Discovering more about the film poster design for the movie ‘Swallows and Amazons'(1974)

Sophie Neville as Titty in 'Swallows and Amazons' (1974) by the film poster artist Arnaldo Putzu
Sophie Neville portrayed by Arnaldo Putzu

Who painted the film poster?

I have only just learned that it was the Italian artist Arnaldo Putzu.

Thomas Connery enlightened me, writing: ‘Whether it be Space 1999, The Railway Children, The Rollers or Jaimie Sommers, he always captured likeness’ of stars faithfully and remarkably accurately.’ 

I agree. He portrayed Virginia McKenna well. I wonder how large the original painting was and if any of the sketches have survived.

Virginia McKenna in 'Swallows and Amazons' (1974) by the film poster artist Arnaldo Putzu
Virginia McKenna in ‘Swallows and Amazons’ (1974)

I have been given brown eyes and look a bit worried but am hugely honoured to have been featured at all. Kit Seymour looked far more cheery.

Kit Seymour as Nancy in ‘Swallows and Amazons’1974

A version of the artwork was used on cinema tickets, establishing the green parrot as one of the stars. I do like the way that Roger’s head looks out from the oval. This one gives Amazon a dark sail and shows the Amazons adopting different poses from on the poster. Nancy has folded arms and Peggy has her hands on her knees. Her stance is comic but a bit improbable. They have the wind behind them. What if the boat had gybed?

Premier ticket for the Gala of ‘Swallows and Amazons’

The ticket matched the souvenir programme for the film premier held in Shaftesbury Avenue on 4th April 1974. You can see inside this in an earlier post here.

Swallows and Amazons premier programme
The programme from the 1974 premier of the movie ‘Swallows and Amazons’

I also have a large sepia poster given to my mother by a cinema. I can remember being too shy to ask for it, but she persevered. I haven’t seen another since.

As children, we all asked, ‘Who was sailing the boats?’ Magnus Smith says that you can tie off the mainsheet and Susan could just about be controlling Swallow’s tiller but Amazon looks a bit precarious. I don’t expect Arnaldo had any experience sailing dinghies. Ours were on a collision course, pitched at odd angles with rather high reefing points but there was a bit of white water spray, which is always exciting.

Swallows and Amazons (1974) sepia film poster (c) StudioCanal
Arnaldo Putzu’s poster for the EMI film Swallows & Amazons (1974)

Arnaldo Putzu (1927-2012) began working for Rank in the 1950s and moved to London in 1967. He worked on the advertising material for many iconic movies including That’ll Be The Day, featuring David Essex and Ringo Starr, which Claude Whatham directed in 1972 prior to working on Swallows and Amazons for EMI Films. Is that the cover of the LP in the right hand corner? Claude Whatham gave me a copy. It included the song ‘Smoke Gets In Your Eyes’.

That'll be the Day -the film post by Arnaldo Putzu
Poster design by Arnaldo Putzu

This one is bordered by fairground lights, where as ours had been given the feel of a treasure map, with the credits on the reverse, which was clever. The original letter, trendy in the mid-seventies, faded from fashion for a while but the painting was somehow ageless, being used for the DVD cover up by StudioCanal until 2016. They still sell it as a jigsaw puzzle or on a mug.

According to The Guardian, ‘Putzu created some of the most famous Italian film posters of the 50s and early 60s, painting such stars as Sophia Loren and Gina Lollobrigida.’ By 1973 ‘Putzu found himself the top-rated and most in-demand poster illustrator working in Britain. His output over the 1970s included oddball Hammer Horror fantasies such as Creatures the World Forgot and Legend of the 7 Golden Vampires. For the Get Carter posters he put the ruthless gangster (played by) Michael Caine into an unlikely floral jacket, demonstrating the whimsical humour that makes his best posters unforgettable.’ An original of this poster signed by Michael Caine was once valued by Sotherby’s at between £4,000 to £6,000.

You can see more of of Putzu’s artwork here.

Lesley Bennett in 'Swallows and Amazons' (1974) by the film poster artist Arnaldo Putzu
Lesley Bennett in ‘Swallows and Amazons’ (1974)

Lesley Bennett, who played Peggy, still has her copy of the original film poster. She should probably get it signed by the actors. Others were pasted in London Underground stations, which I found alarming as a child.

Lesley Bennett who played Peggy in Swallows and Amazons 1974

I spied a framed poster on display at Windermere Jetty Steamboat museum, where it was featured on BBC Antiques Roadshow. There is more about the movie memorabilia, which was valued by the expert Marc Allum, here.

Swallows and Amazons film poster
Sophie Neville at Windermere Jetty museum in 2020

Some originals have been for sale on this site here. Studiocanal sell various prints here.

You can read about the adventures we had making the movie in ‘The Making of Swallows and Amazons’ and the multi-media ebook entitled ‘The Secrets of Filming Swallows and Amazons’ which retails for £2.99. You can ‘Look inside’ and read the first section for free here:

Sophie Neville speaking at the Southampton International Boat Show #SIBS22

Inspirational speaker, Sophie Neville
Southampton International Boat Show 2022

Swallow, the iconic dinghy who starred in the original film Swallows and Amazons is currently on display at the Southampton International Boat Show, greeting families as they arrive.

Sophie Neville who once played Titty Walker with her good little ship

I have been giving talks on filming afloat and how we made the movie on location in the Lake District nearly fifty years ago.

Over 103,000 people are expected to visit the show this year. Although busy, it does not feel crowded. There is a lot to see and do.

Speaker Sophie Neville
Sophie Neville speaking on the Foredeck Stage at #SIBS22

Thanks to the help of excellent technicians, my presentations proved popular, ‘inspiring talks on the Foredeck Stage’.

On the cover or Britain’s bestselling boating magazine

I later sign copies of ‘The Making of Swallows and Amazons‘ at Future Publishing’s corner stand. It has been a great opportunity to meet film fans, readers and feature writers.

Nick Jeffery the yacht publicist with Sophie Neville at the Southampton Boat Show

You can find a four-page feature on how we clubbed together to buy Swallow in this month’s Practical Boat Owner magazine.

A 4-page feature article in the bestselling magazine Practical Boat Owner

You can apply to SailRansome to take her out yourself. She is sea-worthy but we are looking for sponsorship from a boatbuilding company to help re-varnish her and repair a small hole in her bow.

Sophie Neville with Swallow from Swallows and Amazons (1974)

If you were are unable to get to the Southampton International Boat Show this year, you can watch an in-depth interview released this week by Your Take:

Your Take interview Sophie Neville on Zoom

Celebrities who love ‘Swallows and Amazons’

When Jonathan Cape first published Swallows and Amazons on 21st July 1930 for the price of 7/6d, it was eagerly received by numerous authors including JRR Tolkein and AA Milne. I’m often asked which well known people alive today have expressed an interest in Arthur Ransome’s series of books.

Griff Rhys Jones, who presented The Secret Life of Arthur Ransome using clips of the 1974 film of Swallows & Amazons in which I played Titty, joined me at Pin Mill in Suffolk for a marathon reading We Didn’t Mean To Go To Sea, the book that tells of the Swallows’ hair-raising voyage to Flushing. You can find Griff’s books here.

Griff Rhys Jones at Pin Mill for a reading of ‘We Didn’t Mean to Go To Sea’

John Sergeant, the veteran newscaster, has made a number of documentaries about Arthur Ransome, chatting to Griff on The Secret Life of Arthur Ransome, and The Secret Life of Books.

Geraint Lewis of The Arthur Ransome Trust sailing with John Sergeant

Ben Fogle interviewed Suzanna Hamilton and myself on Countryfile and Big Screen Britain after exploring the locations around Coniston Water. You can watch the episode here.

Ben Fogle interviewing Suzanna Hamilton and Sophie Neville on Countryfile

Libby Purves, author and broadcaster, is now President of The Arthur Ransome Society. She refers to Swallows and Amazons in at least one of her novels.

Libby Purves afloat

A keen sailor, she also took part in the marathon reading of We Didn’t Mean To Go To Sea organised by The Nancy Blackett Trust who own and look after Goblin, the yacht portrayed in the story.

Libby Purves reading ‘We Didn’t Mean To Go To Sea’

Dame Ellen McArthur, yachtswoman and Patron of The Nancy Blackett Trust, claims that Arthur Ransome’s novels inspired her to sail. She gives Swallows and Amazons a good mention in her book Taking on the World. Ellen was portrayed by Suzanna Hamilton in a Stephen Sharkey play at a festival at the Southall Playhouse. Suzanna played Susan Walker in the 1974 film of Swalllows and Amazons.

Sir Richard Branson often says how much he loved the book as a boy, describing it as, “a lovely kids’ adventure book.” I met him years ago when I worked on The Russell Harty Show. To may amazement, he recognised me when I was filming in the street in Kensington, so perhaps he has watched the original film of Swallows and Amazons.

John McCarthy, the journalist and keen sailor, made a radio programme called Paddling with Peter Duck, sailing Swallow, the dinghy featured in the 1974 film. You can sail her yourself via SailRansome.com

Peter Willis on Ransome’s yacht Nancy Blackett with Kevin Dawson and John McCarthy

Theresa May said she loves Swallows and Amazons. ‘When she was young she appears to have enjoyed reading… listing… Swallows and Amazons among her favourites.’ Mirror and Daily Mail She gave a copy to Baroness Davidson, once leader of the Scottish Conservative Party.

Dame Judi Dench also read the book as a girl: “…Swallows and Amazons, I remember that very well indeed.” Good Housekeeping

David Dimbleby loves gaff-rigged boats and recently helped with PR at the London Boat Show. He visited us on the set of the BBC Drama serial Swallows and Amazons For Ever! filmed on location in Norfolk.

Sophie Neville with David Dimbleby on location in Norfolk back in 1983

Sir Ben Ainslie ~ Steven Morris of the Guardian reports: “He recalled how he started sailing in Cornwall on the creeks around Falmouth as a boy. Ainslie has called it a Swallows and Amazons kind of childhood. He had friends on the other side of the creek so he sailed over to see them.”

Ben lived in Lymington – and came to our club to celebrate after the Olympics.  

Congratulating Ben Ainslie on his Olympic gold medal

Nikki Henderson, the youngest ever Clipper Around The World yachtswoman was inspired by the book Swallows and Amazons naming Swallow and one of the coolest sailing boats ever in Yachting World as reported by the Nancy Blackett Trust.

Alan Smith of BBC Radio 4, appeared as a boy in the scenes shot at Bowness. He was on location at the Haverthwaite Railway Station in May 1973 on the first day of filming Swallows and Amazons(1974) with Virginia McKenna who starred in the film as Mrs Walker. To read more, please click here.

Alan Smith in the doorway of the train with his friend John Eccles

Miranda Hart (Miranda, Call the Midwife, Not Going Out) “Oh, I love these wonderful stories about outdoor life in one of the most beautiful parts of our country – the Lake District. Camping, sailing, exploring, discovering – it’s still the stuff of dreams for me. My favourite character was Peggy. She was shy and a little nervy but always kept up with her sister, who was captain of their boat. It was rather like me and my sister; although I was the elder, I was the shyer one, and often had to rely on my little sis to do the grown-up things. And I have to say Peggy is my favourite character still, because that’s partly who my dog is named after. I love that this book celebrates the importance and joy of friendship. But above all it harks back to a time when children had to use nature and their imagination to have fun through the long summer holidays. No iPads on tap here. I hope it inspires kids and adults who may have forgotten about the bliss and thrill and beauty of nature to rediscover it.” You magazine.

The list continues in the next post here.

The end-title theme music to ‘Swallows and Amazons’ composed by Wilfred Josephs

You can read about The Making of Swallows and Amazons in paperback or on Kindle. The Secrets of Filming Swallows and Amazons is available on all the ebook platforms. There is a review here.

The Making of Swallows and Amazons by Sophie Neville
Different editions of ‘The Making of Swallows and Amazons’ by Sophie Neville

Titty’s Tooth in The Times

Sten Grendon and Sophie Neville – trying to row with her mouth shut.

The indignity of being toothless still rankles but I now have a full set.

You can find the whole story on The Nancy Blackett Trust website

It’s possible to spot the gap by watching the film trailer for the 1974 movie of ‘Swallows and Amazons’ with further information on the International movie data base also seen here:

Sophie Neville, aged 12, without tooth. Suzanna Hamilton, aged 12, with beautiful teeth.

50th Anniversary of the 1971 BBC play ‘Cider With Rosie’ directed by Claude Whatham

Christmas Day 2021 marked the 50th Anniversary of the first BBC adaptation of Laurie Lee’s evocative book ‘Cider With Rosie‘, a story that tells of growing up in rural Gloucestershire before the combustion engine destroyed rural life as it had been led for centuries.

Sophie Neville playing Eileen Brown

First published in 1969, the memoir sold six million copies. The 1971 BBC play was screened in the UK, France, West Germany and Japan, becoming regarded as an avant garde, ground-breaking drama that received four BAFTA nominations – Best Script: Hugh Whitemore Best Actress: Rosemary Leach, who played Mrs Lee Best Design: Eileen Diss Best Drama Production: Claude Whatham

And I was in it, as a girl, playing the part of an urchin who could play the piano called Miss Eileen Brown. We were able to use the original village school in Slad as the location for both the classrooms and parochial Christmas concert. I can almost smell the chalk and dusty books mixed with hairspray used by the crew to limit unwanted reflections or dirty-up anything that looked smart and new.

As we ran out into the school yard, which was tiny, the director, Claude Whatham asked if any of us knew any skipping chants. No one said anything. I had been to a village school nearby and knew loads but was too shy to chant them. What a regret.

We used Laurie Lee’s village school in Slad as a location

It was June 1971. We had glorious weather. Prolific wildflowers made the drama special. I remember a bunch of buttercups standing in a classroom window. My scenes were set in 1925, when Laurie Lee was aged about eleven. I was used to having my hair tied in bunches but not up in hair ribbons. It felt strange. I wasn’t very happy about my dress, which was itchy and didn’t fit well. The costume designer assured me that Eileen would have only possessed one dress in real life. I was well aware that it would have been a hand-me-down, as were the boots.

Sophie Neville with Claude Whatham in Slad, 1971

The classroom scenes demanded little of me, I simply sat next to ‘Laurie Lee’ and reacted to the violence exhibited by the teacher. My challenge was that I had to play the accompaniment to ‘Oh Danny Boy’ on the piano. Laurie Lee had to play the violin but the boy playing him was given a double. I had to practice six hours a day, for three days, to get it right. In the end the director said, “Do you think you could play a little faster?”

“These are crotchets,” I said. “They don’t go any faster.”

The result is agonizing but authentic and brought tears to Rosemary Leach’s eyes. The author, Laurie Lee, who still had a cottage in Slad at the time, told my mother that Eileen Brown was the first girl he fell in love with, which was daunting but all this entailed was having to smile.

Sophie Neville with Philip Hawkes as Laurie Lee

My mother appeared in dream sequence, aged 34, looking beautiful in a neatly starched uniform, playing a housemaid when Mrs Lee remembered working with lovely things in a great house. Laurie Lee appeared as himself wearing tweeds – right at the end.

Two years later, in 1973, Claude cast Sten Grendon, who played Little Laurie Lee, as Roger Walker in the Theatre Projects/EMI movie ‘Swallows & Amazons’. He chose me to play his elder sister, Titty.

Sten Grendon with Claude Whatham

The actors John Franklyn-Robbins and Mike Pratt also appeared in both dramas. I didn’t remember this until I looked up the credits on IMDb years later. In 1983, I worked with Rosemary Leach in Norfolk on the BBC adaptation of ‘Coot Club’, when she played Mrs Barrable. I met up with the designer Michael Howells who had a small part as one of Laurie Lee’s elder half-brothers. Both have sadly died. All these amazing actors have sadly passed away, but were captured on film at their most vital.

The film score of Swallows and Amazons (1974) was composed by Wilfred Josephs who also wrote the haunting theme music for Cider with Rosie (1971). You can listen to it here:

The closing title music can be found here:


You can read an earlier article I wrote about appearing in Cider With Rosie (1971) on my other blog here and read more about Claude Whatham’s career here.

Claude Whatham ~ photo: Daphne Neville

This item presented by Paul Martin includes a clip of a black and white BBC documentary made with Lauri Lee in 1960 outside the school where we shot the drama. According to his biographer, he said of Rosie, ‘She was someone, she was no one, she was anyone.’

A signed, first edition copy of ‘The Making of Swallows and Amazons (1974)’ is being auctioned in aid of BBC Children in Need

Are you looking for a special Birthday or Christmas present for someone who happens to love the original film of ‘Swallows and Amazons'(1974)?

Sophie Neville
Author Sophie Neville

Paddy Heron of Children in Read has a huge number of amazing books listed in a charity auction being held to raise funds for BBC Children in Need. Nearly £21,000 has already been pledged, which is amazing. We have 3 days left to bid, so you have time to chat to the family!

‘The Making of Swallows and Amazons (1974)’ is listed as Lot 298, in the section ‘Film & Television’ above Nigella Lawson’s book ‘Coot, eat, repeat’.

Listing in the Film and TV section

To place a bid, click on this link: https://www.jumblebee.co.uk/childreninread2021?cid=2431

and scroll down until you see the image of the book you would like to bid on, then click on the price button and you can enter a bid when the large image pops up. You don’t pay until you win on the final day. I will pay the postage within the UK and inscribe the copy to whom you wish.

What the bidding page looks like

We now have another bid for £101. Copies on Amazon.UK – where is it has 47 reviews, are now listed as costing about £76. I promised that if the bidding went higher than £78 I would personally inscribe this large paperback edition and include a signed first edition hardback copy of my autobiographical book ‘Funnily Enough’, worth £15, which includes a few pages about filming ‘Swallows and Amazons’ in the Lake District.

‘Funnily Enough’, Sophie Neville’s illustrated diary

I said that the bidding goes any higher than £101, I will include a copy of ‘Ride the Wings of Morning’, my memoir about leading a Swallows and Amazons style life camping in Africa:

Ride the Wings of Morning by Sophie Neville
Ride the Wings of Morning by Sophie Neville

To read about taking part in the same auction last year, please click here

If you need to know more about the auction, please contact Paddy Heron at Children in Read: childreninread@yahoo.com

Listings in the AutobiographyBiography section

The lighthouse tree lantern from Swallows and Amazons (1974) has come to light

I received an interesting series of emails recently from a stone mason called Philip Chatfield:

“Hi Sophie, I was watching ‘Swallows and Amazons’, the old classic, on Talking Pictures TV… great channel. Curiously, I have, hanging in my cottage ceiling timbers, the lantern you used for the Lighthouse on Wild Cat Island !!!!!!”

The lighthouse tree lantern today

‘Lanterns like this pattern are not common, so I presume it must be the one used in your 1974 film. I like to think so. There is a hole in the top of my lantern which has been plugged up and holes in the base too. If you use the lantern with candles, which is what I always do. then you cannot have a hole in the top of the lantern. Heat goes up and out of it and the rope or wooden handle may catch fire! It is stopped up with a small bolt with a flat rounded top.’

The holes would have been made to insert an electric light behind the candle so that it would show up on film.

Sten Grendon (Roger), Suzanna Hamilton (Susan) and Sophie Neville (Titty) at the lighthouse tree in the 1974 movie of Arthur Ransome’s book ‘Swallows and Amazons’

It certainly looks like the lantern we used, which I knew well at the time. A hurricane lamp is used in the book Swallows and Amazons. John, ‘tied the other end round the oil box at the bottom of the lantern’, although candle lanterns were used to mark Secret Harbour.

You can see the lantern lying near Swallow’s mast

The black lantern was packed into Swallow on the voyage to the island, visible when the Walker children narrowly miss the Tern. You can see it lying in the shallow basket.

Film stills taken by Albert Clarke in 1973

It was rather uncomfortable to lean over when handing Roger the telescope.

Swallow nearly collides with MV Tern

The basket was taken out of Swallow at the landing place and Titty moves it up the beach ‘for fear of tidal waves.’ See if you can take some screen shots of it hanging from the lighthouse tree.

The same lantern was used in the movie ‘Far From the Madding Crowd'(1967) starring Alan Bates, Peter Finch, Terence Stamp and Julie Christie.

Terrence Stamp with the lantern

You can also see it hanging from a farm cart.

The same lantern

Philip says, ‘Clearly all the props went back to the Turk Phoenix shed near Teddington after shooting.’

Mike Turk’s warehouse full of film props

‘I never thought about it before but I used to work on a sailing ship called Grand Turk, which was owned by Mile Turk of Turk Phoenix who did a lot of film work.’

SV Grand Turk with Philip Chatfield firing a live shot on the Solent.  “That would have given Captain Flint’s houseboat a shaking up!”

‘The Grand Turk played the HMS Indefatigable in ‘Hornblower’ with Ioan Griffiths and co. While I was on board (as Third Mate and Gun Captain) I needed more props for the gunnery dept. The lantern was one of the props we had on board. It came from Turk Phoenix who still had one of the boats used in your wonderful film.’

Swallow at Mike Turk’s warehouse in 2010

‘Mike Turk’s business provided nautical props.’ When Mike reached the end of his life and fell ill, many of these were sold at auction in 2010, including the dinghy that played Swallow in ‘Swallows and Amazons’ (1974), which was purchased by group of film fans now known as SailRansome.

Swallow prepared for auction in 2010

‘Before my time on Grand Turk I spent five years working on a lovely old square rig ship called MARIA ASUMPTA. Back in 1991 we sailed from London’s St Katherine’s Dock to Ipswich. We anchored off Shotley on the Orwell pretty much where the GOBLIN in Ransome’s book ‘We Didn’t Mean To Go to Sea’ book was set. As we hauled up our anchor we brought up a small kedge anchor. I still have it. At the time I was convinced it may have been from the story or even the sailing trip the story was originally based on. Who knows, but it is a lovely anecdote.  We had sailed the autumn before to Flushing in Holland and did a tour of the inland waters of Holland.’ 

Philip Chatfield with a kedge anchor

‘Sadly, Maria Asumpta was lost off Padstow in May 1995 with the loss of three crew. Thankfully I was one of the survivors.’

Maria Asumpta wrecked on a desolate shore

‘You can just see me standing staggering, second from the left, in a state of shock. Three were lost but I was amazed more weren’t, frankly. My friend the bosun Graham is sitting on the stern about to leap off. He survived, just. The ship had been built in Barcelona and launched in 1858.’ By the 1990’s it was the oldest square rigger still sailing.’ A true ship wrecked sailor! What would Titty say?

Philip Chatfield in HMS Victory working on a carving of Lord Nelson in 2008

‘As a stone carver and sculptor I make memorials. A few years ago I was asked to do the memorial for one of my old school teachers and eventually his wife, who now shares his grave in Monmouth. She was Helen Bucknall but her mother was Mrs Henry Clay. The Ransome book  ‘We Didn’t Mean To Go To Sea’ is dedicated to Mrs Henry Clay no less. Henry Clay was a friend and colleague of Ransome’s on the Manchester Guardian, also a keen sailor. I think Helen and her family were the inspiration for the story in the book. So Helen has a carving of the yacht they sailed as children on the large Welsh slate memorial in Monmouth cemetery.’

‘The galling thing for my friends, whose mother was Helen, is that they can’t find the original first edition of ‘We Didn’t Mean To Go To Sea’ that Ransome signed. Hope it turns up. At least that charming card exists. Love his little sketch of the dinghy.’

‘Anyway, hope this is of interest… well done for all you do.  I have a hard copy of the book on order! Can’t wait. Very best wishes, Philip Chatfield’

The lighthouse tree lantern today

To read more about some of the Swallows and Amazons movie memorabilia, including Swallow’s flag and the fishing rods, please click here

To read more about ‘The Making of Swallows and Amazons (1974)’ – click here

This lovely documentary shows Philip’s recent work on railways:

Alan Smith of BBC Radio 4 remembers being a film extra as a boy in the original movie ‘Swallows and Amazons'(1974)

The original film of ‘Swallows and Amazons’ was screened on Talking Pictures TV recently. The BBC Radio 4 newscaster Alan Smith, wrote to me recently, saying:

“It’s Alan Smith here – lovely to have all those memories flooding back! I’ve been through the family archive of photographs and have uncovered two pictures which I’m sure you won’t have:

Brian Doyle, Terry Smith and Graham Ford, with Virginia McKenna, Kit Seymour, Sten Grendon, Simon West, Suzanna Hamilton and Lesley Bennett (photo: Eileen Smith)

“The first picture is fairly obvious – it’s you and the other cast members in the car at Haverthwaite station. This will have been taken by my Mum at the time the ‘official’ photo was taken.” This was on 14th May 1973 when a reporter from the Times came to witness our first day of filming ‘Swallows and Amazons’. The station had only been re-opened two weeks earlier.

The cast of ‘Swallows and Amazons’ (1974) at Haverthwaite Railway Station with Jim Stelfox. Robin Smith is at the window, Alan Smith and John Eccles are standing in the doorway.


“The photo (below) shows (left to right) my brother Robin, me and our friend John Eccles standing in front of a pony & trap. This picture was also taken at Haverthwaite, probably by my mother. John came along with his grandparents Patsy and John, and everyone remarked on how distinguished Mr Eccles senior looked in his boater and blazer!

Robin Smith (6), Alan Smith (9) and John Eccles (7) at Haverthwaite Railway Station with the props lorry in the background


“Please feel free to use these pictures however you’d like – I wonder if they’ll prompt others who were there to unearth similar memories?!”


“We had a lovely two days as extras on the film. I remember there was a casting one Sunday morning at St Anne’s Hall (an old church which is now converted to flats) in Ambleside. This is where anyone who wanted to take part went along to meet the director and wardrobe people. My mother was given instructions re the dress-code for Robin and me, and we were asked to meet in Ambleside town centre a couple of weeks later to board a bus which took us to the first location (Haverthwaite).”  This took place about two weeks before the film. Eileen Smith ran the Gale Crescent Guesthouse in Ambleside although none of the crew stayed there. My mother, Daphne Neville, went along to help the wardrobe master, Terry Smith, fit the film extras with costumes.

Alan’s brother, Robin Smith, made it onto a jigsaw puzzle released with the film

Alan couldn’t think why his Dad didn’t come along. It might have been the threat of haircuts. No man in Cumbria under the age of seventy could be persuaded to have a 1929 haircut, apart from Jim Stelfox the station master and my own father, Martin Neville, who appeared in the Rio scenes shot at Bowness.

You can see a quick flash of Alan and his family near the bus in this behind-the-scenes cine clip, shot by my father with a 16mm Bolex borrowed from his company:

Behind-the-scenes footage taken by Martin Neville

Alan watched this and wrote, “My brother and I are convinced that the boy on the right of the frame at 0’06” is Robin, and the woman standing next to him in the hat with the red band is my mother, Eileen (I appear to have gone in search of ice cream or something, as I’m nowhere to be seen!).

“A couple of seconds earlier at 0’04” I’m almost certain the woman standing in front of the red bus with the large bag is John’s grandmother Patsy Eccles, and the the man in the white blazer, trousers and hat is John Eccles senior, Patsy’s husband. I have very fond memories of Mr & Mrs Eccles – they were a lovely, kind couple who were almost like an extra set of grandparents to Robin and me.

Other children who took part, featured in the local newspaper

“We may only have been extras, but it was so exciting for all of us! The first day’s filming was spent getting on and off the train, followed by what seemed like endless trips up and down the line (this would have been when you and the other actors were in the next carriage filming the early scenes).

Some of the other film extras with Suzanna Hamilton and Sophie Neville


“The second day was a few days later at Bowness Bay. This must have been some feat to achieve as the road was closed to traffic and any clues from the 1970s such as road signs had to be covered up or disguised!

Is Alan fighting with his brother in this shot, top right?

“Both days had a very big effect on me. As a child I’d always been fascinated by radio, film & television, and this brought my imagination to life. It also lit a fuse under my ambitions to do something in broadcasting. The result is I’m now a news presenter on Radio4, doing the news in programmes such as Today, PM and The World at One, so I have a lot to thank Swallows and Amazons for! My work means I now live in Buckinghamshire, but I get back to the Lakes 5 or 6 times a year, and I know that when I hang up my headphones for good, that’s where I’ll live.”

Although born in Edinburgh, Alan’s family moved to Cumbria when he was two years old. He and his brother, Robin, enjoyed an idyllic ‘Swallows and Amazons’ childhood growing up in the Lakes. They didn’t get into sailing but loved hill walking. You can see his BBC profile here

Zena Ashbury and her mother, in front of Brown’s coach returning the film extras to Ambleside at the end of the day’s filming in Bowness.

The disaster of the missing tooth – whilst making the movie ‘Swallows and Amazons'(1974)

Earlier in the year, I spoke to Helen Millican on BBC Radio Cumbria about making the original film of ‘Swallows and Amazons’ in the Lake District, back in the summer of 1973. We have had an amusing development.

Sophie Neville speaking to Helen Millican on BBC Radio Cumbria

I had been chatting away, telling Helen that people like hearing about all the disasters we had whilst filming on location. One odd thing that went wrong was that one of my milk-teeth fell out in the middle of shooting a scene with Virginia McKenna on Peel Island. At the time, I was somewhat distracted and self-conscious about this but could do no more than try to keep my mouth shut.

Virginia McKenna and Sophie Neville on Peel Island
Virginia McKenna and Sophie Neville ~ photo: Daphne Neville

However, viewers often spot the fact that my tooth suddenly disappeared. They still talk about it nearly fifty years later. Helen assured me that the tooth fairy was bound to turn up with it, suggesting I could then take the small canine on BBC ‘Antiques Roadshow’, which was being recorded at Windermere Jetty museum in Cumbria at the time.

The tooth that went missing – top right

Amazingly, the missing tooth has been sent to me.

Peter Robb-King, the Make-up Designer on ‘Swallows and Amazons’, rang to say that he had kept it safely in a metal film canister labelled ‘Titty’s tooth’. He promised to send it to me in the post so that I could add it to my bizarre collection of movie memorabilia – valued by Marc Allum at £4,000 to £6,000.

Sophie Neville being made up for the part of Titty by Peter Robb-King in 1973

Helen was delighted to hear that the tooth had materialized after 48 years. “Wow, Sophie what a result, after we made such a joke of it as well! That might just take your valuation up to the next level!”

Peter explained that he took the milk tooth to a dentist in Ambleside to ask if a bridge could be made to temporarily replace it but I remember the director, Claude Whatham, saying that he would ‘have to live with it’ – it being something of a continuity problem as he was yet to shoot earlier scenes of us sailing to the island. As a result, film fans can now work out which sequences were shot right at the end of our time on location even though they come before the scene with Man Friday (played by Virginia McKenna) in the storyline.

My missing tooth, kept since 1973

Peter Robb-King went on to have an amazing career in film, working on ‘The Rocky Horror Picture Show’, ‘Aliens’, and a number of ‘Indiana Jones’, ‘Batman’ and ‘Star Wars’ movies. He told me that he originally found it difficult to break into Make-Up Design as a man, but managed to win a post as a trainee on ‘The Avengers’ in 1968. ‘Swallows and Amazons’ (1974) was his first job as a Make-Up Supervisor, proving a break-through for him and other members of the film crew. It was the first film made by the producer Richard Pilbrow and David Wood’s first screenplay. Suzanna Hamilton, who played Susan, went on to star in many movies including ‘1984’ with John Hurt and ‘Out of Africa’ opposite Meryl Streep. She has recently had a guest appearance on ‘EastEnders’.

Peter Robb-King can be glimpsed right at the end of this cine clip taken on location

Now retired, Peter and his wife live in Maidenhead but enjoy travelling around. We had a long chat about the green parrot as he later adopted a young one that was rescued while making an Indiana Jones film in Sri Lanka. Stephen Spielberg looked after another parrot from the clutch.

You can read more about the disasters that befell us whilst filming in ‘The Making of Swallows and Amazons’, signed copies of which are available from libraries, The Nancy Blackett Trust book shop and other online distributors.

'The Making of Swallows and Amazons (1974)'

If you enjoy ebooks, ‘The Secrets of Filming Swallows and Amazons (1974)’ has links to behind-the-scenes cine footage and is very good value at £2.99 – available on Kobo, Smashwords, iTunes and on Kindle here

To read a little more about filming with Virginia McKenna on Peel Island, please click here

A list of Peter’s film credits can be found here: Peter Robb-King – IMDbimdb.com

An article on the tooth in the Times

You can listen to the ten minute recording of my chat with Helen Millican of Radio Cumbria on the Nancy Blackett Trust website here.

The episode of BBC ‘Antiques Roadshow’ showing movie memorabilia from the 1974 film of ‘Swallows and Amazons’ can be watched on BBCiPlayer here.

You can spot the missing tooth but the movie trailer can be seen here as we attack the houseboat. The clip is slightly out of sinc.

Swallow’s flag and the bamboo fishing rods featured in the 1974 movie ‘Swallows and Amazons’

The flag Titty made for Swallow in the original film ‘Swallows and Amazons’ (1974)

Were some of these stitches mine after all?

A few weeks ago, BBC Antiques Roadshow featured some of the flags from the original movie ‘Swallows and Amazons'(1974) in which I played Titty Walker. These film props had been sent to me by the producer Richard Pilbrow who now lives in Connecticut. I take them with me if I’m ever asked to give a Q&A or talk about ‘The Making of Swallows and Amazons’. Film fans enjoy taking selfies with them.

I explained that they were made on location in 1973, possibly by the Art Director, Simon Holland, who enjoyed painting. Equally, they may have been made by the Set Decorator Ian Whittaker, who went on to win an Oscar and nominations for several more. Bob Hedges who was in charge of the action props was also adept at making props in the days when health and safety regulations were more relaxed.

In the story, Titty decides to make a new flag for the Swallow. I was keen on sewing as a child, and was thrilled to be given a needle and thread to stitch a blue swallow on the flag myself in a scene with Virginia McKenna, who played Mrs Walker, shot at Holly Howe (Bank Ground Farm) above Coniston Water in the Lake District. Rather a modern reel of cotton was caught in vision.

Virginia McKenna, as Mary Walker with Sophie Neville playing her daughter Titty Walker busy stitching Swallow’s new flag in preparation for the voyage to the island (c)StudioCanal

It was not until I returned from recording Antiques Roadshow at Windermere Jetty and had the flag on my desk that I noticed some of the stitches are different from others. It looks as if the small, white stitching on one wing could have been my own. As a child, I had thought the larger stitches rather clumsy but am sure they looked appropriate in vision. It would be worth far more if it was known to have been made by Ian Whittaker. He won an Oscar and was nominated for his work on a number of other films.

Ian Whittaker with the Art Director Simon Holland

‘Properly’, as Titty would say, the bird should be flying towards the mast, although I am assured that Arthur Ransome did once draw a diving swallow on one flag. In his book, the swallow was sewn into the cloth rather that plonked on top of fabric browned by tea but our flag has lasted for 48 years.

Property Master Bob Hedges keeping the perch alive

After Antiques Roadshow was broadcast, a lady who grew up in Bowness on Windermere, wrote to say, ‘It may be of interest that we still have the fishing rods that were used in the film. They belonged to my father Leslie Borwick and were lent to the film crew. They are rather worse for wear but still treasured as I was a big fan of the books when I was young. Unfortunately I was living abroad when the film was made so have no memories of it.’

Leslie Borwick on Windermere

Leslie Borwick, was a keen fisherman who took his daughter out to catch perch. She said that the bamboo rods are quite fragile but one has a wooden reel, which is interesting.

Ronald Bousfield fishing at about the time ‘Swallows and Amazons’ was written

“My mother’s side of the family were very keen fishermen. Their surname was Bousefield and there is a fly called “Bousefield’s Fancy”(Frank Bousefield)”

You can read the original post about filming the fishing scene on Elterwater here

A clip of Swallow’s flag being valued on BBC Antiques Roadshow can be watched on BBC iPlayer.

The whole story of the making of Swallows and Amazons (1974) can be read here:

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