Tag Archives: Coniston

Meeting up with Mate Peggy – part two

Amazons meet the Swallows

The Amazons confronting the Swallows on Peel Island in the movie ‘Swallows and Amazons’ (1974)

In the feature film ‘Swallows and Amazons'(1974) the part of Peggy Blackett was played by Lesley Bennett. She was an experienced dingy sailor and enjoyed the scenes on the houseboat although she told me she didn’t want the parrot to flap onto her shoulder, which was understandable. Its claws dug into mine.

Sophie Neville with Lesely Bennett and a green parrot in 19730003

~Sophie Neville as Titty with the green parrot and Lesley Bennett as Peggy~

When I met up with Lesley in the Netherlands this summer, we looked though the photographs she’d been given by the producer and kept for posterity.

Kit Seymour and Lesley Bennett at Brown Howe boathouse on Coniston Water in 1973

If you don’t recognise the scene above it is because, although the  shot was taken at Brown Howe, where the Amazon boathouse can be found, they were rehearsing the scene at Secret Harbour on Peel Island when the Blacketts find their boat has been captured. ‘She can’t have drifted against the wind.’ This was the first I knew of this. Perhaps they were waiting around for the camera to be set up or for a decision to be made about their red hats, which they were not wearing. This was rare. They wore them in every other scene.

The Amazons sailing on Derwentwater

Lesley didn’t have much time for Ronald Fraser, who played her Uncle Jim, renamed by Titty as Captain Flint. “He wasn’t very nice to us. I think he regarded us as a bit of a nuisance but as soon as the cameras were on him, he’d change!”

Ronald Fraser with Lesley Bennett and Kit Seymour on Peel Island, Coniston Water in 1973

Lesley, who grew up in Kent, remembered my mother taking her shopping in Ambleside on one of our rare days off. “She had an appreciation of how important it is to buy a good top, explaining that she needed a selection for her work as a television presenter. I remember her waiting for ages while I tried on one after another.” I was amazed when I heard this. My mother only ever took me shopping once or twice when the first Laura Ashley shop opened in Cheltenham. This was deeply exciting but a rare treat. It was my poor father who was dragged from one shoe shop to another. It was difficult to find decent shoes in the ‘seventies.

Leaving London for the Lake District in May 1973 – photo Evening Standard

It was difficult to find decent clothes, that didn’t cost a fortune. There was a reason why dressmaking was so popular – we had to make our own garments. At the age of twelve I made a navy blue skirt for school so that it had a fashionably broad waist band. Flared dungarees were all the rage, worn with a stripy polo-neck or blouse with a large collar. Kit, Lesley and I all wore these, although sadly my brushed-cotton dungarees grew rather short during the filming.

Lesely Bennett's visit to Chiddingstone School's Boat Fair in 1974

Lesley signing autographs at the Chiddingstone School Book Fair in 1974

Lesley managed to find what I’d thought was the ideal outfit for our afternoon film premiere, which I’m pretty sure she is wearing in the shot above. Although we were almost obsessed with clothes, they were not a subject people discussed with new acquaintances, which was a pity as it would have provided us something neutral to discuss with the press.

“I remember the journalists at the hotel in the Lake District,” Lesley said, “and Claude saying, ‘Be careful what you say to journalists because they will turn it against you.'” However, when it came to film publicity Lesley was both enthusiastic and gracious turning up at a local school book fair and posing for newspaper photographers. I can see that tank-tops had come in by this time and it was possible to blow-dry your own hair.

Lesley Bennett in 1974

Lesley enjoyed drama at school and looked into going to RADA, but after auditioning for one film decided the acting profession was too precarious. I think we were both interviewed for parts, possibly the same part in the same film. It was set in Wales and involved rock climbing. I said I wasn’t scared of heights, which was a lie! Sadly it was never made. I told her that Ronald Faser wanted us both to appear in another movie but that the funding fell through. She wasn’t disappointed. I was able to tell her that there was an actress called Lesley Bennett of about our age who once had a part in the long-running soap opera ‘Coronation Street’ but she confirmed that this was not her.

Lesley always loved meeting people wanted to travel, so went into marketing, working for Unilever on the first ‘Just one Cornetto’ campaign. She later branched out into international event management, which took her all over the world. She married a tall Dutchman and has two grown sons. They have a policy of visiting a different place each holiday, there by exploring different places, and they lived in Dubai for a while before returning to the Netherlands where she has been based since the early 1980s.

The cast of Swallows and Amazons with Virginia McKenna at Bank Ground Farm in 1973

Lesley looks back fondly on what she calls “The Swallows and Amazons era”, appreciating what recollections mean to those who have grown up with the movie and enjoy Arthur Ransome’s books. “Innocent films like ‘Swallows and Amazons’ (1974) appeal to those who know exactly how the books were written.” One thing she kept was the original film poster. Here she is with it more than forty-three years after the release. And she hasn’t changed a bit.

Lesley Bennett, 2017

Lesley today, with her original film poster of ‘Swallows and Amazons’ (1974)

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Meeting up with Peggy Blackett – from the film ‘Swallows & Amazons'(1974)

Lesley Bennett in 1973

When the original feature film of ‘Swallows & Amazons’ was made in 1973, Peggy Blackett was played by Lesley Bennett. She can be seen here on location at Bank Ground Farm above Coniston Water in the Lake District.

For the last thirty-four years, Lesley has been living in the Netherlands. I met up with her for lunch at Schiphol Airport on my way back from sailing Arthur Ransome’s cutter, the Nancy Blackett, through the inland waterways of Zeeland. (Please see the last two previous posts.) I nearly didn’t make the meeting. A man had been arrested for planting a bomb on a train just north of Middleberg, but the authorities must have acted quickly as I wasn’t delayed for long.

Lesley had brought along a blue file of documents and a number of black and white movie stills that she’d been given by Richard Pilbrow, the producer of ‘Swallows and Amazons’ (1974) on one of our last days in Ambleside after filming had finished. We could both remember them spread out on a table at the unit hotel so we could each chose the ones we appeared in. I had picked one where Lesley and I are sitting together, our hair bobbed in line with the 1930’s, I wearing a cream silk dress, Lesley in a dark top looking very pretty:

With Virginia McKenna on the first day of filming

~A publicity shot featuring Virginia McKenna, with Kit Seymour, Sten Grendon, Sophie Neville, Lesley Bennett, Simon West and Suzanna Hamilton, published in the Guardian and other newspapers~

Lesley’s parents, who lived near Tonbridge in Kent, originally learnt that Theatre Projects were looking for children to take part in the film when the Associate Producer, Neville Thompson, wrote to their local sailing club. Lesley explained that her father, who was very well organised, kept a copy of the letter sent to the Secretary of the club in January 1973.  Plans were made for Lesley to be interviewed for a part with her younger sister Lyn, who sadly fell ill and couldn’t make the audition. The letter contains a mistake that might explain why Lesley ended up playing Peggy when she was thirteen years old.

Lesley got on well with Kit Seymour who ended up playing her elder sister, Nancy Blackett – ‘terror of the seas’. Both girls would sail well and enjoyed being out on the lakes. Lesley told me that the reason why she held her hands between her legs in this photograph is that it was so cold when we were filming on Peel Island.

‘Kit would fold her arms and I’d try to keep my hands warm.’ Although I wore a cardigan in this scene, Swallows had been cold too. I remember thinking that at least the Amazons wore knitted hats. Otherwise their costumes were simple short-sleeved shirts and long shorts with black plymsols, worn without socks.

~Kit Seymour as Captain Nancy and Lesley Bennett as Mate Peggy in 1973~

Lesley told me their hats had been quite a problem – not quite a full-blown movie disaster but a they caused consternation in Consiton. The first scene the Amazons shot was set in the garden of Beckfoot, the Blacketts’ house. Although it does not lie on the ‘Amazon River’ at the northern end of the lake, Brown Howe on the western shore of Coniston Water was used as the location and the crew set up the 35mm Panavision camera, along with reflector boards and enough lighting to bring sunshine to Westmorland. When everyone on the production was ready, Gareth Tandy, the third assistant led the Amazons down to the set wearing red knitted stocking caps – with no bobbles. Beanies were not quite what either the director or producer had expected. Lesley has a photo showing the great discussion that ensued:


~Director Claude Whatham, Producer Richard Pilbrow, 3rd Assistant Director Gareth Tandy, Make-up Artist Peter Robb-King, Hairdresser Ronnie Cogan and Associate Producer Neville Thompson with Kit Seymour and Lesley Bennett at Brown Howe on Coniston Water in May 1973 ~

In the end Claude Whatham shot the scene with the girls bare-headed, their hair blowing all over the place, even though it was meant to be ‘dead-calm’ in the story.  This looked natural as they were at home but they needed to look like pirates in every other scene.

~Nancy and Peggy running down to Amazon at the Blackett’s house Beckfoot~

Wooly hats with ‘longer ends’ were knitted locally at some speed. Red is not a good colour on the screen. I remember a couple of bright pink ribbed bobble-hats arrived when we were filming on Peel Island but they were deemed a complete disaster and rejected in favour of scarlet ones originally described by Arthur Ransome even if the colour might look a bit jarring on screen.

No one on the production knew anything about knitting or subtle shades of wool and Emma Porteous, the costume designer, was back in London. When the third pair of hats arrived we were all a bit worried about the fatness of the bobble-end, as they didn’t quite match the illustrations in the books, but no one knew what else to do. Time ran out and the producer was forced to compromise. ‘They were warm but prone to flop about,’ Lesley said, ‘and sometimes flopped forward, which looked a bit silly.’ I’d never noticed this but it was captured in one photograph:

~Kit Seymour and Lesley Bennett as Nancy and Peggy Blackett on Wild Cat Island in 1973~

Mum was given the pink version of the hats. She kept them for years but no one ever wore them.

To be continued….

 

 

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Call for poets to enter Lakes competition

I have been lying in the bath dreaming up a poem to enter this wonderful competition. So far, I have:

If you ever go for tea 

at Bank Ground Farm, you’re sure to see

the field where the Swallows waited

for the telegram that stated

they could go to sea.

 

IF NOT DUFFERS WONT DROWN

has become quiet well renowned

as a response to Health and Safety

when adult natives get too hasty

or turn adventure down.

 

Did Arthur Ransome ever think

that a feature film might one day link

Lucy Batty to a famous movie star

like sweet Virginia McKenna

while at her kitchen sink?

 

‘I put a paddlock on the gate,

obliging them to wait

until they paid a decent fee

to use my property

and reinstate

my lino.’

 

But if you stay at Bank Ground Farm’s

rooms in the house, the stable block or barns

you’ll be certainly

welcomed personally

with open arms.

 

 

I think I need to try I littlhe harder. Here are the competition details:

NorthWest News and Features

A new competition for poets is being launched at a Lake District farm with a strong literary heritage.

The owners of Bank Ground Farm, on the eastern shore of Coniston, are asking poets to write about their visit – or about Swallows and Amazons, the children’s classic story which is set in the area.

S&A tearoom

The entries will be judged by American poet and author David Whyte who is visiting this summer to run a residential school. Whyte, the Anglo-Irish poet now living in the USA, is the author of eight books of poetry and four books of prose. With a degree in Marine Zoology, he has traveled widely, including living and working as a naturalist guide in the Galapagos Islands and leading anthropological and natural history expeditions in the Andes, Amazon and Himalaya.

Swallows and Amazons, loved by generations of children – and adults – opens at a farm called Holly…

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News of 2nd edition of ‘The Making of SWALLOWS and AMAZONS (1974)’ published by The Lutterworth Press on 25th May 2017

9780718894962_cover Amazons.indd

The long-awaited second edition of ‘The Making of SWALLOWS AND AMAZONS (1974)’ is being published in paperback by The Lutterworth Press on 25th May. Pre-orders are now available from their website here
This memoir of an odd thing that happened in the early 1970s is similar to the first edition but has a new cover and includes a few more stories, photographs and names from the ‘seventies that have floated to the surface. It compliments StudioCanal’s 40th Anniversary DVD and Blu-ray and makes a good present for anyone who has grown up watching the 1974 film.
StudioCanal DVD cover
The new paperback edition will be stocked by the vast majority of book retailers including Amazon, Waterstones, Blackwells, Paperback Bookshop, Books Etc. and is available direct from The Lutterworth Press  who also publish ‘Swallows, Amazons and Coots’ by Julian Lovelock that has a forward by Sophie Neville.  Those in North America can order copies from the US distributor Casemate Academic
 Swallows & Amazons flags for book

Sophie hopes to be signing copies at events around the country this summer.

Please click here for details

Roseland Festival 2017
Last weekend Sophie was signing copies of her books at the Tavistock Festival and gave a talk at the Roseland Festival in St Mawes before a screening of ‘Swallows and Amazons’ (1974) on Sunday evening at the lovely Hotel Tresanton cinema.
Arthur Ransome Pin Mill Jamboree
We are hoping copies of the 2nd Edition will be available by Saturday 13th May when Sophie will be opening the Arthur Ransome Pin Mill Jamboree in Suffolk, to celebrate the  20th Anniversary of the Nancy Blackett Trust and Visit England’s Year of Literary Heroes. As we Discover the Land of Literary Greats, Sophie will be giving a talk on the adaptations of Ransome’s books set in East Anglia and the English Lake District.

Map of the Jamboree

 this Saturday 22nd May at 2.00pm

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Launching the second edition of The Secrets of Filming ‘Swallows and Amazons'(1974)

front-cover-1974

A second edition of the ebook ‘The Secrets of Filming ‘SWALLOWS & AMAZONS'(1974) is now avaialble on Amazon Kindle, Smashwords, itunes, Kobo, and Nook for £2.99 . You can download this free of charge if you already own the first edition.

If you would like a copy but don’t have a Kindle, worry not. We have added a link whereby you can download a free Kindle app. Please go to my Book Page and scroll down for the details.

If you already have a copy of the ebook, contact a Customer Advisor and ask for a free update. You just need to give Kindle the ebook’s ASIN number. The ISBN for all online editions except Kindle is: ISBN 9781311761927

Since being contacted by others who were involved in the filming, I have been able to add a few more anecdotes and images, including this beautiful shot of Virginia McKenna in 1973 kindly sent in by the photographer Philip Hatfield.

virginia-mckenna-photo-by-philip-hatfield

I found a copy of my original contract for the film and when Jean McGill rang from Bowness, a few more secrets floated to the surface.

Sophie Neville and David Wood

CBBCTV’s Cinemaniacs  interviewed the screenwriter David Wood and myself on how the original movie of Arthur Ransome’s ‘Swallows and Amazons’ was made back in the summer of 1973.  The idea was to use 30 second clips, so please excuse my over-the-top reactions, but you can watch the whole recording below.

‘This has to be one of the most delightful interviews in my recent memory.’ Tim Lewis, USA

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‘Swallows, Amazons and Coots’

9780718894368_cover Swallows3.indd

‘Swallows, Amazons and Coots’ by Julian Lovelock, with a forward by Sophie Neville, was launched on 23rd September at The Radcliffe Centre at the University of Buckingham. Published by the Lutterworth Press, it is a companion for anyone who loves Arthur Ransome’s series of ‘Swallows and Amazons’ books.

julian-lovelock-with-sophie-neville

To read more and enter a competition to win a copy please click here

For photos of the book launch please click here.

About the new book

‘In 1929, Arthur Ransome (1884-1967), a journalist and war correspondent on the books of MI5, now widely regarded as one of the most influential children’s writers of the twentieth century, turned his hand to writing adventure stories for children. The result was Swallows and Amazons and eleven more wonderful books beyond, spanning in publication the turbulent years from 1930 to 1947. They changed the course of children’s literature and have never been out of print since, beloved for the author’s ability to create a world of escape so close to reality that it is utterly believable, in which things always turn out right in the end. Yet to be properly appreciated today, the novels must be read as products of their era, inextricably bound up with Ransome’s life and times as he bore witness to the end of Empire and the dark days of the Second World War.

‘In the first critical book devoted wholly to the series, Julian Lovelock explores each novel in turn to offer an erudite assessment of Ransome’s creative process and narrative technique, highlighting reflections of his experiences and contradictory politics, colonial imagery, the spectre of war and of course his remarkable skill as a story-teller as he constructed a fictional refuge for himself and his readers. Thus Lovelock convincingly demonstrates that, despite first appearances, the novels challenge as much as reinforce the pervading attitudes of their time. Elegantly written, Swallows, Amazons and Coots is both up-to-date and nostalgic. It will appeal to anyone who has enjoyed the world of Swallows and Amazons, and there is plenty here to challenge the Ransome enthusiast and the student as well.’

Endorsements 

Virginia McKenna wrote: ‘There is always more in life than meets the eye. The delightful and unique Arthur Ransome stories from Swallows and Amazons to Great Northern? have delighted us over the years. But now we learn, thanks to this fascinating book, that there are more aspects and depths to the stories than we ever imagined. In no way does this diminish them – on the contrary. By giving us a more profound understanding of the author, the adventures and exploits of his characters take on an extra depth and dimension. These are stories for children that no adult should miss.’

‘An admirable introduction for newcomers to the Swallows and Amazons novels, written with detailed and expert knowledge. Julian Lovelock clearly has a deep affection and admiration for Ransome’s writing, and places the books in a rich and complex context. This is an elegant and leisurely guide through the books in the company of an amiable and well-informed companion.’ Peter Hunt, Emeritus Professor of Children’s Literature, Cardiff University, and co-author of How Did Long John Silver Lose His Leg? (2013)

Available from Amazon online and from all good bookshops

There was an interesting feature published in the East Anglian Daily Press here

Julian Lovelock is the editor of Mixed Moss,2016, the journal of The Arthur Ransome Society, which includes an article by Sophie Neville who is President of the literary society.

mixed-moss-20160004

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A Swallows and Amazons childhood

Swallows and Amazons fly sheet

The first swallows have arrived and summer is here. You only have to look around to see parents advocating a ‘Swallows and Amazons’ childhood for their offspring. They want to go camping, catch fish and learn to cook on open fire.

Titty’s dream of being alone on an island to experience what it must have been like for Robinson Crusoe has never been seen as worrying. Parents want to encourage their offspring to use their imaginations and explore the wilderness, knowing it will be memorable. As long as the weather holds they are happy to act as Man Friday. By exercising her imagination, Titty comes up with ideas that ultimately win the war and develop courage and resourcefulness by taking part in the adventure even though Captain John is at the helm. The fact that the mere able seaman becomes hailed as the hero of ‘Swallows and Amazons’ has inspired a generation.

Cobnor Camp 2015

TARS at Cobnor Camp

If you want the real deal, become a family member of The Arthur Ransome Society and sign up for one of our summer camps while there is still space:

If you can get to the Lake District, there is a camp on Coniston Water in Cumbria – 2nd to 13th August 2016

If you are nearer the south Coast, there is a weekend camp at Cobnor, sailing around Chichester Harbour – 14th to 17th August 2016

There is a ‘Swallowdale’ Camp in North Derbyshire – 27th August to 29th August 2016

and a sailing weekend in Staffordshire.

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Swallow at Cobnor

If you are keen on sailing find out about the Nancy Blackett Trust. They offer memorable opportunities for children and teenagers, as well as adult sailors who’d love the opportunity of going out in Arthur Ransome’s yacht and meeting like-minded people.

IMG_2103

The Nancy Blackett is based on the Orwell near where the Ransomes lived in Suffolk but she ventures forth and was even spotted on the Hamble last year.

IMG_2119

 

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