‘I Chaperoned Six Film Stars’ Daphne Neville’s memories of making the original film of ‘Swallows and Amazons’ in 1973 part three

Daphne Neville in about 1973
Daphne Neville in about 1973

I clearly remember my mother winding carbon paper into the roller of her portable typewriter and bashing out articles. Ping! the bell would ring as she reached the end of a line. She would then pull left on a shiny paddle, with relish, to begin a new paragraph. She seemed to type like the wind, it was only a pity she didn’t write more. Was it more time-consuming when making changes was so laborious and a dictionary needed to be flicked through to check spelling? I was forever pouring through a thesaurus and looking for reference books in libraries as a child in the ‘seventies but find computers seems to steal more time.

Sophie Neville with the cast of Swallows

~The photograph that illustrated an article in Woman magazine taken at the Commonwealth Institute in 1974~

Here is the second part of the article Mum wrote for Woman magazine when the original film of ‘Swallows and Amazons’ was screened in cinemas around the country in April 1974. Earlier pages can be read in a previous post here and there is also a programme she wrote for BBC Radio Bristol on the same subject here.

Jean McGill, Jane Grendon, Sten Grendon, Kit Seymour, Sophie Neville, Claude Whatham, Simon West, Lesley Bennett, Suzanna Hamilton, Ronnie Cogan, 1973

Daphne Neville giving Lesley Bennett (Peggy Blackett) archery lessons, 1973

The Saucepan and her mother, Daphne Neville in 1973

Terry Smith, Sophie Neville and Daphne Neville on location in the Lake District
Wardrobe Master Terry Smith with Sophie Neville and her mother Daphne Neville outside the Make-up caravan on location near Keswick in Cumbria

I’d forgotton that Kit was sent half a Birthday cake but do remember Ronnie Fraser arrived at her party quite tiddly. I am amused to learn we finally left Oaklands Guest House with fifty peices of luggage but I still have a hazel bow and arrow set, which I don’t expect ever fitted into a suitcase.

Please let me know if you would like to see old scripts and letters relating to the original publicity for the film, kept in my mother’s archives.

To read more about Daphne Neville’s adventures in film and television please click here

‘I chaperoned six film stars’ my mother’s memories of working on the 1974 movie ‘Swallows and Amazons’-Part Two

Daphne Neville presenting 'Women Only'1

In 1974, my mother, Daphne Neville, was commissioned to write an article about working on the original film of ‘Swallows and Amazons’ for Woman magazine, which claimed to be ‘The world’s greatest weekly for women’. Here are some extracts from her type script:

Simon West, Stephen Grendon, Suzanna Hamilton and Sophie Neville playing the Walker children in ‘Swallows and Amazons’ 1973 ~photo: Daphne Neville

 

Daphne Neville with Sophie Neville and Simon West on Coniston Water

Our guests: Jane, Michael, Clare and Lucy Selby and their dog, Minnie on the shore of Conniston Water with my sisters Perry and Tamzin in 1973

I was amazed to read some of this. ‘….a dirth of birds’? Was that really how my mother spoke in the early ‘Seventies? I had no recollection that ‘Nomansland’ had been displayed on the front of our double-decker bus. I never remembered there only being bathroom at Oaklands Guesthouse or that Mum had to wash out clothes. I do remember Ronald Fraser shouting, ‘Piss off you little monster’.  I have the photo:

Sten Grendon irriating Ronnie Fraser
Sten Grendon sitting on top of Ronald Fraser during a break in the filming of ‘Swallows and Amazons’ on Derwentwater ~ photo: Daphne Neville

More to follow…. If you would like to see photos of Daphne Neville appearing in movies hereself, please click here

If you would like to read about what we did on 10th July 1973 – 45 years ago please click here

‘I Chaperoned Six Film Stars’ – Daphne Neville’s memories of working behind-the-scenes on the 1974 film of ‘Swallows and Amazons’ 45 years ago.

My mother is a squirrel. She arrived at my house, not with nuts, but a large envelope. Amongst other things, this contained the transcript of a piece she wrote almost forty-five years ago for BBC Radio Bristol, when she presented a programme called ‘Come Alive’.  The four flimsy sheets of copy paper have only just been unearthed, along with a similar article for Woman magazine.

Daphne Neville was commissioned to write about her experience working on the original feature film, Swallows and Amazons, filmed on location in the Lake District in the summer of 1973 and brought to cinemas in 1974. Sold worldwide, has been broadcast on television for the last forty years and was last shown on TV in Australia on Boxing Day.

Daphne Neville with Sophie Neville while filming 'Swallows and Amazons' in Cumbria
Daphne Neville with Sophie Neville while filming ‘Swallows and Amazons'(1974)

It is interesting to have Mum’s perspective. Some of the details are new to me. She timed this piece for BBC Radio as taking ‘8 minutes’ to read:

Suzanna Hamilton, Lesley Bennett, Sophie Neville, Kit Seymour and Simon West before their hair was cut for the film ‘Swallows and Amazons’ in 1973

Daphne Neville Chaperone

~ On Derwentwater in 1973: Suzannah Hamilton, Kit Seymour, Daphne Neville, Sten Grendon, Simon West, Sophie Neville & Lesley Bennett ~ photo: Martin Neville

'Swallows and Amazons'(1974) Daphne Neville with Stephen Grendon, Suzanna Hamilton, Sophie Neville, fellow chaperone, Jane Grendon and Simon West on location in 1973
Daphne Neville with Stephen Grendon, Suzanna Hamilton, Sophie Neville, fellow chaperone, Jane Grendon and Simon West on location in 1973

A Day Off in Blackpool - Suzanna Hamliton, Simon West, Claude Whatham Sophie Neville, Kit Seymour, Jean McGill with Daphne Neville kneeling at Blackpool funfair in 1973
Suzanna Hamliton, Simon West, Claude Whatham Sophie Neville, Kit Seymour, Jean McGill with Daphne Neville kneeling at Blackpool fun fair in 1973

But Mum, were we ever ‘Film Stars’?

We scowled at the terminology at the time. Ten years later and I thought of us a merely puppets, marionettes of the director who carefully honed our performances. I can now see the contribution we made when I watch the film, but we were never film stars.

What do I wish? I wish that we’d been able to make a sequel and develop our work more fully. The flip-side of this would have been that any more success, or more publicity, might have stripped us of our anonymity, which is the bain of real film stars. We’d have had to go around wearing sunglasses.

The film star Ronald Fraser with Daphne Neville and Sophie Neville in 1973

If you would like to see what we were filming 45 years ago, on 1st July 1973, please click here.

Let me know if you would like to see more archive material. I have the draft of my mother’s article for Woman magazine – it’s a different version of the same but with added detail. She needed permission from Anglo EMI Film Distributors before it could be published. There is also a draft of another radio script and a number of letters. If you would like to see vintage photos of Mum appearing on television herself, please click here

Sailing the Nancy Blackett in the Netherlands – part one

This summer, I grabbed the chance to sail Arthur Ransome’s favourite little ship, the Nancy Blackett. If you recognise her it might be because she was his model for the Goblin in ‘We Didn’t Mean To Go To Sea‘, possibly the most exciting and touching of the Swallows and Amazons series of books. I re-read it while we were in Dutch waters aboard the main character herself.

   ~ Nancy Blackett under sail on the Veersemeer in Zeeland this June ~

~ Beach End Buoy at the mouth of the River Orwell in Suffolk ~

In the story, the Swallows – John, Susan, Titty and Roger Walker – promise their mother that they will not go to sea, but disaster strikes when the Goblin slips her anchor in thick fog, while her owner is ashore, and gets swept out past the Beach End Buoy at Harwich. The wind rises and the children find themselves sailing across the North Sea in a terrific storm before a friendly Dutch pilot guides them into Flushing.

~ Nancy in the old lock at near the medieval port of Veere ~

This year we joined Nancy when she had already made the crossing to the Netherlands but we did take her through an old lock built in the same style as the one the Swallows encountered, all be it at the other end of the canal. It was as if we had sailed into the pages of the book and lived out the adventure ourselves, learning about ropes and reefing each nautical mile.

Mooring up could be tricky, especially since Nancy is an old lady with a bow-sprit, but unlike Susan and Titty, I never felt sea-sick for a moment.

~ Learning how to hoist the mainsail ~

~ The Nancy Balckett undersail on the Veersemeer in the Netherlands ~

~ Sophie sailing in salt water ~

~ Looking out for Dutch barges ~

Local author Veronica Frenks came out with us one morning, taking us up a creek to see the traditional Dutch barges and historic ships that she often writes about. She soon made plans to write about Arthur Ransome for Spiegel der Zeilvaart, a Dutch periodical. Here she is at the helm:

To read about sailing Nancy on the River Orwell in Suffolk, where she is based. please click here.

To read about sailing Nancy on the Beaulieu River and the Solent, please click here

If you would like to grab a chance to sail Nancy or find out more about the Nancy Blackett Trust, please click here

SONY DSC
photographs by Veronica Frenks of Ma Plume, Judy Taylor and Sophie Neville

A Little Bit of Film History

Contact sheet - Sophie Neville with Amazon's anchor

~ Titty with Amazon’s anchor ~

When I first posted an extract from ‘The Secrets of filming Swallows and Amazons’ on a literary website, someone wrote a review assuming it to be a novel. They must have thought that I was some poor creature who had imagined the whole thing. The reviewer considered the plot too far-fetched and fantastical – as you might if it had not been true.

‘You must have been dreaming.’

‘But Captain Flint, there were burglars, you’ve got to believe me.’

Poor Titty! No one ever believed her. Fortunately quite a bit of documentary evidence exists to support the fact that a certain feature film was made in the Lake District in 1973. I do wish I’d kept a copy of the book review though.

Contact sheet - finding Titty in Amazon

~ The Swallows find Titty sleeping in Amazon near Cormorant Island ~

Contact sheet - Suzanna Hamilton and Sophie Neville sailing Amazon

~ Titty and Susan sail Amazon back to Wild Cat Island ~

Contact sheet sailing Swallow & Amazon in 1973

~ Sailing Swallow and Amazon on Derwentwater ~

Contact sheet - sailing Swallow & Amazon on Derwentwater

I was encouraged to collect things as a child, in case they might one day be of value. Back in 1973, I was given a number of black and white photographs and contact sheets of stills taken by Albert Clarke on the set of ‘Swallows & Amazons'(1974) – if you can call Derwentwater a movie set. I pasted some of these in a scrapbook but others remained in a roll that has only recently been returned to me. Each sheet looks roughly like this:

The Making of Swallows & Amazons contact sheet - both boats

The eye is easily tired by looking at the whole set but scanning and editing reveals a little bit of film history in every shot. I can see here that Titty wasn’t letting Amazon’s anchor down, she was hauling it in while Susan was at the helm, with a fair wind in her sails. This must have been quite tricky.

Sophie Neville pulling up Amazons' anchor

You can tell by the numbers above each shot how many were taken and in what sequence. presumably 2003 photographs had been snapped by the time the Swallows found Titty moored near Cormorant Island.

Contact sheet - filming Swallow

~ These bizarre shots show the film crew afloat on their pontoon ~

The photographs below show Virginia McKenna rowing away from Peel Island on Coniston Water in a native canoe with DoP Denis Lewiston and his 35mm camera, which is pretty unique.

One thing is certain, if these contact sheets had not been given to me they would have been thrown out and yet, over time, they have become precious. Do add a comment below if you would like to see more.

It is quite interesting to see which shots were chosen for the press. You can see a few of the action shots used in magazines of the time by clicking here. Newspapers tended to chose photographs akin to portraits as you can see here.

Recent newspaper articles tend to use a black and white film still that was clumsily tinted giving the lake water an unreal and bright blue hue as you find here.

Some of the black and white prints are now held at BFI. StudioCanal hold a vast selection of the best photos in their library and have an on-line shop here. I have included about a hundred behind-the-scenes snaps taken by my parents in the latest edition of ‘The Making of Swallows and Amazons’ recently published by The Lutterworth Press, available from libraries, bookshops and online stockists including The Nancy Blackett shop, where proceeds go towards the upkeep of Arthur Ransome’s favourite little ship.

9780718894962_cover Amazons.indd

Questions asked of a writer

Sophie Neville in the tropics

Me, Sophie Neville, in tropical debate

No matter where I am in the world, not a day goes by without someone, somewhere asking a question or sending a message in connection with my writing. I am hugely grateful for the encouragement.

In many ways, ‘The Making of Swallows & Amazons’ was written by popular request, effectively commissioned by hundreds of people who wanted to know how it felt to appear in the film, albeit forty years ago.

It has to be said that was a little apprehensive about the questions I might be asked on Matthew Wright’s show, broadcast live on Channel 5 – for two hours.  If you are feeling brave, click here to see a profile on The Wright Stuff.

They wanted to know about the idea of children being allowed the freedom to take risks and enjoy their own adventures away from civilisation.

“… if it’s possible to have a Swallows and Amazons childhood these days – and if today’s kids would actually have the skills to survive. “

If you have views on the subject or want to see more on outdoor pursuits discussed on the programme email: wrightstuff@channel5.com

Sophie Neville If not Duffers.

IF NOT DUFFERS WONT DROWN

You may need Windows 8 to watch it but the whole programme can be viewed here: 

 
The first section is about the film ‘Swallows & Amazons’

Announcing the publication of ‘The Making of SWALLOW & AMAZONS’

The Making of SWALLOWS & AMAZONS

The long-awaited paperback published by Classic TV Press

Sophie Neville at home with the S&A flags

Sophie Neville who played Titty Walker

Swallows & Amazons flags for book

‘Forty years after she enchanted film-goers as Titty in Swallows and Amazons, Sophie Neville has found a new audience… telling the behind-the-scenes secrets of the film of Arthur Ransome’s classic novel.’ The Daily Mail  The Making of  Swallows & Amazons ‘…is based on diaries, letters and old photographs which Sophie has turned into a heart-warming account of making the movie, which starred Virginia McKenna and Ronald Fraser.’

The Telegraph ~ Culture:  ‘Set in the Lake District in 1929, the film follows four young adventurers who sail a dinghy around Lake Coniston, cook for themselves over campfires and sleep in makeshift campsites.’

‘…The occasional chaos and terrible weather during filming contributed to the eventual popularity of the extraordinary and very much loved film.’ The Times

‘The film Swallows & Amazons is 40 years old, but thanks to its careful period evocation, its respect for Arthur Ransome’s original book and the performances of its child actors, it’s become a timeless classic. One of those children was Sophie Neville, who played Titty, and who kept a diary during the filming. That diary, with her adult recollections, is this book. It’s a fascinating insight into filming on location in the Lake District… Classic Boat

Sophie Suzanna and Sten

‘… The result is compulsive reading as she recalls that cold wet summer, while the camera crew wrapped up warm and she shivered in her skimpy dress as Able Seaman Titty Walker. Sophie brings to life all the many memorable characters who worked on the film and in particular the other children, the Director Claude Whatham who developed a great relationship with his young cast and the stars Virginia McKenna and Ronald Fraser. Nor are the other young actors forgotten for there are diary contributions from Suzanna Hamilton who played Susan, Stephen Grendon who played the Boy Roger and Kit Seymour who played Nancy Blackett. The text is supported by numerous illustrations showing life on and off the set.’ Roger Wardale, author of Arthur Ransome: Master Storyteller and other books

‘You don’t need to be a Swallows & Amazons fan to enjoy this book – it’s universal!’ Winifred Wilson, Librarian of The Arthur Ransome Society

‘This was a most unusual and interesting book. I picked it up expecting to browse through it, and found myself so drawn in to Sophie Neville’s detailed, amusing and insightful description of film making in the 1970’s that I was unable to put her book down. As Arthur Ransome fans, my family and I have always loved the film, and felt that Sophie Neville was ‘just right’ as Titty. What fun it has been to be introduced to the young twelve year old Sophie with her intelligent awareness of the challenges facing the production crew while she shivered in her cotton dresses. The many photographs and illustrations contribute richly to bringing the 1970s setting to life. Sophie recorded her experiences beautifully, and in so doing, added one more valuable book to the cultural heritage of all Arthur Ransome fans.’ Juliet Calcott, English teacher, South Africa

Lots of photos throughout the book bring the scenes to life – a delightful read.’ Celia Lewis author of An Illustrated Country Year

Mark Forrest Evening Show

Sophie Neville has been chatting to Mark Forrest on The Evening Show.

Please see her post on the Funnily Enough, the website  or click on his image above and slide the cursor to 02:14:20

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