The cutting room floor

Members of the Arthur Ransome Group have recently raised questions about what ‘fell onto the cutting room floor’ after we shot the movie ‘Swallows & Amazons’ in the English Lake District in 1973.

‘I have always had the feeling that the Amazon’s role in the 1974 film was very much secondary to the Swallows.’ Stephen O’Brien posted.  ‘This was probably down to much of the Amazon’s footage ending up on the cutting room floor. What do you think?’

The answer is that there were few scenes excluded from the film.

BW Virginia McKenna and Sophie Neville

Virginia McKenna as Mrs Walker with Sophie Neville as Titty

One featured Virginia McKenna and Mrs Batty’s clock, which can still be found at Bank Ground Farm, our location used for Holly Howe. It was shot on the second morning and I fear that our director Claude Whatham might have taken it out because my own performance was rather stilted. I had quite a bit to say, most of which was really rather bizarre:

15th May deatil of outtake
The pages of my diary written on 15th May 1973

15th May detail  page two

The only other scene from Swallows & Amazons that I know was excluded was when the Swallows lay patterans on their way to visit the charcoal burners. The location was in a beautiful spot up above Derwentwater, the dialogue was straight from Arthur Ransome’s book and our performances would have been fluent by the time we shot the sequence. BW The Swallows make Patterans

 Suzanna Hamilton, Sten Grendon, Sophie Neville and Simon West as the Swallows

I can only expect that when the movie came in over-length, these scenes were cut as the action had no influence on the plot.

In the original script, the Amazons do not really appear until page 41 – which would equate to nearly half-way into the the film. I thought that there might have been one or two shots of the Amazons sailing that were never used, because there was a day spent filming on Derwentwater when Kit and Lesley who played Nancy and Peggy weren’t feeling very well, but I’ve checked the script and nothing that they said was excluded. Not one word. Perhaps David Wood who dramatized the book could somehow have increased the Amazons’ parts. However, as Janet Means points out:

‘…in the book we find out more about what the Swallows think but only about what the Amazons do. There is little about the Amazons except when the Swallows are present too (hiding Amazon in the reeds and Nancy berating Peggy for losing Amazon when Titty’s made off with her). There’s lots about the Swallows without the Amazons.’ 

Nancy and Peggy Blackett
Kit Seymour with Lesley Bennett 

One scene in the DVD of the film used to be cut out of the television version. The clue is that it comes just before this photo was taken in Bowness-on-Windermere for Lancashire Life kindly sent to be by Stephen Sykes of Hill Top near Haverthwaite.

Lancashire Life May 1974 - S&A - Contents photo only Sten Grendon, Simon West, Suzanna Hamilton and Sophie Neville as the Swallows in Rio, an official still from the film published in Lancashire Life in 1974

There are a few scenes in the screenplay that were never actually shot, but that’s on a different tack. To read more, please see: The Secrets of Filming Swallows & Amazons.

Dennis Lewiston, director of Photography on 'Swallows and Amazons'  ~photo:Richard Pilbrow
Denis Lewiston, director of Photography on ‘Swallows and Amazons’ ~ photo: Richard Pilbrow, taken on Derwentwater in Cumbria, 1973

The illustrated paperback entitled ‘The Making of Swallows and Amazons (1974) can be ordered from libraries worldwide or purchased online.

'The Making of Swallows and Amazons (1974) by Sophie Neville'
Different editions of ‘The Making of Swallows and Amazons (1974) by Sophie Neville’

Charcoal burning in the Lake District

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Brian Crawley sent in these unique photographs of his charcoal burn in Cumbria, telling me:
‘I am a ‘retired’ charcoal burner and we still do an occasional traditional charcoal burn in the same area of south Cumbria.’
He says that this burn was, ‘…done at Hay Bridge Nature Reserve only about a mile from the site where your charcoal burn took place.’ This was when Richard Pilbrow produced the film of Arthur Ransome’s book Swallows & Amazons on location in the Lake District in the summer of 1973. ‘As you can see there is a charcoal burner’s hut on the site like the one used to be on your site.’
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I was fascinated to see how the turf had been laid.
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Brian also sent photographs of the dip in the woods where I was shown around a similar hut in 1973 . He tells me, ‘I was shown the site by an acquaintance who lives close by and watched the filming as a young boy.’
Brian sent a photo of our old film location in the woods, taken about ten years ago, when you could still see the stones of the fireplace once set inside the hut. I remember the fire well. It was very smoky.
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Brian also sent me a scan of the postcard published by J Salmon showing the burn site, taken in 1972 about a year before Swallows & Amazons was filmed, featuring the same collier who helped us. ‘The postcard photo was probably taken by a local photographer and I also have other copies of charcoaling photos, taken about that time, from a book by the same photographer but they will be covered by copyright.’
Fortunately Simon Hodkin has just sent me this article that he’d kept in a scrapbook with a programme from the cinema:
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Charcoal Burners article probably late 1973
I’ve also found two of my mother’s shots of filming the sequence in 1973 that haven’t been published before. The continuity girl’s typewriter stands on a folding table in the foreground and a section of camera track can be seen to the right.
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Behind-the-scenes on the film set of Swallows & Amazons (1974)
 
We were busy shooting the scene when the Swallows are being shown the charcoal burner’s adder, kept under the bed for luck.
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Charcoal Burners- with Sophie
Director Claude Whatham, John Franklin-Robbins, Sophie Neville and Jack Woolgar. The 35mm Panavision camera can be seen to the left of shot.
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For earlier posts describing the filming of the charcoal burner scenes please click here
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‘…we still do an occasional traditional charcoal burn in the same area of south Cumbria.’ Brian explained adding, ‘The DVD that I have is also copyrighted but a video of one of my burns is on YouTube and can be viewed via our Coppice Association website.
Stephen Sykes, who lives at Hill Top, where Arthur Ransome once lived, has sent a link to a picture of Charcoal Burning near by at Bouth by Alfred Heaton Cooper. Please click here

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You can read about the evidence of charcoal burning that he has found in his own wood here.
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You can read about the making of the original film ‘Swallows and Amazons’ here:
The Secrets of Filming Swallows & Amazons

Adaptations of ‘Swallows & Amazons’ discussed in the Independent by Jonathan Brown

Author Arthur Ransome loathed BBC’s ‘Swallows and Amazons’, his diaries reveal

Swallow in 'Swallows and Amazons' 2016

When the BBC announced plans to recreate the classic outdoor children’s sailing adventure Swallows and Amazons it was hailed as a blockbusting antidote to the health and safety culture of the mollycoddled video-game generation…

However, previously unread diaries of its creator, Arthur Ransome, reveal that the author considered the corporation’s last attempt to bring his much-loved story to life to be a “ghastly mess” marred by “dreadful ham” acting. The diaries reveal how Ransome clashed repeatedly with BBC executives in the early 1960s when the BBC commissioned a six-part dramatisation for television, starring Susan George, then aged 12, as Kitty (changed from the original Titty) Walker.

Ransome, then in declining health, was living in virtual retirement in his remote Cumbrian cottage Hill Top overlooking the spectacular Rusland valley with his wife Evgenia – the former secretary to Leon Trotsky, whom he met while working as a foreign correspondent and spying for Britain in revolutionary Russia. It was a spartan existence, often with no electricity or running water.

In a series of brusque entries at odds with his generally affable demeanour, he describes how he repeatedly fought with BBC executives over attempts to introduce two new characters – Ernie and Sam – to the story. Both he and his wife attempted to rewrite the script after concluding that one episode was “bad beyond belief”.

Rupert Hart-Davis with Arthur Ransome

At his home Hill Top with his publisher Rupert Hart-Davies

“I have agreed to Genia’s proposal that we shall wash our hands of the film leaving it to Mr Walls [of the BBC] to play the farceur as much as he likes. They may be right in thinking that vulgar ham acting is what the T.V. gapers want,” he wrote in July 1962.

Ransome was particularly unimpressed with the performance of popular British actor John Paul as Captain Flint – the character… said to be based on Ransome himself – describing it as “dreadful HAM”.

On attending a screening at the Hammer Theatre in Wardour Street, central London in October 1962, he concluded: “Saw the ghastly mess they have made of poor old Swallows and Amazons … MacCullogh [his friend Derek MacCullogh, former head of children’s broadcasting at the BBC who was also known as the presenter Uncle Mac] did not come possibly to avoid trouble with his employers.” It was eventually broadcast the following year.

Stephen Sykes now owns Hill Top and has restored the Ransomes’ former home. He is also helping transcribe the author’s sparsely detailed diaries from his years at Hill Top, which are kept at Leeds University’s Brotherton Library. Sykes said the writer received £3,500 for agreeing to the BBC broadcast – a considerable amount of money. “He was clearly making a very good living out of the rights to Swallows and Amazons. This was his baby and he had obviously pored over it. It is a very leanly written story and it was pretty clear it was written by a journalist because of its clarity, because there is nothing extraneous,” he said.

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Hill Top in the Lake District today

“He is extremely protective of his own work. He felt he didn’t want a word changing, and that he had honed the story down and it was what it was,” he added.

swallows and amazons map tea towel

Swallows and Amazons was first published in 1930. It recounts the adventures of the children from two families who while away an idyllic summer getting into scrapes sailing their dinghies across Coniston Water and Lake Windermere. As well as the television series, many theatrical and musical adaptations have been staged, and the story was made into a film in 1974 staring Ronald Fraser and Sophie Neville.

When the latest project was announced in 2011, head of BBC Films Christine Langan said it would seek to encapsulate a forgotten era of childhood adventure “from the pre-health and safety generation”.

Producer Nick Barton of Harbour Pictures, who is collaborating on the film with the BBC, the Arthur Ransome Society and the author’s literary estate, said it had not been decided yet whether the children would be shown sailing without their life jackets.

But he said viewers could expect to experience the full majesty of the book’s setting. “The lakes and the mountains are very big and we are keen to recreate that grandeur of the scenery in the film,” he said. A spokeswoman for BBC Films said: “The film is still in development.”

To see a copy of the original article online, please click here

To contact Stephen Sykes at Hill Top, the Ransome’s last home, please click here

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Hill Top, the house where Arthur Ransome once lived in Cumbria

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Hill Top, the 17th century farmhouse at Ealingsheath, a tiny hamlet near Haverthwaite in Cumbria, where Arthur and Evgenia Ransome lived in the 1960s enjoys lovely view across the Lakeland fells.

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In the Epilogue to Arthur Ransome’s autobiography, Rupert Hart-Davis wrote: ‘In 1960 the Ransomes bought the little derelict farmhouse in the Lakes which they had rented for the last four years as a holiday cottage. Repairs and alternations took longer than expected, and it was not until November 1963 that they moved into their home, Hill Top, Haverthwaite, near Newby Bridge. They both loved the house, and the buzzards, redstarts and deer by which it seemed to be surrounded… ‘ Arthur Ransome celebrated his eightieth birthday there, although by then ‘…he was confined to a wheel chair on the upper floor of the house.’

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The present owners, Stephen and Janine Sykes, who bought Hill Top in 2012, have converted the garage/barn-end into a holiday cottage. You can read about the story in the Mail Online entitled: ‘A home full of Swallows & Amazons…’ As they say, it’s a good base for exploring the locations described in book and used in the 1974 movie of ‘Swallows and Amazons’, which the Mail describes as, ‘A perfect adventure.’ I’ve described doing so myself in previous posts.

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Stephen Sykes says, ‘The picture used was actually of “The Pavilion” – a games room.’ It was converted from a substantial former kennel.
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‘We demolished another kennel of 1,000sf (now a courtyard garden) and we’re just finishing the conversion of another to an office/store room! We’ve spent a lot of time, effort and money in “de-kennelling” Hill Top and returning it to domestic use! Needless to say, the guest accommodation, “The Cottage at Hill Top”, forms a self-contained part of Hill Top itself.’
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Stephen added, ‘Cumbria Life are coming to photograph Hill Top today for a feature in their Christmas issue.’ The house certainly looks wonderful.
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Stephen and Janine are more than happy to take direct bookings – please ring: 01539 531 452. The last three digits of their phone number are the same as in Ransome’s time.  They offer a 10% discount to TARS members.
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Stephen Sykes is an investment analyst and author of The Last Witness who studied astrophysics at UCL in the days when men were landing on the moon.  He previously wrote to tell me that they have a number of old photographs and, ‘… a collection of most books by and about Arthur Ransome. Obviously, we’ve made it our job to learn much about the Ransomes and… visited the Brotherton Library at the University of Leeds to look through Arthur Ransome Collection where there are dozens of photographs of Hill Top from the late 1950s to c. 1963. I now have digital copies of most of these, including a number of good quality colour slides of Arthur and Evgenia. I guess it’s rather unusual for someone to find a treasure trove of photos of their house from half a century ago and see how its then famous owner transformed it!
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‘Astonishingly, the Lake District National Park Authority indicated that they had absolutely no interest in the Ransome connection and even moaned that if Hill Top were to become a “tourist attraction” it would merely create traffic problems!’ Stephen added.
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When I last passed Hill Top with Mountain Goat no one else was using the lane that runs in front of the house even though it is not so very far from the southern end of Lake Windermere and the Haverthwaite Railway Station where the steam train comes in and the Windermere steamers dock.
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If you would like to read the ebook about the making of the original film of ‘Swallows and Amazons’, please click here.
There are also different versions of the paperback.
'The Making of Swallows and Amazons (1974) by Sophie Neville'
Different editions of ‘The Making of Swallows and Amazons (1974) by Sophie Neville’

Arthur Ransome reading on BBC Radio Cumbria

Peter Walker with Sophie Neville and the locomotive
Peter Walker with Sophie Neville at Lakeside Station on Lake Windermere

Peter Walker has just written from Kendal to tell me that Arthur Ransome has been heard speaking on BBC Radio Cumbria.

A newly cleaned up archive recording of the author reading from his classic book on fishing ‘Rod and Line’ in 1956 was featured 25 minutes into Emma Borthwick’s programme for an item recorded by Jennie Dennett at Hill Top, the Ransome’s house above Haverthwaite, part of which the new owners, Stephen Sykes and his wife Janine, have opened for holiday accommodation

BBC Radio Cumbria

Peter Walker’s excellent ‘Swallows and Amazons’ tour gives one an insight and understanding of Arthur Ransome’s life in the Lake District. For more information please click here.

Sophie with the Mountain Goat
The Mountain Goat bus built for explorers. It enables you to look out over the dry stone walls of Cumbria as you travel along.
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