Swallow’s flag and the bamboo fishing rods featured in the 1974 movie ‘Swallows and Amazons’

The flag Titty made for Swallow in the original film ‘Swallows and Amazons’ (1974)

Were some of these stitches mine after all?

A few weeks ago, BBC Antiques Roadshow featured some of the flags from the original movie ‘Swallows and Amazons'(1974) in which I played Titty Walker. These film props had been sent to me by the producer Richard Pilbrow who now lives in Connecticut. I take them with me if I’m ever asked to give a Q&A or talk about ‘The Making of Swallows and Amazons’. Film fans enjoy taking selfies with them.

I explained that they were made on location in 1973, possibly by the Art Director, Simon Holland, who enjoyed painting. Equally, they may have been made by the Set Decorator Ian Whittaker, or Bob Hedges who was in charge of the action props. In the story, Titty decides to make a new flag for the Swallow. I was keen on sewing as a child, and was thrilled to be given a needle and thread to stitch a blue swallow on the flag myself in a scene with Virginia McKenna, who played Mrs Walker, shot at Holly Howe (Bank Ground Farm) above Coniston Water in the Lake District. Rather a modern reel of cotton was caught in vision.

Virginia McKenna, as Mary Walker with Sophie Neville playing her daughter Titty Walker busy stitching Swallow’s new flag in preparation for the voyage to the island (c)StudioCanal

It was not until I returned from recording Antiques Roadshow at Windermere Jetty and had the flag on my desk that I noticed some of the stitches are different from others. It looks as if the small, white stitching on one wing could have been my own. As a child, I had thought the larger stitches rather clumsy but am sure they looked appropriate in vision. It would be worth far more if it was known to have been made by Ian Whittaker. He won an Oscar and was nominated for his work on a number of other films.

Ian Whittaker with the Art Director Simon Holland

‘Properly’, as Titty would say, the bird should be flying towards the mast, although I am assured that Arthur Ransome did once draw a diving swallow on one flag. In his book, the swallow was sewn into the cloth rather that plonked on top of fabric browned by tea but our flag has lasted for 48 years.

Property Master Bob Hedges keeping the perch alive

After Antiques Roadshow was broadcast, a lady who grew up in Bowness on Windermere, wrote to say, ‘It may be of interest that we still have the fishing rods that were used in the film. They belonged to my father Leslie Borwick and were lent to the film crew. They are rather worse for wear but still treasured as I was a big fan of the books when I was young. Unfortunately I was living abroad when the film was made so have no memories of it.’

Leslie Borwick on Windermere

Leslie Borwick, was a keen fisherman who took his daughter out to catch perch. She said that the bamboo rods are quite fragile but one has a wooden reel, which is interesting.

Ronald Bousfield fishing at about the time ‘Swallows and Amazons’ was written

“My mother’s side of the family were very keen fishermen. Their surname was Bousefield and there is a fly called “Bousefield’s Fancy”(Frank Bousefield)”

You can read the original post about filming the fishing scene on Elterwater here

A clip of Swallow’s flag being valued on BBC Antiques Roadshow can be watched on BBC iPlayer or seen on Youtube here:

Points to add to the third edition of ‘The Making of Swallows and Amazons’ (1974) – part four

Windermere in the English Lake District

When I was last in the Lake District, I grabbed the chance to climb to the top of Gummer’s Howe to look down on the ‘Great Lake in the North’. Arthur Ransome, who once lived at High Nibthwaite, must have gazed at this exact, same view. ‘Native shipping’ was passing a wooded island and a bay where I could see a yacht was moored. It was like looking down on the chart I once drew for the original film of ‘Swallows and Amazons’ first screened in cinemas forty-seven years ago in April 1974.

Looking to the south, I could see Lakeside Station and the Haverthwaite steam railway running alongside the River Leven where we began filming back in May 1973. The renovated line had only been running for two weeks but we were instantly transported back to 1929, when Ransome wrote the book in a grey barn nearby.

Blake Holme, one of the wooded islands on which Wild Cat Island was modelled

Michael Johnson left a comment on the Arthur Ransome Group Facebook page saying, ‘The Lakeside & Haverthwaite is a lovely line, but frustratingly slow. It’s such a short line that the journey would be over within a few minutes even at a modest speed, like 25mph. Drivers are under standing instructions to drive at little more than walking pace so the journey takes at least 15 minutes. That way everybody thinks they’ve got their money’s worth!’ I hadn’t noticed when travelling on the line myself a few years ago.

The River Leven and southern end of Windermere in Cumbria

Ransome wrote: ‘Windermere is the lake, a bit disguised’ although he used many locations found on Coniston Water that perhaps he wanted to keep more secret. However, it is clear that Rio is his name for Bowness-on-Windermere, which I was able to explore recently. This was the jetty where the Boy Roger was left guarding Swallow.

Bowness-on-Windermere

Charles Elliot from Bowness remembers us, “filming in the bay with some actors in a rowing boat. There was no security so I walked down the jetty right behind the camera.” Was this captured by the Guardian newspaper here?

It’s possible find some of the locations and even some of the traditional boats that appeared in the movie. The natives may be able to help you. Brian Salisbury said, “The village store was my grandfather, Tom Kirkbride’s cobblers shop from mid-1930s to mid-1950s.

Woodland Road, Windermere

Stan Cropper took it over and added the LH extension.” He said of our set designer, “They did it up with the original red wooden finish.” The cat was called Rusty.

Simon West as Captain John in ‘Swallows and Amazons’ (1974) – StudioCanal

After he posted this photo on Facebook, Harry Hodgson wrote to say, “I remember looking at all the 1930’s products in the windows.”

This behind-the-scenes cine footage shot by my father in 1973 shows the film extras getting off the coach at Bowness and a scene being shot on the jetty:

Stephen Newton and Phil Procter would go and watch the filming in their dinner break from Borwicks Aquatics. “There was a band playing in the bandstand and a bloke on a pushbike with a front box selling ice cream. You can see this in the film when the kids are on the pier in the background.”

Windermere skiffs at Bowness-on-Windermere

In many ways, the 1974 film ‘Swallows and Amazons’ has become a touchstone to re-set our lives. Nigel Young writes: “On arrival back from touring, I’d get to Oxenholme station and rush home, change into my boots and head to the hills passing through Bowness…. I’d look across the lake and count the trees on the small beach, seven in all? and in my mind’s eye try to place the bandstand which features in the film so prominently. I’d look for the jetty where Roger was confronted by a blazered gent in whitened shoes asking him about his boat and think… ‘What have they done with it?’  

Lakeland steamers embarking from Bowness-on-Windermere

“Then I’d look at the landscape and note all the changes since the making of the film before heading home where I’d immediately put the film on, grab a glass of white wine and just sit and watch it, getting transported back in time to another way and another space, but that space still exists in some strange dimension for me, and I feel in touch with the lakes and in touch with a past I can totally relate with.  John wears one of those stripy  S buckle belts on his shorts.  I had one too!

Sophie Neville in Bowness, Cumbria
Sophie Neville, Simon West, Suzanna Hamilton and Stephen Grendon in Bowness in the summer of 1973

“You were well cast, almost as if you were a family before you all started and the cinematography, especially where the sailing sequences are concerned, is something out of this world. Whoever shot and edited the footage for the film were totally at one with the story and the locations…..   And Ronald Fraser !!  …well I would say he really did ‘Swim’ …… I was Principal of an Outdoor Education Centre on Windermere for over a decade and I am aware of just how cold the lake can be in winter or summer….and there goes ‘Ronald’ getting thrown off the plank by you guys into Coniston or Windermere which ever, they are both as cold as each other!”

To read a previous post on finding the film locations and taking the Lakeside and Haverthwaite steam train, please click here

Bowness-on-Windermere

You can read more about the film locations used in ‘Swallows and Amazons'(1974) in ‘The Making of Swallows and Amazons’ published by The Lutterworth Press who can send you a copy.

'The Making of Swallows and Amazons (1974)'

Memories to add to the third edition of ‘The Secrets of Filming Swallows and Amazons (1974)’ – part three

“One pandemic discovery for my family was 1974’s ‘Swallows and Amazons,’ a charming British film about kids just playing on a lake. On their own, they’re plenty capable of making their own tents and adventures”, the US film critic Jake Coyle wrote in a review for the Associated Press of a new movie released on Netflix called ‘Yes Day’.

Many people have fond memories of watching the original movie of ‘Swallows and Amazons’ when it first came out in cinemas nearly forty-seven years ago and list it in their Top Ten feature films of all time.

David Kerr wrote: “I first saw the film while I was a junior projectionist. I was 17 at the time. My cinema was called the Astor in Bromley, part of south east London. While an independent cinema, we took the ABC circuit films. Somewhere, I have the LP record and a poster of the film. I went on to a career spanning 40 years in international film distribution.”

“It remains one of my top ten films even to this day. I worked for 20th Century Fox…Polygram…and United International Pictures which distributed Universal, Paramount and Dreamworks films. I had a good career and witnessed the good the bad and the ugly during my travels.”

Simon West and the camera crew at Bank Ground Farm

“From memory, I can recall that the film was released over the Easter school holidays in 1974. It’s just been helped as I have found a press ad online and it lists South London unusually running the film first on April 14th.”

Finding Swallow
Simon West, Sten Grendon and Sophie Neville with the director Claude Whatham

“I believe the film was supported by ‘The Lion at Worlds End’ …the documentary that Virginia and Bill Travers made with George Adamson about returning an African lion to the wild. I know I ran the film again either in 1975 or ’76 as an afternoon matinee only with a Kung Fu adult programme in the evenings.”

Brenda Bruce and Simon West on location above Coniston Water

“The film means a lot to me and has done so since 1974. It made me revisit the books…which I still read (currently dipping in and out of an old hardback edition of ‘Pigeon Post’) but I believe I had only read one during my childhood, which I think was ‘Swallowdale’. I also embarked on a number of holidays in the lakes because of the film. That first year I camped on a farm at Torver on the west side of Coniston.”

Simon West as John Walker studying the chart at Holly Howe before the voyage.

“The reason I include it in my top ten is simple. It is pure storytelling that takes the viewer on an adventure. You do not notice the individual aspects of film making you just become engrossed in the story. And that is what a good film should do. I watched it again just last week on a streaming service… It makes me smile ….what more can I say.”

Virginia McKenna with Sophie Neville on location at Bank Ground Farm

John Rose wrote: “I can remember watching the film in 1974 with my mum and grandma when I was a nine or ten year-old, at the then called Mecca Cinema in Horsham, Sussex (sadly now demolished). I remember loving the natural setting and the adventure in the film and remember it being thrilling and suspenseful! Still my favourite film, so cheerful and up-lifting. The lovely music! All still brings a tear to my eye.  Back then in the ’70s we didn’t have the lakes but at every opportunity our little band of local children would run off over the fields playing, building camps and climbing trees in the woods – such happy, carefree days.”

Simon West, Suzanna Hamilton, Sophie Neville and Sten Grendon in Swallow

Last time the film was broadcast on BBC Two, David Stott, who worked as a unit driver on ‘Swallows and Amazons’ when he was fresh out of college, wrote in to say: “I remember how cold you all were whilst filming the swimming scene.  The lily pond scene brought back memories of a very wet day on Pull Wyke caravan park.  Most of the day was spent in the two double decker buses that were your school room and the canteen waiting for the rain to clear. Everyone was so grateful to pack up and go home.”

Sten Grendon as Roger with Suzanna Hamilton as Susan

 

“I had many incidents with the parrot that I had to collect in the morning and return at night.  I hated the bird, often it was let free in a bathroom at Kirskstone Foot and l would have to catch it and put it in its travel bag. I notice in the film that it is chained down whilst it is sitting on your shoulder.”

Kit Seymour as Nancy, Sophie Neville as Titty and Beauty playing Polly the green parrot.

 

“I would spend a lot chatting to Ronnie Logan the hairdresser while the shooting was taking place, such a nice man.”

“The day they filmed the walking the plank scene I remember very well.  I took Ronnie Fraser to the Lodore Swiss hotel at  lunchtime and he was really very well plastered by the time I got him back for the afternoon filming.  I suppose it was the only way they managed to get him in the water.  He was not a happy chappy that afternoon when I eventually took him back to Ambleside.”

“I had to put the rushes on the train to London in the evening and collect developed film (how times have changed).  One of my treats was that I was allowed to watch the rushes with the production team in the evening. Watching it again this afternoon was a real trip down memory lane.  I cannot believe that I was a student starting out in life at the time and now l am a pensioner.  Where has all that time gone?”

Simon West and Sophie Neville on Peel Island in 1973
 
You can read more in the paperback on ‘The Making of Swallows and Amazons (1974)’
.
 
 

You can see some of the illustrations here:

Memories to add to the third edition of ‘The Secrets of Filming Swallows and Amazons’ – part two:

Since the experts on BBC Antiques Roadshow have been taking an interest in the original feature film ‘Swallows and Amazons’ (1974), I thought I ought to add to a few facts. Although the movie was released forty-seven years ago, the cast list remains incomplete. A few credits are missing:

Jim Stelfox was in uniform, playing a guard or station master at the Haverthwaite Steam Railway station in the opening scenes, when the Swallows first arrive in the Lake District. He ended up appearing in some of the publicity stills that were used in magazines and newspapers. One features on a jigsaw puzzle that accompanied the release of the movie. The little boy leaning out of the train window is Robin Smith, who grew up in Ambleside. He came along with his mother Eileen and his brother, Alan Smith, who became a newsreader on BBC Radio 4.


Kit Seymour, Sten Grendon, Sophie Neville, Lesley Bennett, Virginia McKenna, Simon West Suzanna Hamilton with Jim Stelfox, the station master.

David Watkin Price, also from Cumbria, played the native on the jetty in Rio. His speaking part was cut from the television version of the film broadcast on ITV but remains in the remastered 2014 cinema Bluray and DVD available online.

Mr Price played an important part in our lives when the film was being made as he owned and ran the Oaklands Guest House in Ambleside where we stayed. His daughter Jane, told me, ‘They wanted you to stay in a place that had a family atmosphere with other children.’ I expect that she did a lot to help.

David Price who played the part of the Native in Rio with his family in Ambleside. They ran the Oakland’s Guesthouse ~ photo: Daphne Neville

Jane appeared with her two brothers as film extras in the Rio scenes, remembering that it gave her a day off school. Sadly, her little brother’s knickerbockers kept falling down. You can see Jane in a grey dress with long pigtails,  hoiking them up in this behind-the-scenes shot. To see other photos of the Price family in costume, please click here.

The Price children in their 1929 costumes on the shore of Windermere, 1973

The people of the Lake District have written in with other stories. Philippa Poulson knew the real charcoal burner, Norman Allonby – ‘I lived around the corner from him in 1973. He lived in a tiny one up, one down traditional cottage, walked everywhere, and made a lovely cup of tea. He was very interested in my English Literature A’ level course, being a keen reader. I wonder how many people know he knew Paradise Lost and Paradise Regained, by heart, and in their entirety and could recite any part, at any time, on request. He would happily talk for hours on the subject, with a twinkle in his eye and his pickle catching front tooth. Lovely, gentle man, living life at the right pace.’ You can read more about the real charcoal burners of Grizedale Forest here.

The real charcoal burner
The real charcoal burner outside the hut. Behind him the 35mm Panasonic camera is being mounted on a short section of track ~ photo: Daphne Neville

Susie Trezise said, “I remember them filming ‘Swallows and Amazons’ – it was right in the middle of my O’Level exams and their walkie-talkies kept coming through my stereo speakers! It was fascinating listening. I lived at Stock Ghyll Mill, so about five miles away from the filming. The strangest thing was it still came through the speakers when they were turned off but still plugged in!”

~Comic strips based on the 1974 film found by Arthur Herbertson~

Joss Bundy wrote to say: “My Father, between being the technical director of the Royal Opera House and the National Theatre, worked with Richard Pilbrow at Theatre Projects in the ’70s. He had been a friend of Richard’s for many years. Theatrical lighting design was still in its infancy and designers tended to stick together. Richard and my Dad were the founders of The Association of Lighting Designers, along with various others.

Richard Pilbrow and Neville Thompson ~ photo:Daphne Neville

“My mother, Rosemary Lindsay, had been a ballerina at the ROH, which is where they met. My Mother had sailed since a small child and had devoured each new Ransome book as it was published and loved them more than any others. When Richard mooted the film, my father mentioned what an expert Rosemary was and when the project was getting up on its feet she was given an early script to vet. Various things had been added in for dramatic effect and she vetoed one: Roger getting stuck on top of a cliff, as she felt John and Susan would never have let him get in such a situation.”

“I was clearing yet another box of theatre-related photos and as well as a couple of publicity stills.” One shows filming the Amazon boat house. “I can only assume Richard or Molly sent them back to my Dad, who would have been running Theatre Projects while Richard was away.”

“After the film was finished, Richard offered Swallow to my Mum, but she didn’t want the responsibility of another wooden boat. We still own the one she sailed as a child, a smaller version of a Swallow type boat. She also felt that a boat only sailed in fresh water would not necessarily do well in salt water.”

 
 
Do add any memories you have to the Comments, below. It would be lovely to hear from you.
 
It would be great to have some more review on the film on the International Movie Database. You can easily add one here.
 

You can read more in the ebook about ‘The secrets of filming Swallows and Amazons (1974)’

and  ‘The Making of Swallows & Amazons’ in paperback.

You can see some of the illustrations here:

Swallow appeared on BBC Antiques Roadshow at Windermere Jetty with a movie poster from the original film of Swallows and Amazons (1974)

When Lakeland Arts declared that Antiques Roadshow was coming to Windermere Jetty, I sent the BBC a photograph of some of the props used in the 1974 film of ‘Swallows and Amazons’.

Swallow’s burgee made in 1973 for the original film of ‘Swallows and Amazons'(1974)

I was hoping their expert on movie memorabilia might be interested in the film posters, but couldn’t think that a hand-whittled hazel bow and arrow could be worth much.

Diaries kept on location in 1974, which form the basis of ‘The Making of Swallows and Amazons’

I was keen to talk about my scrapbooks and diaries kept on location and thought they might want to use photos my father took of George Pattinson whose collection of boats formed the basis of the original Windermere Steamboat Museum. He brought his 1900 steam launch Lady Elizabeth to Bowness-on-Windermere when we shot the Rio scenes there in the summer of 1973 . She is currently being restored at the museum.

George Pattinson in his steam launch Lady Elisabeth in 1973 ~ photo: Martin Neville

I also suggested they featured Swallow the dinghy we used in the film. A group of us clubbed together in 2010 to purchase her when she came up for auction.

She was valued by Rupert Maas who is a great fan of Arthur Ransome’s books and watched the film himself as a boy. He liked the fact she hadn’t been over-restored. I didn’t know her ribs were made of elm.

The best photograph of Swallow under sail was used on the cover or the first edition of my book about making the 1974 film:

This first edition is now selling for ridiculous amounts on Amazon, but please email me if you’d like a signed copy. I have a few left.

You can order a copy of the 2nd edition online here

If you enjoy ebooks, ‘The Secrets of Filming Swallows and Amazons’ has links to behind-the-scenes home movie footage. It is available for £2.99 here

The billing from the Radio Times lists the other interesting items on the show. You can watch the episode, mostly shot on a lovely sunny day, on BBC iPlayer. Further details are reported here.

If you would like to find out about sailing ‘Swallow’ yourself, please contact Sail Ransome.

I might appear in the second of the two episodes broadcast from Windemere Jetty – the one shot in rain.

When the BBC rang inviting me to come up, it was clear that I was the antique they wanted to see. The first thing they asked me was my date of birth. This turned out to be due to Covid-19 restrictions but the director did, later, ask if she could call me Titty.

BBC Antiques RoadShow at Windermere Jetty in Cumbria

Filming was already in progress when we arrived at the museum. It was a typical day in late September, pouring with rain.

There was a great deal of impressive camera and lighting equipment in evidence but a number of marquees had been erected to keep everyone dry.

We were introduced to the designer, who whisked off various items I’d brought with me to display, and Marc Allum, antiques expert, author and long-time contributor to the Roadshow. He’s tough. It wasn’t freezing but the weather was far from warm.

BBC Antiques Roadshow Expert Marc Allum

Once at the water’s edge I met Debbie, the director who was surprised by the length of my hair. I explained it had grown during lockdown having not been cut for a year.

My position was marked by small sticks in exactly the same manner as during the filming of ‘Swallows and Amazons’ when I was aged twelve. Camera tape would not stick to the slate shingle.

A measuring rod was used to ensure we remained two meters apart, even whilst on camera, before I was asked to take up the bow and arrow I had helped whittle on location long ago.

Expert Marc Allum setting on a display of movie memorabilia with Sophie Neville

The display included Swallow’s burgee. I did ask for the flags to be crossed, but the significance of this was lost on the design team. You will have to write in and explain the importance.

When it came to being given an estimate for the value of what my husband calls ‘my junk’, I was truly amazed, especially since I nearly chucked half of it away in a fit of de-cluttering.

I am sworn to secrecy, so you’ll need to watch the show to find out how much my collection of movie memorabilia is meant to be worth. It should be broadcast on Sunday 21st February 2021 – but will I be on? I know they will feature Swallow this week but my item could either be featured in a different episode or hit the cutting-room floor.

We talked about the film premiere and influence the Swallows and Amazons books have had in encouraging children to get out into the wild.  As I walked around the museum afterwards, I found the Lady Elizabeth being restored, which you can see in a previous post here.

There is already a movie poster at the Windermere Jetty museum. I dug out a large, sepia poster designed for cinemas that has not been seen since 1974 but the BBC were not able to feature these for copyright reasons. Since receiving a valuation, I am getting it framed.

Quotes for the 3rd edition of ‘The Secrets of Filming Swallows and Amazons (1974)’

Movies are made for watching. In the end, they belong to those who love them and it is wonderful to hear of the impact they have had on people’s lives.

The screenwriter Caleb Ranson wrote: “You’ve no idea how thrilling this is for me to hear from you. Swallows & Amazons was a life changing cinema visit for me, set me off on my path writing/producing TV/films. I played the soundtrack album every night for years. And I love your book BTW, bought it when it first came out.”

Paddy Heron of Children in Read describes the movie Swallows and Amazons(1974) as “a national treasure of a film.”

Nigel Seymour wrote to say, “that the original film has an ambience which cannot be calculated.  It sits in time, yet it is as fresh as if it was made yesterday!” An international musician today, Nigel believes, “It possesses a simplicity of life we’ve lost, so watching it is a refreshing reminder of great days… a journey into another dimension and another world steeped with love and belonging, adventure and moral understanding, which is shared between a family and accepted. The characters are brought to life almost as if they are an infinite, integral part of the immortality of the story, each giving that picturesque understanding the viewer finds impossible to explain. After watching this film one arrives back in real time with a resounding bang! We wonder why such a simple story can create such an iconic understanding. Why watching this film can make you feel happy, totally complete and yearning to return again and savour that wonderful, eternal landscape we have all learned to grow  and love as the Lakes.”

Tracy Kenny from Ketts Books wrote: “Swallows and Amazons is a firm family favourite in our house and for a while there, your movie was the only film my eldest would watch!”

The author Catherine Randall said: “I lived and breathed Swallow & Amazons including your film. Knew nearly all the words!”

The fan letters continue to arrive. Each one treasured.

Nigel Young writes: “‘Swallows and Amazons’ is one of those films which sets itself  in that timeless space no one can quite fathom or understand, almost verging on ‘Immortality’.  I’m sure no one at the time working on it ever thought the film would achieve the cult status it seems to enjoy today. You are possibly smiling when you read this, but it’s a true reflection of a film, which is more than a film and touches on those beautiful innocent moments and times which have been lost forever.”

Charles H Ball wrote: “‘Swallows and Amazons’ was instrumental in helping me through a very stressful period of my life… I will be obtaining ‘The making of Swallows and Amazons’ and no doubt many more of your other publications in due course. “

C.H.B. left a review of ‘The Secrets of Filming Swallows and Amazons’ writing: ‘the feelings of anybody who would have loved to have had the opportunity of actually taking part in the film are summed up by Nancy Blackett when the D’s are explaining how they managed to get to the North Pole a day earlier than planned. ‘And you two came by yourselves and got here through that blizzard?’ said Nancy. ‘However did you find the Pole?’ ‘The blizzard helped really,’ said Dorothea. ‘We were sailing,’ said Dick………..’And we’ve gone and opened the stores,’ said Dorothea. ‘And eaten some of them. You see we lost our food when the sledge turned over and the mast broke…’ ‘Capsized!’ cried Nancy. ‘Mast gone by the board! Oh. you lucky, lucky beasts!’ Some of us will forever envy the lucky children who had the opportunity of a lifetime.

I hope to include all these quotes in the 3rd edition of ‘The Secrets of Filming Swallows and Amazons’, to be brought out for the 50th Anniversary of the films release in April 2024. Do leave a comment below or write in, letting us know what the film meant to you or how it effected your life.

Sophie Neville being interviewed on ‘The Making of Swallows and Amazons’

Lakeland Arts, based at the Windermere Jetty Museum, ask how the original film of ‘Swallows and Amazons’ was made on location in the Lake District in 1973 –

You can find out more in the illustrated paperback, suitable for all age of readers, entitled ‘The Making of Swallows and Amazons’, which makes a good Christmas present when combined with the 40th Anniversary DVD with DVD extras.

At Windermere Jetty museum – to see the amazing boats

Simon West, Suzanna Hamilton and Sophie Neville filming ‘Swallows and Amazons’ (1974) 

In the summer of 1973, I was transported to the shores of Windermere, ‘The Great Lake in the North’ to appear as ‘Titty Walker’ in the classic movie of ‘Swallows and Amazons’, starring Virginia McKenna and Ronald Fraser.

The Swallows approach the jetty in Rio. Which launch is moored outside the boat sheds?

We were fortunate enough to film the scenes set in Rio at Bowness-on-Windermere before the original green boat sheds were demolished in favor of an amusement arcade.

Rio – or Bowness-on-Windermere in 1973 – with SL Elizabeth ~ photo: Martin Neville

George Pattinson brought along his steamboat the Lady Elizabeth, which you can see here beyond the Windermere skiffs pulled up on the shore.

George Pattinson in his steam launch Elisabeth ~ photo: Martin Neville

George’s personal collection made up the basis of the Steamboat Museum now rebuilt and known as Windermere Jetty, where we found the Lady Elizabeth under restoration.

Eighteen foot long, she was built in New York State in about 1900 and brought to England, so was likely on Windermere in 1929 when Arthur Ransome wrote ‘Swallows and Amazons’. She sank off Cockshott Point beyond Bowness, but Mr Pattinson salvaged and renovated her in 1955. You can read more here.

The Lady Elizabeth under restoration at Windermere Jetty
The Lady Elizabeth under restoration at Windermere Jetty

Other exhibits included the exquisite steam launch Osprey, in fine fettle with her copper steam kettle kept brightly polished. I knew her from taking part in a Steam Boat Association rally on Windermere in 1991. 

The RNSA dinghies used to play Swallow and Amazon in the 2016 movie can also be seen in the wet dock at Windermere Jetty.

Look up, and you can spy a green beetle on an old burgee. 

Arthur Ransome’s dinghy Conch-y-bonddhu, known as Scarab in his books, is on display with Beatrix Potter’s rough, flat-bottomed rowing boat (the pointed bows of which can be seen here hanging on the wall to the right).

It was good to be able to examine Conchy’s rigging. You can read about her here.

The museum has many other treasures including the hull of the oldest yacht in existence in the Lake District.

Every one of the forty boats exhibited has a story to tell.  You can find out more about visiting Windermere Jetty on their website here.

The Windermere skiffs can still be seen up the road in Bowness where you can begin to look for locations used in the original film.

If you don’t already have a copy you can read about ‘The Making of Swallows and Amazons (1974)’ here. This includes maps and chapters on how to find the film locations.

To learn more about the film locations, please click here.

The ebook on ‘The Secrets of Filming Swallows and Amazons’, which is similar, is available on all ebook platforms, including Kindle here.

A weekend spent steam boating on Windermere in 1991, is featured in ‘Funnily Enough’, a diary of a year when everything changed, can be found here.

Looking towards the jetty featured in ‘Swallows & Amazons’ (1974) at Bowness-on-Windermere

I look forward to returning to Windermere Jetty when the Lady Elizabeth is on back the water! The museum will be opening soon.

You can read about the 1901 steam launch Daffodil that I helped to renovate here.

Sophie Neville visiting Windermere Jetty – photo: Caroline Robinson

A First Edition of ‘The Secrets of Filming Swallows and Amazons (1974)’ – signed by the author – goes for £201 in an auction held in aid of BBC Children in Need

Sophie Neville author of 'The Secrets of Filming Swallows and Amazons (1974)'

Bidding mounted steadily for a hardback first edition copy of ‘The Secrets of Filming Swallows and Amazons (1974)’, signed by the author.

After 64 bids and it sold for £201

– I am quite blown away. Very many thanks to all our supporters.

100% of the money will be donated to BBC Children in Need – under the auspices of ‘Children in Read’ via the Jumblebee auction site where this illustrated book was listed under the categories of both ‘Autobiography’ and ‘Film & Television’.

To read a free sample of the first section of the 2nd edition – available as an ebook  – click here – then click on ‘Look inside’.

To read reviews on the 2nd edition of this book, please click here

To see more on the second edition of the ebook – click here

‘highly amusing and thoroughly enjoyable’ David Butters

Since the bidding ran so high, I will include a signed copy of the 2nd edition, entitled ‘The Making of Swallows and Amazons (1974)’, published by The Lutterworth Press. This contains colour plates with more photos and additional stories that flowed down from the Lake District after the first edition came out.

I’m also including a hardback First Edition of my memoir ‘Funnily Enough’, which has a bit on ‘Swallows and Amazons’ and a signed copy of ‘Ride the Wings of Morning’, which has noting about the making of ‘Swallows and Amazons’ but is all about living out the adventurous outdoor lifestyle advocated by Arthur Ransome, so there are four books in the bundle.

'The Making of Swallows and Amazons (1974)'

Although surpassed by Phillip Pullman and JK Rowling, I gained far more than authors such as Bernard Cornwall, Jeffery Archer, Sophie Kinsella and Maggie O’Farrell.

Being a filmography, ‘The Secrets of Filming Swallows & Amazons’ sat alongside the bestsellers, ‘Killing Eve’ by Luke Jennings and ‘Kay’s Anatomy’ by Adam Kay, which you can see by clicking here.

This auction of books has already raised £21,841 for BBC Children in Need, which is fantastic. It closed on Friday 13th November at 11.00pm.

If you need to know more about the auction, please contact Paddy Heron at Children in Read: childreninread@yahoo.com

Points to add to the third edition of ‘The Secrets of Filming ‘Swallows and Amazons'(1974) – part one

Simon West, Suzanna Hamilton and Sophie Neville in Swallow about to leave the Houseboat. Amazon’s white sail can be seen the other side ~ photo: Daphe Neville

Viewers of the original film Swallows and Amazons'(1974) have written to point out that when the Amazons sailed up to Captain Flint’s houseboat there was a terrible crash. I found the quote from ‘The Picts and The Martrys’, which made me realise why this horrified anyone who knows the characters well:

“…when you come sailing along and fetch up with a bump against Jim’s new paint.”

“We never do,” said Nancy. “Remember when we came and made you and Uncle Jim walk the plank last summer? We were aboard and rushing the cabin before you knew we were anywhere near.” ‘Picts and Martyrs’ by Arthur Ransome p.14

Simon West and Sophie Neville on Captian Flint's Houseboat
Simon West as Captain John and Sophie Neville as Titty taking Captain Flint’s Houseboat : photo~ Daphne Neville

Jane Sullivan noticed Captain Flint yelled, “Death or Glory!” as the Swallows and Amazons laid siege to his houseboat. ‘Is that a pre-echo of the East Anglian stories?’ she asked.

Jane also noted: In the closing credits, I notice they spell For Ever as two words, which it is as it should be, rather than the modern way which confuses the adjective “forever” with the adverbial phrase “for ever”.’

Peel Island whilst we were filming in 1973 ~ photo: Martin Neville

Most people are familiar with the fact that Peel Island was used as the location for Wild Cat Island in the 1974 film.

Peter Dowden of the Arthur Ransome Group, pointed out that Peel Island is a classic example of a rocher moutonnee or sheepback, shaped by glacial erosion. Larger examples in Sweden are known as flyggbergs. Others comment that it’s easy to imagine the island as Captain Flint’s schooner the Wild Cat, which sails to the Caribees in ‘Peter Duck’ and is set on fire by Gibber the monkey in ‘Missee Lee’.

Peter also wrote about burgees. He noted, ‘Traditionally, creatures shown on flags face towards the “hoist” – the bit of the flag that is attached to the mast. So head near the mast and tail near the flappy part of the flag (called the ‘fly’). He went on to say, “someone did the research and Arthur Ransome drew the Swallow flag both beak to hoist and beak to fly!”

Our art director, Simon Holland, made what I considered the mistake of having the swallow on Swallow’s burgee flying away from the mast. 

My publisher asked me to draw our crossed flags, a sketch which was later stolen and used all over the place from the call sheet of the 2016 movie to badges for sale on eBay.

Paul Thomas, of the Arthur Ransome Group, explained that Swallow and Amazon are standing lugsail dinghies, rather the balanced lugsails as I had been told. “Swallow’s keel was designed for sailing in shallow estuaries and grounding on shifting shoals with sails tanned to protect them from rot and sunshine.”

“What is particularly impressive, to me,” Roger Barnes, president of the Dinghy Crusing Association, commented, “is how well done the sailing scenes are, and sometimes in pretty strong winds. Most sailing in films is really unconvincing.” Roger added: “The boom jaws off the mast as they first approach Wild Cat Island is the only major flaw with that aspect of the film.” I had never noticed! We were bitterly cold on that day when we first sailed Swallow in front of the camera.

Roger Barnes’ illustrated book, The Dinghy Cruising Companion, published by Bloomsbury, included my behind-the-scenes photo of Swallow, where you can see the jaw back in place.

You can also see the jaws in this film still (c) Studiocanal:

The Swallows on their voyage to Wildcat Island
Sten Grendon, Sophie Neville, Suzanna Hamilton and Simon West as the Swallows sailing on Coniston Water in 1973 (c)StudioCanal

Please do add a comment below or write in with any points you notice that I can add to a third edition of ‘The Secrets of Filming Swallows and Amazons’, an ebook available from a variety online stockists. You can look at the first pages here.