Bidding mounted steadily for a hardback first edition copy of ‘The Secrets of Filming Swallows and Amazons (1974)’, signed by the author.
After 64 bids and it sold for £201
– I am quite blown away. Very many thanks to all our supporters.
100% of the money will be donated to BBC Children in Need – under the auspices of ‘Children in Read’ via the Jumblebee auction site where this illustrated book was listed under the categories of both ‘Autobiography’ and ‘Film & Television’.
To read a free sample of the first section of the 2nd edition – available as an ebook – click here – then click on ‘Look inside’.
To see more on the second edition of the ebook – click here
‘highly amusing and thoroughly enjoyable’ David Butters
Since the bidding ran so high, I will include a signed copy of the 2nd edition, entitled ‘The Making of Swallows and Amazons (1974)’, published by The Lutterworth Press. This contains colour plates with more photos and additional stories that flowed down from the Lake District after the first edition came out.
I’m also including a hardback First Edition of my memoir ‘Funnily Enough’, which has a bit on ‘Swallows and Amazons’ and a signed copy of ‘Ride the Wings of Morning’, which has noting about the making of ‘Swallows and Amazons’ but is all about living out the adventurous outdoor lifestyle advocated by Arthur Ransome, so there are four books in the bundle.
Although surpassed by Phillip Pullman and JK Rowling, I gained far more than authors such as Bernard Cornwall, Jeffery Archer, Sophie Kinsella and Maggie O’Farrell.
Being a filmography, ‘The Secrets of Filming Swallows & Amazons’ sat alongside the bestsellers, ‘Killing Eve’ by Luke Jennings and ‘Kay’s Anatomy’ by Adam Kay, which you can see by clicking here.
This auction of books has already raised £21,841 for BBC Children in Need, which is fantastic. It closed on Friday 13th November at 11.00pm.
If you need to know more about the auction, please contact Paddy Heron at Children in Read: firstname.lastname@example.org
‘Swallows & Amazons'(1974) starring Virginia McKenna was broadcast on BBC 2 on Sunday 30th August 2020, recalling the adventures of the Walker and Blackett families on a ‘Lake in the North’ in August 1929 before the school term began. Hailed as ‘The feel-good film of Lockdown’, it transports us back to a time of freedom, celebrating the beauty of the English Lake District. It is available on BBC iPlayer here.
You can watch a short re-mix here:
It was wonderful to see the feature film heralded as Film of the Day but Hilary Weston of The Arthur Ransome Society pointed out that there are a few errors in the write up.
Arthur Ransome wrote the novel ‘Swallows and Amazons’ in 1929, published on 1st December 1930. There are 12 books in the series, however only five are set in the Lake District. ‘Missee Lee’ sees the Swallows and Amazons exploring the South China sea with Captain Flint, while Dick and Dororthea join them all on the Sea Bear to cruise the Otter Hebrides in ‘Great Northern’. The 13th story in the series, an unfinished manuscript entitled ‘Coots in the North’, is set in Cumbria.
Arthur Ransome died in 1967, aged 83, so was not around to see this feature film made. He had been grumpy about the 1963 BBC serial made in black and white, which starred Susan George as ‘Kitty’ (rather than Titty). His wife Evgenia was determined to avoid what they called a ‘Disneyfication’ of the books and kept a tight hold on the script, character names, locations and casting of Richard Pilbrow’s 1974 adaptation. As a result, David Wood’s screenplay adheres to the story and was approved by Mrs Ransome who gave the go ahead. On watching the finished film, her only adverse comment was that one of the kettles used was of the wrong period.
Arthur Ransome’s father died when he was thirteen and the theme of fatherlessness flows though his books granting the young characters independence. In ‘Swallows and Amazons’ it is Nancy and Peggy, the Amazon pirates, who have no father.
The story opens when the four elder Walker children are given permission to sail off to camp on an island by their father who is absent, in Malta with the Navy, and sends the famous telegram: BETTER DROWNED THAN DUFFERS IF NOT DUFFERS WONT DROWN (with no apostrophe)
Vicky, the fifth sibling and baby of the Walker family, keeps the Swallows’ mother at Holly Howe farm on the mainland. Tension is created after the Amazons let off a firework on their uncle’s houseboat while he is absorbed in his writing and ignoring them. He shook his fist at the crew of the Swallow assuming they were responsible for the damage and was labelled ‘Captain Flint’.
Richard Pilbrow describes in his memoir, ‘A Theatre Project’, how the idea of adapting ‘Swallows and Amazons’ came to him as he watched the sun set over Windermere one night when visiting the Lake District. He put the idea to Nat Cohen of EMI who was looking for a classic book adaptation similar to ‘The Railway Children’, which had been a box office success. Nat Cohen hadn’t heard of Arthur Ransome but his assistant loved his books and raved about the idea. EMI Films provided the initial budget of £250,000 although more was spent. It was directed by Claude Whatham who may well have been influenced by the Children’s Film Foundation but he was regarded as avant guard at the time and, like Richard, motivated by the beauty of the Lakes.
The original poster for the film used an ampersand in the title graphics but this was lost as it was translated, sold worldwide and remastered. Someone who must love the old film said the error in the write up was that it was only given three stars. The DVD now has a 4.5 star rating on Amazon but it only gets 6.5 out of 10 on IMDb – the International Movie Data base, which is equivalent to three stars. You can add a review on this site here.
Mark Walker of the Arthur Ransome Group added: And they got the title of the article completely wrong. “Film of the *Day*”, indeed..!! Film of the Year, Decade, Century, Millenium….any of the above could have been more appropriate..!!
I returned to the shingle beach at Tanner’s Lane on the Solent with my friend, also called Sophie, who took care of the dog while I collected plastic pollution. Having cleaned the same beach seven days ago, all I found was a black plastic lid washed up with a number of micro plastics. I plan to return in another week and begin counting the pieces as an indication of what is being washed up on a 500 metre stretch of the Solent. I guess the amount will depend on whether we have another storm or winter picnic-ers.
We then walked half a mile up the only lane to the beach. I filled my feed bucket with about 5Kgs of crisp packets, cups, flowerpots, a tin and two glass bottles. My friend was interested in how much more rubbish we spotted on our way back to the car. Litter picking is like that. You see into ditches from a different perspective. Cyclists visiting the New Forest were interested to see how much had been thrown onto the verges of the National Park and were horrified to see how much we collected.
We drove through the New Forest the next day, taking note of the verge-side litter. Where does it come from? What kind of motorist can ignore the fact they are driving through a National Park? Cyclists must notice every piece.
I later extracted three items from the Lymington River. Two were cups with plastic lids and plastic straws from McDonalds. The nearest is a 25 minute drive away, yet I often find their packaging. Is it dropped by commuters, visitors or delivery people?
I found an old carrier bag, put on gloves and collected a bag full of litter on my way into town, finding old things like a neck brace left in the street. The bag is deposited in a municipal bin, as advised. What distressed me was looking over the flood barrier to see so much rubbish dumped in the Nature Reserve.
I walked the dog around Bradbury Rings Iron Age Fort in the afternoon, collecting about 20 items of litter. Although ancient rubbish is the life-blood of archaeologists, I think we can spare them Coke tins.
I spent 40 minutes collecting litter, walking through the park and along the Solent Way, passing the Yacht Haven. There seemed to be more litter on the ground than a council operative was collecting from the plentiful municipal bins. I found a brand new bag-for-life before picking up two canisters of laughing gas by the Yacht Club. What can I do but re-cycle them?
Storm Brendan hit us hard for two days but the skies finally cleared and enabled me to get down to the coast to collect plastic bottles and wrappers along with two fishing buoys that had blown in from the Solent. It was a joy to be out in the New Forest National Park and felt good to be doing something worthwhile but can I make a difference?
You can discover what it was like to appear in the movie, in ‘The Making of Swallows and Amazons (1974)’, an illustrated paperback published by the Lutterworth Press. Although written for adults, it is suitable for all ages and quite fun for anyone interested in acting or keen on visiting the Lake District. It can be ordered online, from good bookshops or your local library. If you already have a copy, do add a review to the online sites or email a photo – it is always great to hear from readers.
The second edition of the ebook, entitled ‘The Secrets of Filming Swallows & Amazons (1974)’, is similar but includes a few more stories from the Lake District and links to behind-the-scenes cine footage. It is out on Kindle, Smashwords, iTunes, Nook/Barnes&Noble from £2.99 If you already have the first edition you can re-load the up-dated version free of charge.
If you enjoyed the original film adaptation of Arthur Ransome’s book ‘Swallows and Amazons’ broadcast on BBC Two today, do think of getting a copy of ‘The Making of Swallows and Amazons’, published by The Lutterworth Press or the ebook entitled ‘The Secrets of Filming Swallows and Amazons’. You can read the first section for free on Kindle here. Quite fun!
It’s surprising ‘Swallows and Amazons’ hasn’t been re-made a number of times. The 1974 movie was sold all over the world and has been screened so often it’s become regarded as iconic, labelled ‘a cult classic’ or ‘enduring success’. You can listen to Wildfred Joseph’s film score here:
Thanks to Claude Whatham’s extraordinary skill in creating a period film that never dated, cinema audiences emerge asking if it was made last summer.
Although it was shot 45 years ago, fan mail still arrives from Australia, the USA and Japan. Families can quote David Wood’s script fluently, having watched the DVD thirty times or more. The biggest complement is that they talk of being ‘Titty-ish’ or ‘just like Titty’, the little girl whose imagination gave her the strength and courage to excel.
-A carefully made fan letter showing Sophie Neville playing Titty Walker in 1974-
When I went to watch the 2016 film of ‘Swallows and Amazons’ being made on location, I warned the actors they were in for the long haul. Although the new adaptation has older children in the cast, and additions to the plot, it was heralded as a great British film, a landscape movie of significance about the thrill of exploring the great outdoors. Broadcast on BBC Two earlier this December and it is out on both Blu ray and DVD. For the Hanway Films billing of ‘Swallows and Amazons’ 2016, please click here.
In 1974, my mother, Daphne Neville, was commissioned to write an article about working on the original film of ‘Swallows and Amazons’ for Woman magazine, which claimed to be ‘The world’s greatest weekly for women’. Here are some extracts from her type script:
I was amazed to read some of this. ‘….a dirth of birds’? Was that really how my mother spoke in the early ‘Seventies? I had no recollection that ‘Nomansland’ had been displayed on the front of our double-decker bus. I never remembered there only being bathroom at Oaklands Guesthouse or that Mum had to wash out clothes. I do remember Ronald Fraser shouting, ‘Piss off you little monster’. I have the photo:
More to follow…. If you would like to see photos of Daphne Neville appearing in movies hereself, please click here
If you would like to read about what we did on 10th July 1973 – 45 years ago please click here
When the 1974 film of ‘Swallows and Amazons’ first came out in cinemas it stirred up quite a bit of interest in the media.
This script for a programme made for BBC Radio Bristol has recently been discovered in a box in my mother’s attic. Typical of the early ‘seventies, it is a carbon copy, so is rather feint, but it a little bit of media history in itself:
It’s intriguing. What did we say in the interviews that they ran in?
Sadly, two of the first newspaper reviews of the movie were not complimentary. Last year, when interviewed by Tim Fenton at Pin Mill on the Orwell, Professor Hugh Brogan said that one of these articles was so ignorant and so angered him that he resolved to write the truth about Ransome’s distinguished career. This involved years of research but resulted in his biography, ‘The Life of Arthur Ransome’.
Since The Lutterworth Press published the seconded edition of ‘The Making of Swallows and Amazons’ in May last year, a number of other stories and facts have reached me. I’ve learned that the creamy yellow taxi in which the Walker family arrived at Holly Howe was a Vauxhall 20/60 R type saloon, 1928 – 1930 model hired for the film by the property buyer Ron Baker, whose name I must add to the credits. When the Altounyan children stayed at the same farmhouse, which in reality is called Bank Ground Farm, their hostess was called Mrs Jolly. Apparently her husband, Mr Jolly, did not live up to his name.
The lady in blue who waved from the deck of MV Tern after the Swallow’s near miss was played by Lorna Khan. Here she is with her daughter Zena and a yellow Austin Heavy 12/4 tourer, after they appeared in the Rio scenes. You can see other film extras and supporting artists in 1929 costume, patiently sitting in the Browns of Ambleside coach behind them.
Photograph (c) Zena Ashbury
Did you know that missionaries in Africa used semaphore? Until I read a Russian edition of ‘Swallows and Amazons’ I’m afraid I didn’t know that Darien was the former name of the Isthmus of Panama, that the Rio Grande flows from South Colorado to the Gulf of Mexico or that ‘Shiver my timbers’ was a curse used by R. L Stephenson in Treasure Island.
Nick Owen had been living at Elterwater for seventeen years before he learnt the fishing scene from ‘Swallows and Amazons(1974)’ was shot there.
It had not occurred to me that the film was recorded in the annals until I was sent this excerpt from the third edition of ‘Time Out Film Guide’ (1993). Perhaps I should bring out a third edition of ‘The Secrets of Filming Swallows and Amazons’.
Please let me know if you would like to see more archive material from the attic.
To read more about Cider With Rosie (1971) directed by Claude Whatham, starring Sten Grendon as Laurie Lee please click here
~Lesley Bennett playing Mate Peggy in 1974 (copyright:StudioCanal)~
When I met up with Lesley Bennett in the Netherlands, she kindly allowed me to take copies of the snaps she took while filming ‘Swallows and Amazons’ (1974) on location in the Lake District in the summer of 1973.
~Kit Seymour and Lesley Bennett in 1973 (photo: Lesley Bennett)~
The shot above shows Lesley with Kit Seymour, who played her elder sister Nancy Blackett, wearing blue tracksuits and BOAC life-vests over their costumes. They were sitting on the east shore of Coniston Water waiting to cross over to Peel Island. Lesley is wearing Peggy Blackett’s distinctive red-stocking hat. We never saw the life-jackets inflated. The horrifying thing was that when my father tested one, it didn’t work.
~Old London Routemaster buses in 1973 (photo: Lesley Bennett)~
Throughout the seven weeks filming, we children were obliged to continue with our schooling. The law stipulated that we completed at least three hours of lessons a day. These were given to us by a local supply teacher, our tutor Margaret Causey, in the bottom of a converted Routemaster bus. We changed into our costumes on the top deck where there were six bunk beds. My mother made me take a rest after lunch. Lesley, who at thirteen, was a year older than me, was allowed out to play.
The other double-decker bus, seen here parked behind Mrs Lucy Batty’s barn at Bank Ground Farm near Coniston, had been fitted out with tables and was used as a dinning room where the film crew could shelter from the rain. They took their lunch on trays from the caterers’ van manned by chef John Englewood and his assistant Margaret Wells from Pinewood Studios. We only had a few scenes with a large number of film extras, but these were recorded on sunny days when nobody needed to eat in the buses.
~Behind the scenes in Bowness in 1973 (photo: Lesley Bennett)~
Lesley managed to take this shot of our chaperone, Jane Grendon, dressed in 1929 costume. This was not only fun but enabled her to look after children taking part in the Rio scenes shot at Bowness-on-Windemere while appearing in vision herself.
~Bowness Bandstand in 1973 (photo: Lesley Bennett)~
The Price family ran Oaklands Guesthouse in Ambleside where Lesley and I stayed for the duration of the filming, along with the other children in the cast. Jane Price and her brothers can be seen here with the Kendal Borough Band playing beyond them wearing their own period uniforms. Mr David Watkin Price, who looked quite snazzy in his striped blazer, played the part of the native on the jetty who said, ‘That’s a nice little boat you’ve got there.’ If you do not remember this it’s because the scene was cut from the television version, although it remains in the 40th Anniversary DVD and Blu-ray that is widely available. Sadly the bandstand no longer exists and has been replaced by a modern shelter.
Zena Ashberry also took part as a film extra in these scenes when she was a girl. Her maiden name was Khan and although she lived in Cumbria her father originated from the sub-continent. She wrote in saying:
I was nine at the time and my sister was eight. I remember going through an audition – which was really just a panel of three or four men looking at Mum, my sister and me to see if we would be in keeping with the ‘look’ of the film. They seemed very keen on having Mum. My sister, at the time had sandy coloured hair and so was not at all problematic, however I was very dark and because they wanted Mum they said that they could hide ‘it’ by putting me in a white dress and hat! how times have changed…obviously I remember other things too, like feeding the horses which pulled the open carriage and the horse standing on my foot oouuch!, the strange awkwardness of having to act ‘naturally’ whilst being watched through a camera, having to repeatedly carry out the same activity to ensure a good shot – how many times did we throw stones into the lake? The ice-cream tricycle with real ice cream mmmm a treat … being watched by crowds of tourists gathered along the footpath and flower beds. It was a strange and unreal experience, doing what as children we would normally do but doing it in ‘dressy-up’ clothes that weren’t from our own dressy -up box and playing the game with Mum and her friends with total strangers telling us what we should do…just a bit bewildering really, but funny in retrospect.
~filming in Bowness in 1973 (photo: Zena Khan)~
Zena kept this photo which shows the ice cream seller, Jane Grendon in her blue costume, possibly her daughter Jo Grendon in turquoise shorts and Michael Grendon along with the 35mm Panavision camera and film crew on the jetty where Swallow is moored to the right of frame. I don’t know who the lady in red can be – but do write in if you know!
For previous posts about filming in Bowness-on-Windermere that day, please click here
You can read more in ‘The Making of Swallows and Amazons(1974)’, which can be ordered from your local library.
If you enjoy ebooks, similar publication is available from all stockist for £2.99, including Amazon Kindle.
The Amazons confronting the Swallows on Peel Island in the movie ‘Swallows and Amazons’ (1974)
In the feature film ‘Swallows and Amazons'(1974) the part of Peggy Blackett was played by Lesley Bennett. She was an experienced dingy sailor and enjoyed the scenes on the houseboat although she told me she didn’t want the parrot to flap onto her shoulder, which was understandable. Its claws dug into mine.
~Sophie Neville as Titty with the green parrot and Lesley Bennett as Peggy~
When I met up with Lesley in the Netherlands this summer, we looked though the photographs she’d been given by the producer and kept for posterity.
Kit Seymour and Lesley Bennett at Brown Howe boathouse on Coniston Water in 1973
If you don’t recognise the scene above it is because, although the shot was taken at Brown Howe, where the Amazon boathouse can be found, they were rehearsing the scene at Secret Harbour on Peel Island when the Blacketts find their boat has been captured. ‘She can’t have drifted against the wind.’ This was the first I knew of this. Perhaps they were waiting around for the camera to be set up or for a decision to be made about their red hats, which they were not wearing. This was rare. They wore them in every other scene.
The Amazons sailing on Derwentwater
Lesley didn’t have much time for Ronald Fraser, who played her Uncle Jim, renamed by Titty as Captain Flint. “He wasn’t very nice to us. I think he regarded us as a bit of a nuisance but as soon as the cameras were on him, he’d change!”
Ronald Fraser with Lesley Bennett and Kit Seymour on Peel Island, Coniston Water in 1973
Lesley, who grew up in Kent, remembered my mother taking her shopping in Ambleside on one of our rare days off. “She had an appreciation of how important it is to buy a good top, explaining that she needed a selection for her work as a television presenter. I remember her waiting for ages while I tried on one after another.” I was amazed when I heard this. My mother only ever took me shopping once or twice when the first Laura Ashley shop opened in Cheltenham. This was deeply exciting but a rare treat. It was my poor father who was dragged from one shoe shop to another. It was difficult to find decent shoes in the ‘seventies.
Leaving London for the Lake District in May 1973 – photo Evening Standard
It was difficult to find decent clothes, that didn’t cost a fortune. There was a reason why dressmaking was so popular – we had to make our own garments. At the age of twelve I made a navy blue skirt for school so that it had a fashionably broad waist band. Flared dungarees were all the rage, worn with a stripy polo-neck or blouse with a large collar. Kit, Lesley and I all wore these, although sadly my brushed-cotton dungarees grew rather short during the filming.
Lesley signing autographs at the Chiddingstone School Book Fair in 1974
Lesley managed to find what I’d thought was the ideal outfit for our afternoon film premiere, which I’m pretty sure she is wearing in the shot above. Although we were almost obsessed with clothes, they were not a subject people discussed with new acquaintances, which was a pity as it would have provided us something neutral to discuss with the press.
“I remember the journalists at the hotel in the Lake District,” Lesley said, “and Claude saying, ‘Be careful what you say to journalists because they will turn it against you.'” However, when it came to film publicity Lesley was both enthusiastic and gracious turning up at a local school book fair and posing for newspaper photographers. I can see that tank-tops had come in by this time and it was possible to blow-dry your own hair.
Lesley enjoyed drama at school and looked into going to RADA, but after auditioning for one film decided the acting profession was too precarious. I think we were both interviewed for parts, possibly the same part in the same film. It was set in Wales and involved rock climbing. I said I wasn’t scared of heights, which was a lie! Sadly it was never made. I told her that Ronald Faser wanted us both to appear in another movie but that the funding fell through. She wasn’t disappointed. I was able to tell her that there was an actress called Lesley Bennett of about our age who once had a part in the long-running soap opera ‘Coronation Street’ but she confirmed that this was not her.
Lesley always loved meeting people wanted to travel, so went into marketing, working for Unilever on the first ‘Just one Cornetto’ campaign. She later branched out into international event management, which took her all over the world. She married a tall Dutchman and has two grown sons. They have a policy of visiting a different place each holiday, there by exploring different places, and they lived in Dubai for a while before returning to the Netherlands where she has been based since the early 1980s.
The cast of Swallows and Amazons with Virginia McKenna at Bank Ground Farm in 1973
Lesley looks back fondly on what she calls “The Swallows and Amazons era”, appreciating what recollections mean to those who have grown up with the movie and enjoy Arthur Ransome’s books. “Innocent films like ‘Swallows and Amazons’ (1974) appeal to those who know exactly how the books were written.” One thing she kept was the original film poster. Here she is with it more than forty-three years after the release. And she hasn’t changed a bit.
Lesley today, with her original film poster of ‘Swallows and Amazons’ (1974)
When the original feature film of ‘Swallows & Amazons’ was made in 1973, Peggy Blackett was played by Lesley Bennett, who was aged thirteen at the time. She can be seen here on location at Bank Ground Farm above Coniston Water in the Lake District.
For the last thirty-four years, Lesley has been living in the Netherlands. I met up with her for lunch at Schiphol Airport on my way back from sailing Arthur Ransome’s cutter, the Nancy Blackett, through the inland waterways of Zeeland. (Please see the last two previous posts.) I nearly didn’t make the meeting. A man had been arrested for planting a bomb on a train just north of Middleberg, but the authorities must have acted quickly as I wasn’t delayed for long.
Lesley had brought along a blue file of documents and a number of black and white movie stills that she’d been given by Richard Pilbrow, the producer of ‘Swallows and Amazons’ (1974) on one of our last days in Ambleside after filming had finished. We could both remember them spread out on a table at the unit hotel so we could each chose the ones we appeared in. I had picked one where Lesley and I are sitting together, our hair bobbed in line with the 1930’s, I wearing a cream silk dress, Lesley in a dark top looking very pretty:
Lesley’s parents, who lived near Tonbridge in Kent, originally learnt that Theatre Projects were looking for children to take part in the film when the Associate Producer, Neville Thompson, wrote to their local sailing club. Lesley explained that her father, who was very well organised, kept a copy of the letter sent to the Secretary of the club in January 1973. Plans were made for Lesley to be interviewed for a part with her younger sister Lyn, who sadly fell ill and couldn’t make the audition. The letter contains a mistake that might explain why Lesley ended up playing Peggy when she was thirteen years old.
Lesley got on well with Kit Seymour who ended up playing her elder sister, Nancy Blackett – ‘terror of the seas’. Both girls would sail well and enjoyed being out on the lakes. Lesley told me that the reason why she held her hands between her legs in this photograph is that it was so cold when we were filming on Peel Island.
‘Kit would fold her arms and I’d try to keep my hands warm.’ Although I wore a cardigan in this scene, Swallows had been cold too. I remember thinking that at least the Amazons wore knitted hats. Otherwise their costumes were simple short-sleeved shirts and long shorts with black plymsols, worn without socks.
~Kit Seymour as Captain Nancy and Lesley Bennett as Mate Peggy in 1973~
Lesley told me their hats had been quite a problem – not quite a full-blown movie disaster but a they caused consternation in Consiton. The first scene the Amazons shot was set in the garden of Beckfoot, the Blacketts’ house. Although it does not lie on the ‘Amazon River’ at the northern end of the lake, Brown Howe on the western shore of Coniston Water was used as the location and the crew set up the 35mm Panavision camera, along with reflector boards and enough lighting to bring sunshine to Westmorland. When everyone on the production was ready, Gareth Tandy, the third assistant led the Amazons down to the set wearing red knitted stocking caps – with no bobbles. Beanies were not quite what either the director or producer had expected. Lesley has a photo showing the great discussion that ensued:
~Director Claude Whatham, Producer Richard Pilbrow, 3rd Assistant Director Gareth Tandy, Make-up Artist Peter Robb-King, Hairdresser Ronnie Cogan and Associate Producer Neville Thompson with Kit Seymour and Lesley Bennett at Brown Howe on Coniston Water in May 1973 ~
In the end Claude Whatham shot the scene with the girls bare-headed, their hair blowing all over the place, even though it was meant to be ‘dead-calm’ in the story. This looked natural as they were at home but they needed to look like pirates in every other scene.
~Nancy and Peggy running down to Amazon at the Blackett’s house Beckfoot~
Wooly hats with ‘longer ends’ were knitted locally at some speed. Red is not a good colour on the screen. I remember a couple of bright pink ribbed bobble-hats arrived when we were filming on Peel Island but they were deemed a complete disaster and rejected in favour of scarlet ones originally described by Arthur Ransome even if the colour might look a bit jarring on screen.
No one on the production knew anything about knitting or subtle shades of wool and Emma Porteous, the costume designer, was back in London. When the third pair of hats arrived we were all a bit worried about the fatness of the bobble-end, as they didn’t quite match the illustrations in the books, but no one knew what else to do. Time ran out and the producer was forced to compromise. ‘They were warm but prone to flop about,’ Lesley said, ‘and sometimes flopped forward, which looked a bit silly.’ I’d never noticed this but it was captured in one photograph:
~Kit Seymour and Lesley Bennett as Nancy and Peggy Blackett on Wild Cat Island in 1973~
Mum was given the pink version of the hats. She kept them for years but no one ever wore them.