RTE Guide declared, ‘The definitive adaptation of Arthur Ransome’s ‘Swallows & Amazons’ is on BBC Two.’ More people than ever seemed to watch the classic film, starring Virginia McKenna, which attracted comments on Twitter, Facebook and Instagram while emails were being sent in.
Dr Lucie Bea D – And Swallows and Amazons is on! A very very early cinema memory for me; I saw it in Hereford and was given a colouring in picture of the Amazons hiding in the reeds watching Swallow.
I’ve just enjoyed watching the film on tv again (I watch it every time!) I can remember watching the film in 1974 with my mum and grandma when I was a nine or ten year old, at the then called Mecca Cinema in Horsham,Mecca Cinema in Horsham, Sussex (sadly now demolished) I remember loving the natural setting and the adventure in the film and remember it being thrilling and suspenseful! Still my favourite film, so cheerful and uplifting. The lovely music! All still brings a tear to my eye.
Back then in the 70s we didn’t have the lakes but at every opportunity our little band of local children would run off over the fields playing, building camps and climbing trees in the woods – such happy, carefree days. Been looking at your website too – what a huge resource about the film – good time at the moment to look through it! Thank you for all the information and being in such a happy film, John Rose
Michael – I spent my summers up in the Lake District as a boy and loved/love the book
Peter Hamilton – Swallows and Amazon’s was one of my all time favourites as a child, it was an adventure that seemed more attainable than famous five etc. I really hope my son loves it as much as I did when he’s older…. I adore lake Coniston. Even in high summer that water is icy and very deep innocent happy times… I‘ve tried to sail out to the island on Coniston lake but there wasn’t enough wind so didn’t quite make it. I collected a fair few of the books in my 20s, brings back lots of memories
Duncan HallIt’s such a good film. Doesn’t feel dated at all, to me.
Peter Ashby something timeless about the film. I can happily sit and watch it any time
Graeme Wood – Just goes to show how timeless the story is..
Graeme Wood – It’s a lovely film. As a kid I wanted to jump through the TV screen and join in (ditto the BBC adaptations of Coot Club and The Big Six). Hopefully kids will watch and want to read the books.
Michael – I’ve loved it all my life. I remember my dad rowing me out to an island on lake Windermere and showing me holes in trees, he said they’re from arrows!!!!!!
Maddy Knibb – I also had a wooden swing that collapsed so I turned it into a boat, with broom handle and sheet mast and sail. Guess which books were played out – Swallows and Amazons! It was by a laurel hedge and the leaves made great fish to be cooked on pretend fires!
Perfect opportunity for children to replicate #WildcatIsland with homemade tents in the living room
Glenn Evans – Read this to all my children when they were toddlers. And saw the film in 1974 myself.
Michael – It was only yesterday as far as I’m concerned
Jude – Remember watching the boats on the lake being being filmed from my bedroom window – what a lovely way to slip back into my childhood
Mandy Morley The most classic, and my favourite quote: “I’ll shiver your timbers for you if you don’t stop chattering Peggy!”
Portway Junior School say, ‘the Portway Press also contained a link to the children’s classic ‘Swallows and Amazons‘ film – an excellent watch in this wet weather’.
Please add any questions about how the movie was made to the Comments below.
For the latest edition of the paperback on ‘The Making of Swallows and Amazons(1974)’ with details of the film locations and what those who appeared in it are doing now, Please click here
You can read the first section for free in the ebook, entitled ‘The secrets of filming Swallows & Amazons (1974)’ This is similar to the paperback but has a few more stories for adult readers and links to behind-the-scenes cine footage. It can be downloaded from iBooks, iTunes, Smashwords,Kobo and Amazon Kindle
For homeschooling ideas, why not get hold of a copy of ‘Swallows and Amazons’ in French or enter Into Film’s movie review writing contests? Read more here.
It would be lovely to hear from anyone who saw it in the cinema when it first came out in cinemas in the summer of 1974 – more than forty-five years ago.
At least one film fan held a TV party with and 1930’s theme to celebrate. Others stoked up the wood-burner and settled down to spend an afternoon re-living summer in the Lake District. It is as if Christmas wouldn’t be Christmas without ‘Swallows and Amazons’ – a timeless classic to watch again and again.
For the latest edition of the paperback on ‘The Making of Swallows and Amazons(1974)’ with details of where the film was made and what those who appeared in it are doing now, Please click here
The ebook, entitled ‘The secrets of filming Swallows & Amazons (1974)’ is the same with a few more stories for adult readers and has links to behind-the-scenes cine footage. It can be downloaded from iTunes, Smashwords,Kobo and Amazon Kindle
It would be lovely to hear from anyone who saw it in the cinema when it first came out in cinemas in the summer of 1974 – more than forty-five years ago.
Simon Hodkin kindly sent in this cinema programme that he has kept since watching the movie when he was a boy growing up in North Wales.
Arthur Herbertson managed to track down these rare publicity sheets for ‘Swallows and Amazons’ typical of movie games of the period:
Arthur has a collection of the four jigsaw puzzles and the Puffin paperback that came out with the film.
There was a vinyl LP narrated by the screenwriter David Wood that you can still purchase.
Arthur found a publicity brochure that I had never seen before.
To read comments from people who saw the film at the cinema in 1974, please click here
The original story was written by Arthur Ransome in 1929 ninety years ago, so the film hits the half-way mark between the original readers and today’s audience. It’s funny, the critics in 1974 are asking the same question as raised in the billing this week: Do ‘modern youngsters struggle to relate to such old-fashioned game playing’?
Do add your thoughts to the comments below.
~Billing in the Christmas edition of the Radio Times 2019~
Signing copies of ‘The Making of Swallows and Amazons’ in Cumbria
1 – How did you get the part of Titty?
In March 1973, a letter arrived, out of the blue, inviting me to audition for a role in ‘Swallows and Amazons’. I was twelve years old, an ordinary school girl at a convent in Berkshire. I’d read the Arthur Ransome books but had no idea I was up for the lead in a major EMI feature film intended for a universal international audience. The movie was directed by Claude Whatham. Back in 1970, he’d cast me as Eileen Brown, opposite a boy playing Laurie Lee, in the BBC’s first adaptation of ‘Cider With Rosie’. It was a role that demanded learning a piano piece so complicated it took twenty-one hours to master, but I did it. Claude must have respected my hard work. I was too tall to play Titty but, after a sailing audition at Burnham-on-Crouch, I was offered the part. He cast Sten Grendon, who’d played the young Laurie Lee, as Roger, Suzanna Hamilton was Susan and Virginia McKenna starred as our mother. She later admitted to finding her character rather dull but it was her name, in lights outside cinemas, that drew big audiences. We’ve kept in touch. She is still acting, aged 87, and has led the Born Free Foundation’s international campaign to redeem the lives of wild animals held in miserable conditions since 1998.
With Virginia McKenna on location at Bank Ground Farm near Coniston, in 1973
2 – Why was it so suitable for you?
We loved visiting the Lake District as a family. My father helped the Maryport Button Factory with their publicity and once took us to stay on a farm near Castle Craig above the River Derwent. I spent my childhood camping and messing about in boats, adding a sail made from a dust-sheet to an old rowing skiff. The great thing about the original film of ‘Swallows and Amazons’ was that Simon West, who played Captain John, was an exceptional sailor. He went on to become a national champion. Kit Seymour, who played Captain Nancy, also had a natural command of the waves. It shows on screen. They were able to handle our small boats when squalls rolled down from the fells. I didn’t have their innate understanding of the wind but it was Titty’s job to row everywhere – back from the charcoal burners and off to One Tree Island on Derwentwater. “Pull harder, Roger!” I managed to row Amazon out of Secret Harbour in one take, with the cameraman and a massive 35mm Panavision Camera on board.
Simon West, Suzanna Hamilton and Sophie Neville in Swallow, 1973
Casting-off Swallow was more of a challenge. It doesn’t show on a small screen, but when ‘Swallows and Amazons’ is screened in cinemas, you can spot the sequence when I slip on a rock with the telescope in one hand. I was up to my waist in water but got back on my feet and battled on, waving as the others sailed up Coniston Water. I knew how difficult the shot was to achieve and was desperate to do my best for Claude Whatham.
3 – Did it fire your wish to work in TV?
No! It was directing plays while reading Anthropology at Durham University that ignited a desire to work on television dramas. However, the experienced I’d gained acting in movies helped me win a place on the BBC TV Graduate Trainee scheme. After working on ‘The Russell Harty Show’, I grabbed the chance to cast children on the adaptation of Arthur Ransome’s books set on the Norfolk Broads: ‘Coot Club’ and ‘The Big Six’. I found Henry Dimbleby, then aged thirteen, to play the lead and spent three months on location with Julian Fellowes and Rosemary Leach – who I’d met when she played Laurie Lee’s mother. I later worked on ‘Doctor Who’, ‘Eastenders’ and ‘My Family and Other Animals’, before producing an INSET series, directing one episode at a village school in Cumbria. I began casting children in the Lake District to appear in BBC adaptations of Arthur Ransome’s Lakeland books but they were axed, which was sad, as we were all set to make ‘Swallowdale’ and ‘Pigeon Post’ on the high moors.
4 – What does the Lake District in general, and Keswick in particular, mean to you?
We live on the south coast but take the train north at any opportunity. I’m now President of The Arthur Ransome Society and came up for a fabulous weekend in May when we sailed from the jetty at Bank Ground Farm – Holly Howe in Ransome’s books. I gave an illustrated talk on the secrets of making ‘Swallows and Amazons’ at the Bassenthwaite Institute, using behind-the-scenes photographs taken when we were filming on Derwentwater forty-five years ago. We shot all the scenes involving Captain Flint’s Houseboat in a bay on the western shore. She was played by the Lady Derwentwater, converted for the drama by Ian Whittaker, a talented young set dresser who went on to win an Oscar for set decoration on the feature film ‘Howards End’ starring Sir Anthony Hopkins and Emma Thompson. We shot the lighthouse tree scenes near Friar’s Craig and used Lingholme or One Tree Island for Cormorant Island, where Titty finds the treasure chest. We enjoyed making Ronald Fraser, the film actor playing Captain Flint, walk the plank and sailed up Derwentwater to the strains of ‘What Shall We Do With The Drunken Sailor’, played as the end credits roll. Forty years later, Suzanna Hamilton and I were asked to lunch with Richard Pilbrow the producer of ‘Swallows and Amazons’. Buskers were singing this song outside the restaurant in Covent Garden. We couldn’t believe the coincidence.
Meeting fans of Swallows and Amazons at Keswick in July
I meet people from far and wide who tell me the 1974 film of ‘Swallows and Amazons’ inspired them to visit the Lake District. It has been broadcast on television every year for the last forty years and was last shown in Australia on Boxing Day. It has been dubbed into Czech twice and is often shown at festivals as only ‘U’ certificate movies can be screened outdoors. I just hope this has proved a blessing to the people of Keswick, which I so loved visiting as a child. I thought the 2016 film of ‘Swallows and Amazons’ – that I appear in for approximately two seconds – would overshadow the classic version but it has simply raised awareness along with DVD sales. Fan mail continues to arrive. A beautiful card came today. Arthur Ransome would have been touched. It had fish on it.
Editorial coverage and a literary award for ‘Funnily Enough’
5 – Do you want to mention mental health/physical health issues are always in the news?
I find that many of my readers are stuck in bed or battling with ill-health. I hope they are amused and uplifted in some way by stories in my books. ‘Funnily Enough’, a diary I kept after collapsing at the BBC, is about my own struggle with what I am pretty sure was a tick-bourne disease. I lost my job but recovered in Southern Africa, where I fulfilled Titty’s dream of seeing “forests full of parrots” and produced decorative maps for a living, inspired by Spurrier’s illustration on the original cover of ‘Swallows and Amazons’. I used maps and details from my sketchbook to illustrate a paperback entitled, ‘Ride the Wings of Morning’, which is out in colour as an ebook.
On the crew of the Gloriana in the Boat Race Flotilla in March featured on BBC Television
6 – What else?
People often ask how ‘Swallows and Amazons’ influenced my life, keen to know what I am doing now. I am still keen on rowing. I completed the Voga Longa, a 32 kilometre marathon through the Venetian lagoon with Olympic gold medallist Ed Code and was on the crew of The Queen’s row barge Gloriana for the Boat Race Flotilla this year. This summer, I grabbed the chance to row through the canals of Amsterdam, which was fascinating. However, it was the Amazons bows and arrows that impacted my life. After learning to shoot on the shores of Coniston Water, I was cast as an archery champion in another movie and have since won three Ladies Championships. I met my husband at an archery match. My stepson shot for England in July, winning a tri-annual match against the Royal Company of Archers (so proud!) I gave a talk recently demonstrating how the arrows in ‘Swallows and Amazons were’ fired over my head. The shot looks so dangerous that it was cut from the TV version of the film, but is included in the re-mastered 40th Anniversary cinema Blu-ray version, which we are now able to watch on the big screen.
Rowing in from De Hoop Rowing Club in Amsterdam, July 2018
Much has been written of the legacy left by Arthur Ransome’s, who inspired so many go camping, fell walking or sail the seven seas. I hope he would be amused to learn it has been the arrow, fletched with green parrot feathers, that has flown through the pages of my life.
~Sophie Neville dressed as a medieval archer in 1969~
Archery became a popular sport for ladies in Victorian England. The influence was not lost on Arthur Ransome who writes in his autobiography that his Great-aunt Susan was a keen toxophilite who attended bow meetings at Belle Isle, the long island on Windermere. Another great-aunt was shot in the bonnet by an arrow when the Boxer Rising reached Peking while she was serving as a missionary. I gather it was his sister Joyce who owned a green parrot whose feathers made good pipe cleaners. Did they ever get used for flighting arrows? Arthur doesn’t seem to have taken up a bow beyond, perhaps, playing Red Indians as a child with his friend Ric Eddison. Does anyone know otherwise?
Titty may not have known that the real Queen Bess was a proficient archer, but Roger certainly expected savages to be armed with poison-tipped arrows as he took dispatches across the Peak at Darien.
Did Nancy and Peggy ever don Red Indian head-dresses? Since they are described as wearing red caps when the Swallows first encounter them, I assume this idea was instigated by Helen Edmundson’s musical and reinforced by the 2016 film. Although far from nautical, this is akin to certain antics in Secret Water and certainly adds visual drama to the confrontation.
~Sophie Neville with Peter Robb-King, Ronnie Cogan, Lesley Bennett, Kit Seymour and Terry Smith~
I learnt how to shoot in 1973 when the Amazons were being taught how to pull a bow made of Lakeland hazel for the original movie of Swallows and Amazons. As children, we all wanted a go. I still have a practice bow and a couple of arrows whittled on location by Bob Hedges, our property master. I remember one hitting the campfire. ‘Don’t touch the point – it might be poisonous!’ Please note that the shot of the arrows zooming over our heads looks so dangerous on screen that it was cut from the television version of the feature film. This was no snazzy visual effect. The arrows were genuine, however they were strung on taut nylon fishing line rigged over our heads to ensure we would not get hit. They were fired by the prop men and not the Amazons.
~Daphne Neville who won many archery prizes teaching Lesley Bennett (Peggy Blackett)~
As female Amazon warriors were redoubtable archers it is easy to imagine Captain Nancy bent a sapling to her will and had Peggy making arrows. It is reasonable to assume they used longbows on Wild Cat Island, but in Swallowdale it is a crossbow that graces Ransome’s illustration. How Nancy got her hands on one is unknown but it must have been simpler to use in a boat with discretion and accuracy. Did Ransome ever try this out?
~Sophie Neville shooting with a compound bow in the Emirates 2016~
What happened to the bows and arrows after Swallowdale? Archery is something you usually grow into, rather than out of. By the age of fifteen, I’d gained the part of an archery champion in an adventure movie called The Copter Kids. This necessitated target practice with a modern re-curve bow and ended with me shooting from a helicopter.
I now belong to a number of archery societies and, like Great-aunt Susan, set out with my tabs and tassel, quiver and longbow. Luckily the skill, much like an appreciation of Arthur Ransome’s writing, is something that tends to improve with age. I met my husband at one bow meeting, have held three Ladies’ Championship titles and managed to reach a distance of 145 yards when we celebrated the 600th Anniversary of Agincourt.
I have never fired a crossbow. Since they are potentially lethal weapons, Nancy could have been detained for firing hers even if the tip was not deemed poisonous.
I clearly remember my mother winding carbon paper into the roller of her portable typewriter and bashing out articles. Ping! the bell would ring as she reached the end of a line. She would then pull left on a shiny paddle, with relish, to begin a new paragraph. She seemed to type like the wind, it was only a pity she didn’t write more. Was it more time-consuming when making changes was so laborious and a dictionary needed to be flicked through to check spelling? I was forever pouring through a thesaurus and looking for reference books in libraries as a child in the ‘seventies but find computers seems to steal more time.
~The photograph that illustrated an article in Woman magazine taken at the Commonwealth Institute in 1974~
Here is the second part of the article Mum wrote for Woman magazine when the original film of ‘Swallows and Amazons’ was screened in cinemas around the country in April 1974. Earlier pages can be read in a previous post here and there is also a programme she wrote for BBC Radio Bristol on the same subject here.
I’d forgotton that Kit was sent half a Birthday cake but do remember Ronnie Fraser arrived at her party quite tiddly. I am amused to learn we finally left Oaklands Guest House with fifty peices of luggage but I still have a hazel bow and arrow set, which I don’t expect ever fitted into a suitcase.
Please let me know if you would like to see old scripts and letters relating to the original publicity for the film, kept in my mother’s archives.
To read more about Daphne Neville’s adventures in film and television please click here
In 1974, my mother, Daphne Neville, was commissioned to write an article about working on the original film of ‘Swallows and Amazons’ for Woman magazine, which claimed to be ‘The world’s greatest weekly for women’. Here are some extracts from her type script:
I was amazed to read some of this. ‘….a dirth of birds’? Was that really how my mother spoke in the early ‘Seventies? I had no recollection that ‘Nomansland’ had been displayed on the front of our double-decker bus. I never remembered there only being bathroom at Oaklands Guesthouse or that Mum had to wash out clothes. I do remember Ronald Fraser shouting, ‘Piss off you little monster’. I have the photo:
More to follow…. If you would like to see photos of Daphne Neville appearing in movies hereself, please click here
If you would like to read about what we did on 10th July 1973 – 45 years ago please click here
My mother is a squirrel. She arrived at my house, not with nuts, but a large envelope. Amongst other things, this contained the transcript of a piece she wrote almost forty-five years ago for BBC Radio Bristol, when she presented a programme called ‘Come Alive’. The four flimsy sheets of copy paper have only just been unearthed, along with a similar article for Woman magazine.
Daphne Neville was commissioned to write about her experience working on the original feature film, Swallows and Amazons, filmed on location in the Lake District in the summer of 1973 and brought to cinemas in 1974. Sold worldwide, has been broadcast on television for the last forty years and was last shown on TV in Australia on Boxing Day.
It is interesting to have Mum’s perspective. Some of the details are new to me. She timed this piece for BBC Radio as taking ‘8 minutes’ to read:
~ On Derwentwater in 1973: Suzannah Hamilton, Kit Seymour, Daphne Neville, Sten Grendon, Simon West, Sophie Neville & Lesley Bennett ~ photo: Martin Neville
But Mum, were we ever ‘Film Stars’?
We scowled at the terminology at the time. Ten years later and I thought of us a merely puppets, marionettes of the director who carefully honed our performances. I can now see the contribution we made when I watch the film, but we were never film stars.
What do I wish? I wish that we’d been able to make a sequel and develop our work more fully. The flip-side of this would have been that any more success, or more publicity, might have stripped us of our anonymity, which is the bain of real film stars. We’d have had to go around wearing sunglasses.
If you would like to see what we were filming 45 years ago, on 1st July 1973, please click here.
Let me know if you would like to see more archive material. I have the draft of my mother’s article for Woman magazine – it’s a different version of the same but with added detail. She needed permission from Anglo EMI Film Distributors before it could be published. There is also a draft of another radio script and a number of letters. If you would like to see vintage photos of Mum appearing on television herself, please click here
The Amazons confronting the Swallows on Peel Island in the movie ‘Swallows and Amazons’ (1974)
In the feature film ‘Swallows and Amazons'(1974) the part of Peggy Blackett was played by Lesley Bennett. She was an experienced dingy sailor and enjoyed the scenes on the houseboat although she told me she didn’t want the parrot to flap onto her shoulder, which was understandable. Its claws dug into mine.
~Sophie Neville as Titty with the green parrot and Lesley Bennett as Peggy~
When I met up with Lesley in the Netherlands this summer, we looked though the photographs she’d been given by the producer and kept for posterity.
Kit Seymour and Lesley Bennett at Brown Howe boathouse on Coniston Water in 1973
If you don’t recognise the scene above it is because, although the shot was taken at Brown Howe, where the Amazon boathouse can be found, they were rehearsing the scene at Secret Harbour on Peel Island when the Blacketts find their boat has been captured. ‘She can’t have drifted against the wind.’ This was the first I knew of this. Perhaps they were waiting around for the camera to be set up or for a decision to be made about their red hats, which they were not wearing. This was rare. They wore them in every other scene.
The Amazons sailing on Derwentwater
Lesley didn’t have much time for Ronald Fraser, who played her Uncle Jim, renamed by Titty as Captain Flint. “He wasn’t very nice to us. I think he regarded us as a bit of a nuisance but as soon as the cameras were on him, he’d change!”
Ronald Fraser with Lesley Bennett and Kit Seymour on Peel Island, Coniston Water in 1973
Lesley, who grew up in Kent, remembered my mother taking her shopping in Ambleside on one of our rare days off. “She had an appreciation of how important it is to buy a good top, explaining that she needed a selection for her work as a television presenter. I remember her waiting for ages while I tried on one after another.” I was amazed when I heard this. My mother only ever took me shopping once or twice when the first Laura Ashley shop opened in Cheltenham. This was deeply exciting but a rare treat. It was my poor father who was dragged from one shoe shop to another. It was difficult to find decent shoes in the ‘seventies.
Leaving London for the Lake District in May 1973 – photo Evening Standard
It was difficult to find decent clothes, that didn’t cost a fortune. There was a reason why dressmaking was so popular – we had to make our own garments. At the age of twelve I made a navy blue skirt for school so that it had a fashionably broad waist band. Flared dungarees were all the rage, worn with a stripy polo-neck or blouse with a large collar. Kit, Lesley and I all wore these, although sadly my brushed-cotton dungarees grew rather short during the filming.
Lesley signing autographs at the Chiddingstone School Book Fair in 1974
Lesley managed to find what I’d thought was the ideal outfit for our afternoon film premiere, which I’m pretty sure she is wearing in the shot above. Although we were almost obsessed with clothes, they were not a subject people discussed with new acquaintances, which was a pity as it would have provided us something neutral to discuss with the press.
“I remember the journalists at the hotel in the Lake District,” Lesley said, “and Claude saying, ‘Be careful what you say to journalists because they will turn it against you.'” However, when it came to film publicity Lesley was both enthusiastic and gracious turning up at a local school book fair and posing for newspaper photographers. I can see that tank-tops had come in by this time and it was possible to blow-dry your own hair.
Lesley enjoyed drama at school and looked into going to RADA, but after auditioning for one film decided the acting profession was too precarious. I think we were both interviewed for parts, possibly the same part in the same film. It was set in Wales and involved rock climbing. I said I wasn’t scared of heights, which was a lie! Sadly it was never made. I told her that Ronald Faser wanted us both to appear in another movie but that the funding fell through. She wasn’t disappointed. I was able to tell her that there was an actress called Lesley Bennett of about our age who once had a part in the long-running soap opera ‘Coronation Street’ but she confirmed that this was not her.
Lesley always loved meeting people wanted to travel, so went into marketing, working for Unilever on the first ‘Just one Cornetto’ campaign. She later branched out into international event management, which took her all over the world. She married a tall Dutchman and has two grown sons. They have a policy of visiting a different place each holiday, there by exploring different places, and they lived in Dubai for a while before returning to the Netherlands where she has been based since the early 1980s.
The cast of Swallows and Amazons with Virginia McKenna at Bank Ground Farm in 1973
Lesley looks back fondly on what she calls “The Swallows and Amazons era”, appreciating what recollections mean to those who have grown up with the movie and enjoy Arthur Ransome’s books. “Innocent films like ‘Swallows and Amazons’ (1974) appeal to those who know exactly how the books were written.” One thing she kept was the original film poster. Here she is with it more than forty-three years after the release. And she hasn’t changed a bit.
Lesley today, with her original film poster of ‘Swallows and Amazons’ (1974)
When the original feature film of ‘Swallows & Amazons’ was made in 1973, Peggy Blackett was played by Lesley Bennett. She can be seen here on location at Bank Ground Farm above Coniston Water in the Lake District.
For the last thirty-four years, Lesley has been living in the Netherlands. I met up with her for lunch at Schiphol Airport on my way back from sailing Arthur Ransome’s cutter, the Nancy Blackett, through the inland waterways of Zeeland. (Please see the last two previous posts.) I nearly didn’t make the meeting. A man had been arrested for planting a bomb on a train just north of Middleberg, but the authorities must have acted quickly as I wasn’t delayed for long.
Lesley had brought along a blue file of documents and a number of black and white movie stills that she’d been given by Richard Pilbrow, the producer of ‘Swallows and Amazons’ (1974) on one of our last days in Ambleside after filming had finished. We could both remember them spread out on a table at the unit hotel so we could each chose the ones we appeared in. I had picked one where Lesley and I are sitting together, our hair bobbed in line with the 1930’s, I wearing a cream silk dress, Lesley in a dark top looking very pretty:
Lesley’s parents, who lived near Tonbridge in Kent, originally learnt that Theatre Projects were looking for children to take part in the film when the Associate Producer, Neville Thompson, wrote to their local sailing club. Lesley explained that her father, who was very well organised, kept a copy of the letter sent to the Secretary of the club in January 1973. Plans were made for Lesley to be interviewed for a part with her younger sister Lyn, who sadly fell ill and couldn’t make the audition. The letter contains a mistake that might explain why Lesley ended up playing Peggy when she was thirteen years old.
Lesley got on well with Kit Seymour who ended up playing her elder sister, Nancy Blackett – ‘terror of the seas’. Both girls would sail well and enjoyed being out on the lakes. Lesley told me that the reason why she held her hands between her legs in this photograph is that it was so cold when we were filming on Peel Island.
‘Kit would fold her arms and I’d try to keep my hands warm.’ Although I wore a cardigan in this scene, Swallows had been cold too. I remember thinking that at least the Amazons wore knitted hats. Otherwise their costumes were simple short-sleeved shirts and long shorts with black plymsols, worn without socks.
~Kit Seymour as Captain Nancy and Lesley Bennett as Mate Peggy in 1973~
Lesley told me their hats had been quite a problem – not quite a full-blown movie disaster but a they caused consternation in Consiton. The first scene the Amazons shot was set in the garden of Beckfoot, the Blacketts’ house. Although it does not lie on the ‘Amazon River’ at the northern end of the lake, Brown Howe on the western shore of Coniston Water was used as the location and the crew set up the 35mm Panavision camera, along with reflector boards and enough lighting to bring sunshine to Westmorland. When everyone on the production was ready, Gareth Tandy, the third assistant led the Amazons down to the set wearing red knitted stocking caps – with no bobbles. Beanies were not quite what either the director or producer had expected. Lesley has a photo showing the great discussion that ensued:
~Director Claude Whatham, Producer Richard Pilbrow, 3rd Assistant Director Gareth Tandy, Make-up Artist Peter Robb-King, Hairdresser Ronnie Cogan and Associate Producer Neville Thompson with Kit Seymour and Lesley Bennett at Brown Howe on Coniston Water in May 1973 ~
In the end Claude Whatham shot the scene with the girls bare-headed, their hair blowing all over the place, even though it was meant to be ‘dead-calm’ in the story. This looked natural as they were at home but they needed to look like pirates in every other scene.
~Nancy and Peggy running down to Amazon at the Blackett’s house Beckfoot~
Wooly hats with ‘longer ends’ were knitted locally at some speed. Red is not a good colour on the screen. I remember a couple of bright pink ribbed bobble-hats arrived when we were filming on Peel Island but they were deemed a complete disaster and rejected in favour of scarlet ones originally described by Arthur Ransome even if the colour might look a bit jarring on screen.
No one on the production knew anything about knitting or subtle shades of wool and Emma Porteous, the costume designer, was back in London. When the third pair of hats arrived we were all a bit worried about the fatness of the bobble-end, as they didn’t quite match the illustrations in the books, but no one knew what else to do. Time ran out and the producer was forced to compromise. ‘They were warm but prone to flop about,’ Lesley said, ‘and sometimes flopped forward, which looked a bit silly.’ I’d never noticed this but it was captured in one photograph:
~Kit Seymour and Lesley Bennett as Nancy and Peggy Blackett on Wild Cat Island in 1973~
Mum was given the pink version of the hats. She kept them for years but no one ever wore them.