Family Film – Sophie Neville

Author Interview: Sophie Neville

by Francesca Tyer –

How old were you when you first read Arthur Ransome’s books? Did you have a favourite storyline or character?

My father devoured the Swallows and Amazons books as they were published in the 1930s. I was a slow reader but must have started the series aged about ten or eleven as I’d read seven of the twelve by the time we arrived in the Lake District to make the film in 1973. I enjoyed the practical aspects of the books and most readily identified with Mate Susan, although I counted all the characters my friends. Ransome published thirty other books. Some are heavy going, but I enjoyed his autobiography.

Sophie Neville as a child ~ photo: Martin Neville

Have you re-read the books since your childhood? If so, how has your perception of the books and the characters, in particular Titty, changed?

I’ve re-read most of the books in the Swallows and Amazons series and gain something new each time I read Swallows and Amazons, recently appreciating how important Titty’s imagination was to progressing the story. Her ideas take the plot forward. I ended up writing an article on how Swallows and Amazons can be seen as an allegory to missionary work undertaken by Arthur Ransome’s great aunts, one of whom received a Boxer arrow in her bonnet for her efforts in China.

Simon West and Sophie Neville on Peel Island in 1973

Do you think playing Titty influenced your own personality? If so, how?

Titty helped me to look beyond the saucepans and concentrate on creative endeavors rather than getting bogged down by management and administration. Acting in the film instilled in me a work ethic, responsibility and striving for excellence. Looking back, the part was a huge burden to lay on the shoulders of a twelve-year-old but it was worth it. The film has had an enduring quality and is still broadcast today. I find constant interest when I’m in social or sporting situations. For me, it has truly been a case of ‘Swallows and Amazons Forever!’

Sophie Neville rowing to Cormorant Island — Sophie Neville as Titty and Stephen Grendon as Roger rowing to Cormorant Island

Do you remember what you wanted to be before you became an actress? Did a writing career ever interest you as a child?

I acted professionally from the age of ten until I was twenty-one, going into television production at the BBC before I became a writer. I’ve also worked as a safari guide, wildlife artist and – thanks to Titty – as a cartographer. You can see a few maps I drew on my website here.

I’ve undertaken quite a bit of charity work, fundraising and acting as webmaster for The Waterberg Trust. I can’t remember having strong career ambitions as a child but knew art to be my strongest subject. I have a visual brain that flits about. Keeping a diary and constant letter writing has helped me develop my writing and has given me a huge quantity of material to draw upon.

Suzanna Hamilton with Sophie Neville as Titty busy writing the ship’s log

What led/inspired you to become a producer?

Claude Whatham was a ground-breaking director who inspired all those around him, but directing became a viable option at Opera Camp, annual amateur productions we took part in over our summer holidays as teenagers. I began directing plays at university and developed a burning desire to direct for television, always ‘looking for the shot.’ By producing documentaries, I got to direct and put them together, editing voice-overs into a narrative arc. I would now like to adapt my own stories for film, so have Final Draft software on my laptop and Witness Films Ltd registered as a UK company, but although I have a couple of ideas out to tender, I’ve been concentrating on polishing my historical novels.

The director and cast of Swallows and Amazons — Director Claude Whatham with his cast of Swallows in 1973

I’ve read that before filming Swallows and Amazons, you were in a production of Cider with Rosie. Was playing Titty anything like your experience of playing Eileen Brown?

Claude Whatham directed bother Cider With Rosie (1971) and Swallows and Amazons (1974) so the experience was similar. I also appeared in a Weetabix commercial he made in the Cotswolds. All three productions were set in roughly the same period, but Titty’s costumes, designed by Emma Porteous, were easiest to wear. Cider With Rosie was the most daunting production as I had to play the piano, which required three days of intensive practice. Titty only had to draw, write and row a boat, which was much more my thing.

Titty working on the chart - copyright StudioCanal — Titty working on the chart

Working with Virginia McKenna was amazing. Hugely inspirational and one of our most iconic British film actresses, she taught me a great deal – and still does.

Virginia McKenna playing Mother in Swallows and Amazons

What were your favourite and least favourite parts of the filming process?

We loved eating iced buns on set but hated hanging around in the cold. There was a lot of waiting for clouds to pass in the Lake District where I spent days clad in nothing but a thin cotton dress and enormous pair of navy blue gym knickers. I became more interested in the technical aspects of filming rather than acting, which for us children was more a case of ‘Let’s pretend.’

Claude Whatham showing the 16mm camera to Simon West and Sophie Neville. Sue Merry and Denis Lewiston. — Claude Whatham showing the 16mm camera to Simon West and Sophie Neville. Sue Merry and Denis Lewiston can be seen behind us.

What were your first impressions of the Lake District? Had you ever been to the Lake District before filming Swallows and Amazons?

My parents had taken me to the Lake District as a three-year-old and loved going themselves, so it was a treasured destination in my family. I was dazzled by the lakes and mountains. Holly Howe (Bank Ground Farm) above Coniston Water is a very special place. I love gazing up into the Langdales and walking up into the fells. We were members of the Steam Boat Association, something I have written about in my book, Funnily Enough and I returned over Lockdown to appear in BBC Antiques Roadshow when Swallows and Amazons was profiled.

Sophie Neville aged four — Sophie Neville aged three in the Lake District

How detailed was the diary you wrote during the filming? Had you ever thought about turning your notes into a book before you were persuaded to write The Secrets of Filming Swallows and Amazons?

I’ve put every page of my diary kept whilst making Swallows and Amazons on my blog at Sophieneville.net/swallowsandamazons My mother kept them, nagging me to write them up for years. Finding the time was difficult but I got there in time for the 40^th Anniversary of the film’s release when StudioCanal brought out a DVD with an Extras package we appeared in.

Diary kept filming 'Swallows and Amazons 16th May 1973

What was the writing process like? eg. challenges

The challenge with adapting a diary is to eliminate inevitable repetition but something extraordinary or disastrous happened everyday whilst filming Swallows and Amazons. With so much filmed afloat or on islands, it was an incredibly difficult production to work on and made a story in itself. I enjoyed finally bringing the book to life and interacting with readers who so kindly sent in reviews and comments. Some love hearing what we all went on to do after the film. One reader did not want to know, but I included this as there were many interesting links and coincidences, especially since I worked on the BBC serialisation of Coot Club and The Big Six.

and favourite moments?

It is very exciting when the first paperbacks arrive. Every author enjoys unpacking that box.

The first edition of The Making of Swallows and Amazons

What is the most surprising thing you’ve learned as a writer?

I never guessed how many times I would need to re-work my books. Each one is read though and edited repeatedly, on and on until it flows well and reads flawlessly. Recording the audiobooks has opened up a whole new world. I narrated them myself, which was far more complicated than I imagined. It’s difficult to digest the fact that I am on Spotify and the audiobookstore. Funnily Enough is selling well on audible.

Do you have any events lined up to promote the book?

Yes, I list the events on my website sophieneville.net/events I’m hoping to be signing copies at the Royal Thames Yacht Club in April and Southampton International Boat Show in September.

I often give illustrated talks on how Swallows and Amazons was made and Q&As at cinema screenings. I’ve begun running workshops on photographing books at literary conferences, which is proving popular.

Giving a talk on how sailing sequences are filmed

Could you tell me a little bit about your other books?

Funnily Enough and Ride the Wings of Morning are illustrated memoirs that follow on from The Making of Swallows and Amazons, which is now in its 2^nd edition.

Merry Christmas Everyone and Write Well are anthologies to which I have contributed a chapter. I have written Forewords to four books, including the Czech version of Swallowdale by Arthur Ransome, and Swallows, Amazons and Coots by Julian Lovelock. I have a couple of non-fiction books waiting in the wings including The Secrets of Filming Coot Club. The first three chapters have already been included in DVD extras for the remastered version of the DVD.

Swallows And Amazons Forever! (Coot Club & The Big Six) SPECIAL EDITION [DVD]

Are you currently writing anything, either to do with Arthur Ransome or entirely separate?

I often write articles for magazines, which have connections to Swallows and Amazons, and have completed two historical novels, which are set in East Africa.

Finally, could you tell me about your other pursuits such as your litter picking, art and the combination of the two? Have art and conservation always interested you?

I have always been passionate about wildlife conservation, often giving talks about otters since they are the key indicator species we have been active in protecting as a family. I am taking part in the Race for Reading by litter picking whilst walking the coast to raise funds for the UK literacy charity SchoolReaders. I sometimes make collages out of the rubbish to attract attention to the composition of sea plastic. You can see examples of this and my paintings on Instagram @Sophienevilleauthor

The audiobook of ‘The Making of Swallows and Amazons’ (1974) narrated by Sophie Neville who played Titty

In the long hot summer of 2022, I spent three days in a sound-proofed booth at Monkeynut Studios near Romsey narrating the audiobook of my memoir on the adventures we had making the 1974 movie ‘Swallows and Amazons’, now published in paperback by The Lutterworth Press.

I found narrating the story, with all the different voices, more difficult than I had imagined but the audiobook has been beautifully produced, with sound adding a different dimension to this filmography that resonates with the lives of so many.

Sophie Neville at Monkeynut Recording Studios

You can listen to a free sample in the Audiobook Store here

There are a number of different online retailers. It is available on Spotify:

The audiobook of The Making of Swallows and Amazons (1974) by Sophie Neville

Kobo have this deal:

Scribd stock it, along with a couple of articles from Practical Boat Owner, but I did not narrate those. It might be better to read them online.

You can listen to this true life story on audiobooks.com

It is also available on Audiobooksnow

Google Play and audiobookstore.com who have it on a special price here. This must be the American version:

Wheelers stock it in New Zealand

Google books have it in the UK

Barnes and Noble sell it in U$ dollars

LibroFM

Storytel have it for sale in rupees.

I gather it will be available on Audible but they are very slow to add books.

I hope it will take you back to that long hot summer in 1929 when the Swallows first set sail and remind you of the early 1970s when we made the original film in the days before mobile phones or computers without CGI or green screens. We literally walked into the page of the books and sang out Arthur Ransome’s immortal lines as the wind took us up Coniston Water. I hope you enjoy it.

Swallows and Amazons (1974) (c)StudioCanal

If you prefer holding a book in your hands the paperback is available from Waterstones and all online retailers.

Discovering more about the film poster design for the movie ‘Swallows and Amazons'(1974)

Sophie Neville as Titty in 'Swallows and Amazons' (1974) by the film poster artist Arnaldo Putzu — Sophie Neville portrayed by Arnaldo Putzu

Who painted the film poster?

I have only just learned that it was the Italian artist Arnaldo Putzu.

Thomas Connery enlightened me, writing: ‘Whether it be Space 1999, The Railway Children, The Rollers or Jaimie Sommers, he always captured likeness’ of stars faithfully and remarkably accurately.’

I agree. He portrayed Virginia McKenna well. I wonder how large the original painting was and if any of the sketches have survived.

Virginia McKenna in 'Swallows and Amazons' (1974) by the film poster artist Arnaldo Putzu — Virginia McKenna in ‘Swallows and Amazons’ (1974)

I have been given brown eyes and look a bit worried but am hugely honoured to have been featured at all. Kit Seymour looked far more cheery.

Kit Seymour as Nancy in ‘Swallows and Amazons’1974

A version of the artwork was used on cinema tickets, establishing the green parrot as one of the stars. I do like the way that Roger’s head looks out from the oval. This one gives Amazon a dark sail and shows the Amazons adopting different poses from on the poster. Nancy has folded arms and Peggy has her hands on her knees. Her stance is comic but a bit improbable. They have the wind behind them. What if the boat had gybed?

Premier ticket for the Gala of ‘Swallows and Amazons’

The ticket matched the souvenir programme for the film premier held in Shaftesbury Avenue on 4th April 1974. You can see inside this in an earlier post here.

Swallows and Amazons premier programme — The programme from the 1974 premier of the movie ‘Swallows and Amazons’

I also have a large sepia poster given to my mother by a cinema. I can remember being too shy to ask for it, but she persevered. I haven’t seen another since.

As children, we all asked, ‘Who was sailing the boats?’ Magnus Smith, who now looks after Swallow, says that you can tie off the mainsheet and Susan could just about be controlling Swallow’s tiller, but Amazon looks a bit precarious. I don’t expect Arnaldo had any experience sailing dinghies. Ours were on a collision course, pitched at odd angles with rather high reefing points but he added a swashbuckling spirit, and a bit of white water spray, which is always exciting.

Swallows and Amazons (1974) sepia film poster (c) StudioCanal — Arnaldo Putzu’s poster for the EMI film Swallows & Amazons (1974)

Arnaldo Putzu (1927-2012) began working for Rank in the 1950s and moved to London in 1967. He worked on the advertising material for many iconic movies including That’ll Be The Day, featuring David Essex and Ringo Starr, which Claude Whatham directed in 1972 prior to working on Swallows and Amazons for EMI Films. Is that the cover of the LP in the right hand corner? Claude Whatham gave me a copy. It included the song ‘Smoke Gets In Your Eyes’.

That'll be the Day -the film post by Arnaldo Putzu — Poster design by Arnaldo Putzu

This one is bordered by fairground lights, where as ours had been given the feel of a treasure map, with the credits on the reverse, which was clever. The original lettering, trendy in the mid-seventies, faded from fashion for a while but came back on-trend for the 40th Anniversary. The painting was somehow ageless, being used for the DVD cover up by StudioCanal until 2016. They still sell it as a jigsaw puzzle or on a mug.

According to The Guardian, ‘Putzu created some of the most famous Italian film posters of the 50s and early 60s, painting such stars as Sophia Loren and Gina Lollobrigida.’ By 1973 ‘Putzu found himself the top-rated and most in-demand poster illustrator working in Britain. His output over the 1970s included oddball Hammer Horror fantasies such as Creatures the World Forgot and Legend of the 7 Golden Vampires. For the Get Carter posters he put the ruthless gangster (played by) Michael Caine into an unlikely floral jacket, demonstrating the whimsical humour that makes his best posters unforgettable.’ An original of this poster signed by Michael Caine was once valued by Sotherby’s at between £4,000 to £6,000.

You can see more of of Putzu’s artwork here.

Lesley Bennett in 'Swallows and Amazons' (1974) by the film poster artist Arnaldo Putzu — Lesley Bennett in ‘Swallows and Amazons’ (1974)

Lesley Bennett, who played Peggy, still has her copy of the original film poster. She should probably get it signed by the actors. Others were pasted in London Underground stations, which I found alarming as a child.

Lesley Bennett who played Peggy in Swallows and Amazons 1974

I spied a framed poster on display at Windermere Jetty Steamboat museum, where it was featured on BBC Antiques Roadshow. There is more about the movie memorabilia, which was valued by the expert Marc Allum, here.

Swallows and Amazons film poster — Sophie Neville at Windermere Jetty museum in 2020

Some originals have been for sale on this site here. Studiocanal sell various prints here.

You can read about the adventures we had making the movie in ‘The Making of Swallows and Amazons’ and the multi-media ebook entitled ‘The Secrets of Filming Swallows and Amazons’ which retails for £2.99. You can ‘Look inside’ and read the first section for free here:

Swallows and Amazons, 1974 is currently streaming on Amazon Prime Video where you can watch the film trailer. HotDog.com has a review of Amazon’s streaming service, including a 30-day free trial offer.

Titty’s Tooth in The Times

Sten Grendon and Sophie Neville – trying to row with her mouth shut.

The story of my missing tooth published in The Times! A great honour. The indignity of being toothless still rankles but I now have a full set.

You can find the whole story on The Nancy Blackett Trust website

It’s possible to spot the gap by watching the film trailer for the 1974 movie of ‘Swallows and Amazons’ with further information on the International movie data base also seen here:

Sophie Neville, aged 12, without tooth. Suzanna Hamilton, aged 12, with beautiful teeth.

A signed, first edition copy of ‘The Making of Swallows and Amazons (1974)’ is being auctioned in aid of BBC Children in Need

Are you looking for a special Birthday or Christmas present for someone who happens to love the original film of ‘Swallows and Amazons'(1974)?

Paddy Heron of Children in Read has a huge number of amazing books listed in a charity auction being held to raise funds for BBC Children in Need. Nearly £21,000 has already been pledged, which is amazing. We have 3 days left to bid, so you have time to chat to the family!

‘The Making of Swallows and Amazons (1974)’ is listed as Lot 298, in the section ‘Film & Television’ above Nigella Lawson’s book ‘Coot, eat, repeat’.

To place a bid, click on this link: https://www.jumblebee.co.uk/childreninread2021?cid=2431

and scroll down until you see the image of the book you would like to bid on, then click on the price button and you can enter a bid when the large image pops up. You don’t pay until you win on the final day. I will pay the postage within the UK and inscribe the copy to whom you wish.

We now have another bid for £101. Copies on Amazon.UK – where is it has 47 reviews, are now listed as costing about £76. I promised that if the bidding went higher than £78 I would personally inscribe this large paperback edition and include a signed first edition hardback copy of my autobiographical book ‘Funnily Enough’, worth £15, which includes a few pages about filming ‘Swallows and Amazons’ in the Lake District.

‘Funnily Enough’, Sophie Neville’s illustrated diary

I said that the bidding goes any higher than £101, I will include a copy of ‘Ride the Wings of Morning’, my memoir about leading a Swallows and Amazons style life camping in Africa:

Ride the Wings of Morning by Sophie Neville

To read about taking part in the same auction last year, please click here

If you need to know more about the auction, please contact Paddy Heron at Children in Read: childreninread@yahoo.com

Listings in the AutobiographyBiography section

The lighthouse tree lantern from Swallows and Amazons (1974) has come to light

I received an interesting series of emails recently from a stone mason called Philip Chatfield:

“Hi Sophie, I was watching ‘Swallows and Amazons’, the old classic, on Talking Pictures TV… great channel. Curiously, I have, hanging in my cottage ceiling timbers, the lantern you used for the Lighthouse on Wild Cat Island !!!!!!”

‘Lanterns like this pattern are not common, so I presume it must be the one used in your 1974 film. I like to think so. There is a hole in the top of my lantern which has been plugged up and holes in the base too. If you use the lantern with candles, which is what I always do. then you cannot have a hole in the top of the lantern. Heat goes up and out of it and the rope or wooden handle may catch fire! It is stopped up with a small bolt with a flat rounded top.’

The holes would have been made to insert an electric light behind the candle so that it would show up on film.

Sten Grendon (Roger), Suzanna Hamilton (Susan) and Sophie Neville (Titty) at the lighthouse tree in the 1974 movie of Arthur Ransome’s book ‘Swallows and Amazons’

It certainly looks like the lantern we used, which I knew well at the time. A hurricane lamp is used in the book Swallows and Amazons. John, ‘tied the other end round the oil box at the bottom of the lantern’, although candle lanterns were used to mark Secret Harbour.

You can see the lantern lying near Swallow’s mast

The black lantern was packed into Swallow on the voyage to the island, visible when the Walker children narrowly miss the Tern. You can see it lying in the shallow basket.

Film stills taken by Albert Clarke in 1973

It was rather uncomfortable to lean over when handing Roger the telescope.

The basket was taken out of Swallow at the landing place and Titty moves it up the beach ‘for fear of tidal waves.’ See if you can take some screen shots of it hanging from the lighthouse tree.

The same lantern was used in the movie ‘Far From the Madding Crowd'(1967) starring Alan Bates, Peter Finch, Terence Stamp and Julie Christie.

You can also see it hanging from a farm cart.

Philip says, ‘Clearly all the props went back to the Turk Phoenix shed near Teddington after shooting.’

Mike Turk’s warehouse full of film props

‘I never thought about it before but I used to work on a sailing ship called Grand Turk, which was owned by Mile Turk of Turk Phoenix who did a lot of film work.’

SV *Grand Turk* with Philip Chatfield firing a live shot on the Solent. “That would have given Captain Flint’s houseboat a shaking up!”

‘The Grand Turk played the HMS Indefatigable in ‘Hornblower’ with Ioan Griffiths and co. While I was on board (as Third Mate and Gun Captain) I needed more props for the gunnery dept. The lantern was one of the props we had on board. It came from Turk Phoenix who still had one of the boats used in your wonderful film.’

*Swallow* at Mike Turk’s warehouse in 2010

‘Mike Turk’s business provided nautical props.’ When Mike reached the end of his life and fell ill, many of these were sold at auction in 2010, including the dinghy that played Swallow in ‘Swallows and Amazons’ (1974), which was purchased by group of film fans now known as SailRansome.

‘Before my time on Grand Turk I spent five years working on a lovely old square rig ship called MARIA ASUMPTA. Back in 1991 we sailed from London’s St Katherine’s Dock to Ipswich. We anchored off Shotley on the Orwell pretty much where the GOBLIN in Ransome’s book ‘We Didn’t Mean To Go to Sea’ book was set. As we hauled up our anchor we brought up a small kedge anchor. I still have it. At the time I was convinced it may have been from the story or even the sailing trip the story was originally based on. Who knows, but it is a lovely anecdote. We had sailed the autumn before to Flushing in Holland and did a tour of the inland waters of Holland.’

‘Sadly, Maria Asumpta was lost off Padstow in May 1995 with the loss of three crew. Thankfully I was one of the survivors.’

*Maria Asumpta* wrecked on a desolate shore

‘You can just see me standing staggering, second from the left, in a state of shock. Three were lost but I was amazed more weren’t, frankly. My friend the bosun Graham is sitting on the stern about to leap off. He survived, just. The ship had been built in Barcelona and launched in 1858.’ By the 1990’s it was the oldest square rigger still sailing.’ A true ship wrecked sailor! What would Titty say?

Philip Chatfield in *HMS Victory* working on a carving of Lord Nelson in 2008

‘As a stone carver and sculptor I make memorials. A few years ago I was asked to do the memorial for one of my old school teachers and eventually his wife, who now shares his grave in Monmouth. She was Helen Bucknall but her mother was Mrs Henry Clay. The Ransome book ‘We Didn’t Mean To Go To Sea’ is dedicated to Mrs Henry Clay no less. Henry Clay was a friend and colleague of Ransome’s on the Manchester Guardian, also a keen sailor. I think Helen and her family were the inspiration for the story in the book. So Helen has a carving of the yacht they sailed as children on the large Welsh slate memorial in Monmouth cemetery.’

‘The galling thing for my friends, whose mother was Helen, is that they can’t find the original first edition of ‘We Didn’t Mean To Go To Sea’ that Ransome signed. Hope it turns up. At least that charming card exists. Love his little sketch of the dinghy.’

‘Anyway, hope this is of interest… well done for all you do. I have a hard copy of the book on order! Can’t wait. Very best wishes, Philip Chatfield’

To read more about some of the Swallows and Amazons movie memorabilia, including Swallow’s flag and the fishing rods, please click here

To read more about ‘The Making of Swallows and Amazons (1974)’ – click here

This lovely documentary shows Philip’s recent work on railways:

Alan Smith of BBC Radio 4 remembers being a film extra as a boy in the original movie ‘Swallows and Amazons'(1974)

Stories about making original film of ‘Swallows and Amazons’ are still floating to the surface. The BBC Radio 4 newscaster Alan Smith, wrote to me, saying:

“It’s Alan Smith here – I’ve been through the family archive of photographs and have uncovered two pictures which I’m sure you won’t have:

Brian Doyle, Terry Smith and Graham Ford, with Virginia McKenna, Kit Seymour, Sten Grendon, Simon West, Suzanna Hamilton and Lesley Bennett (photo: Eileen Smith)

“The first picture is fairly obvious – it’s you and the other cast members in the car at Haverthwaite station. This will have been taken by my Mum at the time the ‘official’ photo was taken.” This was on 14th May 1973 when a reporter from the Times came to witness our first day of filming ‘Swallows and Amazons’. The station had only been re-opened two weeks earlier.

The cast of ‘Swallows and Amazons’ (1974) at Haverthwaite Railway Station with Jim Stelfox. Robin Smith is at the window, Alan Smith and John Eccles are standing in the doorway.

“The photo (below) shows (left to right) my brother Robin, me and our friend John Eccles standing in front of a pony & trap. This picture was also taken at Haverthwaite, probably by my mother. John came along with his grandparents Patsy and John, and everyone remarked on how distinguished Mr Eccles senior looked in his boater and blazer!

Robin Smith (6), Alan Smith (9) and John Eccles (7) at Haverthwaite Railway Station with the props lorry in the background

“Please feel free to use these pictures however you’d like – I wonder if they’ll prompt others who were there to unearth similar memories?!”

“We had a lovely two days as extras on the film. I remember there was a casting one Sunday morning at St Anne’s Hall (an old church which is now converted to flats) in Ambleside. This is where anyone who wanted to take part went along to meet the director and wardrobe people. My mother was given instructions re the dress-code for Robin and me, and we were asked to meet in Ambleside town centre a couple of weeks later to board a bus which took us to the first location (Haverthwaite).” This took place about two weeks before the film. Eileen Smith ran the Gale Crescent Guesthouse in Ambleside although none of the crew stayed there. My mother, Daphne Neville, went along to help the wardrobe master, Terry Smith, fit the film extras with costumes.

Alan’s brother, Robin Smith, made it onto a jigsaw puzzle released with the film

Alan couldn’t think why his Dad didn’t come along. It might have been the threat of haircuts. No man in Cumbria under the age of seventy could be persuaded to have a 1929 haircut, apart from Jim Stelfox the station master and my own father, Martin Neville, who appeared in the Rio scenes shot at Bowness.

You can see a quick flash of Alan and his family near the bus in this behind-the-scenes cine clip, shot by my father with a 16mm Bolex borrowed from his company. As he says it’s, “lovely to have all those memories flooding back!”

Behind-the-scenes footage taken by Martin Neville

Alan watched this clip and wrote, “My brother and I are convinced that the boy on the right of the frame at 0’06” is Robin, and the woman standing next to him in the hat with the red band is my mother, Eileen (I appear to have gone in search of ice cream or something, as I’m nowhere to be seen!).

“A couple of seconds earlier at 0’04” I’m almost certain the woman standing in front of the red bus with the large bag is John’s grandmother Patsy Eccles, and the the man in the white blazer, trousers and hat is John Eccles senior, Patsy’s husband. I have very fond memories of Mr & Mrs Eccles – they were a lovely, kind couple who were almost like an extra set of grandparents to Robin and me.

Other children who took part, featured in the local newspaper

“We may only have been extras, but it was so exciting for all of us! The first day’s filming was spent getting on and off the train, followed by what seemed like endless trips up and down the line (this would have been when you and the other actors were in the next carriage filming the early scenes).

Some of the other film extras with Suzanna Hamilton and Sophie Neville

“The second day was a few days later at Bowness Bay. This must have been some feat to achieve as the road was closed to traffic and any clues from the 1970s such as road signs had to be covered up or disguised!

Is Alan fighting with his brother in this shot, top right?

“Both days had a very big effect on me. As a child I’d always been fascinated by radio, film & television, and this brought my imagination to life. It also lit a fuse under my ambitions to do something in broadcasting. The result is I’m now a news presenter on Radio4, doing the news in programmes such as Today, PM and The World at One, so I have a lot to thank Swallows and Amazons for! My work means I now live in Buckinghamshire, but I get back to the Lakes 5 or 6 times a year, and I know that when I hang up my headphones for good, that’s where I’ll live.”

Although born in Edinburgh, Alan’s family moved to Cumbria when he was two years old. He and his brother, Robin, enjoyed an idyllic ‘Swallows and Amazons’ childhood growing up in the Lakes. They didn’t get into sailing but loved hill walking. You can see his BBC profile here

Zena Ashbury and her mother, in front of Brown’s coach returning the film extras to Ambleside at the end of the day’s filming in Bowness.

You can see more photos and read about the adventures everyone had making the original film ‘Swallows and Amazons’ here:

The disaster of the missing tooth – whilst making the movie ‘Swallows and Amazons'(1974)

Earlier in the year, I spoke to Helen Millican on BBC Radio Cumbria about making the original film of ‘Swallows and Amazons’ in the Lake District, back in the summer of 1973. We have had an amusing development.

Sophie Neville speaking to Helen Millican on BBC Radio Cumbria

I had been chatting away, telling Helen that people like hearing about all the disasters we had whilst filming on location. One odd thing that went wrong was that one of my milk-teeth fell out in the middle of shooting a scene with Virginia McKenna on Peel Island. At the time, I was somewhat distracted and self-conscious about this but could do no more than try to keep my mouth shut.

Virginia McKenna and Sophie Neville on Peel Island — Virginia McKenna and Sophie Neville ~ photo: Daphne Neville

However, viewers often spot the fact that my tooth suddenly disappeared. They still talk about it nearly fifty years later. Helen assured me that the tooth fairy was bound to turn up with it, suggesting I could then take the small canine on BBC ‘Antiques Roadshow’, which was being recorded at Windermere Jetty museum in Cumbria at the time.

Amazingly, the missing tooth has been sent to me.

Peter Robb-King, the Make-up Designer on ‘Swallows and Amazons’, rang to say that he had kept it safely in a metal film canister labelled ‘Titty’s tooth’. He promised to send it to me in the post so that I could add it to my bizarre collection of movie memorabilia – valued by Marc Allum at £4,000 to £6,000.

Sophie Neville being made up for the part of Titty by Peter Robb-King in 1973

Helen was delighted to hear that the tooth had materialized after 48 years. “Wow, Sophie what a result, after we made such a joke of it as well! That might just take your valuation up to the next level!”

Peter explained that he took the milk tooth to a dentist in Ambleside to ask if a bridge could be made to temporarily replace it but I remember the director, Claude Whatham, saying that he would ‘have to live with it’ – it being something of a continuity problem as he was yet to shoot earlier scenes of us sailing to the island. As a result, film fans can now work out which sequences were shot right at the end of our time on location even though they come before the scene with Man Friday (played by Virginia McKenna) in the storyline.

Peter Robb-King went on to have an amazing career in film, working on ‘The Rocky Horror Picture Show’, ‘Aliens’, and a number of ‘Indiana Jones’, ‘Batman’ and ‘Star Wars’ movies. He told me that he originally found it difficult to break into Make-Up Design as a man, but managed to win a post as a trainee on ‘The Avengers’ in 1968. ‘Swallows and Amazons’ (1974) was his first job as a Make-Up Supervisor, proving a break-through for him and other members of the film crew. It was the first film made by the producer Richard Pilbrow and David Wood’s first screenplay. Suzanna Hamilton, who played Susan, went on to star in many movies including ‘1984’ with John Hurt and ‘Out of Africa’ opposite Meryl Streep. She has recently had a guest appearance on ‘EastEnders’.

Peter Robb-King can be glimpsed right at the end of this cine clip taken on location

Now retired, Peter and his wife live in Maidenhead but enjoy travelling around. We had a long chat about the green parrot as he later adopted a young one that was rescued while making an Indiana Jones film in Sri Lanka. Stephen Spielberg looked after another parrot from the clutch.

You can read more about the disasters that befell us whilst filming in ‘The Making of Swallows and Amazons’, signed copies of which are available from libraries, The Nancy Blackett Trust book shop and other online distributors.

'The Making of Swallows and Amazons (1974)'

If you enjoy ebooks, ‘The Secrets of Filming Swallows and Amazons (1974)’ has links to behind-the-scenes cine footage and is very good value at £2.99 – available on Kobo, Smashwords, iTunes and on Kindle here

To read a little more about filming with Virginia McKenna on Peel Island, please click here

A list of Peter’s film credits can be found here: Peter Robb-King – IMDbimdb.com

You can listen to the ten minute recording of my chat with Helen Millican of Radio Cumbria on the Nancy Blackett Trust website here.

The episode of BBC ‘Antiques Roadshow’ showing movie memorabilia from the 1974 film of ‘Swallows and Amazons’ can be watched on BBCiPlayer here.

You can spot the missing tooth but the movie trailer can be seen here as we attack the houseboat. The clip is slightly out of sinc.

Swallow’s flag and the bamboo fishing rods featured in the 1974 movie ‘Swallows and Amazons’

The flag Titty made for Swallow in the original film ‘Swallows and Amazons’ (1974)

Were some of these stitches mine after all?

A few weeks ago, BBC Antiques Roadshow featured some of the flags from the original movie ‘Swallows and Amazons'(1974) in which I played Titty Walker. These film props had been sent to me by the producer Richard Pilbrow who now lives in Connecticut. I take them with me if I’m ever asked to give a Q&A or talk about ‘The Making of Swallows and Amazons’. Film fans enjoy taking selfies with them.

I explained that they were made on location in 1973, possibly by the Art Director, Simon Holland, who enjoyed painting. Equally, they may have been made by the Set Decorator Ian Whittaker, who went on to win an Oscar and nominations for several more. Bob Hedges who was in charge of the action props was also adept at making props in the days when health and safety regulations were more relaxed.

In the story, Titty decides to make a new flag for the Swallow. I was keen on sewing as a child, and was thrilled to be given a needle and thread to stitch a blue swallow on the flag myself in a scene with Virginia McKenna, who played Mrs Walker, shot at Holly Howe (Bank Ground Farm) above Coniston Water in the Lake District. Rather a modern reel of cotton was caught in vision.

Virginia McKenna, as Mary Walker with Sophie Neville playing her daughter Titty Walker busy stitching Swallow’s new flag in preparation for the voyage to the island (c)StudioCanal

It was not until I returned from recording Antiques Roadshow at Windermere Jetty and had the flag on my desk that I noticed some of the stitches are different from others. It looks as if the small, white stitching on one wing could have been my own. As a child, I had thought the larger stitches rather clumsy but am sure they looked appropriate in vision. It would be worth far more if it was known to have been made by Ian Whittaker. He won an Oscar and was nominated for his work on a number of other films.

Ian Whittaker with the Art Director Simon Holland

‘Properly’, as Titty would say, the bird should be flying towards the mast, although I am assured that Arthur Ransome did once draw a diving swallow on one flag. In his book, the swallow was sewn into the cloth rather that plonked on top of fabric browned by tea but our flag has lasted for 48 years.

Property Master Bob Hedges keeping the perch alive

After Antiques Roadshow was broadcast, a lady who grew up in Bowness on Windermere, wrote to say, ‘It may be of interest that we still have the fishing rods that were used in the film. They belonged to my father Leslie Borwick and were lent to the film crew. They are rather worse for wear but still treasured as I was a big fan of the books when I was young. Unfortunately I was living abroad when the film was made so have no memories of it.’

Leslie Borwick, was a keen fisherman who took his daughter out to catch perch. She said that the bamboo rods are quite fragile but one has a wooden reel, which is interesting.

Ronald Bousfield fishing at about the time ‘Swallows and Amazons’ was written

“My mother’s side of the family were very keen fishermen. Their surname was Bousefield and there is a fly called “Bousefield’s Fancy”(Frank Bousefield)”

You can read the original post about filming the fishing scene on Elterwater here

A clip of Swallow’s flag being valued on BBC Antiques Roadshow can be watched on BBC iPlayer.

The whole story of the making of Swallows and Amazons (1974) can be read here:

Memories of making ‘Swallows and Amazons’ (1974): part six

Sophie Neville playing Titty Walker in the 1974 movie

‘Titty from Swallows and Amazons’ often gets typed into the Goggle search engine but when I attempt to use it as a ‘tag’ a message pops up saying: ‘Sorry, you are not allowed to assign the provided terms.’ I can only conclude that Google lacks literary enlightenment but the BBC were happy for me to talk about Titty on BBC Antiques Roadshow recently.

‘Memory picks and choses,’ as Arthur Ransome said in his autobiography (p.33) but those who love his novels often wonder what would have happened to the characters when they grew up. It dawned on me that this might be one reason why people are interested to know what we all did with our lives. I played Titty Walker in Richard Pilbrow’s 1974 movie of ‘Swallows and Amazons’. In 1962, the film actress Susan George played the same character in the black and white BBC television serial of ‘Swallows and Amazons’ with her hair in pigtails. She was called Kitty, apparently with Arthur Ransome’s approval. BBC Films decided to call the Able seaman ‘Tatty’ in the 2016 movie ‘Swallows and Amazons’, when she was brilliantly played by Teddy-Rose Malleson-Allen who went on to star in ‘Four Kids and It'(2020).

The character was inspired by a real little girl, Titty Altounyan, who stayed at Bank Ground Farm (or Holly Howe) when visiting her grandparents who lived above Coniston Water. In 1939, Miss Joyce Cartmell acquired a signed note from Arthur Ransome explaining that, ‘Titty is short for Tittymouse which is what she was called when she was a baby. Nobody ever calls her anything but Titty now’. It appears that Ransome was also asked for a photograph of himself, to which he responded, ‘Too ugly’.

Edward Thomas (1878-1917) described Arthur Ransome as ‘exuberant, rash and intelligent.’ In 1973, I can only assume the film director Claude Whatham was looking for the same spirit in us children. It was certainly captured by Wilfred Joseph’s nautical film score.

What constantly impacts me is the number of people who write in to say how much they wanted Titty to become their best friend. In many ways the characters from Ransome’s books become friends for life. You can easily gain others who have the same outlook on life by joining The Arthur Ransome Society, who offer activities and grants for young people as well as adults with a literary bent. You too can stay at Bank Ground Farm and run down the field to dip your hands in the lake.