Titty in Swallows and Amazons

David Blagden’s role in making the movie ‘Swallows and Amazons’ (1974)

David Blagden as Sammy the Policeman in ‘Swallows and Amazons’

I was interested to learn that David Blagden was born in New York in 1944 and went to school there. He had no hint of an American accent when we knew him in 1973.

Sophie Neville, Suzanna Hamilton, Stephen Grendon, Lesley Bennett and Kit Seymour with David Blagden on Peel Island on — Sophie Neville, Suzanna Hamilton, Stephen Grendon, Lesley Bennett and Kit Seymour with David Blagden on Peel Island Coniston

A young trans-Atlantic sailor, David handled boats with fluency and won the trust of the producer and director of ‘Swallows and Amazons’ who gave him the job of sailing director on the original film. Tall, good looking, and impervious to wet weather, he had an infectious enthusiasm for high adventure out on the water. We children all adored him.

Cormorant Island — Stephen Grendon and Sophie Neville in Swallow, wired to the camera pontoon with Richard Pilbrow, David Blagden, Calude Whatham, Dennis Lewiston, boatmen and other members of the filmcrew

I now realise that although he could splice a rope and was respected for his experience on high seas, David had never worked in film or television production. He claimed to have read the book of ‘Swallows and Amazons’ forty-two times, but evidently did not breakdown the script. As ‘sailing director’ he should have listed what was needed in each action scene, prepared methodically, and conducted what would now be deemed ‘risk assessments’. I look at the photo above and can only imagine what could have happened out on Derwentwater if we had been hit by a Lakeland squall. When my father eventually tested one of the old BOAC life vests we were equipped with, it failed.

As young actors, we only had two days on Windermere to get used to the boats. David concentrated on sailing with Captain John and Nancy, forgetting that Titty and Roger have quite a bit of tricky rowing in vision. They row back from the charcoal burners and row out to Cormorant Island in Swallow, while Titty needs to row Amazon out of the shelter of Secret Harbour into Coniston Water. It was madness not to have trained for a twelve year-old girl for this. I ended up with the precious 35mm Panavision movie camera onboard. We would have had plenty of time to practice as we were all hanging around at Brown Howe where we could have spent an afternoon rowing Swallow.

Contact sheet sailing Swallow & Amazon in 1973 — Contact sheet sailing Swallows & Amazon in 1973

One climax of the story is when Titty sails the captured Amazon back to Wild Cat Island, and yet he failed to teach me how to sail her. This was sad in that is was one aspect of Arthur Ransome’s book that could easily have been fulfilled.

The Amazon on her side with David Blagden (Sailing Director), David Cadwallader (Grip) David Bracknell (First Assistant Director) with Dennis Lewiston (DOP) with the Panasonic in the background ~photo: Richard Pilbrow

Although he was fond of boats, what David wanted was to to act. Claude Whatham, the director, gave him the part of Sammy the Policeman.

David Blagden, the Sailing Director before he had his hair cut to play the Policeman, and my mother Daphne Neville, Chaperone to the six children acting in ‘Swallows and Amazons’

The idea of having his hair cut was challenging but David accepted the fact that a police officer of 1929 would have a short back-and-sides and was shorn at Bank Ground Farm by Ronnie Cogan, the unit hairdresser. Off came his fashionable shaggy locks, which was seen as very brave.

David Blagdon who played Sammy the Policman ~ photo: Daphne Neville

David adopted a Lancashire accent for the part, “Now then Miss Nancy…” and was so proud of his haircut that he removed his policeman’s helmet in vision. This worked well as it gave him appropriate reticence. He remained in character whilst in uniform and his performance was both well timed and convincing. He obviously prepared well for that.

David Blagden as Sammy the Policeman in 'Swallows and Amazons' (1974) — David Blagden as Sammy the Policeman

David had played Grant in The Adventurer, a TV series made about an American government agent made in 1972. He’d also appeared as a prison officer in the 1971 film ‘Kidnapped‘ starring Michael Caine and Jack Hawkins, which we went to see at the cinema in Ambleside on a precious day off from filming ‘Swallows and Amazons’. IMDb lists David as voicing seven episodes of ‘The Water Margin’ and appearing in one episode of ‘Omnibus’ as a talkative actor. He also presented a British television series called ‘Plain Sailing’, which by all accounts did well, and is remembered for his book ‘Very Willing Griffin’ about his remarkable crossing of the Atlantic in a 19′ Hunter, completing the OSTAR race in fifty-two days.

Adrian Mitchell, an old friend of David’s, emailed me to say, ‘Your recollections of David whilst you were filming with him are both interesting and amusing. He was always very strict when he was at Conway and the thought that he would grow his his hair so long is really very funny…. and having it cut off for his policeman’s role in the film even funnier.’

Adrian remembers him from the 1960s as David Blagdon Marks. He might have decided to use Blagden as a surname if there had been another actor called David Marks or David Blagdon registered with Equity at the time.

We are currently unearthing more facts about the misadventyuire that cost David his life. On Sunday morning on 10^th September 1978, skipper and his girlfriend Eleanora Murk-Jansen were planning to sail to Fleetwood (near Blackpool) from Ramsey on the Isle of Man, but had engine problems and their departure was delayed. The weather forecast at midday on the 10^th for sea area Irish Sea appeared not too bad, as follows….

Pressure. 1015 -1018 hPa, falling steadily.

Wind South West. 4 – 5, increasing to force 6

Sea State. Moderate, becoming rough later.

Weather. Broken cloud, showers, good visibility between showers.

This was probably not seen by David as particularly onerous, especially for someone who had sailed the Atlantic, solo, some years before. However, the coastguard was worried and advised David not to leave the harbour as by evening an Atlantic depression had deepened and was moving east from Ireland across the Irish sea. David might have thought that as he was going to be heading south east, he could cope with the sea conditions. It would only be a sixty mile voyage. This should have taken around 10-14 hrs. They left around 10pm that evening, heading south east to Fleetwood.

But during the night of 10^th September, the barometric pressure dropped rapidly with a south west wind blowing Force 7 to 8. By midnight the pressure had dropped to 1000 hPa, a dramatic fall in such a short time would suggest worse weather was to coming, and that was the case, increasing to Force 9 and 10 as the night wore on. This was beyond the limits of a 26ft yacht. It is likely that the wind would have been astern of the boat and large seas could have pitch-poled it (stern over bow), smashing it to bits in shallow water off the nearby coast.

That night a tornado hit the town of Anchorsholme near Blackpool, damaging homes and throwing a large cycle shed through the air. The storm approached the area from the Irish Sea – recorded at Force 9 to 10, west north west.

Meanwhile, early in the morning of the 11^th September the coastguard (possibly from Ramsey or Fleetwood) alerted the RNLI that a yacht was overdue and probably in trouble off the Blackpool/Fleetwood coast and the Fleetwood and Lytham lifeboats were launched. They searched through the night and well into the day on Monday 11^th without success.

On Tuesday 12^th September, the Birmingham Daily Post reported that a 26ft sloop, Jain, on passage from the Isle of Man to Fleetwood with a man and a woman from London on board had been lost on the night of the 11^th September. The body of a young woman, along with yacht gear, were washed up on Blackpool beach. Wreckage was retrieved by a trawler, being from the wreck from a depth of just 1.4m close inshore, including a mast with numbered sail and harnesses that were identified as having come from the yacht Jain. David’s body was washed up nearby a week later.

An alternative account of the tragic shipwreck off Blackpool can be found on the Fleetwood Lifeboat’s site here.

A full account of the adventure had filming ‘Swallows and Amazons’ in the summer of 1973 can be found in the ebook ‘The Secrets of Filming Swallows and Amazons’ and the audiobook or illustrated paperback.

A reader’s perpective of ‘The Making of Swallows and Amazons (1974)’ published by The Lutterworth Press

Road sign to Sophie Neville — A sign of encouragement

I love hearing from readers and so appreciate letters and emails. Here are a few that arrived recently:

‘I do indeed have your book; it was a gift from my sister (we both love the film and it’s very much part of our childhoods). I found it incredibly evocative and loved the insights, as well as being taken back through your own experiences. It was exactly what inspired me to head to the Lakes and seek out some of the locations. Hearing about which places and items were purely for the film was especially fun….and saved me a great deal of time trying to find them!’ Timothy Joint. He kindly left a book review on the Waterstones site:

“A Nostalgic Journey Behind the Scenes of Swallows and Amazons”

Sophie Neville’s book, The Making of Swallows and Amazons, is an absolute delight for both devoted fans of the film and for anyone curious about the making of cinema in that era.

Written by Sophie Neville, the book brings a wonderfully personal and vivid perspective to the making of the beloved 1974 film Swallows and Amazons. What makes it especially engaging is how she transports you back to that time. You’re not just reading about the production, you feel as though you’re right there on the lakes watching it unfold.

Sophie shares fascinating insights into the realities of filming on location, from the unpredictable weather to the logistical challenges of shooting on water. Equally compelling are her memories of what it was like as a young actor balancing schoolwork with the demands of filming, which adds a lovely human layer to the story.

There’s a warmth and authenticity throughout the book that only someone who lived the experience could provide. Her reflections on friendships formed during filming, the camaraderie of the cast and crew, and the innocence of that era give the book a nostalgic charm that never feels forced.

More than just a “making of,” this book is a heartfelt memoir, a piece of film history, and a tribute to a unique moment in British cinema. Whether you grew up loving Swallows and Amazons or are discovering it for the first time, this is a wonderful book that will be loved by everyone.

The Making of Swallows and Amazons by Sophie Neville — Different editions of ‘The Making of Swallows and Amazons’ by Sophie Neville

‘I recently read The Making of Swallows and Amazons (1974), and I have to say there’s something genuinely special about the way this book captures not just a film, but a moment in time.’

‘What makes your book so engaging is its authenticity. The decision to weave your childhood diary entries with your adult reflections creates a layered narrative that feels both immediate and nostalgic. It’s rare to get such an unfiltered, “in-the-moment” perspective of a film production especially one told through the eyes of a child who was living the adventure rather than simply acting it.’

‘The setting itself–the lakes and mountains of Cumbria–adds a natural richness to the story, but what truly stands out is how the experience mirrors the spirit of Swallows & Amazons. It doesn’t feel like a production account; it feels like an extension of the adventure.’

‘There’s also something deeply charming about the absence of modern filmmaking constraints–no digital interference, no rigid scripting, just immersion, imagination, and discovery. That gives the book a warmth and sincerity that resonates beyond film enthusiasts. This isn’t just a behind-the-scenes account. It’s a memory preserved with remarkable clarity and heart.’ Susan Pouliot

Another reader emailed to say, ‘There’s something rare about The Making of Swallows and Amazons it’s one of those books that doesn’t just document a film but actually preserves a lived experience. The extracts from your childhood diary are what make it irreplaceable; a child’s unfiltered voice set against the backdrop of Cumbria’s lakes and mountains, interspersed with photographs, maps, and newspaper clippings that ground every memory in something real. For readers who love Arthur Ransome or classic British cinema, this is exactly the kind of book they didn’t know they’d been waiting for.’

I’m assured, ‘That child’s eye view of the entire journey from filming to premiere is the kind of detail readers who love film history and nostalgia would truly enjoy.’

If you have enjoyed reading ‘The Making of Swallows and Amazons’, do leave a brief review online. Waterstones have a page for the paperback or scroll down here for the UK Amazon site. I also have a page on Goodreads here.

May I call you Titty?

Sophie Neville as Titty – a photo montage of put together by a fan of the film

Google my name and you will come across rather astonishing newspaper headlines ingrained in the internet’s listing system. They are remarkably popular articles. I woke one morning to a comment from Australia alerting me to a peTITTYon in the Daily Telegraph – you could cast your vote online ‘More support for Titty!’ was one cry.

Everyone, it seems, wants to know what it is like to be called Titty.

It is a titualar title in that I have no power. I can do little more than respond with good humour to those who see me as a living representative of ‘Swallows and Amazons’. Like it or not, letters, emails and messages keep arriving addressed to Titty. They are all wonderful, some so enchanting they have been kept along with the old black and white stills taken on location. I attempt to answer each one.

Simon West and Sophie Neville — *Simon West as John and Sophie Neville as Titty on location on Peel Island, 1973*

Having been known as Titty since 1973, I automatically respond when the name is called and wave back, as I’m sure the Able-seaman would. It is quite fun seeing the reaction of passers-by if children call out ‘Titty!’ when they see me coming, but as one church warden pointed out, ‘At least your real name is not John Prescott.’

I found there was a Facebook group called ‘Titty from Swallows & Amazons is one hot cookie.’ When I asked to join the group, all the other members fled. You can see for yourself. It is still there. I am pretty sure they were a group of fashion students – or hope so.

What creepy people don’t seem realise is that I can see the words typed into search engines that bring people to my own website. I’ve had some crackers. It was the navy blue gym knickers I wore to play the part of Titty that attracted quite a bit of unfortunate attention. I had to remove a few photographs featuring this particular item of my costume and talk about the green parrot instead. Children often ask if I still have one.

Altounyan Children - Susie, Taqui, Titty (seated) and Roger — *Susie, Taqui, Titty and Roger Altounyan in 1928*

Although Titty Walker is a fictional character, with adventures of her own, she was inspired by a real child known to Arthur Ransome when he was writing ‘Swallows and Amazons’ back in 1929. I have written about her here and have more photos of her on this website. Titty Altounyan’s real name was Norah Mavis Altounyan but she preferred the nickname of Titty. Ransome explained in a note to Miss Joyce Cartmell that ‘Titty is short for Tittymouse which is what she was called when she was a baby. Nobody ever calls her anything but Titty now’. Tittymouse was a character in English folktale Titty Mouse and Tatty Mouse.

If anything, Titty Altounyan lived rather reluctantly with the fame that came along when the novel became a bestseller. Her descendants were upset to hear that the character’s name was changed to Tatty in the 2016 film adaptation of ‘Swallows and Amazons’. Her daughter was tearful about the lack of consultation and her niece outraged. They saw it as ‘history being re-written’. Ransome was a journalist but what he would have thought of the editor of the Guardian coining the ‘Titty Tatty’ story, which others called ‘Tittle-Tattle’ or the ‘Tittygate debate’, I do not know.

Simon West and Sophie Neville bring Swallow into the Secret Harbour on Wildcat Island

I learned that it wasn’t until after 1929, that the word ‘titty’ took on meaning as a mammary gland. The character’s name was changed to Kitty when the BBC made a black and white television serial of the book back in 1962 when Susan George played the part. Ransome was still living in the Lake District at the time. He seemed to accept the name change, but loathed additions to the story-line and the attitude of the director who had wanted to blast rocks from the entrance to Peel Island on Coniston Water. As you can see from an earlier post, I was contracted to play the part of ‘Titania’ in the movie made in 1973, but the name TITTY was typed throughout the screenplay. Mrs Ransome was the script editor.

Sophie Neville rowing to Cormorant Island — Sophie Neville as Titty and Stephen Grendon as Roger rowing to Cormorant Island

Ransome’s brilliance was that he made Able-seaman Titty, the little sister into the heroine of ‘Swallows and Amazons’. CS Lewis did the same by making Lucy Pevensie heroine of ‘The Chronicles of Nania’. It is not surprising that most little girls reading the story want to ‘be Titty’. They find the syllables easy to pronounce and don’t give a second thought to an alternative meaning to the name. It is accepted as genuine, and they tend to regard jokers as immature. ‘May I call you Titty?’ one five-year-old asked. What could I say? She knows that her cat has titties on her tummy but that’s not rude and it’s no reason to change the name in her eyes. I am assured that girls in the US don’t bat an eyelid. Boys may snicker at first but are soon swept away by the story.

The audiobook of 'The Making of Swallows and Amazons' — The new audiobook

You can read about how I came by the part and what it was like to be on location in ‘The Making of Swallows and Amazons’ now available as an audio book.

Swallows & Amazons flags drawn by Sophie Neville

The crossed flags my publisher asked me to draw (with permission) that were later used on the call sheet of the 2016 movie.

We had a full house for the last illustrated talk on The Making of Swallows and Amazons (1974)

Sophie Neville, who played Titty in the original film ‘Swallows and Amazons’, gave a special talk on what is was like to take the lead part in a feature film at the Museum of Carpet in Kidderminster, on Saturday 21st February.

Richard Pilbrow, who produced the original film ‘Swallows and Amazons’ had been married to Vicky Brinton whose family donated many of the items on display at the former mill, along with a huge poster in the conference room.

Sophie was born in Worcestershire, seven miles from the venue. Her great-grandfather, Canon Hastings Neville, was a curate in Kidderminster and one of his ten sons, the Olympic athlete Dick Neville, pioneered the manufacture of woolen carpets in New Zealand, developing a crossbreed of sheep for the purpose. In 1960, he employed Richard Pugh-Cook who returned to the Midlands and founded the Museum of Carpet thirteen years ago.

About seventy people packed into the conference room to listen to the talk, which enjoyed a great response. “The degree of factual information contained in it is amazing…all those details of 50 years ago conveyed with such clarity and enthusiasm!”

“….such an inspiration to so many people especially younger people who have such different lives these days – another era then, it seems, but one we should not forget.”

“a great success – everyone seemed to have throughly enjoyed your talk, hearing about the other side of filming!”

Sophie signed copies of her books after the talk when she had a chance to meet ‘Swallows and Amazons’ enthusiasts and a little girl hoping to become a film actress. The event was covered in the local news.

Actors who love ‘Swallows and Amazons’

“They’re pirates!” Sophie Neville as Titty in the EMI movie ‘Swallows and Amazons’ made in 1973 and shown on ITV, Channel 4, BBC TV and Amazon Prime

“I hated you!” I was told after giving a talk at Denville Hall, the actor’s retirement home, this January. “I’d always loved the books and was upset when the film came out because I would have loved to have played Titty. I had been Titty as a child. Was Titty, and yet you got the part!” This left me wondering how many actors saw themselves as characters from Arthur Ransome books.

Julian Sands claimed to have had a Swallows and Amazons childhood, as did Dame Judi Dench who has mentions this in her audio book on Shakespeare and in interviews “…Swallows and Amazons, I remember that very well indeed.”

Timothy West and Prunella Scales talked about various Arthur Ransome books while on their canal barge series.

Alfred Enoch told Caitriona Balfe and Jack Edwards that he loved the series when they were reviewing the Booker Prize in 2023.

It was the late Sir Micheal Hordern admitted to be a devotee of Arthur Ransome and shared his love for fishing:

Miranda Hart, known for her work on Miranda, Call the Midwife, andNot Going Out, said, “Oh, I love these wonderful stories about outdoor life in one of the most beautiful parts of our country – the Lake District. Camping, sailing, exploring, discovering – it’s still the stuff of dreams for me. My favourite character was Peggy. She was shy and a little nervy but always kept up with her sister, who was captain of their boat. It was rather like me and my sister; although I was the elder, I was the shyer one, and often had to rely on my little sis to do the grown-up things. And I have to say Peggy is my favourite character still, because that’s partly who my dog is named after. I love that this book celebrates the importance and joy of friendship. But above all it harks back to a time when children had to use nature and their imagination to have fun through the long summer holidays. No iPads on tap here. I hope it inspires kids and adults who may have forgotten about the bliss and thrill and beauty of nature to rediscover it.” You magazine.

Samuel West said of his mother, Prunella Scales, ‘She introduced me to the novel Swallows and Amazons and to big walks in the woods. The fact I spend a good amount of time in nature would please her.’

Victoria Wood and Martin Cloones have both referred to characters from Swallows and Amazons in spoofs.

You can read more about Griff Rhys Jones and other television and radio presenters who love ‘Swallows and Amazons’ on an earlier post on this website.

Dan Stevens said of ‘Swallows and Amazons’, ‘It’s a book that was very very dear to my heart when I was young.’ He was going up for the part of Captain Flint at the time.

It would be easy to list those who have played characters in the films and television adaptations of ‘Coot Club’ and ‘Swallows and Amazons’ such as Dame Virginia McKenna or Ralph Spall who first loved the books, but I’d love to know more about Ransome’s fans.

Do you know of other actors who treasure his books or who have been influenced by any of the dramatised versions? Please add suggestions to the comments below.

Highlights of 2025 – a writer’s year

A long-forgotten photograph of Sophie Neville aged 21

I reached the end of 2025 wondering what on Earth I’d accomplished apart from clearing out my mother’s house – an irksome project as she’d lived there for sixty years, but I found a lot of photos, piles of hand-written letters and other relics from making the original film ‘Swallows and Amazons’, including a news cuttings book and other finds, which I added to this website. I came across more graphics only yesterday, so watch this space.

Sue Anstruther and Sophie Neville signing books with the help of Alex Moore — Sue Anstruther, Alex Moore and Sophie Neville signing books at Riverside Studios in Hammersmith

February 2025, marked my first Doctor Who convention, when I was invited to speak on the panel after a screening of ‘Vengeance on Varos’. Great fun!

The fans have worked out that those on the production team have lots of stories and I was made very welcome. I’d forgotten that I had invented Varian knitting or wore red in the studio. Sadly, Nabil Shaban, who played our monster, Sil, was too ill to join us and died in October 2025.

Sophie Neville working on the Doctor Who episodes 'Vengeance on Varos' — Sophie Neville working on ‘Doctor Who’ with Nibil Shaban, Martin Jarvis and Forbes Collins

However, it was great to be reunited with other members of the cast including Geraldine Alexander who rushed over from the set of ‘Bridgerton’, and Colin Baker who I’d also worked with on ‘Coot Club’. You can read more about the day on this website.

Rob with Sophie Neville, Geraldine Alexander, Nicola Bryant, Stephen Yardley, Colin Baker and Forbes Collins

As a member of a film crew you are busy but invisible until your name is worthy of a credit. As a writer you are invisible until you win an award. One of my screenplays written in 2024 reached the semi-finals of the Scriptwriters & Co International Festival, which was exciting.

Then two reached the finals of the Screencraft’s True Story screenplay competition. There were only eight other finalists.

I was awarded an Honourable Mention for excellence in screenwriting at the glitzy International Film Gala in London, when I was joined by Lucy Calcott who has been editing my work.

This script was one of ten finalists in the Pitch Now screenplay competition.

I won a Lonely Wolf screenplay award, was in the running for a Creative Worlds Award

and on the Cannes Screenplay List. All this was followed by a feature interview in The Church Times, a profile of my writing to date and a few other author interviews when I was asked unexpected questions about my past.

Being nominated and winning a screenwriters award at the New Media Film Festival in Los Angeles was exciting. While in Spain, I took part in an onscreen Writer’s Block Q&A chaired by Dr. Maya Rockeymoore Cummings and was interviewed by Susan Johnston on what I’ve learnt as a writer. (I’ve learned that smelt is spelled smelled in America!)

Meanwhile, one of my stories reached the finals of the prestigious American Christian Fiction Writer’s Genesis Contest and a silver coat pin arrived in the post.

The same WWII story won a genre award in the Page Turner Awards and another was shortlisted in their Culture Award.

Right at the end of the year, literally on 30th December, I won the Eyelands Book Award for an unpublished historical novel, which was encouraging. It’s the third award they have bestowed on me. I absolutely treasure the ceramic tree trophies.

From August 2025 onwards, I helped Children in Read raise nearly £10,000 for BBC Children in Read by taking part in an online charity book auction, which was fun and involved dialogue with many amazing writers.

It was great to receiver this illustrated review of the film ‘Swallows and Amazons’. My non-fiction books received flattering online reviews, which is always appreciated and Resolute Books inspired me to bring out my memoires as a trilogy of life as a single girl. This is exciting but on the back burner for now.

The Gondola on Coniston Water today, re-built and restored by the National Trust.

Meanwhile the National Trust asked if they could use my ‘Swallows and Amazons’ map of Coniston Water to promote MY Gondola’s cruises.

Map showing film locations around Coniston Water

Items featuring this map and others can be purchased from Redbubble:

Swallows and Amazons mugs — Mugs printed with maps used to illustrate Sophie’s books

Meanwhile, real life continued to plung forward. We’ve had our house on the market and, whilst my mother was diagnosed with medium dementia, she refused to leave home. It made finding time for anything else tricky, but I managed a little litter picking.

We ploughed on with sorting through the vast number of letters and photographs Mum had stored all a-muddle.

What a task! As one friend said, ‘it’s bad enough finding homes in the house for things that come in use, let alone things that don’t!’

I was beginning to feel overwhelmed when I was asked to knit poppies for a commemorative installation at church. This was so calming that I made about 150 whilst watching dramas. My excuse for imbibing every crime serial available is that I need to examine script construction. I shot footage of our ‘towering achievement’ for BBC South Today and aided a drone photographer who took this shot for The Guardian and other national papers.

The Remembrance cascade of poppies at Boldre Church — The cascade of homemade poppies at Boldre Church

After taking my mother for a holiday in Pembrokeshire, we found her a place at Denville Hall, the amazing retirement home for those who have worked in the entertainment industry. She appeared briefly on ‘The Repair Shop Christmas Special’, which I profiled on her website. I added some of the old photos of her early career as a television presenter and have started giving a series of illustrated talks to the residents. The first one was on her work behind-the-scenes on the original movie ‘Swallows and Amazons.’

For some years now, I have been the webmaster for The Waterberg Trust, a UK registered charity supporting amazing projects in a corner of rural South Africa. We sponsor the role of the only school nurse working in the Limpopo Province. Along with caring for pupils, she has established four school vegetable gardens and distributes food parcels to those in need. I’ve started a project knitting hats to take them as an encouragement in 2026.

You can read about life at my parents’ house in my memoir ‘Funnily Enough’, which won a Rubery Book Award when it first came out and is now available as a paperback for £7.99, on Audible and other audiobook platforms. The illustrations look best on the ebook version. You can see a free sample here.

Funnily Enough – the paperback with black and white illustrations

Finding the scrapbook I kept whilst filming ‘Swallows and Amazons’ in 1973

I thought I’d lost it! But, on clearing out our mother’s house, my sister found the cuttings book I kept whilst making the original movie ‘Swallows and Amazons’ in 1973.

It includes a plan of the London double-decker bus where we received rudimentary lessons on location. Three bunkbeds on the top floor were meant to be used so we could rest after lunch. Mum said she forced me to lie down everyday but I can only remember a couple of occasion, once when I was reluctant, once when I was freezing cold after a swimming scene.

We changed into our costumes at the top of that bus, enjoying warmth from a gas stove that leaked rather alarmingly on one day necessitating an evacuation.

The exterior looked liked a conventional Routemaster with added curtains.

Lesley Bennett's photo of the double decker buses at Bank Ground Farm in 1973

Once sitting at my desk, I found my italic fountain pen and began keeping a diary. One version of the first seven days spent in Cumbria is pasted into the scrap book. I later re-wrote a slightly more detailed and interesting version in a couple of notebooks and wrote about how I got the part of Titty, and the filming from different perspectives.

These pages describe the day spent travelling to Ambleside and a couple of days spent getting to know each other along with Dame Virginia McKenna, who played the Swallows’ mother, the producer Richard Pilbrow, David Blagden who was in charge of the sailing and the film director Cluade Whatham.

Encouraged by my mother, we began pasting in newspaper cuttings.

Newspaper cutting published in May 1973 detailing the beginning of filming the original movie 'Swallows and Amazons' in Cumbria

The Times and the Guardian were at Havethwaite Railway Station to take photographs on the first day of filming. The BBC Radio 4 newsreader, Alan Smith, who grew up in Cumbria, was a film extra that day and can be spotted standing in train doorway with his brother. He wrote to me with his memories of the day.

I began adding photos from contact sheets that Albert Clarke, the film’s stills photographer, took of the cast and crew. I wrote about the opening locations here.

There are pages of dictation and a few sketches of the film props. I drew the yellow Austin ‘taxi’ we drove in at the station.

There were some cuttings that I hadn’t seen for years until until I opened the pages of this mislaid cuttings book. Others can be found on earlier posts.

Sophie Neville's collection of newspaper cuttings while making Swallows and Amazons

I took pages of dictation, learning about the plants and geology of the Lake District, about Beatrix Potter and the National Trust, but it’s a wonder any schoolwork was accomplished at all. We spent so much time on set. I fell behind in French and Maths but gained respectable exam grades that summer, gaining 80% in Geography. Perhaps I wrote about glacial lakes.

You can read more about the adventures we had whilst filming ‘Swallows and Amazons’ in books detailed on this website.

'The Making of Swallows and Amazons (1974) by Sophie Neville' — Different editions of ‘The Making of Swallows and Amazons (1974) by Sophie Neville’

There is now an audiobook on ‘The Making of Swallows and Amazons’ published by The Lutterworth Press and available on all online platforms including Audible.

‘My Take’ interviews the author Sophie Neville

Can you tell us when and where you were born?

I arrived two weeks early and was born at home, delivered by my great-grandmother in my parents’ cottage, the Old Bakery in the village of Clent in Worcestershire in 1960. Tell Laura I Love Her and Save the Last Dance For Me were top of the charts.

Sophie Neville as a child ~ photo: Martin Neville

Can you give us background on your parents and what they did for a living?

My father worked in Press and Publicity at BIP where he launched fibre glass boat manufacturing by setting up an experimental workshop in Covent Garden. My mother married on her 21^st birthday just before graduating from RADA. She was in the same year as Susannah York and the playwright Hugh Whitmore, but took a break in her career to get married and have us children.

Painting with my father on the shore of Coniston Water

Do you have any siblings?

I have three little sisters, so I was never lonely. Perry had a small part in the classic HTV series Arthur of The Britains and later played the teacher in Bernard’s Watch. Tamzin had leading roles in six television productions playing Elka in Arthur of the Britons, Anthea in The Phoenix and the Carpet and Linda in Love in a Cold Climate with Judi Dench and Michael Aldridge playing her parents.

My mother playing mother and Tamzin as Anthea in *The Phoenix and the Carpet*

My adopted sister Mary-Dieu suffered from polio as a baby so was in hospital a lot or on crutches, but appeared as a film extra in Abide With Me and the wartime drama Tenko, which she enjoyed.

Where were you schooled and were you academic?

I am a visual learner and could have gone to art college but concentrated on English, history and geography, going on to read anthropology with ethnography and psychology, subjects I draw on continuously as a writer. The most useful subject I took at university was cartography. All the best books contain maps and I draw my own.

Swallows and Amazons map of Coniston Water

Did you have any early career aspirations and did you go onto further education?

I went to the University of Durham, where I made wonderful friends including Alastair Fothergill who produced Our Planet and most of Sir David Attenborough’s iconic serials, along with a number of wildlife movies for Disney. I missed my viva – an oral aspect of my Finals – because I opted to go filming in the Charmague, but would you turn down that opportunity? We went on to film in Kenya and recce locations in Zaire and Uganda.

Alastair Fothergill making ‘Wildlife on One’ at Lake Nakuru ~ photo: Sophie Neville

Where did your creative flair and love for acting and writing come from?

We are all born to create. There are times when I have been tempted to take a more managerial path but I feel called to write, so that’s what I do.

Sophie Neville with some of the books she has written

Did you come from a creative family?

My father loved design concepts and developed products with his team at work, notably the cable tie. You find them everywhere now. My mother has always held a burning desire to act and brought out a children’s book in the 1980s, which is still in print. I feel she has more talent as a writer than an actress but she loves the social aspect of filming. At the age of 85, she appeared in Top Boy and was involved in filming The Repair Shop when they visited Denville Hall, the actors’ retirement home in November 2025.

Daphne Neville and Christopher Plumber in Diagnosis Murder — Daphne Neville with Christopher Lee in ‘Diagnosis Murder’

How did you manage to get your lucky break as an actress?

I was able to play the piano. I took my music along, practiced seven or eight hours a day, and did what I was told.

Sophie Neville playing Elieen Brown in the BBC adaptation of ‘Cider with Rosie’

Can you recall your first acting credit?

As a child, I appeared as a film extra in classic drama serials such as The Changes and Arthur of the Britons but gained my first acting credit as Eileen Brown in the BBC play Cider With Rosie, adapted by Hugh Whitmore. I had my hair chopped off for my first movie, and went on to act in a few more productions.

Sophie Neville having her hair cut on location for the part of Titty Walker in 1973

Your C.V. covers several areas including behind the scenes television and film related roles. Let’s start at the beginning of your career and find out what inspired you to become an actress and did you have any early influences?

I wasn’t so much inspired as simply offered an amazing opportunity, which is exceptionally rare. I was invited to an interview to appear in an adaptation of Arthur Ransome’s book, Swallows and Amazons when I was aged twelve. Of all the parts in all the books, I was asked if I would like to play Titty. How could I turn that down? I loved the Lake District, enjoyed camping and was happy in a boat. I did it for fun.

Swallows and Amazons is a classic family film released in 1974. Can you tell us about your experiences working on the film? What are your overriding memories and what does the film mean to you personally?

It proved hard work and involved a lot of hanging around in the cold, but I loved the period aspect and thrived spending time outdoors on location. Filming on Derwentwater was amazing. We had our own desert island, pine trees to climb and a houseboat to attack. Making Ronald Fraser walk the plank was fun. He did it rather well.

Cormorant Island - Sophie Neville as Titty filming 'Swallows and Amazons' 1973 — Sophie Neville as Titty on Cormorant Island ~ photo: Daphne Neville

You’ve written two books on your experiences of working on Swallows and Amazons: The Making of Swallows and Amazons and The Secrets of Filming Swallows and Amazons. What made you decide to write two books on the film and were your memories still fresh and vivid when recounting the stories?

I had the amazing cine footage that my parents took behind-the-scenes on location that they BBC put on a DVD when they made Countryfile and Big Screen Britain, presented by Ben Fogle. I’d already set up my own publishing company and was employing a formatter who suggested we brought The Secrets of Filming Swallows and Amazons as a multi-media ebook, including this unique footage and my parents photos (that you would never be allowed to take on location these days). This did so well as an ebook that it was picked up by the publisher Classic TV Press. They gained permission to add official stills from the film and brought it out as a large paperback with colour plates entitled The Making of Swallows and Amazons. It was then bought by The Lutterworth Press who re-designed it in 2017.

How were your books on Swallows and Amazons received by fans and critics?

Each edition had been received with huge enthusiasm. I had terrific publicity in the Times, Telegraph and Daily Mail and am hugely appreciative of all the book reviews left by readers online. I didn’t want to spoil the magic of the film but nearly fifty years have passed since it first came out and fans like to visit the locations. I’ve included maps and all the information needed to find them.

Can I ask your take on the film’s fanbase, how it’s regularly shown and embraced by new audiences? What do you think is the film’s overall appeal?

Being a family classic, as you say, it has become generational. People who originally watched it in the cinema in 1974 want their children and children’s children to see it. When an audience of 250 piles into a cinema to see the re-mastered version, you can appreciate what an amazing landscape movie it is. The humour is drawn out when you watch it with an audience, which is wonderful and you emerge from the auditorium feeling elated.

You’ve appeared in several classic television serials and programmes: Crossroads, The Two Ronnies and Cider With Rosie. What are your memories from working on those shows and did that exposure lead to other opportunities?

I didn’t realise that Ronnie Baker directed the Two Ronnies, or at least the Charley Farley and Piggy Malone serial with in it. He inspired me to direct comedy. I adored working with him and only wish we’d done more together. He had me for an informal interview on location one lunchtime. I blew it, but did end up directing a bit of comedy at the BBC.

Ronnie Corbet with Sophie Neville filming ‘The Two Ronnies’

6. Who have you enjoyed working with the most in front and behind the camera? Have any of your colleagues acted as mentors and have you gained greater knowledge about the industry from any of them?

So many! Suzanna Hamilton and Anthony Calf are the actors I’d want to work with again. They brought out the best in me. Claude Whatham was the mentor who advised me before I went for my first interview to work in television production. He said, ‘Filming is all about using your time well.’ Writers are wonderful about sharing every tiny piece of knowledge but my own formatter Lisa Skullard mentored me on new technology, for which I am grateful.

7. What made you decide to make the transition from an actress to a behind-the scenes member?

Even as a child I was more interested in the logistics and production side of making dramas.

Can you talk about some of the projects you’ve worked on including being an assistant floor manager of EastEnders, My Family and Other Animals, Bluebell, Doctor Who along with your directing and producing credits?

I was very fortunate to work in BBC Drama Series and Serials at the very zenith of production in the 1980s. It was such a privilege to work on My Family and Other Animals as it was made entirely on location in Corfu. I helped cast the little boy and did the research, interviewing Gerald Durrell, who came out on location with his lovely wife Lee Durrell. I carried out the historical and film research on Miss BlueBell’s life and met her in Paris where we filmed one summer. I also worked on the zoo vet series One by One, and became a location manager on Rockcliffe’s Babies. Producing my own series, INSET, shot in Cumbria, Wiltshire and Sheffield was unforgettable. I had such a good team and we were in a position to do ground-breaking work.

Sophie Neville not at 10 Downing Street but on the lot at Elstree Studios — At Elstree Studios for the BBC Drama Directors’ studio course. I am wearing a green sweater.

You are an award-winning writer with several books to your credit. What made you decide to become a published author and of the books you’ve written, which are you most proud of and why?

Writing Funnily Enough was a huge challenge. I felt I was laying my whole life out before the world. It’s a dark comedy. As all the stories expose my friends and family, I opted to self publish so that I could make changes. My brother-in-law was working in Libya and I didn’t want him to be shot. In the end I was only asked to change the name of a town and the names of three characters. I’ve changed them back now. My brother-in-law now regularly talks about his book on Libya on Sky Television.

9. How does the creative writing process work for you? How long does it take you to prepare and plan a book and do you have a set time for writing?

I need at least two years to write, edit and develop a novel, even though I put in about eight hours work a day. I often start at 6.30am and am a complete work-aholic. Only other writing, such as articles, and inevitable admin get in the way. My husband has to do the shopping.

Ride the Wings of Morning by Sophie Neville — A travel book with a difference

We’ve spoken about the many areas and capacities you’ve worked in: Acting, a floor manager, a researcher, producer, director and a published author. Do you have a favourite discipline and if so, why?

I loved every aspect of directing – felt as if I was flying – but you need huge stamina and total application. My husband needs me at home, so writing is an easier career path to follow although I travel quite a bit giving talks and conducting research.

11. Away from your creative endeavours, can we discuss some of your other loves and interests: Anthropology, your love of animals, charity work and archery.

My family have kept tame otters for almost forty years, hand-rearing abandoned babies and lecturing on conservation. I am now Patron of the UK Wild Otter Trust. I emigrated to southern Africa in 1992 and ended up volunteering on a number of projects, helping to set up a charity to combat the HIV/AIDS pandemic. One million people still die from AIDS every year. We continue to run HIV prevention and awareness in schools, employing a nurse to care for those on anti-retrovirals and keep an eye on the orphans, many of whom are in their teens.

I learnt to shoot with a long bow on the set of Swallows and Amazons. This was pivotable as it led to a leading role in an adventure movie, The Copter Kids, with Sophie Ward and Vic Armstrong. The sport also introduced me to my husband. He was Chairman of the archery society my parents belonged to.

Sophie with her husband on the coast of South Africa

Can I also ask you what made you decide to emigrate to South Africa and can you tell us about your 12-years living there?

You’ll have to read my books, ‘Funnily Enough’ and ‘Ride the Wings of Morning’. Every details lies within the pages.

Final Questions to Finish Interview

1. What’s your favourite past time? Walking along beaches

2. What’s your favourite film and why? I have to admit that Swallows and Amazons (1974) is a nostalgia trip for me. It’s been described as ‘mesmerizing’.

3. Who’s your favourite novelist? Karen Rosario Ingerslev

4. If you could have had a different profession what would it have been? Mother

5. Who has been your greatest inspiration in life? Jesus

6. Do you read a newspaper? If so which one? The Telegraph

7. What’s your favourite food? Black cherries

8. Who is your favourite cultural icon? Virginia McKenna

9. What’s your favourite curse word and why? I try not to swear

10. What’s your favourite place or holiday destination? The Okavango Delta

11. Who is your favourite music artist and what’s your favourite album? Cat Stevens greatest hits

12. What’s your greatest achievement to date? Publishing Funnily Enough and finishing my historical novels.

13. How do you wish to be remembered? As an inspiration to others.

A signed and dedicated paperback of ‘The Making of Swallows & Amazons’ auctioned in aid of BBC Children in Need 2025

A book signed by the author always makes a good Christmas present. Each year, I take part in an annual online charity auction organised by Children in Read to raise funds for BBC Children in Need.

You can scroll through the site on Jumblebee. co.uk. and choose from an amazing selection of biographies and other books donated by contemporary authors.

In 2025, I donated a signed and dedicated illustrated paperback copy of ‘The Making of Swallows and Amazons (1974)’

It was accompanied by a signed print of Titty Walker played by Sophie Neville in ‘Swallows and Amazons’ (1974) drawn by the artist Caroline Assheton

Sophie Neville as Titty by Caroline Assheton

Funds raised go directly to BBC Children in Need

Paddy Heron, the fundraiser, has been advertising the event on Twitter

👇👇👇👇👇👇👇👇👇👇👇👇👇👇https://t.co/XC2Jdw7ZEx
👆👆👆👆👆👆👆👆👆👆👆👆👆👆@Sophie_Neville @BBCCiN pic.twitter.com/xHNrczMoLc
— Paddy Heron 🇺🇦 (@ChildrenInRead) October 7, 2025

Taking part is always great fun and offers authors a bit of publicity whilst presenting readers a choice of signed and dedicated books and illustrations.

There are always many bargains to be had

In 2023, items in the Authors and Illustrators’ auction, raised a total of £24,061 for BBC Children in Need.

This year, authors and illustrators raised £9,766.

Over the eleven years that the annual event has been running a stunning total of £141,766 has been raised. I joined in 2020 and have raised a total of £616 for this cause.

Bidding has now closed but put the event in your diary for next year.

Thank you for supporting this great cause!

Working behind-the-scenes on Swallows and Amazons in 1973

Daphne Neville with Sophie Neville while filming 'Swallows and Amazons' in Cumbria — Daphne Neville with Sophie Neville while filming ‘Swallows and Amazons’ in Cumbria in 1973

It wasn’t until we were making preparations for the 50th Anniversary of the EMI film ‘Swallows and Amazons’ that I began to list all the work my mother, Daphne Neville, accomplished behind-the-scenes.

Daphne Neville accompanying Suzanna Hamilton, Kit seymour, Sten Grendon, Simon West, Sophie Neville, and Lesley Bennett out to the houseboat on Derwent Water

When I was offered the part of Titty Walker, she’d been invited to work as a chaperone, along with Sten Grendon’s mother, Jane Grendon. This proved to be a pretty demanding job. Getting us ready and into the minibus every morning alone must have been challenging. We stayed at the Oaklands Guest House where there were only two bathrooms shared between twenty-three residents – the eight of us, various students from the Charlotte Mason College of Education and the five members of the Price family who owned the house. We had to move out over Whitsun when it had been booked by holiday makers.

Dressed for the Cumbrian weather: Daphne Neville with Liz Lomas ~ photo: Richard Pilbrow

Mum was pretty horrified by the spaghetti hoops, cuppa soups and pasties given to us for supper and asked if we could have a fruit bowl in our school bus. Location catering in 1973 was good but aimed at providing electricians with meat and two veg, rather than food for children. We enjoyed salads and chicken drumsticks but baked beans could ruin a take and sugared food made us over-active and probably annoying.

Location catering — Suzanna Hamilton, in her red tracksuit top, seeing what the location caterers had for lunch on the set of ‘Swallows and Amazons’ by Coniston Water

On film sets you normally have female costume assistants or dressers to help change actresses into their costumes. On ‘Swallows and Amazons’ we had Terry Smith the wardrobe master and my mother. Whenever there was a scene with film extras, Mum helped him to fit them with shoes and hats, helping the ladies into costumes for the opening scene at the station.

Terry Smith, Sophie Neville and Daphne Neville on location in the Lake District — Wardrobe Master Terry Smith with Sophie Neville and her mother Daphne Neville outside the Make-up caravan on location near Keswick in Cumbria

Our hair was cut and looked after by Ronnie Cogan but mine had to be washed every night by Mummy. She moved me into her bedroom, which was tiny, but had a basin. This seems a small thing, but watch the film and you see my hair flying around the whole time indicating the ever-present wind.

Daphne Neville and Ricahrd Pilbrow on Peel Island on Coniston Water in 1973 — Daphne Neville and Richard Pilbrow on Peel Island on Coniston Water in 1973 Amazons

Mum tried to keep us warm on location, getting us into life jackets and sunhats before we were taken off to the set, which was often either a boat or island.

Daphne Neville with Sophie Neville and Simon West on Coniston Water

Having won prizes for archery, she taught the Amazons to shoot with a bow and arrow for their scene on Wild Cat Island.

Daphne Neville teaching Lesley Bennet, who played Peggy, how to shot with a long bow

She also took a vast collection of behind the scenes photos, some of which were very good.

Ronald Fraser with Daphne Neville and Sophie Neville on Derwentwater in 1973

I couldn’t bear it when Ronnie Fraser flirted, but Mum enjoyed every moment of being on set. She longed to appear in the film as a supporting artist. My father, Martin, appeared in five different shots but Mum missed the crowd scene at Bowness and sequences taken aboard the MV Tern the next dau.

Jane Grendon with other film extras on the original movie ‘Swallows and Amazons’

Back home, she had a part-time job working for HTV who had given her leave but called her back to Bristol to present an episode of Women Only and promote the channel at the annual Bath and West Show. You can read more about this on her website here.

A Day Off in Blackpool — Suzanna Hamliton, Simon West, Claude Whatham Sophie Neville, Kit Seymour, Jean McGill with Daphne Neville kneeling at Blackpool funfair in 1973

While other members of the film crew were given one day off a week, our chaperones’ work never ended. Jane took us shopping or on walks up into the fells. Mum came with us on a trip to Blackpool.

She must have driven me to Epsom for a pick-up shot in September when members of the Walker family had more haircuts and enjoyed being reunited.

Daphne Neville with Stephen Grendon, Suzanna Hamilton, Sophie Neville, Jane Grendon and Simon West

While we hated the publicity that came with marketing the film, Mum embraced it to the full, collecting every newspaper and magazine article.

Sophie Neville and cast of Swallows and Amazons off to the Puffin Club Party at the Commonwealth Institute in London — Sophie Neville, Suzanna Hamilton, Daphne Neville, Lesley Bennett, Kit Seymour, Sten Grendon and Simon West off to the Puffin Club Party at the Commonwealth Institute in London

She took us to London for a Puffin Club show at the Commonwealth Institute devised by Kaye Webb,

Kaye Webb's Puffin Club 1974 — Kaye Webb’s Puffin Club Show – April 1974

and to the Lord Mayor’s Show when we rode on a float set up by EMI Films.

Suzanna Hamilton, Stephen Grendon, Leslie Bennett, Simon West and Kit Seymour sailing the streets of London in 'Swallow' — Suzanna Hamilton, Stephen Grendon, Leslie Bennett, Simon West and Kit Seymour sailing the streets of London in ‘Swallow’

Mum was thrilled when invitations to the film premier arrived and bought me a green dress to wear to the ABC Cinema in Shaftesbury Avenue where it was held.

Daphne Neville at the London premier of 'Swallows and Amazons'. It was billed along with 'The Exorcist' — Daphne Neville at the London premier of ‘Swallows and Amazons’ in Shaftesbury Avenue.

She framed a film poster and kept every photo, every scrap of paper related to the film along with the LP and other items of movie memorabilia.

Fifty years later the items were valued on BBC Antiques Roadshow as being worth over £4,000.

To read Daphne Neville’s articles on being a chaperone, please find three earlier posts on this website beginning here.

The Saucepan and her mother on a scenic railway in Cumbria in 1973 ~ photo: Martin Neville

Daphne is currently staying at Denville Hall in Northwood, west London, with other retired actors. You can become a Friend of Denville Hall here.

A full account of making the original movie can be read on the ebook ‘The Secrets of Filming SWALLOWS and AMAZONS (1974)’ where you can read the first section free of charge.