Points to add to the 3rd edition of ‘The Secrets of Making Swallows and Amazons’ (1974): Part five

Imdb, the International movie data base, list Billy Mayerl’s composition ‘Marigold’ as being included in the original film of ‘Swallows and Amazons’. This intrigued me. I looked up the music as I couldn’t think where it had been featured. Listen to the original version and see if you can recognise it:

The famous variety and radio entertainer Billy Mayerl playing ‘Marigold’ and other melodies

It was ‘played’ on the radio in the chandlery in Rio, laid over the scene when the film was dubbed at Elstree Studios. We didn’t hear it when we were in the actual shop.

Sophie Neville, Suzanna Hamilton and Simon West inside the chandlery

The Swallows bought ‘grog’ (ginger beer) and rope for the lighthouse tree. Postcards and wicker shopping baskets hung in the chandlery, which had weighing scales on the counter.

The general Store in Rio
Sophie Neville in Rio with four bottles of grog ~ photo: Daphne Neville

This shot was taken during the filming on the corner of Woodland Road, Bowness-on-Windermere during the filming in June 1973. I wonder who the people in the background were – possibly members of the film crew. The man in the blue top looks like Gareth Tandy the third assistant director who would have been asking passing traffic to wait while filming was in progress. The building looked like this in 2012 but I need a more up to date photo.

Once Tom Kirkbride’s cobbler’s shop, later Mr Cropper’s sweet shop selling rainbow sherbet, Andy Dyker’s Fine Furnishings, a hairdressing salon and now a wood-burning stove showroom

Jenny Maconchy wrote in to say, “It may be of interest that we still have the bamboo fishing rods that were used in the film. They belonged to my father Leslie Borwick and lent to the film crew. They are rather worse for wear but still treasured as I was a big fan of the books when I was young. Unfortunately I was living abroad when the film was made so have no memories of it.”

The Swallows fishing for perch on Elterwater (c) StudioCanal

As a boy, Arthur Ransome had his own perch rod with a colored float to use at Nibthwaite. Towards the end of the filming, Claude Whatham gave Simon West a similar fishing rod, which Ronnie Fraser taught him to use on Derwentwater.

Ronald Fraser behind-the-scenes on Swallows and Amazons (1974)
A member of the Arthur Ransome Group wrote, "I did not realise that the Lakeside Railway had only just re-opened in time for the filming. Of course, although Lakeside Station does get a mention in one of the books, it was the Windermere Station where the Swallows always travelled to. Although Lakeside Station would have been far more convenient from Beckfoot,the Great Aunt always insisted on Windermere as it meant less changes for her. Incidentally both Lake Windermere and Coniston Water had rail connections years ago (which is the likely route for the slate from Slater Bob’s mine although this is not mentioned being outside the scope of a childrens’ story).
With Virginia McKenna at the Haverwaite Railway Station
Viginia McKenna at the Haverthwaite Railway Station in Cumbria soon after it re-opened in May 1973. Simon West, Suzanna Hamilton, Lesley Bennet and Sophie Neville are with her. The carriage with compartments is in the background ~ photo: Daphne Neville

“‘Swallows and Amazons'(1974) was instrumental in helping me through a very stressful period of my life, and writing was a great healer for me. The results of my efforts are in the The Arthur Ransome Society library : ‘Prospectors Afloat’ and ‘Coots in the North’ a completion of the short portion which was published. I will be obtaining ‘The making of Swallows and Amazons’ and no doubt many more of your other publications in due course.” Charles H Ball

The Swallows at the Lighthouse tree Lookout point
Simon West, Suzanna Hamilton, Sophie Neville and Stephen Grendon as the Swallows on Wild Cat Island

I’ve just read that in Zulu folklore, the swallow is known as Inkonjany – the one who points the way to summer. “The swallow, and other birds like it, is regarded by our people as a symbol of effort and hard work as well as of unity, because you will see these birds gather together in large groups as they come and go. The name Inkonjany means the little pointer, and it comes from the verb komba, which means to point out something. It was said that if you saw a lot of swallows in the sky, it meant that the summer and the harvest would be very good.” I felt this applied quite well to the Walker family migrating north for their summer holiday and working hard as being the best crew they could be.

One of the film fans has called her hens Titty and Nancy. I’m sure Mrs Jackson would approve. Do use the comments box below to write in with any connections you have to ‘Swallows and Amazons’ and the original film.

You can read more in ‘The Making of Swallows and Amazons’ available from libraries, bookshops or direct from the publisher . The Nancy Blackett Trust have signed copies and it can be purchased online here:

There is also a similar multi-media ebook entitled, ‘The Secrets of Filming Swallows and Amazons'(1974). You can see inside the first section for free here

Memories to add to the third edition of ‘The Secrets of Filming Swallows and Amazons (1974)’ – part three

“One pandemic discovery for my family was 1974’s ‘Swallows and Amazons,’ a charming British film about kids just playing on a lake. On their own, they’re plenty capable of making their own tents and adventures”, the US film critic Jake Coyle wrote in a review for the Associated Press of a new movie released on Netflix called ‘Yes Day’.

Many people have fond memories of watching the original movie of ‘Swallows and Amazons’ when it first came out in cinemas nearly forty-seven years ago and list it in their Top Ten feature films of all time.

David Kerr wrote: “I first saw the film while I was a junior projectionist. I was 17 at the time. My cinema was called the Astor in Bromley, part of south east London. While an independent cinema, we took the ABC circuit films. Somewhere, I have the LP record and a poster of the film. I went on to a career spanning 40 years in international film distribution.”

“It remains one of my top ten films even to this day. I worked for 20th Century Fox…Polygram…and United International Pictures which distributed Universal, Paramount and Dreamworks films. I had a good career and witnessed the good the bad and the ugly during my travels.”

Simon West and the camera crew at Bank Ground Farm

“From memory, I can recall that the film was released over the Easter school holidays in 1974. It’s just been helped as I have found a press ad online and it lists South London unusually running the film first on April 14th.”

Finding Swallow
Simon West, Sten Grendon and Sophie Neville with the director Claude Whatham

“I believe the film was supported by ‘The Lion at Worlds End’ …the documentary that Virginia and Bill Travers made with George Adamson about returning an African lion to the wild. I know I ran the film again either in 1975 or ’76 as an afternoon matinee only with a Kung Fu adult programme in the evenings.”

Brenda Bruce and Simon West on location above Coniston Water

“The film means a lot to me and has done so since 1974. It made me revisit the books…which I still read (currently dipping in and out of an old hardback edition of ‘Pigeon Post’) but I believe I had only read one during my childhood, which I think was ‘Swallowdale’. I also embarked on a number of holidays in the lakes because of the film. That first year I camped on a farm at Torver on the west side of Coniston.”

Simon West as John Walker studying the chart at Holly Howe before the voyage.

“The reason I include it in my top ten is simple. It is pure storytelling that takes the viewer on an adventure. You do not notice the individual aspects of film making you just become engrossed in the story. And that is what a good film should do. I watched it again just last week on a streaming service… It makes me smile ….what more can I say.”

Virginia McKenna with Sophie Neville on location at Bank Ground Farm

John Rose wrote: “I can remember watching the film in 1974 with my mum and grandma when I was a nine or ten year-old, at the then called Mecca Cinema in Horsham, Sussex (sadly now demolished). I remember loving the natural setting and the adventure in the film and remember it being thrilling and suspenseful! Still my favourite film, so cheerful and up-lifting. The lovely music! All still brings a tear to my eye.  Back then in the ’70s we didn’t have the lakes but at every opportunity our little band of local children would run off over the fields playing, building camps and climbing trees in the woods – such happy, carefree days.”

Simon West, Suzanna Hamilton, Sophie Neville and Sten Grendon in Swallow

Last time the film was broadcast on BBC Two, David Stott, who worked as a unit driver on ‘Swallows and Amazons’ when he was fresh out of college, wrote in to say: “I remember how cold you all were whilst filming the swimming scene.  The lily pond scene brought back memories of a very wet day on Pull Wyke caravan park.  Most of the day was spent in the two double decker buses that were your school room and the canteen waiting for the rain to clear. Everyone was so grateful to pack up and go home.”

Sten Grendon as Roger with Suzanna Hamilton as Susan

 

“I had many incidents with the parrot that I had to collect in the morning and return at night.  I hated the bird, often it was let free in a bathroom at Kirskstone Foot and l would have to catch it and put it in its travel bag. I notice in the film that it is chained down whilst it is sitting on your shoulder.”

Kit Seymour as Nancy, Sophie Neville as Titty and Beauty playing Polly the green parrot.

 

“I would spend a lot chatting to Ronnie Logan the hairdresser while the shooting was taking place, such a nice man.”

“The day they filmed the walking the plank scene I remember very well.  I took Ronnie Fraser to the Lodore Swiss hotel at  lunchtime and he was really very well plastered by the time I got him back for the afternoon filming.  I suppose it was the only way they managed to get him in the water.  He was not a happy chappy that afternoon when I eventually took him back to Ambleside.”

“I had to put the rushes on the train to London in the evening and collect developed film (how times have changed).  One of my treats was that I was allowed to watch the rushes with the production team in the evening. Watching it again this afternoon was a real trip down memory lane.  I cannot believe that I was a student starting out in life at the time and now l am a pensioner.  Where has all that time gone?”

Simon West and Sophie Neville on Peel Island in 1973
 
You can read more in the paperback on ‘The Making of Swallows and Amazons (1974)’
.
 
 

You can see some of the illustrations here:

Memories to add to the third edition of ‘The Secrets of Filming Swallows and Amazons’ – part two:

Since the experts on BBC Antiques Roadshow have been taking an interest in the original feature film ‘Swallows and Amazons’ (1974), I thought I ought to add to a few facts. Although the movie was released forty-seven years ago, the cast list remains incomplete. A few credits are missing:

Jim Stelfox was in uniform, playing a guard or station master at the Haverthwaite Steam Railway station in the opening scenes, when the Swallows first arrive in the Lake District. He ended up appearing in some of the publicity stills that were used in magazines and newspapers. One features on a jigsaw puzzle that accompanied the release of the movie. The little boy leaning out of the train window is Robin Smith, who grew up in Ambleside. He came along with his mother Eileen and his brother, Alan Smith, who became a newsreader on BBC Radio 4.


Kit Seymour, Sten Grendon, Sophie Neville, Lesley Bennett, Virginia McKenna, Simon West Suzanna Hamilton with Jim Stelfox, the station master.

David Watkin Price, also from Cumbria, played the native on the jetty in Rio. His speaking part was cut from the television version of the film broadcast on ITV but remains in the remastered 2014 cinema Bluray and DVD available online.

Mr Price played an important part in our lives when the film was being made as he owned and ran the Oaklands Guest House in Ambleside where we stayed. His daughter Jane, told me, ‘They wanted you to stay in a place that had a family atmosphere with other children.’ I expect that she did a lot to help.

David Price who played the part of the Native in Rio with his family in Ambleside. They ran the Oakland’s Guesthouse ~ photo: Daphne Neville

Jane appeared with her two brothers as film extras in the Rio scenes, remembering that it gave her a day off school. Sadly, her little brother’s knickerbockers kept falling down. You can see Jane in a grey dress with long pigtails,  hoiking them up in this behind-the-scenes shot. To see other photos of the Price family in costume, please click here.

The Price children in their 1929 costumes on the shore of Windermere, 1973

The people of the Lake District have written in with other stories. Philippa Poulson knew the real charcoal burner, Norman Allonby – ‘I lived around the corner from him in 1973. He lived in a tiny one up, one down traditional cottage, walked everywhere, and made a lovely cup of tea. He was very interested in my English Literature A’ level course, being a keen reader. I wonder how many people know he knew Paradise Lost and Paradise Regained, by heart, and in their entirety and could recite any part, at any time, on request. He would happily talk for hours on the subject, with a twinkle in his eye and his pickle catching front tooth. Lovely, gentle man, living life at the right pace.’ You can read more about the real charcoal burners of Grizedale Forest here.

The real charcoal burner
The real charcoal burner outside the hut. Behind him the 35mm Panasonic camera is being mounted on a short section of track ~ photo: Daphne Neville

Susie Trezise said, “I remember them filming ‘Swallows and Amazons’ – it was right in the middle of my O’Level exams and their walkie-talkies kept coming through my stereo speakers! It was fascinating listening. I lived at Stock Ghyll Mill, so about five miles away from the filming. The strangest thing was it still came through the speakers when they were turned off but still plugged in!”

~Comic strips based on the 1974 film found by Arthur Herbertson~

Joss Bundy wrote to say: “My Father, between being the technical director of the Royal Opera House and the National Theatre, worked with Richard Pilbrow at Theatre Projects in the ’70s. He had been a friend of Richard’s for many years. Theatrical lighting design was still in its infancy and designers tended to stick together. Richard and my Dad were the founders of The Association of Lighting Designers, along with various others.

Richard Pilbrow and Neville Thompson ~ photo:Daphne Neville

“My mother, Rosemary Lindsay, had been a ballerina at the ROH, which is where they met. My Mother had sailed since a small child and had devoured each new Ransome book as it was published and loved them more than any others. When Richard mooted the film, my father mentioned what an expert Rosemary was and when the project was getting up on its feet she was given an early script to vet. Various things had been added in for dramatic effect and she vetoed one: Roger getting stuck on top of a cliff, as she felt John and Susan would never have let him get in such a situation.”

“I was clearing yet another box of theatre-related photos and as well as a couple of publicity stills.” One shows filming the Amazon boat house. “I can only assume Richard or Molly sent them back to my Dad, who would have been running Theatre Projects while Richard was away.”

“After the film was finished, Richard offered Swallow to my Mum, but she didn’t want the responsibility of another wooden boat. We still own the one she sailed as a child, a smaller version of a Swallow type boat. She also felt that a boat only sailed in fresh water would not necessarily do well in salt water.”

 
 
Do add any memories you have to the Comments, below. It would be lovely to hear from you.
 
It would be great to have some more review on the film on the International Movie Database. You can easily add one here.
 

You can read more in the ebook about ‘The secrets of filming Swallows and Amazons (1974)’

and  ‘The Making of Swallows & Amazons’ in paperback.

You can see some of the illustrations here:

Quotes for the 3rd edition of ‘The Secrets of Filming Swallows and Amazons (1974)’

Movies are made for watching. In the end, they belong to those who love them and it is wonderful to hear of the impact they have had on people’s lives.

The screenwriter Caleb Ranson wrote: “You’ve no idea how thrilling this is for me to hear from you. Swallows & Amazons was a life changing cinema visit for me, set me off on my path writing/producing TV/films. I played the soundtrack album every night for years. And I love your book BTW, bought it when it first came out.”

Paddy Heron of Children in Read describes the movie Swallows and Amazons(1974) as “a national treasure of a film.”

Nigel Seymour wrote to say, “that the original film has an ambience which cannot be calculated.  It sits in time, yet it is as fresh as if it was made yesterday!” An international musician today, Nigel believes, “It possesses a simplicity of life we’ve lost, so watching it is a refreshing reminder of great days… a journey into another dimension and another world steeped with love and belonging, adventure and moral understanding, which is shared between a family and accepted. The characters are brought to life almost as if they are an infinite, integral part of the immortality of the story, each giving that picturesque understanding the viewer finds impossible to explain. After watching this film one arrives back in real time with a resounding bang! We wonder why such a simple story can create such an iconic understanding. Why watching this film can make you feel happy, totally complete and yearning to return again and savour that wonderful, eternal landscape we have all learned to grow  and love as the Lakes.”

Tracy Kenny from Ketts Books wrote: “Swallows and Amazons is a firm family favourite in our house and for a while there, your movie was the only film my eldest would watch!”

The author Catherine Randall said: “I lived and breathed Swallow & Amazons including your film. Knew nearly all the words!”

The fan letters continue to arrive. Each one treasured.

Nigel Young writes: “‘Swallows and Amazons’ is one of those films which sets itself  in that timeless space no one can quite fathom or understand, almost verging on ‘Immortality’.  I’m sure no one at the time working on it ever thought the film would achieve the cult status it seems to enjoy today. You are possibly smiling when you read this, but it’s a true reflection of a film, which is more than a film and touches on those beautiful innocent moments and times which have been lost forever.”

Charles H Ball wrote: “‘Swallows and Amazons’ was instrumental in helping me through a very stressful period of my life… I will be obtaining ‘The making of Swallows and Amazons’ and no doubt many more of your other publications in due course. “

C.H.B. left a review of ‘The Secrets of Filming Swallows and Amazons’ writing: ‘the feelings of anybody who would have loved to have had the opportunity of actually taking part in the film are summed up by Nancy Blackett when the D’s are explaining how they managed to get to the North Pole a day earlier than planned. ‘And you two came by yourselves and got here through that blizzard?’ said Nancy. ‘However did you find the Pole?’ ‘The blizzard helped really,’ said Dorothea. ‘We were sailing,’ said Dick………..’And we’ve gone and opened the stores,’ said Dorothea. ‘And eaten some of them. You see we lost our food when the sledge turned over and the mast broke…’ ‘Capsized!’ cried Nancy. ‘Mast gone by the board! Oh. you lucky, lucky beasts!’ Some of us will forever envy the lucky children who had the opportunity of a lifetime.

I hope to include all these quotes in the 3rd edition of ‘The Secrets of Filming Swallows and Amazons’, to be brought out for the 50th Anniversary of the films release in April 2024. Do leave a comment below or write in, letting us know what the film meant to you or how it effected your life.

Sophie Neville being interviewed on ‘The Making of Swallows and Amazons’

Lakeland Arts, based at the Windermere Jetty Museum, ask how the original film of ‘Swallows and Amazons’ was made on location in the Lake District in 1973 –

You can find out more in the illustrated paperback, suitable for all age of readers, entitled ‘The Making of Swallows and Amazons’, which makes a good Christmas present when combined with the 40th Anniversary DVD with DVD extras.

At Windermere Jetty museum – to see the amazing boats

Simon West, Suzanna Hamilton and Sophie Neville filming ‘Swallows and Amazons’ (1974) 

In the summer of 1973, I was transported to the shores of Windermere, ‘The Great Lake in the North’ to appear as ‘Titty Walker’ in the classic movie of ‘Swallows and Amazons’, starring Virginia McKenna and Ronald Fraser.

The Swallows approach the jetty in Rio. Which launch is moored outside the boatsheds?

We were fortunate enough to film the scenes set in Rio at Bowness-on-Windermere before the original green boat sheds were demolished in favor of an amusement arcade.

Rio – or Bowness-on-Windermere in 1973 – with SL Elizabeth ~ photo: Martin Neville

George Pattinson brought along his steamboat the Lady Elizabeth, which you can see here beyond the Windermere skiffs pulled up on the shore.

George Pattinson in his steam launch Elisabeth ~ photo: Martin Neville

George’s personal collection made up the basis of the Steamboat Museum now rebuilt and known as Windermere Jetty, where we found the Lady Elizabeth under restoration.

Eighteen foot long, she was built in New York State in about 1900 and brought to England, so was likely on Windermere in 1929 when Arthur Ransome wrote ‘Swallows and Amazons’. She sank off Cockshott Point beyond Bowness, but Mr Pattinson salvaged and renovated her in 1955. You can read more here.

The Lady Elizabeth under restoration at Windermere Jetty
The Lady Elizabeth under restoration at Windermere Jetty

Other exhibits included the exquisite steam launch Osprey, in fine fettle with her copper steam kettle kept brightly polished. I knew her from taking part in a Steam Boat Association rally on Windermere in 1991. 

The RNSA dinghies used to play Swallow and Amazon in the 2016 movie can also be seen in the wet dock at Windermere Jetty.

Look up, and you can spy a green beetle on an old burgee. 

Arthur Ransome’s dinghy Conch-y-bonddhu, known as Scarab in his books, is on display with Beatrix Potter’s rough, flat-bottomed rowing boat (the pointed bows of which can be seen here hanging on the wall to the right).

It was good to be able to examine Conchy’s rigging. You can read about her here.

The museum has many other treasures including the hull of the oldest yacht in existence in the Lake District.

Every one of the forty boats exhibited has a story to tell.  You can find out more about visiting Windermere Jetty on their website here.

The Windermere skiffs can still be seen up the road in Bowness where you can begin to look for locations used in the original film.

If you don’t already have a copy you can read about ‘The Making of Swallows and Amazons (1974)’ here. This includes maps and chapters on how to find the film locations.

To learn more about the film locations, please click here.

The ebook on ‘The Secrets of Filming Swallows and Amazons’, which is similar, is available on all ebook platforms, including Kindle here.

A weekend spent steam boating on Windermere in 1991, is featured in ‘Funnily Enough’, a diary of a year when everything changed, can be found here.

Looking towards the jetty featured in ‘Swallows & Amazons’ (1974) at Bowness-on-Windermere

I look forward to returning to Windermere Jetty when the Lady Elizabeth is on back the water! The museum will be opening soon.

You can read about the 1901 steam launch Daffodil that I helped to renovate here.

Sophie Neville visiting Windermere Jetty – photo: Caroline Robinson

90th Anniversary of the publication of ‘Swallows and Amazons’ celebrated at Windermere Jetty museum

On Tuesday 1st December, Lakeland Arts are celebrating the 90th anniversary of the publication of ‘Swallows and Amazons’ with an online event accessible for anyone in the world.

After a career as a foreign correspondent, which took him to Russia, Egypt and China, Arthur Ransome wrote ‘Swallows and Amazons’ in the hills above Windermere in 1929.

Arthur Ransome portrayed by Dora Collingwood, wife of Dr Ernest Altounyan, on display at the museum

He was inspired partly by his own childhood holidays in the Lake District and partly by the Altounyan children who brought him a pair of red slippers for his birthday to thank him for enabling them to learn to sail on Coniston Water where their grandparents lived.

The first edition came out on 21st July 1930, with no illustrations apart from Spurrier’s maps on the end papers. The illustrated hardback published by Jonathan Cape came out on 1st December 1930, in time for Christmas. It was followed by another eleven (and one unfinished) book in a series that was to be translated and published all over the world.

Sophie Neville with a collection of Arthur Ransome books on display

I paid homage to copies at the Windermere Jetty museum where you can find his desk and typewriter on display with a view looking out over the lake.

Arthur Ransome’s desk and typewriter set under a view of Windermere

Boats, props and film stills from the 2016 film of ‘Swallows and Amazons’ are on display, along with a poster of the 1974 movie, depicting Titty in a pink blouse.

Sophie Neville spotting the ‘Swallows and Amazons'(1974) movie poster at Windermere Jetty museum

I was fascinated to find sketches of Titty in Arthur Ransome’s notebook.

Arthur Ransome’s original sketches of Titty

A number of Ransome’s original illustrations were on display and I came across the first draft of ‘Swallows and Amazons’ in a glass case.

Tickets to, ‘In conversation with Sophie Neville’, an event hosted by Lakeland Arts, cost £5 and can be purchased here.


Sophie Neville with Arthur Ransome’s typewriter and the original draft of ‘Swallows and Amazons’

The original movie ‘Swallows and Amazons’ featured in the Radio Times as Film of the Day on Sunday 30th August 2020

‘Swallows & Amazons'(1974) starring Virginia McKenna was broadcast on BBC 2 on Sunday 30th August 2020, recalling the adventures of the Walker and Blackett families on a ‘Lake in the North’ in August 1929 before the school term began. Hailed as ‘The feel-good film of Lockdown’, it transports us back to a time of freedom, celebrating the beauty of the English Lake District. It is available on BBC iPlayer here.

You can watch a short re-mix here:

It was wonderful to see the feature film heralded as Film of the Day but Hilary Weston of The Arthur Ransome Society pointed out that there are a few errors in the write up.

Arthur Ransome wrote the novel ‘Swallows and Amazons’ in 1929, published on 1st December 1930. There are 12 books in the series, however only five are set in the Lake District. ‘Missee Lee’ sees the Swallows and Amazons exploring the South China sea with Captain Flint, while Dick and Dororthea join them all on the Sea Bear to cruise the Otter Hebrides in ‘Great Northern’. The 13th story in the series, an unfinished manuscript entitled ‘Coots in the North’, is set in Cumbria.

Props used in the original film ‘Swallows & Amazons’ (1974)

Arthur Ransome died in 1967, aged 83, so was not around to see this feature film made. He had been grumpy about the 1963 BBC serial made in black and white, which starred Susan George as ‘Kitty’ (rather than Titty). His wife Evgenia was determined to avoid what they called a ‘Disneyfication’ of the books and kept a tight hold on the script, character names, locations and casting of Richard Pilbrow’s 1974 adaptation. As a result, David Wood’s screenplay adheres to the story and was approved by Mrs Ransome who gave the go ahead. On watching the finished film, her only adverse comment was that one of the kettles used was of the wrong period.

Suzanna Hamilton playing Susan Walker with Sten Grendon as Roger

Arthur Ransome’s father died when he was thirteen and the theme of fatherlessness flows though his books granting the young characters independence. In ‘Swallows and Amazons’ it is Nancy and Peggy, the Amazon pirates, who have no father.

Kit Seymour as Nancy & Lesley Bennett as Peggy Blackett sailing Amazon

The story opens when the four elder Walker children are given permission to sail off to camp on an island by their father who is absent, in Malta with the Navy, and sends the famous telegram: BETTER DROWNED THAN DUFFERS IF NOT DUFFERS WONT DROWN (with no apostrophe)

Swallows and Amazons
Simon West, Sophie Neville and Suzanna Hamilton receiving the telegram from Father.

Vicky, the fifth sibling and baby of the Walker family, keeps the Swallows’ mother at Holly Howe farm on the mainland. Tension is created after the Amazons let off a firework on their uncle’s houseboat while he is absorbed in his writing and ignoring them. He shook his fist at the crew of the Swallow assuming they were responsible for the damage and was labelled ‘Captain Flint’.

A Theatre Project by Richard Pilbrow

Richard Pilbrow describes in his memoir, ‘A Theatre Project’, how the idea of adapting ‘Swallows and Amazons’ came to him as he watched the sun set over Windermere one night when visiting the Lake District. He put the idea to Nat Cohen of EMI who was looking for a classic book adaptation similar to ‘The Railway Children’, which had been a box office success. Nat Cohen hadn’t heard of Arthur Ransome but his assistant loved his books and raved about the idea. EMI Films provided the initial budget of £250,000 although more was spent. It was directed by Claude Whatham who may well have been influenced by the Children’s Film Foundation but he was regarded as avant guard at the time and, like Richard, motivated by the beauty of the Lakes.

Richard Pilbrow and Claude Whatham at The Secret Harbour on Peel Island, Coniston Water
Producer Richard Pilbrow with Director Claude Whatham in Secret Harbour on Peel Island, Coniston Water

The original poster for the film used an ampersand in the title graphics but this was lost as it was translated, sold worldwide and remastered. Someone who must love the old film said the error in the write up was that it was only given three stars. The DVD now has a 4.5 star rating on Amazon but it only gets 6.5 out of 10 on IMDb – the International Movie Data base, which is equivalent to three stars. You can add a review on this site here.

Mark Walker of the Arthur Ransome Group added: And they got the title of the article completely wrong. “Film of the *Day*”, indeed..!! Film of the Year, Decade, Century, Millenium….any of the above could have been more appropriate..!!

If you would like to learn more about the original movie ‘Swallows and Amazons’ there is now a paperback entitled ‘The Making of Swallows and Amazons (1974)’  It can be ordered direct from the publishers and is available from Waterstones

A second edition of the ebook entitled ‘The Secrets of Filming Swallows and Amazons(1974), the first section of which you can read for free here.

Points to add to the third edition of ‘The Secrets of Filming ‘Swallows and Amazons'(1974) – part one

Simon West, Suzanna Hamilton and Sophie Neville in Swallow about to leave the Houseboat. Amazon’s white sail can be seen the other side ~ photo: Daphe Neville

Viewers of the original film Swallows and Amazons'(1974) have written to point out that when the Amazons sailed up to Captain Flint’s houseboat there was a terrible crash. I found the quote from ‘The Picts and The Martrys’, which made me realise why this horrified anyone who knows the characters well:

“…when you come sailing along and fetch up with a bump against Jim’s new paint.”

“We never do,” said Nancy. “Remember when we came and made you and Uncle Jim walk the plank last summer? We were aboard and rushing the cabin before you knew we were anywhere near.” ‘Picts and Martyrs’ by Arthur Ransome p.14

Simon West and Sophie Neville on Captian Flint's Houseboat
Simon West as Captain John and Sophie Neville as Titty taking Captain Flint’s Houseboat : photo~ Daphne Neville

Jane Sullivan noticed Captain Flint yelled, “Death or Glory!” as the Swallows and Amazons laid siege to his houseboat. ‘Is that a pre-echo of the East Anglian stories?’ she asked.

Jane also noted: In the closing credits, I notice they spell For Ever as two words, which it is as it should be, rather than the modern way which confuses the adjective “forever” with the adverbial phrase “for ever”.’

Peel Island whilst we were filming in 1973 ~ photo: Martin Neville

Most people are familiar with the fact that Peel Island was used as the location for Wild Cat Island in the 1974 film.

Peter Dowden of the Arthur Ransome Group, pointed out that Peel Island is a classic example of a rocher moutonnee or sheepback, shaped by glacial erosion. Larger examples in Sweden are known as flyggbergs. Others comment that it’s easy to imagine the island as Captain Flint’s schooner the Wild Cat, which sails to the Caribees in ‘Peter Duck’ and is set on fire by Gibber the monkey in ‘Missee Lee’.

Peter also wrote about burgees. He noted, ‘Traditionally, creatures shown on flags face towards the “hoist” – the bit of the flag that is attached to the mast. So head near the mast and tail near the flappy part of the flag (called the ‘fly’). He went on to say, “someone did the research and Arthur Ransome drew the Swallow flag both beak to hoist and beak to fly!”

Our art director, Simon Holland, made what I considered the mistake of having the swallow on Swallow’s burgee flying away from the mast. 

My publisher asked me to draw our crossed flags, a sketch which was later stolen and used all over the place from the call sheet of the 2016 movie to badges for sale on eBay.

Paul Thomas, of the Arthur Ransome Group, explained that Swallow and Amazon are standing lugsail dinghies, rather the balanced lugsails as I had been told. “Swallow’s keel was designed for sailing in shallow estuaries and grounding on shifting shoals with sails tanned to protect them from rot and sunshine.”

“What is particularly impressive, to me,” Roger Barnes, president of the Dinghy Crusing Association, commented, “is how well done the sailing scenes are, and sometimes in pretty strong winds. Most sailing in films is really unconvincing.” Roger added: “The boom jaws off the mast as they first approach Wild Cat Island is the only major flaw with that aspect of the film.” I had never noticed! We were bitterly cold on that day when we first sailed Swallow in front of the camera.

Roger Barnes’ illustrated book, The Dinghy Cruising Companion, published by Bloomsbury, included my behind-the-scenes photo of Swallow, where you can see the jaw back in place.

You can also see the jaws in this film still (c) Studiocanal:

The Swallows on their voyage to Wildcat Island
Sten Grendon, Sophie Neville, Suzanna Hamilton and Simon West as the Swallows sailing on Coniston Water in 1973 (c)StudioCanal

Please do add a comment below or write in with any points you notice that I can add to a third edition of ‘The Secrets of Filming Swallows and Amazons’, an ebook available from a variety online stockists. You can look at the first pages here.

Swallows & Amazons women’s clothing and gifts

Since the hand-painted maps I drew to illustrate ‘Swallows and Amazons’ locations have been so popular on mugs and t-shirts, I decided to release a collection of women’s clothing. You should be able to find discount codes for Redbubble, the manufacturer here.

To view the collection, which is perfect for birthday gifts, please click here.

Derwentwater map A-line dress

Coniston Water Pullover-Hoodie

Coniston Water scarf

Derwentwater sleeveless top

Derwentwater leggings

Windermere racerback t-shirt

Windermere scoop neck t-shirt

Coniston water classic t-shirt

Windermere lightweight sweatshirt

Windermere mini skirt

Swallows and Amazons socks

Sophie Neville's Map of Coniston Water on Socks

For men’s clothing and gifts please click here

Swallows and Amazons mugs
Mugs printed with maps used to illustrate Sophie’s books

More Swallows and Amazons gift ideas.

These high-quality goods are manufactured in Australia by RedBubble who take care of all custom charges. If you are asked to pay customs, send them a picture of proof of payment of customs charges and they’ll sort it out.

Here’s a link to the help center – https://help.redbubble.com/hc/en-us.