Viewers of the original film ‘Swallows and Amazons'(1974) have written to point out that when the Amazons sailed up to Captain Flint’s houseboat there was a terrible crash. I found the quote from ‘The Picts and The Martrys’, which made me realise why this horrified anyone who knows the characters well:
“…when you come sailing along and fetch up with a bump against Jim’s new paint.”
“We never do,” said Nancy. “Remember when we came and made you and Uncle Jim walk the plank last summer? We were aboard and rushing the cabin before you knew we were anywhere near.” ‘Picts and Martyrs’ by Arthur Ransome p.14
Jane Sullivan noticed Captain Flint yelled, “Death or Glory!” as the Swallows and Amazons laid siege to his houseboat. ‘Is that a pre-echo of the East Anglian stories?’ she asked.
Jane also noted: ‘In the closing credits, I notice they spell For Ever as two words, which it is as it should be, rather than the modern way which confuses the adjective “forever” with the adverbial phrase “for ever”.’
Most people are familiar with the fact that Peel Island was used as the location for Wild Cat Island in the 1974 film.
Peter Dowden of the Arthur Ransome Group, pointed out that Peel Island is a classic example of a rocher moutonnee or sheepback, shaped by glacial erosion. Larger examples in Sweden are known as flyggbergs. Others comment that it’s easy to imagine the island as Captain Flint’s schooner the Wild Cat, sails to the Caribees in ‘Peter Duck’ and set on fire by Gibber in ‘Missee Lee’.
Peter also wrote about burgees. He noted, ‘Traditionally, creatures shown on flags face towards the “hoist” – the bit of the flag that is attached to the mast. So head near the mast and tail near the flappy part of the flag (called the ‘fly’). He went on to say, “someone did the research and Arthur Ransome drew the Swallow flag both beak to hoist and beak to fly!”
Our art director, Simon Holland, made what I considered the mistake of having the swallow on Swallow’s burgee flying away from the mast.
My publisher asked me to draw our crossed flags, a sketch which was later stolen and used all over the place from the call sheet of the 2016 movie to badges for sale on eBay.
Paul Thomas, of the Arthur Ransome Group, explained that Swallow and Amazon are standing lugsail dinghies, rather the balanced lugsails as I had been told. “Swallow’s keel was designed for sailing in shallow estuaries and grounding on shifting shoals with sails tanned to protect them from rot and sunshine.”
“What is particularly impressive, to me,” Roger Barnes, president of the Dinghy Crusing Association, commented, “is how well done the sailing scenes are, and sometimes in pretty strong winds. Most sailing in films is really unconvincing.” Roger added: “The boom jaws off the mast as they first approach Wild Cat Island is the only major flaw with that aspect of the film.” I had never noticed! We were bitterly cold on that day when we first sailed Swallow in front of the camera.
Roger Barnes’ illustrated book, The Dinghy Cruising Companion, published by Bloomsbury, included my behind-the-scenes photo of Swallow, where you can see the jaw back in place.
You can also see the jaws in this film still (c) Studiocanal:
Please do write in with any points you notice that I can add to a third edition of ‘The Secrets of Filming Swallows and Amazons’, an ebook available from a variety online stockists. You can look at the first pages here.
‘I have just been watching on BBC catch-up, the famous and wonderfully entertaining film ‘Swallows and Amazons’. As a 12 year old boy in 1974, my little brother and I were taken to watch the James Bond film ‘Live and Let Die’ in Coulsdon. As we sat down to watch it we found ourselves sat at the wrong place. We were so upset! When the film ‘Swallows and Amazons’ started playing we totally forgot about 007 and found ourselves glued to the screen watching this wonderfully entertaining film. In short, even at 58 years of age I still enjoy this beautiful film about four children and their adventures.’ George
‘My best #lockdown viewing so far has been the 1974 film version of Arthur Ransome’s ‘Swallows and Amazons‘. Reliving the joy of discovering those books, and remembering the freedom of grubbing about in the wildness…’ Judy Darley
‘Never read Arthur Ransome’s ‘Swallows & Amazons’ or seen an adaptation until yesterday. What a delight the 1974 film was. Captured the spirit of childhood adventure so charmingly. Didn’t stop smiling for a moment during the whole thing.’ David Rattigan
‘Watching the original ‘Swallows and Amazons’ with daughter. Get to the “better drowned than duffers, if not duffers won’t drown” telegram and daughter remarks: “I see. So their dad’s gone mad and is writing gibberish.”’ Patrick Kidd – Times Diaryist
‘Ooh. The original ‘Swallows and Amazons’ has come onto Amazon Prime. The one with Titty. The real one. The only one.’
‘Best children’s film ever made. Perfect lockdown viewing. BBC iPlayer – ‘Swallows and Amazons’ – Tim Bonner
For homeschooling ideas relating to the films, such as watching the DVD in French, please click here
You can read the first section of ‘The Making of Swallows and Amazons (1974)’ for free in the preview here:
RTE Guide declared, ‘The definitive adaptation of Arthur Ransome’s ‘Swallows & Amazons’ is on BBC Two.’ More people than ever seemed to watch the classic film, starring Virginia McKenna, which attracted comments on Twitter, Facebook and Instagram while emails were being sent in.
Dr Lucie Bea D – And Swallows and Amazons is on! A very very early cinema memory for me; I saw it in Hereford and was given a colouring in picture of the Amazons hiding in the reeds watching Swallow.
I’ve just enjoyed watching the film on tv again (I watch it every time!) I can remember watching the film in 1974 with my mum and grandma when I was a nine or ten year old, at the then called Mecca Cinema in Horsham,Mecca Cinema in Horsham, Sussex (sadly now demolished) I remember loving the natural setting and the adventure in the film and remember it being thrilling and suspenseful! Still my favourite film, so cheerful and uplifting. The lovely music! All still brings a tear to my eye.
Back then in the 70s we didn’t have the lakes but at every opportunity our little band of local children would run off over the fields playing, building camps and climbing trees in the woods – such happy, carefree days. Been looking at your website too – what a huge resource about the film – good time at the moment to look through it! Thank you for all the information and being in such a happy film, John Rose
Michael – I spent my summers up in the Lake District as a boy and loved/love the book
Peter Hamilton – Swallows and Amazon’s was one of my all time favourites as a child, it was an adventure that seemed more attainable than famous five etc. I really hope my son loves it as much as I did when he’s older…. I adore lake Coniston. Even in high summer that water is icy and very deep innocent happy times… I‘ve tried to sail out to the island on Coniston lake but there wasn’t enough wind so didn’t quite make it. I collected a fair few of the books in my 20s, brings back lots of memories
Duncan HallIt’s such a good film. Doesn’t feel dated at all, to me.
Peter Ashby something timeless about the film. I can happily sit and watch it any time
Graeme Wood – Just goes to show how timeless the story is..
Graeme Wood – It’s a lovely film. As a kid I wanted to jump through the TV screen and join in (ditto the BBC adaptations of Coot Club and The Big Six). Hopefully kids will watch and want to read the books.
Michael – I’ve loved it all my life. I remember my dad rowing me out to an island on lake Windermere and showing me holes in trees, he said they’re from arrows!!!!!!
Maddy Knibb – I also had a wooden swing that collapsed so I turned it into a boat, with broom handle and sheet mast and sail. Guess which books were played out – Swallows and Amazons! It was by a laurel hedge and the leaves made great fish to be cooked on pretend fires!
Perfect opportunity for children to replicate #WildcatIsland with homemade tents in the living room
Glenn Evans – Read this to all my children when they were toddlers. And saw the film in 1974 myself.
Michael – It was only yesterday as far as I’m concerned
Jude – Remember watching the boats on the lake being being filmed from my bedroom window – what a lovely way to slip back into my childhood
Mandy Morley The most classic, and my favourite quote: “I’ll shiver your timbers for you if you don’t stop chattering Peggy!”
Portway Junior School say, ‘the Portway Press also contained a link to the children’s classic ‘Swallows and Amazons‘ film – an excellent watch in this wet weather’.
Please add any questions about how the movie was made to the Comments below.
For the latest edition of the paperback on ‘The Making of Swallows and Amazons(1974)’ with details of the film locations and what those who appeared in it are doing now, Please click here
You can read the first section for free in the ebook, entitled ‘The secrets of filming Swallows & Amazons (1974)’ This is similar to the paperback but has a few more stories for adult readers and links to behind-the-scenes cine footage. It can be downloaded from iBooks, iTunes, Smashwords,Kobo and Amazon Kindle
For homeschooling ideas, why not get hold of a copy of ‘Swallows and Amazons’ in French or enter Into Film’s movie review writing contests? Read more here.
It would be lovely to hear from anyone who saw it in the cinema when it first came out in cinemas in the summer of 1974 – more than forty-five years ago.
At least one film fan held a TV party with and 1930’s theme to celebrate. Others stoked up the wood-burner and settled down to spend an afternoon re-living summer in the Lake District. It is as if Christmas wouldn’t be Christmas without ‘Swallows and Amazons’ – a timeless classic to watch again and again.
For the latest edition of the paperback on ‘The Making of Swallows and Amazons(1974)’ with details of where the film was made and what those who appeared in it are doing now, Please click here
The ebook, entitled ‘The secrets of filming Swallows & Amazons (1974)’ is the same with a few more stories for adult readers and has links to behind-the-scenes cine footage. It can be downloaded from iTunes, Smashwords,Kobo and Amazon Kindle
It would be lovely to hear from anyone who saw it in the cinema when it first came out in cinemas in the summer of 1974 – more than forty-five years ago.
Simon Hodkin kindly sent in this cinema programme that he has kept since watching the movie when he was a boy growing up in North Wales.
Arthur Herbertson managed to track down these rare publicity sheets for ‘Swallows and Amazons’ typical of movie games of the period:
Arthur has a collection of the four jigsaw puzzles and the Puffin paperback that came out with the film.
There was a vinyl LP narrated by the screenwriter David Wood that you can still purchase.
Arthur found a publicity brochure that I had never seen before.
To read comments from people who saw the film at the cinema in 1974, please click here
The original story was written by Arthur Ransome in 1929 ninety years ago, so the film hits the half-way mark between the original readers and today’s audience. It’s funny, the critics in 1974 are asking the same question as raised in the billing this week: Do ‘modern youngsters struggle to relate to such old-fashioned game playing’?
Do add your thoughts to the comments below.
~Billing in the Christmas edition of the Radio Times 2019~
An article first published in Mixed Moss, 2019, the journal of The Arthur Ransome Society:
‘I can’t see it,’ the man was standing in the rain outside the cinema, ‘you said Swallows and Amazons has parallels to missionary life but I don’t get it.’ He was a vicar, camping with his family in the Lake District. After spending a week at the Keswick Convention, he’d brought his children to see the original film Swallows and Amazons (1974) at the Alhambra where I was giving a Q&A after a screening of the movie.
‘I once went on a short-term mission to Australia,’ I told him. ‘People would ask me if I was going to convert the natives.’ I explained the archaic idea of berating aboriginal people filled me with horror but use of the word ‘natives’ reminded me of Swallows and Amazons. This led me to consider how deeply Arthur Ransome was influenced by missionary journeys of the early 1900s. As the author, Julian Lovelock points out, ‘exploring, trading and being a missionary were, in Victorian times, all shades of the same colonial activity. Dr Livingstone is often described as an ‘explorer-missionary’. This is the 80th Anniversary year of the publication of Secret Water where ‘missionaries’ enter Ransome’s world in their ‘mission ship’ Lapwing.
Linda Hendry, of The Arthur Ransome Society (TARS), observed that as a boy of ten, Arthur envied his Aunt Edith and Aunt Jessie who were going off to China as missionaries. Did this idea of adventures last with him?
Although his father, Cyril Ransome, came from a clerical background and ensured Arthur received a biblical education in Windermere, Margaret Ratcliffe of TARS reports that ‘there is never a hint of spirituality’ in his letters and diaries. ‘Arthur and Genia were not of an active religious persuasion; Christmas and Easter were ordinary days for them.’ The only time he went to church on a regular basis was when he lived in Finsthwaite and his closest fishing friend was the vicar, the Rev. Roland Pedder. ‘Arthur Ransome never mentions that they discuss spiritual matters, rather hooks, bait and water levels.’ I agree with Margaret’s view that any analogy ‘would have been subliminal on his part, rather than conscious’ but it is embedded in the story, all the more interesting for being unintended.
The reality of going on overseas missions does have parallels with Swallows and Amazons. You tend to set off as a group or family, like the Walker children, and usually end up helping people who need a bit of support, even if it is not what you might expect. Those once wounded often make the best doctors. One of the key themes, perhaps driving force behind Swallows and Amazons is fatherlessness. Is the story an out-working of Arthur Ransome’s grief for his own father who died when Arthur was thirteen? Was he desperate to prove that he is as reliable and resourceful as Captain John, planning the expedition while Commander Walker was in Malta preparing to sail to Hong Kong? As it is, the Swallows gain Daddy’s permission while remaining under the umbrella of their mother’s care, making sensible preparations before setting sail. This is very like missionary groups who usually need permission from the church with back-up and support from their mission organisation.
Peter Wright, chairman of The Arthur Ransome Society, added, ‘The Amazons seek out the Swallows in much the same way as indigenous people came to find out about early explorers.’ Any number of missionaries have had arrows fired at them. The Swallows discover that Nancy and Peggy not only prove to be the same age but share their terminology and outlook on life. They too have no father around and have recently been rejected by their uncle who is busy writing. As a result, they are being naughty, letting off a firework on the roof of his houseboat. The Swallows make friends with them and end up helping Uncle Jim to see sense.
Everyone’s moral values are tested in Swallows and Amazons. Uncle Jim realises he has been neglecting his relationship with his nieces and sees what ‘a cross-grained curmudgeonly idiot’ he’d been to ever doubt John Walker’s integrity. Although this casts a shadow on idyllic island days, it almost visibly builds John’s character before his leadership skills are stretched by challenges set by Nancy. The other characters use their gifts to the full, Susan becoming the practical facilitator and Roger learning to be helpful. Titty is the one keen on diving for fish like a cormorant. She keeps the journal or ‘ship’s log’ and takes guidance from Robinson Crusoe that, ‘tells you what to do on an island’, being well-aware that missionaries could be eaten by cannibals. Although her active imagination is undervalued at first, she comes up with ideas that prove vital.
When the Swallows meet indigenous people of the area like the charcoal burners, they are both polite and respectful, taking an interest in traditional beliefs, such as keeping an adder under the bed for luck. Although Roger makes a bit of a gaff, saying Old Billy ‘doesn’t look much like a son’, the others take an interest in ‘savage’ language and culture.
The Swallow’s mother looks out for them constantly. She reprimands John and sets rules when he goes too far, ‘No more sailing at night’, but continually ensures they are provisioned and their needs met. It might not be expected, but there are battles to be won on the mission field. They are usually tricky, demanding timely action and often involving discomfort akin to sleeping in a dinghy moored by Cormorant Island. Interestingly, it is Titty, the littlest girl, who finds the strength and courage to also find the buried treasure and bring restitution.
‘What did the burglars do when they found the treasure had gone?’ one little girl in the cinema asked?
Quick as a flash, Marc Grimston of TARS EAST, who was in the audience, said, ‘Captain Flint carves a fish for them to find instead of the trunk.’ Repentant and forgiven himself, Jim Turner opts to convince the thieves of their guilt rather than report them to the police.
The great thing is, that whilst fishing from boats and weathering the storm, firm friendships are forged that take the Swallows and the Amazons on further adventures, even to the ends of the Earth. There is something inspirational about these that stories lead others to extend themselves, hoist their sails and live life to the full.
You can’t go out as a missionary expecting to convert the natives. You need to come alongside people who are hurting, find the key to their needs and help them use their God-given ability to fulfil their dreams. It can be scary and things won’t always go smoothly but you are usually warned of danger. There will be a need for strong leadership when times become testing but it should be fun. If you can gain people’s trust and hold on to the unity there will be celebration and feasting in the end.
The vicar, standing in the rain beside his bicycle, began to appreciate the parallels. You may find more. One thing is certain: there is something about the Swallows and Amazons series of books that enables adults to enjoy them as much as children. We can escape pressures of contemporary life and are inspired to fulfill our dreams, becoming all the good Lord wants us to be, doing all the things He has prepared us to do.
You may disagree completely, you may can find parallels in other Arthur Ransome books please write in, using the comments box below.
Duncan Hall of the Arthur Ransome Group on Facebook wrote: ‘Of course, throughout (the series of Swallows and Amazons books) there are references to fictional and non-fictional adventures of exploration and discovery which historically sat with Empire, missions and trade as well as with piracy, etc. They do contrast with a political outlook that is clearly oppositional to those traditions. We always end up being impressed by savages (in the Lakes or the Walton backwaters) rather than hoping to civilise them. In Missee Lee, we obviously want to protect the location of the Three Islands, rather than send Daddy’s gunboats over there (despite the pretty monstrous business that Miss Lee presided over, we are convinced that the Brits destroying their way of life would be more monstrous still).
I clearly remember my mother winding carbon paper into the roller of her portable typewriter and bashing out articles. Ping! the bell would ring as she reached the end of a line. She would then pull left on a shiny paddle, with relish, to begin a new paragraph. She seemed to type like the wind, it was only a pity she didn’t write more. Was it more time-consuming when making changes was so laborious and a dictionary needed to be flicked through to check spelling? I was forever pouring through a thesaurus and looking for reference books in libraries as a child in the ‘seventies but find computers seems to steal more time.
~The photograph that illustrated an article in Woman magazine taken at the Commonwealth Institute in 1974~
Here is the second part of the article Mum wrote for Woman magazine when the original film of ‘Swallows and Amazons’ was screened in cinemas around the country in April 1974. Earlier pages can be read in a previous post here and there is also a programme she wrote for BBC Radio Bristol on the same subject here.
I’d forgotton that Kit was sent half a Birthday cake but do remember Ronnie Fraser arrived at her party quite tiddly. I am amused to learn we finally left Oaklands Guest House with fifty peices of luggage but I still have a hazel bow and arrow set, which I don’t expect ever fitted into a suitcase.
Please let me know if you would like to see old scripts and letters relating to the original publicity for the film, kept in my mother’s archives.
To read more about Daphne Neville’s adventures in film and television please click here
This summer marked the 45th Anniversary of filming the original film ‘Swallows and Amazons’ on Derwentwater when Ronald Fraser was obliged to walk the plank in a solar topi in July 1973.
To celebrate the anniversary, Sophie Neville, who played Titty, introduced a screening of the 1974 film at the Alhambra Cinema in Keswick on Saturday 28th July.
She demonstrated how one of the visual effects was achieved and signed copies of her book ‘The Making of Swallows and Amazons’ after a Q&A.
‘I brought one of the original arrows that the Amazon pirates fired over my head. It looks so dangerous on film that the shot was cut from the television version but is included in the re-mastered cinemascope edition that we are now able to watch on the big screen. You might be able to spot a few other things that went wrong while we were filming, such as the time I inadvertently slipped up to my waist in water.’
‘The elegant Lakeland steamer, the Lady Derwentwater, had the starring role as Captain Flint’s houseboat. She was adapted for the part by the award-winning set designer Ian Whittaker, who went on to receive an Oscar for Best Art Direction on ‘Howards End’ starring Sir Anthony Hopkins and Emma Thompson. His astonishing list of nominations can been seen here.
Swallow, the 1930s sailing dinghy used in the original film ‘Swallows and Amazons’ was at the lakeside for Arthur Ransome enthusiasts to admire. She is looked after by Rob Boden, from Kendal, who is happy to take people for a sail by prior arrangement via the SailRansome website here.
In 1974, my mother, Daphne Neville, was commissioned to write an article about working on the original film of ‘Swallows and Amazons’ for Woman magazine, which claimed to be ‘The world’s greatest weekly for women’. Here are some extracts from her type script:
I was amazed to read some of this. ‘….a dirth of birds’? Was that really how my mother spoke in the early ‘Seventies? I had no recollection that ‘Nomansland’ had been displayed on the front of our double-decker bus. I never remembered there only being bathroom at Oaklands Guesthouse or that Mum had to wash out clothes. I do remember Ronald Fraser shouting, ‘Piss off you little monster’. I have the photo:
More to follow…. If you would like to see photos of Daphne Neville appearing in movies hereself, please click here
If you would like to read about what we did on 10th July 1973 – 45 years ago please click here
My mother is a squirrel. She arrived at my house, not with nuts, but a large envelope. Amongst other things, this contained the transcript of a piece she wrote almost forty-five years ago for BBC Radio Bristol, when she presented a programme called ‘Come Alive’. The four flimsy sheets of copy paper have only just been unearthed, along with a similar article for Woman magazine.
Daphne Neville was commissioned to write about her experience working on the original feature film, Swallows and Amazons, filmed on location in the Lake District in the summer of 1973 and brought to cinemas in 1974. Sold worldwide, has been broadcast on television for the last forty years and was last shown on TV in Australia on Boxing Day.
It is interesting to have Mum’s perspective. Some of the details are new to me. She timed this piece for BBC Radio as taking ‘8 minutes’ to read:
~ On Derwentwater in 1973: Suzannah Hamilton, Kit Seymour, Daphne Neville, Sten Grendon, Simon West, Sophie Neville & Lesley Bennett ~ photo: Martin Neville
But Mum, were we ever ‘Film Stars’?
We scowled at the terminology at the time. Ten years later and I thought of us a merely puppets, marionettes of the director who carefully honed our performances. I can now see the contribution we made when I watch the film, but we were never film stars.
What do I wish? I wish that we’d been able to make a sequel and develop our work more fully. The flip-side of this would have been that any more success, or more publicity, might have stripped us of our anonymity, which is the bain of real film stars. We’d have had to go around wearing sunglasses.
If you would like to see what we were filming 45 years ago, on 1st July 1973, please click here.
Let me know if you would like to see more archive material. I have the draft of my mother’s article for Woman magazine – it’s a different version of the same but with added detail. She needed permission from Anglo EMI Film Distributors before it could be published. There is also a draft of another radio script and a number of letters. If you would like to see vintage photos of Mum appearing on television herself, please click here