Tag Archives: Filmmaking

Swallows, Amazons and Archery

Much has been written of the legacy left by Arthur Ransome’s, who inspired so many go camping, fell walking or sail the seven seas. I hope he would be amused to learn it has been the arrow, fletched with green parrot feathers, that has flown through the pages of my life.

Sophie Neville the archer c 1969~Sophie Neville dressed as a medieval archer in 1969~

 Archery became a popular sport for ladies in Victorian England. The influence was not lost on Arthur Ransome who writes in his autobiography that his Great-aunt Susan was a keen toxophilite who attended bow meetings at Belle Isle, the long island on Windermere. Another great-aunt was shot in the bonnet by an arrow when the Boxer Rising reached Peking while she was serving as a missionary. I gather it was his sister Joyce who owned a green parrot whose feathers made good pipe cleaners. Did they ever get used for flighting arrows? Arthur doesn’t seem to have taken up a bow beyond, perhaps, playing Red Indians as a child with his friend Ric Eddison. Does anyone know otherwise?

Titty may not have known that the real Queen Bess was a proficient archer, but Roger certainly expected savages to be armed with poison-tipped arrows as he took dispatches across the Peak at Darien.

Did Nancy and Peggy ever don Red Indian head-dresses? Since they are described as wearing red caps when the Swallows first encounter them, I assume this idea was instigated by Helen Edmundson’s musical and reinforced by the 2016 film. Although far from nautical, this is akin to certain antics in Secret Water and certainly adds visual drama to the confrontation.

Practicing with bows and arrows

~Sophie Neville with Peter Robb-King, Ronnie Cogan, Lesley Bennett, Kit Seymour and Terry Smith~ 

I learnt how to shoot in 1973 when the Amazons were being taught how to pull a bow made of Lakeland hazel for the original movie of Swallows and Amazons. As children, we all wanted a go. I still have a practice bow and a couple of arrows whittled on location by Bob Hedges, our property master. I remember one hitting the campfire. ‘Don’t touch the point – it might be poisonous!’ Please note that the shot of the arrows zooming over our heads looks so dangerous on screen that it was cut from the television version of the feature film. This was no snazzy visual effect. The arrows were genuine, however they were strung on taut nylon fishing line rigged over our heads to ensure we would not get hit. They were fired by the prop men and not the Amazons.

neville002

~Daphne Neville who won many archery prizes teaching Lesley Bennett (Peggy Blackett)~

As female Amazon warriors were redoubtable archers it is easy to imagine Captain Nancy bent a sapling to her will and had Peggy making arrows. It is reasonable to assume they used longbows on Wild Cat Island, but in Swallowdale it is a crossbow that graces Ransome’s illustration. How Nancy got her hands on one is unknown but it must have been simpler to use in a boat with discretion and accuracy. Did Ransome ever try this out?

Sophie Neville shooting

~Sophie Neville shooting with a compound bow in the Emirates 2016~

What happened to the bows and arrows after Swallowdale? Archery is something you usually grow into, rather than out of. By the age of fifteen, I’d gained the part of an archery champion in an adventure movie called The Copter Kids. This necessitated target practice with a modern re-curve bow and ended with me shooting from a helicopter.

I now belong to a number of archery societies and, like Great-aunt Susan, set out with my tabs and tassel, quiver and longbow. Luckily the skill, much like an appreciation of Arthur Ransome’s writing, is something that tends to improve with age. I met my husband at one bow meeting, have held three Ladies’ Championship titles and managed to reach a distance of 145 yards when we celebrated the 600th Anniversary of Agincourt.

I have never fired a crossbow. Since they are potentially lethal weapons, Nancy could have been detained for firing hers even if the tip was not deemed poisonous.

Author Sophie Neville

 ~Sophie Neville at a West Berks bow meeting~

A version of this article was originally published in Mixed Moss, the journal of The Arthur Ransome Society.

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Boats used for making the original film ‘Swallows and Amazons’ (1974)

I went on BBC Radio Cumbria recently, to ask if I could meet anyone involved in filming the original film of ‘Swallows and Amazons’ in the summer of 1973, since it was made on location in the Lake District with a young crew.

~Nick Newby of Nicole End Marine~

Nick Newby of Nichol End Marine in Portinscale came to find me when I was helping at the Keswick Convention. As a young man in the 1970s, he provided boats for a number of films and was contacted by Graham Ford, the production manager of Swallows and Amazons in the Spring of 1973. Graham had began working with Mike Turk who had started building boats for TV and films at his family firm, Turk’s Launches, but this was based on the Thames in London. They needed help from someone in the Lake District who knew about traditional boats.

Ronald Fraser being transported to the Houseboat

~Ronald Fraser being trransported by Dory to The Lady Derwentwater in 1973~

Arthur Ransome had clearly based Captain Flint’s houseboat on the Esperance, originally a steam launch cruising on Windermere. You can read more about her and see photos here. ‘Since she was sitting on the bottom of Whitecross Bay at the time,’ Nick told me, ‘the film crew decided to use the Lady Derwentwater.’ This was a launch licensed to carry 90 passengers that Nick had worked on and knew well. ‘She is about 58 foot long and quite a rigid boat, having four full length steel RSJs set inside her. She was built the Lakes in 1928. We moored her at Brandelhowe in Great Bay for the filming. You need to be careful getting in, as there is a rock shelf.’ The advantage of using her was that you could see the view over the lake from her large cabin windows, which enhanced interior scenes. The Lady Derwentwater, whose nick-name is Dishy, has since been re-built with a different stern, but you can book a passage and go out on the lake in her yourself.

Lady Derwentwater 2018

~The Lady Derwentwater today~

Nick told me that Captain Flint’s eight foot Wright’s dinghy, the houseboat’s tender, had been made by Wright’s Brothers of Ipswich. The Jackson’s ‘native canoe’, rowed out to Peel Island by Virginia McKenna was ‘a family fourteen’ Wright’s sailing dinghy with a centre case. He knew many of the traditional boats in the Lakes. ‘I served me time as a yacht and boat builder at Shepherd’s in Bowness Bay.’ This company was based the green double-story boat sheds featured in the ‘Rio’ scenes. ‘During the winter we used to have to break the ice on the buckets of water when we were rubbing down boats. The sail lofts had a square panel in the apex so we could poke the 8 to 10 metre masts inside. A boom could go up the stairs but a mast certainly couldn’t. ‘

Virginia McKenna with Sophie Neville on Wild Cat Island - contact sheet

~Virginia McKenna with Sophie Neville and DoP Denis Lewiston~

‘Amazon belonged to a chap called Vosey who was rather reluctant to let her be used for the filming,’ Nick said. ‘We did her up a bit after the filming.’ I gather she had been used in the black and white BBC serial of Swallows and Amazons made in 1962 when  Susan George played the party of Kitty.

~Swallow sailing towards the filming pontoon in 1973~

I believe Swallow had been found at Burnham-on-Crouch as she was built by Williams King and Sons. Mike Turk, who had built a shallop for the 1966 movie ‘A Man For All Seasons’, purchased her for the film and brought her up to the Lakes. She had no added buoyancy. Nick claims that being a wooden boat she would never sink but I reminded him that we came close to hitting the MV Tern on Windermere when loaded with camping gear, which was a bit scary.

MV Tern of 1891 on Windermere

~MV Tern on Windermere today~

Swallow was later used at Elstree Studios when the sound was dubbed onto the finished film. Mike kept her out of the water in his store at Chatham until SailRansome bought her at auction in 2010. She was sensitively restored by Pattersons, has a new sail, added buoyancy bags and is now available for anyone to sail in Cumbria.

Swallow and the pontoon

~Mike Turk’s filming pontoon with Swallow attached in 1973~

‘Mike already had the flat-bottomed filming pontoon. It had originally been used for carrying a vehicle. We added twin outboard engines and rigged scaffold under the water so that either Swallow or Amazon could be attached to it but still keel over naturally as they sailed. When the dinghy went about, I would turn one outboard and thrust the other into reverse so that the pontoon went about with them.’ I remembered that the first time they tried this Swallow’s mast footing broke. Amazon’s mast-gate broke on another occasion. Nick had to persuade a friend to let him borrow his welding workshop and managed to mend it over night, so that she could be ready on set first thing the next day.

Behind the scenes while filming Swallow fromthe pontoon

~The camera pontoon, Capri and one of the Dorys used behind-the-scenes~

Nick went on to say the pontoon leaked a bit. ‘We would have to pump out hull every morning.’ The Capri used behind the scenes was Nick’s equivalent of a marine Land Rover. ‘It had a reinforced glass fibre hull for increased capability and a 55-horse power engine that had been used for the Olympics. We used it for Ken Russell’s film ‘Tommy‘, the rock opera with Roger Daltry and The Who. Once, when we were using it for Swallows and Amazons, Clive Stuart shoved it into gear with rather too much gusto. Someone only just managed to grab the director, Claude Whatham, before he was flung over the back. ‘Claude was spitting feathers after that.’

BW Wearing Life Jackets in the Safety Boat - trimmed

~Suzanna Hamilton, Simon West, Sophie Neville & Sten Grendon with David Stanger at the helm of the Dory in 1973~

Mike Turk provided two Dorys, built at his yard, to use as run-around boats. One was driven by David Stanger who is now skipper of a launch on Ullswater. It was a stable boat but you needed to watch how it was not overloaded. Water came over the bows one day giving my mother rather a shock.

Nick Newby with Sophie Neville in Keswick

~Nick Newby at the Alhambra cinema in 2018: photo Marc Grimston~

‘The boating world is a small world,’ Nick assured me. This July, forty-five years after making the film, he brought his grand-daughter to watch ‘Swallows and Amazons’ at the Alhambra Cinema in Keswick and gamely came up on stage for a Q&A to explain how some of the sailing scenes were achieved.

In his time, Nick Newby has worked a number of films made in the Lake District including Mahler – a Ken Russell film starring Robert Powell, a movie called Gothic (1986) starring Julian Sands and Natasha Richardson, Julia (1977) starring Jane Fonda and Vanessa Redgrave, Brazil (1985), Planet of the Apes, a couple of episodes of Sherloch Holmes with Ben Kingsley, and a number of adverts.

Mike Turk, Swan Upper and Queen’s Waterman, who provided boats for numerous films from Moonraker to Hornblower, sadly passed away aged 78. You can read his obituary here. He went on to work on a number of James Bond movie. You can see his film credits here.

Swallow on the Alde

A group of Arthur Ransome enthusiasts clubbed together to buy Swallow from Mike’s collection in 2010. She is currently kept on a trailer at Kendal in the Lake District. If you would like to sail her, please visit SailRansome.com

For Nicol End Marine, about two miles outside Keswick on Derwentwater please click here

 

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‘Swallows and Amazons’ in Keswick

This summer marked the 45th Anniversary of filming the original film ‘Swallows and Amazons’ on Derwentwater when Ronald Fraser was obliged to walk the plank in a solar topi in July 1973.

Ronald Fraser walking the plank

To celebrate the anniversary, Sophie Neville, who played Titty, introduced a screening of the 1974 film at the Alhambra Cinema in Keswick on Saturday 28th July.

Captain Flint having walked the plank

She demonstrated how one of the visual effects was achieved and signed copies of her book ‘The Making of Swallows and Amazons’ after a Q&A.

‘I brought one of the original arrows that the Amazon pirates fired over my head. It looks so dangerous on film that the shot was cut from the television version but is included in the re-mastered cinemascope edition that we are now able to watch on the big screen. You might be able to spot a few other things that went wrong while we were filming, such as the time I inadvertently slipped up to my waist in water.’
‘The elegant Lakeland steamer, the Lady Derwentwater, had the starring role as Captain Flint’s houseboat. She was adapted for the part by the award-winning set designer Ian Whittaker, who went on to receive an Oscar for Best Art Direction on ‘Howards End’ starring Sir Anthony Hopkins and Emma Thompson. His astonishing list of nominations can been seen here
Swallow, the 1930s sailing dinghy used in the original film ‘Swallows and Amazons’ was at the lakeside for Arthur Ransome enthusiasts to admire. She is looked after by Rob Boden, from Kendal, who is happy to take people for a sail by prior arrangement via the SailRansome website here.

Secrets of filming Swallows and Amazons

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‘I chaperoned six film stars’ my mother’s memories of working on the 1974 movie ‘Swallows and Amazons’-Part Two

Daphne Neville presenting 'Women Only'1

In 1974, my mother, Daphne Neville, was commissioned to write an article about working on the original film of ‘Swallows and Amazons’ for Woman magazine, which claimed to be ‘The world’s greatest weekly for women’. Here are some extracts from her type script:

Simon West, Stephen Grendon, Suzanna Hamilton and Sophie Neville playing the Walker children in ‘Swallows and Amazons’ 1973 ~photo: Daphne Neville

 

Daphne Neville with Sophie Neville and Simon West on Coniston Water

Our guests: Jane, Michael, Clare and Lucy Selby and their dog, Minnie on the shore of Conniston Water with my sisters Perry and Tamzin in 1973

I was amazed to read some of this. ‘….a dirth of birds’? Was that really how my mother spoke in the early ‘Seventies? I had no recollection that ‘Nomansland’ had been displayed on the front of our double-decker bus. I never remembered there only being bathroom at Oaklands Guesthouse or that Mum had to wash out clothes. I do remember Ronald Fraser shouting, ‘Piss off you little monster’.  I have the photo:

Sten Grendon irriating Ronnie Fraser

Sten Grendon sitting on top of Ronald Fraser during a break in the filming of ‘Swallows and Amazons’ on Derwentwater ~ photo: Daphne Neville

More to follow…. If you would like to see photos of Daphne Neville appearing in movies hereself, please click here

If you would like to read about what we did on 10th July 1973 – 45 years ago please click here

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Sophie Neville with camera

~Sophie Neville with the yacht ‘Goldfish’ sailing on Wroxham Broad~

Last weekend, I travelled up to Wroxham with my camera and memory stick for the Norfolk Broads Yacht Club’s Open Day. They were celebrating life on the Broads in the 1930s, along with the books by Arthur Ransome’s that are set in East Anglia.

We were blessed by such glorious weather that almost everybody seemed to be sailing when I arrived.

A number of vessels that appeared in the BBC TV adaptations of ‘Coot Club’ and ‘The Big Six’ entitled ‘Swallows and Amazons Forever!’ were on display at the club, including Titmouse, the dinghy belonging to Tom Dudgeon in the story, that normally resides at Hunter’s Yard in Norfolk. She is no longer seaworthy.

Tom’s punt, the Dreadnaught was pulled up alongside an elegant Edwardian skiff called Joan B that was once set adrift at Horning by George Owden. She had been brought along by Pat Simpson, a member of the Norfolk Broads Yacht Club.

Pippa, a classic broads river-cruiser with dark sails belonging to Geoff and Rose Angell, was cast adrift at Horning in the dark of night. She came to no harm and was now out on the water, racing against a 1904 yacht with white sails, number 4, called Swallow.

‘White Boats’ or ‘Yare and Bure one-designs’ originally brought out in 1908, were also  racing as they have been since the Farland twins, Port and Starboard, crewed for their father in ‘Coot Club’. Ransome refereed to a white boat called Grizzled Skipper who belonged to Chris Shallcross, but no one could remember which of the 140-odd White Boats registered was used in the series. Many members of this class of 20 foot half-deckers are named after moths or butterflies. You can see a fleet of White Boats here racing at Horning, the Swan Inn in the background:

IMG_6896

I spotted ‘Brown Boats’, a Broads’ one-design with a distinctive counter stern and spoon bow, which would also have been seen racing in the 1930s. They were first built in 1907 and although a few were lost during the war there are still 88 in existence, although some now have fibre glass hulls. Number 61, called Hanser, is owned by Danny Tyrrell.

Lullaby, who played the Teasel in the series, was up at Horsey Mere with other from her fleet but we had her costume on display. It is a varnished transom painted with the name Teasel. Janca, the motorboat who played the infamous Margoletta, hired by the Hullabaloos, was unable to come as she is currently being renovated, but Water Rail, a Herbert Woods Delight Class B 1930s cruiser belonging to Liz Goodyear was safely moored alongside other classic boats. She appeared in the back ground of several scenes in the television drama.

I then spotted a distinctive burgee that took me back thirty-five years:

Bird Preservation Society – it was the flag belonging to the Death and Glory, flying next to ‘the little old chimney’ made from a galvanised bucket.

Originally a German lifeboat washed up on the beach at Southwold, she had been bought for the series by Pat Simpson of Stalham Yacht Services, who found her moored at Snape in Suffolk.

Pat kept her for his sons to take out on the Norfolk Broads and it has been operated by children as Death and Glory, ever since.

It must have taken a bit of work to make her sea-worthy but tarred and fitted-out correctly, she closely resembles Arthur Ransome’s illustrations, the homemade cabin mysteriously larger inside than out.

I was asked to sign a copy of ‘The Big Six’ bought along by Professor John Farrington from Aberdean, who acquired the Death and Glory for his own children in 1989.

‘I took them to the boatyard and suggested they climbed aboard. “Get on!” ‘They were aged ten and eleven.’

‘”But what about the owners?” they asked.’

“You are the owners,” I told them.’ He had just bought it for them as an unexpected present. ‘Before long they rowed it from Stalham to Sutton and back.’

This year is the 80th Anniversary of The Norfolk Broads Yacht Club, which is why they have a 1930’s theme running through their calendar. The day proved a true celebration of traditional boats that would have been seen back then.

IMG_6920

I had been asked to give a talk about filming the series, which I will relate in my next blog post. The re-mastered DVD, for which I wrote the DVD extras, is available on Amazon here:

New DVD of 'Coot Club and The Big Six'

 

You can read more about how these boats were used in the series here

and on

Norfolk Broads Yacht Club website

Do add any information about these boats or ask questions about making the book adaptions in the comments below.


~Photograph of Water Rail moored on Wroxham Broad by Richard Hattersley~

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May 10, 2018 · 11:23 am

Out of the archives: a 1974 script for a BBC Radio Bristol show about the original film ‘Swallows and Amazons’

Swallow and Amazon sailing on Derwentwater in the Lake District 1973

When the 1974 film of ‘Swallows and Amazons’ first came out in cinemas it stirred up quite a bit of interest in the media.

This script for a programme made for BBC Radio Bristol has recently been discovered in a box in my mother’s attic. Typical of the early ‘seventies, it is a carbon copy, so is rather feint, but it a little bit of media history in itself:


It’s intriguing. What did we say in the interviews that they ran in?

Sadly, two of the first newspaper reviews of the movie were not complimentary. Last year, when interviewed by Tim Fenton at Pin Mill on the Orwell, Professor Hugh Brogan said that one of these articles was so ignorant and so angered him that he resolved to write the truth about Ransome’s distinguished career. This involved years of research but resulted in his biography, ‘The Life of Arthur Ransome’.

I haven’t been able to find the article Hugh read but he remembered it being ignorant of Arthur Ransome’s politics rather than the film. His beautifully written book sparked an enormous amount of additional research and television documentaries, including ‘The Secret Life of Arthur Ransome’, which can be viewed on iPlayer.

Since The Lutterworth Press published the seconded edition of ‘The Making of Swallows and Amazons’ in May last year, a number of other stories and facts have reached me. I’ve learned that the creamy yellow taxi in which the Walker family arrived at Holly Howe was a Vauxhall 20/60 R type saloon, 1928 – 1930 model hired for the film by the property buyer Ron Baker, whose name I must add to the credits. When the Altounyan children stayed at the same farmhouse, which in reality is called Bank Ground Farm, their hostess was called Mrs Jolly. Apparently her husband, Mr Jolly, did not live up to his name.

The lady in blue who waved from the deck of MV Tern after the Swallow’s near miss was played by Lorna Khan. Here she is with her daughter Zena and a yellow Austin Heavy 12/4 tourer, after they appeared in the Rio scenes. You can see other film extras and supporting artists in 1929 costume, patiently sitting in the Browns of Ambleside coach behind them.

 Photograph (c) Zena Ashbury

Did you know that missionaries in Africa used semaphore? Until I read a Russian edition of ‘Swallows and Amazons’ I’m afraid I didn’t know that Darien was the former name of the Isthmus of Panama, that the Rio Grande flows from South Colorado to the Gulf of Mexico or that ‘Shiver my timbers’ was a curse used by R. L Stephenson in Treasure Island.

Nick Owen had been living at Elterwater for seventeen years before he learnt the fishing scene from ‘Swallows and Amazons(1974)’ was shot there.

It had not occurred to me that the film was recorded in the annals until I was sent this excerpt from the third edition of ‘Time Out Film Guide’ (1993). Perhaps I should bring out a third edition of ‘The Secrets of Filming Swallows and Amazons’.

Please let me know if you would like to see more archive material from the attic.

To read more about Cider With Rosie (1971) directed by Claude Whatham, starring Sten Grendon as Laurie Lee please click here

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Meeting up with Mate Peggy – part two

Amazons meet the Swallows

The Amazons confronting the Swallows on Peel Island in the movie ‘Swallows and Amazons’ (1974)

In the feature film ‘Swallows and Amazons'(1974) the part of Peggy Blackett was played by Lesley Bennett. She was an experienced dingy sailor and enjoyed the scenes on the houseboat although she told me she didn’t want the parrot to flap onto her shoulder, which was understandable. Its claws dug into mine.

Sophie Neville with Lesely Bennett and a green parrot in 19730003

~Sophie Neville as Titty with the green parrot and Lesley Bennett as Peggy~

When I met up with Lesley in the Netherlands this summer, we looked though the photographs she’d been given by the producer and kept for posterity.

Kit Seymour and Lesley Bennett at Brown Howe boathouse on Coniston Water in 1973

If you don’t recognise the scene above it is because, although the  shot was taken at Brown Howe, where the Amazon boathouse can be found, they were rehearsing the scene at Secret Harbour on Peel Island when the Blacketts find their boat has been captured. ‘She can’t have drifted against the wind.’ This was the first I knew of this. Perhaps they were waiting around for the camera to be set up or for a decision to be made about their red hats, which they were not wearing. This was rare. They wore them in every other scene.

The Amazons sailing on Derwentwater

Lesley didn’t have much time for Ronald Fraser, who played her Uncle Jim, renamed by Titty as Captain Flint. “He wasn’t very nice to us. I think he regarded us as a bit of a nuisance but as soon as the cameras were on him, he’d change!”

Ronald Fraser with Lesley Bennett and Kit Seymour on Peel Island, Coniston Water in 1973

Lesley, who grew up in Kent, remembered my mother taking her shopping in Ambleside on one of our rare days off. “She had an appreciation of how important it is to buy a good top, explaining that she needed a selection for her work as a television presenter. I remember her waiting for ages while I tried on one after another.” I was amazed when I heard this. My mother only ever took me shopping once or twice when the first Laura Ashley shop opened in Cheltenham. This was deeply exciting but a rare treat. It was my poor father who was dragged from one shoe shop to another. It was difficult to find decent shoes in the ‘seventies.

Leaving London for the Lake District in May 1973 – photo Evening Standard

It was difficult to find decent clothes, that didn’t cost a fortune. There was a reason why dressmaking was so popular – we had to make our own garments. At the age of twelve I made a navy blue skirt for school so that it had a fashionably broad waist band. Flared dungarees were all the rage, worn with a stripy polo-neck or blouse with a large collar. Kit, Lesley and I all wore these, although sadly my brushed-cotton dungarees grew rather short during the filming.

Lesely Bennett's visit to Chiddingstone School's Boat Fair in 1974

Lesley signing autographs at the Chiddingstone School Book Fair in 1974

Lesley managed to find what I’d thought was the ideal outfit for our afternoon film premiere, which I’m pretty sure she is wearing in the shot above. Although we were almost obsessed with clothes, they were not a subject people discussed with new acquaintances, which was a pity as it would have provided us something neutral to discuss with the press.

“I remember the journalists at the hotel in the Lake District,” Lesley said, “and Claude saying, ‘Be careful what you say to journalists because they will turn it against you.'” However, when it came to film publicity Lesley was both enthusiastic and gracious turning up at a local school book fair and posing for newspaper photographers. I can see that tank-tops had come in by this time and it was possible to blow-dry your own hair.

Lesley Bennett in 1974

Lesley enjoyed drama at school and looked into going to RADA, but after auditioning for one film decided the acting profession was too precarious. I think we were both interviewed for parts, possibly the same part in the same film. It was set in Wales and involved rock climbing. I said I wasn’t scared of heights, which was a lie! Sadly it was never made. I told her that Ronald Faser wanted us both to appear in another movie but that the funding fell through. She wasn’t disappointed. I was able to tell her that there was an actress called Lesley Bennett of about our age who once had a part in the long-running soap opera ‘Coronation Street’ but she confirmed that this was not her.

Lesley always loved meeting people wanted to travel, so went into marketing, working for Unilever on the first ‘Just one Cornetto’ campaign. She later branched out into international event management, which took her all over the world. She married a tall Dutchman and has two grown sons. They have a policy of visiting a different place each holiday, there by exploring different places, and they lived in Dubai for a while before returning to the Netherlands where she has been based since the early 1980s.

The cast of Swallows and Amazons with Virginia McKenna at Bank Ground Farm in 1973

Lesley looks back fondly on what she calls “The Swallows and Amazons era”, appreciating what recollections mean to those who have grown up with the movie and enjoy Arthur Ransome’s books. “Innocent films like ‘Swallows and Amazons’ (1974) appeal to those who know exactly how the books were written.” One thing she kept was the original film poster. Here she is with it more than forty-three years after the release. And she hasn’t changed a bit.

Lesley Bennett, 2017

Lesley today, with her original film poster of ‘Swallows and Amazons’ (1974)

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Meeting up with Peggy Blackett – from the film ‘Swallows & Amazons'(1974)

Lesley Bennett in 1973

When the original feature film of ‘Swallows & Amazons’ was made in 1973, Peggy Blackett was played by Lesley Bennett. She can be seen here on location at Bank Ground Farm above Coniston Water in the Lake District.

For the last thirty-four years, Lesley has been living in the Netherlands. I met up with her for lunch at Schiphol Airport on my way back from sailing Arthur Ransome’s cutter, the Nancy Blackett, through the inland waterways of Zeeland. (Please see the last two previous posts.) I nearly didn’t make the meeting. A man had been arrested for planting a bomb on a train just north of Middleberg, but the authorities must have acted quickly as I wasn’t delayed for long.

Lesley had brought along a blue file of documents and a number of black and white movie stills that she’d been given by Richard Pilbrow, the producer of ‘Swallows and Amazons’ (1974) on one of our last days in Ambleside after filming had finished. We could both remember them spread out on a table at the unit hotel so we could each chose the ones we appeared in. I had picked one where Lesley and I are sitting together, our hair bobbed in line with the 1930’s, I wearing a cream silk dress, Lesley in a dark top looking very pretty:

With Virginia McKenna on the first day of filming

~A publicity shot featuring Virginia McKenna, with Kit Seymour, Sten Grendon, Sophie Neville, Lesley Bennett, Simon West and Suzanna Hamilton, published in the Guardian and other newspapers~

Lesley’s parents, who lived near Tonbridge in Kent, originally learnt that Theatre Projects were looking for children to take part in the film when the Associate Producer, Neville Thompson, wrote to their local sailing club. Lesley explained that her father, who was very well organised, kept a copy of the letter sent to the Secretary of the club in January 1973.  Plans were made for Lesley to be interviewed for a part with her younger sister Lyn, who sadly fell ill and couldn’t make the audition. The letter contains a mistake that might explain why Lesley ended up playing Peggy when she was thirteen years old.

Lesley got on well with Kit Seymour who ended up playing her elder sister, Nancy Blackett – ‘terror of the seas’. Both girls would sail well and enjoyed being out on the lakes. Lesley told me that the reason why she held her hands between her legs in this photograph is that it was so cold when we were filming on Peel Island.

‘Kit would fold her arms and I’d try to keep my hands warm.’ Although I wore a cardigan in this scene, Swallows had been cold too. I remember thinking that at least the Amazons wore knitted hats. Otherwise their costumes were simple short-sleeved shirts and long shorts with black plymsols, worn without socks.

~Kit Seymour as Captain Nancy and Lesley Bennett as Mate Peggy in 1973~

Lesley told me their hats had been quite a problem – not quite a full-blown movie disaster but a they caused consternation in Consiton. The first scene the Amazons shot was set in the garden of Beckfoot, the Blacketts’ house. Although it does not lie on the ‘Amazon River’ at the northern end of the lake, Brown Howe on the western shore of Coniston Water was used as the location and the crew set up the 35mm Panavision camera, along with reflector boards and enough lighting to bring sunshine to Westmorland. When everyone on the production was ready, Gareth Tandy, the third assistant led the Amazons down to the set wearing red knitted stocking caps – with no bobbles. Beanies were not quite what either the director or producer had expected. Lesley has a photo showing the great discussion that ensued:


~Director Claude Whatham, Producer Richard Pilbrow, 3rd Assistant Director Gareth Tandy, Make-up Artist Peter Robb-King, Hairdresser Ronnie Cogan and Associate Producer Neville Thompson with Kit Seymour and Lesley Bennett at Brown Howe on Coniston Water in May 1973 ~

In the end Claude Whatham shot the scene with the girls bare-headed, their hair blowing all over the place, even though it was meant to be ‘dead-calm’ in the story.  This looked natural as they were at home but they needed to look like pirates in every other scene.

~Nancy and Peggy running down to Amazon at the Blackett’s house Beckfoot~

Wooly hats with ‘longer ends’ were knitted locally at some speed. Red is not a good colour on the screen. I remember a couple of bright pink ribbed bobble-hats arrived when we were filming on Peel Island but they were deemed a complete disaster and rejected in favour of scarlet ones originally described by Arthur Ransome even if the colour might look a bit jarring on screen.

No one on the production knew anything about knitting or subtle shades of wool and Emma Porteous, the costume designer, was back in London. When the third pair of hats arrived we were all a bit worried about the fatness of the bobble-end, as they didn’t quite match the illustrations in the books, but no one knew what else to do. Time ran out and the producer was forced to compromise. ‘They were warm but prone to flop about,’ Lesley said, ‘and sometimes flopped forward, which looked a bit silly.’ I’d never noticed this but it was captured in one photograph:

~Kit Seymour and Lesley Bennett as Nancy and Peggy Blackett on Wild Cat Island in 1973~

Mum was given the pink version of the hats. She kept them for years but no one ever wore them.

To be continued….

 

 

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A Little Bit of Film History

Contact sheet - Sophie Neville with Amazon's anchor

~ Titty with Amazon’s anchor ~

When I first posted an extract from ‘The Secrets of filming Swallows and Amazons’ on a literary website, someone wrote a review assuming it to be a novel. They must have thought that I was some poor creature who had imagined the whole thing. The reviewer considered the plot too far-fetched and fantastical – as you might if it had not been true.

‘You must have been dreaming.’

‘But Captain Flint, there were burglars, you’ve got to believe me.’

Poor Titty! No one ever believed her. Fortunately quite a bit of documentary evidence exists to support the fact that a certain feature film was made in the Lake District in 1973. I do wish I’d kept a copy of the book review though.

Contact sheet - finding Titty in Amazon

~ The Swallows find Titty sleeping in Amazon near Cormorant Island ~

Contact sheet - Suzanna Hamilton and Sophie Neville sailing Amazon

~ Titty and Susan sail Amazon back to Wild Cat Island ~

Contact sheet sailing Swallow & Amazon in 1973

~ Sailing Swallow and Amazon on Derwentwater ~

Contact sheet - sailing Swallow & Amazon on Derwentwater

I was encouraged to collect things as a child, in case they might one day be of value. Back in 1973, I was given a number of black and white photographs and contact sheets of stills taken by Albert Clarke on the set of ‘Swallows & Amazons'(1974) – if you can call Derwentwater a movie set. I pasted some of these in a scrapbook but others remained in a roll that has only recently been returned to me. Each sheet looks roughly like this:

The Making of Swallows & Amazons contact sheet - both boats

The eye is easily tired by looking at the whole set but scanning and editing reveals a little bit of film history in every shot. I can see here that Titty wasn’t letting Amazon’s anchor down, she was hauling it in while Susan was at the helm, with a fair wind in her sails. This must have been quite tricky.

Sophie Neville pulling up Amazons' anchor

You can tell by the numbers above each shot how many were taken and in what sequence. presumably 2003 photographs had been snapped by the time the Swallows found Titty moored near Cormorant Island.

Contact sheet - filming Swallow

~ These bizarre shots show the film crew afloat on their pontoon ~

The photographs below show Virginia McKenna rowing away from Peel Island on Coniston Water in a native canoe with DoP Denis Lewiston and his 35mm camera, which is pretty unique.

One thing is certain, if these contact sheets had not been given to me they would have been thrown out and yet, over time, they have become precious. Do add a comment below if you would like to see more.

It is quite interesting to see which shots were chosen for the press. You can see a few of the action shots used in magazines of the time by clicking here. Newspapers tended to chose photographs akin to portraits as you can see here.

Recent newspaper articles tend to use a black and white film still that was clumsily tinted giving the lake water an unreal and bright blue hue as you find here.

Some of the black and white prints are now held at BFI. StudioCanal hold a vast selection of the best photos in their library and have an on-line shop here. I have included about a hundred behind-the-scenes snaps taken by my parents in the latest edition of ‘The Making of Swallows and Amazons’ recently published by The Lutterworth Press, available from libraries, bookshops and online stockists including The Nancy Blackett shop, where proceeds go towards the upkeep of Arthur Ransome’s favourite little ship.

9780718894962_cover Amazons.indd

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News of 2nd edition of ‘The Making of SWALLOWS and AMAZONS (1974)’ published by The Lutterworth Press on 25th May 2017

9780718894962_cover Amazons.indd

The long-awaited second edition of ‘The Making of SWALLOWS AND AMAZONS (1974)’ is being published in paperback by The Lutterworth Press on 25th May. Pre-orders are now available from their website here
This memoir of an odd thing that happened in the early 1970s is similar to the first edition but has a new cover and includes a few more stories, photographs and names from the ‘seventies that have floated to the surface. It compliments StudioCanal’s 40th Anniversary DVD and Blu-ray and makes a good present for anyone who has grown up watching the 1974 film.
StudioCanal DVD cover
The new paperback edition will be stocked by the vast majority of book retailers including Amazon, Waterstones, Blackwells, Paperback Bookshop, Books Etc. and is available direct from The Lutterworth Press  who also publish ‘Swallows, Amazons and Coots’ by Julian Lovelock that has a forward by Sophie Neville.  Those in North America can order copies from the US distributor Casemate Academic
 Swallows & Amazons flags for book

Sophie hopes to be signing copies at events around the country this summer.

Please click here for details

Roseland Festival 2017
Last weekend Sophie was signing copies of her books at the Tavistock Festival and gave a talk at the Roseland Festival in St Mawes before a screening of ‘Swallows and Amazons’ (1974) on Sunday evening at the lovely Hotel Tresanton cinema.
Arthur Ransome Pin Mill Jamboree
We are hoping copies of the 2nd Edition will be available by Saturday 13th May when Sophie will be opening the Arthur Ransome Pin Mill Jamboree in Suffolk, to celebrate the  20th Anniversary of the Nancy Blackett Trust and Visit England’s Year of Literary Heroes. As we Discover the Land of Literary Greats, Sophie will be giving a talk on the adaptations of Ransome’s books set in East Anglia and the English Lake District.

Map of the Jamboree

 this Saturday 22nd May at 2.00pm

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