Tag Archives: health and safety

A Little Bit of Film History

Contact sheet - Sophie Neville with Amazon's anchor

~ Titty with Amazon’s anchor ~

When I first posted an extract from ‘The Secrets of filming Swallows and Amazons’ on a literary website, someone wrote a review assuming it to be a novel. They must have thought that I was some poor creature who had imagined the whole thing. The reviewer considered the plot too far-fetched and fantastical – as you might if it had not been true.

‘You must have been dreaming.’

‘But Captain Flint, there were burglars, you’ve got to believe me.’

Poor Titty! No one ever believed her. Fortunately quite a bit of documentary evidence exists to support the fact that a certain feature film was made in the Lake District in 1973. I do wish I’d kept a copy of the book review though.

Contact sheet - finding Titty in Amazon

~ The Swallows find Titty sleeping in Amazon near Cormorant Island ~

Contact sheet - Suzanna Hamilton and Sophie Neville sailing Amazon

~ Titty and Susan sail Amazon back to Wild Cat Island ~

Contact sheet sailing Swallow & Amazon in 1973

~ Sailing Swallow and Amazon on Derwentwater ~

Contact sheet - sailing Swallow & Amazon on Derwentwater

I was encouraged to collect things as a child, in case they might one day be of value. Back in 1973, I was given a number of black and white photographs and contact sheets of stills taken by Albert Clarke on the set of ‘Swallows & Amazons'(1974) – if you can call Derwentwater a movie set. I pasted some of these in a scrapbook but others remained in a roll that has only recently been returned to me. Each sheet looks roughly like this:

The Making of Swallows & Amazons contact sheet - both boats

The eye is easily tired by looking at the whole set but scanning and editing reveals a little bit of film history in every shot. I can see here that Titty wasn’t letting Amazon’s anchor down, she was hauling it in while Susan was at the helm, with a fair wind in her sails. This must have been quite tricky.

Sophie Neville pulling up Amazons' anchor

You can tell by the numbers above each shot how many were taken and in what sequence. presumably 2003 photographs had been snapped by the time the Swallows found Titty moored near Cormorant Island.

Contact sheet - filming Swallow

~ These bizarre shots show the film crew afloat on their pontoon ~

The photographs below show Virginia McKenna rowing away from Peel Island on Coniston Water in a native canoe with DoP Denis Lewiston and his 35mm camera, which is pretty unique.

One thing is certain, if these contact sheets had not been given to me they would have been thrown out and yet, over time, they have become precious. Do add a comment below if you would like to see more.

It is quite interesting to see which shots were chosen for the press. You can see a few of the action shots used in magazines of the time by clicking here. Newspapers tended to chose photographs akin to portraits as you can see here.

Recent newspaper articles tend to use a black and white film still that was clumsily tinted giving the lake water an unreal and bright blue hue as you find here.

Some of the black and white prints are now held at BFI. StudioCanal hold a vast selection of the best photos in their library and have an on-line shop here. I have included about a hundred behind-the-scenes snaps taken by my parents in the latest edition of ‘The Making of Swallows and Amazons’ recently published by The Lutterworth Press, available from libraries, bookshops and online stockists including The Nancy Blackett shop, where proceeds go towards the upkeep of Arthur Ransome’s favourite little ship.

9780718894962_cover Amazons.indd

5 Comments

Filed under 1973, Acting, Arthur Ransome, Autobiography, Biography, boating, British Film, Cinema, Claude Whatham, Cumbria, David Wood, Dinghy sailing, Emi film, family Entertainment, Family Film, Film, Film Cast, Film crew, Film History, Film production, Filmaking, filmography, Lake District, Landscape Photographs, Memoir, Movie, Movie stories, Photography, Richard Pilbrow, sailing film, Sophie Neville, Suzanna Hamilton, Swallows & Amazons, Swallows and Amazons, titty, Titty in Swallows and Amazons, truelife story, Uncategorized, Vintage Film, Virginia McKenna, Zanna Hamilton

The facts behind the concept of a ‘Swallows & Amazons’ childhood

What strikes me about Arthur Ransome’s whole series of ‘Swallows and Amazons’ books is that they are set almost exclusively outside in the open – or afloat. When we made the film in 1973 it rained so much in the Lake District that the producer must have longed for the existence of a few more interior scenes. As it was, the longest one ended up on the cutting-room floor. Is this because the essence and appeal of the stories is that they occur beyond the confines of domestic realms?

Blu-ray reading telgram

‘If not duffers, won’t drown.’ Simon West, Sophie Neville and Suzanna Hamilton in ‘Swallows & Amazons’ (1974)

When I appeared on Channel 5 last year I learnt the most depressing facts about the decline in the amount of time children spend outdoors. Recent research shows that children tend to stay indoors, watching television, playing computer games or even spend time doing homework, rather than go out to play. Kids today play outside for less than five hours a day at weekends and only for an hour or so during the week, which is half the time their parents spent outdoors, whatever the weather. You’d have thought they must have had higher levels of vitamin D. Apparently only 21% children today play outside near their homes, as compared to 71% of their own parents when they were young.

Blu-ray Swallow's stern

However:

  • 44 % of parents wish their children played outdoors more often.
  • 54 % seriously worry their child doesn’t spend enough time playing outdoors.
  • But 43 % of parents admitted they rely on school to ensure their children are getting plenty of time outdoors through PE and play times, and spend very little outdoor time with their children themselves.
  • One study found that eight in ten parents said their favourite activities as children involved being outdoors. But only half their children lead the same active life.

Apparently parents have forgotten how to play with their kids. While nine of ten parents recognise that it is vital for children to use their imaginations, 16 per cent of parents say they have no idea how to make up stories or create imaginative play. What would Titty say?

Blu-ray X marks the spot

‘X marks the spot where they ate six missionaries!’ Simon West, Sophie Neville, Suzanna Hamilton and Sten Grendon on Peel Island in the English Lake District.

So what’s changed?

  • 32% of parents quote safety fears as the reason their children didn’t play out more often.
  • 19% said it was due to a lack of time.
  • 16% said their children would rather do other things.
  • 53% of parents were reluctance to letting children out of their sight on the danger posed by traffic
  • 40% feared their child would be snatched by a stranger.
  • Over 25% worry their neighbours would disapprove if their children played outdoors unsupervised.

 Blu-ray gutting fish

The Arthur Ransome Society have organised a number of activities for families this summer, including a camp at Cobnor Point on Chichester Harbour from Friday 14th August to Sunday 16th August. The idea is that you bring your own tent, food, drink and a boat if you have one but the cost is very low at £20 for adults and £10 for children. Activities include nature walks, archery, games, signalling and water divinging with sailing when the weather permits. The cost includes a barbeque on the Saturday evening. Please click here for details.

If you missed Dan Damon’s programme on BBC Radio 4, when I spoke on the appeal of a Swallows and Amazons childhood, you can listen to the full recording on BBC World Update by clicking here.

24 Comments

Filed under adventure, Arthur Ransome, British Film, Cumbria, Family Life, Lake District, Sophie Neville, Suzanna Hamilton, Swallows and Amazons, titty

Questions asked of a writer

Sophie Neville in the tropics

Me, Sophie Neville, in tropical debate

No matter where I am in the world, not a day goes by without someone, somewhere asking a question or sending a message in connection with my writing. I am hugely grateful for the encouragement.

In many ways, ‘The Making of Swallows & Amazons’ was written by popular request, effectively commissioned by hundreds of people who wanted to know how it felt to appear in the film, albeit forty years ago.

It has to be said that was a little apprehensive about the questions I might be asked on Matthew Wright’s show, broadcast live on Channel 5 – for two hours.  If you are feeling brave, click here to see a profile on The Wright Stuff.

They wanted to know about the idea of children being allowed the freedom to take risks and enjoy their own adventures away from civilisation.

“… if it’s possible to have a Swallows and Amazons childhood these days – and if today’s kids would actually have the skills to survive. “

If you have views on the subject or want to see more on outdoor pursuits discussed on the programme email: wrightstuff@channel5.com

Sophie Neville If not Duffers.

IF NOT DUFFERS WONT DROWN

You may need Windows 8 to watch it but the whole programme can be viewed here: 

 
The first section is about the film ‘Swallows & Amazons’

8 Comments

Filed under Acting, Arthur Ransome, Cinema, Film, Memoir, Movie, Movie stories, Sophie Neville, Swallows and Amazons, Travel

Announcing the publication of ‘The Making of SWALLOW & AMAZONS’

The Making of SWALLOWS & AMAZONS

The long-awaited paperback published by Classic TV Press

Sophie Neville at home with the S&A flags

Sophie Neville who played Titty Walker

Swallows & Amazons flags for book

‘Forty years after she enchanted film-goers as Titty in Swallows and Amazons, Sophie Neville has found a new audience… telling the behind-the-scenes secrets of the film of Arthur Ransome’s classic novel.’ The Daily Mail  The Making of  Swallows & Amazons ‘…is based on diaries, letters and old photographs which Sophie has turned into a heart-warming account of making the movie, which starred Virginia McKenna and Ronald Fraser.’

The Telegraph ~ Culture:  ‘Set in the Lake District in 1929, the film follows four young adventurers who sail a dinghy around Lake Coniston, cook for themselves over campfires and sleep in makeshift campsites.’

‘…The occasional chaos and terrible weather during filming contributed to the eventual popularity of the extraordinary and very much loved film.’ The Times

‘The film Swallows & Amazons is 40 years old, but thanks to its careful period evocation, its respect for Arthur Ransome’s original book and the performances of its child actors, it’s become a timeless classic. One of those children was Sophie Neville, who played Titty, and who kept a diary during the filming. That diary, with her adult recollections, is this book. It’s a fascinating insight into filming on location in the Lake District… Classic Boat

Sophie Suzanna and Sten

‘… The result is compulsive reading as she recalls that cold wet summer, while the camera crew wrapped up warm and she shivered in her skimpy dress as Able Seaman Titty Walker. Sophie brings to life all the many memorable characters who worked on the film and in particular the other children, the Director Claude Whatham who developed a great relationship with his young cast and the stars Virginia McKenna and Ronald Fraser. Nor are the other young actors forgotten for there are diary contributions from Suzanna Hamilton who played Susan, Stephen Grendon who played the Boy Roger and Kit Seymour who played Nancy Blackett. The text is supported by numerous illustrations showing life on and off the set.’ Roger Wardale, author of Arthur Ransome: Master Storyteller and other books

‘You don’t need to be a Swallows & Amazons fan to enjoy this book – it’s universal!’ Winifred Wilson, Librarian of The Arthur Ransome Society

‘This was a most unusual and interesting book. I picked it up expecting to browse through it, and found myself so drawn in to Sophie Neville’s detailed, amusing and insightful description of film making in the 1970’s that I was unable to put her book down. As Arthur Ransome fans, my family and I have always loved the film, and felt that Sophie Neville was ‘just right’ as Titty. What fun it has been to be introduced to the young twelve year old Sophie with her intelligent awareness of the challenges facing the production crew while she shivered in her cotton dresses. The many photographs and illustrations contribute richly to bringing the 1970s setting to life. Sophie recorded her experiences beautifully, and in so doing, added one more valuable book to the cultural heritage of all Arthur Ransome fans.’ Juliet Calcott, English teacher, South Africa

Lots of photos throughout the book bring the scenes to life – a delightful read.’ Celia Lewis author of An Illustrated Country Year

Mark Forrest Evening Show

Sophie Neville has been chatting to Mark Forrest on The Evening Show.

Please see her post on the Funnily Enough, the website  or click on his image above and slide the cursor to 02:14:20

**********

16 Comments

Filed under Acting, Arthur Ransome, Autobiography, Biography, Christian, Cinema, Claude Whatham, Cumbria, David Wood, Diary, Dinghy sailing, Film, Film Cast, Film Catering, Film crew, Film History, Filmaking, Humor, Humour, Lake District, Landscape Photographs, Letters, Memoir, Movie, Movie stories, News, Richard Pilbrow, Sophie Neville, Steam train Haverthwaite Railway Station, Suzanna Hamilton, Swallows and Amazons, truelife story, Zanna Hamilton

News and Reviews of ‘The Secrets of Filming Swallows & Amazons’

Have you received the same despatches as me?

I opened my post to find not one but three reviews of my books, including this article published in The Outlaw and another in Signals, for which I am very grateful. I have pasted them here for fans of the film who do not yet subscribe to these literary magazines.

Review by Jack Parker in The Outlaw

This review was followed by by a comment from Winifred Wilson, librarian of The Arthur Ransome Society:

Review by Winifred Wilson1

The Library Supplement in The magazine of The Arthur Ransome Society gives a full description of all three books:

Review in Signals Library Supplement

Review in Signals

Mixed Moss  arrived before Easter with Spurrier’s map on the cover:

Mixed Moss 2014

I found another review inside, this time from New Zealand:

Mixed Moss1

Mixed Moss2

Mixed Moss3

The News is that The Secrets of Filming Swallows & Amazons has been signed up by the publisher Classic TV Press who plan to bring out a new edition in paperback this July. It will include glossy photographs and additional points of interest. If you would like to order a signed copy please email: classictvpress@live.co.uk

If you are interested in joining the Arthur Ransome Society please click here.

Here is a shot from 1973, capturing some of the deb-archery:

Sophie Neville watching the Amazons practicing with bows and arrows

Sophie Neville with Peter Robb-King (Make-Up) and Ronnie Cogan (Hair) watching Lesley Bennett and Kit Seymour trying out their bows and arrows with Terry Smith (Wardrobe) while on location near Peel Island on Coniston Water in the Lake District.

 

10 Comments

Filed under 1973, Acting, Arthur Ransome, Autobiography, Cinema, Claude Whatham, Cumbria, Diary, Film, Film Cast, Film crew, Film History, Filmaking, Kindle, Lake District, Memoir, Movie stories, Sophie Neville, Swallows and Amazons, truelife story, Uncategorized

‘The Secrets of Filming Swallows & Amazons’ ebook is out now

The Secrets of Filming Swallows & Amazons

Thanks to the encouragement and help of my blog followers and Arthur Ransome enthusiasts around the world, I have managed to put my diaries, letters, old photographs and documents together into a 68,000-word memoir.

s&A book launch 2013 005

“Sometimes extraordinary things do happen to ordinary people. Little girls can find themselves becoming film stars. Long ago, and quite unexpectedly, I found myself appearing in the EMI feature film of Arthur Ransome’s book Swallows and Amazons, made for a universal international audience. I played Able-seaman Titty, one of the four Swallows. Perhaps it would be more accurate to say that I became Titty for a while, wearing thin cotton dresses and elasticated navy blue gym knickers, which the camera crew soon referred to as passion killers. The book was written in 1929 and although the film adaptation was made in the early 1970s it had an ageless quality and has been repeated on television year after year, typically on a Bank Holiday between movies starring Rock Hudson or Doris Day.

I got the part of Titty because I could play the piano. Although I had no ambition to be an actress, at the age of ten I was cast in a BBC dramatisation of Cider with Rosie. They needed a little girl to accompany the eleven-year-old Laurie Lee when he played his violin at the village concert. I plodded through Oh, Danny Boy at an agonising pace.

‘Do you think you could play a little faster?’ the Director asked.

‘No,’ I said, flatly. ‘These are crotchets, they don’t go any faster.’

Claude Whatham must have remembered my crotchets, for two years later, in March 1973, my father received a letter. It arrived completely out of the blue, from a company called Theatre Projects.

We are at present casting for a film version of SWALLOWS AND AMAZONS which Mr Whatham is going to direct. We were wondering if you would be interested in your daughter being considered for one of the parts in this film.

Amazing!”

From ‘The Secrets of Filming Swallows & Amazons’ by Sophie Neville

Preview copies of the print version of 'The Secrets of Filming Swallows & Amazons'Preview copies of ‘The Secrets of Filming Swallows & Amazons’  at the Cruising Association dinner at the Water’s Edge Bar and Restaurant, Mermaid Marina on the River Hamble.

“This heart-warming memoir is illustrated with colour photographs, most of them taken at the time by Sophie’s family, and contains links to behind-the-scenes home movie footage for readers with browser-enabled tablets. It delivers a double helping of nostalgia for both fans of the era of Arthur Ransome, and the groovy times of the early 70’s.” ~ from the Amazon Kindle description

Map of Derwentwater by Sophie

Also available for other reading devices on Smashwords

Thank you again for all of your time and patience, and to those of you who contributed comments, questions, and aspects of local history on this blog. I would love to know what you think of the book!

If you would like a copy but don’t have a Kindle, worry not. We have added a link whereby you can download a free Kindle app. Please go to my Book Page and scroll down for the details.

Sophie Neville on the pontoon during the filming of 'Swallows and Amazons'

Richard Pilbrow, Denis Lewiston, Claude Whatham, David Cadwallader and Sophie Neville aged 12 playing Titty. Eddie Collins looks on ~ photo: Daphne Neville

35 Comments

Filed under 1973, Acting, Arthur Ransome, Autobiography, Biography, Christian, Cinema, Claude Whatham, Cumbria, David Wood, Diary, Dinghy sailing, e-publication, Family Life, Film, Film Cast, Film Catering, Film crew, Film History, Filmaking, Humor, Humour, Kindle, Lake District, Landscape Photographs, Letters, Memoir, Movie, Movie stories, News, Photography, Richard Pilbrow, Sophie Neville, Steam train Haverthwaite Railway Station, Suzanna Hamilton, Swallows and Amazons, truelife story, Zanna Hamilton

For the forthcoming book ~

With thanks to Richard Pilbrow and Theatre Projects who produced SWALLOWS & AMAZONS (1974)

Copyright Sophie Neville

~ but please share with your friends ~

~~~~~~~~~

To read the filmography posts about the 1974 film please go to ~ https://sophieneville.net/category/autobiography/

The Gondola on Coniston Water in 1973 ~ photo: Martin Neville

The Gondola on Coniston Water in 1973 ~ photo: Martin Neville

27 Comments

Filed under 1973, Acting, Arthur Ransome, Autobiography, Cinema, Claude Whatham, Cumbria, Dinghy sailing, e-publication, Film, Film Cast, Film crew, Film History, Filmaking, Kindle, Lake District, Memoir, Movie, Movie stories, Richard Pilbrow, Sophie Neville, Suzanna Hamilton, Swallows and Amazons, truelife story

Boats of the Norfolk Broads ~

Sailing on the Norfolk Broads

I recently found a family photograph album with pages illustrating holidays spent under sail in the 1930’s.

Breakfast on the Norfolk Broads ~ Easter 1939

Joan with her friends having breakfast on the Norfolk Broads ~ Easter 1939

Not all the black and white photographs are as horizontal or as sharply in focus as one might wish but they show the glorious boats available for hire

Sailing on the Norfolk Broads - Easter 1939

and reflect what fun was had out on the water.

Joan Hampton - Norfolk Broads - Friends1

We were rather shocked by the cigarettes held in the mouths of the young men but Joan is ninety-nine now and still agile.

Martin Neville on the Norfolk Broads

Martin Neville sailing on the Norfolk Broads with friends in the early 1950s

Having sailed on the Broads with friends, my father hired a Hullabaloo boat to take us out when we were little.

Sophie Neville with her sisters on the Norfolk Broads

We went out of season, when boat hire was cheaper. As there was no one on the water my father let me take the helm mile after mile, despite the fact that I was only about seven years old.

Sophie Neville on the Norfolk Broads

Sophie Neville wearing a life jacket c. 1968

 We loved living aboard and were often surrounded by wild geese.

Sophie Neville on the Norfolk Broads

It seems Arthur Ransome, who had fished on the Broads with Titty’s father, Ernest Altounyan, in 1923, also enjoyed cruising in the spring. His biographer, Roger Wardale, said that ‘Both the Ransomes liked to visit the Broads just after Easter, before most of the motor cruisers had started the season and it was the best time of year for birdlife.’ He went on to describe how Arthur Ransome kept a log of his three weeks spent in a Fairway yacht, the essence of which he used to write Coot Club in 1933/34. ‘As well as visiting Roy’s of Wroxham, tying up at Horning Hall Farm and watching the racing boats go by, towing through bridges, mooring beside a Thames barge at Beccles and watching a fisherman catching eels with a bab, there are numerous details that combine to make Coot Club a valuable account of the social and natural history of the Broads as they were more than 70 years ago.’ 

Roger Wardale illustrated his book Arthur Ransome Master Stroyteller , using wonderful photographs and sketches by Arthur Ransome, including a very jolly one of the Hullabaloos that had not been published before. Do get hold of a copy of the book, to read the chapter on Coot Club for yourself.

11 Comments

Filed under Arthur Ransome, Biography, Family Life, Memoir, Photography, Sophie Neville, Travel, truelife story

Filming ‘Coot Club’ & ‘The Big Six’ for BBC TV in 1983 ~

Coot Club

Caroline Downer, Henry Dimbleby, Richard Walton weighing William the pug dog

I saw so many children when I was casting Coot Club and The Big Six that I could have left the BBC and set myself up as an independent casting director, but I was twenty-two and all I wanted to do was to join the film crew on location in Norfolk. I was just not sure how.

Andrew Morgan was a lovely director with two children the same age as those in our cast. To my surprise, I met him with his family one weekend on Port Meadow near Oxford. They had a narrow-boat moored at Bossom’s Boatyard where my father kept his steamboat Daffodil. Arthur Ransome would have approved.

Andrew had previously directed action dramas such as Secret Army, Blakes 7, Buccaneer, Triangle, Kings Royal and two episodes of Squadron, which Joe Waters had produced. Andrew, who was good at delegating, later declared himself, as he cued the steam train on the North Norfolk Railway, to be a director who specialised in films about different forms of transport. He very graciously asked me if I would work on location in the formal role of chaperone to the children whilst preparing their performances for the scenes ahead. He anticipated being out on the water in a boat without enough time to go through the children’s lines with them.

Coot Club -Sophie Neville with David Dimbleby

Sophie Neville with Henry’s father David Dimbleby in Norfolk, 1983

Once the casting was complete and licenses for each child safely lodged with various education authorities I took a weeks’ leave before returning to the production office on Shepherd’s Bush Green, where I helped book transport and accommodation. Filming on the Norfolk Broads for three months took quite a bit of preparation. While Joe and Andrew were casting the adult parts, we had to find a local tutor, buy life jackets and make numerous arrangements idiosyncratic to our particular production. The most exciting of these was commissioning the animal handler, Jan Gray of Janimals, to find a pug dog to play William. She bought a puppy so that he could be accustomed to his character name, travelling by boat, working with children and specifically trained to walk across mud. William had no idea of the stardom that awaited him. He ended up spending a great deal of his life in Gretchen Franklin’s arms playing Willy in Eastenders.

The day came when I packed up the little room I had been renting in Shepherd’s Bush from the actress Zelah Clarke  and drove to the Dimblebys’ house in Putney to collect Henry. As he had just passed his Common Entrance he’d been let off school earlier than most thirteen-year-olds and we motored up to Norwich in a jubilant mood, singing most of the way. Whilst most of the production team and crew had found holiday cottages, I was to live at Sprowston Manor, the unit hotel with Caroline Downer, Henry and the other actors including the Matthews twins who travelled up with their mother. It was terribly grand. We had small quiet rooms at the back.

Coot Club

One of the Matthews twins having her hair plaited by Make-up Artist Penny Fergusson

Liz Mace, our production manager, had taken my advice and scheduled ‘running around scenes’ for the first few days of filming, so that the children could get used to working with the film crew. The whole series was shot on 16mm by a wonderful, patient lighting-cameraman called Alec Curtis. We were very lucky to get him. He’d just finished The Kenny Everett Television Show and  had worked on a huge number of well known comedy dramas ~ The Rise and Fall of Reginald Perrin with Leonard Rossiter, Fawlty Towers for John Cleese, The Morecambe & Wise Show, Sorry!, To the Manor Born and a BBC thriller called Scorpion. Alec had made God’s Wonderful Railway and was more than happy working with Andrew on the Bluebell Line for the opening scenes of Coot Club. Filming from a boat presented many more challenges, not least simply keeping the camera horizontal, but Alec was ever patient and kind. And always wearing a sun hat.

'The Big Six' - The D&Gs with Andrew Morgan

Mark Page, Nicholas Walpole and Jake Coppard as the crew of the Death and Glory with director Andrew Morgan and Cameraman Alec Curtis, 1983

I had drawn Andrew endless diagrams of Claude Whatham’s camera pontoon, built with a flat surface to accommodate camera track, that used to make Swallows and Amazons in the Lake District. However a more normal and faster vessel was chosen as the camera boat for the Broads. It had to travel around quite a bit since a far greater variety of locations was required than we had in Cumbria. We also had a couple of glass fibre run-around boats which would sometimes be used for the camera, especially in backwaters too shallow for the larger boat.

The Big Six - showing the runaround boat ~ photo: Sophie Neville

Alec Curtis and Andrew Morgan filming theDeath and Glory , with Peter Markham as First Assistant ,and Jill Searle looking after the boats, on one of the few rainy days on location at Gays Staithe, 1983

 

6 Comments

Filed under 1983, Acting, Arthur Ransome, Film Cast, Film crew, Film History, Filmaking, Memoir, Movie stories, Sophie Neville, Swallows and Amazons, truelife story

The dangers of filming ~

Claude Whatham showing the 16mm camera to Simon West and Sophie Neville. Sue Merry and Denis Lewiston.

Director Claude Whatham letting Simon West and Sophie Neville handle the 16mm camera. Sue Merry and Denis Lewiston can be seen behind us.

When Suzanna Hamilton brought me the diary she kept during the filming of Swallows and Amazons we had time to reflect on the seven weeks we spent together in the Lake District during that far off summer of 1973.

‘We were beautifully looked after,’ she said. ‘I mean we were really well cared for. Look – Jane took me fell walking.’  Our diaries record that our local driver Jane McGill also went to endless lengths to make things fun for us – ever with safety afore-thought.

Jane Grendon, Sten’s mother and one of our two chaperones who took us fell walking.

She was right. My own mother and Jane Grendon, Sten’s mother, who had both been appointed our official chaperones, worked day and night with very little time to themselves. They had both left younger children at home in Gloucestershire with their husbands, which can’t have been easy. Mum told me that she wrote an article for Woman magazine saying that being a chaperone was ‘Fascinating, Fattening and Fun’ but it must have been exhausting. It would have been quite a trial preventing us from getting sunburnt let alone keeping us entertained.

Daphne Neville, having organised Sophie Neville and Simon West into track-suits, life jackets, sunhats and the safety boat on a cold day on Coniston Water in 1973

When we had to do anything scary or unpleasant during the filming of Swallows and Amazons, such as walk through scratchy brambles, Claude Whatham would assuage any moans by awarding us ‘Danger Money’.  It was a huge encouragement. He gave me £2.00 for being good about diving into the chilly water for the swimming scenes.  It was a lot of money back then. My mother would make a careful note of it whilst we were still in costume.

A list of who had earned Danger Money written by my mother on the back of a Script Revision page

We spent our gains in Ambleside buying presents to take back for the stay-at-homes. I think we might have received a little more after Swallow was nearly mown down by the Windermere Steamer, an incident which had actually been dangerous. I am not sure what Kit and Lesley had been doing to recieve £1 each. They may have just got wet and cold sailing.

After all the rushing about in boats, the risks taken clambouring from one vessel to another and inevitable dangers that we faced out on the water, it was the boredom involved in filming that proved most dangerous; children’s games that went terribly wrong ~

My diary on the filming of the moive 'Swallows and Amazaons' in the Lake District, Cumbria kept in 1973

My diary on the filming of the moive 'Swallows and Amazaons' in the Lake District, Cumbria kept in 1973

My diary on the filming of the moive 'Swallows and Amazaons' in the Lake District, Cumbria kept in 1973

This was the swing in question, strung from a tree on the shores of Coniston Water opposite Peel Island where a couple were living in a wooden caravan. The white Make-up caravan, that had previously been used as a dressing room for Virginia McKenna, and later Ronald Fraser, is parked beside it. It was there that I was sent to lie down.

A snap shot taken earlier in the year of my little sister on the swing at the Unit Base opposite Peel Island ~ photo: Martin Neville

It was a shame that the baseball game ended so abruptly. We really enjoying it and longed to keep playing but Molly realised that it could so easily have been one of us who ended up with a black-eye.

Stephen Grendon, longing to climb a tree whilst in costume

At one stage we all got into whittling wood. Bod Hedges, the property master, made a number of props on location. Different versions of the Amazons’ bows and arrows were carved from hazel on the banks of Coniston Water. He also made forked uprights for the fireplace and various stakes for the charcoal burners’ scene. Suzanna bought a penknife with her Danger Money and became quite a keen carver until the knife slipped. Jean treated the cut finger with such a massive bandage that Claude put a firm stop to any future whittling. It had been the one thing that kept us quite. We were active children yet not allowed to climb trees or get wet. Instead Lesley Bennet plucked away at a tapestry and I painted pictures.

A bad copy of Beatrix Potter’s Jeremy Fisher Frog, looking not unlike Arthur Ransome himself.

Possibly the biggest danger was getting too fond of the primary objective – catching the bug that is film-making. Richard and Claude still had a few vital scenes to record and yet the weather forecast was bleak.

Richard Pilbrow and Claude Whatham at The Secret Harbour on Peel Island, Coniston Water

Producer Richard Pilbrow with Director Claude Whatham in their wet weather gear at The Secret Harbour on Peel Island, Coniston Water

Leave a comment

Filed under 1973, Acting, Arthur Ransome, Autobiography, Biography, Cinema, Claude Whatham, Cumbria, Diary, Film Cast, Film crew, Film History, Filmaking, Lake District, Memoir, Movie, Movie stories, Richard Pilbrow, Sophie Neville, Suzanna Hamilton, Swallows and Amazons, truelife story