Category Archives: Photography

What Sophie did next –

TWT Ride 2018 Sophie Neville with 14 riders

The 4th Waterberg Trust Challenge Ride, which set off on 21st January 2018, proved fast, fun and fulfilling. Thanks go to all those who sponsored me on Justgiving.com and helped me to raise funds in other ways.

TWT Ride 2018 Sophie Neville with giraffe at Ant's Nest - photo Ant Baber

Crossing the game reserves of South Africa was a joy, especially since we encountered a number of newborn animals.

TWT Ride 2018 with zebra - photo Ant Baber

50% of funds raised go to Save The Waterberg Rhino to support the war against wildlife poaching.

TWT Ride 2018 photographing rhinos

50% of funds go to community projects that uplift the people of the region. You can see more photos of the projects supported here

TWT Riders 2018 learing about community projects in the Waterberg

Riders paid their own travel costs. We had a great team who’d worked hard on both their fitness and fundraising.

TWT Ride 2018 cantering up to Jembisa

Some days were long but we were blessed with good weather. When the going got tough, we dismounted and walked.

TWT Ride 2018 dismounting to tackle a steep hill - photo Sophie Neville

Seven different game reserves were traversed in six days, with 187kms being clocked up on the GPS.

TWT Ride 2018 coming to the end - photo Ant Baber

I felt hugely encouraged by everyone who supported me on social media and returned with dreams of exploring further afield. You can see more photos of the ride on The Waterberg Trust website.

TWT Ride 2018 Sophie Neville against sunset

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What you can do to help

Sophie Neville with Save The Waterberg Rhino game scouts

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Filed under adventure, Africa, Autobiography, News, Photography, Sophie Neville, Travel, truelife story, Uncategorized

A Little Bit of Film History

Contact sheet - Sophie Neville with Amazon's anchor

~ Titty with Amazon’s anchor ~

When I first posted an extract from ‘The Secrets of filming Swallows and Amazons’ on a literary website, someone wrote a review assuming it to be a novel. They must have thought that I was some poor creature who had imagined the whole thing. The reviewer considered the plot too far-fetched and fantastical – as you might if it had not been true.

‘You must have been dreaming.’

‘But Captain Flint, there were burglars, you’ve got to believe me.’

Poor Titty! No one ever believed her. Fortunately quite a bit of documentary evidence exists to support the fact that a certain feature film was made in the Lake District in 1973. I do wish I’d kept a copy of the book review though.

Contact sheet - finding Titty in Amazon

~ The Swallows find Titty sleeping in Amazon near Cormorant Island ~

Contact sheet - Suzanna Hamilton and Sophie Neville sailing Amazon

~ Titty and Susan sail Amazon back to Wild Cat Island ~

Contact sheet sailing Swallow & Amazon in 1973

~ Sailing Swallow and Amazon on Derwentwater ~

Contact sheet - sailing Swallow & Amazon on Derwentwater

I was encouraged to collect things as a child, in case they might one day be of value. Back in 1973, I was given a number of black and white photographs and contact sheets of stills taken by Albert Clarke on the set of ‘Swallows & Amazons'(1974) – if you can call Derwentwater a movie set. I pasted some of these in a scrapbook but others remained in a roll that has only recently been returned to me. Each sheet looks roughly like this:

The Making of Swallows & Amazons contact sheet - both boats

The eye is easily tired by looking at the whole set but scanning and editing reveals a little bit of film history in every shot. I can see here that Titty wasn’t letting Amazon’s anchor down, she was hauling it in while Susan was at the helm, with a fair wind in her sails. This must have been quite tricky.

Sophie Neville pulling up Amazons' anchor

You can tell by the numbers above each shot how many were taken and in what sequence. presumably 2003 photographs had been snapped by the time the Swallows found Titty moored near Cormorant Island.

Contact sheet - filming Swallow

~ These bizarre shots show the film crew afloat on their pontoon ~

The photographs below show Virginia McKenna rowing away from Peel Island on Coniston Water in a native canoe with DoP Denis Lewiston and his 35mm camera, which is pretty unique.

One thing is certain, if these contact sheets had not been given to me they would have been thrown out and yet, over time, they have become precious. Do add a comment below if you would like to see more.

It is quite interesting to see which shots were chosen for the press. You can see a few of the action shots used in magazines of the time by clicking here. Newspapers tended to chose photographs akin to portraits as you can see here.

Recent newspaper articles tend to use a black and white film still that was clumsily tinted giving the lake water an unreal and bright blue hue as you find here.

Some of the black and white prints are now held at BFI. StudioCanal hold a vast selection of the best photos in their library and have an on-line shop here. I have included about a hundred behind-the-scenes snaps taken by my parents in the latest edition of ‘The Making of Swallows and Amazons’ recently published by The Lutterworth Press, available from libraries, bookshops and online stockists including The Nancy Blackett shop, where proceeds go towards the upkeep of Arthur Ransome’s favourite little ship.

9780718894962_cover Amazons.indd

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Filed under 1973, Acting, Arthur Ransome, Autobiography, Biography, boating, British Film, Cinema, Claude Whatham, Cumbria, David Wood, Dinghy sailing, Emi film, family Entertainment, Family Film, Film, Film Cast, Film crew, Film History, Film production, Filmaking, filmography, Lake District, Landscape Photographs, Memoir, Movie, Movie stories, Photography, Richard Pilbrow, sailing film, Sophie Neville, Suzanna Hamilton, Swallows & Amazons, Swallows and Amazons, titty, Titty in Swallows and Amazons, truelife story, Uncategorized, Vintage Film, Virginia McKenna, Zanna Hamilton

Arthur Ransome, his boats and the Altounyan family

‘Paddling with Peter Duck’, John McCarthy’s  documentary for BBC Radio 4, can currently be listened to on IPlayer Radio. It is about the boats owned by the author Arthur Ransome and includes extracts read from his classic book Swallows and Amazons by Kate Taylor.

While the broadcast is a portrayal of Arthur Ransome and his boats, it touches on his friendship with the Altounyan family who inspired him to embark on writing the series of twelve Swallows and Amazons books. It is easy to understand this when looking at their photographs.

Family Photo with donkeys

The Altounyan children with friends in Syria.

The girls seem to be Taqui, Brigit and Titty

Could it possibly be Arthur Ransome sitting on the right? He visited the family in Syria in 1932, when he must have been about forty-eight, but was never known to have worn shorts, although it would have been exceptionally hot in the Middle East. Click on the photos to enlarge.

Possibly Arthur Ransome in bow of Peter Duck the boat he took to Syria

Is this Arthur Ransome ? sitting on the bow of Peter Duck in Syria, the chap wearing the same hat and clothes as in the photo above? He took this  dinghy out to Syria as a gift for the Altounyan  children and wrote his novel Peter Duck while he and his wife Evgenia were  staying with the family in Aleppo.

Possibly Arthur Ransome in the Altounyan's dinghy Beetle II on Amouk in Syria

Possibly Arthur Ransome sailing Beetle II the Altounyans’ gunter-rigged dinghy at Amouk in Syria

Dr Ernest Altounyan 1935

Ransome’s friend Dr Ernest Altounyan in 1935

Dora Altounyan 1935

Dora Altounyan (nee Collingwood) in 1935

Was she the model for Mary Walker, the Swallows’ mother who grew up in Australia?

Roger at Dovedale

Roger Altounyan as a boy


Roger sailing off Peel Island 1978 by Asadour Guzelian

Dr Roger Altounyan sailing ‘Mavis’ on Coniston Water.

Sadly there is no sign of the original Swallow bought at the same time as Mavis by Arthur Ransome and Ernest Altounyan in Barrow-in-Furness, and later sailed by the Ransomes on Windermere.  Mavis was later re-named Amazon by Brigit Altounyan, the youngest of the five Altounyan children, known as The Ship’s Baby.

Brigit seated

Brigit Altounyan as a girl

Brigit married, becoming known as Brigit Sanders and later became President of The Arthur Ransome Society. The original lugsail dinghy Mavis or Amazon can be visited in the Coniston Museum in Cumbria. To read more please click here to see this previous post.

Ernest Altounyan sailing Mavis on Coniston

Dr Ernest Altounyan on Coniston Water with ‘Mavis’, one of the dinghies that inspired ‘Swallows and Amazons’

These unique photographs were recently found in Cheshire by the antiques dealer John Jukes who asked me if I could return them to the Altounyan family. This I have done and show them here by kind permission of Roger’s daughter, Barbara Altounyan. Please do not copy these photos.

To listen to John McCarthy’s  Radio 4 broadcast, please click here

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Filed under Arthur Ransome, Biography, boating, Dinghy sailing, Family Life, Lake District, Landscape Photographs, Memoir, Photography, Swallows & Amazons, Swallows and Amazons, titty, truelife story

Questions I’m asked at cinema screenings of Swallows & Amazons (1974)

Over the next few days I am going to be giving Q&A sessions at cinemas screening StudioCanal’s newly restored version of Richard Pilbrow’s movie ‘Swallows & Amazons’ (U) to celebrate the 40th anniversary of the film’s release in 1974.

Ronald Fraser walking the plankSten Grendon, Simon West, Suzanna Hamilton and Sophie Neville as the Swallows making Ronald Fraser walk the plank. Where are the Amazons?

If you can come, please do bring a question. I am always very interested in those asked by the children. They can be quite difficult to answer:

‘What did it feel like to be alone on the island?’

Titty alone on Wildcat IslandTitty leaving her tent on Wild Cat Island

‘Where you really able to keep the parrot?’

swa_bw_neg_ 021 Kit Seymour with Sophie Neville  and Polly in the Houseboat

‘How long did it take to film?’ is another question I am often asked. The answer is quite complicated.

Then I ask,  ‘Would you like to know about the mistake I made?’

swa_bw_neg_ 043The crew of the Swallow leaving Holly Howe 

I started singing, ‘Adieu and Farewell’, when the sea shanty Spanish Ladies is always sung: ‘Farewell and Adieu…

Farewell and adieu to you fair Spanish ladies, 
Farewell and adieu to you, ladies of Spain;
For we’re under orders
For to sail to old England,
And we may ne’er see you fair ladies again.
We’ll rant and we’ll roar, like true British sailors,
We’ll range and we’ll roam all on the salt seas;
Until we strike soundings
In the Channel of old England,
From Ushant to Scilly ’tis thirty-five leagues.

swa_bw_neg_ 042Virginia McKenna watches the Swallows sail from the jetty at Bank Ground Farm on Coniston Water. Can you spot the safety officer – a frogman just visible right of shot?

I noticed that one inconsistency made by the design team was that the swallow flew down our flag whereas it always flies up Swallow’s burgee in Arthur Ransome book illustrations. I count it as a subtle differentiation that I reproduce whenever I draw the crossed flags myself.

Swallows & Amazons flags for book

 

When I was writing ‘The Making of Swallows & Amazons’ I noticed that, while the title of the book is ‘Swallows and Amazons’, the graphic designer working on the film always used an ampersand, making it SWALLOWS & AMAZONS in the 1974 film.

There is another odd thing right at the end of the film, as the credits roll. See if you can spot what it is.

This week there are a number of screenings in Cumbria:

Royalty Cinema Bowness-on-Windermere 6th, 7th August http://bit.ly/1nCooVq

Roxy Cinema Ulverston 6th, 7th August http://bit.ly/1nYKgKn

Zeffirellis Ambleside  6th August (with Sophie Neville Q&A) http://bit.ly/X8BYFU

Brewery Arts Centre, Kendal  7th August (with Sophie Neville Q&A) http://bit.ly/1jTanmg

For details of screenings at PictureHouse cinemas across the UK please click here.

(All photographs on this page are copyright StudioCanal. To see more stills and merchandise available please click here. )

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Filed under 1973, Acting, Arthur Ransome, Autobiography, Cinema, Cumbria, Dinghy sailing, Film, Film Cast, Film History, Filmaking, Lake District, Memoir, Movie, Movie stories, Photography, Richard Pilbrow, Sophie Neville, Suzanna Hamilton, Swallows and Amazons, truelife story, Uncategorized, Zanna Hamilton

The cutting room floor

Members of the Arthur Ransome Group have recently raised questions about what ‘fell onto the cutting room floor’ after we shot the movie ‘Swallows & Amazons’ in the English Lake District in 1973.

‘I have always had the feeling that the Amazon’s role in the 1974 film was very much secondary to the Swallows.’ Stephen O’Brien posted.  ‘This was probably down to much of the Amazon’s footage ending up on the cutting room floor. What do you think?’

The answer is that there were few scenes excluded from the film.

BW Virginia McKenna and Sophie Neville

Virginia McKenna as Mrs Walker with Sophie Neville as Titty

One featured Virginia McKenna and Mrs Battys clock, which can still be found at Bank Ground Farm, our location used for Holly Howe. It was shot on the second morning and I fear that our director Claude Whatham might have taken it out because my own performance was rather stilted. I had quite a bit to say, most of which was really rather bizarre:

15th May deatil of outtake

The pages of my diary written on 15th May 1973

15th May detail  page two

The only other scene from Swallows & Amazons that I know was excluded was when the Swallows lay patterans on their way to visit the charcoal burners. The location was in a beautiful spot up above Derwentwater, the dialogue was straight from Arthur Ransome’s book and our performances would have been fluent by the time we shot the sequence. BW The Swallows make Patterans

 Suzanna Hamilton, Sten Grendon, Sophie Neville and Simon West as the Swallows

I can only expect that when the movie came in over-length these scenes were cut as the action was not exciting and had no influence on the plot.

In the original script the Amazons do not really appear until page 41 – which would equate to nearly half-way into the the film. I thought that there might have been one or two shots of the Amazons sailing that were never used, because there was  a day spent filming on Derwentwater when Kit and Lesley who played Nancy and Peggy weren’t feeling very well but I’ve checked the script and nothing that they said was excluded. Not one word. Perhaps David Wood who dramatised the book could somehow have increased the Amazons’ parts. However, as Janet Means points out:

‘…in the book we find out more about what the Swallows think but only about what the Amazons do. There is little about the Amazons except when the Swallows are present too (hiding Amazon in the reeds and Nancy berating Peggy for losing Amazon when Titty’s made off with her). There’s lots about the Swallows without the Amazons.’ 

One scene in the DVD of the film actually gets cut out of the television version. The clue is that it comes just before this photo was taken in Bowness-on-Windermere for Lancashire Life kindly sent to be by Stephen Sykes of Hill Top near Haverthwaite.

Lancashire Life May 1974 - S&A - Contents photo only Sten Grendon, Simon West, Suzanna Hamilton and Sophie Neville as the Swallows in Rio, an official still from the film published in Lancashire Life in 1974

There are a few scenes in the screenplay that were never actually shot, but that’s on a different tack. To read more, please see: The Secrets of Filming Swallows & Amazons.

Dennis Lewiston, director of Photography on 'Swallows and Amazons'  ~photo:Richard Pilbrow

Denis Lewiston, director of Photography on ‘Swallows and Amazons’ ~ photo: Richard Pilbrow, taken on Derwentwater in Cumbria, 1973

Our sad news is that Denis Lewiston, the brilliant  Director of Photography on Swallows & Amazons (1974),  died recently. After a long and fulfilling career he will be remembered fondly and admired for the numerous films he made, seeking excellence with every sequence.

To see some of the shots Denis set up for the film of Swallows & Amazons,  please click here for the BFI site.

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Filed under 1973, Acting, Arthur Ransome, Autobiography, Cinema, Claude Whatham, Cumbria, David Wood, Diary, Film, Film Cast, Film History, Filmaking, Lake District, Memoir, Movie, Movie stories, Photography, Richard Pilbrow, Sophie Neville, Suzanna Hamilton, Swallows and Amazons, truelife story, Zanna Hamilton

Captain Flint’s Houseboat revisited

DSCF7742

SY Gondola on Coniston Water today

When people see the Steam Yacht Gondola on Coniston today, in all her re-built glory, she seems rather plush to have been cast by Arthur Ransome as Captain Flint’s houseboat. The main reason for assuming that she was used as the model for the illustrations is because Arthur Ransome grabbed a post card of the Gondola and drew on it to give the first illustrators of Swallows and Amazons some idea of his vision. However Ransome’s biographer Roger Wardale tells me it was a former steamer on Windermere that he had in mind: the S.L Esperance. Ransome was known to have been spotted looking through her cabin windows and much admired her distinctive bow, designed to cut through cat ice as she went daily up the the Lakeside Railway station.  

Houseboat  bay in 1963

Esperance in Rayrigg Bay, Windemere ~ photographed by Martin Neville in about 1963

When I was first taken up to the Lake District in 1963 my father found what he thought was houseboat bay on Windermere and took this shot of a vessel that must be SL Esperance. She does look very like the first professional drawing submitted to illustrate Swallows and Amazons.

Stephen Spurrier's unused illustration of Swallow sailing past Captain Flint's houseboat

Stephen Spurrier’s unused illustration of Swallow sailing past Captain Flint’s houseboat

Arthur Ransome’s terse note reads: ‘The ass has forgotten the mast’. Today the Esperance is lying at the Steamboat Museum on Windermere, where we went to visit her in 2011. Built at Rutherglen in 1869 she is nearly 65 foot long with a 10 foot beam.

Esperance at the Windermere Steamboat Museum

SL Esperance at the Windermere Steamboat Museum in 2011

She did not always have such a traditional appearance. Roger Wardale kindly sent me this photograph showing what she looked like in the 1930s.

'Esperance' in the 1930s when she was owned by Sir Oliver Scott.

‘Esperance’ in the 1930s when she was owned by Sir Oliver Scott.

The cabin has since been removed from her rear end.

DSCF7695

SY Esperance at the Windermere Steamboat Museum in 2011

SY Esperance now looks more like this illustration – or could do. Although she has a setting for a mast the reality is that she has seven windows, whereas Clifford Webb’s illustration shows her with only six.

Clifford Webb's illustration of Captain Flint's houseboat

Clifford Webb’s illustration of Captain Flint’s houseboat

I have no idea if anyone could film aboard her today when safety regulations are so strict.

Claude Whatham discussing plans with sailing director David Blagden (in the white hat) and Richard Pilbrow on the aft deck of the houseboat with Molly Pilbrow looking on ~ photo: Daphne Neville

Claude Whatham took advantage of the larger cabin windows in the Lady Derwentwater whilst filming ‘Swallows & Amazons’ in 1973 ~ photo: Daphne Neville

Back in 1973 Richard Pilbrow was obliged to use the Lady Derwentwater, still owned by the Keswick Launch Co. She has quite a different stern from the illustrations but was licensed to carry 90 passengers, which must have allowed him to take a seventy-strong film crew on board. At least she was given a mast. You can envisage Ronald Fraser, as Captain Flint, angrily stamping out the firework on the roof.

One advantage of the Lady Derwentwater was that the windows of her cabin enabled the director to get a good view of the lake, which he made use of when Captain John rowed over from Peel Island to visit Captain Flint and pass on the charcoal burners’ warning.  She couldn’t be moved to another lake, but Derwentwater is surrounded by such dramatic fells that the director, Claude Whatham used this to his advantage. A postcard of Friar’s Crag near Keswick was used by Ransome to give his illustrator an idea of what the Peak of Darien was like, even though he had originally based this on the rocky promontory at Waterhead on Windermere. Roger Wardale tells me the Ransomes would sail there in Swallow and stop for tea before heading back south.

Sophie Neville at the Windermere Steamboat Museum

Sophie Neville at the Windermere Steamboat Museum

Was the Gondola so very different? Ransome had known her since spending his own childhood holidays on Coniston, when she was in service.  While staying at Nibthwaite he became a good friend of the Captain, or so the story goes. Back in 1973 the Gondola looked like this – her roof too curved to run along, her bow rising up a little too dramatically to accommodate the foredeck of a retired pirate busy writing up his devilish crimes while his a cannon lies glinting in the sunlight, ready to fire.

Was this the houseboat Arthur Ransome had in mind? ~ photograph taken by Martin Neville in 1973

Photograph of the Gondola on Coniston Water taken by Martin Neville in 1973

To read more about Esperance, please click here

For more about the Steamboat Museum with a photograph of Esperance, please click here

To read more, from another perspective please click here

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Filed under 1973, Arthur Ransome, Claude Whatham, Cumbria, Film, Film History, Filmaking, Lake District, Memoir, Movie stories, Photography, Richard Pilbrow, Sophie Neville, Swallows and Amazons, truelife story

Very Happy New Year!

Near the Amazon Boathouse with Sir Anthony Gormley ~ photo: Mountain Goat Tours

Sophie Neville with Sir Antony Gormley near the Amazon boathouse

This Christmas has been marked by a number of amusing cards, emails and comments that have come in from people who remember making the film of Swallows & Amazons in 1973.

David Stott has already sent in his memories of working as Ronald Fraser’s driver at the age of 19 while Peter Walker remembers literally  bumping into him in a pub in Ambleside. Various journalists added their recollections online below an article in the Telegraph. I hope to have gathered enough photographs to post a few more in the new year.

If you can remember anything about the filming of Swallows & Amazons, can recollect going to see it in the cinema when it was first released, or have memories about anyone connected to the movie, add a comment below or contact me on sophie@sophieneville.co.uk.

The Amazon boathouse on Coniston Water

The Amazon boathouse on Coniston Water

I have a list of those who appeared as supporting artists in the film that I would love to add to. Can you help me with more details and full names? It would be awful if I had incorrect spellings.

Kerry Dartisnine ~ Nurse

Tiffany Smith ~ Baby Vicky

Moira Late ~ Mrs Jackson

Brian Robey Jones ~ Mr Jackson

Mr Turner ~ Shopkeeper

Mr Price ~ Native on the Rio jetty

Mrs Price ~ Visitor at Haverthwaite Railway Station

Martin Neville ~ Native on the steamer

George Pattinson ~ Steamboat owner

Stanley Wright ~ Motorboat mechanic

James Stelfox ~ Boat mechanic

Herbert Barton ~ Casual holiday-maker

L. Lucas Dews ~ Man just returned from abroad

Jane Price ~ Girl at Rio

Simon Price ~ Boy at Rio

Tamzin Neville ~ Girl at Rio

Perry Neville ~ Girl at Rio

Pandora Doyle ~ Girl at Rio

Alan Smith ~ Boy at Rio

Jane Grendon ~ Rio visitor

Janet Hadwin ~ Rio visitor

Peggy Drake ~ Rio visitor

William Drake ~ Rio visitor

Mrs Jill Jackson ~ Rio visitor

Lindsay Jackson ~ Rio visitor

Nicola Jackson ~ Rio visitor

Fiona Jackson ~ Rio visitor

Shane Jackson ~ Rio visitor

Zena Khan ~ Rio Visitor

Lorna Khan ~ Lady on the Tern

Sarah Boom ~ Cyclist at Rio

Jack Hadwin ~ Motorcyclist

Kendal Borough Band

Beauty Proctor ~ Polly, the green parrot

The following people worked on the crew of Swallows & Amazons  but I am not sure of their exact job titles:

Gay Lawley-Wakelin, Richard Daniel, John Slater, Lee Apsey, Craig Hillier, Les Philips, Ron Baker, John Pullen, Harry Heeks, Graham Orange, Mike Henley, Joe Ballerino, Ted Elliot, Eddie Cook, John Engelman, John Mills, Ernie Russell, Clive Stewart, Toni Turner, Phyllis B, Pinewood Caterers John and Margaret ……, Robert Wakeling, David Stott. and other Drivers: Browns of Ambleside

Have I left anybody Out?

DSCF9396-001

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Filed under 1973, Acting, Cinema, Film, Film Cast, Film crew, Film History, Lake District, Memoir, Movie, Photography, Sophie Neville, Swallows and Amazons, truelife story, Uncategorized

‘The Secrets of Filming Swallows & Amazons’ ebook is out now

The Secrets of Filming Swallows & Amazons

Thanks to the encouragement and help of my blog followers and Arthur Ransome enthusiasts around the world, I have managed to put my diaries, letters, old photographs and documents together into a 68,000-word memoir.

s&A book launch 2013 005

“Sometimes extraordinary things do happen to ordinary people. Little girls can find themselves becoming film stars. Long ago, and quite unexpectedly, I found myself appearing in the EMI feature film of Arthur Ransome’s book Swallows and Amazons, made for a universal international audience. I played Able-seaman Titty, one of the four Swallows. Perhaps it would be more accurate to say that I became Titty for a while, wearing thin cotton dresses and elasticated navy blue gym knickers, which the camera crew soon referred to as passion killers. The book was written in 1929 and although the film adaptation was made in the early 1970s it had an ageless quality and has been repeated on television year after year, typically on a Bank Holiday between movies starring Rock Hudson or Doris Day.

I got the part of Titty because I could play the piano. Although I had no ambition to be an actress, at the age of ten I was cast in a BBC dramatisation of Cider with Rosie. They needed a little girl to accompany the eleven-year-old Laurie Lee when he played his violin at the village concert. I plodded through Oh, Danny Boy at an agonising pace.

‘Do you think you could play a little faster?’ the Director asked.

‘No,’ I said, flatly. ‘These are crotchets, they don’t go any faster.’

Claude Whatham must have remembered my crotchets, for two years later, in March 1973, my father received a letter. It arrived completely out of the blue, from a company called Theatre Projects.

We are at present casting for a film version of SWALLOWS AND AMAZONS which Mr Whatham is going to direct. We were wondering if you would be interested in your daughter being considered for one of the parts in this film.

Amazing!”

From ‘The Secrets of Filming Swallows & Amazons’ by Sophie Neville

Preview copies of the print version of 'The Secrets of Filming Swallows & Amazons'Preview copies of ‘The Secrets of Filming Swallows & Amazons’  at the Cruising Association dinner at the Water’s Edge Bar and Restaurant, Mermaid Marina on the River Hamble.

“This heart-warming memoir is illustrated with colour photographs, most of them taken at the time by Sophie’s family, and contains links to behind-the-scenes home movie footage for readers with browser-enabled tablets. It delivers a double helping of nostalgia for both fans of the era of Arthur Ransome, and the groovy times of the early 70’s.” ~ from the Amazon Kindle description

Map of Derwentwater by Sophie

Also available for other reading devices on Smashwords

Thank you again for all of your time and patience, and to those of you who contributed comments, questions, and aspects of local history on this blog. I would love to know what you think of the book!

If you would like a copy but don’t have a Kindle, worry not. We have added a link whereby you can download a free Kindle app. Please go to my Book Page and scroll down for the details.

Sophie Neville on the pontoon during the filming of 'Swallows and Amazons'

Richard Pilbrow, Denis Lewiston, Claude Whatham, David Cadwallader and Sophie Neville aged 12 playing Titty. Eddie Collins looks on ~ photo: Daphne Neville

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Filed under 1973, Acting, Arthur Ransome, Autobiography, Biography, Christian, Cinema, Claude Whatham, Cumbria, David Wood, Diary, Dinghy sailing, e-publication, Family Life, Film, Film Cast, Film Catering, Film crew, Film History, Filmaking, Humor, Humour, Kindle, Lake District, Landscape Photographs, Letters, Memoir, Movie, Movie stories, News, Photography, Richard Pilbrow, Sophie Neville, Steam train Haverthwaite Railway Station, Suzanna Hamilton, Swallows and Amazons, truelife story, Zanna Hamilton

Boats of the Norfolk Broads ~

Sailing on the Norfolk Broads

I recently found a family photograph album with pages illustrating holidays spent under sail in the 1930’s.

Breakfast on the Norfolk Broads ~ Easter 1939

Joan with her friends having breakfast on the Norfolk Broads ~ Easter 1939

Not all the black and white photographs are as horizontal or as sharply in focus as one might wish but they show the glorious boats available for hire

Sailing on the Norfolk Broads - Easter 1939

and reflect what fun was had out on the water.

Joan Hampton - Norfolk Broads - Friends1

We were rather shocked by the cigarettes held in the mouths of the young men but Joan is ninety-nine now and still agile.

Martin Neville on the Norfolk Broads

Martin Neville sailing on the Norfolk Broads with friends in the early 1950s

Having sailed on the Broads with friends, my father hired a Hullabaloo boat to take us out when we were little.

Sophie Neville with her sisters on the Norfolk Broads

We went out of season, when boat hire was cheaper. As there was no one on the water my father let me take the helm mile after mile, despite the fact that I was only about seven years old.

Sophie Neville on the Norfolk Broads

Sophie Neville wearing a life jacket c. 1968

 We loved living aboard and were often surrounded by wild geese.

Sophie Neville on the Norfolk Broads

It seems Arthur Ransome, who had fished on the Broads with Titty’s father, Ernest Altounyan, in 1923, also enjoyed cruising in the spring. His biographer, Roger Wardale, said that ‘Both the Ransomes liked to visit the Broads just after Easter, before most of the motor cruisers had started the season and it was the best time of year for birdlife.’ He went on to describe how Arthur Ransome kept a log of his three weeks spent in a Fairway yacht, the essence of which he used to write Coot Club in 1933/34. ‘As well as visiting Roy’s of Wroxham, tying up at Horning Hall Farm and watching the racing boats go by, towing through bridges, mooring beside a Thames barge at Beccles and watching a fisherman catching eels with a bab, there are numerous details that combine to make Coot Club a valuable account of the social and natural history of the Broads as they were more than 70 years ago.’ 

Roger Wardale illustrated his book Arthur Ransome Master Stroyteller , using wonderful photographs and sketches by Arthur Ransome, including a very jolly one of the Hullabaloos that had not been published before. Do get hold of a copy of the book, to read the chapter on Coot Club for yourself.

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Filed under Arthur Ransome, Biography, Family Life, Memoir, Photography, Sophie Neville, Travel, truelife story

‘How did appearing in ‘Swallows and Amazons’ affect your life?’

Wheetabix commercial

Sophie Neville appearing in a Wheetabix commercial directed by Claude Whatham in 1973

I am often asked what impact Swallows and Amazons has had on my life. Because I had been given the lead in a feature film, it naturally lead to ‘more work’, as any actor would put it. I had not expected this but things seemed to come our way. Sadly not riches, as I was still paid as a child, but it was fun and I learnt a great deal.

Wheetabix Commercial with Claude Whatham looking through the camera

Claude Whatham looking down the 35mm camera, giving direction to Ruth Shields and Percy Baxter, while Perry and Tamzin Neville stand by in the foreground.

I think Claude Whatham must have accepted a contract to direct commercials for Wheetabix even before he finished editing the Arthur Ransome movie, because in the summer of 1973, my sisters and I appeared in three lovely period films – each about 3 minutes long – that he made in Gloucestershire at harvest time.

Wheetabix Commercial with Tamzin and Perry

Girls in a Cotswold cornfiled hearvesting stocks of wheat ~ Photo: Martin Neville

Claude had a cottage near Stephen Grendon’s house in the Cotswolds. The location can not have been far from where we all lived as I recognise some of the Extras, who my mother must have gathered together. I can’t remember Sten being on the set but I have a photograph of our erst-while chaperone Jane Grendon in period costume.

Wheetabix Commercial with Jane Grendon

An unknown gentleman with Daphne Neville and Jane Grendon in Gloucestershire while filming a commercial for Claude Whatham in August 1973

We didn’t actually have to eat breakfast cereal. In my film there was simply a shot of me climbing over a gate to discover a cornfield with the voice track, ‘When I was young…’ over a shot of me  and my brother, played by Nicholas Newman, eating individual grains of corn. This was not in the script. We just did as children do.

Wheetabix Commercial directed by Claude Whatham

Nicholas Newman and Sophie Neville eating grains of wheat.

Claude asked me just to stand in the crop and ended the film with a shot of me spinning around, enjoying the feel the ripe heads of corn as they hit my hands, captured against the low light of the setting sun. It was undirected action. Despite having endless lengths of track, the latest camera mounts and a massive 35mm Claude was letting us behave completely naturally – experimenting with improvised drama without even asking us to improvise.

My mother could not appear in the advertisement herself, as she had already been in a Television commercial for cereal and her agent did not want her to accept ‘Extra work’. She was with Bryan Drew, whose assistant Wendy found Mum featured roles in a wide range of television commercials, which paid very well as the repeat fees were good. I remember her taking me with her to the office in Shaftesbury Avenue when Brian Drew lent back in his chair, casually agreeing to represent me.

Sophie Neville in 1976

I went to a number of interviews – rather than auditions – to appear in feature films that I don’t think were ever made. Under Jim Callaghan Inflation was running at 17% in the mid 1970s and money for movies must have been tight in the UK.  This was probably why Richard Pilbrow couldn’t get the financing for an adaptation of Great Northern? 

When I was fifteen, I decided that the old black and white promotion photographs of me playing Titty wouldn’t do and arranged for my own Spotlight photograph to be taken by an old professional – the husband of rather an unpopular teacher at school. I decided exactly what I would wear and how I would sit. My friends and the teacher were amazed but it did the trick. On the strength of this one photograph, and obviously my experience gained on Swallows and Amazons, I was given the leading role of Liz Peters, an archery champion in a CFF adventure movie titled, The ‘Copter Kids alongside Sophie Ward and Jonathan Scott-Taylor.

Sophie Neville in The 'Copter Kids

Jonathan Scott-Taylor, Sophie Neville, Daphne Neville and Sophie Ward in a family adventure movie called ‘The Copter Kids’, 1976

This time my mother played our mother, wearing her red mac and rather tight jeans. Derek Fowlds played our father, an oil prospecting helicopter pilot. At the time he was only really well-known as ‘Mr Derek’, the straight guy for Basil Brush. I was actually asked at the audition whether I thought that girls my age would find him attractive. I was too polite to say that we all prefered Basil. Basil Brush was a fox puppet, but so enormously amusing and spontaneous, he was adored by the whole nation. What happened during the filming was that we all fell in love with the stunt men, Vic Armstrong and Marc Boyle, who were acting in their own right as the Baker Brother baddies. How could we not? Vic spent years playing Harrison Ford’s double. He was the real Indiana Jones. His numerous film credits include Thor, Robin Hood, The Golden Compass, Charlie’s Angels and Empire of the Sun. He is currently working as the stunt coordinator on Jack Ryan, directed by Kenneth Branagh and starring Chris Pine, Keira Knightley and Kevin Costner. Marc Boyle worked on Star Wars – return of the Jedi, Batman and Alien 3, as well as supervising the stunts on the Bond movie Licence to Kill.

Derek Fowlds went on to do incredibly well, famous for playing Bernard alongside (or under) the late Paul Eddington and Nigel Hawthorne in the classic BBC TV comedies Yes Minister and Yes, Prime Minister that ran from 1980-1988 and are still adored. Sophie Ward, who played my sister Jill, was so very beautiful that she became a top model, the face of Laura Ashley, before she was sixteen and has never stopped working as an actress, starring in films such as The Young Sherlock Holmes and the TV movie of Joanna Trollop’s novel The Village Affair. Recently, she appeared as Lady Ellen Hoxley in Land Girls and as Rosie Miller in Secret State.

A star-studded cast, but should you rush off to order a DVD of The Copter Kids? Please don’t. It was a dreadful film. One of the stage school children who appeared in the crowd scenes floored me by asking, ‘What’s it like being a film star?’ I became self-conscious, which killed the sparkle and enthusiasm I needed for the role of teenage heroine. And I didn’t even shoot very well. You would be appalled. It was probably only made because being a charity, CFF  – The Childrens Film Foundation,  did have a bit of money in the coffers. A little bit. I was paid so meagerly that Bryan Drew waivered his agent’s commission.

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Filed under 1973, Acting, Autobiography, Biography, Cinema, Claude Whatham, Film, Film Cast, Film crew, Film History, Filmaking, Memoir, Movie, Movie stories, Photography, Richard Pilbrow, Sophie Neville, Swallows and Amazons, truelife story