Dame Virginia McKenna and her work on the classic film ‘Swallows and Amazons’ (1974)

Virginia McKenna in 'Swallows and Amazons' (1974) by the film poster artist Arnaldo Putzu
Virginia McKenna in ‘Swallows and Amazons’ (1974) immortalized by the film poster artist Arnaldo Putzu (c) StudioCanal

I was so thrilled to read that Virginia McKenna has been awarded a DBE for services to wildlife conservation and to wild animal welfare in the New Year Honours. When I last spoke to her, she was working tirelessly for the Born Free Foundation that she co-founded with her son Will Travers OBE.

I first met Dame Virginia in 1973 when she agreed to star in the first big screen adaptation of ‘Swallows and Amazons’, produced by Richard Pilbrow, directed by Claude Whatham and released by EMI Films in 1974. She played the part of my mother, Mary Walker. The movie was shot entirely on location in the Lake District where Arthur Ransome set his classic series of children’s books.

Virginia McKenna at Bank Ground Farm
Dame Virginia McKenna at Bank Ground Farm in 1973 ~ photo: Daphne Neville (c)

The film has been broadcast on British television more than any other but it is when you watch it on the big screen that you can appreciate what made Virginia McKenna such a great star. Her face conveys a thousand tiny emotions that sweep you into a long-forgotten time when children were able to run free. 

Virginia McKenna holding the telegramme
Dame Virginia McKenna on location at Bank Ground in Cumbria ~ photo: Daphne Neville (c)

Dame Virginia had originally been scheduled to come up to Cumbria for the first ten days of the seven-week shoot but, since wet weather closed in, she was obliged to return when the sun came out for the famous scene when Roger tacks up the field at Holly Howe to receive ‘despatches’ in the form of the cryptic telegram BETTER DROWNED THAN DUFFERS IF NOT DUFFERS WONT DROWN. 

Virginia McKenna with Hairdresser Ronnie Cogan
Dame Virginia McKenna with Ronnie Cogan ~ photo:Daphne Neville (c)

Dame Virginia enjoyed the discipline and focus of concentration on set and helped centre us from the start. If you watch other movies made at the time, such as ‘The Railway Children’ (1970), most of the adult actresses are wearing wigs with a district nineteen-seventies feel to their costume and make-up.  ‘Swallows and Amazons’ owes its timeless appeal to the fact that Virginia simply had had lovely thick hair scooped into a bun and wore her original 1929 garments with grace.

Sophie Neville as Titty
Sophie Neville as Titty in 1973 – photo: Daphne Neville (c)

I played Titty Walker who inveigled her mother into playing Man Friday to her Robinson Crusoe when she came to visit Wild Cat Island. The sequences were shot on Peel Island on Coniston Water where Ransome was taken as a boy by his own parents and met the Collingwood family in the 1890’s. He later became a good friend of Dora Collingwood whose five children became the inspiration for the story ‘Swallows and Amazons’. Her third daughter, the dreamer, was nicknamed Titty.

Virginia McKenna and Sophie Neville on Peel Island
Dame Virginia McKenna and Sophie Neville on Peel Island ~ photo: Daphne Neville (c)

It can not have been easy for Virginia to act with me, a child of twelve, while frying pemmican in butter on a camp fire. I was self-conscious about having lost an eye-tooth the night before and had rather a sore mouth and she later had to row from the island with a 35mm Panavision camera in her boat.

What I’d forgotten until recently was that Bill Travers watched the filming that day on Peel Island. He’d been a hero of mine ever since he played George Adamson in ‘Born Free’ and Gavin Maxwell in ‘Ring of Bright Water’ opposite Virginia. Their film, ‘An Elephant Called Slowly’, was released as a double bill with ‘Swallows and Amazons’

You can see a few more behind-the-scenes photos here and I’ve written more about being Robinson Crusoe here.

Virginia McKenna with Sophie Neville
‘They were very savage savages’ ~ Virginia McKenna with Sophie Neville ~ photo: Daphne Neville (c)

Looking back, I realise how fortunate we were to be able to play out the scenes from the iconic book in the actual locations, such as Bank Ground Farm where the Collingwood children had stayed one holiday as children, so they could visit their grandparents who lived at Tent Lodge next door and were too unwell to have them in the house.

The Walker Family at Holly Howe
Sten Grendon, Simon West, Virginia McKenna, Suzanna Hamilton and Sophie Neville at Bank Ground Farm, in 1973 ~ photo: Daphne Neville (c)

We were not so keen on the publicity photographs taken for the film even though Virginia tried to make it fun. Right from the the very first day of filming, she worked hard to bring us together as a cast, playing games such as ‘Consequences’ to help us laugh and relax, while concentrating on the task of bringing the book to life.

The Walker family played by Suzanna Hamilton Stephen Grendon, Sophie Neville, Virginnia McKenna and Simon West at Bank Ground Farm in Cumbria
Suzanna Hamilton Sten Grendon, Sophie Neville, Dame Virginia McKenna and Simon West – photo Daphne Neville (c)

In 1980, I went to work for Ginny and her husband Bill Travers, as a housekeeper for a few months. She needed domestic help while she was appearing with Yule Brynner in ‘The King and I’ at the London Palladium, for which she won an Olivier Award for Best Actress in a musical.  I looked after her youngest son, Dan, who later worked as a safety officer and consultant on the 2016 film of ‘Swallows and Amazons’. I met him at the cast and crew screening in Leicester Square.

– Dan Travers and Sophie Neville in 2016 –

Ginny and I kept in touch. She was ever-supportive, encouraging me to keep raising funds for anti-poaching in South Africa, where she had been evacuated as a child during WWII. 

It was only when I heard her speak at the Kempsford  Literary Festival in the Cotswolds that I learnt that other ships in her convoy to Cape Town had been torpedoed and sunk crossing the Bay of Biscay. By some miracle, her ship had been delayed in Liverpool but she described finding the flotsam left by the ships that had been hit.

Having written a number of books herself, Ginny encouraged me to write, urging me to keep focused on one thing.

Virginia McKenna at Bank Ground

Her letters and cards also inspired me to keep raising funds for wildlife conservation in Africa.

Merry Christmas African animals card design by Sophie Neville
A Christmas card design by Sophie Neville

In turn, I supported the Born Free Foundation, printing them greeting cards, donating a Christmas card design for their catalogue and a picture that was auctioned at the Big Cat Open Day in Kent.

Sophie Neville with Virginia McKenna in about 2000
Sophie Neville with Virginia McKenna in about 2001 – photo Daphne Neville (c)

In 2014, StudioCanal invited us both to appear in the DVD Extras package for the 40th anniversary DVD of ‘Swallows and Amazons’ (1974). While we were waiting for the crew, she told me that she’d appeared in more than thirty movies. I know she’s made a few more since then.

You can watch her interview here:

Interview with Virginia Mckenna

I released the first edition of ‘The Making of Swallows and Amazons’ for which Virginia graciously provided a quote. You can read the first few pages in the preview of the ebook, entitled ‘The Secrets of Filming Swallows and Amazons 1974’ here

To hear Virginia and her son Will Travers talking about receiving her DBE, please click here for BBC Sounds

~ ‘The Secrets of Filming Swallows & Amazons 1974’~

Launching the audiobook of ‘The Making of Swallows and Amazons’ (1974) narrated by Sophie Neville who played Able seaman Titty

In the long hot summer of 2022, I spent three days in a sound-proofed booth at Monkeynut Studios near Romsey narrating the audiobook of my memoir on the adventures we had making the 1974 movie ‘Swallows and Amazons’, now published in paperback by The Lutterworth Press. I found narrating the story, with all the different voices, more difficult than I had imagined but the audiobook has been beautifully produced, with sound adding a different dimension to this extraordinary filmography that resonates with the lives of so many.

Sophie Neville at Monkeynut Recording Studios

You can listen to a free sample in the Audiobook Store here

There are a number of different online retailers. It is available on Spotify:

The audiobook of The Making of Swallows and Amazons (1974) by Sophie Neville

Kobo have this deal:

Scribd stock it, along with a couple of articles from Practical Boat Owner, but I did not narrate those. It might be better to read them online.

You can listen to this true life story on audiobooks.com

It is also available on Google Play and from audiobookstore.com who have it on a special price here. This must be the American version:

Storytel have it for sale in rupees.

I gather it will be available on Audible but they are very slow to add books.

I hope it will take you back to that long hot summer in 1929 when the Swallows first set sail and remind you of the early 1970s when we made the original film in the days before mobile phones or computers without CGI or green screens. We literally walked into the page of the books and sang out Arthur Ransome’s immortal lines as the wind took us up Coniston Water. I hope you enjoy it.

Swallows and Amazons (1974) (c)StudioCanal

If you prefer holding a book in your hands the paperback is available from Waterstones and all online retailers.

Swallow, the dinghy that starred in ‘Swallows and Amazons’ (1974)

Sten Grendon as Roger and Sophie Neville as Titty rowing Swallow
(c)StudioCanal

BBC Antiques Roadshow featured Swallow, the dinghy used in the original feature film of ‘Swallows and Amazons’ in their first episode at Windermere Jetty repeated recently on BBC One. You can read about how she was valued by Rupert Maas on an earlier post on this blog here.

I wrote a little more about her history in an article for Practical Boat Owner, Britain’s most popular sailing magazine. The story opens in 2010, when I nearly bought her myself:

Swallow is coming up for auction,’ my father said, sending me the details of a clinker-built sailing dinghy stored in Mike Turk’s warehouse in Twickenham. It was the Spring of 2010. I took one look at the online photographs and wept.

Swallow stored in Twickenham

The letters WK were carved on her transom. It was the twelve-foot, all-purpose, run-around vessel built by William King of Burnham-on-Sea that had been purchased by Richard Pilbrow in 1973 to feature as Swallow in the original feature film of Arthur Ransome’s classic novel Swallows and Amazons.

Swallow built by William King of Burnham-on-Crouch

I knew the little ship intimately. She looked a bit dried out but my husband thought we ought to buy her. I had played the part of Able-seaman Titty, the nine year-old girl who Ransome so cleverly made into the heroine of the story when she grabbed a chance to capture the Amazon, which enabled the Swallows to win the war set to determine ‘who should be the flag-ship’. In mooring her prize overnight near Cormorant Island, Titty witnessed Captain Flint’s stolen treasure chest being buried and was eventually able to rescue it. She was rewarded by the gift of a green parrot.

‘Did you know how to sail before playing Titty in Swallows and Amazons?’ people often asked. The truth was that I had crewed for my father in a similar dinghy and felt confident in a boat. I had grown up living by a lake in the Cotswolds where we had a Thames skiff, which I was used to handling. This was important as Titty does quite a bit of rowing in the film. She and Roger become galley-slaves rowing back from the charcoal burners’, they row out to Cormorant Island and she takes the Amazon out of Secret Harbour. This I did alone, in one take, later rowing some distance from Peel Island with the lighting cameraman and his 35mm Panavision Camera onboard. No one had thought about the implications of this when we first tried out the two boats on Windermere but being aged twelve, rather than nine, I just about coped and grew adept at launching Swallow and moving about in her. As the book was written in 1929, we did not wear life-jackets.

Swallow with Simon West and Suzanna Hamilton (c) StudioCanal

Arthur Ransome described Swallow as being thirteen-foot long with a keel, rather than a centre board. In the illustrations she is painted white, a common way of protecting wood in the 1930s. I am pretty sure that Richard Pilbrow, the producer of the movie, bought the dinghy we used when we where in Burnham-on-Sea to audition for the parts in March 1973. She was varnished but had, or was given, the red-brown sail and balanced lug-sail as described in the books.

Simon West who played Captain John, aged only eleven, was a capable sailor with an understanding of the wind that enabled him to cope with gusty Lakeland conditions. Swallow had no buoyancy. In the scenes when we first sail to the island she was laden with camping gear, including heavy canvas tents, the lighthouse tree lantern and a shallow basket of kitchen utensils I shifted every time we went about.

My father Martin Neville on the shore of Coniston Water

My father was an experienced sailor, used to racing yachts having frequently crossed the Solent in his own clinker-built dinghy as a boy. He was looking after us children when he agreed to appear in costume as a ‘native’ aboard the MV Tern on Windermere, which bares down on the Swallows in the story. He watched, terrified, as we sailed towards it. The Victorian steamer only had a notch throttle and an inexperienced skipper. He realised that Claude Whatham, the film director had not anticipated the fact that we would lose our wind in the lee of the passenger ferry and gave Simon a cue over the radio that was far too late. We only just went about in time, being pushed away from the larger vessel by the bow wave. Watch the film and you can see how very close we got. I was about to reach out and feebly fend off.

Dad spoke sternly to the producer that afternoon, pointing out that we could have all gone down. Sten Grendon, who played the Boy Roger, was only aged eight and could hardly swim. I could have become entangled in the camping gear. My father tested the old BOAC life jackets we wore for rehearsals and to travel out to film locations. They failed to inflate. He nearly took me off the film.

Swallow and Amazon on the Puffin cover

Another tricky scene to film was when John, Susan and Roger set off from the Landing Place on Wild Cat Island leaving Titty to guard the camp and light the lanterns as they hoped to capture the Amazon and sail home after dark. I had push them off, grabbing the telescope at the last minute. Since Swallow’s mast was liable to catch in tree branches, I needed to wade out and give her a hard, one-handed shove. I slipped on a rock and fell up to my waste in water. Knowing it would be difficult to set up the shot a second time, I struggled to my feet and waved them off, dripping wet. By this time John had the mainsheet out as far as the knot and stood to grab the boom to avoid a Chinese gybe as Swallow was hit by a fresh gust of wind as he cleared the headland at the northern end of the island and sped northwards toward Coniston Old Man.

Simon West and Suzanna Hamilton at the helm of Swallow with Stephen Grendon in the bows, while Sophie Neville looks on from Peel Island.

Having spent nearly seven weeks filming in the Lake District, the film was post-synced at Elstree studios. We arrived to sing out our lines to find Swallow there. She had been set in a tank so that the sounds of sailing could be captured. It is something you tend to take for granted as a viewer while it draws you into the experience. I last saw Swallow looking dejected outside the studio and was worried about what had become of her. Although she was offered to someone who had advised on the film, she was kept safely at Mike Turk’s prop hire company. Richard Pilbrow was hoping to make another film in the series.

Swallow at
Swallow at Mike Turk’s store in London

When Mike retired, many boats that had featured in movies came up for auction. I knew Swallow would be costly and in need of renovation. After fans of the film and members of The Arthur Ransome Society contacted me, we clubbed together to make a bid. In the end about eighty members of a hastily formed group called SailRansome spent approximately £5,700 on the purchase.

I contacted Nick Barton of Harbour Pictures, the film producer who was gaining the rights to make a new movie, hoping we could be able to re-coup costs by renting her back to him. Nick came up to Coniston Water to watch me re-launch Swallow in April 2011, sloshing brandy wine on her bow in true Ransome style. I helped him to raise finance for the new film, which was made in the summer of 2015 and released in 2016, starring Kelly Macdonald as Mrs Walker, Rafe Spall as Captain Flint and Andrew Scott as a Russian spy. In the end, he decided to use fourteen-foot RNSAs dinghies for Swallow and Amazon as they satisfied the film insurance company who demanded that two identical dinghies were used for Swallow.

This article was first published in Practical Boat Owner magazine

Joining SailRansome was pivotal for me as I was asked by the Nancy Blackett Trust and The Arthur Ransome Society to give a series of talks on how the old film, and the BBC serialization of ‘Coot Club’ and ‘The Big Six’ was made. I ended up speaking at a number of literary festivals, on BBC Radio and even ITV’s News at Ten, promoting the societies and urging people to help get young people out on the water. I ended up taking Swallow out on Ullswater, the Orwell and River Alde, remembering how difficult she is to turn, but enjoying her speed. She ended up being featured on BBC Antiques Roadshow when I brought movie memorabilia up to Windermere Jetty museum for two episodes first screened in 2021.

Sophie Neville with Swallow on Coniston Water
Sophie Neville after re-launching Swallow on Coniston Water in 2011

You can sail Swallow yourself, in the company of an experienced skipper, by contacting SailRansome.org who are looking for volunteers to help care for her. As you can see from this clip, she was in need of restoration when first acquired by Sailransome

You can read more about the adventures we had making the original film in ‘The Making of Swallows and Amazons (1974)‘ by Sophie Neville, published by the Lutterworth Press, available from libraries, online retailers and to order from all good bookshops including Waterstones.

An article by Sophie Neville first published in Practical Boat Owner. A subscription to this bestselling UK magazine makes a great Christmas present.

How the chance of acting in the movie Swallows and Amazons began in Stroud in the Cotswolds

When I first published ‘The Secrets of Filming Swallows and Amazons’, someone left a review online saying they thought it a good idea for a novel but that it was a bit farfetched.

This amused me. It was a non-fiction book, written because the extraordinary story was true. Of all the roles, in all the novels ever written, I was asked to play Titty in Swallows and Amazons, an EMI film made in 1973 for universal distribution.

The offer came out of the blue. Within a year, I, an ordinary schoolgirl, found my image on the front of daily newspapers and on film posters pasted on the walls of the London Underground. All this happened nearly fifty years ago and yet the publicity never ends.

Swallows and Amazons (1974) now distributed by StudioCanal

Arthur Ransome, a haunted foreign correspondent, who escaped from Russia with Trotsky’s secretary, wrote Swallows and Amazons in 1929 while suffering from stomach pains so bad they prevented him from travelling. He said that the book wrote itself, but it is clear that he was self-medicating, grieving his own childhood, when he’d been longing to make friends and prove himself to his father who died when he was only thirteen.

Tweed-clad and continuously pipe-smoking, Ransome was oblivious to Lakeland weather. I acted out his almost-real fantasy in nothing but a thin cotton dress and a pair of enormous navy blue elasticated knickers. My book on ‘The Making of Swallows and Amazons’ is not a novel, not a fantasy. It is a true story. The movie is streaming on Amazon Prime where you can watch the trailer.

Why was I cast in the film? Why me? I had loved all the Arthur Ransome books I’d read in the Swallows and Amazons series, imagined myself exploring Wild Cat Island and the Great Lake in the North. Did I ever ask the Lord if I could live out the stories for myself?

The reality began in Stroud, at the Subscription Rooms. I put up my hand when someone asked if there was a ten year-old girl who could play the piano. They didn’t say, “play well.”

A young director called Claude Whatham, who lived in the Cotswold village of Camp, was looking for children to appear in the 1971 BBC adaptation of ‘Cider With Rosie’, based on Laurie Lee’s haunting memoir. He needed to find a little girl who had been to a village school near Stroud. I had attended Oakridge Parochial Church School when it was heated by pot-bellied stoves and the vicar told us Bible Stories.

I was chosen to play Eileen Brown, who shared a desk with Laurie Lee and accompanied him as he played Oh Danny Boy on his violin at the Christmas concert.

Sophie Neville in the 1971 BBC adaptation of ‘Cider with Rosie’, directed by Claude Whatham

My music arrived three days before filming began. It consisted of endless cords – a complicated accompaniment with no tune. To tackle the piece, I’d needed to practice for seven hours a day with the help of my long-suffering piano teacher from Far Oakridge.

Claude Whatham ~ photo: Daphne Neville

The director must have remembered me as a determined little girl because two years later a letter arrived, addressed to my father, only he was working in South Africa. My mother very nearly didn’t open it, however the words Theatre Projects were embossed on the envelope and she was intrigued.

But she did. We drove up from Gloucestershire to collect Dad from Heathrow and went straight to Long Acre near Leicester Square for an interview with Claude.

I was then invited to take part in a sailing audition at Burnham-on-Crouch in Essex – miles from the Cotswolds. The producer, Richard Pilbrow, was determined that any child chosen for a part knew how to sail. I had grown up beside one of the few lakes in Gloucestershire and knew how to row a Thames skiff. I’d added my own sail, made from a green dust sheet, but was no expert.

There were four other girls auditioning to play Titty. They were all smaller and prettier than me, with straight teeth. I didn’t think I was in with a chance.

The filming was to commence on 14th May 1973 and continue through the summer term. Our local authority – Gloucester County Council – needed my headmistress’ permission for me to miss five weeks of school.

Only, I didn’t go to school in Gloucestershire. I went to an Anglican convent in Berkshire. The nuns prayed about the proposition. They gave their permission – if I was chosen.

I didn’t think I was right to play Titty at all. I was three years too old and too tall. Ransome’s illustrations in the books portrayed girls with straight, dark hair. I didn’t know it but the character had been inspired by a real little girl called Titty Altounyan. I share her Scots, Irish and English heritage, but she was one quarter Armenian and had dark colouring.

However, unknown to us, Mrs Ransome had asked that ‘an English Rose’ should play Titty. Claude Whatham cast Sten Grendon, who had played Little Laurie Lee, as my younger brother Roger. Mrs Ransome – NB:the lady who once been Trotsky’s private secretary – was not happy that he had black hair. She nearly cancelled the film, but conceded when she saw him with a short-back-and-sides.

Sten Grendon as Roger and Sophie Neville as Titty rowing Swallow (c)StudioCanal

Sten claims we had the best parts. He grew up in the Whiteway Community and later went to school in Eastcombe. He now lives in France but still has family living in the Cotswolds. Back in 1973 his mother Jane, and my mother, Daphne, travelled up to the Lake District to look after us all.

Daphne Neville with Sten Grendon, Suzanna Hamilton, Sophie Neville, Jane Grendon and Simon West

In at the deep end. Whoomph! We literally had to swim for it. The water was icy, but we had plenty of support. I was able to embody my part because Suzanna Hamilton, who played my sister, was so brilliant. She anchored us, as did Simon West, who played John. He was only aged eleven but very bright and a confident sailor.

Stephen Grendon as Roger Walker with Suzanna Hamilton on location in 1973

Making the film was character-building stuff. While it was an inspiration and privilege to work under arc lamps with Virginia McKenna, it was often chilly and involved a lot of hanging around.

Stephen Grendon, Simon West, Virginia McKenna, Suzanna Hamilton and Sophie Neville, trying not to look as tall as she was in 1973 ~ photo: Daphne Neville

Virginia had four children of her own and brought us together as a team. While making things fun, she got us to focus and concentrate as we recorded the first scenes at Bank Ground Farm.

Virginia McKenna at Bank Ground Farm
Virginia McKenna at Bank Ground Farm in 1973 ~ photo: Daphne Neville

Arthur Ransome had been inspired as a boy by two of his aunts who left for Peking to serve as missionaries. They must have had great adventures. One even received a Boxer arrow in her bonnet. The story of Swallows and Amazons is about a family of four children on holiday who embark on something of a missionary journey themselves when they are allowed to sail off in a dinghy called Swallow to explore an island on a lake. They are confronted by two local girls, the Amazons, who are behaving badly, as their Uncle Jim has retired to his houseboat so that he can concentrate on writing his memoirs.

There is a strong undercurrent of fatherless-ness. Ransome had lost his own father before he could prove himself. The Swallows, whose father is in the Navy, come alongside the Amazons, who have lost their father and are being ignored by their uncle. They unite, make friends and have a lot of fun, whilst relishing in their independence granted because they are not duffers.

The crisis, in the story, is about the draft of a book being stolen, which I can only think must have been Ransome’s greatest fear. No one believes Titty, the youngest girl, who is sure she heard the burglars, so – in the film – she gets Roger to help her row Swallow to Cormorant Island where she finds it in what looks like a treasure chest.

Producer Richard Pilbrow with Neville C Thompson on Derwentwater in the Lake District in 1973
Producer Richard Pilbrow and Production Associate Neville C Thompson on Derwentwater in the Lake District in 1973

Richard Pilbrow and Claude Whatham had a tough time making the movie. Filming in the Lake District with its unpredictable weather and pressure from tourists was not easy. We faced endless problems and over-ran by two weeks.

But Mum was praying, Granny was praying, the nuns must have been praying for me – we needed the covering: I was the only girl who never fell ill. Swallow’s mast broke. I fell in. Water sloshed into a support boat. The rain poured down. We nearly crashed into the Tern. Our life jackets proved useless. There was a gas leak in our bus. We could have had an explosion. Most of the crew smoked continuously.

Sophie Neville with Daphne Neville in the Lake District
Sophie Neville with Daphne Neville in the Lake District

The behavior of some members of the film crew was pretty toxic. Many drove too fast. A cow fell on to the producer’s car. I fell out of a tree whilst playing. Suzanna cut her finger. Ronald Fraser was almost permanently pickled. Someone got hit in the eye by a baseball. The film set was vandalized and I lost a tooth halfway through filming a scene with Virginia McKenna.

Virginia McKenna and Sophie Neville on Peel Island
Virginia McKenna with Sophie Neville keeping her mouth shut ~ photo: Daphne Neville

We pushed on. Ran the race with perseverance. Somehow the challenges gave the finished film an edge, an enduring quality that made it into a classic.

Sophie Neville as Titty

The crew began asking if I would go on to act. The big question: was this a calling on my life? I didn’t just play Titty. I’d been part of the production team, suggesting that Ransome-like title graphics were used, that Seymour’s voice was used for Nancy. I didn’t want to act. I wanted to become a film director.

I’d enjoyed the post production work at Elstree Studios but disliked the fuss around the cinema release. Seeing yourself on camera always feels uncomfortable. The premiere of Swallows and Amazons was daunting.

Premier ticket for the Gala of ‘Swallows and Amazons’

It was first screened at the ABC in Shaftesbury Avenue alongside The Exorcist. But look! I literally had two guardians. My mother invited the nuns from school.

The ABC in Shaftesbury Avenue in 1974. It is now the Odeon Cinema.

Sister Allyne came. She didn’t flatter me but she was there.

Sister Allyne, Daphne Neville, Tamzin Neville and Sophie Neville

Like it or not, I ended up promoting the film on television. After I featured in ‘Animal Magic’, an image of me, rowing up the lake at Bakers Mill in the Cotswolds with a green parrot on my shoulder was used to replace the test card.

I grew too tall to continue playing children on screen and there was not much money for film finance in the 1970s when inflation was roaring. Sister Allyne prepared me for a film test for a musical Disney adaptation of ‘The Old Curiosity Shop’ but I wasn’t chosen. The movie flopped. I returned to my lessons.

At the age of fifteen I had a leading part in an adventure film with Vic Armstrong and Sophie Ward, called ‘The Copter Kids’, and I had a few little television parts in serials like ‘The Two Ronnies’ and ‘Crossroads’ while I was a student, but the drive wasn’t there. It was just as well. I didn’t have the bone structure.

Suzanna Hamilton playing Susan with Sophie Neville as Titty busy writing the ship’s log

Suzanna had a strong desire to act professionally and fought for parts. She went on to appear in Tess directed by Polanski, 1984 opposite John Hurt, Out of Africa with Meryl Streep, Whetherby with Vanessa Redgrave, Brimstone and Treacle with Sting, and a number of increasingly dark movies. She survived to appear in Casualty, New Tricks, Eastenders and is still working.

What she hated was the publicity. It’s a difficult part to any job. As she said at the age of twelve, having your photo on the front page of the Evening Standard ‘makes you felt a right twit’. She was furious with me for writing about her under sung talent in the Telegraph even though she looked beautiful in the arms of John Hurt.

I developed a burning desire to direct and went into television production. I made my first documentary for Channel 4 whilst driving from London to Johannesburg. I must have begun directing at the BBC at the age of 27 and produced my first series aged 29, but overdid it and was hammered by ill health. It was a good training. I learnt endurance, how to edit and I grew used to working to deadlines. I understood about moving the audience, cliff-hangers and bringing out books to accompany your work.

I didn’t learn to embrace the marketing aspect until I worked in the safari industry when I was assured it comprised 50% of the job. This attitude helped when I became and wildlife artist and later an author. After writing two books my readers – and my formatter – implored me to write about the making of Swallows and Amazons, especially once they learned that I had kept a diary whilst making it – as did Suzanna.

I first brought this out as a multimedia ebook, which is now in its second edition. It includes links to the cine footage my parents took on location. There are two versions of the paperback entitled ‘The Making of Swallows and Amazons’, seen here on the flag we captured.

'The Making of Swallows and Amazons (1974) by Sophie Neville'
Different editions of ‘The Making of Swallows and Amazons (1974) by Sophie Neville’

It has been a delight to figurehead a story about sailing, a pillar of childhood that has influenced so many. Parents want me to engender a love for the outdoor life, sailing and exploring the lakes and countryside.

I hope I have helped to attract the right kind of people to the Lake District, that we have been able to inspire young people to read Arthur Ransome’s books, to get out into the countryside and sail, fish, go camping, build friendships, whatever the weather.

In the footsteps of Ransome’s great aunts, I went on a Bible Society mission to China. The people we met thanked us for coming, saying they hadn’t received European visitors for forty years. ‘But we’ve seen Europeans in town.’ ‘Them? They have just come to make money, not visit us.’

Does the old film shine a light, offer solace? People write in to tell me that the film of Swallows and Amazons carried them through a difficult patch. Some watch it once a week. It exists to remind people that they need not despair.

Does the symbolism still hold? It was my self-appointed job in the screenplay to wait, alone, and light the lantern, to be a light in the darkness that could be seen for miles.

Swallows and Amazons was not made to make money. It wasn’t the producer’s motivation. Richard Pilbrow just loved the books and wanted to bring them to life. We children didn’t do it for the money. There wasn’t very much. I earned £7.50 a day and was given a book token for appearing in the Lord Mayor’s Show. Even today, StudioCanal were reluctant to pay my expenses for re-launching the 40th Anniversary DVD when we were interviewed for the Extras package.

It doesn’t matter. I have been so warmly greeted so warmly by fans of the film. I was invited to become President of the Arthur Ransome Society, and have been offered numerous opportunities to speak about my books. I’ve passed on most of my speaking fees to charity – sending disadvantaged children in South Africa on an environmental course that has literally changed their lives.

Sophie Neville speaking at The Arthur Ransome Society

The treasure Titty found wasn’t pieces of eight. It was heavy to carry, but she was rewarded for her tenacity. She was given her heart’s desire, and parrots live a long time. They can easily outlive their owners.

The author Julia Jones points out that, ‘the treasure that was finally unearthed on Cormorant Island was a book. It might or might not have been a good book but the message of the story is quite clear: if you’re convinced that there’s something hidden under the rocks, all you can do is keep digging.’ 

An extra ordinary thing happened. When Richard Pilbrow was awarded an honorary degree from he invited Suzanna and I to lunch in London. As we left the restaurant in Covent Garden a group of buskers outside where singing the final sea shanty from the film, What Shall We Do With the Drunken Sailor? What were the chances of that? We hurried on to find transport and found ourselves outside the cinema where the premier had been held.

Something else happened to me as a result of Swallows and Amazons. Not what you might expect. We all wanted to learn to shoot with a bow and arrow. The next film role I was offered was as an archery champion. I kept up the sport, and ended up meeting my husband at a long bow meeting in the village where I was born. He was the chairman of the archery society. I won the Best Lady’s Gold. These are my colours:

Sophie Neville's bow and arrows

Proverbs 23-23 talks of wisdom, instruction and insight. My name, Sophia, means wisdom. My hope is that others gain wisdom and insight from what I have written.

You can read more in ‘The Making of Swallows and Amazons’, which is coming out as an audiobook. It will available from all the retailers and is currently on Scribd here.

Discovering more about the film poster design for the movie ‘Swallows and Amazons'(1974)

Sophie Neville as Titty in 'Swallows and Amazons' (1974) by the film poster artist Arnaldo Putzu
Sophie Neville portrayed by Arnaldo Putzu

Who painted the film poster?

I have only just learned that it was the Italian artist Arnaldo Putzu.

Thomas Connery enlightened me, writing: ‘Whether it be Space 1999, The Railway Children, The Rollers or Jaimie Sommers, he always captured likeness’ of stars faithfully and remarkably accurately.’ 

I agree. He portrayed Virginia McKenna well. I wonder how large the original painting was and if any of the sketches have survived.

Virginia McKenna in 'Swallows and Amazons' (1974) by the film poster artist Arnaldo Putzu
Virginia McKenna in ‘Swallows and Amazons’ (1974)

I have been given brown eyes and look a bit worried but am hugely honoured to have been featured at all. Kit Seymour looked far more cheery.

Kit Seymour as Nancy in ‘Swallows and Amazons’1974

A version of the artwork was used on cinema tickets, establishing the green parrot as one of the stars. I do like the way that Roger’s head looks out from the oval. This one gives Amazon a dark sail and shows the Amazons adopting different poses from on the poster. Nancy has folded arms and Peggy has her hands on her knees. Her stance is comic but a bit improbable. They have the wind behind them. What if the boat had gybed?

Premier ticket for the Gala of ‘Swallows and Amazons’

The ticket matched the souvenir programme for the film premier held in Shaftesbury Avenue on 4th April 1974. You can see inside this in an earlier post here.

Swallows and Amazons premier programme
The programme from the 1974 premier of the movie ‘Swallows and Amazons’

I also have a large sepia poster given to my mother by a cinema. I can remember being too shy to ask for it, but she persevered. I haven’t seen another since.

As children, we all asked, ‘Who was sailing the boats?’ Magnus Smith, who now looks after Swallow, says that you can tie off the mainsheet and Susan could just about be controlling Swallow’s tiller, but Amazon looks a bit precarious. I don’t expect Arnaldo had any experience sailing dinghies. Ours were on a collision course, pitched at odd angles with rather high reefing points but he added a swashbuckling spirit, and a bit of white water spray, which is always exciting.

Swallows and Amazons (1974) sepia film poster (c) StudioCanal
Arnaldo Putzu’s poster for the EMI film Swallows & Amazons (1974)

Arnaldo Putzu (1927-2012) began working for Rank in the 1950s and moved to London in 1967. He worked on the advertising material for many iconic movies including That’ll Be The Day, featuring David Essex and Ringo Starr, which Claude Whatham directed in 1972 prior to working on Swallows and Amazons for EMI Films. Is that the cover of the LP in the right hand corner? Claude Whatham gave me a copy. It included the song ‘Smoke Gets In Your Eyes’.

That'll be the Day -the film post by Arnaldo Putzu
Poster design by Arnaldo Putzu

This one is bordered by fairground lights, where as ours had been given the feel of a treasure map, with the credits on the reverse, which was clever. The original lettering, trendy in the mid-seventies, faded from fashion for a while but came back on-trend for the 40th Anniversary. The painting was somehow ageless, being used for the DVD cover up by StudioCanal until 2016. They still sell it as a jigsaw puzzle or on a mug.

According to The Guardian, ‘Putzu created some of the most famous Italian film posters of the 50s and early 60s, painting such stars as Sophia Loren and Gina Lollobrigida.’ By 1973 ‘Putzu found himself the top-rated and most in-demand poster illustrator working in Britain. His output over the 1970s included oddball Hammer Horror fantasies such as Creatures the World Forgot and Legend of the 7 Golden Vampires. For the Get Carter posters he put the ruthless gangster (played by) Michael Caine into an unlikely floral jacket, demonstrating the whimsical humour that makes his best posters unforgettable.’ An original of this poster signed by Michael Caine was once valued by Sotherby’s at between £4,000 to £6,000.

You can see more of of Putzu’s artwork here.

Lesley Bennett in 'Swallows and Amazons' (1974) by the film poster artist Arnaldo Putzu
Lesley Bennett in ‘Swallows and Amazons’ (1974)

Lesley Bennett, who played Peggy, still has her copy of the original film poster. She should probably get it signed by the actors. Others were pasted in London Underground stations, which I found alarming as a child.

Lesley Bennett who played Peggy in Swallows and Amazons 1974

I spied a framed poster on display at Windermere Jetty Steamboat museum, where it was featured on BBC Antiques Roadshow. There is more about the movie memorabilia, which was valued by the expert Marc Allum, here.

Swallows and Amazons film poster
Sophie Neville at Windermere Jetty museum in 2020

Some originals have been for sale on this site here. Studiocanal sell various prints here.

You can read about the adventures we had making the movie in ‘The Making of Swallows and Amazons’ and the multi-media ebook entitled ‘The Secrets of Filming Swallows and Amazons’ which retails for £2.99. You can ‘Look inside’ and read the first section for free here:

Swallows and Amazons, 1974 is currently streaming on Amazon Prime Video where you can watch the film trailer. HotDog.com has a review of Amazon’s streaming service, including a 30-day free trial offer.

Sophie Neville interviewed by Jadzia Smeaton on The Making of Swallows and Amazons (1974)

Sophie Neville author of The Making of Swallows and Amazons
Sophie Neville

What is most memorable about the making of ‘Swallows and Amazons’ for you?

I love exploring the places Arthur Ransome features in his stories. We were privileged to live out the pages of the book on location in the Lake District, but sailing in nothing but a short cotton dress and a pair of navy blue gym knickers was decidedly chilly – we earned our passage.

Would you consider Susan to be an influence on Titty within the story?

Susan made camping on the island possible. Suzanna Hamilton, the remarkable British actress who played Susan in the original film of ‘Swallows and Amazons’, became our rock without becoming prim or losing the joy and excitement of adventure. She went on to play leading roles in a number of major movies including ‘Out of Africa’ opposite Meryl Streep and ‘1984’ with John Hurt and Richard Burton. She is still working on cutting edge productions and recently had a guest appearance in ‘Eastenders’.

Time Out – April 1974

Is there anything you think should always be included in different versions of ‘Swallows and Amazons’?

You must feature the green parrot! It’s vital to enter the world of a 9-12 year old child, capturing the trepidation. It would be interesting to adapt Arthur Ransome’s books without featuring adults, or only including them as shadowy facilitators.

How did you feel about playing a part where you were able to be the cunning and playful younger sister?

In real life, I was the elder of three sisters so took on the roles of both John and Susan. Playing Titty felt something of a release. I was freed from the responsibility of taking the helm.

Titty is well-read and bright, creative and imaginative but I wouldn’t call her cunning. She longs to be alone on the island to experience what it was like to be Robinson Crusoe, which is why she volunteers to stay behind to light the candles, but is that a cunning plot? She is an innocent.

What was your favourite line in Swallows and Amazons?

Titty’s lines are challenging and can only be uttered with humour and an acceleration of charm. I rather enjoyed, ‘X marks the spot where we ate six missionaries’, although I don’t think it can be found in the book. ‘Thank you so much for letting us see your lovely serpent’ would probably be disallowed these days.

Did you have a favourite scene?

Finding the lighthouse tree was a short sequence that worked well. We shot it on the banks of Derwentwater towards the end of the filming. But I most enjoyed our day with the charcoal burners. They were wonderful.

What did you enjoy most about filming in the Lake District?

We loved High Force, the waterfall, and exploring the mossy woodlands. Secret Harbour on Peel Island is very special, as is One Tree Island where we found the treasure.

Do you feel that you and your character influenced children?

Even now, nearly 48 years after the film was released, I receive correspondence from people telling me how the original film of ‘Swallows and Amazons’ influenced their lives or helped carry them through a tough patch. It is always wonderful to hear how Titty has inspired others.

Maurice Thomas who used to live in Cockermouth wrote: ‘My mum and my Auntie Gladys took me to see this little children’s flick in 1974/5 as it was a double bill with ‘The Railway Children‘. I remember ‘The Railway Children‘ reasonably fondly, but ‘Swallows & Amazons‘ had me utterly mesmerised.’

If you were to give any advice to actors wanting to perform in ‘Swallows and Amazons’ what would it be?

Visit the locations. Go to Bank Ground Farm and run, fast, down the field to dip your hands in the lake as Arthur Ransome did as a child. Capture that feeling and carry it with you as you sing out the lines.

And be prepared for the impact the story will have. It could follow you all your life.

To read another recent interview with Authors Reach please click here

If you would like to read more about the secrets of filming Swallows and Amazons, you can ‘Look inside’ the ebook free of charge here:

Titty’s Tooth in The Times

Sten Grendon and Sophie Neville – trying to row with her mouth shut.

The story of my missing tooth published in The Times! A great honour. The indignity of being toothless still rankles but I now have a full set.

You can find the whole story on The Nancy Blackett Trust website

It’s possible to spot the gap by watching the film trailer for the 1974 movie of ‘Swallows and Amazons’ with further information on the International movie data base also seen here:

Sophie Neville, aged 12, without tooth. Suzanna Hamilton, aged 12, with beautiful teeth.

Looking back in gratitude – Highlights of 2021

Sophie Neville appearing on BBC TV

2021, and we thought we would be coming out of Lockdown but life remained restricted.

Litter Art made from sea plastic I’ve collected

Walking the Solent Way – in search of plastic pollution washed up on the shore

Winter walks along the coast litter-picking

Becoming a Patron of the charity ‘Covid Reflections’

Speaking on BBC Radio Cumbria’s Saturday morning Breakfast Show

Appearing on BBC Antiques Roadshow with ‘Swallows and Amazons’ movie memorabilia including a hazel bow and arrow.

Marc Allum and Sophie Neville on BBC Antiques Roadshow

Taking Part in School Readers ‘Race for Reading’ challenge 2021, collecting litter on a section of the Welsh coastline

Collecting sea plastic whilst walking along the south coast of England

Writing articles for The Herald to encourage people to beach-clean

Representing Litter Pickers of the New Forest

Interviewed by JJ Walsh in Japan for a podcast on beach cleaning and meeting the head of Eco-Bricks UK who took some of my fishing net finds for a talk.

Having my unpublished novels placed in a number of literary awards:

Two historical novels Long-listed by Retreat West, 2021

Semi-Finalist in ACFW Genesis novel writing contest in the USA, 2021

Page Turner Finalist, 2021

Reaching the finals of the 2021 Eyelands Book Awards for an unpublished historical novel

Sophie Neville Eyelands Book Awards 2021

Long-listed by Roadmap’s Write Start Competition in the USA, 2021

Longlisted for Adventures in Fiction New Voices, Flash 500 first page competition and The Eludia Awards in the USA.

Mounting my sketchbook drawings on Instagram – here’s one that got away (the aspect ratio didn’t fit)

My sketchbook paintings

A few sporting achievements:

Worcestershire Archery Society’s prize for Lady’s Most Hits

First Lady’s Gold at the West Berks Archery Society

Best Lady’s Gold at Meriden

Lady’s Championship Trophy for highest score Worcestershire Archery Society

Celebrating the first wedding after Lockdown lifted

Visiting the Yarmouth and the Needles

Sailing to the Isle of Wight while Lockdown was eased

Giving a talk at ‘The Late Summer Festival of Romantic Books and Writing’

Contributing to a handbook for Christian Writers entitled ‘Write Well’ published by Instant Apostle

Riding across the wild areas of Sicily

Riding up Mouth Etna in Sicily

Writing a Foreword to ‘Boats Yet Sailing’ by Trevor Boult

Finding a bid of £251 on a signed first edition paperback of ‘The Making of Swallows and Amazons’ in an auction in aid of BBC Children in Need

Bringing out a second edition of ‘Funnily Enough’ with added illustrations

Being able to go to restaurants with my family – if only for one birthday lunch

Raising funds for welfare projects in the Waterberg, South Africa

Fighting period poverty in rural South Africa

And helping to rebuild the church that burnt down

Being interviewed about my dog, Flint

I was honoured to be awarded ‘New Forest Litter Picker of the Year’

You can see photos of flotsam on an earlier post here

Very many thanks to all my readers who have reviewed my books

An online book review on the Waterstone’s site

Reviews have appeared on Amazon for ‘The Making of Swallows and Amazons’ and on Goodreads here.

'The Making of Swallows and Amazons (1974) by Sophie Neville'
Different editions of ‘The Making of Swallows and Amazons (1974) by Sophie Neville’

Swallows and Amazons themed gifts

Over the years, I have been suggesting a variety of useful, literary gifts. I brought out this mug featuring a map of the Swallows and Amazons locations on Consiton Water, featuring on the cover of ‘The Secrets of Filming Swallows and Amazons.’ It’s currently available online from about £8.86

Design and cartography by Sophie Neville

I’ve brought out maps in a range of colours.

Swallows and Amazons mugs
Mugs printed with maps used to illustrate Sophie’s books

These t-shirts might be useful for anyone liable to get lost.

I’m selling a variety of garments with my Swallows and Amazons map of Coniston Water on the Redbubble site where you can also find cushion covers

along with throws, duvet covers and a variety of products from phone covers to laptop sleeves if you fiddle around with the site here

There is a whole selection of socks, which I have listed here

The Nancy Blackett Trust have wooly hats and some great clothing, embroidered with Arthur Ransome’s good little ship. They have an online shop where you can also find yachting caps here

These new 90th anniversary tea towels make a useful gift for sailors, which can be purchased here

Peter Willis is offering his book ‘A Good Little Ship’ about rescuing Nancy for £10 – a great present for fans of Arthur Ransome.

I love these Swallows and Amazons bookmarks available from sky.n.fern for £2.50. They stock an assortment of unique stationery, which you can see here

I found this spectacle chain decorated with swallows, appropriate for web-footed grandparents, available here

For someone without much space, you can find handmade dolls house miniatures of the ‘Swallows and Amazons’ books here Each tiny book has tunable blank pages 1:12th the original size. I’m not sure if they are paying royalties to the Arthur Ransome Estate but what a compliment to the author. I’d be thrilled if they made miniatures of my books.

There is ‘Swallows and Amazons’ confetti, for sale on this site. Each heart is about one inch in size and can be used for a table decorations.

This year, I bought packs of book-ish Christmas cards from the charity SchoolReaders. They have a variety here.

A subscription to a magazine such as Practical Boat Owner makes a present that comes every month.

Here is something for sailors, which could include a voucher to sail Swallow, the dinghy from the 1974 film of ‘Swallows and Amazons’, which you can find out about here.

Jago Silver has produced a selection of ‘Never Stop Exploring designs. He has a beautiful Ship’s Log sketch book here

Jago Silver sketch book

and other lovely things designed in Cornwall

One of Jago Silver’s designs

Jigsaw puzzles and digitally hand drawn reproductions of StudioCanal’s Vintage Classics film poster designed by Arnaldo Putzu for the original movie of ‘Swallows and Amazons'(1974) are available here

Or you could give a copy of the book on how the original film of Swallows and Amazons was made. Large paperbacks can be ordered from Amazon or direct from the publisher here or other stockists listed here.

'The Making of Swallows and Amazons (1974)'

You can find ‘Swallows and Amazons’ mugs and other gifts here

A signed first edition paperback of ‘The Making of Swallows and Amazons’ sells for £251 in an auction in aid of BBC Children in Need

I woke up this morning to find an anonymous donor bid £251 for a signed first edition of my book ‘The Making of Swallows and Amazons’. The money raised goes directly to BBC Children in Need, where it is carefully monitored.

Books listed in the category Auto Biography/Biography

Nearly eight hundred amazing books had been donated to the Children in Read charity auction organised by Paddy Heron, which raised a staggering total of £24,888.

Online bidding began about seven weeks ago and was advertised by the authors themselves on social media.

Rare copies of my first edition paperback of ‘The Making of Swallows and Amazons’ are often priced highly on Amazon so, when the bidding went above £75, I promised to include a signed first edition hardback of my memoir ‘Funnily Enough’, which includes a brief section on appearing in the film.

‘Funnily Enough’ an illustrated diary by Sophie Neville

When the bidding went above £101, I promised to add my third illustrated memoir about Swallows and Amazons style adventures in Africa, written in letter form.

Ride the Wings of Morning by Sophie Neville
‘Ride the Wings of Morning’ by Sophie Neville

However, £251 is so very generous that I am off to my archive store to see if I can find a hand-painted map to include in the package.

Map showing the film locations around Windermere

I drew three different maps showing our film locations in the Lake District and reproduced them in different colour-ways, using one on the cover of my original ebook entitled ‘The Secrets of Filming Swallows and Amazons (1974)’, which is still available on Kindle and any of the ebook outlets.

You can see a selection of my other maps on my Instagram page here

I added these ones to mugs and other useful items available to order from Redbubble They make good presents.

Swallows and Amazons mugs
Mugs printed with maps used to illustrate Sophie’s books
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