Category Archives: Titty in Swallows and Amazons

‘An A-Z of Cumbria and The Lake District on Film’ has been launched

by Hayloft Publishing, written by David Banning with a forward by Sophie Neville.

‘This is the finest comprehensive guide to the history of movies filmed in Cumbria and the Lake District, since the early twentieth century to the present day… it  will take you on a journey through the filmic landscape of one of the world’s most beautiful places.’

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‘You will be able to immerse yourself in the lush green world where Star Wars created an alien landscape or take a trip around Swallows and Amazons country, not to mention joining the ranks of Withnail and I pilgrims or sampling the nostalgic Breif Encounter tea rooms where a tiny piece of grit kick-started an enduring romance.’

To read more, please click here for Cumbria Today or click on this image for a review in the Cumberland & Westmorland Herald:

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There is also a feature in the Westmoreland Gazette here

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For more information from Hayloft Publishing, and to buy this book, please click here

Terry Abraham, who made the film Life of a Mountain, writes: There are countless books covering aspects of the most beautiful corner of England but none which reveal little known facts regarding it as a location for filming. David thoroughly and interestingly brings to light the great number of films both large and small that have featured Lakeland on camera. Some less obvious than others but no less absorbing, you may well wish to seek out and visit where productions have captured the scenic delights of Lakeland. David’s book is an engaging and enlightening read and definitely one for the shelf alongside other works celebrating England’s finest landscape.

Be the first to review this book on Amazon.co.uk

David Banning lists ten of the best films made in Cumbria. Please click on these links for the International Movie Database details and film trailers:

Brief Encounter, 1945

The Dambusters, 1955

Swallows and Amazons, 1974

The French Lieutenant’s Woman, 1981

Brazil, 1985

Withnail & I, 1987

28 Days Later, 2002

Miss Potter, 2006

Sightseers, 2012

Star Wars Episode VII – The Force Awakens, 2015

You can see a shot of Derwent Water at 1.23 mins into the official film trailer for Star Wars after ‘This Christmas’ graphics, here:

 

 

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Launching the second edition of The Secrets of Filming ‘Swallows and Amazons'(1974)

 

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A second edition of the ebook ‘The Secrets of Filming ‘SWALLOWS & AMAZONS'(1974) is now avaialble on Amazon Kindle, Smashwords, itunes, Kobo, and Nook for £2.99 . You can download this free of charge if you already own the first edition.

If you would like a copy but don’t have a Kindle, worry not. We have added a link whereby you can download a free Kindle app. Please go to my Book Page and scroll down for the details.

If you already have a copy of the ebook, contact a Customer Advisor and ask for a free update. You just need to give Kindle the ebook’s ASIN number. The ISBN for all online editions except Kindle is: ISBN 9781311761927

ASIN is: B00GNFYZJS. The full instructions are: Select “Help” from the right hand end of the top grey bar on your online Amazon account page on the main site. Click on ‘Contact us’ on the right. Under ‘What can we help you with?’ select Amazon Content and Devices. Tap on your Kindle device in the boxes shown, then scroll down the page to ‘Select an issue’ and in the drop down menu select ‘My Kindle books and subscriptions’ Follow the prompts to connect to a Customer Advisor on live chat. Tell them that there is a newer version of the book than when you originally purchased and ask them to deliver the latest updated edition to all of your devices. This is free, although it takes a few minutes. There may be a different proceedure to download new versions from other booksellers – I advise doing whatever is similar. From other sellers you will need to supply the book’s Smashwords ISBN: 9781311761927

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A beautiful photograph of Virginia McKenna taken on location in the Lake District in 1973 by Philip Hatfield

Since being contacted by others who were involved in the filming, I have been able to add a few more anecdotes and images, including this beautiful shot of Virginia McKenna kindly sent in by the photographer Philip Hatfield.

I found a copy of my original contract for the film and when Jean McGill rang from Bowness, a few more secrets floated to the surface.

Sophie Neville and David Wood

CBBCTV’s Cinemaniacs  interviewed the screenwriter David Wood and myself on how the original movie of Arthur Ransome’s ‘Swallows and Amazons’ was made back in the summer of 1973.  The idea was to use 30 second clips, so please excuse my over-the-top reactions, but you can watch the whole recording below.

‘This has to be one of the most delightful interviews in my recent memory.’ Tim Lewis, USA

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‘Swallows, Amazons and Coots’

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‘Swallows, Amazons and Coots’ by Julian Lovelock, with a forward by Sophie Neville, was launched on 23rd September at The Radcliffe Centre at the University of Buckingham. Published by the Lutterworth Press, it is a companion for anyone who loves Arthur Ransome’s series of ‘Swallows and Amazons’ books.

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To read more and enter a competition to win a copy please click here

For photos of the book launch please click here.

About the new book

‘In 1929, Arthur Ransome (1884-1967), a journalist and war correspondent on the books of MI5, now widely regarded as one of the most influential children’s writers of the twentieth century, turned his hand to writing adventure stories for children. The result was Swallows and Amazons and eleven more wonderful books beyond, spanning in publication the turbulent years from 1930 to 1947. They changed the course of children’s literature and have never been out of print since, beloved for the author’s ability to create a world of escape so close to reality that it is utterly believable, in which things always turn out right in the end. Yet to be properly appreciated today, the novels must be read as products of their era, inextricably bound up with Ransome’s life and times as he bore witness to the end of Empire and the dark days of the Second World War.

‘In the first critical book devoted wholly to the series, Julian Lovelock explores each novel in turn to offer an erudite assessment of Ransome’s creative process and narrative technique, highlighting reflections of his experiences and contradictory politics, colonial imagery, the spectre of war and of course his remarkable skill as a story-teller as he constructed a fictional refuge for himself and his readers. Thus Lovelock convincingly demonstrates that, despite first appearances, the novels challenge as much as reinforce the pervading attitudes of their time. Elegantly written, Swallows, Amazons and Coots is both up-to-date and nostalgic. It will appeal to anyone who has enjoyed the world of Swallows and Amazons, and there is plenty here to challenge the Ransome enthusiast and the student as well.’

Endorsements 

Virginia McKenna wrote: ‘There is always more in life than meets the eye. The delightful and unique Arthur Ransome stories from Swallows and Amazons to Great Northern? have delighted us over the years. But now we learn, thanks to this fascinating book, that there are more aspects and depths to the stories than we ever imagined. In no way does this diminish them – on the contrary. By giving us a more profound understanding of the author, the adventures and exploits of his characters take on an extra depth and dimension. These are stories for children that no adult should miss.’

‘An admirable introduction for newcomers to the Swallows and Amazons novels, written with detailed and expert knowledge. Julian Lovelock clearly has a deep affection and admiration for Ransome’s writing, and places the books in a rich and complex context. This is an elegant and leisurely guide through the books in the company of an amiable and well-informed companion.’ Peter Hunt, Emeritus Professor of Children’s Literature, Cardiff University, and co-author of How Did Long John Silver Lose His Leg? (2013)

Available from Amazon online and from all good bookshops

There was an interesting feature published in the East Anglian Daily Press here

Julian Lovelock is the editor of Mixed Moss,2016, the journal of The Arthur Ransome Society, which includes an article by Sophie Neville who is President of the literary society.

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Swallows and Amazons films profiled on BBC South Today

‘Can you be in Cowes at 9.00am tomorrow morning?’ I was asked.

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BBC South Today explained that they’d like to interview me about being in ‘Swallows and Amazons’ back in 1974.

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‘They’re pirates!’ I found Sarah Farmer filming on the Parade.

Sophie Neville with BBC South Today

Seren Hawkes who plays Nancy Blackett in the new movie ‘Swallows and Amazons’ was with her.

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I was asked what advise I could give Seren about what might happen next.

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All I could say was, ‘Watch the wind and sail with it!’

Sophie Neville with Sarah Farmer and Seren Hawkes

Seren Hawkes, Sarah Farmer and Sophie Neville

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It was great to meet up with the producer Nick Barton, who showed me ‘Swallow’ the RNSA dinghy that also stars in the film.

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I went on to join fans of the film for lunch at the Royal London Yacht Club, where I once gave a talk, before going out on the Solent.

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Telegraph bag

 

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Swallows and Amazons (2016) – appearing in an opening scene

Kelly Macdonald starring as Mrs Walker and Andrew Scott as Lazlov, with me, Sophie Neville, as a dithering lady in a hat and rusty-coloured jacket getting into the steam train behind Roger at Portsmouth Station. Blink and you’ll miss me.

So opens the new film version of Arthur Ransome’s story ‘Swallows and Amazons’ (2016) directed by Phillipa Lowthorpe, which is coming out in cinemas around the UK on 19th August.

Meanwhile, here’s one I made earlier:

For news of all things ‘Swallows and Amazons’ please click here

Steam train 1928

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‘Swallows and Amazons’ (1974) the opening locations of the classic film

Ext : Ulverston Railway Station ~ filmed at The Haverthwaite Railway Station

An article in The Times 1973

A photograph taken for The Times of us all aboard the steam train at Haverthwaite

On the first day a of filming in May 1973, a huge effort was made to ‘dress’ Haverthwaite Railway Station, at the southern end of Windermere, to bring across the feel of a bustling 1929 destination. Local people had been previously fitted with costumes in the Ambleside Church Hall, there was a horse and cart, porter’s trolleys laden with trunks and old bikes, which were of great interest to us.  Having stepped down from the steam locomotive we were piled into an open-topped period vehicle, for publicity photographs.  I liked being on the car but thought the photograph was silly, especially since Kit Seymour and Lesley Bennett who were playing The Amazons were wearing ordinary clothes, rather than period costumes. The result was later published in both The Guardian and Woman’s Realm. Virginia McKenna was interviewed by the journalists while we were hurried away to get on with our lessons. Our tutor taught us Art. I drew the a picture of the motor car.

With Virginia McKenna on the first day of filming

A publicity shot for the film featuring Virginia McKenna, with Kit Seymour, Steven Grendon, Sophie Neville, Lesley Bennett, Simon West and Suzanna Hamilton, taken on the first day of filming and published in the Guardian and other newspapers

The yellow motor used in the film for our taxi was a superb. I can only imagine it was far grander than a real Lakeland taxi would have been. Sten ~ playing Roger ~ hung out of the window as Claude, ‘filmed us driving out of the station, along the platform (?) at top speed,’ as I recorded in my diary.

Director Claude Whatham talking to Virginia McKenna at Haverthwaite Railway Station

Ext: Holly Howe ~ filmed at Bank Ground Farm by Coniston Water

Arriving at Holly Howe in the yellow taxi was truly exciting. It was not filmed the next day, as I think rain set in. Claude waited for good evening light. But I remember the thrill of drawing up outside the farmhouse in the old car and pulling on my hat as we spilled out and ran past the big farm horses Mr Jackson was leading into the yard. I’m afraid our OOV (out of vision) dialogue was added later.

The screenplay of the 1973 film ‘Swallows and Amazons’ adapted from Arthur Ransome’s book by David Wood

If you ever go to Bank Ground Farm near Coniston, called Holly Howe by Arthur Ransome in his books, you must run down the field to the lake as we did. As soon as you arrive. And at top speed. And you will be filled by the same feeling of elation as we were when we played the Walker children.

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Steven Grendon, Sophie Neville, Suzanna Hamilton and Simon West at Bankground Farm on Coniston Water in the Lake District

The slope, formed by glacial scouring and subsequent deposits long ago, is steeper than you think.  You soon learn the art of glaumphing, which I became adept at as a child.  What struck me when I returned to Bank Ground Farm one Spring, was that sadly the great trees have gone from around the old farm gate and the boatsheds by the lake.  They must simply have reached the end of their lives.

Stephen Grendon, Sophie Neville and Simon West with Mr Jackson at Holly Howe~ photo: Daphne Neville

Ext: Peak at Darien ~ filmed by Derwent Water

Most Arthur Ransome devotees will know that the Peak at Darien, where once stood stout Cortez, is familiar to readers as it appears in two of the illustrations in the book, but can not be found below the farm. Mrs Ransome said that you could find it on Windermere. In April 2011, when I was on an early recce with Nick Barton, CEO of Harbour Picture Productions, we did pass one promising spot:

A possible Peak in Darien by Lake Windermere

However Richard and Claude chose Friar’s Crag on Derwent Water for the location . I didn’t know it but Christina Hardyment writes in her excellent book, Arthur Ransome and Captain Flint’s Trunk that they had found the very place Ransome had in mind, “without the slightest idea that they were quite right to be doing so.”  She found that Ransome had marked up postcard of Friar’s Peak for the 1930s illustrator Clifford Webb to work from. It feels completely right when you are there, with the iconic view of an island under the towering mountains. It was over this that they added the opening titles.

South Cortez, however, was not there. Neither were we children. The shot was taken later on in July. By the time we had been transported from Coniston to Derwent Water for this scheduled scene the sun was going down.  We’d been delayed by the make-up artist who was determined to tone down the tans we had developed.  This took ages. He used a very small sponge. My mother was frustrated as she thought that this would never have shown up, but he put his foot down with the result that we were ‘late on set’ for the evening shots. Claude Whatham was very cross about it.

Sophie Neville as Titty arriving too late in the day to film at Friar’s Crag on Derwent Water. The island protrayed as Wildcat Island can be seen in the distance ~ photo: Daphne Neville

One of the big secrets of the film ~

One of the big secrets of the film is that the sequence when we run up to the Peak at Darien and first set eyes on the island in the lake was shot under an oak tree in Runnymede. Near the River Thames. We were looking at the director, not an island at all.  It must have been an expensive ‘pick-up shot’, but we enjoyed meeting up again immensely. Claude had made an effort to gather together the same crew members and I was back in my lovely silk dress once more. We knew how to act by then and the joy of being together again shows on our faces.  The result was a scene to set the film off on the right foot.  We were jubilant, so excited, that, like swallows, we could have taken flight.

Sophie Neville, Claude Whatham and Simon West with Richard Pilbrow in the foreground ~photo:Daphne Neville

The opening titles ~

I would have to check with Richard Pilbrow to be certain but I think that Simon Holland, the Art Director, penned the SWALLOWS and AMAZONS graphics for the opening titles.  I remember a discussion about the font type. A very fashionable script used on the poster of the film was favoured. I said that I thought they ought to use the handwritten capitals that Clifford Webb had penned on the map in the opening cover of the book and copied by Simon Holland (and me) on our chart. This was chosen.

Click on this image to see the poster of the film

The Seventies’ font, above, had been used for the  titles of  Lionel Jefferey’s movie The Railway Children, which starred Jenny Agutter. As a viewer I felt that this soon dated it, whilst Swallows and Amazons sailed onto our television screens in the 1980’s and 1990’s, indeed into the 21st century, without being spoilt by what became most unfashionable graphics. Of course now that particular retro font is all the rage.  For sometime a DVD has beeen available which gives you both films.

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