I was asked to take photos of pieces of litter for ITV’s ‘Tonight’ progamme who were conducting a survey. This took me twenty-five minutes and left me fuming.
Forgive my rant, but cars never stop while driving out of town around this bend. These items were thrown from moving vehicles, into a Nature Reserve within the New Forest National Park, in the space of a few weeks while Lockdown measures were in place.
Those intelligent enough to pass the Highway Code, obviously think plastic bottles and tin drinks cans are bio-degradable, that there is no need to take responsibility for items that have been in their mouths during a pandemic.
This is not the first time I have found Lynx Africa in the New Forest. I am assured it is sniffed as a recreational drug. This canister was undoubtedly chucked out of a vehicle. Are drivers sniffing it as well as consuming alcohol?
You get three points deducted from your driving licence if something accidentally falls off your roof rack. How many points do lorry drivers get for losing a load – nine? Surely, litterers and fly-tippers should have points deducted inline with this policy? Fly tipping and throwing litter from movie vehicles is hazardous. Being abandoned, the repercussions are endless.
What hope is there for the planet when people can’t be bothered to recycle their own drinks cans?
This McDonalds carton probably came from the Southampton takeaway 19.9 miles away. There is a nearer outlet 12 miles away but it would still have been carried for twenty minutes in a vehicle.
Everyone knows that plastic rings can choke wildlife. There is a sign on this bridge saying ‘Otters Crossing’ but I see cars speeding across at 50mph.
So much of the litter I find could be fatal to wildlife. We all know plastic rings can be lethal:
This rope was found the other side of river, looking north. You can see the wildfowl near the reedbeds.
It goes on and on. This is litter collected in an area frequently cleaned by volunteers. I ended up dragging this traffic cone out of the estuary and adding another face mask to my haul.
I’ve been getting involved in Keep Britain Tidy’s Great British Spring Clean – making an attempt to spring clean the section of the South Coast where we live, only to be shocked by our own findings. Some of the plastic washed up on the Solent has been around for so long the vegetation has grown over or through it. This is not a rock:
This bucketful of flotsam was brought in by one storm, although some items must have been floating around for a while.
A week later I found this washed up on the same 600yard stretch of Solent foreshore:
I collected these tins, plastics and polystyrene from a tidal riverbank.
Our waterways are full of drink cans.
The sheer amount of bottles that must have been thrown out of moving vehicles, is staggering. All this needs to be sorted and recycled.
I have found a number of discarded tools including carpenter’s saws. My husband wanted to resurrect these pliers, but they were beyond hope.
There is often a mask amidst the detritus, none of which will rot.
What distresses me most is the ardent fly tipping. These cans of motor oil were nearly full and looked uncontaminated. Why were they discarded? How many litres of river water would they pollute?
These full containers were dumped in a nature reserve within the New Forest National Park. Does someone imagine these things will decompose?
Get involved in Keep Britain Tidy – its fun! You can find more info here
A few weeks ago, BBC Antiques Roadshow featured some of the flags from the original movie ‘Swallows and Amazons'(1974) in which I played Titty Walker. These film props had been sent to me by the producer Richard Pilbrow who now lives in Connecticut. I take them with me if I’m ever asked to give a Q&A or talk about ‘The Making of Swallows and Amazons’. Film fans enjoy taking selfies with them.
I explained that they were made on location in 1973, possibly by the Art Director, Simon Holland, who enjoyed painting. Equally, they may have been made by the Set Decorator Ian Whittaker, or Bob Hedges who was in charge of the action props. In the story, Titty decides to make a new flag for the Swallow. I was keen on sewing as a child, and was thrilled to be given a needle and thread to stitch a blue swallow on the flag myself in a scene with Virginia McKenna, who played Mrs Walker, shot at Holly Howe (Bank Ground Farm) above Coniston Water in the Lake District. Rather a modern reel of cotton was caught in vision.
It was not until I returned from recording Antiques Roadshow at Windermere Jetty and had the flag on my desk that I noticed some of the stitches are different from others. It looks as if the small, white stitching on one wing could have been my own. As a child, I had thought the larger stitches rather clumsy but am sure they looked appropriate in vision. It would be worth far more if it was known to have been made by Ian Whittaker. He won an Oscar and was nominated for his work on a number of other films.
‘Properly’, as Titty would say, the bird should be flying towards the mast, although I am assured that Arthur Ransome did once draw a diving swallow on one flag. In his book, the swallow was sewn into the cloth rather that plonked on top of fabric browned by tea but our flag has lasted for 48 years.
After Antiques Roadshow was broadcast, a lady who grew up in Bowness on Windermere, wrote to say, ‘It may be of interest that we still have the fishing rods that were used in the film. They belonged to my father Leslie Borwick and were lent to the film crew. They are rather worse for wear but still treasured as I was a big fan of the books when I was young. Unfortunately I was living abroad when the film was made so have no memories of it.’
Leslie Borwick, was a keen fisherman who took his daughter out to catch perch. She said that the bamboo rods are quite fragile but one has a wooden reel, which is interesting.
“My mother’s side of the family were very keen fishermen. Their surname was Bousefield and there is a fly called “Bousefield’s Fancy”(Frank Bousefield)”
You can read the original post about filming the fishing scene on Elterwater here
A clip of Swallow’s flag being valued on BBC Antiques Roadshow can be watched on BBC iPlayer or seen on Youtube here:
‘Titty from Swallows and Amazons’ often gets typed into the Goggle search engine but when I attempt to use it as a ‘tag’ a message pops up saying: ‘Sorry, you are not allowed to assign the provided terms.’ I can only conclude that Google lacks literary enlightenment but the BBC were happy for me to talk about Titty on the Antiques Roadshow recently.
‘Memory picks and choses,’ as Arthur Ransome said in his autobiography (p33) but those who love his novels often wonder what would have happened to the characters when they grew up. It dawned on me that this might be one reason why people are interested to know what we all did with our lives. I played Titty Walker in Richard Pilbrow’s 1974 movie of ‘Swallows and Amazons’. In 1962, the film actress Susan George played the same character in the black and white BBC television serial of ‘Swallows and Amazons’ with her hair in pigtails. She was called Kitty, apparently with Arthur Ransome’s approval. BBC Films decided to call the Able seaman ‘Tatty’ in the 2016 movie ‘Swallows and Amazons’, when she was brilliantly played by Teddy-Rose Malleson-Allen who went on to star in ‘Four Kids and It'(2020).
The character was inspired by a real little girl, Titty Altounyan, who stayed at Bank Ground Farm (or Holly Howe) when visiting her grandparents who lived above Coniston Water. In 1939, Miss Joyce Cartmell acquired a signed note from Arthur Ransome explaining that, ‘Titty is short for Tittymouse which is what she was called when she was a baby. Nobody ever calls her anything but Titty now’. It appears that Ransome was also asked for a photograph of himself, to which he responded, ‘Too ugly’.
Edward Thomas (1878-1917) described Arthur Ransome as ‘exuberant, rash and intelligent.’ In 1973, I can only assume the film director Claude Whatham was looking for the same spirit in us children. It was certainly captured by Wilfred Joseph’s nautical film score.
What constantly impacts me is the number of people who write in to say how much they wanted Titty to become their best friend. In many ways the characters from Ransome’s books become friends for life. You can easily gain others who have the same outlook on life by joining The Arthur Ransome Society, who offer activities and grants for young people as well as adults with a literary bent.
You can read more about making the movie in the multi-media ebook entitled ‘The Secrets of Filming Swallows and Amazons’.
This Sunday 9th May, BBC Antiques Roadshow returns to Windermere Jetty in the Lake District at 7.00pm.
Swallows and Amazons fans expressed great excitement when the first episode was broadcast from the museum on Sunday 21st February as it featured ‘Swallow’, the dinghy from the original movie made on location in the Lake District in 1973 and brought to cinema scenes in 1974.
‘Such an iconic film,’ the expert Rupert Maas, commented, admitting that it once inspired him to sail across the Atlantic Ocean.
He chatted to Rob Boden who looks after Swallow for the organisation Sail Ransome before placing a pretty high value on the old girl.
They had just enough wind to sail off into the sunshine.
I had been invited along for the second episode, recorded the next day, when it poured with rain. While others were arriving with exquisite treasures, I staggered into the museum with two carrier bags of old photographs and what my family regard as clutter.
Rupert Maas was busy valuing a painting by the waters edge but came to say Hello in the lovely new cafe at Windermere Jetty while we watched the expert, Marc Allum value another item.
Marc later walked around to inspect my collection of ‘movie memorabilia’ relating to the film of ‘Swallows and Amazons'(1974), filmed in the Lake District forty-eight years ago. He liked the programme from the premier and the original black and white film stills, along with the flags kindly sent to me from America by Richard Pilbrow who produced the movie now distributed by StudioCanal who have a remastered cinema Bluray and DVD with Extras.
The camera crew seemed adept at keeping their equipment dry, but lining up shots was tricky since everyone had to be carefully distanced.
I knew that signed, first edition copies of Arthur Ransome’s book ‘Swallows and Amazon’ are worth up to £11,000. A note sold in an envelope addressed to a Miss Cartmell postmarked 1939 and accompanied by a small card signed by the author with a pen and ink sketch of a sailing boat, sold recently with an estimate of £1,000-1,500 but I did not think my collection of movie memorabilia from the early 1970’s would be worth much.
Marc invited me to take up the bow an arrow, whittled on location during the filming and fletched with feathers from a ‘Red Indian Headdress’ purchased from a toy shop in Ambleside in 1973.
I suggested the director might like to take a shot of the ML Tern as she passed but visibility was too low. Marc concentrated on my collection, which had nearly been thrown out in a fit of de-cluttering years ago. He valued it at far more than I ever would have imagined.
I wondered if my item would ever be included, thinking it could easily hit the cutting room floor, but this well a kind reader alerted me to the Radio Times billing here
To see more photos of BBC Antiques Roadshow at Windermere Jetty, please see the previous post here
You can find the illustrated book on ‘The Making of Swallows and Amazons’ here:
For details on the BBC Antiques Roadshow website, please click here They tell me they, “would be delighted to hear of any developments that may occur following the transmission of the programme. For instance, further information about the history of an item occasionally comes to light or a decision is taken to put the featured piece up for sale. Should you have any such news, please contact the Antiques Roadshow Office at email@example.com.”
I am honoured to have become a patron of COVID Reflections, a charitable project inviting writers and artists to contribute to an anthology celebrating the positive aspects of the pandemic. The hope is to make a difference by raising money for worthy causes affected by Lockdown and giving a voice to those that are heard the least.
COVID Reflections was founded by Ash Subramanian, a consultant breast surgeon from Sussex, who has gathered an impressive team of volunteers and trustees, profiled here.
Their aim is to publish a coffee table book and multi-media ebook that can be sold to raise funds for charities that have taken a hammering in the last year. You are invited to submit a poem, diary entry or piece of prose.
Think of sending in 200 words on what Lockdown meant for you. I wrote:
There were no tests available when I contracted COVID-19 early March 2020. I stayed at home, puzzled about being unable to smell. Although the virus wiped days from my life, Lockdown proved a golden time. My step-son brought his tiny twin boys to live with us for nine months. The two-year-olds thrived while we dug up the lawn to plant vegetables, enjoying the birdsong and wonderful weather. I let my hair grow, turned the spare bedroom into an office and devoted my daily exercise to collecting litter – which became horrendous – and coastal plastic – which diminished slightly. I donated clothes to women in need, was interviewed on Zoom and enjoyed church on WhatsApp. We raised funds for those seriously hit by the pandemic and prayed for friends admitted to hospital. Released from the tyranny of my usual diary, I learnt how to say ‘rainbow’ in Portuguese, regained my sense of smell and wrote a novel. We spent Christmas alone and had no holidays, but for me, the ‘Time of Corona’ felt like a year off, enabling me to remain at home with my family, where I was needed and needed to be.
You could submit a painting, drawing, photograph or audiovisual contribution be it music or film. Here is Piers Harrison-Reid with his brilliant poetry. He works as a nurse in A&E at Norwich Hospital and has been supporting COVID Reflections by appearing in virtual concerts.
The aims of COVID Reflection’s projects are :
• To give those effected by this pandemic a lasting voice and platform to express themselves.
• To bring communities together, encourage collaborations and to spread positivity.
• To raise significant charitable funds to support organisations on a national and local level .
I sent in a shot of a home-schooling project that took on a life of its own.
The project has the blessing of the Arch-Bishop of Canterbury and will have a Foreword by Captain Sir Tom Moore’s daughter. They are collaborating with The Sussex Constabulary, The Sussex Ambulance & Fire service, a growing representative of MPs, every major religious group, The Royal Society and The Royal College of Surgeons.
Anything submitted will be published either in a printed book or in electronic format.
You can find submission details on COVID Reflection’s website here
COVID Reflections hopes to make a real difference by raising money for worthy causes and providing support to individuals and businesses who have been adversely affected by the pandemic. They will do this by making grants to local, small national and large national charities, to enable them to help those who need it the most, allowing them to continue to do the amazing work that we know is being carried out every day. We hope that, together, we are able to make a difference. If you would like to be involved, please email C19voices@gmail.com or visit their website www.CovidReflections.org
When I was last in the Lake District, I grabbed the chance to climb to the top of Gummer’s Howe to look down on the ‘Great Lake in the North’. Arthur Ransome, who once lived at High Nibthwaite, must have gazed at this exact, same view. ‘Native shipping’ was passing a wooded island and a bay where I could see a yacht was moored. It was like looking down on the chart I once drew for the original film of ‘Swallows and Amazons’ first screened in cinemas forty-seven years ago in April 1974.
Looking to the south, I could see Lakeside Station and the Haverthwaite steam railway running alongside the River Leven where we began filming back in May 1973. The renovated line had only been running for two weeks but we were instantly transported back to 1929, when Ransome wrote the book in a grey barn nearby.
Michael Johnson left a comment on the Arthur Ransome Group Facebook page saying, ‘The Lakeside & Haverthwaite is a lovely line, but frustratingly slow. It’s such a short line that the journey would be over within a few minutes even at a modest speed, like 25mph. Drivers are under standing instructions to drive at little more than walking pace so the journey takes at least 15 minutes. That way everybody thinks they’ve got their money’s worth!’ I hadn’t noticed when travelling on the line myself a few years ago.
Ransome wrote: ‘Windermere is the lake, a bit disguised’ although he used many locations found on Coniston Water that perhaps he wanted to keep more secret. However, it is clear that Rio is his name for Bowness-on-Windermere, which I was able to explore recently. This was the jetty where the Boy Roger was left guarding Swallow.
Charles Elliot from Bowness remembers us, “filming in the bay with some actors in a rowing boat. There was no security so I walked down the jetty right behind the camera.” Was this captured by the Guardian newspaper here?
It’s possible find some of the locations and even some of the traditional boats that appeared in the movie. The natives may be able to help you. Brian Salisbury said, “The village store was my grandfather, Tom Kirkbride’s cobblers shop from mid-1930s to mid-1950s.
Stan Cropper took it over and added the LH extension.” He said of our set designer, “They did it up with the original red wooden finish.” The cat was called Rusty.
After he posted this photo on Facebook, Harry Hodgson wrote to say, “I remember looking at all the 1930’s products in the windows.”
This behind-the-scenes cine footage shot by my father in 1973 shows the film extras getting off the coach at Bowness and a scene being shot on the jetty:
Stephen Newton and Phil Procter would go and watch the filming in their dinner break from Borwicks Aquatics. “There was a band playing in the bandstand and a bloke on a pushbike with a front box selling ice cream. You can see this in the film when the kids are on the pier in the background.”
In many ways, the 1974 film ‘Swallows and Amazons’ has become a touchstone to re-set our lives. Nigel Young writes: “On arrival back from touring, I’d get to Oxenholme station and rush home, change into my boots and head to the hills passing through Bowness…. I’d look across the lake and count the trees on the small beach, seven in all? and in my mind’s eye try to place the bandstand which features in the film so prominently. I’d look for the jetty where Roger was confronted by a blazered gent in whitened shoes asking him about his boat and think… ‘What have they done with it?’
“Then I’d look at the landscape and note all the changes since the making of the film before heading home where I’d immediately put the film on, grab a glass of white wine and just sit and watch it, getting transported back in time to another way and another space, but that space still exists in some strange dimension for me, and I feel in touch with the lakes and in touch with a past I can totally relate with. John wears one of those stripy S buckle belts on his shorts. I had one too!
“You were well cast, almost as if you were a family before you all started and the cinematography, especially where the sailing sequences are concerned, is something out of this world. Whoever shot and edited the footage for the film were totally at one with the story and the locations….. And Ronald Fraser !! …well I would say he really did ‘Swim’ …… I was Principal of an Outdoor Education Centre on Windermere for over a decade and I am aware of just how cold the lake can be in winter or summer….and there goes ‘Ronald’ getting thrown off the plank by you guys into Coniston or Windermere which ever, they are both as cold as each other!”
To read a previous post on finding the film locations and taking the Lakeside and Haverthwaite steam train, please click here
You can read more about the film locations used in ‘Swallows and Amazons'(1974) in ‘The Making of Swallows and Amazons’ published by The Lutterworth Press who can send you a copy.
“One pandemic discovery for my family was 1974’s ‘Swallows and Amazons,’ a charming British film about kids just playing on a lake. On their own, they’re plenty capable of making their own tents and adventures”, the US film critic Jake Coyle wrote in a review for the Associated Press of a new movie released on Netflix called ‘Yes Day’.
Many people have fond memories of watching the original movie of ‘Swallows and Amazons’ when it first came out in cinemas nearly forty-seven years ago and list it in their Top Ten feature films of all time.
David Kerr wrote: “I first saw the film while I was a junior projectionist. I was 17 at the time. My cinema was called the Astor in Bromley, part of south east London. While an independent cinema, we took the ABC circuit films. Somewhere, I have the LP record and a poster of the film. I went on to a career spanning 40 years in international film distribution.”
“It remains one of my top ten films even to this day. I worked for 20th Century Fox…Polygram…and United International Pictures which distributed Universal, Paramount and Dreamworks films. I had a good career and witnessed the good the bad and the ugly during my travels.”
“From memory, I can recall that the film was released over the Easter school holidays in 1974. It’s just been helped as I have found a press ad online and it lists South London unusually running the film first on April 14th.”
“I believe the film was supported by ‘The Lion at Worlds End’ …the documentary that Virginia and Bill Travers made with George Adamson about returning an African lion to the wild. I know I ran the film again either in 1975 or ’76 as an afternoon matinee only with a Kung Fu adult programme in the evenings.”
“The film means a lot to me and has done so since 1974. It made me revisit the books…which I still read (currently dipping in and out of an old hardback edition of ‘Pigeon Post’) but I believe I had only read one during my childhood, which I think was ‘Swallowdale’. I also embarked on a number of holidays in the lakes because of the film. That first year I camped on a farm at Torver on the west side of Coniston.”
“The reason I include it in my top ten is simple. It is pure storytelling that takes the viewer on an adventure. You do not notice the individual aspects of film making you just become engrossed in the story. And that is what a good film should do. I watched it again just last week on a streaming service… It makes me smile ….what more can I say.”
John Rose wrote: “I can remember watching the film in 1974 with my mum and grandma when I was a nine or ten year-old, at the then called Mecca Cinema in Horsham, Sussex (sadly now demolished). I remember loving the natural setting and the adventure in the film and remember it being thrilling and suspenseful! Still my favourite film, so cheerful and up-lifting. The lovely music! All still brings a tear to my eye. Back then in the ’70s we didn’t have the lakes but at every opportunity our little band of local children would run off over the fields playing, building camps and climbing trees in the woods – such happy, carefree days.”
Last time the film was broadcast on BBC Two, David Stott, who worked as a unit driver on ‘Swallows and Amazons’ when he was fresh out of college, wrote in to say: “I remember how cold you all were whilst filming the swimming scene. The lily pond scene brought back memories of a very wet day on Pull Wyke caravan park. Most of the day was spent in the two double decker buses that were your school room and the canteen waiting for the rain to clear. Everyone was so grateful to pack up and go home.”
“I had many incidents with the parrot that I had to collect in the morning and return at night. I hated the bird, often it was let free in a bathroom at Kirskstone Foot and l would have to catch it and put it in its travel bag. I notice in the film that it is chained down whilst it is sitting on your shoulder.”
“I would spend a lot chatting to Ronnie Logan the hairdresser while the shooting was taking place, such a nice man.”
“The day they filmed the walking the plank scene I remember very well. I took Ronnie Fraser to the Lodore Swiss hotel at lunchtime and he was really very well plastered by the time I got him back for the afternoon filming. I suppose it was the only way they managed to get him in the water. He was not a happy chappy that afternoon when I eventually took him back to Ambleside.”
“I had to put the rushes on the train to London in the evening and collect developed film (how times have changed). One of my treats was that I was allowed to watch the rushes with the production team in the evening. Watching it again this afternoon was a real trip down memory lane. I cannot believe that I was a student starting out in life at the time and now l am a pensioner. Where has all that time gone?”
Barbara Altounyan, who founded the charity, Hospice Biographers, interviewed me for Family-Talk, a wonderful project that she set up during Lockdown to unite families.
Barbara’s father, Roger Altounyan, was not only the inspiration for The Boy Roger in Arthur Ransome’s series of ‘Swallows and Amazons’ books but qualified as a doctor, becoming the allergist who developed the Intal asthma inhaler. He experimented on himself so many times that he died prematurely, aged sixty-five. Barbara was able to interview him just before he passed away. The recording is so precious that she is keen to record the biographies of others.
You can listen to our interview here. It starts rather abruptly but is quite fun – a bit like Desert Island Discs without the music:
Do find out about Family-Talk and think of contacting Barbara yourself. She is able to conduct hour-long interviews on a Thursday and send the recording via We Transfer. Her service is completely free of charge. If you would like to be interviewed, please email Barbara at firstname.lastname@example.org
• All recordings are GDPR privacy compliant, ie they are strictly confidential and will not be shared.
• All interviews are currently conducted over the phone / WhatsApp
• A professional audio engineer ensures best possible quality sound.
• Family-Talk is available to absolutely anyone who wishes to have their life story recorded over the phone. It is great for those who wish to have a heart-warming conversation with someone from a different generation within their own family and the technology is able to connect lots of different people, on one line. UK Citizens can be connected with anyone across the country or abroad.
More information can be found on the website: www.family-talk.co.uk (Barbara says “No one will be able to find us without the hyphen!”)
Hospice Biographers, inspired by Roger Altounyan, also records memoirs free of charge. If you would like to find out more about this nationwide charity for end-of-life patients, please click here
I have used archive photos to profile Dr Roger Altounyan here
Since the experts on BBC Antiques Roadshow have been taking an interest in the original feature film ‘Swallows and Amazons’ (1974), I thought I ought to add to a few facts. Although the movie was released forty-seven years ago, the cast list remains incomplete. A few credits are missing:
Jim Stelfox was in uniform, playing a guard or station master at the Haverthwaite Steam Railway station in the opening scenes, when the Swallows first arrive in the Lake District. He ended up appearing in some of the publicity stills that were used in magazines and newspapers. One features on a jigsaw puzzle that accompanied the release of the movie. The little boy leaning out of the train window is Robin Smith, who grew up in Ambleside. He came along with his mother Eileen and his brother, Alan Smith, who became a newsreader on BBC Radio 4.
Kit Seymour, Sten Grendon, Sophie Neville, Lesley Bennett, Virginia McKenna, Simon West Suzanna Hamilton with Jim Stelfox, the station master.
David Watkin Price, also from Cumbria, played the native on the jetty in Rio. His speaking part was cut from the television version of the film broadcast on ITV but remains in the remastered 2014 cinema Bluray and DVD available online.
Mr Price played an important part in our lives when the film was being made as he owned and ran the Oaklands Guest House in Ambleside where we stayed. His daughter Jane, told me, ‘They wanted you to stay in a place that had a family atmosphere with other children.’ I expect that she did a lot to help.
Jane appeared with her two brothers as film extras in the Rio scenes, remembering that it gave her a day off school. Sadly, her little brother’s knickerbockers kept falling down. You can see Jane in a grey dress with long pigtails, hoiking them up in this behind-the-scenes shot. To see other photos of the Price family in costume, please click here.
The people of the Lake District have written in with other stories. Philippa Poulson knew the real charcoal burner, Norman Allonby – ‘I lived around the corner from him in 1973. He lived in a tiny one up, one down traditional cottage, walked everywhere, and made a lovely cup of tea. He was very interested in my English Literature A’ level course, being a keen reader. I wonder how many people know he knew Paradise Lost and Paradise Regained, by heart, and in their entirety and could recite any part, at any time, on request. He would happily talk for hours on the subject, with a twinkle in his eye and his pickle catching front tooth. Lovely, gentle man, living life at the right pace.’ You can read more about the real charcoal burners of Grizedale Forest here.
Susie Trezise said, “I remember them filming ‘Swallows and Amazons’ – it was right in the middle of my O’Level exams and their walkie-talkies kept coming through my stereo speakers! It was fascinating listening. I lived at Stock Ghyll Mill, so about five miles away from the filming. The strangest thing was it still came through the speakers when they were turned off but still plugged in!”
~Comic strips based on the 1974 film found by Arthur Herbertson~
Joss Bundy wrote to say: “My Father, between being the technical director of the Royal Opera House and the National Theatre, worked with Richard Pilbrow at Theatre Projects in the ’70s. He had been a friend of Richard’s for many years. Theatrical lighting design was still in its infancy and designers tended to stick together. Richard and my Dad were the founders of The Association of Lighting Designers, along with various others.
“My mother, Rosemary Lindsay, had been a ballerina at the ROH, which is where they met. My Mother had sailed since a small child and had devoured each new Ransome book as it was published and loved them more than any others. When Richard mooted the film, my father mentioned what an expert Rosemary was and when the project was getting up on its feet she was given an early script to vet. Various things had been added in for dramatic effect and she vetoed one: Roger getting stuck on top of a cliff, as she felt John and Susan would never have let him get in such a situation.”
“I was clearing yet another box of theatre-related photos and as well as a couple of publicity stills.” One shows filming the Amazon boat house. “I can only assume Richard or Molly sent them back to my Dad, who would have been running Theatre Projects while Richard was away.”
“After the film was finished, Richard offered Swallow to my Mum, but she didn’t want the responsibility of another wooden boat. We still own the one she sailed as a child, a smaller version of a Swallow type boat. She also felt that a boat only sailed in fresh water would not necessarily do well in salt water.”
Do add any memories you have to the Comments, below. It would be lovely to hear from you.
It would be great to have some more review on the film on the International Movie Database. You can easily add one here.