‘Titty from Swallows and Amazons’ often gets typed into the Goggle search engine but when I attempt to use it as a ‘tag’ a message pops up saying: ‘Sorry, you are not allowed to assign the provided terms.’ I can only conclude that Google lacks literary enlightenment .
‘Memory picks and choses,’ as Arthur Ransome said in his autobiography (p33) but those who love his novels often wonder what would have happened to the characters when they grew up. It dawned on me that this might be one reason why people are interested to know what we all did with our lives. I played Titty Walker in Richard Pilbrow’s 1974 movie of ‘Swallows and Amazons’. In 1962, the film actress Susan George played the same character in the black and white BBC television serial of ‘Swallows and Amazons’ with her hair in pigtails. She was called Kitty, apparently with Arthur Ransome’s approval. BBC Films decided to call the Able seaman ‘Tatty’ in the 2016 movie ‘Swallows and Amazons’, when she was brilliantly played by Teddy-Rose Malleson-Allen who went on to star in ‘Four Kids and It'(2020).
The character was inspired by a real little girl, Titty Altounyan, who stayed at Bank Ground Farm (or Holly Howe) when visiting her grandparents who lived above Coniston Water. In 1939, Miss Joyce Cartmell acquired a signed note from Arthur Ransome explaining that, ‘Titty is short for Tittymouse which is what she was called when she was a baby. Nobody ever calls her anything but Titty now’. It appears that Ransome was also asked for a photograph of himself, to which he responded, ‘Too ugly’.
Edward Thomas (1878-1917) described Arthur Ransome as ‘exuberant, rash and intelligent.’ In 1973, I can only assume the film director Claude Whatham was looking for the same spirit, captured by Wilfred Josephs in the film score.
What constantly impacts me is the number of people who write in to say how much they wanted Titty to become their best friend. In many ways the characters from Ransome’s books become friends for life. You can easily gain others who have the same outlook on life by joining The Arthur Ransome Society, who offer activities and grants for young people as well as adults with a literary bent.
You can read more about making the movie in the multi-media ebook entitled ‘The Secrets of Filming Swallows and Amazons’.
“One pandemic discovery for my family was 1974’s ‘Swallows and Amazons,’ a charming British film about kids just playing on a lake. On their own, they’re plenty capable of making their own tents and adventures”, the US film critic Jake Coyle wrote in a review for the Associated Press of a new movie released on Netflix called ‘Yes Day’.
Many people have fond memories of watching the original movie of ‘Swallows and Amazons’ when it first came out in cinemas nearly forty-seven years ago and list it in their Top Ten feature films of all time.
David Kerr wrote: “I first saw the film while I was a junior projectionist. I was 17 at the time. My cinema was called the Astor in Bromley, part of south east London. While an independent cinema, we took the ABC circuit films. Somewhere, I have the LP record and a poster of the film. I went on to a career spanning 40 years in international film distribution.”
“It remains one of my top ten films even to this day. I worked for 20th Century Fox…Polygram…and United International Pictures which distributed Universal, Paramount and Dreamworks films. I had a good career and witnessed the good the bad and the ugly during my travels.”
“From memory, I can recall that the film was released over the Easter school holidays in 1974. It’s just been helped as I have found a press ad online and it lists South London unusually running the film first on April 14th.”
“I believe the film was supported by ‘The Lion at Worlds End’ …the documentary that Virginia and Bill Travers made with George Adamson about returning an African lion to the wild. I know I ran the film again either in 1975 or ’76 as an afternoon matinee only with a Kung Fu adult programme in the evenings.”
“The film means a lot to me and has done so since 1974. It made me revisit the books…which I still read (currently dipping in and out of an old hardback edition of ‘Pigeon Post’) but I believe I had only read one during my childhood, which I think was ‘Swallowdale’. I also embarked on a number of holidays in the lakes because of the film. That first year I camped on a farm at Torver on the west side of Coniston.”
“The reason I include it in my top ten is simple. It is pure storytelling that takes the viewer on an adventure. You do not notice the individual aspects of film making you just become engrossed in the story. And that is what a good film should do. I watched it again just last week on a streaming service… It makes me smile ….what more can I say.”
John Rose wrote: “I can remember watching the film in 1974 with my mum and grandma when I was a nine or ten year-old, at the then called Mecca Cinema in Horsham, Sussex (sadly now demolished). I remember loving the natural setting and the adventure in the film and remember it being thrilling and suspenseful! Still my favourite film, so cheerful and up-lifting. The lovely music! All still brings a tear to my eye. Back then in the ’70s we didn’t have the lakes but at every opportunity our little band of local children would run off over the fields playing, building camps and climbing trees in the woods – such happy, carefree days.”
Last time the film was broadcast on BBC Two, David Stott, who worked as a unit driver on ‘Swallows and Amazons’ when he was fresh out of college, wrote in to say: “I remember how cold you all were whilst filming the swimming scene. The lily pond scene brought back memories of a very wet day on Pull Wyke caravan park. Most of the day was spent in the two double decker buses that were your school room and the canteen waiting for the rain to clear. Everyone was so grateful to pack up and go home.”
“I had many incidents with the parrot that I had to collect in the morning and return at night. I hated the bird, often it was let free in a bathroom at Kirskstone Foot and l would have to catch it and put it in its travel bag. I notice in the film that it is chained down whilst it is sitting on your shoulder.”
“I would spend a lot chatting to Ronnie Logan the hairdresser while the shooting was taking place, such a nice man.”
“The day they filmed the walking the plank scene I remember very well. I took Ronnie Fraser to the Lodore Swiss hotel at lunchtime and he was really very well plastered by the time I got him back for the afternoon filming. I suppose it was the only way they managed to get him in the water. He was not a happy chappy that afternoon when I eventually took him back to Ambleside.”
“I had to put the rushes on the train to London in the evening and collect developed film (how times have changed). One of my treats was that I was allowed to watch the rushes with the production team in the evening. Watching it again this afternoon was a real trip down memory lane. I cannot believe that I was a student starting out in life at the time and now l am a pensioner. Where has all that time gone?”
Barbara Altounyan, who founded the charity, Hospice Biographers, interviewed me for Family-Talk, a wonderful project that she set up during Lockdown to unite families.
Barbara’s father, Roger Altounyan, was not only the inspiration for The Boy Roger in Arthur Ransome’s series of ‘Swallows and Amazons’ books but qualified as a doctor, becoming the allergist who developed the Intal asthma inhaler. He experimented on himself so many times that he died prematurely, aged sixty-five. Barbara was able to interview him just before he passed away. The recording is so precious that she is keen to record the biographies of others.
You can listen to our interview here. It starts rather abruptly but is quite fun – a bit like Desert Island Discs without the music:
Do find out about Family-Talk and think of contacting Barbara yourself. She is able to conduct hour-long interviews on a Thursday and send the recording via We Transfer. Her service is completely free of charge. If you would like to be interviewed, please email Barbara at firstname.lastname@example.org
• All recordings are GDPR privacy compliant, ie they are strictly confidential and will not be shared.
• All interviews are currently conducted over the phone / WhatsApp
• A professional audio engineer ensures best possible quality sound.
• Family-Talk is available to absolutely anyone who wishes to have their life story recorded over the phone. It is great for those who wish to have a heart-warming conversation with someone from a different generation within their own family and the technology is able to connect lots of different people, on one line. UK Citizens can be connected with anyone across the country or abroad.
More information can be found on the website: www.family-talk.co.uk (Barbara says “No one will be able to find us without the hyphen!”)
Hospice Biographers, inspired by Roger Altounyan, also records memoirs free of charge. If you would like to find out more about this nationwide charity for end-of-life patients, please click here
I have used archive photos to profile Dr Roger Altounyan here
Since the experts on BBC Antiques Roadshow have been taking an interest in the original feature film ‘Swallows and Amazons’ (1974), I thought I ought to add to a few facts. Although the movie was released forty-seven years ago, the cast list remains incomplete. A few credits are missing:
Jim Stelfox was in uniform, playing a guard or station master at the Haverthwaite Steam Railway station in the opening scenes, when the Swallows first arrive in the Lake District. He ended up appearing in some of the publicity stills that were used in magazines and newspapers. One features on a jigsaw puzzle that accompanied the release of the movie. The little boy leaning out of the train window is Robin Smith, who grew up in Ambleside. He came along with his mother Eileen and his brother, Alan Smith, who became a newsreader on BBC Radio 4.
Kit Seymour, Sten Grendon, Sophie Neville, Lesley Bennett, Virginia McKenna, Simon West Suzanna Hamilton with Jim Stelfox, the station master.
David Watkin Price, also from Cumbria, played the native on the jetty in Rio. His speaking part was cut from the television version of the film broadcast on ITV but remains in the remastered 2014 cinema Bluray and DVD available online.
Mr Price played an important part in our lives when the film was being made as he owned and ran the Oaklands Guest House in Ambleside where we stayed. His daughter Jane, told me, ‘They wanted you to stay in a place that had a family atmosphere with other children.’ I expect that she did a lot to help.
Jane appeared with her two brothers as film extras in the Rio scenes, remembering that it gave her a day off school. Sadly, her little brother’s knickerbockers kept falling down. You can see Jane in a grey dress with long pigtails, hoiking them up in this behind-the-scenes shot. To see other photos of the Price family in costume, please click here.
The people of the Lake District have written in with other stories. Philippa Poulson knew the real charcoal burner, Norman Allonby – ‘I lived around the corner from him in 1973. He lived in a tiny one up, one down traditional cottage, walked everywhere, and made a lovely cup of tea. He was very interested in my English Literature A’ level course, being a keen reader. I wonder how many people know he knew Paradise Lost and Paradise Regained, by heart, and in their entirety and could recite any part, at any time, on request. He would happily talk for hours on the subject, with a twinkle in his eye and his pickle catching front tooth. Lovely, gentle man, living life at the right pace.’ You can read more about the real charcoal burners of Grizedale Forest here.
Susie Trezise said, “I remember them filming ‘Swallows and Amazons’ – it was right in the middle of my O’Level exams and their walkie-talkies kept coming through my stereo speakers! It was fascinating listening. I lived at Stock Ghyll Mill, so about five miles away from the filming. The strangest thing was it still came through the speakers when they were turned off but still plugged in!”
~Comic strips based on the 1974 film found by Arthur Herbertson~
Joss Bundy wrote to say: “My Father, between being the technical director of the Royal Opera House and the National Theatre, worked with Richard Pilbrow at Theatre Projects in the ’70s. He had been a friend of Richard’s for many years. Theatrical lighting design was still in its infancy and designers tended to stick together. Richard and my Dad were the founders of The Association of Lighting Designers, along with various others.
“My mother, Rosemary Lindsay, had been a ballerina at the ROH, which is where they met. My Mother had sailed since a small child and had devoured each new Ransome book as it was published and loved them more than any others. When Richard mooted the film, my father mentioned what an expert Rosemary was and when the project was getting up on its feet she was given an early script to vet. Various things had been added in for dramatic effect and she vetoed one: Roger getting stuck on top of a cliff, as she felt John and Susan would never have let him get in such a situation.”
“I was clearing yet another box of theatre-related photos and as well as a couple of publicity stills.” One shows filming the Amazon boat house. “I can only assume Richard or Molly sent them back to my Dad, who would have been running Theatre Projects while Richard was away.”
“After the film was finished, Richard offered Swallow to my Mum, but she didn’t want the responsibility of another wooden boat. We still own the one she sailed as a child, a smaller version of a Swallow type boat. She also felt that a boat only sailed in fresh water would not necessarily do well in salt water.”
Do add any memories you have to the Comments, below. It would be lovely to hear from you.
It would be great to have some more review on the film on the International Movie Database. You can easily add one here.
Movies are made for watching. In the end, they belong to those who love them and it is wonderful to hear of the impact they have had on people’s lives.
The screenwriter Caleb Ranson wrote: “You’ve no idea how thrilling this is for me to hear from you. Swallows & Amazons was a life changing cinema visit for me, set me off on my path writing/producing TV/films. I played the soundtrack album every night for years. And I love your book BTW, bought it when it first came out.”
Paddy Heron of Children in Read describes the movie Swallows and Amazons(1974) as “a national treasure of a film.”
Nigel Seymour wrote to say, “that the original film has an ambience which cannot be calculated. It sits in time, yet it is as fresh as if it was made yesterday!” An international musician today, Nigel believes, “It possesses a simplicity of life we’ve lost, so watching it is a refreshing reminder of great days… a journey into another dimension and another world steeped with love and belonging, adventure and moral understanding, which is shared between a family and accepted. The characters are brought to life almost as if they are an infinite, integral part of the immortality of the story, each giving that picturesque understanding the viewer finds impossible to explain. After watching this film one arrives back in real time with a resounding bang! We wonder why such a simple story can create such an iconic understanding. Why watching this film can make you feel happy, totally complete and yearning to return again and savour that wonderful, eternal landscape we have all learned to grow and love as the Lakes.”
Tracy Kenny from Ketts Books wrote: “Swallows and Amazons is a firm family favourite in our house and for a while there, your movie was the only film my eldest would watch!”
The author Catherine Randall said: “I lived and breathed Swallow & Amazons including your film. Knew nearly all the words!”
The fan letters continue to arrive. Each one treasured.
Nigel Young writes: “‘Swallows and Amazons’ is one of those films which sets itself in that timeless space no one can quite fathom or understand, almost verging on ‘Immortality’. I’m sure no one at the time working on it ever thought the film would achieve the cult status it seems to enjoy today. You are possibly smiling when you read this, but it’s a true reflection of a film, which is more than a film and touches on those beautiful innocent moments and times which have been lost forever.”
Charles H Ball wrote: “‘Swallows and Amazons’ was instrumental in helping me through a very stressful period of my life… I will be obtaining ‘The making of Swallows and Amazons’ and no doubt many more of your other publications in due course. “
C.H.B. left a review of ‘The Secrets of Filming Swallows and Amazons’ writing: ‘the feelings of anybody who would have loved to have had the opportunity of actually taking part in the film are summed up by Nancy Blackett when the D’s are explaining how they managed to get to the North Pole a day earlier than planned. ‘And you two came by yourselves and got here through that blizzard?’ said Nancy. ‘However did you find the Pole?’ ‘The blizzard helped really,’ said Dorothea. ‘We were sailing,’ said Dick………..’And we’ve gone and opened the stores,’ said Dorothea. ‘And eaten some of them. You see we lost our food when the sledge turned over and the mast broke…’ ‘Capsized!’ cried Nancy. ‘Mast gone by the board! Oh. you lucky, lucky beasts!’ Some of us will forever envy the lucky children who had the opportunity of a lifetime.
I hope to include all these quotes in the 3rd edition of ‘The Secrets of Filming Swallows and Amazons’, to be brought out for the 50th Anniversary of the films release in April 2024. Do leave a comment below or write in, letting us know what the film meant to you or how it effected your life.
In the summer of 1973, I was transported to the shores of Windermere, ‘The Great Lake in the North’ to appear as ‘Titty Walker’ in the classic movie of ‘Swallows and Amazons’, starring Virginia McKenna and Ronald Fraser.
We were fortunate enough to film the scenes set in Rio at Bowness-on-Windermere before the original green boat sheds were demolished in favor of an amusement arcade.
George Pattinson brought along his steamboat the Lady Elizabeth, which you can see here beyond the Windermere skiffs pulled up on the shore.
George’s personal collection made up the basis of the Steamboat Museum now rebuilt and known as Windermere Jetty, where we found the Lady Elizabeth under restoration.
Eighteen foot long, she was built in New York State in about 1900 and brought to England, so was likely on Windermere in 1929 when Arthur Ransome wrote ‘Swallows and Amazons’. She sank off Cockshott Point beyond Bowness, but Mr Pattinson salvaged and renovated her in 1955. You can read more here.
Other exhibits included the exquisite steam launch Osprey, in fine fettle with her copper steam kettle kept brightly polished. I knew her from taking part in a Steam Boat Association rally on Windermere in 1991.
The RNSA dinghies used to play Swallow and Amazon in the 2016 movie can also be seen in the wet dock at Windermere Jetty.
Look up, and you can spy a green beetle on an old burgee.
Arthur Ransome’s dinghy Conch-y-bonddhu, known as Scarab in his books, is on display with Beatrix Potter’s rough, flat-bottomed rowing boat (the pointed bows of which can be seen here hanging on the wall to the right).
After a career as a foreign correspondent, which took him to Russia, Egypt and China, Arthur Ransome wrote ‘Swallows and Amazons’ in the hills above Windermere in 1929.
He was inspired partly by his own childhood holidays in the Lake District and partly by the Altounyan children who brought him a pair of red slippers for his birthday to thank him for enabling them to learn to sail on Coniston Water where their grandparents lived.
The first edition came out on 21st July 1930, with no illustrations apart from Spurrier’s maps on the end papers. The illustrated hardback published by Jonathan Cape came out on 1st December 1930, in time for Christmas. It was followed by another eleven (and one unfinished) book in a series that was to be translated and published all over the world.
I paid homage to copies at the Windermere Jetty museum where you can find his desk and typewriter on display with a view looking out over the lake.
Boats, props and film stills from the 2016 film of ‘Swallows and Amazons’ are on display, along with a poster of the 1974 movie, depicting Titty in a pink blouse.
I was fascinated to find sketches of Titty in Arthur Ransome’s notebook.
A number of Ransome’s original illustrations were on display and I came across the first draft of ‘Swallows and Amazons’ in a glass case.
Tickets to, ‘In conversation with Sophie Neville’, an event hosted by Lakeland Arts, cost £5 and can be purchased here.
Bidding mounted steadily for a hardback first edition copy of ‘The Secrets of Filming Swallows and Amazons (1974)’, signed by the author.
After 64 bids and it sold for £201
– I am quite blown away. Very many thanks to all our supporters.
100% of the money will be donated to BBC Children in Need – under the auspices of ‘Children in Read’ via the Jumblebee auction site where this illustrated book was listed under the categories of both ‘Autobiography’ and ‘Film & Television’.
To read a free sample of the first section of the 2nd edition – available as an ebook – click here – then click on ‘Look inside’.
To see more on the second edition of the ebook – click here
‘highly amusing and thoroughly enjoyable’ David Butters
Since the bidding ran so high, I will include a signed copy of the 2nd edition, entitled ‘The Making of Swallows and Amazons (1974)’, published by The Lutterworth Press. This contains colour plates with more photos and additional stories that flowed down from the Lake District after the first edition came out.
I’m also including a hardback First Edition of my memoir ‘Funnily Enough’, which has a bit on ‘Swallows and Amazons’ and a signed copy of ‘Ride the Wings of Morning’, which has noting about the making of ‘Swallows and Amazons’ but is all about living out the adventurous outdoor lifestyle advocated by Arthur Ransome, so there are four books in the bundle.
Although surpassed by Phillip Pullman and JK Rowling, I gained far more than authors such as Bernard Cornwall, Jeffery Archer, Sophie Kinsella and Maggie O’Farrell.
Being a filmography, ‘The Secrets of Filming Swallows & Amazons’ sat alongside the bestsellers, ‘Killing Eve’ by Luke Jennings and ‘Kay’s Anatomy’ by Adam Kay, which you can see by clicking here.
This auction of books has already raised £21,841 for BBC Children in Need, which is fantastic. It closed on Friday 13th November at 11.00pm.
If you need to know more about the auction, please contact Paddy Heron at Children in Read: email@example.com
Viewers of the original film ‘Swallows and Amazons'(1974) have written to point out that when the Amazons sailed up to Captain Flint’s houseboat there was a terrible crash. I found the quote from ‘The Picts and The Martrys’, which made me realise why this horrified anyone who knows the characters well:
“…when you come sailing along and fetch up with a bump against Jim’s new paint.”
“We never do,” said Nancy. “Remember when we came and made you and Uncle Jim walk the plank last summer? We were aboard and rushing the cabin before you knew we were anywhere near.” ‘Picts and Martyrs’ by Arthur Ransome p.14
Jane Sullivan noticed Captain Flint yelled, “Death or Glory!” as the Swallows and Amazons laid siege to his houseboat. ‘Is that a pre-echo of the East Anglian stories?’ she asked.
Jane also noted: ‘In the closing credits, I notice they spell For Ever as two words, which it is as it should be, rather than the modern way which confuses the adjective “forever” with the adverbial phrase “for ever”.’
Most people are familiar with the fact that Peel Island was used as the location for Wild Cat Island in the 1974 film.
Peter Dowden of the Arthur Ransome Group, pointed out that Peel Island is a classic example of a rocher moutonnee or sheepback, shaped by glacial erosion. Larger examples in Sweden are known as flyggbergs. Others comment that it’s easy to imagine the island as Captain Flint’s schooner the Wild Cat, which sails to the Caribees in ‘Peter Duck’ and is set on fire by Gibber the monkey in ‘Missee Lee’.
Peter also wrote about burgees. He noted, ‘Traditionally, creatures shown on flags face towards the “hoist” – the bit of the flag that is attached to the mast. So head near the mast and tail near the flappy part of the flag (called the ‘fly’). He went on to say, “someone did the research and Arthur Ransome drew the Swallow flag both beak to hoist and beak to fly!”
Our art director, Simon Holland, made what I considered the mistake of having the swallow on Swallow’s burgee flying away from the mast.
My publisher asked me to draw our crossed flags, a sketch which was later stolen and used all over the place from the call sheet of the 2016 movie to badges for sale on eBay.
Paul Thomas, of the Arthur Ransome Group, explained that Swallow and Amazon are standing lugsail dinghies, rather the balanced lugsails as I had been told. “Swallow’s keel was designed for sailing in shallow estuaries and grounding on shifting shoals with sails tanned to protect them from rot and sunshine.”
“What is particularly impressive, to me,” Roger Barnes, president of the Dinghy Crusing Association, commented, “is how well done the sailing scenes are, and sometimes in pretty strong winds. Most sailing in films is really unconvincing.” Roger added: “The boom jaws off the mast as they first approach Wild Cat Island is the only major flaw with that aspect of the film.” I had never noticed! We were bitterly cold on that day when we first sailed Swallow in front of the camera.
Roger Barnes’ illustrated book, The Dinghy Cruising Companion, published by Bloomsbury, included my behind-the-scenes photo of Swallow, where you can see the jaw back in place.
You can also see the jaws in this film still (c) Studiocanal:
Please do add a comment below or write in with any points you notice that I can add to a third edition of ‘The Secrets of Filming Swallows and Amazons’, an ebook available from a variety online stockists. You can look at the first pages here.