Diary – Sophie Neville

Diary of a litter picker: Endless Evidence of Drink-Driving

We need to establish a culture of using car bins. Even when the pubs were closed people continued drinking. Bottles and cans get chucked out of vehicles, presumably whilst they are being driven along. It’s dangerous.

More than one thousand, three hundred volunteers have now joined Litter Pickers of the New Forest to counteract the growing problem. They work tirelessly to collect detritus from car parks, verges and ditches, which otherwise fill with rubbish. The litter should not be dropped in the first place. There are bins.

We find the oddest items, mostly the detritus left by addicts, such as empty packets of tablets. I’m told the prevalence of aerosols is thanks to sniffers.

A lot of litter is smoking related. Every day, I usually find an old lighter, packets of tobacco and Rizla papers, sometimes syringes, once a bong. I have spotted about three vapour producers.

The sheer amount of drink cans littering the verges of Britain must be staggering. Most once contained alcohol. We can tell which are flung from large vans or lorries, presumably while the drivers are working or returning home from work. It all amounts to evidence of drink-driving.

In the New Forest National Park, we have an additional problem: bottles get left on the open heath, where they can start fires. The glass is heavy. It’s not as if it will ever decompose. Every bottle should be recycled. We could certainly do with a deposit return scheme.

I found endless small bottles of Prosecco, noteably before Christmas.

The lid is carefully replaced on each one before it’s chucked into the countryside, along with masks and takeaway food containers.

We have wild ponies, deer and domestic animals roaming the forest. I often find small mammals trapped inside the bottles and am forever finding broken glass.

A stolen ? glass found on a verge within the New Forest National Park

All this is hazardous. Surely, if you are in a vehicle it is not difficult to take your litter home?

Why is this happening? Is this an illustration of guilt and shame?

I conclude by stating: If a driver hits you, be sure to insist their blood it tested for drugs or alcohol – especially if the inside of their vehicle looks litter free.

To see some of the things we have found when beach cleaning, please click here

Ten year-old cans and bottles found by a lane running through the New Forest National Park

Diary of a Litter Picker – in the time of Corona

Before Lockdown, I was cleaning this section of the Solent shore on a daily basis, mainly collecting plastic pollution that had blown in or been deposited by the tides.

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Being isolated and difficult to reach, and yet near my home, it seemed a good place to continue taking exercise with my rescue dog, using buckets that can contain broken glass and handle windy conditions. I have three that I’ve found washed-up, along with a bicycle basket.

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Each bucket can contain between 40 and 260 pieces of plastic. Some items are very small. Barbecue tongs are useful for extracting wrappers from brambles but most sea-rubbish is clean having been floating in the Solent.

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I find quite a few glass bottles, takeaway food containers, PVC fishing rope and always an old cigarette lighter.

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Some items will have been lost overboard. Occasionally something makes me laugh.

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I find the task of clearing the bridge across the estuary quite distressing. People have obviously been dropping litter from vehicles, including sani-wipes, plastic gloves and things that had been in their mouths. What do they imagine will happen next?

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There was a lot of drink-driving prior to Covid-19. I’ve noticed less bottles and cans of alcohol chucked out of cars but far more picnic litter. It’s a wonder we are not coping with a more formidable virus.

“What is the worst things you seen dumped in a beauty spot?”

At the beginning of Lockdown I came across this rubbish dumped in a nature reserve where otters bred. There was human faeces everywhere.

“Why do people throw litter?” I’m asked.

It’s no excuse, but think it gives them a sense of release, which is why we are being inundated right now. I have studied the issue in my depth here.

Quite a lot of rubbish blows off building sites. Here I am in my V.E. Day dress, removing builder’s plastic from a New Forest pond along with a war-time can that looked at least 75 years old.

Collector's items - Sophie Neville's litter-picking finds

“What are the most distressing things you find?”

Fly-tipping upsets me. I took my family to help clear half a ton of plastic car parts dipped in a beautiful bluebell wood a mile from our house, last night. It’s been languishing there so long that a member of a UK Litter-picking group has asked me to send him what have become ‘collector’s items’ but there are too many! I dated the haul by a 2004 crisp-packet lodged with the hubcaps.

This was a load of brand new camping gear dumped in the New Forest National Park as if it was biodegradable.

It’s always distressing finding objects that have obviously been stolen, such as handbags, empty jewellry cases, laptops and iPhones. I’ve found eight different lots chucked in the river within half a mile of my home.

Finding nitrous oxide canisters worries me. What is something goes wrong? People are obviously taking it in areas inaccessible to an ambulance.

This is one of the most lethal objects found on a beach frequented by children, dogs and New Forest ponies. No one from the Council is going to find this.

Photo of rubbish - lethal litter - collected by Sophie Neville

Some items seem to have travelled a long way.

“What’s the weirdest thing you’ve found?”

I find long, fluorescent light bulbs washed up in the same place – intact. Here is one I found at the beginning of Lockdown. I’m assured they contain mercury and would be horrific if smashed.

“Do you do art with the rubbish?”

Not using the hub-caps, but during Lockdown I’ve begun to make abstract pictures with sea plastic. You can see the earring and beer bottle caps I found above.

This seascape is proving popular on Facebook:

Seascape - artwork by sophie Neville made from sea-plastic

Those of us collecting sea-plastic along the south coast have found a number of toy soldiers. I incorporated one into this collage:

'The end of the world' a collage made of sea-plastic by Sophie Neville

Being a writer, I usually litter-pick alone so that I can take advantage of good weather and tides while being able to loosen-up after a day typing, but friends sometime join me. It’s fun and gives us plenty to chat about as we view society from the bottom up.

To see more photos and read more about #SolentBeachClean, please click here

Sophie Neville on her 150th beach or river clean of 2019

For a list of the kind of things I find washed up on Solent shores, please click here

Solent Beach Clean

Fifty years ago in Bowness-on-Windermere in the Lake District

The Guardian published this photograph, taken on the set of ‘Swallows & Amazons’ when the original film of Arthur Ransome’s well-known book was being shot at Bowness-on-Windermere in the Lake District on 7th June 1973.

Newspaper article on Rio 31

The story was set in 1929. The production team battled to find local men to appear as film extras. None of them wanted a short-back-and-sides hair cut. The ladies of the Lake District found this most amusing. Many of them wore their hair shorter than the men.

Rio Bay ~ newspaper article

To see more photographs and footage taken behind-the-scenes on this day, with diary extracts, please click here

Ronnie Cogan cutting Martin Neville's hair — Ronnie Cogan cutting Martin Neville’s hair for ‘Swallows and Amazons’

For more photographs and a description of what happened please click here

Rio Bay ~ donkeys and rowing skiffs — Jane Price, Perry Neville, Jane Grendon, Tamzin Neville and Pandora Doyle in 1929 costumes at Bowness in 1973

It was Pandora Doyle, seen in this photo as a little girl in a blue dress on the right, who sent me the newspaper clipping from the Guardian pasted above. Her father Brian Doyle was the Publicity Manager on the film. She kept all his files with notes from all the film stars he’d worked with. Do leave a comment below to let us know what you were doing in June 1973.

Brian Doyle, the publicity manager on 'Swallows and Amazons' — Brian Doyle, the film publicist on ‘Swallows and Amazons’ (1974)

You can read the whole story about how the film was made in Cumbria in ‘The Making of Swallows and Amazons (1974)’ available to order from libraries or online retailers worldwide.

Screenshot of The Making of Swallows and Amazons book cover on Instagram

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The publication of ‘The Making of SWALLOW & AMAZONS’

The paperback

by Sophie Neville who played Titty Walker

‘Forty years after she enchanted film-goers as Titty in Swallows and Amazons, Sophie Neville has found a new audience… telling the behind-the-scenes secrets of the film of Arthur Ransome’s classic novel.’ The Daily Mail The Making of Swallows & Amazons ‘…is based on diaries, letters and old photographs which Sophie has turned into a heart-warming account of making the movie, which starred Virginia McKenna and Ronald Fraser.’

The Telegraph ~ Culture: ‘Set in the Lake District in 1929, the film follows four young adventurers who sail a dinghy around Lake Coniston, cook for themselves over campfires and sleep in makeshift campsites.’

‘…The occasional chaos and terrible weather during filming contributed to the eventual popularity of the extraordinary and very much loved film.’ The Times

‘The film Swallows & Amazons is 40 years old, but thanks to its careful period evocation, its respect for Arthur Ransome’s original book and the performances of its child actors, it’s become a timeless classic. One of those children was Sophie Neville, who played Titty, and who kept a diary during the filming. That diary, with her adult recollections, is this book. It’s a fascinating insight into filming on location in the Lake District…’ Classic Boat

‘… The result is compulsive reading as she recalls that cold wet summer, while the camera crew wrapped up warm and she shivered in her skimpy dress as Able Seaman Titty Walker. Sophie brings to life all the many memorable characters who worked on the film and in particular the other children, the Director Claude Whatham who developed a great relationship with his young cast and the stars Virginia McKenna and Ronald Fraser. Nor are the other young actors forgotten for there are diary contributions from Suzanna Hamilton who played Susan, Stephen Grendon who played the Boy Roger and Kit Seymour who played Nancy Blackett. The text is supported by numerous illustrations showing life on and off the set.’ Roger Wardale, author of Arthur Ransome: Master Storyteller and other books

‘You don’t need to be a Swallows & Amazons fan to enjoy this book – it’s universal!’ Winifred Wilson, Librarian of The Arthur Ransome Society

‘This was a most unusual and interesting book. I picked it up expecting to browse through it, and found myself so drawn in to Sophie Neville’s detailed, amusing and insightful description of film making in the 1970’s that I was unable to put her book down. As Arthur Ransome fans, my family and I have always loved the film, and felt that Sophie Neville was ‘just right’ as Titty. What fun it has been to be introduced to the young twelve year old Sophie with her intelligent awareness of the challenges facing the production crew while she shivered in her cotton dresses. The many photographs and illustrations contribute richly to bringing the 1970s setting to life. Sophie recorded her experiences beautifully, and in so doing, added one more valuable book to the cultural heritage of all Arthur Ransome fans.’ Juliet Calcott, English teacher, South Africa

Lots of photos throughout the book bring the scenes to life – a delightful read.’ Celia Lewis author of An Illustrated Country Year

Sophie Neville has been chatting to Mark Forrest on The Evening Show.

Screenshot of The Making of Swallows and Amazons book cover on Instagram

The second edition of this paperback is published by The Lutterworth Press, available online here

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International Rubery Book Award 2013 for ‘Funnily Enough’

Thanks to the support of readers and reviewers I was brave enough to share my story, ‘Funnily Enough’ with the panel of judges at The International Rubery Book Award. I now have a cut glass trophy, which has its own silk-lined box.

For Funnily Enough – the Website – please click here

What’s it like to watch the film again?

Sten Grendon, Suzanna Hamilton and Sophie Neville ~ photo: Daphne Neville — Sten Grendon, Suzanna Hamilton and Sophie Neville as the Walker children in 1973

In this morning’s despatches ~ via the Royal Mail ~ a letter arrived saying, ‘I’m sure we would all love to know how the recent screening of the film went and how you enjoyed the experience.’

Last Sunday, Suzanna Hamilton and Sten Grendon joined me at the Michael Croft Theatre for a special screening of Richard Pilbrow’s 1974 adaption of ‘Swallows & Amazons’ put on for an audience of excited children by Dulwich Film. We hadn’t watched the movie together since the premiere at the ABC in Shaftesbury Avenue in 1974. I hadn’t even seen Sten since that year. As we walked into the darkened auditorium, Sten’s girlfriend, who struck me as being rather special, insisted that we sat together to watch the film.

Blurred memories do come rushing back. I never managed to produce a real owl hoot. Simon could – and I am sure Captain Nancy was adept, but it was all the trying to that brought us together.

And as I watched the one thing that really struck me was, ‘How big Landing Place beach was then!’ I found myself leaning over and whispering to Sten that it has all but washed away. He didn’t know that the beach had been especially constructed for the film. It had been kept a secret.

Landing place with Claude — Rehearsing a scene on the Landing Place with Swallow

Our experience of making the film in 1973 was really quite technical. It was a wet summer and we had something of a battle against the elements to complete the scenes scheduled for each day. Back then, the aim was to capture enough footage to make the equivalent of 4 minutes of film in the final edit. You’d think this would be easy but each frame had to bear scrutiny on the big screen. Since attention to detail was paramount, even making scrambled eggs in front of the camera was a demanding task.

As the wind blew north up Coniston Water we joined in the concentration required for the task of film-making. We were in Cumbria to work back then, even if working in the Lake District was something of an adventure, something we did for fun.

sophie007 — Sten Grendon on set with Claude Whatham and Suzanna Hamilton

So when we relax back and watch the film now we have a huge appreciation of what Claude Whatham put together. We laughed out loud, appreciating the humour. Much of this was generated by the serious expression on Roger’s face when he was picking up the why and wherefore of how something worked for the first time. It’s been a rare and ageless form of comedy that children loved forty years ago and evidently still love today. They always notice, ‘the bit when Roger doesn’t realise the cap is on the telescope.’ Adults love the fact that Roger always seems to be eating.

‘Oh yes!’ Sten remembered afterwards. ‘That pork pie I ate standing in the Amazon River. I was offered the choice of eating a meat pie or an apple. Well, I chose the pie, but it wasn’t so great when I had to eat another for the second take, and then another two for a different camera set-up.’

Isn’t it funny how well one can remember food?

Sten and Suzanna in camp — Sten Grendon as Roger Walker and Suzanna Hamilton as Susan Walker on Peel Island

‘Are you really old?’

‘Not so very old, by I was younger then,’ as Virginia McKenna said in the guise of Mrs Walker remembering her days camping in homemade tents. I bet someone asked Arthur Ransome the very same question.

I grew taller and had my teeth put straight. Same straggly hair. Sten still has all his thick dark hair and is quite tall himself. He works as a gardener now. Suzanna still has the biggest smile. She is the one who now needs to stand on a camera box but then she is the only one of us who does. What I mean to say is that she is the professional actress. We just turn up for fun.

‘And the others?’

I don’t know. Really, I don’t know. I’d love to see them again but am quietly waiting for them to contact me. I hope they do. I have the first proof of a book to send them – it’s the diary I kept whilst making the film, forty years ago.