Viewers of the original film ‘Swallows and Amazons'(1974) have written to point out that when the Amazons sailed up to Captain Flint’s houseboat there was a terrible crash. I found the quote from ‘The Picts and The Martrys’, which made me realise why this horrified anyone who knows the characters well:
“…when you come sailing along and fetch up with a bump against Jim’s new paint.”
“We never do,” said Nancy. “Remember when we came and made you and Uncle Jim walk the plank last summer? We were aboard and rushing the cabin before you knew we were anywhere near.” ‘Picts and Martyrs’ by Arthur Ransome p.14
Jane Sullivan noticed Captain Flint yelled, “Death or Glory!” as the Swallows and Amazons laid siege to his houseboat. ‘Is that a pre-echo of the East Anglian stories?’ she asked.
Jane also noted: ‘In the closing credits, I notice they spell For Ever as two words, which it is as it should be, rather than the modern way which confuses the adjective “forever” with the adverbial phrase “for ever”.’
Most people are familiar with the fact that Peel Island was used as the location for Wild Cat Island in the 1974 film.
Peter Dowden of the Arthur Ransome Group, pointed out that Peel Island is a classic example of a rocher moutonnee or sheepback, shaped by glacial erosion. Larger examples in Sweden are known as flyggbergs. Others comment that it’s easy to imagine the island as Captain Flint’s schooner the Wild Cat, sails to the Caribees in ‘Peter Duck’ and set on fire by Gibber in ‘Missee Lee’.
Peter also wrote about burgees. He noted, ‘Traditionally, creatures shown on flags face towards the “hoist” – the bit of the flag that is attached to the mast. So head near the mast and tail near the flappy part of the flag (called the ‘fly’). He went on to say, “someone did the research and Arthur Ransome drew the Swallow flag both beak to hoist and beak to fly!”
Our art director, Simon Holland, made what I considered the mistake of having the swallow on Swallow’s burgee flying away from the mast.
My publisher asked me to draw our crossed flags, a sketch which was later stolen and used all over the place from the call sheet of the 2016 movie to badges for sale on eBay.
Paul Thomas, of the Arthur Ransome Group, explained that Swallow and Amazon are standing lugsail dinghies, rather the balanced lugsails as I had been told. “Swallow’s keel was designed for sailing in shallow estuaries and grounding on shifting shoals with sails tanned to protect them from rot and sunshine.”
“What is particularly impressive, to me,” Roger Barnes, president of the Dinghy Crusing Association, commented, “is how well done the sailing scenes are, and sometimes in pretty strong winds. Most sailing in films is really unconvincing.” Roger added: “The boom jaws off the mast as they first approach Wild Cat Island is the only major flaw with that aspect of the film.” I had never noticed! We were bitterly cold on that day when we first sailed Swallow in front of the camera.
Roger Barnes’ illustrated book, The Dinghy Cruising Companion, published by Bloomsbury, included my behind-the-scenes photo of Swallow, where you can see the jaw back in place.
You can also see the jaws in this film still (c) Studiocanal:
Please do write in with any points you notice that I can add to a third edition of ‘The Secrets of Filming Swallows and Amazons’, an ebook available from a variety online stockists. You can look at the first pages here.
‘I have just been watching on BBC catch-up, the famous and wonderfully entertaining film ‘Swallows and Amazons’. As a 12 year old boy in 1974, my little brother and I were taken to watch the James Bond film ‘Live and Let Die’ in Coulsdon. As we sat down to watch it we found ourselves sat at the wrong place. We were so upset! When the film ‘Swallows and Amazons’ started playing we totally forgot about 007 and found ourselves glued to the screen watching this wonderfully entertaining film. In short, even at 58 years of age I still enjoy this beautiful film about four children and their adventures.’ George
‘My best #lockdown viewing so far has been the 1974 film version of Arthur Ransome’s ‘Swallows and Amazons‘. Reliving the joy of discovering those books, and remembering the freedom of grubbing about in the wildness…’ Judy Darley
‘Never read Arthur Ransome’s ‘Swallows & Amazons’ or seen an adaptation until yesterday. What a delight the 1974 film was. Captured the spirit of childhood adventure so charmingly. Didn’t stop smiling for a moment during the whole thing.’ David Rattigan
‘Watching the original ‘Swallows and Amazons’ with daughter. Get to the “better drowned than duffers, if not duffers won’t drown” telegram and daughter remarks: “I see. So their dad’s gone mad and is writing gibberish.”’ Patrick Kidd – Times Diaryist
‘Ooh. The original ‘Swallows and Amazons’ has come onto Amazon Prime. The one with Titty. The real one. The only one.’
‘Best children’s film ever made. Perfect lockdown viewing. BBC iPlayer – ‘Swallows and Amazons’ – Tim Bonner
For homeschooling ideas relating to the films, such as watching the DVD in French, please click here
You can read the first section of ‘The Making of Swallows and Amazons (1974)’ for free in the preview here:
RTE Guide declared, ‘The definitive adaptation of Arthur Ransome’s ‘Swallows & Amazons’ is on BBC Two.’ More people than ever seemed to watch the classic film, starring Virginia McKenna, which attracted comments on Twitter, Facebook and Instagram while emails were being sent in.
Dr Lucie Bea D – And Swallows and Amazons is on! A very very early cinema memory for me; I saw it in Hereford and was given a colouring in picture of the Amazons hiding in the reeds watching Swallow.
I’ve just enjoyed watching the film on tv again (I watch it every time!) I can remember watching the film in 1974 with my mum and grandma when I was a nine or ten year old, at the then called Mecca Cinema in Horsham,Mecca Cinema in Horsham, Sussex (sadly now demolished) I remember loving the natural setting and the adventure in the film and remember it being thrilling and suspenseful! Still my favourite film, so cheerful and uplifting. The lovely music! All still brings a tear to my eye.
Back then in the 70s we didn’t have the lakes but at every opportunity our little band of local children would run off over the fields playing, building camps and climbing trees in the woods – such happy, carefree days. Been looking at your website too – what a huge resource about the film – good time at the moment to look through it! Thank you for all the information and being in such a happy film, John Rose
Michael – I spent my summers up in the Lake District as a boy and loved/love the book
Peter Hamilton – Swallows and Amazon’s was one of my all time favourites as a child, it was an adventure that seemed more attainable than famous five etc. I really hope my son loves it as much as I did when he’s older…. I adore lake Coniston. Even in high summer that water is icy and very deep innocent happy times… I‘ve tried to sail out to the island on Coniston lake but there wasn’t enough wind so didn’t quite make it. I collected a fair few of the books in my 20s, brings back lots of memories
Duncan HallIt’s such a good film. Doesn’t feel dated at all, to me.
Peter Ashby something timeless about the film. I can happily sit and watch it any time
Graeme Wood – Just goes to show how timeless the story is..
Graeme Wood – It’s a lovely film. As a kid I wanted to jump through the TV screen and join in (ditto the BBC adaptations of Coot Club and The Big Six). Hopefully kids will watch and want to read the books.
Michael – I’ve loved it all my life. I remember my dad rowing me out to an island on lake Windermere and showing me holes in trees, he said they’re from arrows!!!!!!
Maddy Knibb – I also had a wooden swing that collapsed so I turned it into a boat, with broom handle and sheet mast and sail. Guess which books were played out – Swallows and Amazons! It was by a laurel hedge and the leaves made great fish to be cooked on pretend fires!
Perfect opportunity for children to replicate #WildcatIsland with homemade tents in the living room
Glenn Evans – Read this to all my children when they were toddlers. And saw the film in 1974 myself.
Michael – It was only yesterday as far as I’m concerned
Jude – Remember watching the boats on the lake being being filmed from my bedroom window – what a lovely way to slip back into my childhood
Mandy Morley The most classic, and my favourite quote: “I’ll shiver your timbers for you if you don’t stop chattering Peggy!”
Portway Junior School say, ‘the Portway Press also contained a link to the children’s classic ‘Swallows and Amazons‘ film – an excellent watch in this wet weather’.
At least one film fan held a TV party with and 1930’s theme to celebrate. Others stoked up the wood-burner and settled down to spend an afternoon re-living summer in the Lake District. It is as if Christmas wouldn’t be Christmas without ‘Swallows and Amazons’ – a timeless classic to watch again and again.
For the latest edition of the paperback on ‘The Making of Swallows and Amazons(1974)’ with details of where the film was made and what those who appeared in it are doing now, Please click here
The ebook, entitled ‘The secrets of filming Swallows & Amazons (1974)’ is the same with a few more stories for adult readers and has links to behind-the-scenes cine footage. It can be downloaded from iTunes, Smashwords,Kobo and Amazon Kindle
It would be lovely to hear from anyone who saw it in the cinema when it first came out in cinemas in the summer of 1974 – more than forty-five years ago.
Simon Hodkin kindly sent in this cinema programme that he has kept since watching the movie when he was a boy growing up in North Wales.
Arthur Herbertson managed to track down these rare publicity sheets for ‘Swallows and Amazons’ typical of movie games of the period:
Arthur has a collection of the four jigsaw puzzles and the Puffin paperback that came out with the film.
There was a vinyl LP narrated by the screenwriter David Wood that you can still purchase.
Arthur found a publicity brochure that I had never seen before.
To read comments from people who saw the film at the cinema in 1974, please click here
The original story was written by Arthur Ransome in 1929 ninety years ago, so the film hits the half-way mark between the original readers and today’s audience. It’s funny, the critics in 1974 are asking the same question as raised in the billing this week: Do ‘modern youngsters struggle to relate to such old-fashioned game playing’?
Do add your thoughts to the comments below.
~Billing in the Christmas edition of the Radio Times 2019~
You can discover what it was like to appear in the movie, in ‘The Making of Swallows and Amazons (1974)’, an illustrated paperback published by the Lutterworth Press. Although written for adults, it is suitable for all ages and quite fun for anyone interested in acting or keen on visiting the Lake District. It can be ordered online, from good bookshops or your local library. If you already have a copy, do add a review to the online sites or email a photo – it is always great to hear from readers.
The second edition of the ebook, entitled ‘The Secrets of Filming Swallows & Amazons (1974)’, is similar but includes a few more stories from the Lake District and links to behind-the-scenes cine footage. It is out on Kindle, Smashwords, iTunes, Nook/Barnes&Noble from £2.99 If you already have the first edition you can re-load the up-dated version free of charge.
Signing copies of ‘The Making of Swallows and Amazons’ in Cumbria
1 – How did you get the part of Titty?
In March 1973, a letter arrived, out of the blue, inviting me to audition for a role in ‘Swallows and Amazons’. I was twelve years old, an ordinary school girl at a convent in Berkshire. I’d read the Arthur Ransome books but had no idea I was up for the lead in a major EMI feature film intended for a universal international audience. The movie was directed by Claude Whatham. Back in 1970, he’d cast me as Eileen Brown, opposite a boy playing Laurie Lee, in the BBC’s first adaptation of ‘Cider With Rosie’. It was a role that demanded learning a piano piece so complicated it took twenty-one hours to master, but I did it. Claude must have respected my hard work. I was too tall to play Titty but, after a sailing audition at Burnham-on-Crouch, I was offered the part. He cast Sten Grendon, who’d played the young Laurie Lee, as Roger, Suzanna Hamilton was Susan and Virginia McKenna starred as our mother. She later admitted to finding her character rather dull but it was her name, in lights outside cinemas, that drew big audiences. We’ve kept in touch. She is still acting, aged 87, and has led the Born Free Foundation’s international campaign to redeem the lives of wild animals held in miserable conditions since 1998.
With Virginia McKenna on location at Bank Ground Farm near Coniston, in 1973
2 – Why was it so suitable for you?
We loved visiting the Lake District as a family. My father helped the Maryport Button Factory with their publicity and once took us to stay on a farm near Castle Craig above the River Derwent. I spent my childhood camping and messing about in boats, adding a sail made from a dust-sheet to an old rowing skiff. The great thing about the original film of ‘Swallows and Amazons’ was that Simon West, who played Captain John, was an exceptional sailor. He went on to become a national champion. Kit Seymour, who played Captain Nancy, also had a natural command of the waves. It shows on screen. They were able to handle our small boats when squalls rolled down from the fells. I didn’t have their innate understanding of the wind but it was Titty’s job to row everywhere – back from the charcoal burners and off to One Tree Island on Derwentwater. “Pull harder, Roger!” I managed to row Amazon out of Secret Harbour in one take, with the cameraman and a massive 35mm Panavision Camera on board.
Simon West, Suzanna Hamilton and Sophie Neville in Swallow, 1973
Casting-off Swallow was more of a challenge. It doesn’t show on a small screen, but when ‘Swallows and Amazons’ is screened in cinemas, you can spot the sequence when I slip on a rock with the telescope in one hand. I was up to my waist in water but got back on my feet and battled on, waving as the others sailed up Coniston Water. I knew how difficult the shot was to achieve and was desperate to do my best for Claude Whatham.
3 – Did it fire your wish to work in TV?
No! It was directing plays while reading Anthropology at Durham University that ignited a desire to work on television dramas. However, the experienced I’d gained acting in movies helped me win a place on the BBC TV Graduate Trainee scheme. After working on ‘The Russell Harty Show’, I grabbed the chance to cast children on the adaptation of Arthur Ransome’s books set on the Norfolk Broads: ‘Coot Club’ and ‘The Big Six’. I found Henry Dimbleby, then aged thirteen, to play the lead and spent three months on location with Julian Fellowes and Rosemary Leach – who I’d met when she played Laurie Lee’s mother. I later worked on ‘Doctor Who’, ‘Eastenders’ and ‘My Family and Other Animals’, before producing an INSET series, directing one episode at a village school in Cumbria. I began casting children in the Lake District to appear in BBC adaptations of Arthur Ransome’s Lakeland books but they were axed, which was sad, as we were all set to make ‘Swallowdale’ and ‘Pigeon Post’ on the high moors.
4 – What does the Lake District in general, and Keswick in particular, mean to you?
We live on the south coast but take the train north at any opportunity. I’m now President of The Arthur Ransome Society and came up for a fabulous weekend in May when we sailed from the jetty at Bank Ground Farm – Holly Howe in Ransome’s books. I gave an illustrated talk on the secrets of making ‘Swallows and Amazons’ at the Bassenthwaite Institute, using behind-the-scenes photographs taken when we were filming on Derwentwater forty-five years ago. We shot all the scenes involving Captain Flint’s Houseboat in a bay on the western shore. She was played by the Lady Derwentwater, converted for the drama by Ian Whittaker, a talented young set dresser who went on to win an Oscar for set decoration on the feature film ‘Howards End’ starring Sir Anthony Hopkins and Emma Thompson. We shot the lighthouse tree scenes near Friar’s Craig and used Lingholme or One Tree Island for Cormorant Island, where Titty finds the treasure chest. We enjoyed making Ronald Fraser, the film actor playing Captain Flint, walk the plank and sailed up Derwentwater to the strains of ‘What Shall We Do With The Drunken Sailor’, played as the end credits roll. Forty years later, Suzanna Hamilton and I were asked to lunch with Richard Pilbrow the producer of ‘Swallows and Amazons’. Buskers were singing this song outside the restaurant in Covent Garden. We couldn’t believe the coincidence.
Meeting fans of Swallows and Amazons at Keswick in July
I meet people from far and wide who tell me the 1974 film of ‘Swallows and Amazons’ inspired them to visit the Lake District. It has been broadcast on television every year for the last forty years and was last shown in Australia on Boxing Day. It has been dubbed into Czech twice and is often shown at festivals as only ‘U’ certificate movies can be screened outdoors. I just hope this has proved a blessing to the people of Keswick, which I so loved visiting as a child. I thought the 2016 film of ‘Swallows and Amazons’ – that I appear in for approximately two seconds – would overshadow the classic version but it has simply raised awareness along with DVD sales. Fan mail continues to arrive. A beautiful card came today. Arthur Ransome would have been touched. It had fish on it.
Editorial coverage and a literary award for ‘Funnily Enough’
5 – Do you want to mention mental health/physical health issues are always in the news?
I find that many of my readers are stuck in bed or battling with ill-health. I hope they are amused and uplifted in some way by stories in my books. ‘Funnily Enough’, a diary I kept after collapsing at the BBC, is about my own struggle with what I am pretty sure was a tick-bourne disease. I lost my job but recovered in Southern Africa, where I fulfilled Titty’s dream of seeing “forests full of parrots” and produced decorative maps for a living, inspired by Spurrier’s illustration on the original cover of ‘Swallows and Amazons’. I used maps and details from my sketchbook to illustrate a paperback entitled, ‘Ride the Wings of Morning’, which is out in colour as an ebook.
On the crew of the Gloriana in the Boat Race Flotilla in March featured on BBC Television
6 – What else?
People often ask how ‘Swallows and Amazons’ influenced my life, keen to know what I am doing now. I am still keen on rowing. I completed the Voga Longa, a 32 kilometre marathon through the Venetian lagoon with Olympic gold medallist Ed Code and was on the crew of The Queen’s row barge Gloriana for the Boat Race Flotilla this year. This summer, I grabbed the chance to row through the canals of Amsterdam, which was fascinating. However, it was the Amazons bows and arrows that impacted my life. After learning to shoot on the shores of Coniston Water, I was cast as an archery champion in another movie and have since won three Ladies Championships. I met my husband at an archery match. My stepson shot for England in July, winning a tri-annual match against the Royal Company of Archers (so proud!) I gave a talk recently demonstrating how the arrows in ‘Swallows and Amazons were’ fired over my head. The shot looks so dangerous that it was cut from the TV version of the film, but is included in the re-mastered 40th Anniversary cinema Blu-ray version, which we are now able to watch on the big screen.
Rowing in from De Hoop Rowing Club in Amsterdam, July 2018
Much has been written of the legacy left by Arthur Ransome’s, who inspired so many go camping, fell walking or sail the seven seas. I hope he would be amused to learn it has been the arrow, fletched with green parrot feathers, that has flown through the pages of my life.
~Sophie Neville dressed as a medieval archer in 1969~
Archery became a popular sport for ladies in Victorian England. The influence was not lost on Arthur Ransome who writes in his autobiography that his Great-aunt Susan was a keen toxophilite who attended bow meetings at Belle Isle, the long island on Windermere. Another great-aunt was shot in the bonnet by an arrow when the Boxer Rising reached Peking while she was serving as a missionary. I gather it was his sister Joyce who owned a green parrot whose feathers made good pipe cleaners. Did they ever get used for flighting arrows? Arthur doesn’t seem to have taken up a bow beyond, perhaps, playing Red Indians as a child with his friend Ric Eddison. Does anyone know otherwise?
Titty may not have known that the real Queen Bess was a proficient archer, but Roger certainly expected savages to be armed with poison-tipped arrows as he took dispatches across the Peak at Darien.
Did Nancy and Peggy ever don Red Indian head-dresses? Since they are described as wearing red caps when the Swallows first encounter them, I assume this idea was instigated by Helen Edmundson’s musical and reinforced by the 2016 film. Although far from nautical, this is akin to certain antics in Secret Water and certainly adds visual drama to the confrontation.
~Sophie Neville with Peter Robb-King, Ronnie Cogan, Lesley Bennett, Kit Seymour and Terry Smith~
I learnt how to shoot in 1973 when the Amazons were being taught how to pull a bow made of Lakeland hazel for the original movie of Swallows and Amazons. As children, we all wanted a go. I still have a practice bow and a couple of arrows whittled on location by Bob Hedges, our property master. I remember one hitting the campfire. ‘Don’t touch the point – it might be poisonous!’ Please note that the shot of the arrows zooming over our heads looks so dangerous on screen that it was cut from the television version of the feature film. This was no snazzy visual effect. The arrows were genuine, however they were strung on taut nylon fishing line rigged over our heads to ensure we would not get hit. They were fired by the prop men and not the Amazons.
~Daphne Neville who won many archery prizes teaching Lesley Bennett (Peggy Blackett)~
As female Amazon warriors were redoubtable archers it is easy to imagine Captain Nancy bent a sapling to her will and had Peggy making arrows. It is reasonable to assume they used longbows on Wild Cat Island, but in Swallowdale it is a crossbow that graces Ransome’s illustration. How Nancy got her hands on one is unknown but it must have been simpler to use in a boat with discretion and accuracy. Did Ransome ever try this out?
~Sophie Neville shooting with a compound bow in the Emirates 2016~
What happened to the bows and arrows after Swallowdale? Archery is something you usually grow into, rather than out of. By the age of fifteen, I’d gained the part of an archery champion in an adventure movie called The Copter Kids. This necessitated target practice with a modern re-curve bow and ended with me shooting from a helicopter.
I now belong to a number of archery societies and, like Great-aunt Susan, set out with my tabs and tassel, quiver and longbow. Luckily the skill, much like an appreciation of Arthur Ransome’s writing, is something that tends to improve with age. I met my husband at one bow meeting, have held three Ladies’ Championship titles and managed to reach a distance of 145 yards when we celebrated the 600th Anniversary of Agincourt.
I have never fired a crossbow. Since they are potentially lethal weapons, Nancy could have been detained for firing hers even if the tip was not deemed poisonous.
I have been sent a copy of a letter written to a reader by Arthur Ransome in June 1955, revealing where some of his locations can be found. I was interested to read that, ‘the lake is mainly Windermere with some things stolen from Coniston.’
This summer, we spent a long weekend with The Arthur Ransome Society when we managed to find quite a few locations around Coniston Water that are featured in Ransome’s books.
~Low Yewdale Farm, near Coniston ~
The curator of the John Ruskin Museum took us on a walk around the village of Coniston and under the Yewdale Crags towards Tarn Howes. We passed Low Yewdale Farm where Arthur Ransome stayed as a young man. It is just as I imagined Swainson’s Farm in ‘Swallowdale’. The footpath takes you down to the beck where Ransome fished for brown trout. I could imagine Roger attempting to tickle trout there.
If you follow the path on south, then branch left up the East of Lake Road around Coniston Water, you will find another footpath leading to Bank Ground Farm.
A hand-painted sign guides you through fields, where Galloway cows maybe grazing. Look up and you will literally find yourself at Holly Howe, the long white farmhouse where Mr and Mrs Jackson live in ‘Swallows and Amazons’. You can imagine the Walker children running down the meadow to the Peak of Darien.
~ Dr Ernest Altounyan rigging Mavis on Coniston Water~
It was here that the Altounyan children, Taqui, Susie, Titty, Roger and Brigit spent one summer holiday in 1928, while visiting their grandparents who lived next door at Lane Head. They learned to sail on the lake in two dinghies: Swallow and Mavis, later re-named Amazons, who can be visited at the John Ruskin Museum in Coniston.
~Bank Ground Farm in Cumbria where the movie ‘Swallows and Amazons’ (1974) was made~
The barn, inside which we filmed some of the night sequences for the original movie of ‘Swallows & Amazons’, has been converted into self-catering holiday accommodation that can house a number of families quite easily. From here you can run down to the boat shed where John, Susan, Titty and Roger found Swallow and imagine them setting off on their voyage to Wild Cat Island leaving the Fair Spanish Ladies on the stone quay.
~The boatsheds below Bank Ground Farm, on Coniston Water~
Wooden jetties have been added recently and it is possible to either launch your own boat or hire a kyak from Bank Ground Farm.
~The northern end of Coniston Water~
We had a bedroom in the barn that looked north towards the Langdales. If you walk up the farm drive, you can look back towards Coniston Old Man, Kanchenjunga, which the Walkers and Blacketts climb in ‘Swallowdale’.
~Bank Ground Farm with the village of Coniston beyond~
Arthur Ransome was taken up the Old Man of Coniston as a tiny baby. You can climb it today but wear more than sand shoes. Stout walking boots are called for. The task of reaching the summit should not be underestimated.
We were able to get out on the lake to find a few more locations. This red-sailed dinghy, named Peggy Blackett, is a copy of Arthur Ransome’s Cochybundhu, used as the model for Dick and Dorothea’s boat Scarab.
~Sailing on Coniston Water towards the village of Coniston~
It is a long way down Coniston Water to Peel Island but it is there that you will spot the Secret Harbour, instantly recognisable as belonging to Wild Cat Island. We went there in the SL Gondola, that now belongs to the National Trust. Ransome knew the steam launch as a boy when he made friends with the captain.
~ Secret Harbour on the southern end of Peel Island, Coniston Water ~
In the cemetery of Coniston village I found the grave of Titty Altounyan, the girl who inspired Arthur Ransome’s well-loved character. I never met her but was with her niece Barbara that long weekend in Coniston, when we both thoroughly enjoyed walking, sailing and steaming along in Ransome’s footsteps.
~ Sophie Neville visiting Titty Altounyan’s grave in Coniston ~
For details of more locations at the southern end of Coniston Water that are featured in the Swallows and Amazons series of books, please click here.
This summer marked the 45th Anniversary of filming the original film ‘Swallows and Amazons’ on Derwentwater when Ronald Fraser was obliged to walk the plank in a solar topi in July 1973.
To celebrate the anniversary, Sophie Neville, who played Titty, introduced a screening of the 1974 film at the Alhambra Cinema in Keswick on Saturday 28th July.
She demonstrated how one of the visual effects was achieved and signed copies of her book ‘The Making of Swallows and Amazons’ after a Q&A.
‘I brought one of the original arrows that the Amazon pirates fired over my head. It looks so dangerous on film that the shot was cut from the television version but is included in the re-mastered cinemascope edition that we are now able to watch on the big screen. You might be able to spot a few other things that went wrong while we were filming, such as the time I inadvertently slipped up to my waist in water.’
‘The elegant Lakeland steamer, the Lady Derwentwater, had the starring role as Captain Flint’s houseboat. She was adapted for the part by the award-winning set designer Ian Whittaker, who went on to receive an Oscar for Best Art Direction on ‘Howards End’ starring Sir Anthony Hopkins and Emma Thompson. His astonishing list of nominations can been seen here.
Swallow, the 1930s sailing dinghy used in the original film ‘Swallows and Amazons’ was at the lakeside for Arthur Ransome enthusiasts to admire. She is looked after by Rob Boden, from Kendal, who is happy to take people for a sail by prior arrangement via the SailRansome website here.
In 1974, my mother, Daphne Neville, was commissioned to write an article about working on the original film of ‘Swallows and Amazons’ for Woman magazine, which claimed to be ‘The world’s greatest weekly for women’. Here are some extracts from her type script:
I was amazed to read some of this. ‘….a dirth of birds’? Was that really how my mother spoke in the early ‘Seventies? I had no recollection that ‘Nomansland’ had been displayed on the front of our double-decker bus. I never remembered there only being bathroom at Oaklands Guesthouse or that Mum had to wash out clothes. I do remember Ronald Fraser shouting, ‘Piss off you little monster’. I have the photo:
More to follow…. If you would like to see photos of Daphne Neville appearing in movies hereself, please click here
If you would like to read about what we did on 10th July 1973 – 45 years ago please click here