Category Archives: Film crew

A Little Bit of Film History

Contact sheet - Sophie Neville with Amazon's anchor

~ Titty with Amazon’s anchor ~

When I first posted an extract from ‘The Secrets of filming Swallows and Amazons’ on a literary website, someone wrote a review assuming it to be a novel. They must have thought that I was some poor creature who had imagined the whole thing. The reviewer considered the plot too far-fetched and fantastical – as you might if it had not been true.

‘You must have been dreaming.’

‘But Captain Flint, there were burglars, you’ve got to believe me.’

Poor Titty! No one ever believed her. Fortunately quite a bit of documentary evidence exists to support the fact that a certain feature film was made in the Lake District in 1973. I do wish I’d kept a copy of the book review though.

Contact sheet - finding Titty in Amazon

~ The Swallows find Titty sleeping in Amazon near Cormorant Island ~

Contact sheet - Suzanna Hamilton and Sophie Neville sailing Amazon

~ Titty and Susan sail Amazon back to Wild Cat Island ~

Contact sheet sailing Swallow & Amazon in 1973

~ Sailing Swallow and Amazon on Derwentwater ~

Contact sheet - sailing Swallow & Amazon on Derwentwater

I was encouraged to collect things as a child, in case they might one day be of value. Back in 1973, I was given a number of black and white photographs and contact sheets of stills taken by Albert Clarke on the set of ‘Swallows & Amazons'(1974) – if you can call Derwentwater a movie set. I pasted some of these in a scrapbook but others remained in a roll that has only recently been returned to me. Each sheet looks roughly like this:

The Making of Swallows & Amazons contact sheet - both boats

The eye is easily tired by looking at the whole set but scanning and editing reveals a little bit of film history in every shot. I can see here that Titty wasn’t letting Amazon’s anchor down, she was hauling it in while Susan was at the helm, with a fair wind in her sails. This must have been quite tricky.

Sophie Neville pulling up Amazons' anchor

You can tell by the numbers above each shot how many were taken and in what sequence. presumably 2003 photographs had been snapped by the time the Swallows found Titty moored near Cormorant Island.

Contact sheet - filming Swallow

~ These bizarre shots show the film crew afloat on their pontoon ~

The photographs below show Virginia McKenna rowing away from Peel Island on Coniston Water in a native canoe with DoP Denis Lewiston and his 35mm camera, which is pretty unique.

One thing is certain, if these contact sheets had not been given to me they would have been thrown out and yet, over time, they have become precious. Do add a comment below if you would like to see more.

It is quite interesting to see which shots were chosen for the press. You can see a few of the action shots used in magazines of the time by clicking here. Newspapers tended to chose photographs akin to portraits as you can see here.

Recent newspaper articles tend to use a black and white film still that was clumsily tinted giving the lake water an unreal and bright blue hue as you find here.

Some of the black and white prints are now held at BFI. StudioCanal hold a vast selection of the best photos in their library and have an on-line shop here. I have included about a hundred behind-the-scenes snaps taken by my parents in the latest edition of ‘The Making of Swallows and Amazons’ recently published by The Lutterworth Press, available from libraries, bookshops and online stockists including The Nancy Blackett shop, where proceeds go towards the upkeep of Arthur Ransome’s favourite little ship.

9780718894962_cover Amazons.indd

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‘An A-Z of Cumbria and The Lake District on Film’ has been launched

by Hayloft Publishing, written by David Banning with a forward by Sophie Neville.

‘This is the finest comprehensive guide to the history of movies filmed in Cumbria and the Lake District, since the early twentieth century to the present day… it  will take you on a journey through the filmic landscape of one of the world’s most beautiful places.’

A-Z Cover image

‘You will be able to immerse yourself in the lush green world where Star Wars created an alien landscape or take a trip around Swallows and Amazons country, not to mention joining the ranks of Withnail and I pilgrims or sampling the nostalgic Breif Encounter tea rooms where a tiny piece of grit kick-started an enduring romance.’

To read more, please click here for Cumbria Today or click on this image for a review in the Cumberland & Westmorland Herald:

a-z-book-review

There is also a feature in the Westmoreland Gazette here

review-of-an-a-z-with-a-forward-by-sophie-neville

For more information from Hayloft Publishing, and to buy this book, please click here

Terry Abraham, who made the film Life of a Mountain, writes: There are countless books covering aspects of the most beautiful corner of England but none which reveal little known facts regarding it as a location for filming. David thoroughly and interestingly brings to light the great number of films both large and small that have featured Lakeland on camera. Some less obvious than others but no less absorbing, you may well wish to seek out and visit where productions have captured the scenic delights of Lakeland. David’s book is an engaging and enlightening read and definitely one for the shelf alongside other works celebrating England’s finest landscape.

Be the first to review this book on Amazon.co.uk

David Banning lists ten of the best films made in Cumbria. Please click on these links for the International Movie Database details and film trailers:

Brief Encounter, 1945

The Dambusters, 1955

Swallows and Amazons, 1974

The French Lieutenant’s Woman, 1981

Brazil, 1985

Withnail & I, 1987

28 Days Later, 2002

Miss Potter, 2006

Sightseers, 2012

Star Wars Episode VII – The Force Awakens, 2015

You can see a shot of Derwent Water at 1.23 mins into the official film trailer for Star Wars after ‘This Christmas’ graphics, here:

 

 

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Launching the second edition of The Secrets of Filming ‘Swallows and Amazons'(1974)

front-cover-1974

A second edition of the ebook ‘The Secrets of Filming ‘SWALLOWS & AMAZONS'(1974) is now avaialble on Amazon Kindle, Smashwords, itunes, Kobo, and Nook for £2.99 . You can download this free of charge if you already own the first edition.

If you would like a copy but don’t have a Kindle, worry not. We have added a link whereby you can download a free Kindle app. Please go to my Book Page and scroll down for the details.

If you already have a copy of the ebook, contact a Customer Advisor and ask for a free update. You just need to give Kindle the ebook’s ASIN number. The ISBN for all online editions except Kindle is: ISBN 9781311761927

Since being contacted by others who were involved in the filming, I have been able to add a few more anecdotes and images, including this beautiful shot of Virginia McKenna in 1973 kindly sent in by the photographer Philip Hatfield.

virginia-mckenna-photo-by-philip-hatfield

I found a copy of my original contract for the film and when Jean McGill rang from Bowness, a few more secrets floated to the surface.

Sophie Neville and David Wood

CBBCTV’s Cinemaniacs  interviewed the screenwriter David Wood and myself on how the original movie of Arthur Ransome’s ‘Swallows and Amazons’ was made back in the summer of 1973.  The idea was to use 30 second clips, so please excuse my over-the-top reactions, but you can watch the whole recording below.

‘This has to be one of the most delightful interviews in my recent memory.’ Tim Lewis, USA

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Notes for the second edition of ‘The Making of Swallows & Amazons’

Since Classic TV Press published ‘The Making of Swallows & Amazons’ in 2014, a number of facts have floated to the surface. The most amazing recollection was one that occurred to my mother.

‘The letter inviting you to come for an interview for a part in the film was addressed to your father. He was working abroad when it arrived. I never, ever opened his mail but something urged me to open that one envelope. It was a good thing I did as he was away for three weeks and we would have missed the opportunity altogether.’  She was amazed by the contents and replied at once, sending a photograph to Theatre Projects. I think it was this rather miserable one of me wearing a Laura Ashley dress.

Sophie Neville  wearing Laura Ashley in 1972

Sophie Neville in 1972

A date was made to meet the director. I now remember that I was taken up to Long Acre in the West End to meet Claude Whatham very soon after Dad arrived back from his business trip. We walked through Soho and visited a Chinese grocery store on the way home.

 

Daphne Neville presenting 'Women Only'1

Daphne Neville on HTV in 1973

‘I was never paid to work on the set as chaperone,’ Mum told me. ‘Neither was Jane. We were just happy that our expenses were covered but it ended up costing me quite a bit as I had to travel back to Bristol to work now and again.’ She was working for HTV as a television presenter alongside Jan Leeming, who is currently appearing on ‘The Real Marigold Hotel’. For the photo of them both on an HTV West show, please click here

Jean McGill said she didn’t get paid for acting as the Unit Nurse, as far as she could remember, ‘But I wouldn’t have missed it for the world.’

Nurse with Baby Vicky, the ship's baby

Kerry Darbishire playing Nurse

The most exciting thing was meeting Kerry Darbyshire, who played Vicky’s nurse, at Zeffirelli’s cinema in Ambleside for the 40th Anniversary screening of the film. I learnt to my horror that I had mis-spelt her name in the credits I gave the actors. All I had to go on was her signature in the back of my copy of the hardback book of ‘Swallows and Amazons’ where I’d collected autographs.

Signatures of the rest of the cast and crew of 'Swallows and Amazons' in the back of my Jonathan Cape edition of Arthur Ransome's book

Kerry Darbishire’s signature

Kerry laughed, telling me, ‘I should have had more legible handwriting.’ She  appeared in the film quite a bit. ‘It was a pity I wasn’t able to bring my own child. She was the exact same age and colouring as the little girl they found to play baby Vicky.’ Kerry was with us in the compartment of the train on day one of the shoot. ‘I found it very difficult to laugh with you when the train went into the tunnel.’ I couldn’t think what she meant at first but it was the laughter that followed Virginia McKenna’s line: ‘He’d say, “Just look at that scenery”.’ at the moment the train goes into a dark tunnel. ‘You children found it no problem at all, but I couldn’t laugh. I was too shy.’ Zeffirelli’s are next screening ‘Swallows & Amazons’ (1974) at 7.30pm on 2nd March.

I never knew the name of the snake wrangler – who brought the charcoal burners’ adder along, but Ken Foster wrote in recently to say it was his father, John Foster whose family farmed near Satterthwaite. He was once employed as an assistant at the fresh-water biology research establishment at Windermere and became a biological specimen supplier. You can read more about his unusual occupation here

To read more about the day the adder arrived on location, please click here.

Charcoal Burners' Adder

John Foster & the charcoal burners’ adder

Simon West, who played Captain John, remembered that Claude Whatham often used to take us for a quick run before going for a take. It freshened us up and was appropriate when we had to run into shot, slightly out of breath.

One little girl wrote to tell me how she pulls her dress over her knees just as I did when I played Titty, as I got rather cold in a scene when were were first sailing Swallow to the island.

Sophie Neville with Terry Needham and the unit radio at Derwentwater ~ photo: Daphne Neville

Sophie Neville with Terry Needham

George Marshall, the veteran film accountant, assured me we had a very talented film crew. Mark Birmingham, a film producer currently working on the bio-pic of Noel Coward, knew quite a few of the individuals working on ‘Swallows & Amazons’ and told me of the amazing careers they went on to lead. ‘Your Best Boy, Denis Carrigan, went on to run Sherperton Studios.’ Denis worked closely with Ridley Scott who made many great films there. ‘Sadly one of the other electricians died when he grabbed a live cable.’

Other people have written with interesting stories relating to the film locations.

Swallows & Amazons filmography - ebook_html_m52e3dc61

‘The shop in Woodland Road was my grandfather Tom Kirkbride’s cobblers shop from 1930s to 1956,’ Brian Salisbury wrote. ‘After he retired, the wooden building became Stan Cropper’s sweet shop doing a roaring trade with the boys at St Mary’s Boys School just along the road and the newly built Droomer Estate.’  This was the shop where we bought rope for the Light House Tree that is now a barber’s in Windermere. To read more about this location and others in Windermere, please click here

Is there anything you would like to add?

Daphne Neville, Stephen Grendon, Suzanna Hamilton, Sophie Neville, Jane Grendon and Simon West after the last shot was taken.

Daphne Neville, Stephen Grendon, Suzanna Hamilton, Sophie Neville, Jane Grendon and Simon West.

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Behind the scenes – on ‘The Changes’ in the 1970s

The Changes2

If you see men walking down the street with a telephone box it is probably an indication that there is a film crew nearby.

The Changes

This was a distinctive director with red hair called John Prowse filming a drama serial called The Changes on location in Bristol in back 1975 when wooden tripods were used with 16mm cameras and portable monitors hadn’t been developed.

The Changes1

The Changes was a BBC adaptation of the books by Peter Dickinson written and produced by Anna Home. It starred Victoria Williams, Keith Ashton and Rafiq Anwar. Jack Watson was in four episodes and my mother had what one might call a cameo role as a villager. She can be seen in the photo above in the pink headscarf.

Sonia Graham in The Changes1

Sonia Graham appeared in this scene wearing a long red cloak. I later worked with her on the vet series One by One.

The Changes3

The story explored the concept of a time when machines ground to a halt and all cars became useless. Vehicles still seemed to be used as camera mounts. John Prowes is standing on top of a doramobile in this photograph.

The Changes4

Does anyone remember seeing the outcome of all this toil?

 

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The secrets of filming ‘Arthur of the Britons’ in 1972, part two

Shaun Fleming and Michael Gothard with Tamzin Neville as Elka

Shaun Fleming, Michael Goddard and Tamzin Neville in ‘The Gift of Life’

 ~ Behind-the-scenes in film and television, continued ~

Much of Arthur of the Britons was shot at Woodchester Mansion, a vast house built of cut stone yet left half-finished and eventually sold for £1 to Stroud District Council. My father became a Trustee of the Board that decided its future.

It was on the property below the half-finished building, that HTV constructed the vast lathe and wattle hall which comprised King Arthur’s seat.

Michael Gothard with Oliver Tobias

Oliver Tobias as Arthur and Michael Gothard as Kai can just been seen standing outside the doors of the hall

We went to watch the filming soon after the fire scene, which opens the episode entitled ‘The Gift of Life’. My sister Tamzin was cast as Elka, the little Saxon girl who arrived with her brother Krist unexpectedly by longboat. This was spotted drifting down the river – which is in reality the lake at Woodchester. In the story Arthur insists they should be returned to their own people by Kai, portrayed by Michael Gothard, who rode some distance with them on his horse.

Shaun Fleming and Michael Gothard with Tamzin Neville as Elka1

Shaun Fleming as Krist, Micheal Gothard as Kai, Tamzin Neville and Elka and Kerig the hideous doll whose head kept falling off

We were also able to watch. The episode was a beautifully shot.

Tamzin Neville as Elka riding with Kai

‘I want to feed the squirrels,’ Tamzin declared after they had been riding for a while. It was a line few have forgotten.

‘Oh, no!’

‘Oh, yes.’

‘Why couldn’t you feed the squirrels before you left?’

‘I did, but now I want to feed them again.’

I was fascinated in her costume, including her shoes which were made of hessian sacking.

Michael Gothard as Kai1

Sophie and Perry Neville watching their sister Tamzin having her dirty face seen to by a make-up artist during the filming of ‘Arthur of the Britons’ being made on location in Gloucestershire in 1972. Michael Gothard waits, seated on his horse.

I am not sure whether Michael Gothard had worked with children before but he seemed able to cope. It was a good thing Tamzin could ride.  Her hessian dress was not exactly ideal riding wear.

‘I couldn’t even whistle when I had all my teeth.’

Shaun Fleming was excellent as her brother and managed to cling on behind the saddle as they charged across the hills, which can’t have been easy. The secret was that he acted under his mother’s maiden name instead of his real surname.

Daphne Neville with Tamzin Neville and Shaun Fleming

Daphne Neville with her daughter Tamzin Neville who played Elka and Geoffrey Adams who played Hald with Shaun Fleming as Krist in ‘The Gift of Life’

I appeared as the Saxon girl with blonde curly hair seen working in the fields with Heather Wright when the children returned to the Saxon village. While Heather was in lime green, I wore a gold-ish coloured top and plum skirt with no shoes. You can see me hobbling across the end of the field which was full of thistles.

Heather Wright with Perry, Sophie and Daphne Neville in Arthur of the Britons

My other sister, Perry, was barefoot too. My mother, as a Saxon woman with short fair hair, (photographed above) virtually carryied her into the village after Tamzin and Shaun.

Michael Gothard as Kai

There were a number of weapons on set that intrigued us as children. We all wanted to learn how to use them. Oliver Tobias began to teach us sword fighting, however there was an accident on set which put a stop to this. One of the actors was having his boots sorted out by a wardrobe assistant when he casually swung his axe. Although it was just a blunt prop, with no edge to the blade, it went into her head, resulting in a four inch gash across her scalp. He was devastated. It was a complete accident. The wardrobe assistant recovered but it was a sobering incident and great care was taken when handling the props afterwards, even though they seemed blunt and harmless.

Boys playing with dangerous weapons whilst watching Arthur of the Britons

 

Forty two years later this series is still treasured by many. It had such a strong cast. Heather Wright went on to star in The Bellstone Fox with Bill Travers and Dennis Waterman and in the 1976 movie Shout at the Devil with Lee Marvin, Roger Moore and Ian Holm.

Geoffrey Adams was terribly well known at the time, as for years he’d played the part of Detective Constable Lauderdale in the long-running BBC Police series Dixon of Dock Green appearing with Jack Warner in nearly 300 episodes.

Shaun (Fleming) Dromgoole went to work in film production on a number of well known movies including American Gothic and The Woman He Loved, about which starred Anthony Andrews and Olivia de Havilland and Jane Seymour as Wallis Simpson.

To read more about Tamzin’s acting career please see this previous post.

Arthur of the Britons

Shaun Fleming, Tamzin Neville, Sophie Neville , Jenny Fleming, Kerig the doll and  Daphne Neville in 1972

The producer, Patrick Dromgoole was absolutely prolific, producing a huge number of classic television dram serials including The She Wolf of London and The Clifton House Mystery, which my mother appeared in as well as Robin of Sherwood . Her drama pupil Robert Addie played Sir Guy of Gisbourne so convincingly in that series he became hated throughout the UK.  For more photographs of Mum please see flick down though various posts on my blog for Funnily Enough.

Do please add additional information or memories in the comments below.

To read more about the story-line and see more photos, please click here.

It is fascinating to read Shaun Drongoole’s recollection of making the episode. Please click here

 

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The secrets of filming ‘Arthur of the Britons’ in 1972

I have promised to write more about my experiences behind-the-scenes in film and television for some time now. There is one series in particular that still has a strong following. 

Dressing up in medieval garb as children

Dressing up in medieval garb as children at Sudley Castle in about 1970

As children in 1971, we were all excited to hear that HTV was planning to film a series about King Arthur near where we lived in Gloucestershire. We were keen on dressing up and I was already interested in medieval history.

Filming 'King Arthur and the Spaceship'

The Arthurian legend had always been portrayed with ladies in pointy conical hats and knights in chain mail riding around with lances, however expectations of turreted castles were soon to be dashed.

Instead, we woke up one morning to find this tent in the field beyond our house, with a full English breakfast being served by location caterers from the back of a two-tone bus. The final scenes of Episode One of the series Arthur of the Britons, entitled Arthur is Dead, starring Oliver Tobias in the title role, was to be filmed on our farm.

A unit base for HTV's drama serial 'Arthur of the Britons' in 1972

The unit base for HTV’s drama serial ‘Arthur of the Britons’ being shot on our farm in the Cotswolds in 1972

We learnt that the drama series, Arthur of the Britions was to be quite different from traditional renditions of the well-loved stories. Apart from anything else the actors had long hair and wore rough hessian garments or sheepskins to reflect the culture of Iron Age England. Everyone was excited about the idea, which seemed more authentic and certainly held more sex-appeal than the Hollywood idyl lodged in our consciousness.

While the lane below the wood that ran along the sides of our valley was closed to traffic, HTV ran cables and moved in with their lights, camera equipment and props amounting to bundles of swords, spears, shields and other weaponry.

Filming 'Arthur of the Britons' on our farm

Here you can see the Gulliver’s Prop lorry as well as costume and make-up artists with their kit-bags attending to the actors and supporting artistes. Please remind me of the name of the character to the left of shot and who played him.

Filming 'Arthur of the Britons' on our farm2

It must have been dark under the trees, as there would have been have been  a large 2K light on this tripod. The crew  set up carefully and were finally ready to go for a take, recording the battle in the woods on 16mm.

Filming 'Arthur of the Britons' on our farm1

After a short skirmish, Arthur pretends to retreat, leading his men downhill. They are soon followed by the Saxon hordes. The reality was that the wood was much steeper than it came across on television. The actors ended up tumbling down the bank.

The actors come leaping out of the wood

We were waiting in the open field in the valley floor. Although naturally marshy, this had been made much wetter by damming the stream that flowed down from the woods. Our local road engineer Percy Baxter dug pits that filled with water and acted as a trap for the Saxons who did not know the secret way through the marshes.

Filming 'Arthur of the Britons' on our farm6

My sisters and our sheepdog with Percy Baxter who dug great holes in the field before allowing them to fill up with spring water. Members of the crew work beyond.

We knew the ledgend and were fascinated to see how the sequence would come together.

Filming 'Arthur of the Britons' on our farm5

As the scene was difficult to replicate it was shot with two cameras, seen here set on wooden tripods. The result was exciting.

Filming Arthur of the Britons

For photos of the location on the Arthur of the Britons website please click here.

Scroll to 19.50 towards the end of the episode to watch the scene here on Youtube:

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