think so. There is a hole in the top of my lantern which has been plugged up and holes in the base too. If you use the lantern with candles, which is what I always do. then you cannot have a hole in the top of the lantern. Heat goes up and out of it and the rope or wooden handle may catch fire! It is stopped up with a small bolt with a flat rounded top.’
The holes would have been made to insert an electric light behind the candle so that it would show up on film.
It certainly looks like the lantern we used, which I knew well at the time. A hurricane lamp is used in the book Swallows and Amazons. John, ‘tied the other end round the oil box at the bottom of the lantern’, although candle lanterns were used to mark Secret Harbour.
The black lantern was packed into Swallow on the voyage to the island, visible when the Walker children narrowly miss the Tern. You can see it lying in the shallow basket.
It was rather uncomfortable to lean over when handing Roger the telescope.
The basket was taken out of Swallow at the landing place and Titty moves it up the beach ‘for fear of tidal waves.’ See if you can take some screen shots of it hanging from the lighthouse tree.
The same lantern was used in the movie ‘Far From the Madding Crowd'(1967) starring Alan Bates, Peter Finch, Terence Stamp and Julie Christie.
You can also see it hanging from a farm cart.
Philip says, ‘Clearly all the props went back to the Turk Phoenix shed near Teddington after shooting.’
‘I never thought about it before but I used to work on a sailing ship called Grand Turk, which was owned by Mile Turk of Turk Phoenix who did a lot of film work.’
‘The Grand Turk played the HMS Indefatigable in ‘Hornblower’ with Ioan Griffiths and co. While I was on board (as Third Mate and Gun Captain) I needed more props for the gunnery dept. The lantern was one of the props we had on board. It came from Turk Phoenix who still had one of the boats used in your wonderful film.’
‘Mike Turk’s business provided nautical props.’ When Mike reached the end of his life and fell ill, many of these were sold at auction in 2010, including the dinghy that played Swallow in ‘Swallows and Amazons’ (1974), which was purchased by group of film fans now known as SailRansome.
‘Before my time on Grand Turk I spent five years working on a lovely old square rig ship called MARIA ASUMPTA. Back in 1991 we sailed from London’s St Katherine’s Dock to Ipswich. We anchored off Shotley on the Orwell pretty much where the GOBLIN in Ransome’s book ‘We Didn’t Mean To Go to Sea’ book was set. As we hauled up our anchor we brought up a small kedge anchor. I still have it. At the time I was convinced it may have been from the story or even the sailing trip the story was originally based on. Who knows, but it is a lovely anecdote. We had sailed the autumn before to Flushing in Holland and did a tour of the inland waters of Holland.’
‘Sadly, Maria Asumpta was lost off Padstow in May 1995 with the loss of three crew. Thankfully I was one of the survivors.’
‘You can just see me standing staggering, second from the left, in a state of shock. Three were lost but I was amazed more weren’t, frankly. My friend the bosun Graham is sitting on the stern about to leap off. He survived, just. The ship had been built in Barcelona and launched in 1858.’ By the 1990’s it was the oldest square rigger still sailing.’ A true ship wrecked sailor! What would Titty say?
‘As a stone carver and sculptor I make memorials. A few years ago I was asked to do the memorial for one of my old school teachers and eventually his wife, who now shares his grave in Monmouth. She was Helen Bucknall but her mother was Mrs Henry Clay. The Ransome book ‘We Didn’t Mean To Go To Sea’ is dedicated to Mrs Henry Clay no less. Henry Clay was a friend and colleague of Ransome’s on the Manchester Guardian, also a keen sailor. I think Helen and her family were the inspiration for the story in the book. So Helen has a carving of the yacht they sailed as children on the large Welsh slate memorial in Monmouth cemetery.’
‘The galling thing for my friends, whose mother was Helen, is that they can’t find the original first edition of ‘We Didn’t Mean To Go To Sea’ that Ransome signed. Hope it turns up. At least that charming card exists. Love his little sketch of the dinghy.’
‘Anyway, hope this is of interest… well done for all you do. I have a hard copy of the book on order! Can’t wait. Very best wishes, Philip Chatfield’
To read more about some of the Swallows and Amazons movie memorabilia, including Swallow’s flag and the fishing rods, please click here
To read more about ‘The Making of Swallows and Amazons (1974)’ – click here
This lovely documentary shows Philip’s recent work on railways:
Earlier in the year, I spoke to Helen Millican on BBC Radio Cumbria about making the original film of ‘Swallows and Amazons’ in the Lake District, back in the summer of 1973. We have had an amusing development.
I had been chatting away, telling Helen that people like hearing about all the disasters we had whilst filming on location. One odd thing that went wrong was that one of my milk-teeth fell out in the middle of shooting a scene with Virginia McKenna on Peel Island. At the time, I was somewhat distracted and self-conscious about this but could do no more than try to keep my mouth shut.
However, viewers often spot the fact that my tooth suddenly disappeared. They still talk about it nearly fifty years later. Helen assured me that the tooth fairy was bound to turn up with it, suggesting I could then take the small canine on BBC ‘Antiques Roadshow’, which was being recorded at Windermere Jetty museum in Cumbria at the time.
Amazingly, the missing tooth has been sent to me.
Peter Robb-King, the Make-up Designer on ‘Swallows and Amazons’, rang to say that he had kept it safely in a metal film canister labelled ‘Titty’s tooth’. He promised to send it to me in the post so that I could add it to my bizarre collection of movie memorabilia – valued by Marc Allum at £4,000 to £6,000.
Helen was delighted to hear that the tooth had materialized after 48 years. “Wow, Sophie what a result, after we made such a joke of it as well! That might just take your valuation up to the next level!”
Peter explained that he took the milk tooth to a dentist in Ambleside to ask if a bridge could be made to temporarily replace it but I remember the director, Claude Whatham, saying that he would ‘have to live with it’ – it being something of a continuity problem as he was yet to shoot earlier scenes of us sailing to the island. As a result, film fans can now work out which sequences were shot right at the end of our time on location even though they come before the scene with Man Friday (played by Virginia McKenna) in the storyline.
Peter Robb-King went on to have an amazing career in film, working on ‘The Rocky Horror Picture Show’, ‘Aliens’, and a number of ‘Indiana Jones’, ‘Batman’ and ‘Star Wars’ movies. He told me that he originally found it difficult to break into Make-Up Design as a man, but managed to win a post as a trainee on ‘The Avengers’ in 1968. ‘Swallows and Amazons’ (1974) was his first job as a Make-Up Supervisor, proving a break-through for him and other members of the film crew. It was the first film made by the producer Richard Pilbrow and David Wood’s first screenplay. Suzanna Hamilton, who played Susan, went on to star in many movies including ‘1984’ with John Hurt and ‘Out of Africa’ opposite Meryl Streep. She has recently had a guest appearance on ‘EastEnders’.
Now retired, Peter and his wife live in Maidenhead but enjoy travelling around. We had a long chat about the green parrot as he later adopted a young one that was rescued while making an Indiana Jones film in Sri Lanka. Stephen Spielberg looked after another parrot from the clutch.
If you enjoy ebooks, ‘The Secrets of Filming Swallows and Amazons (1974)’ has links to behind-the-scenes cine footage and is very good value at £2.99 – available on Kobo, Smashwords, iTunes and on Kindle here
A few weeks ago, BBC Antiques Roadshow featured some of the flags from the original movie ‘Swallows and Amazons'(1974) in which I played Titty Walker. These film props had been sent to me by the producer Richard Pilbrow who now lives in Connecticut. I take them with me if I’m ever asked to give a Q&A or talk about ‘The Making of Swallows and Amazons’. Film fans enjoy taking selfies with them.
I explained that they were made on location in 1973, possibly by the Art Director, Simon Holland, who enjoyed painting. Equally, they may have been made by the Set Decorator Ian Whittaker, who went on to win an Oscar and nominations for several more. Bob Hedges who was in charge of the action props was also adept at making props in the days when health and safety regulations were more relaxed.
In the story, Titty decides to make a new flag for the Swallow. I was keen on sewing as a child, and was thrilled to be given a needle and thread to stitch a blue swallow on the flag myself in a scene with Virginia McKenna, who played Mrs Walker, shot at Holly Howe (Bank Ground Farm) above Coniston Water in the Lake District. Rather a modern reel of cotton was caught in vision.
It was not until I returned from recording Antiques Roadshow at Windermere Jetty and had the flag on my desk that I noticed some of the stitches are different from others. It looks as if the small, white stitching on one wing could have been my own. As a child, I had thought the larger stitches rather clumsy but am sure they looked appropriate in vision. It would be worth far more if it was known to have been made by Ian Whittaker. He won an Oscar and was nominated for his work on a number of other films.
‘Properly’, as Titty would say, the bird should be flying towards the mast, although I am assured that Arthur Ransome did once draw a diving swallow on one flag. In his book, the swallow was sewn into the cloth rather that plonked on top of fabric browned by tea but our flag has lasted for 48 years.
After Antiques Roadshow was broadcast, a lady who grew up in Bowness on Windermere, wrote to say, ‘It may be of interest that we still have the fishing rods that were used in the film. They belonged to my father Leslie Borwick and were lent to the film crew. They are rather worse for wear but still treasured as I was a big fan of the books when I was young. Unfortunately I was living abroad when the film was made so have no memories of it.’
Leslie Borwick, was a keen fisherman who took his daughter out to catch perch. She said that the bamboo rods are quite fragile but one has a wooden reel, which is interesting.
“My mother’s side of the family were very keen fishermen. Their surname was Bousefield and there is a fly called “Bousefield’s Fancy”(Frank Bousefield)”
You can read the original post about filming the fishing scene on Elterwater here
A clip of Swallow’s flag being valued on BBC Antiques Roadshow can be watched on BBC iPlayer.
The whole story of the making of Swallows and Amazons (1974) can be read here:
‘Titty from Swallows and Amazons’ often gets typed into the Goggle search engine but when I attempt to use it as a ‘tag’ a message pops up saying: ‘Sorry, you are not allowed to assign the provided terms.’ I can only conclude that Google lacks literary enlightenment but the BBC were happy for me to talk about Titty on BBC Antiques Roadshow recently.
‘Memory picks and choses,’ as Arthur Ransome said in his autobiography (p.33) but those who love his novels often wonder what would have happened to the characters when they grew up. It dawned on me that this might be one reason why people are interested to know what we all did with our lives. I played Titty Walker in Richard Pilbrow’s 1974 movie of ‘Swallows and Amazons’. In 1962, the film actress Susan George played the same character in the black and white BBC television serial of ‘Swallows and Amazons’ with her hair in pigtails. She was called Kitty, apparently with Arthur Ransome’s approval. BBC Films decided to call the Able seaman ‘Tatty’ in the 2016 movie ‘Swallows and Amazons’, when she was brilliantly played by Teddy-Rose Malleson-Allen who went on to star in ‘Four Kids and It'(2020).
The character was inspired by a real little girl, Titty Altounyan, who stayed at Bank Ground Farm (or Holly Howe) when visiting her grandparents who lived above Coniston Water. In 1939, Miss Joyce Cartmell acquired a signed note from Arthur Ransome explaining that, ‘Titty is short for Tittymouse which is what she was called when she was a baby. Nobody ever calls her anything but Titty now’. It appears that Ransome was also asked for a photograph of himself, to which he responded, ‘Too ugly’.
Edward Thomas (1878-1917) described Arthur Ransome as ‘exuberant, rash and intelligent.’ In 1973, I can only assume the film director Claude Whatham was looking for the same spirit in us children. It was certainly captured by Wilfred Joseph’s nautical film score.
What constantly impacts me is the number of people who write in to say how much they wanted Titty to become their best friend. In many ways the characters from Ransome’s books become friends for life. You can easily gain others who have the same outlook on life by joining The Arthur Ransome Society, who offer activities and grants for young people as well as adults with a literary bent. You too can stay at Bank Ground Farm and run down the field to dip your hands in the lake.
You can read more about making the movie in the multi-media ebook entitled ‘The Secrets of Filming Swallows and Amazons’.
Imdb, the International movie data base, list Billy Mayerl’s composition ‘Marigold’ as being included in the original film of ‘Swallows and Amazons’. This intrigued me. I looked up the music as I couldn’t think where it had been featured. Listen to the original version and see if you can recognise it:
It was ‘played’ on the radio in the chandlery in Rio, laid over the scene when the film was dubbed at Elstree Studios. We didn’t hear it when we were in the actual shop.
The Swallows bought ‘grog’ (ginger beer) and rope for the lighthouse tree. Postcards and wicker shopping baskets hung in the chandlery, which had weighing scales on the counter.
This shot was taken during the filming on the corner of Woodland Road, Bowness-on-Windermere during the filming in June 1973. I wonder who the people in the background were – possibly members of the film crew. The man in the blue top looks like Gareth Tandy the third assistant director who would have been asking passing traffic to wait while filming was in progress. The building looked like this in 2012 but I need a more up to date photo.
Jenny Maconchy wrote in to say, “It may be of interest that we still have the bamboo fishing rods that were used in the film. They belonged to my father Leslie Borwick and lent to the film crew. They are rather worse for wear but still treasured as I was a big fan of the books when I was young. Unfortunately I was living abroad when the film was made so have no memories of it.”
As a boy, Arthur Ransome had his own perch rod with a colored float to use at Nibthwaite. Towards the end of the filming, Claude Whatham gave Simon West a similar fishing rod, which Ronnie Fraser taught him to use on Derwentwater.
A member of the Arthur Ransome Group wrote, "I did not realise that the Lakeside Railway had only just re-opened in time for the filming. Of course, although Lakeside Station does get a mention in one of the books, it was the Windermere Station where the Swallows always travelled to. Although Lakeside Station would have been far more convenient from Beckfoot,the Great Aunt always insisted on Windermere as it meant less changes for her. Incidentally both Lake Windermere and Coniston Water had rail connections years ago (which is the likely route for the slate from Slater Bob’s mine although this is not mentioned being outside the scope of a childrens’ story).
“‘Swallows and Amazons'(1974) was instrumental in helping me through a very stressful period of my life, and writing was a great healer for me. The results of my efforts are in the The Arthur Ransome Society library : ‘Prospectors Afloat’ and ‘Coots in the North’ a completion of the short portion which was published. I will be obtaining ‘The making of Swallows and Amazons’ and no doubt many more of your other publications in due course.” Charles H Ball
I’ve just read that in Zulu folklore, the swallow is known as Inkonjany – the one who points the way to summer. “The swallow, and other birds like it, is regarded by our people as a symbol of effort and hard work as well as of unity, because you will see these birds gather together in large groups as they come and go. The name Inkonjany means the little pointer, and it comes from the verb komba, which means to point out something. It was said that if you saw a lot of swallows in the sky, it meant that the summer and the harvest would be very good.” I felt this applied quite well to the Walker family migrating north for their summer holiday and working hard as being the best crew they could be.
One of the film fans has called her hens Titty and Nancy. I’m sure Mrs Jackson would approve. Do use the comments box below to write in with any connections you have to ‘Swallows and Amazons’ and the original film.
You can read more in ‘The Making of Swallows and Amazons’ available from libraries, bookshops or direct from the publisher . The Nancy Blackett Trust have signed copies and it can be purchased online here:
There is also a similar multi-media ebook entitled, ‘The Secrets of Filming Swallows and Amazons'(1974). You can see inside the first section for free here
“One pandemic discovery for my family was 1974’s ‘Swallows and Amazons,’ a charming British film about kids just playing on a lake. On their own, they’re plenty capable of making their own tents and adventures”, the US film critic Jake Coyle wrote in a review for the Associated Press of a new movie released on Netflix called ‘Yes Day’.
Many people have fond memories of watching the original movie of ‘Swallows and Amazons’ when it first came out in cinemas nearly forty-seven years ago and list it in their Top Ten feature films of all time.
David Kerr wrote: “I first saw the film while I was a junior projectionist. I was 17 at the time. My cinema was called the Astor in Bromley, part of south east London. While an independent cinema, we took the ABC circuit films. Somewhere, I have the LP record and a poster of the film. I went on to a career spanning 40 years in international film distribution.”
“It remains one of my top ten films even to this day. I worked for 20th Century Fox…Polygram…and United International Pictures which distributed Universal, Paramount and Dreamworks films. I had a good career and witnessed the good the bad and the ugly during my travels.”
“From memory, I can recall that the film was released over the Easter school holidays in 1974. It’s just been helped as I have found a press ad online and it lists South London unusually running the film first on April 14th.”
“I believe the film was supported by ‘The Lion at Worlds End’ …the documentary that Virginia and Bill Travers made with George Adamson about returning an African lion to the wild. I know I ran the film again either in 1975 or ’76 as an afternoon matinee only with a Kung Fu adult programme in the evenings.”
“The film means a lot to me and has done so since 1974. It made me revisit the books…which I still read (currently dipping in and out of an old hardback edition of ‘Pigeon Post’) but I believe I had only read one during my childhood, which I think was ‘Swallowdale’. I also embarked on a number of holidays in the lakes because of the film. That first year I camped on a farm at Torver on the west side of Coniston.”
“The reason I include it in my top ten is simple. It is pure storytelling that takes the viewer on an adventure. You do not notice the individual aspects of film making you just become engrossed in the story. And that is what a good film should do. I watched it again just last week on a streaming service… It makes me smile ….what more can I say.”
John Rose wrote: “I can remember watching the film in 1974 with my mum and grandma when I was a nine or ten year-old, at the then called Mecca Cinema in Horsham, Sussex (sadly now demolished). I remember loving the natural setting and the adventure in the film and remember it being thrilling and suspenseful! Still my favourite film, so cheerful and up-lifting. The lovely music! All still brings a tear to my eye. Back then in the ’70s we didn’t have the lakes but at every opportunity our little band of local children would run off over the fields playing, building camps and climbing trees in the woods – such happy, carefree days.”
Last time the film was broadcast on BBC Two, David Stott, who worked as a unit driver on ‘Swallows and Amazons’ when he was fresh out of college, wrote in to say: “I remember how cold you all were whilst filming the swimming scene. The lily pond scene brought back memories of a very wet day on Pull Wyke caravan park. Most of the day was spent in the two double decker buses that were your school room and the canteen waiting for the rain to clear. Everyone was so grateful to pack up and go home.”
“I had many incidents with the parrot that I had to collect in the morning and return at night. I hated the bird, often it was let free in a bathroom at Kirskstone Foot and l would have to catch it and put it in its travel bag. I notice in the film that it is chained down whilst it is sitting on your shoulder.”
“I would spend a lot chatting to Ronnie Logan the hairdresser while the shooting was taking place, such a nice man.”
“The day they filmed the walking the plank scene I remember very well. I took Ronnie Fraser to the Lodore Swiss hotel at lunchtime and he was really very well plastered by the time I got him back for the afternoon filming. I suppose it was the only way they managed to get him in the water. He was not a happy chappy that afternoon when I eventually took him back to Ambleside.”
“I had to put the rushes on the train to London in the evening and collect developed film (how times have changed). One of my treats was that I was allowed to watch the rushes with the production team in the evening. Watching it again this afternoon was a real trip down memory lane. I cannot believe that I was a student starting out in life at the time and now l am a pensioner. Where has all that time gone?”
Since the experts on BBC Antiques Roadshow have been taking an interest in the original feature film ‘Swallows and Amazons’ (1974), I thought I ought to add to a few facts. Although the movie was released forty-seven years ago, the cast list remains incomplete. A few credits are missing:
Jim Stelfox was in uniform, playing a guard or station master at the Haverthwaite Steam Railway station in the opening scenes, when the Swallows first arrive in the Lake District. He ended up appearing in some of the publicity stills that were used in magazines and newspapers. One features on a jigsaw puzzle that accompanied the release of the movie. The little boy leaning out of the train window is Robin Smith, who grew up in Ambleside. He came along with his mother Eileen and his brother, Alan Smith, who became a newsreader on BBC Radio 4.
Kit Seymour, Sten Grendon, Sophie Neville, Lesley Bennett, Virginia McKenna, Simon West Suzanna Hamilton with Jim Stelfox, the station master.
David Watkin Price, also from Cumbria, played the native on the jetty in Rio. His speaking part was cut from the television version of the film broadcast on ITV but remains in the remastered 2014 cinema Bluray and DVD available online.
Mr Price played an important part in our lives when the film was being made as he owned and ran the Oaklands Guest House in Ambleside where we stayed. His daughter Jane, told me, ‘They wanted you to stay in a place that had a family atmosphere with other children.’ I expect that she did a lot to help.
Jane appeared with her two brothers as film extras in the Rio scenes, remembering that it gave her a day off school. Sadly, her little brother’s knickerbockers kept falling down. You can see Jane in a grey dress with long pigtails, hoiking them up in this behind-the-scenes shot. To see other photos of the Price family in costume, please click here.
The people of the Lake District have written in with other stories. Philippa Poulson knew the real charcoal burner, Norman Allonby – ‘I lived around the corner from him in 1973. He lived in a tiny one up, one down traditional cottage, walked everywhere, and made a lovely cup of tea. He was very interested in my English Literature A’ level course, being a keen reader. I wonder how many people know he knew Paradise Lost and Paradise Regained, by heart, and in their entirety and could recite any part, at any time, on request. He would happily talk for hours on the subject, with a twinkle in his eye and his pickle catching front tooth. Lovely, gentle man, living life at the right pace.’ You can read more about the real charcoal burners of Grizedale Forest here.
Susie Trezise said, “I remember them filming ‘Swallows and Amazons’ – it was right in the middle of my O’Level exams and their walkie-talkies kept coming through my stereo speakers! It was fascinating listening. I lived at Stock Ghyll Mill, so about five miles away from the filming. The strangest thing was it still came through the speakers when they were turned off but still plugged in!”
~Comic strips based on the 1974 film found by Arthur Herbertson~
Joss Bundy wrote to say: “My Father, between being the technical director of the Royal Opera House and the National Theatre, worked with Richard Pilbrow at Theatre Projects in the ’70s. He had been a friend of Richard’s for many years. Theatrical lighting design was still in its infancy and designers tended to stick together. Richard and my Dad were the founders of The Association of Lighting Designers, along with various others.
“My mother, Rosemary Lindsay, had been a ballerina at the ROH, which is where they met. My Mother had sailed since a small child and had devoured each new Ransome book as it was published and loved them more than any others. When Richard mooted the film, my father mentioned what an expert Rosemary was and when the project was getting up on its feet she was given an early script to vet. Various things had been added in for dramatic effect and she vetoed one: Roger getting stuck on top of a cliff, as she felt John and Susan would never have let him get in such a situation.”
“I was clearing yet another box of theatre-related photos and as well as a couple of publicity stills.” One shows filming the Amazon boat house. “I can only assume Richard or Molly sent them back to my Dad, who would have been running Theatre Projects while Richard was away.”
“After the film was finished, Richard offered Swallow to my Mum, but she didn’t want the responsibility of another wooden boat. We still own the one she sailed as a child, a smaller version of a Swallow type boat. She also felt that a boat only sailed in fresh water would not necessarily do well in salt water.”
Do add any memories you have to the Comments, below. It would be lovely to hear from you.
It would be great to have some more review on the film on the International Movie Database. You can easily add one here.