Speaking about filming ‘Coot Club’ and ‘The Big Six’ on the Norfolk Broads

Sophie Neville with Titmouse

~Sophie Neville with the star of ‘Coot Club’~

I was invited to talk about making the BBC TV classic serial ‘Coot Club’ and ‘The Big Six’ at the Norfolk Broads Yacht Club to help celebrate their 80th Anniversary. Titmouse, then 1930s dinghy owned by Hunter’s Yard had been brought down from Ludham for the occasion. The bonus was that I was able to go sailing in one of the classic boats gathered at the club for their Open Day.

Geoff and Rose Angell kindly took me out on Pippa, their beautiful yacht with brown sails that appeared in ‘The Big Six’. I am sure Arthur Ransome would have loved her.

Back in 1983, I spent nine months working on the BBC production when it had been my job to cast the children and teenagers who appear in the drama, many of whom needed genuine Norfolk accents.

Coot Club - book cover

We had been looking for young actors who could swim well and were able handle boats. We then spent three months filming in East Anglia when I looked after the children and helped rehearse their lines. I set up this shot for the cover of the Puffin paperback that accompanied the series.

~Author Sophie Neville giving a talk at the Norfolk Broads Yacht Club~

At a forum organised after my talk, Pat Simpson from Stalham Yacht Services explained how he found one of the stars of the series – an old lifeboat suitable to play the Death and Glory. She had been brought from where she is kept at Belaugh for the evening. You can see more photographs of her in the previous blog post here.

'The Death and Glory'

Pat provided a number of other vessels for the series including ButtercupĀ and support boats such as the safely boat, a large modern cruiser used as a school room along with another for the costume and make up personnel. He explained that this came as a god-send as boat rentals had not been good that summer. Working on the series was harder than he imagined, ‘We once had to take a boat from Regan to Horning Hall overnight’ but he was pleased that ‘after three months of concentrated work, we got it all done.’

~Robin Richardson~

Robin Richardson, who co-owned Pippa back in 1983, explained how the shot of her being cast adrift was achieved. This wasn’t as easy as first thought as even when Simon Hawes, who was playing George Owdon, flung her stem line on the deck, a gentle breeze was blowing her back against the staithe. ‘Pippa didn’t want to go anywhere’. Robin had to stage the action by throwing out a mud anchor, climbing under her awning and pulling on the line to create the effect of a boat drifting out of control into potential danger. Pippa’s white canvas cover is pulled back here, but you can imagine the scene.

He was on location when Henry Dimbleby, who played Tom Dudgeon, was attempting to tow the Teasel under Potter Heigham bridge. He was rowing Titmouse, pulling hard on the oars but nothing was happening. ‘Stop for lunch,’ Robin advised the director, ‘and the tide will turn.’ This they did, and Henry we able to row under the bridge, towing the Teasel quite easily. Hunter’s Yard, who own Lullaby, who played the Teasle, could not bring her down for the weekend as she had been leased out with other boats, but they sent her transom, painted with her stage name.

'TEASEL'

Robin Richardson owns the ‘Slipstream’ class dinghy called Spindrift who played Shooting Star in the serial. She was built by her father but couldn’t be with us as they were not able to complete her winter maintenance in time but Richard Hattersley said she came tenth in this year’s Three Rivers race when only 15 of the 98 entries actually finished. It’s a 24 hour endurance challenge, which they completed despite light winds. He sent me this shot, ‘of her battling it out with much larger Thames A Raters.’

I was shown a wonderful black and white photograph of the vessel used to play the Cachalot. She wasĀ skippered in the series by the film actor Sam Kelly in the role of the unnamed pike fishermen who the Death and Glory boys simply called ‘Sir’. She is seen here with John Boswell, her real owner who has sadly passed away. His son, the artist Patrick Boswell, brought along an album of behind-the-scenes photos.

The theme of the weekend was ‘Boats of the 1930s’. I explained how Swallow, the dinghy used in the original film ‘Swallows and Amazons’ originally came from Burnham-on-Sea where she was made by W. King and Sons to be used as a run-a-round boat. She was stabilised by a keel that ran the length of the hull, as Ransome described. It makes her rather difficult to turn. You can sailĀ her today and is in the Lake District right now. Please see Sailransome for details.

There was quite a bit of interest in memorabilia from the original movie ‘Swallows and Amazons’. I bought along the white elephant flag captured from Captain Flint’s houseboat in the 1974 film, which was approved by a young Amazon pirate.

After aĀ celebratory dinner, David and Nicky Talbot invited me to spend the night in the comfortable for’ard cabin of Kingfisher, a 1970’s motor yacht moored at the club.

I woke early on the Sunday morning to find mist hanging above the water as the sun was rising on what proved to be another sunny day with a fair wind for sailing.

After breakfast aboard, I was invited out in the 1930s river cruiser ‘Water Rail’, who had also appeared in the serial. We took her down the River Bure to her mooring in Horning where she is still part of the scene.

It was wonderful to be out on the waterways of Norfolk, passing traditional buildings. This was a stretch of river never featured in the television drama as Rosemary Leach, who played Mrs Barrable, took Dick and Dorothea from Wroxham to Horning in a trap pulled by Rufus the pony. One reason for this was that in 1983 we had to use the North Norfolk Steam Railway, since Wroxham Station had been modernised but Joe Waters, the producer, said he wanted to add variety by featuring a pony rather than a motorboat.

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We encountered a number of period cruisers, although Janca, who we used to play the Hullabaloos’Ā Margoletta, sadly could not be with us, as she is still under repair.

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However, by motoring into Horning ourselves, we passedĀ The Swan Inn and Horning Staithe where a number of scenes had been shot, including some that featured Julian Fellowes and Sarah Crowden, playing the hated Hullabaloos. You can see photographs of them in an earlier post here.

~Horning Staithe in Norfolk showing The Swan Inn~

Another vessel that interested me was a river launch that reminded me of the 1901 steamboat Daffodil, which I renovated with my father in 1978. I have photographs of her here.

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You can read more about the traditional boats used in the series by clicking here.

Gerry Spiller, has written from Woodbridge in Suffolk, to say that she has found an oar labelled TITMOUSE, bought at a boat jumble. Could this date from the early 1930? Does anyone have the pair?

Blade labelled TITMOUSE

The DVD of the serial is now available on a re-mastered DVD, available from Amazon here

(Do not be tempted by the old version with a more colourful cover as the image quality is very poor)

Swallows and Amazons Forever
Swallows And Amazons Forever! (Coot Club & The Big Six) SPECIAL EDITION [DVD]
Additional photographs by Richard Hattersly

The Arthur Ransome Jamboree at Pin Mill in Suffolk

Arthur Ransome Pin Mill Jamboree

One year, not so very long ago, members of the Nancy Blackett Trust hosted an Arthur Ransome Jamboree at Pin Mill in Suffolk. It was a day to remember.

Pin Mill from the Water

Although Ransome is remembered for his ‘Swallows and Amazons’ books set in the Lake District, he moved to the east coast of Suffolk in 1935 where he set a number of other books in the series. It seemed fitting to mark the 80th anniversary of the publication of his inspirational sailing book ‘We Didn’t Mean to Go to Sea’ that begins at Pin Mill.

Sophie Neville with Nancy Blackett

It is possible go aboard theĀ Goblin, since she was modelled on Ransome’s own favourite little yacht, the Nancy Blackett. I joined her at The Royal Harwich Yacht Club where she was moored alongside Peter Duck one of his other much-loved yachts, named after the adventurous book he wrote that begins in Lowestoft. I met up with Octavia Pollock, a feature writer from Country Life, and walked down the riverside to enjoy supper at the Butt and Oyster in Pin Mill where Ransome himself often ate.

Map of the Jamboree

Soon after leaving university, I worked behind the camera on the BBC TV adaptations of ‘Coot Club’ and ‘The Big Six’, Ransome’s two books set on the Norfolk Broads, in which the Coots also visit Beccles in Suffolk.

It was the Swallows who made it to Pin Mill. I first went there when The Arthur Ransome Society asked me to give a talk about making the BBC TV serial entitled, ‘Swallows and Amazons Forever!’Ā and signed copies of ‘The Making of SWALLOWS and AMAZONS – 1974’.

Pin Mill

~The Orwell at Low tide~

During the Jamboree celebrations, Arthur Ransome’s biographer Professor Hugh Brogan was interviewed by erstwhile BBC reporter Tim Fenton at the Pin Mill Sailing Club.Ā 

the-life-of-arthur-ransome-by-hugh-broganHugh spoke eloquently, telling me that he was motivated by rage to write The Life of Arthur Ransome after a Fleet Street reviewer of the original film ‘Swallows & Amazons’ described him as ‘right-wing’.

Sophie Neville opening the Arthur Ransome Jamboree at Pin Mill~ Sophie Neville ~

This VisitEngland event was great fun. There was a geo-caching route along the footpath from Shotley to Pin Mill. Marine artists Claudia Myatt and Christine Bryant hosted drop-in sessions on the riverside where visitors could also find the Rabble Chorus singing, while the author Julia Jones spoke about her children’s books set on the Orwell at the sailing club.

Nancy blackett product shop

~Mugs with artwork by Claudia Myatt sold in aid of the Nancy Blackett Trust~

There was an outdoorĀ installation of old Pin Mill images enabling you to look back in time. These were taken by Arthur Ransome himself of the building of his boat Selina King at Kingā€™s boatyard nearby. It was the first public exhibition of these pictures ever seen and was appreciate by the hundreds of visitors who turned up.

Pin Mill archive photo

The Pin Mill Studio also hosted an exhibition of photographs from the restoration of Melissa, a barge restored to her former glory by Webbā€™s boatyard, with additional archive images of Pin Mill from the early 1900’s.

The Vintage Mobile Cinema, as seen on BBC Televisionā€™s Reel History of Britain, screened unique archive film of Pin Mill and Shotley.

The Nancy Blackett

~The Nancy Blackett in her 85th year~

A Pin Mill ā€˜Wooden Boatā€™ race was held along the stream leading down to the river and you could take a ride on the Victorian swing boats on the Common as in years gone by. There was a ‘pirates and seafarers’ fancy dress competition for children and an Arthur Ransome lookalike competition (pipe and moustache) along with stalls and sideshows from local groups, charities and organisations.

Live music, including shanties from Pin Mill favourites, High Water Mark and a performance of We Didnā€™t Mean to go to Sea by pupils from Holbrook Academy who entertained visitors while cream teas, a barbecue and refreshments were served at the Butt and Oyster and Pin Mill Sailing Club.

T-shirts celebrating this special anniversary were sold along with gifts to generate funds for The Nancy Blackett Trust, who celebrate their 20th anniversary this year.

Do let us know if you came along by leaving a comment!

To read more please visit the Nancy Blackett website by clicking here.

The Nancy Blackett by Claudia Myatt

You can read about the making of the original film of Swallows and Amazons here:

‘Swallows, Amazons and Coots’

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‘Swallows, Amazons and Coots’ by Julian Lovelock, with a forward by Sophie Neville, was launched on 23rd September at The Radcliffe Centre at the University of Buckingham. Published by theĀ Lutterworth Press,Ā it is a companion for anyone who loves Arthur Ransome’s series of ‘Swallows and Amazons’ books.

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To read more and enter a competition to win a copy please click here

For photos of the book launch please click here.

About the new book

‘In 1929, Arthur Ransome (1884-1967), a journalist and war correspondent on the books of MI5, now widely regarded as one of the most influential childrenā€™s writers of the twentieth century, turned his hand to writing adventure stories for children. The result was Swallows and Amazons and eleven more wonderful books beyond, spanning in publication the turbulent years from 1930 to 1947. They changed the course of childrenā€™s literature and have never been out of print since, beloved for the authorā€™s ability to create a world of escape so close to reality that it is utterly believable, in which things always turn out right in the end.Ā Yet to be properly appreciated today, the novels must be read as products of their era, inextricably bound up with Ransomeā€™s life and times as he bore witness to the end of Empire and the dark days of the Second World War.

‘In the first critical book devoted wholly to the series, Julian Lovelock explores each novel in turn to offer an erudite assessment of Ransomeā€™s creative process and narrative technique, highlighting reflections of his experiences and contradictory politics, colonial imagery, the spectre of war and of course his remarkable skill as a story-teller as he constructed a fictional refuge for himself and his readers. Thus Lovelock convincingly demonstrates that, despite first appearances, the novels challenge as much as reinforce the pervading attitudes of their time. Elegantly written, Swallows, Amazons and Coots is both up-to-date and nostalgic. It will appeal to anyone who has enjoyed the world of Swallows and Amazons, and there is plenty here to challenge the Ransome enthusiast and the student as well.’

EndorsementsĀ 

Virginia McKenna wrote:Ā ā€˜There is always more in life than meets the eye. The delightful and unique Arthur Ransome stories from Swallows and Amazons to Great Northern? have delighted us over the years. But now we learn, thanks to this fascinating book, that there are more aspects and depths to the stories than we everĀ imagined. In no way does this diminish them ā€“ on the contrary. By giving us a more profound understanding of the author, the adventures and exploits of his characters take on an extra depth and dimension. These are stories for children that no adult should miss.ā€™

‘An admirable introduction for newcomers to the Swallows and Amazons novels, written with detailed and expert knowledge. Julian Lovelock clearly has a deep affection and admiration for Ransomeā€™s writing, and places the books in a rich and complex context. This is an elegant and leisurely guide through the books in the company of an amiable and well-informed companion.’Ā Peter Hunt, Emeritus Professor of Childrenā€™s Literature, Cardiff University, and co-author of How Did Long John Silver Lose His Leg? (2013)

Available from Amazon online and from all good bookshops

There was an interesting feature published in the East Anglian Daily Press here

Julian Lovelock is the editor of Mixed Moss,2016, the journal of The Arthur Ransome Society, which includes an article by Sophie Neville who is President of the literary society.

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The restored DVD of ‘Coot Club’ and ‘The Big Six’

Swallows and Amazons Forever
Swallows And Amazons Forever! (Coot Club & The Big Six) SPECIAL EDITION [DVD]
Revelation Films have re-released the DVD of the BAFTA nominated serial,Ā  Swallows And Amazons Forever!Ā 

The television adaptation of Arthur Ransomeā€™s classic books Coot Club and The Big Six, “Swallows and Amazons Forever!” is an eight-part drama serial made on location in East Anglia in 1983, and broadcast on BBC TV in 1984.

Norfolk County Sailing Base, Ludham

The Titmouse

As Revelation Films say, ‘Set on the Norfolk Broads in the 1930s, the BAFTA-nominated BBC production is packed full of lively characters, beautifully authentic scenery and plenty of adventure.’

William
Weighing Pete’s big fish at the Roaring Donkey

Jake, Mark and Nic with Sam Kelly playing Captain of the Catchalot

The new version of the DVD includes the option of subtitles. The packaging and menus have been completely redesigned, and if you take a look at the DVD extras package you can see photographs that I took on locationĀ  that give an insight into the production.

Julian Fellowes in 'Coot Club'
Julian Fellowes in ‘Coot Club’

The big thing is that the picture quality has been digitally restored, with amazing results. This short Youtube clip shows the amazing difference in the quality.

RRP: Ā£15.99 | Certificate: U | Discs: 1 | Run Time: 202 Minutes

Coot Club

To read about making the BBC drama series please click here

To purchase a copy of the new DVD on Amazon.co.uk please click here

Ā I’m told Ā DVDs can be viewed on a multi-region or region-free DVD player

I have given illustrated talks on how the serial was made to members of The Arthur Ransome Society and at the Norfolk Broads Yacht Club where a number of the boats featured in the series were gathered for the occasion. Please click here to see more.

Sophie Neville and Titmouse

For those who don’t know the stories~

‘Coot Club’

Whilst travelling to Norfolk to stay on a boat with family friend Mrs Barrable, Dick and Dot Callum meet Tom Dudgeon and the members of Coot Club. After being told that they wonā€™t be learning to sail, their disappointment quickly turns to excitement as an adventure begins to unfold. Will they be able to protect a precious cootā€™s nest whilst hiding Tom from the awful Hullabaloos, who are hell bent on ruining everyoneā€™s holiday? Creator of Downton Abbey, Julian Fellowes, stars as Jerry the Hullabaloo in this delightful film.

Coot Club - book cover

The Big Six

When Dick and Dot return to Norfolk to stay with Tom, they find themselves caught up in a brand new adventure. The Death And Glories are being accused of setting moored boats adrift but the three boys maintain their innocence. With the whole town against them, itā€™s up to Coot Club to gather evidence and prove that someone else is responsible for these crimes. The Big Six is born. Dr Whoā€™s Colin Baker and Patrick Troughton star in this fitting adaptation of the classic story.

Coot Club - Teasel and Titmouse - photo Jill Searle

The yacht Lullaby playing the Teasel in ‘Coot Club’, seen here being delivered to location on South Walsham Broad

‘The Secrets of Filming Swallows & Amazons’ ebook is out now

The Secrets of Filming Swallows & Amazons

Thanks to the encouragement and help of my blog followers and Arthur Ransome enthusiasts around the world, I have managed to put my diaries, letters, old photographs and documents together into a 70,000-word memoir.

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“Sometimes extraordinary things do happen to ordinary people. Little girls can find themselves becoming film stars. Long ago, and quite unexpectedly, I found myself appearing in the EMI feature film of Arthur Ransome’s book Swallows and Amazons, made for a universal international audience. I played Able-seaman Titty, one of the four Swallows. Perhaps it would be more accurate to say that I became Titty for a while, wearing thin cotton dresses and elasticated navy blue gym knickers, which the camera crew soon referred to as passion killers. The book was written in 1929 and although the film adaptation was made in the early 1970s it had an ageless quality and has been repeated on television year after year, typically on a Bank Holiday between movies starring Rock Hudson or Doris Day.

I got the part of Titty because I could play the piano. Although I had no ambition to be an actress, at the age of ten I was cast in a BBC dramatisation of Cider with Rosie. They needed a little girl to accompany the eleven-year-old Laurie Lee when he played his violin at the village concert. I plodded through Oh, Danny Boy at an agonising pace.

‘Do you think you could play a little faster?’ the Director asked.

‘No,’ I said, flatly. ‘These are crotchets, they don’t go any faster.’

Claude Whatham must have remembered my crotchets, for two years later, in March 1973, my father received a letter. It arrived completely out of the blue, from a company called Theatre Projects.

We are at present casting for a film version of SWALLOWS AND AMAZONS which Mr Whatham is going to direct. We were wondering if you would be interested in your daughter being considered for one of the parts in this film.

Amazing!”

From ‘The Secrets of Filming Swallows & Amazons’ by Sophie Neville

Preview copies of the print version of 'The Secrets of Filming Swallows & Amazons'Preview copies of ‘The Secrets of Filming Swallows & Amazons’ Ā at the Cruising Association dinner at the Water’s Edge Bar and Restaurant, Mermaid Marina on the River Hamble.

“This heart-warming memoir is illustrated with colour photographs, most of them taken at the time by Sophie’s family, and contains links to behind-the-scenes home movie footage for readers with browser-enabled tablets. It delivers a double helping of nostalgia for both fans of the era of Arthur Ransome, and the groovy times of the early 70’s.” ~ from the Amazon Kindle description

Map of Derwentwater by Sophie

Also available for other reading devices on Smashwords

Thanks to those of you who contributed comments, questions, and aspects of local history on this blog. I would love to know what you think of the book!

If you would like a copy but don’t have a Kindle, you can download a free Kindle app.

Sophie Neville on the pontoon during the filming of 'Swallows and Amazons'
Richard Pilbrow, Denis Lewiston, Claude Whatham, David Cadwallader and Sophie Neville aged 12 playing Titty ~ photo: Daphne Neville

The re-mastered DVD of the 1984 BBC drama serial of ‘Coot Club’ and ‘The Big Six’

In 2014, Revelation Films contacted me, saying that they were thinking of producing new packaging for a 30th Anniversary release of ‘Swallows and Amazons Forever!’, the BBC Drama adaptation of ‘Coot Club’ and ‘The Big Six’ starring Rosemary Leach, Julian Fellowes, Colin Baker, John Woodvine and Henry Dimbelby. It also featured William the pug dog, who became a national treasure when he took on the role of Ethel’s Little Willie in Eastenders.

Swallows and Amazons Forever
Swallows And Amazons Forever! (Coot Club & The Big Six) SPECIAL EDITION [DVD]

I spent nine months working on this television series that was shot on 16mm film almost entirely on location in East Anglia. We spent the idyllic summer of 1983, mainly afloat on the Norfolk Broads. DVDs now offer Extras, which I was commissioned to write.

TheyĀ tell me that this DVD is one of their top ten bestsellers along withĀ LA Law, Highway to HeavenĀ andĀ Dr Quinn, Medicine WomanĀ starring Jane Seymour.

Henry Dimbleby and Rosemary Leach in 'Coot Club' and 'The Big Six'

Click here for the page on the Revelation Films Website

I wanted to suggest they had the book titles in larger letters: ‘Coot Club’ and ‘The Big Six’ by Arthur Ransome. Neither the Swallows or the Amazons appear in it after all. However, interesting actors such as Patrick Troughton and Sam Kelly do. I thought that including photos of them might appeal to those who appreciate Classic TV.

Patrick Troughton as the eel man

It was thought that my shot of Julian Fellowes playing Jerry the Hullabaloo showed him looking too young to be recognised these days. I am sure he’d agree with me that it is just the mustache that is distracting. I don’t remember it being a real one.

Julian Fellowes as Jerry in Coot Club

The production manager at Revelation Films told me she liked the photograph used on the cover of the Puffin Book, which I explained depicted The Big Six. The publishers are currently searching their archives for the original shot, which I remember setting up at Gay Staithe. Sadly this abridged version of the books lacks Ransome’s own illustrations.

Coot Club - book cover

I suggested they edit the episodes together into two films but I understand some parents like being able to show each 28 minute episode at a time. We loved the opening titles graphic and music at the time but they seem rather dated now.

Coot Club - The Teasel sailed by a double
We chose the pug as a puppy so he really was called William. He was quite young and playful when the series was made.

Sadly Revelation Films only own the UK rights but I’ve noticed you can buy it on Amazon.comĀ . There are other outlets but you want to be able to guarantee the quality.

Roger Wardale's book

I am currently reading Roger Wardale’s new book Arthur Ransome on the Broads, which is also available from AmazonĀ  It is illustrated with photographs of some of the boats that we used when we were filming. This was the Teasel’s costume:

'TEASEL'
The false transom used on the yacht Lullaby during the filming of ‘Coot Club’ that now resides at Hunter’s Yard ~ photo: Roger Wardale

I loved seeing Roger’s photographs of the Fairway yachts in full sail. Perhaps one of Lullaby should be on the new cover of the DVD.

Sailing on the River Ant: photo ~ Roger Wardale
Sailing on the River Ant: photo ~ Roger Wardale

For more about the boats used in ‘Coot Club’ please click here

To read about the making of the original film of ‘Swallows and Amazons’ – please click on the image below. You can read the first ‘Look Inside’ section free of charge:

Other Arthur Ransome books adapted for film and television by David Wood

Sophie Neville in Secret Harbour
Sophie Neville playing Titty Walker in 1973

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David Wood, who wrote the screenplay for SWALLOWS & AMAZONSĀ in 1973, has recently told me about his Ā work adapting other Arthur Ransome books – GREAT NORTHERN?, PIGEON POST, WE DIDNā€™T MEAN TO GO TO SEA and WINTER HOLIDAY – all for Richard Pilbrow of Theatre Project Films.
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Richard Pilbrow and Claude Whatham at The Secret Harbour on Peel Island, Coniston Water
Producer Richard Pilbrow with Director Claude Whatham in their wet weather gear at The Secret Harbour on Peel Island, Coniston Water

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‘It was decided that GREAT NORTHERN? should be the follow-up to the SWALLOWS film, because it was ā€˜differentā€™, being the only book set in Scotland. Also, the villainous birdsā€™ egg collector was a strong adult role ā€“ Peter Sellers was mentioned….. We had great fun looking for locations, swooping around in a helicopter over Harris, Lewis etc.

Sophie Neville, Suzanna Hamilton & Sten Grendon with David Wood and Claude Whatham in 1973
Sophie Neville, Suzanna Hamilton & Sten Grendon with David Wood and Claude Whatham in 1973

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‘Word got out that I was working on GREAT NORTHERN? and I had a very firm letter from Mrs Ransome saying that no permission had been granted to work on this title, and that it would not be granted!! No reason was given. Years later, the Ransome autobiography suggested that Mrs R didnā€™t like GREAT NORTHERN? and criticised it to Ransomeā€™s face. Ā Also, he used sometimes to swan off to the Highlands with his friend, Quiller-Couch (I think) to fish, leaving Evgenia on her own back in the Lake District.Ā The only communication from him would be the occasional delivery on a horse and cart from the railway station of a salmon, caught in Scotland the day before! Maybe she resented Scotland for luring him away! But she was determined thatĀ GREAT NORTHERN?Ā the movie would never see the light of day!! But I still wrote a complete screenplay!Ā I did a film treatment for WINTER HOLIDAY, that never got off the ground either.’

David Wood's screenplay of Swallows and Amazons
The script of the movie ‘Swallows and Amazons’ that I never saw until 2011

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PIGEON POST was to be a six-part serial, Ā a BBC-Theatre Projects co-production. Ā David remembers that they got as far as looking for locations in the Lake District.Ā I started making preparations to cast the children for this drama which Joe Waters wanted to produce in 1983, directly after making COOT CLUB and THE BIG SIX under the generic title SWALLOWS AND AMAZONS FOREVER!Ā that had been adapted for television by Michael Robson.
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‘WE DIDNā€™T MEAN TO GO TO SEA was also to be a serial. I did a treatment, visited Pin Mill and other locations, and met the man who built one of Ransomeā€™s boats, or maybe worked on it with his father.Ā All the materials and scripts still exist, but they are probably a bit too ā€˜straightā€™ for contemporary taste.’
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David Wood’s numerous other forthcoming events and theatrical releases are listed on his website.
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Sophie Neville with Claude Whatham on Peel Island
Can you help us? Ā WasĀ Quiller-Couch theĀ friend who whisked Arthur Ransome off to fish in the Hebrides? Ā Does anyone know where they went?
You can read more about the adventures we had whilst making Swallows and Amazons is these books, available to order online here
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'The Making of Swallows and Amazons (1974) by Sophie Neville'
Different editions of ‘The Making of Swallows and Amazons (1974) by Sophie Neville’

Sailing the Nancy Blackett

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If you have ever wondered what Nancy Blackett is doing now – here she is.Ā Built by HillyardsĀ of Littlehampton in 1931 she was bought by Arthur Ransome with royalties from Swallows and Amazons and became both the inspiration and model for his book about the Swallows’ unplanned voyage to Holland ~ Ā We Didn’t Mean to go to Sea, in which she was known as the Goblin. She also appears in Secret Water.

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I was at the Royal Harwich Yacht Club to give a talk on making the BBC adaptations of two other Arthur Ransome books set in East Anglia, Coot Club and The Big Six.

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I was sure that people would rather be out in the sunshine but it was well attended.

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After watching a clip of Ginger and Rosa, the BFI/BBC feature film directed by Sally Potter that starred Nancy Blackett, we wandered down to the jetty in front of the new club house, and grabbed a chance to go out on the Orwell.

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Soon sails were being hoisted and we were underway, sailing down river in the evening light.

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Conditions were perfect for Nancy, a 28 foot Bermurdan cutter.

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I took the helm, whilst the others did the hard work.

Pin Mill in Suffolk

We were soon sailing past Pin Mill, which also features in the book.

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Some membersĀ of the crew were experienced sailors,

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others had previously managed to avoid spending much time on the water, but we all had a wonderful experience and were sad when the sails were stowed for the night.

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We saw a couple of Thames barges also coming in, as Nancy settled down after a successful day. Think of joining The Nancy Blackett Trust and sailing her yourself.

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For more photos please click here

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30th Anniversary talk on filming ‘Coot Club’ and ‘The Big Six’

Coot Club - Sophie Neville with Port and Starboard in Coot Club

Unbelievably, thirty years have passed since we started filming the BBC adaptations ofĀ Coot Club and The Big Six on location in Norfolk. Ā We drove up to Norwich on 17th June 1983 and by 3rd July would have been in full swing. It had been my job to cast the children who I was now looking after on location.

Coot Club - the hay wagon

Amazingly, we were to able enjoy three months of almost solid sunshine and had the most wonderful time.Ā The eight-part serial, produced by Joe Waters, was first broadcast in 1984 under the generic title ofĀ Swallows and Amazons Forever!Ā This was because Joe was hoping to dramatise other Arthur Ransome books, but sadly they proved too expensive.

The Big Six
The Death and Glory Boys weighing their great fish with Sam Kelly

I gave an illustrated talk about how the series was made at the Royal Harwich Yacht Club on the River Orwell for the Nancy Blackett Trust Annual Meeting, explaining how Rosemary Leach and I had both appeared in the BBC dramaĀ Cider with Rosie back in 1971. Having starred as Laurie Lee’s mother, she had the lead part of Mrs Barrable, the Admiral in Coot Club.

Henry Dimbleby and Rosemary Leach in 'Coot Club' and 'The Big Six'
BBC TV’s adapation of Ā ‘Coot Club’ and ‘The Big Six’

Swallows and Amazons Forever! (1984) DVD

The drama, set in the early 1930’s,Ā was nominated for a BAFTA. Ā It had an exceptionally talented cast including Rosemary Leach, John Woodvine, Sam Kelly and Henry Dimbleby. Ā I’m not sure if you can spot him that easily on the cover of the DVD, but one of the characters in the story soon became a household name. It was William, Mrs Barrable’s fawn pug dog. He was soon known nationally – if not internationally – as Little Willie, Ethel’s pet dog in the soap opera Eastenders.

Coot Club -
The puppy we chose to play Williams who later starred as Little Willie in ‘Eastenders’

While Jack Watson was at the helm of the Sir Garnet, Julian Fellowes played Jerry, self-appointed skipper of the Margoletta and the leader of the Hullabaloos. Whilst with us on the Norfolk Broads he forged a creative partnership with our director Andrew Morgan that launched his career as a writer. Ā They were soon working together on adaptations of classic books such as The Prince and the Pauper and Little LordĀ Fauntleroy.

Julian Fellowes as Jerry in Coot Club
Julian Fellowes as Jerry in ‘Coot Club’

Looking back, I can see a number of connections between Coot Club and Doctor Who. You will see we hadĀ not one but twoĀ Time Lords with us in the guise of The Eel Man, who was played by Patrick Troughton, and Dr Dudgeon, played by Colin Baker, who went on to become a later incarnation of the Doctor.

Patrick Troughton as the eel man
Patrick Troughton as The Eel Man in ‘The Big Six’

A number of the crew worked behind the scenes on Doctor Who including our Visual Effects Designer, Andy Lazell and the writer Mervyn Haismen. I found myself working on Vengeance on Varos a year later when Colin Baker swapped his Norfolk tweeds for the multi-coloured coat he wore in the TARDIS.

Colin Baker as Dr Dudgeon in 'Coot Club' and 'The Big Six'
Colin Baker as Dr Dudgeon in ‘Coot Club’ and ‘The Big Six’

However, Ā I expect the members of the Nancy Blackett Trust will want to know most about theĀ beautiful period boats that appeared in the series, some of which members of the Arthur Ransome Society have been tracking down. Sadly some, such as the Catchalot seem to have deteriorated but the Janca, who played the Margoletta has been restored, and the Ā Death & Glory is still on the Broads.

Lullaby undersail, playing the Teasel with her stage name painted on a false transome
Lullaby under sail, playing the Teasel with her stage name painted on a false transom

Ā The wonderful thing is that you can still hire the yacht we used to play theĀ TeaselĀ and take the same route through the Broads as Arthur Ransome took with his wife in the 1930’s when he was absorbing experience from which to write. What I did not know until recently was that Titty Altounyan ~ the real Titty portrayed inĀ Swallows and AmazonsĀ ~ accompanied them one year, but I will leave that story for a future post.

Coot Club - book cover
I remember setting up this photograph for Puffin at Gay’s Staithe on the Broads

For more information on Saturday’s talk please click here

What are they doing now? The children who appeared in ‘Swallows and Amazons’ (1974)

If you are interested in the cast of the 1974 movie ‘Swallows & Amazons’, you can find out more in the paperback or kindle edition of ‘The Making of SWALLOWS and AMAZONS’Ā  or the Ā£2.99 ebookĀ  ‘The Secrets of filming SWALLOWS & AMAZONS’ both by Sophie Neville who played Titty Walker.

'The Making of Swallows and Amazons (1974) by Sophie Neville'
Different editions of ‘The Making of Swallows and Amazons (1974) by Sophie Neville’

You can read the first three chapters for free here

If you want to see what Sophie Neville, who played Titty Walker has been doing, please click here.

Sophie Neville as Titty in 'Swallows and Amazons' (1974) by the film poster artist Arnaldo Putzu
Sophie Neville in ‘Swallows and Amazons’ (1974) by the film poster artist Arnaldo Putzu

If you are interested in the BBC serial of ‘Coot Club’ and ‘The Big Six’, originally titled ‘Swallows and Amazons Forever’ please read on.

Coot Club - Caroline Downer, Rosemary Leach and Henry Dimbleby
Caroline Downer, Rosemary Leach and Henry Dimbelby

It is almost thirty years since we made the BBC adaptation of Arthur Ransome’s books Coot Club and The Big Six on the Norfolk Broads. Ā The eight-part drama serial was filmed over three months during long hot summer of 1983. You can see from our faces how everyone made the whole experience enjoyable. It was ten years after we had made the movie ‘Swallow & Amazons’ but the atmosphere and the camaraderie felt similar.

Caroline Downer with Sophie Neville
Caroline Downer, who played Dorothea with Sophie Neville who played Titty Walker in the 1974 movie of ‘Swallows and Amazons’, seen here in 1983

Caroline Downer, who played Dorothea Callum so professionally, finallyĀ took out her plaits for good and returned to school – her real school rather than the boat where she had received lessons whist we were filming. She had done so well, holding her own with a cast made up predominantly of boys by the time we started filming The Big Six.Ā A year or so after the series was broadcast she wrote to me of her plans for the future. Ā I am ashamed to say that I was so busy working on Doctor WhoĀ that I didn’t reply. I can’t think why I tarried. She was far moreĀ importantĀ to me than Doctor Who. Caroline now teaches drama, is an LRAM examiner and puts on the most wonderful musicals. Hopefully she can draw on something of what she learnt during those months in East Anglia spent working with so many great British actors.

Henry Dimbelby while playing Tom Dudgeon in 1983
Henry Dimbelby while playing Tom Dudgeon in 1983

Despite the pressures and stress of filming, nothing flustered Henry Dimbelby. He was easy-going and optimistic – great fun to have around. He had no ambition to act but did such a good job. His parents were wonderful. Instead of going to Devon, where they kept a gaff-rigged boat, they rented a house on the North Coast of Norfolk for their summer holiday in 1983 so as to be near our locations. I remember driving Caroline and Henry up on a unit day off only to find Jonathan Dimbelby there too, with his wife Bel Mooney who I chatted to when we went for a walk before lunch. Ā On the kitchen table back at the house was a huge colourful sausage and pasta salad made by JoscelineĀ Dimbelby, Henry’s mother. It was the first home-cooked meal I’d had for weeks, and was hugely appreciated. Ā I was mesmerised by the colours and textures, the whole inventiveness of a salad made for aĀ largeĀ family.

While Henry’s grandfather, Richard DimbelbyĀ the World War II correspondent, went into newspapers and his father, David Dimbelby, worked for the BBC as a News reporter, presenter andĀ commentator, Ā you could say that Henry followed his mother. He trained as a chef – and became anĀ innovativeĀ one,Ā producing books on food and appearing on theĀ occasionalĀ cookery program. In 2004 he opened Leon, the restaurantĀ in CarnabyĀ Street in central London that specialises in serving seasonal fast-food that is both delicious and good for you. Ā Founded with Allegra McEvedy and John Vincent, Leon soon became popular. It was awarded ‘Best NewĀ Restaurant’ at the Observer Food Monthly Awards six monthsĀ after opening. I believe Henry and his partners now have a chain of ten outlets and that theirĀ recipe books are anĀ inspirationĀ to many.

Coot Club - One of the twins
Claire Matthews as she appeared in ‘Coot Club’

Claire and Sarah Matthews, theĀ twinsĀ who played Port and Starboard in Coot Club,Ā went on to play Eve and Alexandra in the 1984 TV mini series Master of the GameĀ , which starred Angharad Rees, David Suchet and Fernando Allende. They still live in Sussex and are very close. Claire has taken up running in all weathers.

Coot Club - The Walpoles
Mrs Julie Walpole (centre) with her daughter, appearing as Extras in the drama

The Walpoles have written in! It was so good to hear from them. Nicholas Walpole, who played Joe, joined the Royal Navy and served on HMS Roebuck from 1989-90 as a survey recorder. A friend of his said he was teased mercilessly on board about his acting background. Many-a-time a chorus of ‘Swallows and Amazons forever’ would ring out when he walked into the Mess. Nik is now married, lives in Coventry and has three grown up children, one of whom wants to act. His mother still enjoys living in rural Norfolk. You can read their comments at the bottom of previous posts.

Coot Club - George Owden
Simon HawesĀ who playedĀ GeorgeĀ Owden, seen here in a Health and Safety helmet I made him wear while filming at Horsey Mill in 1983

I am afraid that I haven’t seen Simon Hawes, who played George Owden, or the other boys from Norfolk since we finished filming. They did so well. Playing a baddie isn’t easy even with Make-up and Hair Department straining to help.

Coot Club - The baddies

Richard Walton, who played Dick Callum, now lives in Los Angeles – he has written in, below. Mark Page, who played Bill, now lives on the coast of Turkey. I wonder if taking part in the BBC serial influenced their decisions to emigrate.

Richard Walton who played Dick Callum, walking barefoot in the field behind the station
Richard Walton who played Dick Callum, walking barefoot in a field behind the station

WeĀ spentĀ long days together, often out on the water. Ā Someone once explained to me that when you are camping and gadding about in boats,Ā generallyĀ leading an Arthur RamsomeĀ style life, you tend to laugh more. As aĀ resultĀ moreĀ Ā endocrinesĀ get released into your system, relationships are forged and bonds made. It has to be said that the boy who made us laugh more than anyone else on the film crew was Jake Coppard, who played Pete, the shortest of the Death and Glory boys. Ā Although the character heĀ playedĀ could be serious Jake was always finding something amusing or someone to imitate. Ā Sam Kelly got on with him particularly well, helping him through the scene when Pete falls in.

Coot Club - Jake Coppard

Jake was such a talented actor. I gather he went on to appear as Charlie in aĀ televisionĀ drama directed Ā by Tony Virgo calledĀ Travellers by Night (1985)Ā , whichĀ featuredĀ Neil MorrisseyĀ who became so well known when the comedy seriesĀ Men Behaving BadlyĀ proved aĀ success. The lead role of Mrs Baker in Travellers of the Night was played by Jo RowbottomĀ who, by coincidence, had played Katie Leigh, Simon West’s mother in Sam and the River back in 1975.