Category Archives: truelife story

My Christmas

Sophie Neville at Araminta Blue's art exhibition 2017

first published in

The Good Christmas Guide 2017

The Good Christmas guide

Describe a typical Christmas Day in your household.

We scuttle off to our village church where people have gathered to celebrate the birth of Jesus for over a thousand years. Tears well in my eyes when I think of the joy and laughter, the disappointment and pain that has been brought there through the ages. We return to a bizarre Christmas tree, made from a holly bush covered in baubles, and light the fire to help bind us together as a family.

Which was your best Christmas – and why?

Last year I spent Christmas in Africa, where my next book ‘Makorongo’s War’ is set. We sat watching wild animals in the golden evening light.

Who do you think would make the most entertaining guest to invite to Christmas dinner – and why?

Funnily enough it’s my aunt Hermione who makes Christmas and New Year fun but she lives on Loch Lomond, 500 miles north from where we live on the south coast.

What was your best Christmas present as a child?

My father gave me a read leather writing case when I was twelve. ‘The Making of Swallows and Amazons (1974)’ is based on the I diary kept inside it.

What is your favourite carol?

You’ll have to read my book Ride the Wings of Morning about the time we sang Silent Night in Afrikaans. We had a poor translation. Heavenly sausages descended on Bethlehem.

What is your favourite festive ramble for walking off all the mince pies and turkey?

We’ll take my lurcher Flint for a walk by the sea, a social activity as many of my friends have dogs.

If you could spend Christmas Day anywhere in the world, apart from at home, where would it be – and why?

I’d love to bring my whole family up to the Lake District for Christmas so Aunt Hermione could join us. Perhaps we should go with Flint next year.

This year we have been making Christmas wreaths to raise funds for charity, which was great fun. To see more, please click here.

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Filed under Autobiography, Christian, Family Life, Memoir, Sophie Neville, Titty in Swallows and Amazons, truelife story, Uncategorized

Meeting up with Mate Peggy from the 1974 movie ‘Swallows and Amazons’ – part three

Lesley Bennett as Peggy in 1974

~Lesley Bennett playing Mate Peggy in 1974 (copyright:StudioCanal)~

When I met up with Lesley Bennett in the Netherlands this summer, she kindly allowed me to take copies of the snaps she took while filming ‘Swallows and Amazons’ (1974) on location in the Lake District in the summer of 1973.

Kit Seymour and Lesley Bennett in life jackets~Kit Seymour and Lesley Bennett in 1973 (photo: Lesley Bennett)~

The shot above shows Lesley with Kit Seymour, who played her elder sister Nancy Blackett, wearing blue tracksuits and BOAC life-vests over their costumes. I instantly recognised that they were sitting on the east shore of Coniston Water waiting to cross over to Peel Island. Lesley is wearing Peggy Blackett’s distinctive red-stocking hat. We never saw the life-jackets inflated.

Lesely Bennett's photo of the double decker buses at Bank Ground Farm in 1973~Old London Routemaster buses in 1973 (photo: Lesley Bennett)~

Throughout the seven weeks filming, we children were obliged to continue with our schooling. The law stipulated that we completed at least three hours of lessons a day. These were given to us by a local supply teacher, our tutor Margaret Causey, in the bottom of a converted Routemaster bus. We changed into our costumes on the top deck where there were six bunk beds. My mother made me take a rest after lunch. Lesley, who at thirteen, was a year older than me, was allowed out to play.

The other double-decker bus, seen here parked behind Mrs Batty’s barn at Bank Ground Farm near Coniston, had been fitted out with tables and was used as a dinning room where the film crew could shelter from the rain. They took their lunch on trays from the caterers’ van manned by chef John Englewood and his assistant Margaret Wells from Pinewood Studios. We only had a few scenes with a large number of film extras, but these were recorded on sunny days when nobody needed to eat in the buses.

Lesley's photo of Jane Grendon at Rio~Behind the scenes in Bowness in 1973 (photo: Lesley Bennett)~

Lesley managed to take this shot of our chaperone, Jane Grendon, dressed in 1929 costume. This was not only fun but enabled her to look after children taking part in the Rio scenes shot at Bowness-on-Windemere while appearing in vision herself.

IMG_4969~Bowness Bandstand in 1973 (photo: Lesley Bennett)~

The Price family ran Oaklands Guesthouse in Ambleside where Lesley and I stayed for the duration of the filming, along with the other children in the cast. Jane Price and her brothers can be seen here with the Kendal Borough Band playing beyond them wearing their own period uniforms. Mr Price, who looked quite snazzy in his striped blazer, played the part of the native on the jetty who said, ‘That’s a nice little boat you’ve got there.’ If you do not remember this it’s because the scene was cut from the television version, although it remains in the 40th Anniversary DVD and Blu-ray that is widely available. Sadly the bandstand no longer exists and has been replaced by a modern shelter.

Zena Ashberry also took part as a film extra in these scenes when she was a girl. Her maiden name was Khan and although she lived in Cumbria her father originated from the sub-continent. She wrote in saying:

I was nine at the time and my sister was eight. I remember going through an audition – which was really just a panel of three or four men looking at Mum, my sister and me to see if we would be in keeping with the ‘look’ of the film. They seemed very keen on having Mum. My sister, at the time had sandy coloured hair and so was not at all problematic, however I was very dark and because they wanted Mum they said that they could hide ‘it’ by putting me in a white dress and hat! how times have changed…obviously I remember other things too, like feeding the horses which pulled the open carriage and the horse standing on my foot oouuch!, the strange awkwardness of having to act ‘naturally’ whilst being watched through a camera, having to repeatedly carry out the same activity to ensure a good shot – how many times did we throw stones into the lake? The ice-cream tricycle with real ice cream mmmm a treat … being watched by crowds of tourists gathered along the footpath and flower beds. It was a strange and unreal experience, doing what as children we would normally do but doing it in ‘dressy-up’ clothes that weren’t from our own dressy -up box and playing the game with Mum and her friends with total strangers telling us what we should do…just a bit bewildering really, but funny in retrospect.

Zena Ashberry's photo of Rio

~filming in Bowness in 1973 (photo: Zena Khan)~

Zena kept this photo which shows the ice cream seller, Jane Grendon in her blue costume, possibly her daughter Jo Grendon in turquoise shorts and Michael Grendon along with the 35mm Panavision camera and film crew on the jetty where Swallow is moored to the right of frame. I don’t know who the lady in red can be – but do write in if you know!

For previous posts about filming in Bowness-on-Windermere that day, please click here

You can read more in ‘The Making of Swallows and Amazons(1974)’, which can be ordered from your local library.

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Filed under 1973, Acting, Arthur Ransome, Autobiography, Biography, British Film, Claude Whatham, Cumbria, Dinghy sailing, e-publication, Emi film, family Entertainment, Film, Film Cast, Film History, Film production, Filmaking, Lake District, Memoir, Movie, Movie stories, Richard Pilbrow, sailing film, Sophie Neville, Swallows & Amazons, Swallows and Amazons, Titty in Swallows and Amazons, truelife story, Uncategorized, Vintage Film

Meeting up with Mate Peggy – part two

Amazons meet the Swallows

The Amazons confronting the Swallows on Peel Island in the movie ‘Swallows and Amazons’ (1974)

In the feature film ‘Swallows and Amazons'(1974) the part of Peggy Blackett was played by Lesley Bennett. She was an experienced dingy sailor and enjoyed the scenes on the houseboat although she told me she didn’t want the parrot to flap onto her shoulder, which was understandable. Its claws dug into mine.

Sophie Neville with Lesely Bennett and a green parrot in 19730003

~Sophie Neville as Titty with the green parrot and Lesley Bennett as Peggy~

When I met up with Lesley in the Netherlands this summer, we looked though the photographs she’d been given by the producer and kept for posterity.

Kit Seymour and Lesley Bennett at Brown Howe boathouse on Coniston Water in 1973

If you don’t recognise the scene above it is because, although the  shot was taken at Brown Howe, where the Amazon boathouse can be found, they were rehearsing the scene at Secret Harbour on Peel Island when the Blacketts find their boat has been captured. ‘She can’t have drifted against the wind.’ This was the first I knew of this. Perhaps they were waiting around for the camera to be set up or for a decision to be made about their red hats, which they were not wearing. This was rare. They wore them in every other scene.

The Amazons sailing on Derwentwater

Lesley didn’t have much time for Ronald Fraser, who played her Uncle Jim, renamed by Titty as Captain Flint. “He wasn’t very nice to us. I think he regarded us as a bit of a nuisance but as soon as the cameras were on him, he’d change!”

Ronald Fraser with Lesley Bennett and Kit Seymour on Peel Island, Coniston Water in 1973

Lesley, who grew up in Kent, remembered my mother taking her shopping in Ambleside on one of our rare days off. “She had an appreciation of how important it is to buy a good top, explaining that she needed a selection for her work as a television presenter. I remember her waiting for ages while I tried on one after another.” I was amazed when I heard this. My mother only ever took me shopping once or twice when the first Laura Ashley shop opened in Cheltenham. This was deeply exciting but a rare treat. It was my poor father who was dragged from one shoe shop to another. It was difficult to find decent shoes in the ‘seventies.

Leaving London for the Lake District in May 1973 – photo Evening Standard

It was difficult to find decent clothes, that didn’t cost a fortune. There was a reason why dressmaking was so popular – we had to make our own garments. At the age of twelve I made a navy blue skirt for school so that it had a fashionably broad waist band. Flared dungarees were all the rage, worn with a stripy polo-neck or blouse with a large collar. Kit, Lesley and I all wore these, although sadly my brushed-cotton dungarees grew rather short during the filming.

Lesely Bennett's visit to Chiddingstone School's Boat Fair in 1974

Lesley signing autographs at the Chiddingstone School Book Fair in 1974

Lesley managed to find what I’d thought was the ideal outfit for our afternoon film premiere, which I’m pretty sure she is wearing in the shot above. Although we were almost obsessed with clothes, they were not a subject people discussed with new acquaintances, which was a pity as it would have provided us something neutral to discuss with the press.

“I remember the journalists at the hotel in the Lake District,” Lesley said, “and Claude saying, ‘Be careful what you say to journalists because they will turn it against you.'” However, when it came to film publicity Lesley was both enthusiastic and gracious turning up at a local school book fair and posing for newspaper photographers. I can see that tank-tops had come in by this time and it was possible to blow-dry your own hair.

Lesley Bennett in 1974

Lesley enjoyed drama at school and looked into going to RADA, but after auditioning for one film decided the acting profession was too precarious. I think we were both interviewed for parts, possibly the same part in the same film. It was set in Wales and involved rock climbing. I said I wasn’t scared of heights, which was a lie! Sadly it was never made. I told her that Ronald Faser wanted us both to appear in another movie but that the funding fell through. She wasn’t disappointed. I was able to tell her that there was an actress called Lesley Bennett of about our age who once had a part in the long-running soap opera ‘Coronation Street’ but she confirmed that this was not her.

Lesley always loved meeting people wanted to travel, so went into marketing, working for Unilever on the first ‘Just one Cornetto’ campaign. She later branched out into international event management, which took her all over the world. She married a tall Dutchman and has two grown sons. They have a policy of visiting a different place each holiday, there by exploring different places, and they lived in Dubai for a while before returning to the Netherlands where she has been based since the early 1980s.

The cast of Swallows and Amazons with Virginia McKenna at Bank Ground Farm in 1973

Lesley looks back fondly on what she calls “The Swallows and Amazons era”, appreciating what recollections mean to those who have grown up with the movie and enjoy Arthur Ransome’s books. “Innocent films like ‘Swallows and Amazons’ (1974) appeal to those who know exactly how the books were written.” One thing she kept was the original film poster. Here she is with it more than forty-three years after the release. And she hasn’t changed a bit.

Lesley Bennett, 2017

Lesley today, with her original film poster of ‘Swallows and Amazons’ (1974)

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Filed under 1973, Acting, Arthur Ransome, Biography, British Film, Cinema, Cumbria, Emi film, Family Film, Film, Film Cast, Film History, Lake District, Movie, Movie stories, sailing film, Sophie Neville, Swallows & Amazons, Swallows and Amazons, truelife story, Uncategorized, Vintage Film

Meeting up with Peggy Blackett – from the film ‘Swallows & Amazons'(1974)

Lesley Bennett in 1973

When the original feature film of ‘Swallows & Amazons’ was made in 1973, Peggy Blackett was played by Lesley Bennett. She can be seen here on location at Bank Ground Farm above Coniston Water in the Lake District.

For the last thirty-four years, Lesley has been living in the Netherlands. I met up with her for lunch at Schiphol Airport on my way back from sailing Arthur Ransome’s cutter, the Nancy Blackett, through the inland waterways of Zeeland. (Please see the last two previous posts.) I nearly didn’t make the meeting. A man had been arrested for planting a bomb on a train just north of Middleberg, but the authorities must have acted quickly as I wasn’t delayed for long.

Lesley had brought along a blue file of documents and a number of black and white movie stills that she’d been given by Richard Pilbrow, the producer of ‘Swallows and Amazons’ (1974) on one of our last days in Ambleside after filming had finished. We could both remember them spread out on a table at the unit hotel so we could each chose the ones we appeared in. I had picked one where Lesley and I are sitting together, our hair bobbed in line with the 1930’s, I wearing a cream silk dress, Lesley in a dark top looking very pretty:

With Virginia McKenna on the first day of filming

~A publicity shot featuring Virginia McKenna, with Kit Seymour, Sten Grendon, Sophie Neville, Lesley Bennett, Simon West and Suzanna Hamilton, published in the Guardian and other newspapers~

Lesley’s parents, who lived near Tonbridge in Kent, originally learnt that Theatre Projects were looking for children to take part in the film when the Associate Producer, Neville Thompson, wrote to their local sailing club. Lesley explained that her father, who was very well organised, kept a copy of the letter sent to the Secretary of the club in January 1973.  Plans were made for Lesley to be interviewed for a part with her younger sister Lyn, who sadly fell ill and couldn’t make the audition. The letter contains a mistake that might explain why Lesley ended up playing Peggy when she was thirteen years old.

Lesley got on well with Kit Seymour who ended up playing her elder sister, Nancy Blackett – ‘terror of the seas’. Both girls would sail well and enjoyed being out on the lakes. Lesley told me that the reason why she held her hands between her legs in this photograph is that it was so cold when we were filming on Peel Island.

‘Kit would fold her arms and I’d try to keep my hands warm.’ Although I wore a cardigan in this scene, Swallows had been cold too. I remember thinking that at least the Amazons wore knitted hats. Otherwise their costumes were simple short-sleeved shirts and long shorts with black plymsols, worn without socks.

~Kit Seymour as Captain Nancy and Lesley Bennett as Mate Peggy in 1973~

Lesley told me their hats had been quite a problem – not quite a full-blown movie disaster but a they caused consternation in Consiton. The first scene the Amazons shot was set in the garden of Beckfoot, the Blacketts’ house. Although it does not lie on the ‘Amazon River’ at the northern end of the lake, Brown Howe on the western shore of Coniston Water was used as the location and the crew set up the 35mm Panavision camera, along with reflector boards and enough lighting to bring sunshine to Westmorland. When everyone on the production was ready, Gareth Tandy, the third assistant led the Amazons down to the set wearing red knitted stocking caps – with no bobbles. Beanies were not quite what either the director or producer had expected. Lesley has a photo showing the great discussion that ensued:


~Director Claude Whatham, Producer Richard Pilbrow, 3rd Assistant Director Gareth Tandy, Make-up Artist Peter Robb-King, Hairdresser Ronnie Cogan and Associate Producer Neville Thompson with Kit Seymour and Lesley Bennett at Brown Howe on Coniston Water in May 1973 ~

In the end Claude Whatham shot the scene with the girls bare-headed, their hair blowing all over the place, even though it was meant to be ‘dead-calm’ in the story.  This looked natural as they were at home but they needed to look like pirates in every other scene.

~Nancy and Peggy running down to Amazon at the Blackett’s house Beckfoot~

Wooly hats with ‘longer ends’ were knitted locally at some speed. Red is not a good colour on the screen. I remember a couple of bright pink ribbed bobble-hats arrived when we were filming on Peel Island but they were deemed a complete disaster and rejected in favour of scarlet ones originally described by Arthur Ransome even if the colour might look a bit jarring on screen.

No one on the production knew anything about knitting or subtle shades of wool and Emma Porteous, the costume designer, was back in London. When the third pair of hats arrived we were all a bit worried about the fatness of the bobble-end, as they didn’t quite match the illustrations in the books, but no one knew what else to do. Time ran out and the producer was forced to compromise. ‘They were warm but prone to flop about,’ Lesley said, ‘and sometimes flopped forward, which looked a bit silly.’ I’d never noticed this but it was captured in one photograph:

~Kit Seymour and Lesley Bennett as Nancy and Peggy Blackett on Wild Cat Island in 1973~

Mum was given the pink version of the hats. She kept them for years but no one ever wore them.

To be continued….

 

 

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Sailing the Nancy Blackett in Dutch waters – part two

Nancy Blackett, the 28 foot cutter that Arthur Ransome bought with Spanish gold, as he called his royalties from ‘Swallows and Amazons’, is an old lady now. Built by Hillyards of Littlehampton in 1931, she turns eighty-five this year and yet looks pristine. If you ever wanted to sail the Goblin in ‘We Did Mean To Go To Sea’ you must know that it was Nancy who took this starring role in Ransome’s novel, first published eighty years ago.
Nancy Balckett in Middleburg photo Sophie Neville

Nancy Blackett

I arrived in the Netherlands this summer to find Nancy receiving visitors at a nautical festival in Midddleburg, while a jazz band played on the quay.  She was moored by a lifting bridge in the centre of town, neatly rigged and ready for anything. After taking a look at a number of old gaffers, her crew enjoyed a cold beer and walked down the canal to vittel-up at a supermarket before having dinner in what was once a packing house for silks and spices imported from the East Indies.
Nancy seen through the bridge in Middleburg

Nancy seen through the swing bridge in Middleburg

As the swing bridge rose the next morning, we made way and motored down the wide canal to Veere, mooring up by the grassy port bank. 
Hollyhocks of Veere

Hollyhocks of Veere

After being granted permission to go ashore, I passed the historic town well and walked down lanes bordered by hollyhocks to visit the museums of this ancient port. They house a number of charts and medieval maps that would have delighted the Swallows, along with old photographs of Dutch natives in traditional dress. I was tempted to buy a pair of clogs to take home for Bridget.
The waterways of Zeeland

The waterways of Zeeland

We left Veere to explore the islands and creeks of the Veersemeer before sailing down-channel and through a modern lock into the Oosterschelde estuary formed by the River Scheldt. It was once an important shipping route that bought wealth to the Netherlands but is quieter now. I spotted a seal and watched a cormorant swallow a large eel, that wriggled and jiggled inside its gullet.
Windmill of Zeeland

A windmill of Zierikzee

After negotiating the impressive Zeelandbrug that spans the delta, we sailed down to Zierikzee where you can climb the church tower, if you dare, and look out across the once fortified town. The windmills, ornate spires and ancient buildings help one to imagine what life must have been like in the 1500s when it became famous as a trading centre for salt and madder. I found scold’s stones and a whaler’s kayak from Greenland at the Stadhuis Museum in Zierikzee where Veronica Frenks was once the curator.
IMG_4902

The lock gates of Zierikzee

Our skipper, Ian McGlynn, wondered if we could sail back under an arch of the Zeelandbrug instead of waiting for one section of the road to lift. Built between 1963 and 1965 the Zeeland Bridge is more than five kilometres long and hardly comparable to the arch of Potter Heigham but Mate Judy Taylor didn’t want to take any risks. We had Nancy’s new mast to consider.
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Crewing the Nancy Blackett

It was only on our last evening-but-one that rain hit us. We’d had blue skies and sunshine all week. As the salt water was washed away from Nancy’s portholes I opened the pages of ‘We Didn’t Mean To Go To Sea’ to find Ransome’s illustrations and read the final passages of the Swallows’ unplanned voyage to Holland. The book is eighty years old this year and yet moves me still. There is Nancy, portrayed as the Goblin moored up in a foreign port, which is where we left her to be enjoyed by other members of the Nancy Blackett Trust.
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Nancy Blackett in Zeeland

 A marathon reading of ‘We Didn’t Mean To Go To Sea’ is planned, to celebrate the 80 year anniversary of its publication, at Pin Mill Sailing Club on the Orwell in Suffolk on Saturday 21st October 2017.
Pin Mill from the Water
To read more about Nancy or join the Nancy Blackett Trust please click here
Nancy has been featured by Country Life in a July issue you can read here
.
We Did Mean To Go To Sea by Octavia Pollock

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Sailing the Nancy Blackett in the Netherlands – part one

This summer, I grabbed the chance to sail Arthur Ransome’s favourite little ship, the Nancy Blackett. If you recognise her it might be because she was his model for the Goblin in ‘We Didn’t Mean To Go To Sea‘, possibly the most exciting and touching of the Swallows and Amazons series of books. I re-read it while we were in Dutch waters aboard the main character herself.

   ~ Nancy Blackett under sail on the Veersemeer in Zeeland this June ~

~ Beach End Buoy at the mouth of the River Orwell in Suffolk ~

In the story, the Swallows – John, Susan, Titty and Roger Walker – promise their mother that they will not go to sea, but disaster strikes when the Goblin slips her anchor in thick fog, while her owner is ashore, and gets swept out past the Beach End Buoy at Harwich. The wind rises and the children find themselves sailing across the North Sea in a terrific storm before a friendly Dutch pilot guides them into Flushing.

~ Nancy in the old lock at near the medieval port of Veere ~

This year we joined Nancy when she had already made the crossing to the Netherlands but we did take her through an old lock built in the same style as the one the Swallows encountered, all be it at the other end of the canal. It was as if we had sailed into the pages of the book and lived out the adventure ourselves, learning about ropes and reefing each nautical mile.

Mooring up could be tricky, especially since Nancy is an old lady with a bow-sprit, but unlike Susan and Titty, I never felt sea-sick for a moment.

~ Learning how to hoist the mainsail ~

~ The Nancy Balckett undersail on the Veersemeer in the Netherlands ~

~ Sophie sailing in salt water ~

~ Looking out for Dutch barges ~

Local author Veronica Frenks came out with us one morning, taking us up a creek to see the traditional Dutch barges and historic ships that she often writes about. She soon made plans to write about Arthur Ransome for Spiegel der Zeilvaart, a Dutch periodical. Here she is at the helm:

To read about sailing Nancy on the River Orwell in Suffolk, where she is based. please click here.

To read about sailing Nancy on the Beaulieu River and the Solent, please click here

If you would like to grab a chance to sail Nancy or find out more about the Nancy Blackett Trust, please click here

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photographs by Veronica Frenks of Ma Plume, Judy Taylor and Sophie Neville

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A Little Bit of Film History

Contact sheet - Sophie Neville with Amazon's anchor

~ Titty with Amazon’s anchor ~

When I first posted an extract from ‘The Secrets of filming Swallows and Amazons’ on a literary website, someone wrote a review assuming it to be a novel. They must have thought that I was some poor creature who had imagined the whole thing. The reviewer considered the plot too far-fetched and fantastical – as you might if it had not been true.

‘You must have been dreaming.’

‘But Captain Flint, there were burglars, you’ve got to believe me.’

Poor Titty! No one ever believed her. Fortunately quite a bit of documentary evidence exists to support the fact that a certain feature film was made in the Lake District in 1973. I do wish I’d kept a copy of the book review though.

Contact sheet - finding Titty in Amazon

~ The Swallows find Titty sleeping in Amazon near Cormorant Island ~

Contact sheet - Suzanna Hamilton and Sophie Neville sailing Amazon

~ Titty and Susan sail Amazon back to Wild Cat Island ~

Contact sheet sailing Swallow & Amazon in 1973

~ Sailing Swallow and Amazon on Derwentwater ~

Contact sheet - sailing Swallow & Amazon on Derwentwater

I was encouraged to collect things as a child, in case they might one day be of value. Back in 1973, I was given a number of black and white photographs and contact sheets of stills taken by Albert Clarke on the set of ‘Swallows & Amazons'(1974) – if you can call Derwentwater a movie set. I pasted some of these in a scrapbook but others remained in a roll that has only recently been returned to me. Each sheet looks roughly like this:

The Making of Swallows & Amazons contact sheet - both boats

The eye is easily tired by looking at the whole set but scanning and editing reveals a little bit of film history in every shot. I can see here that Titty wasn’t letting Amazon’s anchor down, she was hauling it in while Susan was at the helm, with a fair wind in her sails. This must have been quite tricky.

Sophie Neville pulling up Amazons' anchor

You can tell by the numbers above each shot how many were taken and in what sequence. presumably 2003 photographs had been snapped by the time the Swallows found Titty moored near Cormorant Island.

Contact sheet - filming Swallow

~ These bizarre shots show the film crew afloat on their pontoon ~

The photographs below show Virginia McKenna rowing away from Peel Island on Coniston Water in a native canoe with DoP Denis Lewiston and his 35mm camera, which is pretty unique.

One thing is certain, if these contact sheets had not been given to me they would have been thrown out and yet, over time, they have become precious. Do add a comment below if you would like to see more.

It is quite interesting to see which shots were chosen for the press. You can see a few of the action shots used in magazines of the time by clicking here. Newspapers tended to chose photographs akin to portraits as you can see here.

Recent newspaper articles tend to use a black and white film still that was clumsily tinted giving the lake water an unreal and bright blue hue as you find here.

Some of the black and white prints are now held at BFI. StudioCanal hold a vast selection of the best photos in their library and have an on-line shop here. I have included about a hundred behind-the-scenes snaps taken by my parents in the latest edition of ‘The Making of Swallows and Amazons’ recently published by The Lutterworth Press, available from libraries, bookshops and online stockists including The Nancy Blackett shop, where proceeds go towards the upkeep of Arthur Ransome’s favourite little ship.

9780718894962_cover Amazons.indd

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