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‘I chaperoned six film stars’ my mother’s memories of working on the 1974 movie ‘Swallows and Amazons’-Part Two

Daphne Neville presenting 'Women Only'1

In 1974, my mother, Daphne Neville, was commissioned to write an article about working on the original film of ‘Swallows and Amazons’ for Woman magazine, which claimed to be ‘The world’s greatest weekly for women’. Here are some extracts from her type script:

Simon West, Stephen Grendon, Suzanna Hamilton and Sophie Neville playing the Walker children in ‘Swallows and Amazons’ 1973 ~photo: Daphne Neville

 

Daphne Neville with Sophie Neville and Simon West on Coniston Water

Our guests: Jane, Michael, Clare and Lucy Selby and their dog, Minnie on the shore of Conniston Water with my sisters Perry and Tamzin in 1973

I was amazed to read some of this. ‘….a dirth of birds’? Was that really how my mother spoke in the early ‘Seventies? I had no recollection that ‘Nomansland’ had been displayed on the front of our double-decker bus. I never remembered there only being bathroom at Oaklands Guesthouse or that Mum had to wash out clothes. I do remember Ronald Fraser shouting, ‘Piss off you little monster’.  I have the photo:

Sten Grendon irriating Ronnie Fraser

Sten Grendon sitting on top of Ronald Fraser during a break in the filming of ‘Swallows and Amazons’ on Derwentwater ~ photo: Daphne Neville

More to follow…. If you would like to see photos of Daphne Neville appearing in movies hereself, please click here

If you would like to read about what we did on 10th July 1973 – 45 years ago please click here

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‘I Chaperoned Six Film Stars’ – Daphne Neville’s memories of working behind-the-scenes on the 1974 film of ‘Swallows and Amazons’ 45 years ago.

My mother is a squirrel. She arrived at my house, not with nuts, but a large envelope. Amongst other things, this contained the transcript of a piece she wrote almost forty-five years ago for BBC Radio Bristol, when she presented a programme called ‘Come Alive’.  The four flimsy sheets of copy paper have only just been unearthed, along with a similar article for Woman magazine.

Daphne Neville was commissioned to write about her experience working on the original feature film, Swallows and Amazons, filmed on location in the Lake District in the summer of 1973 and brought to cinemas in 1974. Sold worldwide, has been broadcast on television for the last forty years and was last shown on TV in Australia on Boxing Day.

Daphne Neville with Sophie Neville while filming 'Swallows and Amazons' in Cumbria

Daphne Neville with Sophie Neville while filming ‘Swallows and Amazons'(1974)

It is interesting to have Mum’s perspective. Some of the details are new to me. She timed this piece for BBC Radio as taking ‘8 minutes’ to read:

Suzanna Hamilton, Lesley Bennett, Sophie Neville, Kit Seymour and Simon West before their hair was cut for the film ‘Swallows and Amazons’ in 1973

Daphne Neville Chaperone

~ On Derwentwater in 1973: Suzannah Hamilton, Kit Seymour, Daphne Neville, Sten Grendon, Simon West, Sophie Neville & Lesley Bennett ~ photo: Martin Neville

'Swallows and Amazons'(1974) Daphne Neville with Stephen Grendon, Suzanna Hamilton, Sophie Neville, fellow chaperone, Jane Grendon and Simon West on location in 1973

Daphne Neville with Stephen Grendon, Suzanna Hamilton, Sophie Neville, fellow chaperone, Jane Grendon and Simon West on location in 1973

A Day Off in Blackpool - Suzanna Hamliton, Simon West, Claude Whatham Sophie Neville, Kit Seymour, Jean McGill with Daphne Neville kneeling at Blackpool funfair in 1973

Suzanna Hamliton, Simon West, Claude Whatham Sophie Neville, Kit Seymour, Jean McGill with Daphne Neville kneeling at Blackpool fun fair in 1973

But Mum, were we ever ‘Film Stars’?

We scowled at the terminology at the time. Ten years later and I thought of us a merely puppets, marionettes of the director who carefully honed our performances. I can now see the contribution we made when I watch the film, but we were never film stars.

What do I wish? I wish that we’d been able to make a sequel and develop our work more fully. The flip-side of this would have been that any more success, or more publicity, might have stripped us of our anonymity, which is the bain of real film stars. We’d have had to go around wearing sunglasses.

The film star Ronald Fraser with Daphne Neville and Sophie Neville in 1973

If you would like to see what we were filming 45 years ago, on 1st July 1973, please click here.

Let me know if you would like to see more archive material. I have the draft of my mother’s article for Woman magazine – it’s a different version of the same but with added detail. She needed permission from Anglo EMI Film Distributors before it could be published. There is also a draft of another radio script and a number of letters. If you would like to see vintage photos of Mum appearing on television herself, please click here

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Speaking about filming ‘Coot Club’ and ‘The Big Six’ on the Norfolk Broads

 

Sophie Neville with Titmouse

~Sophie Neville with the star of ‘Coot Club’~

I was invited to talk about making the BBC TV classic serial ‘Coot Club’ and ‘The Big Six’ at the Norfolk Broads Yacht Club to help celebrate their 80th Anniversary. Titmouse, then 1930s dinghy owned by Hunter’s Yard had been brought down from Ludham for the occasion.

The bonus was that I was able to go sailing in one of the classic boats gathered at the club for their Open Day.

Geoff and Rose Angell kindly took me out on Pippa, their beautiful yacht with brown sails that appeared in ‘The Big Six’. I am sure Arthur Ransome would have loved her.

I’d spent nine months working with the BBC production back in 1983 when it had been my job to cast the children and teenagers who appear in the drama, many of whom needed genuine Norfolk accents.

Coot Club - book cover

~Henry Dimbleby, Nicholas Walpole, Jake Coppard, Mark Page, Caroline Downer and Richard Walton as they appeared in ‘The Big Six’ (1984)~

We had been looking for young actors who could swim well and were able handle boats. We then spent three months filming in East Anglia when I looked after the children and helped rehearse their lines. I set up this shot for the cover of the Puffin paperback that accompanied the series.

~Author Sophie Neville giving a talk at the Norfolk Broads Yacht Club~

At a forum organised after my talk, Pat Simpson from Stalham Yacht Services explained how he found one of the stars of the series – an old lifeboat suitable to play the Death and Glory. She had been brought from where she is kept at Belaugh for the evening. You can see more photographs of her in the previous blog post here.

'The Death and Glory'

Pat provided a number of other vessels for the series including Buttercup and support boats such as the safely boat, a large modern cruiser used as a school room along with another for the costume and make up personnel. He explained that this came as a god-send as boat rentals had not been good that summer. Working on the series was harder than he imagined, ‘We once had to take a boat from Regan to Horning Hall overnight’ but he was pleased that ‘after three months of concentrated work, we got it all done.’

~Robin Richardson~

Robin Richardson, who co-owned Pippa back in 1983, explained how the shot of her being cast adrift was achieved. This wasn’t as easy as first thought as even when Simon Hawes, who was playing George Owdon, flung her stem line on the deck, a gentle breeze was blowing her back against the staithe. ‘Pippa didn’t want to go anywhere’. Robin had to stage the action by throwing out a mud anchor, climbing under her awning and pulling on the line to create the effect of a boat drifting out of control into potential danger. Pippa’s white canvas cover is pulled back here, but you can imagine the scene.

He was on location when Henry Dimbleby, who played Tom Dudgeon, was attempting to tow the Teasel under Potter Heigham bridge. He was rowing Titmouse, pulling hard on the aors but nothing was happening. ‘Stop for lunch,’ Robin advised the director, ‘and the tide will turn.’ This they did, and Henry we able to row under the bridge, towing the Teasel quite easily. Hunter’s Yard, who own Lullaby, who played the Teasle, could not bring her down for the weekend as she had been leased out with other boats, but they sent her transom, painted with her stage name.

'TEASEL'

Robin Richardson owns the ‘Slipstream’ class dinghy called Spindrift who played Shooting Star in the serial. She was built by her father but couldn’t be with us as they were not able to complete her winter maintenance in time but Richard Hattersley said she came tenth in this year’s Three Rivers race when only 15 of the 98 entries actually finished. It’s a 24 hour endurance challenge, which they completed despite light winds. He sent me this shot, ‘of her battling it out with much larger Thames A Raters.’

Spindrift a Slipstream class dinghy

I was shown a wonderful black and white photograph of the vessel used to play the Cachalot. She was skippered in the series by the film actor Sam Kelly in the role of the unnamed pike fishermen who the Death and Glory boys simply called ‘Sir’. She is seen here with John Boswell, her real owner who has sadly passed away. His son, the artist Patrick Boswell, brought along an album of behind-the-scenes photos.

The theme of the weekend was ‘Boats of the 1930s’. I explained how Swallow, the dinghy used in the original film ‘Swallows and Amazons’ originally came from Burnham-on-Sea where she was made by W. King and Sons to be used as a run-a-round boat. She was stabilised by a keel that ran the length of the hull, as Ransome described. It makes her rather difficult to turn. You can sail her today and is in the Lake District right now. Please see Sailransome for details.

There was quite a bit of interest in memorabilia from the original movie ‘Swallows and Amazons’. I bought along the white elephant flag captured from Captain Flint’s houseboat in the 1974 film, which was approved by a young Amazon pirate.

After a celebratory dinner, David and Nicky Talbot invited me to spend the night in the comfortable for’ard cabin of Kingfisher, a 1970’s motor yacht moored at the club.

I woke early on the Sunday morning to find mist hanging above the water as the sun was rising on what proved to be another sunny day with a fair wind for sailing.

After breakfast aboard, I was invited out in the 1930s river cruiser ‘Water Rail’, who had also appeared in the serial. We took her down the River Bure to her mooring in Horning where she is still part of the scene.

It was wonderful to be out on the waterways of Norfolk, passing traditional buildings. This was a stretch of river never featured in the television drama as Rosemary Leach, who played Mrs Barrable, took Dick and Dorothea from Wroxham to Horning in a trap pulled by Rufus the pony. One reason for this was that in 1983 we had to use the North Norfolk Steam Railway, since Wroxham Station had been modernised but Joe Waters, the producer, said he wanted to add variety by featuring a pony rather than a motorboat.

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We encountered a number of period cruisers, although Janca, who we used to play the Hullabaloos’ Margoletta, sadly could not be with us, as she is still under repair.

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However, by motoring into Horning ourselves, we passed The Swan Inn and Horning Staithe where a number of scenes had been shot, including some that featured Julian Fellowes and Sarah Crowden, playing the hated Hullabaloos. You can see photographs of them in an earlier post here.

~Horning in Norfolk showing The Swan Inn and Horning Staithe where boats are moored~

Another vessel that interested me was a river launch that reminded me of the 1901 steamboat Daffodil, which I renovated with my father in 1978. I have photographs of her here.

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You can read more about the traditional boats used in the series by clicking here.

Gerry Spiller, has written from Woodbridge in Suffolk, to say that she has found an oar labelled TITMOUSE, bought at a boat jumble. Could this date from the early 1930? Does anyone have the pair?

Blade labelled TITMOUSE

 

The DVD of the serial is now available on a re-mastered DVD, available from Amazon here

(Do not be tempted by the old version with a more colourful cover as the image quality is very poor)

New DVD of 'Coot Club and The Big Six'

Additional photographs by Richard Hattersly

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Filed under 1983, Arthur Ransome, boating, Dinghy sailing, sailing film, Sophie Neville, Swallows & Amazons, Swallows and Amazons, Uncategorized

Sophie Neville with camera

~Sophie Neville with the yacht ‘Goldfish’ sailing on Wroxham Broad~

Last weekend, I travelled up to Wroxham with my camera and memory stick for the Norfolk Broads Yacht Club’s Open Day. They were celebrating life on the Broads in the 1930s, along with the books by Arthur Ransome’s that are set in East Anglia.

We were blessed by such glorious weather that almost everybody seemed to be sailing when I arrived.

A number of vessels that appeared in the BBC TV adaptations of ‘Coot Club’ and ‘The Big Six’ entitled ‘Swallows and Amazons Forever!’ were on display at the club, including Titmouse, the dinghy belonging to Tom Dudgeon in the story, that normally resides at Hunter’s Yard in Norfolk. She is no longer seaworthy.

Tom’s punt, the Dreadnaught was pulled up alongside an elegant Edwardian skiff called Joan B that was once set adrift at Horning by George Owden. She had been brought along by Pat Simpson, a member of the Norfolk Broads Yacht Club.

Pippa, a classic broads river-cruiser with dark sails belonging to Geoff and Rose Angell, was cast adrift at Horning in the dark of night. She came to no harm and was now out on the water, racing against a 1904 yacht with white sails, number 4, called Swallow.

‘White Boats’ or ‘Yare and Bure one-designs’ originally brought out in 1908, were also  racing as they have been since the Farland twins, Port and Starboard, crewed for their father in ‘Coot Club’. Ransome refereed to a white boat called Grizzled Skipper who belonged to Chris Shallcross, but no one could remember which of the 140-odd White Boats registered was used in the series. You can see a fleet of White Boats here racing at Horning, the Swan Inn in the background.

IMG_6896

I spotted ‘Brown Boats’, a Broads’ one-design with a distinctive counter stern and spoon bow, which would also have been seen racing in the 1930s. They were first built in 1907 and although a few were lost during the war there are still 88 in existence, although some now have fibre glass hulls. Number 61, called Hanser, is owned by Danny Tyrrell.

Lullaby, who played the Teasel in the series, was up at Horsey Mere with other from her fleet but we had her costume on display. It is a varnished transom painted with the name Teasel. Janca, the motorboat who played the infamous Margoletta, hired by the Hullabaloos, was unable to come as she is currently being renovated, but Water Rail, a Herbert Woods Delight Class B 1930s cruiser belonging to Liz Goodyear was safely moored alongside other classic boats. She appeared in the back ground of several scenes in the television drama.

I then spotted a distinctive burgee that took me back thirty-five years:

Bird Preservation Society – it was the flag belonging to the Death and Glory, flying next to ‘the little old chimney’ made from a galvanised bucket.

Originally a German lifeboat washed up on the beach at Southwold, she had been bought for the series by Pat Simpson of Stalham Yacht Services, who found her moored at Snape in Suffolk.

Pat kept her for his sons to take out on the Norfolk Broads and it has been operated by children as Death and Glory, ever since.

It must have taken a bit of work to make her sea-worthy but tarred and fitted-out correctly, she closely resembles Arthur Ransome’s illustrations, the homemade cabin mysteriously larger inside than out.

I was asked to sign a copy of ‘The Big Six’ bought along by Professor John Farrington from Aberdean, who acquired the Death and Glory for his own children in 1989.

‘I took them to the boatyard and suggested they climbed aboard. “Get on!” ‘They were aged ten and eleven.’

‘”But what about the owners?” they asked.’

“You are the owners,” I told them.’ He had just bought it for them as an unexpected present. ‘Before long they rowed it from Stalham to Sutton and back.’

This year is the 80th Anniversary of The Norfolk Broads Yacht Club, which is why they have a 1930’s theme running through their calendar. The day proved a true celebration of traditional boats that would have been seen back then.

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I had been asked to give a talk about filming the series, which I will relate in my next blog post. The re-mastered DVD, for which I wrote the DVD extras, is available on Amazon here:

New DVD of 'Coot Club and The Big Six'

 

You can read more about how these boats were used in the series here

and on

Norfolk Broads Yacht Club website

Do add any information about these boats or ask questions about making the book adaptions in the comments below.


~Photograph of Water Rail moored on Wroxham Broad by Richard Hattersley~

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May 10, 2018 · 11:23 am

The Tavistock Festival

~Tavistock Festival – from the original painting by Celia Duncan~

The Tavistock Music and Arts Festival is in full swing. Do take a look through the brochure and take part in some of the events on offer, especially if you are planning to visit Dartmoor over the next few weeks. You can find the online brochure here.

Author Sophie Neville giving talks at the Tavistock Festival in Devon - Literary Festivals

The talk and Q&A on ‘The Making of Swallows and Amazons (1974)’ went down well, with audiences made up of Arthur Ransome enthusiasts, those who loved both the old film and the Lake District. There were also young people interested in acting and film-making who said they had watched the DVD a number of times.  One couple remembered Titty Altounyan who had lived in Coniston and was so well-loved by the people of the Lake District.

Questions included: ‘How did you get the part of Titty?’, ‘What was the most difficult scene to film?’ and ‘Where did you stay when you were filming?’ The answers, of course, can be found in ‘The Making of Swallows and Amazons’ published by The Lutterworth Press.

~Sophie Neville after opening the Tavistock Festival: photo-Helena Ancil~

The Plymouth Pipe Band heralded the beginning of the festival outside the Church of St Eustachius where the Chamber Ensemble of London played later that evening.

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Christopher Kirwin, Chairman of the Festival, took me to Tavistock Library where I found a copy of ‘Swallows and Amazons’.

They had created a display of Arthur Ransome books, including a vintage copy of Robinson Crusoe, and now have ‘The Making of Swallows and Amazons’ on their shelves.

Robinson Crusoe by Daniel Defoe

 

Was he a Devon lad? I forget! After being interviewed by the Tavistock Times, I was called on to open the Festival in the portrait room at The Bedford Hotel when I met the Trustees and President, the composer Andrew Wilson. It was good to see Simon Dell, an expert on Dartmoor, who will be giving a talks and leading walks during the festival.  I first met him in 2015 when visiting Lundy Island with The Arthur Ransome Society.

On Sunday 22nd April, the original film of ‘Swallows and Amazons’ was screened at The Wharf Cinema on the Tavistock Canal. We held a book signing directly afterwards, when festival members gathered to chat about films and film reviews, books and book reviews, along with all manner of things.

I met David Harrison, the projectionist, who told me that he first screened the movie when it came out in 1974. He worked at the Drake Cinema in Plymouth from 1967 to 2000 and is quite an expert on film with what sounded like an impressive private collection of DVDs. Dave told me I was ‘His favourite girl’ in the movie and presented me with a bunch of narcissi.

~Sophie Neville at the Wharf cinema with David Harrison~

In the foyer of The Wharf, where Virginia McKenna once gave a talk on making her iconic movie ‘Born Free’, they have new star: a glitzy otter called Rosie who was happy to pose wearing a red Amazon hat. She is one of many otters made for the Moor Otter Trail, that is becoming popular with visitors. You can read how they raised £126,000 for Dartmoor National Park here.

Sophie Neville with Rosie the Otter at The Wharf Cinema for the Tavistock Festival~Sophie Neville, Patron of the UK Wild Otter Trust: photo-Helena Ancil~

You can see pictures of the otters hand-reared by my family here

The Chairman of the Tavistock Festival, Christopher Kirwin, chatted to Belinda Dixon on BBC Radio Devon’s Sunday morning programme for about thirty minutes. You can listen to this, 1hr.26mins into the programme here:

 

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Longing to add more stories to ‘The Making of Swallows and Amazons (1974)’

Almost as soon as we published the second edition of ‘The Making of Swallows and Amazons (1974)’ in May 2017, a number of facts and stories washed up on the incoming tide. I didn’t know that Ransome was aged twelve – Captain John’s age – when he first met the Collingwood family on Peel Island. I knew he went to Rugby School but not that he was given the study once used by the English author Lewis Carroll. I’m not sure if that inspired him to write children’s books but he certainly borrowed the term galumphing from Alice’s Adventures in Wonderland (1865).

~ Lewis Carroll’s plaque at Rugby School ~

I never knew that Rusland, where Arthur and Evgenia Ransome lie buried at St Paul’s Church, is also a name for Russia, where of course they met in what was then Petrograd when Evgenia was working as Leon Troski’s private secretary. Thanks to the feature writer Maggie Dickenson, I’ve learned that this kneeler at St Paul’s was embroidered by Jean Hopkins:

Cross flags at Rusland Church where the Ransomes are buried - photo Sophie Neville

Brian Crawley has just written in to say that, in 1973, our visit to the charcoal burners was filmed less than a mile to the west of the church in Glass Knott Wood. I gather the remains of the wig-wam’s fireplace can still be seen. I didn’t know it was so close, and just assumed we had been in the Grizedale Forest. I’ll have to add it to my map!

The Russian edition of Swallows and Amazons, that can be borrowed from The Arthur Ransome Society library, has proved a great source of reference. Donated by the Gatchina Library it is the only copy in the UK. I learnt from the comments at the back that the Black Jack is a pirate flag, which I’ve always called a Jolly Roger, and that ‘in one’s mind’s eye’ is an expression used by William Shakespeare in Hamlet. “Tip us a stave” means “give us a song”, a term used in Treasure Island.

Other flotsam and jetsam on my tide-line  is  a wonderful quote to accompany this behind-the-scenes photograph when re-reading Winter Holiday written by Arthur Ransome in 1933:

What’s in that box?” asked Roger.

It’s just about big enough for you, isn’t it?” said Captain Flint.

Sten Grendon in the camera box~ Sten Grendon playing Roger in the Panavision camera box in 1974~

A member of the Arthur Ransome Group on Facebook commented on how annoying it was that Ronald Fraser made a funny face when he first sipped the tea Suzanna Hamilton offered him. Captain Flint ALWAYS enjoyed Susan’s tea.

Contact sheet - Ronald Fraser with Lesley Bennett

There was some discussion amongst members of the same Arthur Ransome Group about how female characters depicted in ‘Swallows and Amazons’. Eddie Castellan wrote: Ransome is remarkably non-sexist for his era and remains so by today’s standards. Mind you, most great storytellers realise that weak female characters are simply dull… great storytellers seem to give women better roles than mediocre ones.’ 

Contact sheet - Claude Whatham directing on the houseboat

Fionna Grant added: Arthur Ransome had a range of roles for his female characters from Nancy to Susan to Titty…. not only represented, but honoured for their contribution to the group… All the kids in Swallows and Amazons are encouraged to learn through achievement but they are also allowed to choose their own path, follow their own interests.

Contact sheet - Sten Grendon and Sophie Neville on Cormorant Island

At a talk given about the Norwegian explorer Fridtjof Nansen given by Simon Browne, at a meeting of The Arthur Ransome Society, we were given a definition of the word Hero: one who combats adversity through integrity, bravery or strength, often sacrificing personal concerns for the greater good.

Titty was brave but all she really did was to grab a chance to swipe Amazon. It meant she had to sleep on board, which was rather uncomfortable, but what made Titty a true heroine in the film was her determination and persistence: she woke up early and persuaded Roger to help her find the treasure hidden on Cormorant Island. Like Ransome himself, she was prepared to grab a chance, take a risk – even if it meant being cold and uncomfortable for a while.

Contact sheet - blurred images of Sten Grendon and Sophie Neville rowing to Cormorant Island

I received another lovely note on Facebook from Zena Ashberry (nee Khan) who appeared as a film extra in the Rio scenes shot at Bowness-on-Windermere when she was a little girl, despite being of half-Asian descent:

‘I was nine at the time and my sister was eight. I remember going through an audition – which was really just a panel of three or four men looking at Mum, my sister and me to see if we would be in keeping with the ‘look’ of the film. They seemed very keen on having Mum. My sister, at the time had sandy coloured hair and so was not at all problematic, however I was very dark and because they wanted Mum they said that they could hide ‘it’ by putting me in a white dress and hat! How times have changed…obviously I remember other things too, like feeding the horses which pulled the open carriage and the horse standing on my foot oouuch!, the strange awkwardness of having to act ‘naturally’ whilst being watched through a camera, having to repeatedly carry out the same activity to ensure a good shot – how many times did we throw stones into the lake? The ice-cream tricycle with real ice cream mmmm a treat … being watched by crowds of tourists gathered along the footpath and flower beds. It was a strange and unreal experience, doing what as children we would normally do but doing it in ‘dressy-up’ clothes that weren’t from our own dressy -up box and playing the game with Mum and her friends with total strangers telling us what we should do…just a bit bewildering really, but funny in retrospect.’

Contact sheet - Simon West and Suzanna Hamilton night sailing

Please let me know if you have any points of interest that I could add to ‘The Secrets of Filming Swallows and Amazons (1974)’ that you think might of interest to readers. The great thing about ebooks is that they can be updated and re-loaded free of charge.

I’m going to be giving a number of talks on ‘The Making of Swallows and Amazons’ this summer. Please click here for details.

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Filed under 1973, Acting, Arthur Ransome, Autobiography, British Film, Cinema, Claude Whatham, Family Film, Film, Film Cast, Film History, Filmaking, filmography, Lake District, Memoir, Movie, Movie stories, sailing film, Sophie Neville, Suzanna Hamilton, Swallows & Amazons, Swallows and Amazons, Titty in Swallows and Amazons, truelife story, Uncategorized, Vintage Film, Zanna Hamilton

Out of the archives: a 1974 script for a BBC Radio Bristol show about the original film ‘Swallows and Amazons’

Swallow and Amazon sailing on Derwentwater in the Lake District 1973

When the 1974 film of ‘Swallows and Amazons’ first came out in cinemas it stirred up quite a bit of interest in the media.

This script for a programme made for BBC Radio Bristol has recently been discovered in a box in my mother’s attic. Typical of the early ‘seventies, it is a carbon copy, so is rather feint, but it a little bit of media history in itself:


It’s intriguing. What did we say in the interviews that they ran in?

Sadly, two of the first newspaper reviews of the movie were not complimentary. Last year, when interviewed by Tim Fenton at Pin Mill on the Orwell, Professor Hugh Brogan said that one of these articles was so ignorant and so angered him that he resolved to write the truth about Ransome’s distinguished career. This involved years of research but resulted in his biography, ‘The Life of Arthur Ransome’.

I haven’t been able to find the article Hugh read but he remembered it being ignorant of Arthur Ransome’s politics rather than the film. His beautifully written book sparked an enormous amount of additional research and television documentaries, including ‘The Secret Life of Arthur Ransome’, which can be viewed on iPlayer.

Since The Lutterworth Press published the seconded edition of ‘The Making of Swallows and Amazons’ in May last year, a number of other stories and facts have reached me. I’ve learned that the creamy yellow taxi in which the Walker family arrived at Holly Howe was a Vauxhall 20/60 R type saloon, 1928 – 1930 model hired for the film by the property buyer Ron Baker, whose name I must add to the credits. When the Altounyan children stayed at the same farmhouse, which in reality is called Bank Ground Farm, their hostess was called Mrs Jolly. Apparently her husband, Mr Jolly, did not live up to his name.

The lady in blue who waved from the deck of MV Tern after the Swallow’s near miss was played by Lorna Khan. Here she is with her daughter Zena and a yellow Austin Heavy 12/4 tourer, after they appeared in the Rio scenes. You can see other film extras and supporting artists in 1929 costume, patiently sitting in the Browns of Ambleside coach behind them.

 Photograph (c) Zena Ashbury

Did you know that missionaries in Africa used semaphore? Until I read a Russian edition of ‘Swallows and Amazons’ I’m afraid I didn’t know that Darien was the former name of the Isthmus of Panama, that the Rio Grande flows from South Colorado to the Gulf of Mexico or that ‘Shiver my timbers’ was a curse used by R. L Stephenson in Treasure Island.

Nick Owen had been living at Elterwater for seventeen years before he learnt the fishing scene from ‘Swallows and Amazons(1974)’ was shot there.

It had not occurred to me that the film was recorded in the annals until I was sent this excerpt from the third edition of ‘Time Out Film Guide’ (1993). Perhaps I should bring out a third edition of ‘The Secrets of Filming Swallows and Amazons’.

Please let me know if you would like to see more archive material from the attic.

To read more about Cider With Rosie (1971) directed by Claude Whatham, starring Sten Grendon as Laurie Lee please click here

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What Sophie is doing next…

This January I am working hard to get fit enough to take part in another sponsored horse ride through the game reserves of South Africa, where I once lived, to raise funds for The Waterberg Trust.

The safari company Ant’s Nest have generously offered to host our party of thirteen British riders and we are paying our own travel costs. Every penny raised in sponsorship will go straight to The Waterberg Trust, a UK registered charity.

50% of funds will be sent to Save the Waterberg Rhino and 50% will support projects that uplift local communities that are run by trusted friends. Each member of our team has been challenged to raise at least £1000 in sponsorship. The Drapers Company have kindly offered to match any funding that I raise personally, so if you can sponsor me your donation will be doubled. Even very small amounts are a huge encouragment and will go along way to improve things in Africa.

please click here for Sophie’s 2018 Justgiving page

OUR PLANS ~

DAY 1 – Riders will be met at Johannesburg airport and driven north to Ant’s Nest Game Reserve deep in the Africa bush where we will meet horses that have been selected for the expedition and set off in search of wildlife.

The Waterberg is home to the third largest population of rhino in South Africa, so their protection on the plateau is vital.

~The Waterberg Trust Riders with white rhino in 2017~

DAY 2 – We will spend the day riding up to Ant’s Hill, viewing game on horseback and looking for a breeding herd of white rhino, along with buffalo, wildebeest and antelope. We’ll return to Ant’s Nest for a talk on the work of ‘Save the Waterberg Rhino’.

DAY 3 – We set off early, riding north through the reserve and along sandy roads to the Waterberg Living Museum to meet Clive Walker, one of South Africa’s leading conservationists who is raising awareness of biodiversity and ecological systems. We may get the chance to see rare golden wildebeest as we ride up to Triple B Ranch were we will spend the night in a traditional farmhouse.

~Clive Walker, founder of the Endangered Wildlife Trust~

DAY 4 – We ride down through Triple B Ranch, where they have hippo and over the hills to Lindani game reserve, which will give us another amazing opportunity to see wildlife such as vervet monkey, baboon and warthog, zebra, eland and giraffe.

DAY 5 – This is a long day when we ride to Jembisa, a reserve on the Palala River where the pace will get faster. We hope to find more plains game including giraffe, jackal, warthog and red heartebeest.

DAY 6 – We plan to visit Lapalala Wilderness School, which I have been associated with since 1992 when I became a horse safari guide in the area. The Waterberg Trust has been able to send groups of underprivileged children on a residential course at this eco-school to learn about conservation and the plight of South Africa’s wildlife.

One lesson is about what to do if you find a snake in the house.

The students take their enthusiasm into the community whose support is essential if poaching is to be combated. They are given a local mentor who can help with future issues.

We’ll spend the rest of the day riding across Jembisa where we hope to find hippos and perhaps see crocodile in the river before reaching the furthest point of the ride and grab a few photographs before bidding our horses farewell.

~The Waterberg Trust Challenge riders and back-up team 2017~

DAY 7 –  Riders will visit Lethabo Kids Club in the Township of Leseding who run an excellent ‘Back to School’ project to ensure all local children get into an appropriate school, equipped with uniform, shoes and school bags. We will meet Nurse Grace whose salary is financed by The Waterberg  Trust. The very first school nurse in the area, she has been looking after pupils’ health and issues that detract from their studies. We will also drop in on Kamotsogo community craft project that helps women living with HIV/Aids before leaving for the airport.

~Sophie Neville with students sponsored by The Waterberg Trust in 2017~

I need to get fit as there will be approximately 32–40km’s of riding per day, clocking up a total of 32 long hours in the saddle. It will be an exploratory venture, riding through this beautiful area, now proclaimed a UNESCO biosphere. You can read more about the ride here.

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WHAT YOU CAN DO TO HELP:

Sophie Neville completing The Waterberg Trust Challenge Ride in 2017

If I ride the wings of the morning, if I dwell by the farthest oceans,
even there your hand will guide me, and your strength will support me. 

Psalm 139 v 9 & 10 NLT

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Very Happy New Year!

happy new year

‘I’d like to go to Africa and see forests full of parrots!’

I’m not sure about the parrots but I’m off on an African adventure soon – details to follow in my next post.

Very Happy New Year to one and all. May 2018 prove fulfilling.

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A marathon reading of ‘We Didn’t Mean To Go To Sea’ by Arthur Ransome

On Saturday 21st October, local  ITV News interviewed Griff Rhys Jones and myself at Pin Mill in Suffolk. We were taking part in a marathon reading of Arthur Ransome’s iconic book ‘We Didn’t Mean To Go To Sea’ with other authors including Libby Purves, Francis Wheen, Christina Hardyment, Julia Jones and Marc Grimstone. Ivan Cutting of Eastern Angles and Dan Houston, editor of Classic Sailor, also read chapters. You can read more about the event here.


~Pin Mill on the Owell ~ photo: Anthony Cullen(c)~

The story begins at Pin Mill where the Swallows – John, Susan, Titty and Roger Walker, along with their mother and Bridget-the-ship’s-baby, are waiting for their father to take up a Naval posting nearby at Shotley. The four children didn’t mean to go to sea at all but somehow ended up sailing to the Netherlands in a terrific storm. I was asked to read the last chapter.

Griff Rhys Jones and Sophie Neville at Pin Mill 21st Oct 2017

~Gryff Rhys Jones and Sophie Neville appearing on Anglia Television~

The reading, which lasted nine hours, was held to celebrate the 80th anniversary of the book’s publication in 1937. It has been profiled in the magazine Classic Boat and on the BBC News website. The event was organised by Peter Willis of The Nancy Blackett Trust who spoke at length to Lesley Dolphin on BBC Radio Suffolk

Julia Jones, Francis Wheen and Sophie Neville - photo by Anthony Cullen

~Julia Jones, Francis Wheen and Sophie Neville with a photograph taken by Arthur Ransome when his yacht Selina King was being built. Photo: Anthony Cullen~

You can read about our adventures sailing Nancy Blackett this summer in Country Life magazine:

Sophie Neville profiled in Country Life magazine 12 July 2017

There are also photos of our cruise through the Netherlands on the Nancy Blackett Trust website, as well as a six page colour feature in Classic Sailor magazine. You can watch the ITV News clip here.

Nancy Blackett in Classic Sailor

Going back twenty years: Members of The Arthur Ransome Society alerted me to a BBC Children’s Television programme, which shows Griff Rhys Jones at Pin Mill in 1997 when he met Taqui Altounyan who knew Ransome when she was a girl. The Swallows were originally based on her family who learnt to sail in two clinker-built dinghies called Swallow and Mavis when they stayed at Bank Ground Farm (Holly Howe) above Coniston Water in the Lake District. I recently discovered the secret that Taqui was also the model for Captain Nancy in Ransome’s well-loved books. This episode also contains clips from the 1963 television adapation of ‘Swallows and Amazons’, with Susan George playing ‘Kitty’. Forgive the series titles – it is worth viewing:

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