Alan Smith of BBC Radio 4 remembers being a film extra as a boy in the original movie ‘Swallows and Amazons'(1974)

The original film of ‘Swallows and Amazons’ was screened on Talking Pictures TV this week and is repeated today, Thursday 23rd September.

The BBC Radio 4 newscaster Alan Smith, who also appears on Radio 4 Extra, wrote to me recently, saying:

“It’s Alan Smith here, the brother of Robin Smith with whom you’ve corresponded re ‘Swallows and Amazons’. Robin sent me the link to your website – it’s lovely to have all those memories flooding back! I’ve been through the family archive of photographs and have uncovered two pictures which I’m sure you won’t have:

Brian Doyle, Terry Smith and Graham Ford, with Virginia McKenna, Kit Seymour, Sten Grendon, Simon West, Suzanna Hamilton and Lesley Bennett (photo: Eileen Smith)

“The first picture is fairly obvious – it’s you and the other cast members in the car at Haverthwaite station. This will have been taken by my Mum at the time the ‘official’ photo was taken.”

The cast of ‘Swallows and Amazons’ (1974) at Haverthwaite Railway Station with Jim Stelfox. Robin Smith is at the window, Alan Smith and John Eccles are standing in the doorway.


“The photo (below) shows (left to right) Robin, me and our friend John Eccles standing in front of a pony & trap. This picture was also taken at Haverthwaite, probably by my mother. John came along with his grandparents Patsy and John, and everyone remarked on how distinguished Mr Eccles senior looked in his boater and blazer!

Robin Smith (6), Alan Smith (9) and John Eccles (7) at Haverthwaite Railway Station with the props lorry in the background


“Please feel free to use these pictures however you’d like – I wonder if they’ll prompt others who were there to unearth similar memories?!”


“We had a lovely two days as extras on the film. I remember there was a casting one Sunday morning at St Anne’s Hall (an old church which is now converted to flats) in Ambleside. This is where anyone who wanted to take part went along to meet the director and wardrobe people. My mother was given instructions re the dress-code for Robin and me, and we were asked to meet in Ambleside town centre a couple of weeks later to board a bus which took us to the first location (Haverthwaite).”  This took place about two weeks before the film. Eileen Smith ran the Gale Crescent Guesthouse in Ambleside although none of the crew stayed there. My mother, Daphne Neville, went along to help the wardrobe master, Terry Smith fit the film extras with costumes.

Alan’s brother, Robin Smith, made it onto a jigsaw puzzle released with the film

Alan couldn’t think why his Dad didn’t come along. It might have been the threat of haircuts. No man in Cumbria under the age of seventy could be persuaded to have a 1929 haircut, apart from Jim Stelfox the station master and my own father, Martin Neville, who appeared in the Rio scenes shot at Bowness.

You can see a quick flash of Alan and his family near the bus in this behind-the-scenes cine clip:

Behind-the-scenes footage taken by Martin Neville

Alan watched this and wrote, “My brother and I are convinced that the boy on the right of the frame at 0’06” is Robin, and the woman standing next to him in the hat with the red band is my mother, Eileen (I appear to have gone in search of ice cream or something, as I’m nowhere to be seen!).

“A couple of seconds earlier at 0’04” I’m almost certain the woman standing in front of the red bus with the large bag is John’s grandmother Patsy Eccles, and the the man in the white blazer, trousers and hat is John Eccles senior, Patsy’s husband. I have very fond memories of Mr & Mrs Eccles – they were a lovely, kind couple who were almost like an extra set of grandparents to Robin and me.

Other children who took part, featured in the local newspaper

“We may only have been extras, but it was so exciting for all of us! The first day’s filming was spent getting on and off the train, followed by what seemed like endless trips up and down the line (this would have been when you and the other actors were in the next carriage filming the early scenes).

Some of the other film extras with Suzanna Hamilton and Sophie Neville


“The second day was a few days later at Bowness Bay. This must have been some feat to achieve as the road was closed to traffic and any clues from the 1970s such as road signs had to be covered up or disguised!

Is Alan fighting with his brother in this shot, top right?

“Both days had a very big effect on me. As a child I’d always been fascinated by radio, film & television, and this brought my imagination to life. It also lit a fuse under my ambitions to do something in broadcasting. The result is I’m now a news presenter on Radio4, doing the news in programmes such as Today, PM and The World at One, so I have a lot to thank Swallows and Amazons for! My work means I now live in Buckinghamshire, but I get back to the Lakes 5 or 6 times a year, and I know that when I hang up my headphones for good, that’s where I’ll live.”

Although born in Edinburgh, Alan’s family moved to Cumbria when he was two years old. He and his brother, Robin, enjoyed an idyllic ‘Swallows and Amazons’ childhood growing up in the Lakes. They didn’t get into sailing but loved hill walking. You can see his BBC profile here

Zena Ashbury and her mother, in front of Brown’s coach returning the film extras to Ambleside at the end of the day’s filming in Bowness.

The disaster of the missing tooth – whilst making the movie ‘Swallows and Amazons'(1974)

Earlier in the year, I spoke to Helen Millican on BBC Radio Cumbria about making the original film of ‘Swallows and Amazons’ in the Lake District, back in the summer of 1973. We have had an amusing development.

Sophie Neville speaking to Helen Millican on BBC Radio Cumbria

I had been chatting away, telling Helen that people like hearing about all the disasters we had whilst filming on location. One odd thing that went wrong was that one of my milk-teeth fell out in the middle of shooting a scene with Virginia McKenna on Peel Island. At the time, I was somewhat distracted and self-conscious about this but could do no more than try to keep my mouth shut.

Virginia McKenna and Sophie Neville on Peel Island
Virginia McKenna and Sophie Neville with closed mouth ~ photo: Daphne Neville

However, viewers often spot the fact that my tooth suddenly disappeared. They still talk about it nearly fifty years later. Helen assured me that the tooth fairy was bound to turn up with it, suggesting I could then take the small canine on BBC ‘Antiques Roadshow’, which was being recorded at Windermere Jetty museum in Cumbria at the time.

The tooth that went missing – top right

Amazingly, the missing tooth has been sent to me.

Robb-King, the Make-up Designer on ‘Swallows and Amazons’, rang to say that he had kept it safely in a metal film canister labelled ‘Titty’s tooth’. He promised to send it to me in the post so that I could add it to my bizarre collection of movie memorabilia – valued by Marc Allum at £4,000 to £6,000.

Sophie Neville being made up for the part of Titty by Peter Robb-King in 1973

Helen was delighted to hear that the tooth had materialized after 48 years. “Wow, Sophie what a result, after we made such a joke of it as well! That might just take your valuation up to the next level!”

Peter explained that he took the milk tooth to a dentist in Ambleside to ask if a bridge could be made to temporarily replace it but I remember the director, Claude Whatham, saying that he would ‘have to live with it’ – it being something of a continuity problem as he was yet to shoot earlier scenes of us sailing to the island. As a result, film fans can now work out which sequences were shot right at the end of our time on location even though they come before the scene with Man Friday (played by Virginia McKenna) in the storyline.

My missing tooth, kept since 1973

Peter Robb-King went on to have an amazing career in film, working on ‘The Rocky Horror Picture Show’, ‘Aliens’, and a number of ‘Indiana Jones’, ‘Batman’ and ‘Star Wars’ movies. He told me that he originally found it difficult to break into Make-Up Design as a man, but managed to win a post as a trainee on ‘The Avengers’ in 1968. ‘Swallows and Amazons’ (1974) was his first job as a Make-Up Supervisor, proving a break-through for him and other members of the film crew. It was the first film made by the producer Richard Pilbrow and David Wood’s first screenplay. Suzanna Hamilton, who played Susan, went on to star in many movies including ‘1984’ with John Hurt and ‘Out of Africa’ opposite Meryl Streep. She has recently had a guest appearance on ‘EastEnders’.

Peter Robb-King can be glimpsed right at the end of this cine clip taken on location

Now retired, Peter and his wife live in Maidenhead but enjoy travelling around. We had a long chat about the green parrot as he later adopted a young one that was rescued while making an Indiana Jones film in Sri Lanka. Stephen Spielberg looked after another parrot from the clutch.

You can read more about the disasters that befell us whilst filming in ‘The Making of Swallows and Amazons’, signed copies of which are available from libraries, The Nancy Blackett Trust book shop and other online distributors.

'The Making of Swallows and Amazons (1974)'

If you enjoy ebooks, ‘The Secrets of Filming Swallows and Amazons (1974)’ has links to behind-the-scenes cine footage and is very good value at £2.99 – available on Kobo, Smashwords, iTunes and on Kindle here

To read a little more about filming with Virginia McKenna on Peel Island, please click here

A list of Peter’s film credits can be found here: Peter Robb-King – IMDbimdb.com

Ronald Fraser with Peter Robb-King and Ian Whittaker on the houseboat

You can listen to the ten minute recording of my chat with Helen Millican of Radio Cumbria on the Nancy Blackett Trust website here.

The episode of BBC ‘Antiques Roadshow’ showing movie memorabilia from the 1974 film of ‘Swallows and Amazons’ can be watched on BBCiPlayer here.

You can spot the missing tooth but the movie trailer can be seen here as we attack the houseboat. The clip is slightly out of sinc.

Points to add to the third edition of ‘The Making of Swallows and Amazons’ (1974) – part four

Windermere in the English Lake District

When I was last in the Lake District, I grabbed the chance to climb to the top of Gummer’s Howe to look down on the ‘Great Lake in the North’. Arthur Ransome, who once lived at High Nibthwaite, must have gazed at this exact, same view. ‘Native shipping’ was passing a wooded island and a bay where I could see a yacht was moored. It was like looking down on the chart I once drew for the original film of ‘Swallows and Amazons’ first screened in cinemas forty-seven years ago in April 1974.

Looking to the south, I could see Lakeside Station and the Haverthwaite steam railway running alongside the River Leven where we began filming back in May 1973. The renovated line had only been running for two weeks but we were instantly transported back to 1929, when Ransome wrote the book in a grey barn nearby.

Blake Holme, one of the wooded islands on which Wild Cat Island was modelled

Michael Johnson left a comment on the Arthur Ransome Group Facebook page saying, ‘The Lakeside & Haverthwaite is a lovely line, but frustratingly slow. It’s such a short line that the journey would be over within a few minutes even at a modest speed, like 25mph. Drivers are under standing instructions to drive at little more than walking pace so the journey takes at least 15 minutes. That way everybody thinks they’ve got their money’s worth!’ I hadn’t noticed when travelling on the line myself a few years ago.

The River Leven and southern end of Windermere in Cumbria

Ransome wrote: ‘Windermere is the lake, a bit disguised’ although he used many locations found on Coniston Water that perhaps he wanted to keep more secret. However, it is clear that Rio is his name for Bowness-on-Windermere, which I was able to explore recently. This was the jetty where the Boy Roger was left guarding Swallow.

Bowness-on-Windermere

Charles Elliot from Bowness remembers us, “filming in the bay with some actors in a rowing boat. There was no security so I walked down the jetty right behind the camera.” Was this captured by the Guardian newspaper here?

It’s possible find some of the locations and even some of the traditional boats that appeared in the movie. The natives may be able to help you. Brian Salisbury said, “The village store was my grandfather, Tom Kirkbride’s cobblers shop from mid-1930s to mid-1950s.

Woodland Road, Windermere

Stan Cropper took it over and added the LH extension.” He said of our set designer, “They did it up with the original red wooden finish.” The cat was called Rusty.

Simon West as Captain John in ‘Swallows and Amazons’ (1974) – StudioCanal

After he posted this photo on Facebook, Harry Hodgson wrote to say, “I remember looking at all the 1930’s products in the windows.”

This behind-the-scenes cine footage shot by my father in 1973 shows the film extras getting off the coach at Bowness and a scene being shot on the jetty:

Stephen Newton and Phil Procter would go and watch the filming in their dinner break from Borwicks Aquatics. “There was a band playing in the bandstand and a bloke on a pushbike with a front box selling ice cream. You can see this in the film when the kids are on the pier in the background.”

Windermere skiffs at Bowness-on-Windermere

In many ways, the 1974 film ‘Swallows and Amazons’ has become a touchstone to re-set our lives. Nigel Young writes: “On arrival back from touring, I’d get to Oxenholme station and rush home, change into my boots and head to the hills passing through Bowness…. I’d look across the lake and count the trees on the small beach, seven in all? and in my mind’s eye try to place the bandstand which features in the film so prominently. I’d look for the jetty where Roger was confronted by a blazered gent in whitened shoes asking him about his boat and think… ‘What have they done with it?’  

Lakeland steamers embarking from Bowness-on-Windermere

“Then I’d look at the landscape and note all the changes since the making of the film before heading home where I’d immediately put the film on, grab a glass of white wine and just sit and watch it, getting transported back in time to another way and another space, but that space still exists in some strange dimension for me, and I feel in touch with the lakes and in touch with a past I can totally relate with.  John wears one of those stripy  S buckle belts on his shorts.  I had one too!

Sophie Neville in Bowness, Cumbria
Sophie Neville, Simon West, Suzanna Hamilton and Stephen Grendon in Bowness in the summer of 1973

“You were well cast, almost as if you were a family before you all started and the cinematography, especially where the sailing sequences are concerned, is something out of this world. Whoever shot and edited the footage for the film were totally at one with the story and the locations…..   And Ronald Fraser !!  …well I would say he really did ‘Swim’ …… I was Principal of an Outdoor Education Centre on Windermere for over a decade and I am aware of just how cold the lake can be in winter or summer….and there goes ‘Ronald’ getting thrown off the plank by you guys into Coniston or Windermere which ever, they are both as cold as each other!”

To read a previous post on finding the film locations and taking the Lakeside and Haverthwaite steam train, please click here

Bowness-on-Windermere

You can read more about the film locations used in ‘Swallows and Amazons'(1974) in ‘The Making of Swallows and Amazons’ published by The Lutterworth Press who can send you a copy.

'The Making of Swallows and Amazons (1974)'

Memories to add to the third edition of ‘The Secrets of Filming Swallows and Amazons (1974)’ – part three

“One pandemic discovery for my family was 1974’s ‘Swallows and Amazons,’ a charming British film about kids just playing on a lake. On their own, they’re plenty capable of making their own tents and adventures”, the US film critic Jake Coyle wrote in a review for the Associated Press of a new movie released on Netflix called ‘Yes Day’.

Many people have fond memories of watching the original movie of ‘Swallows and Amazons’ when it first came out in cinemas nearly forty-seven years ago and list it in their Top Ten feature films of all time.

David Kerr wrote: “I first saw the film while I was a junior projectionist. I was 17 at the time. My cinema was called the Astor in Bromley, part of south east London. While an independent cinema, we took the ABC circuit films. Somewhere, I have the LP record and a poster of the film. I went on to a career spanning 40 years in international film distribution.”

“It remains one of my top ten films even to this day. I worked for 20th Century Fox…Polygram…and United International Pictures which distributed Universal, Paramount and Dreamworks films. I had a good career and witnessed the good the bad and the ugly during my travels.”

Simon West and the camera crew at Bank Ground Farm

“From memory, I can recall that the film was released over the Easter school holidays in 1974. It’s just been helped as I have found a press ad online and it lists South London unusually running the film first on April 14th.”

Finding Swallow
Simon West, Sten Grendon and Sophie Neville with the director Claude Whatham

“I believe the film was supported by ‘The Lion at Worlds End’ …the documentary that Virginia and Bill Travers made with George Adamson about returning an African lion to the wild. I know I ran the film again either in 1975 or ’76 as an afternoon matinee only with a Kung Fu adult programme in the evenings.”

Brenda Bruce and Simon West on location above Coniston Water

“The film means a lot to me and has done so since 1974. It made me revisit the books…which I still read (currently dipping in and out of an old hardback edition of ‘Pigeon Post’) but I believe I had only read one during my childhood, which I think was ‘Swallowdale’. I also embarked on a number of holidays in the lakes because of the film. That first year I camped on a farm at Torver on the west side of Coniston.”

Simon West as John Walker studying the chart at Holly Howe before the voyage.

“The reason I include it in my top ten is simple. It is pure storytelling that takes the viewer on an adventure. You do not notice the individual aspects of film making you just become engrossed in the story. And that is what a good film should do. I watched it again just last week on a streaming service… It makes me smile ….what more can I say.”

Virginia McKenna with Sophie Neville on location at Bank Ground Farm

John Rose wrote: “I can remember watching the film in 1974 with my mum and grandma when I was a nine or ten year-old, at the then called Mecca Cinema in Horsham, Sussex (sadly now demolished). I remember loving the natural setting and the adventure in the film and remember it being thrilling and suspenseful! Still my favourite film, so cheerful and up-lifting. The lovely music! All still brings a tear to my eye.  Back then in the ’70s we didn’t have the lakes but at every opportunity our little band of local children would run off over the fields playing, building camps and climbing trees in the woods – such happy, carefree days.”

Simon West, Suzanna Hamilton, Sophie Neville and Sten Grendon in Swallow

Last time the film was broadcast on BBC Two, David Stott, who worked as a unit driver on ‘Swallows and Amazons’ when he was fresh out of college, wrote in to say: “I remember how cold you all were whilst filming the swimming scene.  The lily pond scene brought back memories of a very wet day on Pull Wyke caravan park.  Most of the day was spent in the two double decker buses that were your school room and the canteen waiting for the rain to clear. Everyone was so grateful to pack up and go home.”

Sten Grendon as Roger with Suzanna Hamilton as Susan

 

“I had many incidents with the parrot that I had to collect in the morning and return at night.  I hated the bird, often it was let free in a bathroom at Kirskstone Foot and l would have to catch it and put it in its travel bag. I notice in the film that it is chained down whilst it is sitting on your shoulder.”

Kit Seymour as Nancy, Sophie Neville as Titty and Beauty playing Polly the green parrot.

 

“I would spend a lot chatting to Ronnie Logan the hairdresser while the shooting was taking place, such a nice man.”

“The day they filmed the walking the plank scene I remember very well.  I took Ronnie Fraser to the Lodore Swiss hotel at  lunchtime and he was really very well plastered by the time I got him back for the afternoon filming.  I suppose it was the only way they managed to get him in the water.  He was not a happy chappy that afternoon when I eventually took him back to Ambleside.”

“I had to put the rushes on the train to London in the evening and collect developed film (how times have changed).  One of my treats was that I was allowed to watch the rushes with the production team in the evening. Watching it again this afternoon was a real trip down memory lane.  I cannot believe that I was a student starting out in life at the time and now l am a pensioner.  Where has all that time gone?”

Simon West and Sophie Neville on Peel Island in 1973
 
You can read more in the paperback on ‘The Making of Swallows and Amazons (1974)’
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You can see some of the illustrations here:

Charcoal Burners at Hill Top – Arthur Ransome’s last home in the Lake District

A guest post by Stephen Sykes of Hill Top, Ealinghearth, Haverthwaite:

There are two farmhouses in the Lake District both called Hill Top and both once owned by famous children’s authors – and just a few miles apart. One, of course was Beatrix Potter’s, and the other was the last home of Arthur Ransome, which my wife and I purchased in 2012.

More recently we acquired the adjacent wonderful ancient woodland of some seven and a half acres. With its precipitous rock faces, mighty oaks, gigantic gnarled yews and dazzling carpets of bluebells in the springtime, Backhouse Brow (as it is known) entirely fulfils The Woodland Trust’s epithet: “home to myth and legend, where folk tales began”.

There are the evocative remains of long-gone human activities too. Coppiced sycamores evidence a traditional form of woodland management historically used in the area to satisfy the insatiable demand for charcoal required to service the long-ago thriving iron industry in Backbarrow, just a half-mile away over the hillside. And within Backhouse Brow can be found numerous archaeological remains left by the charcoal burners and their activities, once a common sight in this area of South Lakeland. Long-disused trackways still clearly make their way up and across the woodland. Levelled spaces – knowns as pitsteads or platforms – for creating kilns or piles to burn charcoal are still in evidence.

Circular stone base of a charcolburners’s hut

Ancient walls in various states of decay both encompass the woodland and subdivide it. And most evocatively of all, there are the more personal remnants of the lives of the charcoal burners themselves. In addition to a much-rusted shovel or two, can be found the tumble-down remains of a circular low stone wall upon which charcoal burners would have erected a shelter, much as Ransome describes in Swallows and Amazons:

At the edge of the wood, not far from the smoking mound, there was a hut shaped like a round tent, but made not of canvas but of larch poles set up on end and all sloping together so that the longer poles crossed each other at the top. On the side of it nearest to the mound there was a doorway covered with a hanging flap made of an old sack.

Meeting the charcoal burners’s adder – a scene from the film ‘Swallows and Amazons’ (1974) StudioCanal

And indeed only a modest distance from our circular stone base, but at a somewhat higher level, lies the still identifiably levelled ground of a pitstead where a charcoal pile may well once have been tended by the men whose hut lay below. A strategic placing not only high above, but in a position which ensured that smoke was generally carried well away by the prevailing south-westerlies.

Stone hearth near Ealingshearth

Quite separately, in a glade some distance away, there are also the isolated remains of a rather fine stone hearth, presumably used for charcoal burners’ more domestic chores.

So, with extensive coppicing, trackways, pitsteads, the circular stone remnants of a hut and a hearth of particular note, and all adjacent to Hill Top – indeed, all now within Hill Top’s grounds – begs the question: was Ransome aware of any of this? Whilst he would have certainly seen the coppiced trees, probably not the archaeological remains. Despite the central involvement of charcoal burners in his story, he makes only the most fleeting occasional mention of the woodland in his later diaries and there is no mention of his having entered. Nevertheless, it’s rather fitting that in his final years he should have found himself in immediate proximity to this iconic historic activity about which he wrote some three decades earlier in his most famous fictional work.

The Ransomes owned Hill Top from 1960 until 1968 when Evgenia sold the property the year after Arthur died. In fact, following their arrival for the summer in 1963, they never returned to London – Hill Top finally having been supplied with electricity.

You can read more about charcoal burning in the Lake District in relation to ‘Swallows and Amazons’ here.

To read about filming the charcoal burner’s scene in the original film of ‘Swallows and Amazons’ (1974) please click here.

To rent the converted barn at one end of the farmhouse, which now comprises luxury self-catering holiday accommodation for two couples, please click here

Sophie Neville visited Hill Top with members of The Arthur Ransome Society who admired the astonishing views across Cumbria. “It occurred to me that the fireplace and low stone walls of the charcoal burners’ wigwam, once abandoned, may have made up the basis of the igloo built by the Swallows and Amazons in Winter Holiday, which has a fireplace.”

Hill Top farm, near Ealinshearth where Arthur Ransome lived with his wife Evgenia

At Windermere Jetty museum – to see the amazing boats

Simon West, Suzanna Hamilton and Sophie Neville filming ‘Swallows and Amazons’ (1974) 

In the summer of 1973, I was transported to the shores of Windermere, ‘The Great Lake in the North’ to appear as ‘Titty Walker’ in the classic movie of ‘Swallows and Amazons’, starring Virginia McKenna and Ronald Fraser.

The Swallows approach the jetty in Rio. Which launch is moored outside the boat sheds?

We were fortunate enough to film the scenes set in Rio at Bowness-on-Windermere before the original green boat sheds were demolished in favor of an amusement arcade.

Rio – or Bowness-on-Windermere in 1973 – with SL Elizabeth ~ photo: Martin Neville

George Pattinson brought along his steamboat the Lady Elizabeth, which you can see here beyond the Windermere skiffs pulled up on the shore.

George Pattinson in his steam launch Elisabeth ~ photo: Martin Neville

George’s personal collection made up the basis of the Steamboat Museum now rebuilt and known as Windermere Jetty, where we found the Lady Elizabeth under restoration.

Eighteen foot long, she was built in New York State in about 1900 and brought to England, so was likely on Windermere in 1929 when Arthur Ransome wrote ‘Swallows and Amazons’. She sank off Cockshott Point beyond Bowness, but Mr Pattinson salvaged and renovated her in 1955. You can read more here.

The Lady Elizabeth under restoration at Windermere Jetty
The Lady Elizabeth under restoration at Windermere Jetty

Other exhibits included the exquisite steam launch Osprey, in fine fettle with her copper steam kettle kept brightly polished. I knew her from taking part in a Steam Boat Association rally on Windermere in 1991. 

The RNSA dinghies used to play Swallow and Amazon in the 2016 movie can also be seen in the wet dock at Windermere Jetty.

Look up, and you can spy a green beetle on an old burgee. 

Arthur Ransome’s dinghy Conch-y-bonddhu, known as Scarab in his books, is on display with Beatrix Potter’s rough, flat-bottomed rowing boat (the pointed bows of which can be seen here hanging on the wall to the right).

It was good to be able to examine Conchy’s rigging. You can read about her here.

The museum has many other treasures including the hull of the oldest yacht in existence in the Lake District.

Every one of the forty boats exhibited has a story to tell.  You can find out more about visiting Windermere Jetty on their website here.

The Windermere skiffs can still be seen up the road in Bowness where you can begin to look for locations used in the original film.

If you don’t already have a copy you can read about ‘The Making of Swallows and Amazons (1974)’ here. This includes maps and chapters on how to find the film locations.

To learn more about the film locations, please click here.

The ebook on ‘The Secrets of Filming Swallows and Amazons’, which is similar, is available on all ebook platforms, including Kindle here.

A weekend spent steam boating on Windermere in 1991, is featured in ‘Funnily Enough’, a diary of a year when everything changed, can be found here.

Looking towards the jetty featured in ‘Swallows & Amazons’ (1974) at Bowness-on-Windermere

I look forward to returning to Windermere Jetty when the Lady Elizabeth is on back the water! The museum will be opening soon.

You can read about the 1901 steam launch Daffodil that I helped to renovate here.

Sophie Neville visiting Windermere Jetty – photo: Caroline Robinson

Points to add to the third edition of ‘The Secrets of Filming ‘Swallows and Amazons'(1974) – part one

Simon West, Suzanna Hamilton and Sophie Neville in Swallow about to leave the Houseboat. Amazon’s white sail can be seen the other side ~ photo: Daphe Neville

Viewers of the original film Swallows and Amazons'(1974) have written to point out that when the Amazons sailed up to Captain Flint’s houseboat there was a terrible crash. I found the quote from ‘The Picts and The Martrys’, which made me realise why this horrified anyone who knows the characters well:

“…when you come sailing along and fetch up with a bump against Jim’s new paint.”

“We never do,” said Nancy. “Remember when we came and made you and Uncle Jim walk the plank last summer? We were aboard and rushing the cabin before you knew we were anywhere near.” ‘Picts and Martyrs’ by Arthur Ransome p.14

Simon West and Sophie Neville on Captian Flint's Houseboat
Simon West as Captain John and Sophie Neville as Titty taking Captain Flint’s Houseboat : photo~ Daphne Neville

Jane Sullivan noticed Captain Flint yelled, “Death or Glory!” as the Swallows and Amazons laid siege to his houseboat. ‘Is that a pre-echo of the East Anglian stories?’ she asked.

Jane also noted: In the closing credits, I notice they spell For Ever as two words, which it is as it should be, rather than the modern way which confuses the adjective “forever” with the adverbial phrase “for ever”.’

Peel Island whilst we were filming in 1973 ~ photo: Martin Neville

Most people are familiar with the fact that Peel Island was used as the location for Wild Cat Island in the 1974 film.

Peter Dowden of the Arthur Ransome Group, pointed out that Peel Island is a classic example of a rocher moutonnee or sheepback, shaped by glacial erosion. Larger examples in Sweden are known as flyggbergs. Others comment that it’s easy to imagine the island as Captain Flint’s schooner the Wild Cat, which sails to the Caribees in ‘Peter Duck’ and is set on fire by Gibber the monkey in ‘Missee Lee’.

Peter also wrote about burgees. He noted, ‘Traditionally, creatures shown on flags face towards the “hoist” – the bit of the flag that is attached to the mast. So head near the mast and tail near the flappy part of the flag (called the ‘fly’). He went on to say, “someone did the research and Arthur Ransome drew the Swallow flag both beak to hoist and beak to fly!”

Our art director, Simon Holland, made what I considered the mistake of having the swallow on Swallow’s burgee flying away from the mast. 

My publisher asked me to draw our crossed flags, a sketch which was later stolen and used all over the place from the call sheet of the 2016 movie to badges for sale on eBay.

Paul Thomas, of the Arthur Ransome Group, explained that Swallow and Amazon are standing lugsail dinghies, rather the balanced lugsails as I had been told. “Swallow’s keel was designed for sailing in shallow estuaries and grounding on shifting shoals with sails tanned to protect them from rot and sunshine.”

“What is particularly impressive, to me,” Roger Barnes, president of the Dinghy Crusing Association, commented, “is how well done the sailing scenes are, and sometimes in pretty strong winds. Most sailing in films is really unconvincing.” Roger added: “The boom jaws off the mast as they first approach Wild Cat Island is the only major flaw with that aspect of the film.” I had never noticed! We were bitterly cold on that day when we first sailed Swallow in front of the camera.

Roger Barnes’ illustrated book, The Dinghy Cruising Companion, published by Bloomsbury, included my behind-the-scenes photo of Swallow, where you can see the jaw back in place.

You can also see the jaws in this film still (c) Studiocanal:

The Swallows on their voyage to Wildcat Island
Sten Grendon, Sophie Neville, Suzanna Hamilton and Simon West as the Swallows sailing on Coniston Water in 1973 (c)StudioCanal

Please do add a comment below or write in with any points you notice that I can add to a third edition of ‘The Secrets of Filming Swallows and Amazons’, an ebook available from a variety online stockists. You can look at the first pages here.

Collectors Swallows & Amazons mugs available!

You may have already seen this set of ‘Swallows and Amazons’ mugs printed with hand-painted maps of locations featured in my book on ‘The Making of Swallows and Amazons (1974)’. Redbubble, the manufacturers often have discount coupons, which you should be able to find here.

Swallows and Amazons mugs
Mugs printed with maps used to illustrate Sophie’s books

The three different designs are now available in a ‘classic’ or ‘tall’ style, as a travel mug or a water bottle. The full collection is available here.

Swallows and Amazons map of Windermere

Map of Windermere water bottle available here

and travel mug available here.

Swallows and Amazons map of Derwentwater 

Map of Derwentwater water bottle available here

and travel mug available here.

Swallows and Amazons map of Coniston Water

Map of Coniston water water bottle available here

and travel mug available here.

You can see these designs on women’s clothing and men’s clothing with other useful items:

These high-quality goods are manufactured in Australia by RedBubble who take care of all custom charges. If you are asked to pay customs, send them a picture of proof of payment of customs charges and they’ll sort it out.

Here’s a link to the help center – https://help.redbubble.com/hc/en-us.

The maps can be found in the paperback of ‘The Making of Swallows and Amazons (1974), available from libraries, bookshops and online here.

'The Making of Swallows and Amazons (1974)'

Swallows & Amazons women’s clothing and gifts

Since the hand-painted maps I drew to illustrate ‘Swallows and Amazons’ locations have been so popular on mugs and t-shirts, I decided to release a collection of women’s clothing. You should be able to find discount codes for Redbubble, the manufacturer here.

To view the collection, which is perfect for birthday gifts, please click here.

Derwentwater map A-line dress

Coniston Water pullover-hoodie

Coniston Water scarf

Derwentwater sleeveless top

Derwentwater leggings

Windermere racerback t-shirt

Windermere scoop neck t-shirt

Coniston water classic t-shirt

Windermere lightweight sweatshirt

Windermere mini skirt

Swallows and Amazons socks

Sophie Neville's Map of Coniston Water on Socks

For men’s clothing and gifts please click here

Swallows and Amazons mugs
Mugs printed with maps used to illustrate Sophie’s books

More Swallows and Amazons gift ideas.

These high-quality goods are manufactured in Australia by RedBubble who take care of all custom charges. If you are asked to pay customs, send them a picture of proof of payment of customs charges and they’ll sort it out.

Here’s a link to the help center – https://help.redbubble.com/hc/en-us.

My Swallows & Amazons maps on clothing and gifts

If you know an Arthur Ransome enthusiast with has a birthday coming up, I have put together a collection of useful clothing for men and women. You should be able to find discount codes for Redbubble, the manufacturer here

There are an assortment of T-shirts, sweatshirts, hoodies, pullovers available, each printed with hand-painted maps with the locations from the original film of Swallows and Amazons. You can choose your own colour, style and design.

Coniston Water Lightweight grey sweatshirt

Coniston Water Classic t-shirt

Windermere white pullover sweatshirt

Windermere tri-blend t-shirt

Coniston water v-neck t-shirt

Coniston Water hoodie

For zipped hoodies, with designs on the front or back, click here.

Windermere baseball shirt

Socks always make a good gift. We have an assortment.

Swallows and Amazons socks

Sophie Neville's Map of Coniston Water on Socks

Socks with a my Swallows and Amazons map of Coniston Water

I’ve designed a set of women’s clothing and gifts, which I’ll post next week.

Other useful Swallows and Amazons gift ideas can be found here

These high-quality goods are manufactured by Red Bubble in Australia who take care of all custom charges. If you are asked to pay customs, send then a picture of the proof of payment of the customs charge and they’ll sort it out.

Here’s a link to the help center – https://help.redbubble.com/hc/en-us.