Points to add to the third edition of ‘The Making of Swallows and Amazons’ (1974) – part four

Windermere in the English Lake District

When I was last in the Lake District, I grabbed the chance to climb to the top of Gummer’s Howe to look down on the ‘Great Lake in the North’. Arthur Ransome, who once lived at High Nibthwaite, must have gazed at this exact, same view. ‘Native shipping’ was passing a wooded island and a bay where I could see a yacht was moored. It was like looking down on the chart I once drew for the original film of ‘Swallows and Amazons’ first screened in cinemas forty-seven years ago in April 1974.

Looking to the south, I could see Lakeside Station and the Haverthwaite steam railway running alongside the River Leven where we began filming back in May 1973. The renovated line had only been running for two weeks but we were instantly transported back to 1929, when Ransome wrote the book in a grey barn nearby.

Blake Holme, one of the wooded islands on which Wild Cat Island was modelled

Michael Johnson left a comment on the Arthur Ransome Group Facebook page saying, ‘The Lakeside & Haverthwaite is a lovely line, but frustratingly slow. It’s such a short line that the journey would be over within a few minutes even at a modest speed, like 25mph. Drivers are under standing instructions to drive at little more than walking pace so the journey takes at least 15 minutes. That way everybody thinks they’ve got their money’s worth!’ I hadn’t noticed when travelling on the line myself a few years ago.

The River Leven and southern end of Windermere in Cumbria

Ransome wrote: ‘Windermere is the lake, a bit disguised’ although he used many locations found on Coniston Water that perhaps he wanted to keep more secret. However, it is clear that Rio is his name for Bowness-on-Windermere, which I was able to explore recently. This was the jetty where the Boy Roger was left guarding Swallow.

Bowness-on-Windermere

Charles Elliot from Bowness remembers us, “filming in the bay with some actors in a rowing boat. There was no security so I walked down the jetty right behind the camera.” Was this captured by the Guardian newspaper here?

It’s possible find some of the locations and even some of the traditional boats that appeared in the movie. The natives may be able to help you. Brian Salisbury said, “The village store was my grandfather, Tom Kirkbride’s cobblers shop from mid-1930s to mid-1950s.

Woodland Road, Windermere

Stan Cropper took it over and added the LH extension.” He said of our set designer, “They did it up with the original red wooden finish.” The cat was called Rusty.

Simon West as Captain John in ‘Swallows and Amazons’ (1974) – StudioCanal

After he posted this photo on Facebook, Harry Hodgson wrote to say, “I remember looking at all the 1930’s products in the windows.”

This behind-the-scenes cine footage shot by my father in 1973 shows the film extras getting off the coach at Bowness and a scene being shot on the jetty:

Stephen Newton and Phil Procter would go and watch the filming in their dinner break from Borwicks Aquatics. “There was a band playing in the bandstand and a bloke on a pushbike with a front box selling ice cream. You can see this in the film when the kids are on the pier in the background.”

Windermere skiffs at Bowness-on-Windermere

In many ways, the 1974 film ‘Swallows and Amazons’ has become a touchstone to re-set our lives. Nigel Young writes: “On arrival back from touring, I’d get to Oxenholme station and rush home, change into my boots and head to the hills passing through Bowness…. I’d look across the lake and count the trees on the small beach, seven in all? and in my mind’s eye try to place the bandstand which features in the film so prominently. I’d look for the jetty where Roger was confronted by a blazered gent in whitened shoes asking him about his boat and think… ‘What have they done with it?’  

Lakeland steamers embarking from Bowness-on-Windermere

“Then I’d look at the landscape and note all the changes since the making of the film before heading home where I’d immediately put the film on, grab a glass of white wine and just sit and watch it, getting transported back in time to another way and another space, but that space still exists in some strange dimension for me, and I feel in touch with the lakes and in touch with a past I can totally relate with.  John wears one of those stripy  S buckle belts on his shorts.  I had one too!

Sophie Neville in Bowness, Cumbria
Sophie Neville, Simon West, Suzanna Hamilton and Stephen Grendon in Bowness in the summer of 1973

“You were well cast, almost as if you were a family before you all started and the cinematography, especially where the sailing sequences are concerned, is something out of this world. Whoever shot and edited the footage for the film were totally at one with the story and the locations…..   And Ronald Fraser !!  …well I would say he really did ‘Swim’ …… I was Principal of an Outdoor Education Centre on Windermere for over a decade and I am aware of just how cold the lake can be in winter or summer….and there goes ‘Ronald’ getting thrown off the plank by you guys into Coniston or Windermere which ever, they are both as cold as each other!”

To read a previous post on finding the film locations and taking the Lakeside and Haverthwaite steam train, please click here

Bowness-on-Windermere

You can read more about the film locations used in ‘Swallows and Amazons'(1974) in ‘The Making of Swallows and Amazons’ published by The Lutterworth Press who can send you a copy.

'The Making of Swallows and Amazons (1974)'

Memories to add to the third edition of ‘The Secrets of Filming Swallows and Amazons (1974)’ – part three

“One pandemic discovery for my family was 1974’s ‘Swallows and Amazons,’ a charming British film about kids just playing on a lake. On their own, they’re plenty capable of making their own tents and adventures”, the US film critic Jake Coyle wrote in a review for the Associated Press of a new movie released on Netflix called ‘Yes Day’.

Many people have fond memories of watching the original movie of ‘Swallows and Amazons’ when it first came out in cinemas nearly forty-seven years ago and list it in their Top Ten feature films of all time.

David Kerr wrote: “I first saw the film while I was a junior projectionist. I was 17 at the time. My cinema was called the Astor in Bromley, part of south east London. While an independent cinema, we took the ABC circuit films. Somewhere, I have the LP record and a poster of the film. I went on to a career spanning 40 years in international film distribution.”

“It remains one of my top ten films even to this day. I worked for 20th Century Fox…Polygram…and United International Pictures which distributed Universal, Paramount and Dreamworks films. I had a good career and witnessed the good the bad and the ugly during my travels.”

Simon West and the camera crew at Bank Ground Farm

“From memory, I can recall that the film was released over the Easter school holidays in 1974. It’s just been helped as I have found a press ad online and it lists South London unusually running the film first on April 14th.”

Finding Swallow
Simon West, Sten Grendon and Sophie Neville with the director Claude Whatham

“I believe the film was supported by ‘The Lion at Worlds End’ …the documentary that Virginia and Bill Travers made with George Adamson about returning an African lion to the wild. I know I ran the film again either in 1975 or ’76 as an afternoon matinee only with a Kung Fu adult programme in the evenings.”

Brenda Bruce and Simon West on location above Coniston Water

“The film means a lot to me and has done so since 1974. It made me revisit the books…which I still read (currently dipping in and out of an old hardback edition of ‘Pigeon Post’) but I believe I had only read one during my childhood, which I think was ‘Swallowdale’. I also embarked on a number of holidays in the lakes because of the film. That first year I camped on a farm at Torver on the west side of Coniston.”

Simon West as John Walker studying the chart at Holly Howe before the voyage.

“The reason I include it in my top ten is simple. It is pure storytelling that takes the viewer on an adventure. You do not notice the individual aspects of film making you just become engrossed in the story. And that is what a good film should do. I watched it again just last week on a streaming service… It makes me smile ….what more can I say.”

Virginia McKenna with Sophie Neville on location at Bank Ground Farm

John Rose wrote: “I can remember watching the film in 1974 with my mum and grandma when I was a nine or ten year-old, at the then called Mecca Cinema in Horsham, Sussex (sadly now demolished). I remember loving the natural setting and the adventure in the film and remember it being thrilling and suspenseful! Still my favourite film, so cheerful and up-lifting. The lovely music! All still brings a tear to my eye.  Back then in the ’70s we didn’t have the lakes but at every opportunity our little band of local children would run off over the fields playing, building camps and climbing trees in the woods – such happy, carefree days.”

Simon West, Suzanna Hamilton, Sophie Neville and Sten Grendon in Swallow

Last time the film was broadcast on BBC Two, David Stott, who worked as a unit driver on ‘Swallows and Amazons’ when he was fresh out of college, wrote in to say: “I remember how cold you all were whilst filming the swimming scene.  The lily pond scene brought back memories of a very wet day on Pull Wyke caravan park.  Most of the day was spent in the two double decker buses that were your school room and the canteen waiting for the rain to clear. Everyone was so grateful to pack up and go home.”

Sten Grendon as Roger with Suzanna Hamilton as Susan

 

“I had many incidents with the parrot that I had to collect in the morning and return at night.  I hated the bird, often it was let free in a bathroom at Kirskstone Foot and l would have to catch it and put it in its travel bag. I notice in the film that it is chained down whilst it is sitting on your shoulder.”

Kit Seymour as Nancy, Sophie Neville as Titty and Beauty playing Polly the green parrot.

 

“I would spend a lot chatting to Ronnie Logan the hairdresser while the shooting was taking place, such a nice man.”

“The day they filmed the walking the plank scene I remember very well.  I took Ronnie Fraser to the Lodore Swiss hotel at  lunchtime and he was really very well plastered by the time I got him back for the afternoon filming.  I suppose it was the only way they managed to get him in the water.  He was not a happy chappy that afternoon when I eventually took him back to Ambleside.”

“I had to put the rushes on the train to London in the evening and collect developed film (how times have changed).  One of my treats was that I was allowed to watch the rushes with the production team in the evening. Watching it again this afternoon was a real trip down memory lane.  I cannot believe that I was a student starting out in life at the time and now l am a pensioner.  Where has all that time gone?”

Simon West and Sophie Neville on Peel Island in 1973
 
You can read more in the paperback on ‘The Making of Swallows and Amazons (1974)’
.
 
 

You can see some of the illustrations here:

Barbara Altounyan interviews Sophie Neville

Barbara Altounyan

Barbara Altounyan, who set up the charity, Hospice Biographers, interviewed me for Family-Talk, a wonderful project that she set up during Lockdown to unite families.

Barbara’s father, Roger Altounyan, was not only the inspiration for The Boy Roger in Arthur Ransome’s series of ‘Swallows and Amazons’ books but qualified as a doctor, becoming the allergist who developed the Intal asthma inhaler. He experimented on himself so many times that he died prematurely, aged sixty-five. Barbara was able to interview him just before he passed away. The recording is so precious that she is keen to record the biographies of others.

You can listen to our interview here. It starts rather abruptly but is quite fun – a bit like Desert Island Discs without the music:

Do find out about Family-Talk and think of contacting Barbara yourself. She is able to conduct hour-long interviews on a Thursday and send the recording via We Transfer. Her service is completely free of charge. If you would like to be interviewed, please email Barbara at hello@family-talk.co.uk

Barbara says:

• All recordings are GDPR privacy compliant, ie they are strictly confidential and will not be shared. 

• All interviews are currently conducted over the phone / WhatsApp

• A  professional audio engineer ensures best possible quality sound. 

• Family-Talk is available to absolutely anyone who wishes to have their life story recorded over the phone. It is great for those who wish to have a heart-warming conversation with someone from a different generation within their own family and the technology is able to connect lots of different people, on one line. UK Citizens can be connected with anyone across the country or abroad. 

More information can be found on the website:  www.family-talk.co.uk (Barbara says “No one will be able to find us without the hyphen!”)

Hospice Biographers, inspired by Roger Altounyan, also records memoirs free of charge. If you would like to find out more about this nationwide charity for end-of-life patients, please click here

I have used archive photos to profile Dr Roger Altounyan here

You can watch a profile caught on film here:

Memories to add to the third edition of ‘The Secrets of Filming Swallows and Amazons’ – part two:

Since the experts on BBC Antiques Roadshow have been taking an interest in the original feature film ‘Swallows and Amazons’ (1974), I thought I ought to add to a few facts. Although the movie was released forty-seven years ago, the cast list remains incomplete. A few credits are missing:

Jim Stelfox was in uniform, playing a guard or station master at the Haverthwaite Steam Railway station in the opening scenes, when the Swallows first arrive in the Lake District. He ended up appearing in some of the publicity stills that were used in magazines and newspapers. One features on a jigsaw puzzle that accompanied the release of the movie. The little boy leaning out of the train window is Robin Smith, who grew up in Ambleside. He came along with his mother Eileen and his brother, Alan Smith, who became a newsreader on BBC Radio 4.


Kit Seymour, Sten Grendon, Sophie Neville, Lesley Bennett, Virginia McKenna, Simon West Suzanna Hamilton with Jim Stelfox, the station master.

David Watkin Price, also from Cumbria, played the native on the jetty in Rio. His speaking part was cut from the television version of the film broadcast on ITV but remains in the remastered 2014 cinema Bluray and DVD available online.

Mr Price played an important part in our lives when the film was being made as he owned and ran the Oaklands Guest House in Ambleside where we stayed. His daughter Jane, told me, ‘They wanted you to stay in a place that had a family atmosphere with other children.’ I expect that she did a lot to help.

David Price who played the part of the Native in Rio with his family in Ambleside. They ran the Oakland’s Guesthouse ~ photo: Daphne Neville

Jane appeared with her two brothers as film extras in the Rio scenes, remembering that it gave her a day off school. Sadly, her little brother’s knickerbockers kept falling down. You can see Jane in a grey dress with long pigtails,  hoiking them up in this behind-the-scenes shot. To see other photos of the Price family in costume, please click here.

The Price children in their 1929 costumes on the shore of Windermere, 1973

The people of the Lake District have written in with other stories. Philippa Poulson knew the real charcoal burner, Norman Allonby – ‘I lived around the corner from him in 1973. He lived in a tiny one up, one down traditional cottage, walked everywhere, and made a lovely cup of tea. He was very interested in my English Literature A’ level course, being a keen reader. I wonder how many people know he knew Paradise Lost and Paradise Regained, by heart, and in their entirety and could recite any part, at any time, on request. He would happily talk for hours on the subject, with a twinkle in his eye and his pickle catching front tooth. Lovely, gentle man, living life at the right pace.’ You can read more about the real charcoal burners of Grizedale Forest here.

The real charcoal burner
The real charcoal burner outside the hut. Behind him the 35mm Panasonic camera is being mounted on a short section of track ~ photo: Daphne Neville

Susie Trezise said, “I remember them filming ‘Swallows and Amazons’ – it was right in the middle of my O’Level exams and their walkie-talkies kept coming through my stereo speakers! It was fascinating listening. I lived at Stock Ghyll Mill, so about five miles away from the filming. The strangest thing was it still came through the speakers when they were turned off but still plugged in!”

~Comic strips based on the 1974 film found by Arthur Herbertson~

Joss Bundy wrote to say: “My Father, between being the technical director of the Royal Opera House and the National Theatre, worked with Richard Pilbrow at Theatre Projects in the ’70s. He had been a friend of Richard’s for many years. Theatrical lighting design was still in its infancy and designers tended to stick together. Richard and my Dad were the founders of The Association of Lighting Designers, along with various others.

Richard Pilbrow and Neville Thompson ~ photo:Daphne Neville

“My mother, Rosemary Lindsay, had been a ballerina at the ROH, which is where they met. My Mother had sailed since a small child and had devoured each new Ransome book as it was published and loved them more than any others. When Richard mooted the film, my father mentioned what an expert Rosemary was and when the project was getting up on its feet she was given an early script to vet. Various things had been added in for dramatic effect and she vetoed one: Roger getting stuck on top of a cliff, as she felt John and Susan would never have let him get in such a situation.”

“I was clearing yet another box of theatre-related photos and as well as a couple of publicity stills.” One shows filming the Amazon boat house. “I can only assume Richard or Molly sent them back to my Dad, who would have been running Theatre Projects while Richard was away.”

“After the film was finished, Richard offered Swallow to my Mum, but she didn’t want the responsibility of another wooden boat. We still own the one she sailed as a child, a smaller version of a Swallow type boat. She also felt that a boat only sailed in fresh water would not necessarily do well in salt water.”

 
 
Do add any memories you have to the Comments, below. It would be lovely to hear from you.
 
It would be great to have some more review on the film on the International Movie Database. You can easily add one here.
 

You can read more in the ebook about ‘The secrets of filming Swallows and Amazons (1974)’

and  ‘The Making of Swallows & Amazons’ in paperback.

You can see some of the illustrations here:

Swallow appeared on BBC Antiques Roadshow at Windermere Jetty with a movie poster from the original film of Swallows and Amazons (1974)

When Lakeland Arts declared that Antiques Roadshow was coming to Windermere Jetty, I sent the BBC a photograph of some of the props used in the 1974 film of ‘Swallows and Amazons’.

Swallow’s burgee made in 1973 for the original film of ‘Swallows and Amazons'(1974)

I was hoping their expert on movie memorabilia might be interested in the film posters, but couldn’t think that a hand-whittled hazel bow and arrow could be worth much.

Diaries kept on location in 1974, which form the basis of ‘The Making of Swallows and Amazons’

I was keen to talk about my scrapbooks and diaries kept on location and thought they might want to use photos my father took of George Pattinson whose collection of boats formed the basis of the original Windermere Steamboat Museum. He brought his 1900 steam launch Lady Elizabeth to Bowness-on-Windermere when we shot the Rio scenes there in the summer of 1973 . She is currently being restored at the museum.

George Pattinson in his steam launch Lady Elisabeth in 1973 ~ photo: Martin Neville

I also suggested they featured Swallow the dinghy we used in the film. A group of us clubbed together in 2010 to purchase her when she came up for auction.

She was valued by Rupert Maas who is a great fan of Arthur Ransome’s books and watched the film himself as a boy. He liked the fact she hadn’t been over-restored. I didn’t know her ribs were made of elm.

The best photograph of Swallow under sail was used on the cover or the first edition of my book about making the 1974 film:

This first edition is now selling for ridiculous amounts on Amazon, but please email me if you’d like a signed copy. I have a few left.

You can order a copy of the 2nd edition online here

If you enjoy ebooks, ‘The Secrets of Filming Swallows and Amazons’ has links to behind-the-scenes home movie footage. It is available for £2.99 here

The billing from the Radio Times lists the other interesting items on the show. You can watch the episode, mostly shot on a lovely sunny day, on BBC iPlayer. Further details are reported here.

If you would like to find out about sailing ‘Swallow’ yourself, please contact Sail Ransome.

I might appear in the second of the two episodes broadcast from Windemere Jetty – the one shot in rain.

When the BBC rang inviting me to come up, it was clear that I was the antique they wanted to see. The first thing they asked me was my date of birth. This turned out to be due to Covid-19 restrictions but the director did, later, ask if she could call me Titty.

BBC Antiques RoadShow at Windermere Jetty in Cumbria

Filming was already in progress when we arrived at the museum. It was a typical day in late September, pouring with rain.

There was a great deal of impressive camera and lighting equipment in evidence but a number of marquees had been erected to keep everyone dry.

We were introduced to the designer, who whisked off various items I’d brought with me to display, and Marc Allum, antiques expert, author and long-time contributor to the Roadshow. He’s tough. It wasn’t freezing but the weather was far from warm.

BBC Antiques Roadshow Expert Marc Allum

Once at the water’s edge I met Debbie, the director who was surprised by the length of my hair. I explained it had grown during lockdown having not been cut for a year.

My position was marked by small sticks in exactly the same manner as during the filming of ‘Swallows and Amazons’ when I was aged twelve. Camera tape would not stick to the slate shingle.

A measuring rod was used to ensure we remained two meters apart, even whilst on camera, before I was asked to take up the bow and arrow I had helped whittle on location long ago.

Expert Marc Allum setting on a display of movie memorabilia with Sophie Neville

The display included Swallow’s burgee. I did ask for the flags to be crossed, but the significance of this was lost on the design team. You will have to write in and explain the importance.

When it came to being given an estimate for the value of what my husband calls ‘my junk’, I was truly amazed, especially since I nearly chucked half of it away in a fit of de-cluttering.

I am sworn to secrecy, so you’ll need to watch the show to find out how much my collection of movie memorabilia is meant to be worth. It should be broadcast on Sunday 21st February 2021 – but will I be on? I know they will feature Swallow this week but my item could either be featured in a different episode or hit the cutting-room floor.

We talked about the film premiere and influence the Swallows and Amazons books have had in encouraging children to get out into the wild.  As I walked around the museum afterwards, I found the Lady Elizabeth being restored, which you can see in a previous post here.

There is already a movie poster at the Windermere Jetty museum. I dug out a large, sepia poster designed for cinemas that has not been seen since 1974 but the BBC were not able to feature these for copyright reasons. Since receiving a valuation, I am getting it framed.

Diary of a litter-picker: finding elderly rubbish by the sea

Every day we collect aging plastic pollution, cans and glass bottles from Solent shores.

This old glass bottle seems representative of our time of Corona. How long has it been floating around the Solent? Fifty years? The Litter Pickers of the New Forest found me this 1960s advert for the original bottles with the same cream metal cap.

The Deposit Return Scheme running at the time ensured that most were returned to the manufacturers but I’ve found a couple on the shore. One that held ‘Limeade’ with a 3d deposit return label is selling for £23 on Ebay where it is described as ‘a lovely piece of nostalgia.’

How old would this re-useable Unigate milk bottle be? 1980s? Forty years? They have also become collectors’ items. One like this is valued at £15 on eBay. It was found in these willow trees just above the high tide mark. It might have come over from the Isle of Wight where ‘Milk and More’ ran deliveries.

You can just see a brand new mask in this photo (above) but the bottles and plastic containers were hauled out of bramble bushes a few feet from the sea where they have languished for years.

Here is a photo of the same footpath with more plastic bottles that have blown in, together with old glass bottles the earth seems to be spitting out. The message inside them is clear: this has to stop.

I found a Wellington boot, washed up or discarded, which must have been around for some time. It had a field-mouse living inside so, I left it for now, but there is plenty more like it.

This Walker’s Crips packet, found recently, is 24 years old. I have quite a collection.

Plastic is amazing stuff. My father manufactured products made from PVC. He said that back in the 1970s, his company never considered what would happen when the items they made reached the end of their useful lives.

Found on the Solent

What date did the squarish plastic milk bottles come in? How many are disposed of daily in the UK alone? How many are recycled? How long does it take for them to decompose? They tend to flake.

How long does it take for a Tescos ‘bag for life’ to deteriorate? I often find them in the Solent.

Fishing line undoubtedly lasts a long time. It can be difficult to spot.

I often find individual plastic pegs. Why is this? Do they fall off boats?

Collecting the old rubbish is satisfying. You can see more beach cleaning photos here

The Wombles of Hambleton have made up a list of how to age vintage litter:

* cans with an old style ring pull – the new style was used from 1989

* cans that pre-date the bar code (approx 1970s) are measured in fl oz

* older style names, disused names or products eg: Marathon

* pre-decimal prices – dated before 1971

* glass bottles before the switch to plastic eg: older Lucozade glass bottles

* look for competitions advertised on the packaging, which are dated

* products advertising sporting events eg: Mexico World Cup Coca Cola

What is this flotsam doing to the planet? Could you help clear it up? Would you join The Great British Spring Clean with the charity Keep Britain Tidy in May?

For a full list of things I found on beach-cleans, please click here

A fourteen year old can of Coke – found unopened – on the Solent, along with many shotgun cartridges.

Quotes for the 3rd edition of ‘The Secrets of Filming Swallows and Amazons (1974)’

Movies are made for watching. In the end, they belong to those who love them and it is wonderful to hear of the impact they have had on people’s lives.

The screenwriter Caleb Ranson wrote: “You’ve no idea how thrilling this is for me to hear from you. Swallows & Amazons was a life changing cinema visit for me, set me off on my path writing/producing TV/films. I played the soundtrack album every night for years. And I love your book BTW, bought it when it first came out.”

Paddy Heron of Children in Read describes the movie Swallows and Amazons(1974) as “a national treasure of a film.”

Nigel Seymour wrote to say, “that the original film has an ambience which cannot be calculated.  It sits in time, yet it is as fresh as if it was made yesterday!” An international musician today, Nigel believes, “It possesses a simplicity of life we’ve lost, so watching it is a refreshing reminder of great days… a journey into another dimension and another world steeped with love and belonging, adventure and moral understanding, which is shared between a family and accepted. The characters are brought to life almost as if they are an infinite, integral part of the immortality of the story, each giving that picturesque understanding the viewer finds impossible to explain. After watching this film one arrives back in real time with a resounding bang! We wonder why such a simple story can create such an iconic understanding. Why watching this film can make you feel happy, totally complete and yearning to return again and savour that wonderful, eternal landscape we have all learned to grow  and love as the Lakes.”

Tracy Kenny from Ketts Books wrote: “Swallows and Amazons is a firm family favourite in our house and for a while there, your movie was the only film my eldest would watch!”

The author Catherine Randall said: “I lived and breathed Swallow & Amazons including your film. Knew nearly all the words!”

The fan letters continue to arrive. Each one treasured.

Nigel Young writes: “‘Swallows and Amazons’ is one of those films which sets itself  in that timeless space no one can quite fathom or understand, almost verging on ‘Immortality’.  I’m sure no one at the time working on it ever thought the film would achieve the cult status it seems to enjoy today. You are possibly smiling when you read this, but it’s a true reflection of a film, which is more than a film and touches on those beautiful innocent moments and times which have been lost forever.”

Charles H Ball wrote: “‘Swallows and Amazons’ was instrumental in helping me through a very stressful period of my life… I will be obtaining ‘The making of Swallows and Amazons’ and no doubt many more of your other publications in due course. “

C.H.B. left a review of ‘The Secrets of Filming Swallows and Amazons’ writing: ‘the feelings of anybody who would have loved to have had the opportunity of actually taking part in the film are summed up by Nancy Blackett when the D’s are explaining how they managed to get to the North Pole a day earlier than planned. ‘And you two came by yourselves and got here through that blizzard?’ said Nancy. ‘However did you find the Pole?’ ‘The blizzard helped really,’ said Dorothea. ‘We were sailing,’ said Dick………..’And we’ve gone and opened the stores,’ said Dorothea. ‘And eaten some of them. You see we lost our food when the sledge turned over and the mast broke…’ ‘Capsized!’ cried Nancy. ‘Mast gone by the board! Oh. you lucky, lucky beasts!’ Some of us will forever envy the lucky children who had the opportunity of a lifetime.

I hope to include all these quotes in the 3rd edition of ‘The Secrets of Filming Swallows and Amazons’, to be brought out for the 50th Anniversary of the films release in April 2024. Do leave a comment below or write in, letting us know what the film meant to you or how it effected your life.

Diary of a litter picker on Solent shores where I’m told, ‘There is no rubbish.’

‘I didn’t see any rubbish on the beach,’ I was told by a walker as I extracted plastic bottles and tins from the ditch leading down to it. I was glad. I’d cleaned it just before New Year.

Once by the sea I found a Christmas tree and collected half a bucketful of small pieces of PVC rope and elderly plastic that had been washed up on the shore.

Since this is an isolated beach, it shows how much plastic is floating around the Solent. Someone might like their plumb line returned.

While a few things are clearly dropped by mistake,

the amount of litter and ageing plastic on public beaches remains unacceptable. I cannot walk by without collecting it.

It takes a good hour to fill each of these buckets, which contain bags of dog poo and dangerous broken glass. They can end up weighing 4Kgs each.

What are helium balloons doing to the environment? I find one a day.

‘There’s no rubbish on the beach,’ I’m assured by walkers, the next week. I agree that it looks okay. It should be fine. I’ve cleared it a hundred times.

But, almost immediately, I find bottle ring and other items dangerous to wildlife. Then I come across fishing line, the fish hooks bound up in weed.

By the time I reach the end of the beach, I have filled my bucket, finding evidence of nitrous oxide canisters chucked into fires. The ghost rope alone could have caused havoc to shipping.

About this much plastic and glass washes up on a half-mile stretch of the Solent every twenty-four hours. It is not always easy to see it, but it’s there.

‘There is no litter,’ I’m told on approaching the foreshore with my dog-walking neighbour. We keep looking anyway. My friend spots this:

Before long, I had a filled my bucket. Again. Perhaps it’s only when you begin litter picking yourself that you appreciate how bad the problem is. Do join us!

And yet, we didn’t retrieve everything. Can you see what I see?

To see more photos of the odd things we find, please click here

Looking back on 2020 with gratitude.

Sophie Neville in Portugal on 1st January 2020

The year 2020 began for me in Portugal. I was recovering from a broken arm and disappointed to have to cancel my annual charity ride through southern Africa. However, a lovely girl flew over from the Waterberg in South Africa to work for me and we had fun designing gifts, using the illustrations from ‘The Making of Swallows and Amazons’.

You can see more on Redbubble. The ‘Swallows and Amazons’ mugs are popular:

Swallows and Amazons mugs
Mugs printed with maps used to illustrate Sophie Neville’s books

When news of the Coronavirus broke out, we launched an appeal to help families in rural South Africa, which proved a huge success.

Carefully monitored by a qualified nursing sister, and with the help of volunteers from St John’s Church, food packages are still being distributed to needy families, feeding about 150 people a month. Read the latest news here.

Nursing Sister Grace Ismail reporting back from rural South Africa

Tests were unavailable in March, but I might have had a light version of Covid-19 whist we were working on this fund-raising campaign. I certainly lost my sense of smell and developed a weird blister/rash on one hand and foot after spending ten days in bed with fatigue.

Sophie Neville reading Lockdown Tales while self-isolating in the garden

My talks, planned for the summer, were cancelled but I read a story for Lockdown Tales, produced by Wildbeast for BBC Radio Suffolk and made available on BBC Sounds. I took part in an online reading of ‘The Picts and the Martyrs’ by Arthur Ransome, recording a chapter at home.

As literary conferences went online, I led a workshop on photographing books for instagram, when we were joined by the award-winning author Claire Wade.

While devising exotic recipes for my next book, I began baking cakes successfully, for the first time in my life, adding cardamon and cloves.

We rolled up a circle in the lawn to make a Lockdown vegetable garden so the children could see how different plants developed. Our dancing carrots became a hit on Instagram.

I photographed one of my husband’s artichokes, winning the Create! competition, organised by the literacy charity SchoolReaders and judged anonymously by Harry Cory Wright.

The prize-winning photograph of an artichoke

I was Highly Commended for a collage made out of sea plastic I’d collected when beach cleaning, which was awarded by Emma Bridgewater. The winning entries were exhibited at the Wilson Stephens and Jones Gallery in Notting Hill. I also won a prize for taking part in a socially distanced archery match, but otherwise had a year off on the sports front.

Seascape - artwork by sophie Neville made from sea-plastic

SchoolReaders invited me to become an author supporter of their work instilling a love for books in the next generation, along with other authors including Joanna Trollop and Sophie Kinsella. We are encouraging people to make a gift in their will.

I began loading illustrations and some of my sketches onto instagram. Do follow this here.

Hailed as ‘the feel-good film of lockdown’,’Swallows and Amazons'(1974) was broadcast on BBC 2 in both April and August. It was screened in Australia in January 2021. The Radio Times used this shot of me rowing Swallow with Sten Grendon who played the Boy Roger.

Radio Times ‘Film of the Day’ billing for ‘Swallows & Amazons’

I was invited to talk about the movie memorabilia in a socially isolated edition of BBC Antiques Roadshow at Windermere Jetty, which hopefully will be broadcast in March 2021.

Writer Marc Allum with Sophie Neville at Windermere Jetty in Cumbria

It was wonderful to be able to spend a few days in the Lake District, where Arthur Ransome’s first draft of ‘Swallows and Amazons’ is on display.

Sophie Neville with Arthur Ransome’s first draft of ‘Swallows and Amazons’ at Windermere Jetty

In the autumn, a signed First Edition hardback copy of ‘The Secrets of Filming Swallows and Amazons (1974)’ was auctioned online, raising an astonishing £201 for BBC Children in Need, exceeding bids for signed copies of books by bestselling authors such as Bernard Cornwall, Jeffery Archer and Adam Kay.

Lakeland Arts organised an online event to celebrate the 90th Anniversary of the publication of ‘Swallows and Amazons’, selling tickets for an evening ‘In Conversation with Sophie Neville, which you can listen to here.

Kett’s Books invited me to speak on Zoom for their ‘Books at Lunchtime’

The greatest days of this unusual year were spent on the Solent, litter picking with my extended family, who came to live with us through lockdown. Although some dreams were grounded, we had time to go for long walks and were able to explore the South Coast where we live.

We formed a pod of six, so had no visitors, but I treasured the letters that arrived. I’m collecting quotes for the 3rd edition of ‘The Secrets of Filming Swallows and Amazons’, an ebook which I plan to bring out for the 50th Anniversary in 2024. Do write in with your memories.

Reviews and photos from readers are always appreciated, especially on Goodreads and Amazon.

After Christmas, I heard that a historical novel I am currently working on was awarded a prize in the Association of Christian Writers’ novel competition and was shortlisted for the Eyeland’s Book Awards, who have offered me a writer’s residency in Crete.

As we entered Tier 3, I was recognised as ‘Beach Picker of the Year’ by Litter Pickers of the New Forest, a high accolade that marked the end of a quiet but busy year.

‘Beach Picker of the Year’ – Sophie Neville and her dog Flint on the Solent.

I’ve gained 3 pounds and haven’t been to the hairdressers for eighteen months, but we kept safe in our little bubble and are looking forward to a better future when there is no need to wear face-masks. You can find my post on finding elderly litter here

Diary of a litter-picker – Winter beach cleaning on the Solent

I am thrilled to announce that I have been awarded a certificate as ‘Beach Picker of the Year’ by Litter Pickers of the New Forest, who presented me with a very good bottle of wine. The sea thanked my sons and three year-old helpers by presenting them with a jar of instant coffee and this ball.

The good thing about winter beach cleans is that, instead of picnic litter, you are in with a chance of finding interesting things washed up on the shore. Along with a Tescos’ ‘bag-for-life’, that we filled with pieces of rope, bottles and part of a lobster pot, I found an unopened can of larger, a decent ball and a pristine jar of Nescafe Gold, fully sealed although dated 19/5/19. It must have been floating about in the Solent for some time.

The storms tend to bring in a lot of old plastic. This fishermen’s litter (below) accumulated in the lee of the causeway, out of the wind, but in a nature reserve where otters can be found.

There was a lot to gather. I need to return for more.

PPE is getting everywhere. I’ve been stuffing the masks I find in a jar. I’ve also been picking up aged polystyrene, tampon applicators and tangled PVC rope.

I sometimes use a counter to record how many items I pick up. This purple bucketload (below) contained 140 items but can take more than 260, as many pieces of sea plastic are small. It usually ends up weighing between 3 and 4 Kgs.

How long will will it take for all this to disintegrate? It’s interesting to date elderly rubbish. Crisp packets can easily last 40 years.

These ones were only aged about 8, which was a bit disappointing.

Odd things turn up. This mallet was made with a groove along the top, which I understand is used by riggers. It looks as if it came from a fairground.

After the gales this November, I found an undamaged fluorescent light bulb washed up on the Solent. This is my third. I gather these contain mercury. Is it British? Has it been flung off a ship?

By contrast, this large lobster pot buoy obviously belongs to someone. It’s been registered as missing on Facebook but with no response.

The important thing is to keep going, collecting a little but regularly:

It’s then that your eye catches small pieces like fishing line – which we nearly missed –

This is one of three fishy lures collected recently.

It’s good to record just how much plastic pollution accumulates over time. I found about 3 Kgs of rope and micro plastics after scouring this remote beach that I had cleared a month before.

This pollution is being retrieved from ecologically sensitive areas within the New Forest National Park and British seas. Sadly, all this now has to go into landfill – apart from the ball and sealed jar of coffee. It was just what we needed at home.

Sophie Neville collecting plastic pollution from Solent shores.

To see some of the things we found beach cleaning in September, please click here