Celebrities who love ‘Swallows and Amazons’

When Jonathan Cape first published Swallows and Amazons on 21st July 1930 for the price of 7/6d, it was eagerly received by numerous authors including JRR Tolkein and AA Milne. I’m often asked which well known people alive today have expressed an interest in Arthur Ransome’s series of books.

Griff Rhys Jones, who presented The Secret Life of Arthur Ransome using clips of the 1974 film of Swallows & Amazons in which I played Titty, joined me at Pin Mill in Suffolk for a marathon reading We Didn’t Mean To Go To Sea, the book that tells of the Swallows’ hair-raising voyage to Flushing. You can find Griff’s books here.

Griff Rhys Jones at Pin Mill for a reading of ‘We Didn’t Mean to Go To Sea’

John Sergeant, the veteran newscaster, has made a number of documentaries about Arthur Ransome, chatting to Griff on The Secret Life of Arthur Ransome, and The Secret Life of Books.

Geraint Lewis of The Arthur Ransome Trust sailing with John Sergeant

Ben Fogle interviewed Suzanna Hamilton and myself on Countryfile and Big Screen Britain after exploring the locations around Coniston Water. You can watch the episode here.

Ben Fogle interviewing Suzanna Hamilton and Sophie Neville on Countryfile

Libby Purves, author and broadcaster, is now President of The Arthur Ransome Society. She refers to Swallows and Amazons in at least one of her novels.

Libby Purves afloat

A keen sailor, she also took part in the marathon reading of We Didn’t Mean To Go To Sea organised by The Nancy Blackett Trust who own and look after Goblin, the yacht portrayed in the story.

Libby Purves reading ‘We Didn’t Mean To Go To Sea’

Dame Ellen McArthur, yachtswoman and Patron of The Nancy Blackett Trust, claims that Arthur Ransome’s novels inspired her to sail. She gives Swallows and Amazons a good mention in her book Taking on the World. Ellen was portrayed by Suzanna Hamilton in a Stephen Sharkey play at a festival at the Southall Playhouse. Suzanna played Susan Walker in the 1974 film of Swalllows and Amazons.

Sir Richard Branson often says how much he loved the book as a boy, describing it as, “a lovely kids’ adventure book.” I met him years ago when I worked on The Russell Harty Show. To may amazement, he recognised me when I was filming in the street in Kensington, so perhaps he has watched the original film of Swallows and Amazons.

John McCarthy, the journalist and keen sailor, made a radio programme called Paddling with Peter Duck, sailing Swallow, the dinghy featured in the 1974 film. You can sail her yourself via SailRansome.com

Peter Willis on Ransome’s yacht Nancy Blackett with Kevin Dawson and John McCarthy

Theresa May said she loves Swallows and Amazons. ‘When she was young she appears to have enjoyed reading… listing… Swallows and Amazons among her favourites.’ Mirror and Daily Mail She gave a copy to Baroness Davidson, once leader of the Scottish Conservative Party.

Dame Judi Dench also read the book as a girl: “…Swallows and Amazons, I remember that very well indeed.” Good Housekeeping

David Dimbleby loves gaff-rigged boats and recently helped with PR at the London Boat Show. He visited us on the set of the BBC Drama serial Swallows and Amazons For Ever! filmed on location in Norfolk.

Sophie Neville with David Dimbleby on location in Norfolk back in 1983

Sir Ben Ainslie ~ Steven Morris of the Guardian reports: “He recalled how he started sailing in Cornwall on the creeks around Falmouth as a boy. Ainslie has called it a Swallows and Amazons kind of childhood. He had friends on the other side of the creek so he sailed over to see them.”

Ben lived in Lymington – and came to our club to celebrate after the Olympics.  

Congratulating Ben Ainslie on his Olympic gold medal

Nikki Henderson, the youngest ever Clipper Around The World yachtswoman was inspired by the book Swallows and Amazons naming Swallow and one of the coolest sailing boats ever in Yachting World as reported by the Nancy Blackett Trust.

Alan Smith of BBC Radio 4, appeared as a boy in the scenes shot at Bowness. He was on location at the Haverthwaite Railway Station in May 1973 on the first day of filming Swallows and Amazons(1974) with Virginia McKenna who starred in the film as Mrs Walker. To read more, please click here.

Alan Smith in the doorway of the train with his friend John Eccles

Miranda Hart (Miranda, Call the Midwife, Not Going Out) “Oh, I love these wonderful stories about outdoor life in one of the most beautiful parts of our country – the Lake District. Camping, sailing, exploring, discovering – it’s still the stuff of dreams for me. My favourite character was Peggy. She was shy and a little nervy but always kept up with her sister, who was captain of their boat. It was rather like me and my sister; although I was the elder, I was the shyer one, and often had to rely on my little sis to do the grown-up things. And I have to say Peggy is my favourite character still, because that’s partly who my dog is named after. I love that this book celebrates the importance and joy of friendship. But above all it harks back to a time when children had to use nature and their imagination to have fun through the long summer holidays. No iPads on tap here. I hope it inspires kids and adults who may have forgotten about the bliss and thrill and beauty of nature to rediscover it.” You magazine.

The list continues in the next post here.

The end-title theme music to ‘Swallows and Amazons’ composed by Wilfred Josephs

You can read about The Making of Swallows and Amazons in paperback or on Kindle. The Secrets of Filming Swallows and Amazons is available on all the ebook platforms. There is a review here.

The Making of Swallows and Amazons by Sophie Neville
Different editions of ‘The Making of Swallows and Amazons’ by Sophie Neville

Sophie Neville interviewed by Jadzia Smeaton on The Making of Swallows and Amazons (1974)

Sophie Neville author of The Making of Swallows and Amazons
Sophie Neville

What is most memorable about the making of Swallows and Amazons for you?

I love exploring the places Arthur Ransome features in his stories. We were privileged to live out the pages of the book on location in the Lake District, but sailing in nothing but a short cotton dress and a pair of navy blue gym knickers was decidedly chilly – we earned our passage.

Would you consider Susan to be an influence on Titty within the story?

Susan made camping on the island possible. Suzanna Hamilton, the remarkable British actress who played Susan in the original film of ‘Swallows and Amazons’, became our rock without becoming prim or losing the joy and excitement of adventure. She went on to play leading roles in a number of major movies including ‘Out of Africa’ opposite Meryl Streep and ‘1984’ with John Hurt and Richard Burton. She is still working on cutting edge productions and recently had a guest appearance in ‘Eastenders’.

Time Out – April 1974

Is there anything you think should always be included in different versions of ‘Swallows and Amazons’?

You must feature the green parrot! It’s vital to enter the world of a 9-12 year old child, capturing the trepidation. It would be interesting to adapt Arthur Ransome’s books without featuring adults, or only including them as shadowy facilitators.

How did you feel about playing a part where you were able to be the cunning and playful younger sister?

In real life, I was the elder of three sisters so took on the roles of both John and Susan. Playing Titty felt something of a release. I was freed from the responsibility of taking the helm.

Titty is well-read and bright, creative and imaginative but I wouldn’t call her cunning. She longs to be alone on the island to experience what it was like to be Robinson Crusoe, which is why she volunteers to stay behind to light the candles, but is that a cunning plot? She is an innocent.

What was your favourite line in Swallows and Amazons?

Titty’s lines are challenging and can only be uttered with humour and an acceleration of charm. I rather enjoyed, ‘X marks the spot where we ate six missionaries’, although I don’t think it can be found in the book. ‘Thank you so much for letting us see your lovely serpent’ would probably be disallowed these days.

Did you have a favourite scene?

Finding the lighthouse tree was a short sequence that worked well. We shot it on the banks of Derwentwater towards the end of the filming. But I most enjoyed our day with the charcoal burners. They were wonderful.

What did you enjoy most about filming in the Lake District?

We loved High Force, the waterfall, and exploring the mossy woodlands. Secret Harbour on Peel Island is very special, as is One Tree Island where we found the treasure.

Do you feel that you and your character influenced children?

Even now, nearly 48 years after the film was released, I receive correspondence from people telling me how the original film of ‘Swallows and Amazons’ influenced their lives or helped carry them through a tough patch. It is always wonderful to hear how Titty has inspired others.

Maurice Thomas who used to live in Cockermouth wrote: ‘My mum and my Auntie Gladys took me to see this little children’s flick in 1974/5 as it was a double bill with ‘The Railway Children‘. I remember ‘The Railway Children‘ reasonably fondly, but ‘Swallows & Amazons‘ had me utterly mesmerised.’

If you were to give any advice to actors wanting to perform in ‘Swallows and Amazons’ what would it be?

Visit the locations. Go to Bank Ground Farm and run, fast, down the field to dip your hands in the lake as Arthur Ransome did as a child. Capture that feeling and carry it with you as you sing out the lines.

And be prepared for the impact the story will have. It could follow you all your life.

To read another recent interview with Authors Reach please click here

If you would like to read more about the secrets of filming Swallows and Amazons, you can ‘Look inside’ the ebook free of charge here:

A signed, first edition copy of ‘The Making of Swallows and Amazons (1974)’ is being auctioned in aid of BBC Children in Need

Are you looking for a special Birthday or Christmas present for someone who happens to love the original film of ‘Swallows and Amazons'(1974)?

Sophie Neville
Author Sophie Neville

Paddy Heron of Children in Read has a huge number of amazing books listed in a charity auction being held to raise funds for BBC Children in Need. Nearly £21,000 has already been pledged, which is amazing. We have 3 days left to bid, so you have time to chat to the family!

‘The Making of Swallows and Amazons (1974)’ is listed as Lot 298, in the section ‘Film & Television’ above Nigella Lawson’s book ‘Coot, eat, repeat’.

Listing in the Film and TV section

To place a bid, click on this link: https://www.jumblebee.co.uk/childreninread2021?cid=2431

and scroll down until you see the image of the book you would like to bid on, then click on the price button and you can enter a bid when the large image pops up. You don’t pay until you win on the final day. I will pay the postage within the UK and inscribe the copy to whom you wish.

What the bidding page looks like

We now have another bid for £101. Copies on Amazon.UK – where is it has 47 reviews, are now listed as costing about £76. I promised that if the bidding went higher than £78 I would personally inscribe this large paperback edition and include a signed first edition hardback copy of my autobiographical book ‘Funnily Enough’, worth £15, which includes a few pages about filming ‘Swallows and Amazons’ in the Lake District.

‘Funnily Enough’, Sophie Neville’s illustrated diary

I said that the bidding goes any higher than £101, I will include a copy of ‘Ride the Wings of Morning’, my memoir about leading a Swallows and Amazons style life camping in Africa:

Ride the Wings of Morning by Sophie Neville
Ride the Wings of Morning by Sophie Neville

To read about taking part in the same auction last year, please click here

If you need to know more about the auction, please contact Paddy Heron at Children in Read: childreninread@yahoo.com

Listings in the AutobiographyBiography section

The lighthouse tree lantern from Swallows and Amazons (1974) has come to light

I received an interesting series of emails recently from a stone mason called Philip Chatfield:

“Hi Sophie, I was watching ‘Swallows and Amazons’, the old classic, on Talking Pictures TV… great channel. Curiously, I have, hanging in my cottage ceiling timbers, the lantern you used for the Lighthouse on Wild Cat Island !!!!!!”

The lighthouse tree lantern today

‘Lanterns like this pattern are not common, so I presume it must be the one used in your 1974 film. I like to think so. There is a hole in the top of my lantern which has been plugged up and holes in the base too. If you use the lantern with candles, which is what I always do. then you cannot have a hole in the top of the lantern. Heat goes up and out of it and the rope or wooden handle may catch fire! It is stopped up with a small bolt with a flat rounded top.’

The holes would have been made to insert an electric light behind the candle so that it would show up on film.

Sten Grendon (Roger), Suzanna Hamilton (Susan) and Sophie Neville (Titty) at the lighthouse tree in the 1974 movie of Arthur Ransome’s book ‘Swallows and Amazons’

It certainly looks like the lantern we used, which I knew well at the time. A hurricane lamp is used in the book Swallows and Amazons. John, ‘tied the other end round the oil box at the bottom of the lantern’, although candle lanterns were used to mark Secret Harbour.

You can see the lantern lying near Swallow’s mast

The black lantern was packed into Swallow on the voyage to the island, visible when the Walker children narrowly miss the Tern. You can see it lying in the shallow basket.

Film stills taken by Albert Clarke in 1973

It was rather uncomfortable to lean over when handing Roger the telescope.

Swallow nearly collides with MV Tern

The basket was taken out of Swallow at the landing place and Titty moves it up the beach ‘for fear of tidal waves.’ See if you can take some screen shots of it hanging from the lighthouse tree.

The same lantern was used in the movie ‘Far From the Madding Crowd'(1967) starring Alan Bates, Peter Finch, Terence Stamp and Julie Christie.

Terrence Stamp with the lantern

You can also see it hanging from a farm cart.

The same lantern

Philip says, ‘Clearly all the props went back to the Turk Phoenix shed near Teddington after shooting.’

Mike Turk’s warehouse full of film props

‘I never thought about it before but I used to work on a sailing ship called Grand Turk, which was owned by Mile Turk of Turk Phoenix who did a lot of film work.’

SV Grand Turk with Philip Chatfield firing a live shot on the Solent.  “That would have given Captain Flint’s houseboat a shaking up!”

‘The Grand Turk played the HMS Indefatigable in ‘Hornblower’ with Ioan Griffiths and co. While I was on board (as Third Mate and Gun Captain) I needed more props for the gunnery dept. The lantern was one of the props we had on board. It came from Turk Phoenix who still had one of the boats used in your wonderful film.’

Swallow at Mike Turk’s warehouse in 2010

‘Mike Turk’s business provided nautical props.’ When Mike reached the end of his life and fell ill, many of these were sold at auction in 2010, including the dinghy that played Swallow in ‘Swallows and Amazons’ (1974), which was purchased by group of film fans now known as SailRansome.

Swallow prepared for auction in 2010

‘Before my time on Grand Turk I spent five years working on a lovely old square rig ship called MARIA ASUMPTA. Back in 1991 we sailed from London’s St Katherine’s Dock to Ipswich. We anchored off Shotley on the Orwell pretty much where the GOBLIN in Ransome’s book ‘We Didn’t Mean To Go to Sea’ book was set. As we hauled up our anchor we brought up a small kedge anchor. I still have it. At the time I was convinced it may have been from the story or even the sailing trip the story was originally based on. Who knows, but it is a lovely anecdote.  We had sailed the autumn before to Flushing in Holland and did a tour of the inland waters of Holland.’ 

Philip Chatfield with a kedge anchor

‘Sadly, Maria Asumpta was lost off Padstow in May 1995 with the loss of three crew. Thankfully I was one of the survivors.’

Maria Asumpta wrecked on a desolate shore

‘You can just see me standing staggering, second from the left, in a state of shock. Three were lost but I was amazed more weren’t, frankly. My friend the bosun Graham is sitting on the stern about to leap off. He survived, just. The ship had been built in Barcelona and launched in 1858.’ By the 1990’s it was the oldest square rigger still sailing.’ A true ship wrecked sailor! What would Titty say?

Philip Chatfield in HMS Victory working on a carving of Lord Nelson in 2008

‘As a stone carver and sculptor I make memorials. A few years ago I was asked to do the memorial for one of my old school teachers and eventually his wife, who now shares his grave in Monmouth. She was Helen Bucknall but her mother was Mrs Henry Clay. The Ransome book  ‘We Didn’t Mean To Go To Sea’ is dedicated to Mrs Henry Clay no less. Henry Clay was a friend and colleague of Ransome’s on the Manchester Guardian, also a keen sailor. I think Helen and her family were the inspiration for the story in the book. So Helen has a carving of the yacht they sailed as children on the large Welsh slate memorial in Monmouth cemetery.’

‘The galling thing for my friends, whose mother was Helen, is that they can’t find the original first edition of ‘We Didn’t Mean To Go To Sea’ that Ransome signed. Hope it turns up. At least that charming card exists. Love his little sketch of the dinghy.’

‘Anyway, hope this is of interest… well done for all you do.  I have a hard copy of the book on order! Can’t wait. Very best wishes, Philip Chatfield’

The lighthouse tree lantern today

To read more about some of the Swallows and Amazons movie memorabilia, including Swallow’s flag and the fishing rods, please click here

To read more about ‘The Making of Swallows and Amazons (1974)’ – click here

This lovely documentary shows Philip’s recent work on railways:

Alan Smith of BBC Radio 4 remembers being a film extra as a boy in the original movie ‘Swallows and Amazons'(1974)

The original film of ‘Swallows and Amazons’ was screened on Talking Pictures TV recently. The BBC Radio 4 newscaster Alan Smith, wrote to me recently, saying:

“It’s Alan Smith here – lovely to have all those memories flooding back! I’ve been through the family archive of photographs and have uncovered two pictures which I’m sure you won’t have:

Brian Doyle, Terry Smith and Graham Ford, with Virginia McKenna, Kit Seymour, Sten Grendon, Simon West, Suzanna Hamilton and Lesley Bennett (photo: Eileen Smith)

“The first picture is fairly obvious – it’s you and the other cast members in the car at Haverthwaite station. This will have been taken by my Mum at the time the ‘official’ photo was taken.” This was on 14th May 1973 when a reporter from the Times came to witness our first day of filming ‘Swallows and Amazons’. The station had only been re-opened two weeks earlier.

The cast of ‘Swallows and Amazons’ (1974) at Haverthwaite Railway Station with Jim Stelfox. Robin Smith is at the window, Alan Smith and John Eccles are standing in the doorway.


“The photo (below) shows (left to right) my brother Robin, me and our friend John Eccles standing in front of a pony & trap. This picture was also taken at Haverthwaite, probably by my mother. John came along with his grandparents Patsy and John, and everyone remarked on how distinguished Mr Eccles senior looked in his boater and blazer!

Robin Smith (6), Alan Smith (9) and John Eccles (7) at Haverthwaite Railway Station with the props lorry in the background


“Please feel free to use these pictures however you’d like – I wonder if they’ll prompt others who were there to unearth similar memories?!”


“We had a lovely two days as extras on the film. I remember there was a casting one Sunday morning at St Anne’s Hall (an old church which is now converted to flats) in Ambleside. This is where anyone who wanted to take part went along to meet the director and wardrobe people. My mother was given instructions re the dress-code for Robin and me, and we were asked to meet in Ambleside town centre a couple of weeks later to board a bus which took us to the first location (Haverthwaite).”  This took place about two weeks before the film. Eileen Smith ran the Gale Crescent Guesthouse in Ambleside although none of the crew stayed there. My mother, Daphne Neville, went along to help the wardrobe master, Terry Smith, fit the film extras with costumes.

Alan’s brother, Robin Smith, made it onto a jigsaw puzzle released with the film

Alan couldn’t think why his Dad didn’t come along. It might have been the threat of haircuts. No man in Cumbria under the age of seventy could be persuaded to have a 1929 haircut, apart from Jim Stelfox the station master and my own father, Martin Neville, who appeared in the Rio scenes shot at Bowness.

You can see a quick flash of Alan and his family near the bus in this behind-the-scenes cine clip, shot by my father with a 16mm Bolex borrowed from his company:

Behind-the-scenes footage taken by Martin Neville

Alan watched this and wrote, “My brother and I are convinced that the boy on the right of the frame at 0’06” is Robin, and the woman standing next to him in the hat with the red band is my mother, Eileen (I appear to have gone in search of ice cream or something, as I’m nowhere to be seen!).

“A couple of seconds earlier at 0’04” I’m almost certain the woman standing in front of the red bus with the large bag is John’s grandmother Patsy Eccles, and the the man in the white blazer, trousers and hat is John Eccles senior, Patsy’s husband. I have very fond memories of Mr & Mrs Eccles – they were a lovely, kind couple who were almost like an extra set of grandparents to Robin and me.

Other children who took part, featured in the local newspaper

“We may only have been extras, but it was so exciting for all of us! The first day’s filming was spent getting on and off the train, followed by what seemed like endless trips up and down the line (this would have been when you and the other actors were in the next carriage filming the early scenes).

Some of the other film extras with Suzanna Hamilton and Sophie Neville


“The second day was a few days later at Bowness Bay. This must have been some feat to achieve as the road was closed to traffic and any clues from the 1970s such as road signs had to be covered up or disguised!

Is Alan fighting with his brother in this shot, top right?

“Both days had a very big effect on me. As a child I’d always been fascinated by radio, film & television, and this brought my imagination to life. It also lit a fuse under my ambitions to do something in broadcasting. The result is I’m now a news presenter on Radio4, doing the news in programmes such as Today, PM and The World at One, so I have a lot to thank Swallows and Amazons for! My work means I now live in Buckinghamshire, but I get back to the Lakes 5 or 6 times a year, and I know that when I hang up my headphones for good, that’s where I’ll live.”

Although born in Edinburgh, Alan’s family moved to Cumbria when he was two years old. He and his brother, Robin, enjoyed an idyllic ‘Swallows and Amazons’ childhood growing up in the Lakes. They didn’t get into sailing but loved hill walking. You can see his BBC profile here

Zena Ashbury and her mother, in front of Brown’s coach returning the film extras to Ambleside at the end of the day’s filming in Bowness.

The disaster of the missing tooth – whilst making the movie ‘Swallows and Amazons'(1974)

Earlier in the year, I spoke to Helen Millican on BBC Radio Cumbria about making the original film of ‘Swallows and Amazons’ in the Lake District, back in the summer of 1973. We have had an amusing development.

Sophie Neville speaking to Helen Millican on BBC Radio Cumbria

I had been chatting away, telling Helen that people like hearing about all the disasters we had whilst filming on location. One odd thing that went wrong was that one of my milk-teeth fell out in the middle of shooting a scene with Virginia McKenna on Peel Island. At the time, I was somewhat distracted and self-conscious about this but could do no more than try to keep my mouth shut.

Virginia McKenna and Sophie Neville on Peel Island
Virginia McKenna and Sophie Neville ~ photo: Daphne Neville

However, viewers often spot the fact that my tooth suddenly disappeared. They still talk about it nearly fifty years later. Helen assured me that the tooth fairy was bound to turn up with it, suggesting I could then take the small canine on BBC ‘Antiques Roadshow’, which was being recorded at Windermere Jetty museum in Cumbria at the time.

The tooth that went missing – top right

Amazingly, the missing tooth has been sent to me.

Peter Robb-King, the Make-up Designer on ‘Swallows and Amazons’, rang to say that he had kept it safely in a metal film canister labelled ‘Titty’s tooth’. He promised to send it to me in the post so that I could add it to my bizarre collection of movie memorabilia – valued by Marc Allum at £4,000 to £6,000.

Sophie Neville being made up for the part of Titty by Peter Robb-King in 1973

Helen was delighted to hear that the tooth had materialized after 48 years. “Wow, Sophie what a result, after we made such a joke of it as well! That might just take your valuation up to the next level!”

Peter explained that he took the milk tooth to a dentist in Ambleside to ask if a bridge could be made to temporarily replace it but I remember the director, Claude Whatham, saying that he would ‘have to live with it’ – it being something of a continuity problem as he was yet to shoot earlier scenes of us sailing to the island. As a result, film fans can now work out which sequences were shot right at the end of our time on location even though they come before the scene with Man Friday (played by Virginia McKenna) in the storyline.

My missing tooth, kept since 1973

Peter Robb-King went on to have an amazing career in film, working on ‘The Rocky Horror Picture Show’, ‘Aliens’, and a number of ‘Indiana Jones’, ‘Batman’ and ‘Star Wars’ movies. He told me that he originally found it difficult to break into Make-Up Design as a man, but managed to win a post as a trainee on ‘The Avengers’ in 1968. ‘Swallows and Amazons’ (1974) was his first job as a Make-Up Supervisor, proving a break-through for him and other members of the film crew. It was the first film made by the producer Richard Pilbrow and David Wood’s first screenplay. Suzanna Hamilton, who played Susan, went on to star in many movies including ‘1984’ with John Hurt and ‘Out of Africa’ opposite Meryl Streep. She has recently had a guest appearance on ‘EastEnders’.

Peter Robb-King can be glimpsed right at the end of this cine clip taken on location

Now retired, Peter and his wife live in Maidenhead but enjoy travelling around. We had a long chat about the green parrot as he later adopted a young one that was rescued while making an Indiana Jones film in Sri Lanka. Stephen Spielberg looked after another parrot from the clutch.

You can read more about the disasters that befell us whilst filming in ‘The Making of Swallows and Amazons’, signed copies of which are available from libraries, The Nancy Blackett Trust book shop and other online distributors.

'The Making of Swallows and Amazons (1974)'

If you enjoy ebooks, ‘The Secrets of Filming Swallows and Amazons (1974)’ has links to behind-the-scenes cine footage and is very good value at £2.99 – available on Kobo, Smashwords, iTunes and on Kindle here

To read a little more about filming with Virginia McKenna on Peel Island, please click here

A list of Peter’s film credits can be found here: Peter Robb-King – IMDbimdb.com

An article on the tooth in the Times

You can listen to the ten minute recording of my chat with Helen Millican of Radio Cumbria on the Nancy Blackett Trust website here.

The episode of BBC ‘Antiques Roadshow’ showing movie memorabilia from the 1974 film of ‘Swallows and Amazons’ can be watched on BBCiPlayer here.

You can spot the missing tooth but the movie trailer can be seen here as we attack the houseboat. The clip is slightly out of sinc.

Points to add to the 3rd edition of ‘The Secrets of Making Swallows and Amazons’ (1974): Part five

Imdb, the International movie data base, list Billy Mayerl’s composition ‘Marigold’ as being included in the original film of ‘Swallows and Amazons’. This intrigued me. I looked up the music as I couldn’t think where it had been featured. Listen to the original version and see if you can recognise it:

The famous variety and radio entertainer Billy Mayerl playing ‘Marigold’ and other melodies

It was ‘played’ on the radio in the chandlery in Rio, laid over the scene when the film was dubbed at Elstree Studios. We didn’t hear it when we were in the actual shop.

Sophie Neville, Suzanna Hamilton and Simon West inside the chandlery

The Swallows bought ‘grog’ (ginger beer) and rope for the lighthouse tree. Postcards and wicker shopping baskets hung in the chandlery, which had weighing scales on the counter.

The general Store in Rio
Sophie Neville in Rio with four bottles of grog ~ photo: Daphne Neville

This shot was taken during the filming on the corner of Woodland Road, Bowness-on-Windermere during the filming in June 1973. I wonder who the people in the background were – possibly members of the film crew. The man in the blue top looks like Gareth Tandy the third assistant director who would have been asking passing traffic to wait while filming was in progress. The building looked like this in 2012 but I need a more up to date photo.

Once Tom Kirkbride’s cobbler’s shop, later Mr Cropper’s sweet shop selling rainbow sherbet, Andy Dyker’s Fine Furnishings, a hairdressing salon and now a wood-burning stove showroom

Jenny Maconchy wrote in to say, “It may be of interest that we still have the bamboo fishing rods that were used in the film. They belonged to my father Leslie Borwick and lent to the film crew. They are rather worse for wear but still treasured as I was a big fan of the books when I was young. Unfortunately I was living abroad when the film was made so have no memories of it.”

The Swallows fishing for perch on Elterwater (c) StudioCanal

As a boy, Arthur Ransome had his own perch rod with a colored float to use at Nibthwaite. Towards the end of the filming, Claude Whatham gave Simon West a similar fishing rod, which Ronnie Fraser taught him to use on Derwentwater.

Ronald Fraser behind-the-scenes on Swallows and Amazons (1974)
A member of the Arthur Ransome Group wrote, "I did not realise that the Lakeside Railway had only just re-opened in time for the filming. Of course, although Lakeside Station does get a mention in one of the books, it was the Windermere Station where the Swallows always travelled to. Although Lakeside Station would have been far more convenient from Beckfoot,the Great Aunt always insisted on Windermere as it meant less changes for her. Incidentally both Lake Windermere and Coniston Water had rail connections years ago (which is the likely route for the slate from Slater Bob’s mine although this is not mentioned being outside the scope of a childrens’ story).
With Virginia McKenna at the Haverwaite Railway Station
Viginia McKenna at the Haverthwaite Railway Station in Cumbria soon after it re-opened in May 1973. Simon West, Suzanna Hamilton, Lesley Bennet and Sophie Neville are with her. The carriage with compartments is in the background ~ photo: Daphne Neville

“‘Swallows and Amazons'(1974) was instrumental in helping me through a very stressful period of my life, and writing was a great healer for me. The results of my efforts are in the The Arthur Ransome Society library : ‘Prospectors Afloat’ and ‘Coots in the North’ a completion of the short portion which was published. I will be obtaining ‘The making of Swallows and Amazons’ and no doubt many more of your other publications in due course.” Charles H Ball

The Swallows at the Lighthouse tree Lookout point
Simon West, Suzanna Hamilton, Sophie Neville and Stephen Grendon as the Swallows on Wild Cat Island

I’ve just read that in Zulu folklore, the swallow is known as Inkonjany – the one who points the way to summer. “The swallow, and other birds like it, is regarded by our people as a symbol of effort and hard work as well as of unity, because you will see these birds gather together in large groups as they come and go. The name Inkonjany means the little pointer, and it comes from the verb komba, which means to point out something. It was said that if you saw a lot of swallows in the sky, it meant that the summer and the harvest would be very good.” I felt this applied quite well to the Walker family migrating north for their summer holiday and working hard as being the best crew they could be.

One of the film fans has called her hens Titty and Nancy. I’m sure Mrs Jackson would approve. Do use the comments box below to write in with any connections you have to ‘Swallows and Amazons’ and the original film.

You can read more in ‘The Making of Swallows and Amazons’ available from libraries, bookshops or direct from the publisher . The Nancy Blackett Trust have signed copies and it can be purchased online here:

There is also a similar multi-media ebook entitled, ‘The Secrets of Filming Swallows and Amazons'(1974). You can see inside the first section for free here

Memories to add to the third edition of ‘The Secrets of Filming Swallows and Amazons (1974)’ – part three

“One pandemic discovery for my family was 1974’s ‘Swallows and Amazons,’ a charming British film about kids just playing on a lake. On their own, they’re plenty capable of making their own tents and adventures”, the US film critic Jake Coyle wrote in a review for the Associated Press of a new movie released on Netflix called ‘Yes Day’.

Many people have fond memories of watching the original movie of ‘Swallows and Amazons’ when it first came out in cinemas nearly forty-seven years ago and list it in their Top Ten feature films of all time.

David Kerr wrote: “I first saw the film while I was a junior projectionist. I was 17 at the time. My cinema was called the Astor in Bromley, part of south east London. While an independent cinema, we took the ABC circuit films. Somewhere, I have the LP record and a poster of the film. I went on to a career spanning 40 years in international film distribution.”

“It remains one of my top ten films even to this day. I worked for 20th Century Fox…Polygram…and United International Pictures which distributed Universal, Paramount and Dreamworks films. I had a good career and witnessed the good the bad and the ugly during my travels.”

Simon West and the camera crew at Bank Ground Farm

“From memory, I can recall that the film was released over the Easter school holidays in 1974. It’s just been helped as I have found a press ad online and it lists South London unusually running the film first on April 14th.”

Finding Swallow
Simon West, Sten Grendon and Sophie Neville with the director Claude Whatham

“I believe the film was supported by ‘The Lion at Worlds End’ …the documentary that Virginia and Bill Travers made with George Adamson about returning an African lion to the wild. I know I ran the film again either in 1975 or ’76 as an afternoon matinee only with a Kung Fu adult programme in the evenings.”

Brenda Bruce and Simon West on location above Coniston Water

“The film means a lot to me and has done so since 1974. It made me revisit the books…which I still read (currently dipping in and out of an old hardback edition of ‘Pigeon Post’) but I believe I had only read one during my childhood, which I think was ‘Swallowdale’. I also embarked on a number of holidays in the lakes because of the film. That first year I camped on a farm at Torver on the west side of Coniston.”

Simon West as John Walker studying the chart at Holly Howe before the voyage.

“The reason I include it in my top ten is simple. It is pure storytelling that takes the viewer on an adventure. You do not notice the individual aspects of film making you just become engrossed in the story. And that is what a good film should do. I watched it again just last week on a streaming service… It makes me smile ….what more can I say.”

Virginia McKenna with Sophie Neville on location at Bank Ground Farm

John Rose wrote: “I can remember watching the film in 1974 with my mum and grandma when I was a nine or ten year-old, at the then called Mecca Cinema in Horsham, Sussex (sadly now demolished). I remember loving the natural setting and the adventure in the film and remember it being thrilling and suspenseful! Still my favourite film, so cheerful and up-lifting. The lovely music! All still brings a tear to my eye.  Back then in the ’70s we didn’t have the lakes but at every opportunity our little band of local children would run off over the fields playing, building camps and climbing trees in the woods – such happy, carefree days.”

Simon West, Suzanna Hamilton, Sophie Neville and Sten Grendon in Swallow

Last time the film was broadcast on BBC Two, David Stott, who worked as a unit driver on ‘Swallows and Amazons’ when he was fresh out of college, wrote in to say: “I remember how cold you all were whilst filming the swimming scene.  The lily pond scene brought back memories of a very wet day on Pull Wyke caravan park.  Most of the day was spent in the two double decker buses that were your school room and the canteen waiting for the rain to clear. Everyone was so grateful to pack up and go home.”

Sten Grendon as Roger with Suzanna Hamilton as Susan

 

“I had many incidents with the parrot that I had to collect in the morning and return at night.  I hated the bird, often it was let free in a bathroom at Kirskstone Foot and l would have to catch it and put it in its travel bag. I notice in the film that it is chained down whilst it is sitting on your shoulder.”

Kit Seymour as Nancy, Sophie Neville as Titty and Beauty playing Polly the green parrot.

 

“I would spend a lot chatting to Ronnie Logan the hairdresser while the shooting was taking place, such a nice man.”

“The day they filmed the walking the plank scene I remember very well.  I took Ronnie Fraser to the Lodore Swiss hotel at  lunchtime and he was really very well plastered by the time I got him back for the afternoon filming.  I suppose it was the only way they managed to get him in the water.  He was not a happy chappy that afternoon when I eventually took him back to Ambleside.”

“I had to put the rushes on the train to London in the evening and collect developed film (how times have changed).  One of my treats was that I was allowed to watch the rushes with the production team in the evening. Watching it again this afternoon was a real trip down memory lane.  I cannot believe that I was a student starting out in life at the time and now l am a pensioner.  Where has all that time gone?”

Simon West and Sophie Neville on Peel Island in 1973
 
You can read more in the paperback on ‘The Making of Swallows and Amazons (1974)’
.
 
 

You can see some of the illustrations here:

Memories to add to the third edition of ‘The Secrets of Filming Swallows and Amazons’ – part two:

Since the experts on BBC Antiques Roadshow have been taking an interest in the original feature film ‘Swallows and Amazons’ (1974), I thought I ought to add to a few facts. Although the movie was released forty-seven years ago, the cast list remains incomplete. A few credits are missing:

Jim Stelfox was in uniform, playing a guard or station master at the Haverthwaite Steam Railway station in the opening scenes, when the Swallows first arrive in the Lake District. He ended up appearing in some of the publicity stills that were used in magazines and newspapers. One features on a jigsaw puzzle that accompanied the release of the movie. The little boy leaning out of the train window is Robin Smith, who grew up in Ambleside. He came along with his mother Eileen and his brother, Alan Smith, who became a newsreader on BBC Radio 4.


Kit Seymour, Sten Grendon, Sophie Neville, Lesley Bennett, Virginia McKenna, Simon West Suzanna Hamilton with Jim Stelfox, the station master.

David Watkin Price, also from Cumbria, played the native on the jetty in Rio. His speaking part was cut from the television version of the film broadcast on ITV but remains in the remastered 2014 cinema Bluray and DVD available online.

Mr Price played an important part in our lives when the film was being made as he owned and ran the Oaklands Guest House in Ambleside where we stayed. His daughter Jane, told me, ‘They wanted you to stay in a place that had a family atmosphere with other children.’ I expect that she did a lot to help.

David Price who played the part of the Native in Rio with his family in Ambleside. They ran the Oakland’s Guesthouse ~ photo: Daphne Neville

Jane appeared with her two brothers as film extras in the Rio scenes, remembering that it gave her a day off school. Sadly, her little brother’s knickerbockers kept falling down. You can see Jane in a grey dress with long pigtails,  hoiking them up in this behind-the-scenes shot. To see other photos of the Price family in costume, please click here.

The Price children in their 1929 costumes on the shore of Windermere, 1973

The people of the Lake District have written in with other stories. Philippa Poulson knew the real charcoal burner, Norman Allonby – ‘I lived around the corner from him in 1973. He lived in a tiny one up, one down traditional cottage, walked everywhere, and made a lovely cup of tea. He was very interested in my English Literature A’ level course, being a keen reader. I wonder how many people know he knew Paradise Lost and Paradise Regained, by heart, and in their entirety and could recite any part, at any time, on request. He would happily talk for hours on the subject, with a twinkle in his eye and his pickle catching front tooth. Lovely, gentle man, living life at the right pace.’ You can read more about the real charcoal burners of Grizedale Forest here.

The real charcoal burner
The real charcoal burner outside the hut. Behind him the 35mm Panasonic camera is being mounted on a short section of track ~ photo: Daphne Neville

Susie Trezise said, “I remember them filming ‘Swallows and Amazons’ – it was right in the middle of my O’Level exams and their walkie-talkies kept coming through my stereo speakers! It was fascinating listening. I lived at Stock Ghyll Mill, so about five miles away from the filming. The strangest thing was it still came through the speakers when they were turned off but still plugged in!”

~Comic strips based on the 1974 film found by Arthur Herbertson~

Joss Bundy wrote to say: “My Father, between being the technical director of the Royal Opera House and the National Theatre, worked with Richard Pilbrow at Theatre Projects in the ’70s. He had been a friend of Richard’s for many years. Theatrical lighting design was still in its infancy and designers tended to stick together. Richard and my Dad were the founders of The Association of Lighting Designers, along with various others.

Richard Pilbrow and Neville Thompson ~ photo:Daphne Neville

“My mother, Rosemary Lindsay, had been a ballerina at the ROH, which is where they met. My Mother had sailed since a small child and had devoured each new Ransome book as it was published and loved them more than any others. When Richard mooted the film, my father mentioned what an expert Rosemary was and when the project was getting up on its feet she was given an early script to vet. Various things had been added in for dramatic effect and she vetoed one: Roger getting stuck on top of a cliff, as she felt John and Susan would never have let him get in such a situation.”

“I was clearing yet another box of theatre-related photos and as well as a couple of publicity stills.” One shows filming the Amazon boat house. “I can only assume Richard or Molly sent them back to my Dad, who would have been running Theatre Projects while Richard was away.”

“After the film was finished, Richard offered Swallow to my Mum, but she didn’t want the responsibility of another wooden boat. We still own the one she sailed as a child, a smaller version of a Swallow type boat. She also felt that a boat only sailed in fresh water would not necessarily do well in salt water.”

 
 
Do add any memories you have to the Comments, below. It would be lovely to hear from you.
 
It would be great to have some more review on the film on the International Movie Database. You can easily add one here.
 

You can read more in the ebook about ‘The secrets of filming Swallows and Amazons (1974)’

and  ‘The Making of Swallows & Amazons’ in paperback.

You can see some of the illustrations here:

Quotes for the 3rd edition of ‘The Secrets of Filming Swallows and Amazons (1974)’

Movies are made for watching. In the end, they belong to those who love them and it is wonderful to hear of the impact they have had on people’s lives.

The screenwriter Caleb Ranson wrote: “You’ve no idea how thrilling this is for me to hear from you. Swallows & Amazons was a life changing cinema visit for me, set me off on my path writing/producing TV/films. I played the soundtrack album every night for years. And I love your book BTW, bought it when it first came out.”

Paddy Heron of Children in Read describes the movie Swallows and Amazons(1974) as “a national treasure of a film.”

Nigel Seymour wrote to say, “that the original film has an ambience which cannot be calculated.  It sits in time, yet it is as fresh as if it was made yesterday!” An international musician today, Nigel believes, “It possesses a simplicity of life we’ve lost, so watching it is a refreshing reminder of great days… a journey into another dimension and another world steeped with love and belonging, adventure and moral understanding, which is shared between a family and accepted. The characters are brought to life almost as if they are an infinite, integral part of the immortality of the story, each giving that picturesque understanding the viewer finds impossible to explain. After watching this film one arrives back in real time with a resounding bang! We wonder why such a simple story can create such an iconic understanding. Why watching this film can make you feel happy, totally complete and yearning to return again and savour that wonderful, eternal landscape we have all learned to grow  and love as the Lakes.”

Tracy Kenny from Ketts Books wrote: “Swallows and Amazons is a firm family favourite in our house and for a while there, your movie was the only film my eldest would watch!”

The author Catherine Randall said: “I lived and breathed Swallow & Amazons including your film. Knew nearly all the words!”

The fan letters continue to arrive. Each one treasured.

Nigel Young writes: “‘Swallows and Amazons’ is one of those films which sets itself  in that timeless space no one can quite fathom or understand, almost verging on ‘Immortality’.  I’m sure no one at the time working on it ever thought the film would achieve the cult status it seems to enjoy today. You are possibly smiling when you read this, but it’s a true reflection of a film, which is more than a film and touches on those beautiful innocent moments and times which have been lost forever.”

Charles H Ball wrote: “‘Swallows and Amazons’ was instrumental in helping me through a very stressful period of my life… I will be obtaining ‘The making of Swallows and Amazons’ and no doubt many more of your other publications in due course. “

C.H.B. left a review of ‘The Secrets of Filming Swallows and Amazons’ writing: ‘the feelings of anybody who would have loved to have had the opportunity of actually taking part in the film are summed up by Nancy Blackett when the D’s are explaining how they managed to get to the North Pole a day earlier than planned. ‘And you two came by yourselves and got here through that blizzard?’ said Nancy. ‘However did you find the Pole?’ ‘The blizzard helped really,’ said Dorothea. ‘We were sailing,’ said Dick………..’And we’ve gone and opened the stores,’ said Dorothea. ‘And eaten some of them. You see we lost our food when the sledge turned over and the mast broke…’ ‘Capsized!’ cried Nancy. ‘Mast gone by the board! Oh. you lucky, lucky beasts!’ Some of us will forever envy the lucky children who had the opportunity of a lifetime.

I hope to include all these quotes in the 3rd edition of ‘The Secrets of Filming Swallows and Amazons’, to be brought out for the 50th Anniversary of the films release in April 2024. Do leave a comment below or write in, letting us know what the film meant to you or how it effected your life.

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