Tag Archives: tv and film

Out of the archives: a 1974 script for a BBC Radio Bristol show about the original film ‘Swallows and Amazons’

Swallow and Amazon sailing on Derwentwater in the Lake District 1973

When the 1974 film of ‘Swallows and Amazons’ first came out in cinemas it stirred up quite a bit of interest in the media.

This script for a programme made for BBC Radio Bristol has recently been discovered in a box in my mother’s attic. Typical of the early ‘seventies, it is a carbon copy, so is rather feint, but it a little bit of media history in itself:

It’s intriguing. What did we say in the interviews that they ran in?

Sadly, two of the first newspaper reviews of the movie were not complimentary. Last year, when interviewed by Tim Fenton at Pin Mill on the Orwell, Professor Hugh Brogan said that one of these articles was so ignorant and so angered him that he resolved to write the truth about Ransome’s distinguished career. This involved years of research but resulted in his biography, ‘The Life of Arthur Ransome’.

I haven’t been able to find the article Hugh read but he remembered it being ignorant of Arthur Ransome’s politics rather than the film. His beautifully written book sparked an enormous amount of additional research and television documentaries, including ‘The Secret Life of Arthur Ransome’, which can be viewed on iPlayer.

Since The Lutterworth Press published the seconded edition of ‘The Making of Swallows and Amazons’ in May last year, a number of other stories and facts have reached me. I’ve learned that the creamy yellow taxi in which the Walker family arrived at Holly Howe was a Vauxhall 20/60 R type saloon, 1928 – 1930 model hired for the film by the property buyer Ron Baker, whose name I must add to the credits. When the Altounyan children stayed at the same farmhouse, which in reality is called Bank Ground Farm, their hostess was called Mrs Jolly. Apparently her husband, Mr Jolly, did not live up to his name.

The lady in blue who waved from the deck of MV Tern after the Swallow’s near miss was played by Lorna Khan. Here she is with her daughter Zena and a yellow Austin Heavy 12/4 tourer, after they appeared in the Rio scenes. You can see other film extras and supporting artists in 1929 costume, patiently sitting in the Browns of Ambleside coach behind them.

 Photograph (c) Zena Ashbury

Did you know that missionaries in Africa used semaphore? Until I read a Russian edition of ‘Swallows and Amazons’ I’m afraid I didn’t know that Darien was the former name of the Isthmus of Panama, that the Rio Grande flows from South Colorado to the Gulf of Mexico or that ‘Shiver my timbers’ was a curse used by R. L Stephenson in Treasure Island.

Nick Owen had been living at Elterwater for seventeen years before he learnt the fishing scene from ‘Swallows and Amazons(1974)’ was shot there.

It had not occurred to me that the film was recorded in the annals until I was sent this excerpt from the third edition of ‘Time Out Film Guide’ (1993). Perhaps I should bring out a third edition of ‘The Secrets of Filming Swallows and Amazons’.

Please let me know if you would like to see more archive material from the attic.

To read more about Cider With Rosie (1971) directed by Claude Whatham, starring Sten Grendon as Laurie Lee please click here


Filed under Acting, Biography, British Film, Cinema, Claude Whatham, Cumbria, Emi film, Family Film, Film History, Memoir, Movie stories, Sophie Neville, Swallows and Amazons, Titty in Swallows and Amazons, truelife story, Uncategorized, Vintage Film

Meeting up with Mate Peggy – part two

Amazons meet the Swallows

The Amazons confronting the Swallows on Peel Island in the movie ‘Swallows and Amazons’ (1974)

In the feature film ‘Swallows and Amazons'(1974) the part of Peggy Blackett was played by Lesley Bennett. She was an experienced dingy sailor and enjoyed the scenes on the houseboat although she told me she didn’t want the parrot to flap onto her shoulder, which was understandable. Its claws dug into mine.

Sophie Neville with Lesely Bennett and a green parrot in 19730003

~Sophie Neville as Titty with the green parrot and Lesley Bennett as Peggy~

When I met up with Lesley in the Netherlands this summer, we looked though the photographs she’d been given by the producer and kept for posterity.

Kit Seymour and Lesley Bennett at Brown Howe boathouse on Coniston Water in 1973

If you don’t recognise the scene above it is because, although the  shot was taken at Brown Howe, where the Amazon boathouse can be found, they were rehearsing the scene at Secret Harbour on Peel Island when the Blacketts find their boat has been captured. ‘She can’t have drifted against the wind.’ This was the first I knew of this. Perhaps they were waiting around for the camera to be set up or for a decision to be made about their red hats, which they were not wearing. This was rare. They wore them in every other scene.

The Amazons sailing on Derwentwater

Lesley didn’t have much time for Ronald Fraser, who played her Uncle Jim, renamed by Titty as Captain Flint. “He wasn’t very nice to us. I think he regarded us as a bit of a nuisance but as soon as the cameras were on him, he’d change!”

Ronald Fraser with Lesley Bennett and Kit Seymour on Peel Island, Coniston Water in 1973

Lesley, who grew up in Kent, remembered my mother taking her shopping in Ambleside on one of our rare days off. “She had an appreciation of how important it is to buy a good top, explaining that she needed a selection for her work as a television presenter. I remember her waiting for ages while I tried on one after another.” I was amazed when I heard this. My mother only ever took me shopping once or twice when the first Laura Ashley shop opened in Cheltenham. This was deeply exciting but a rare treat. It was my poor father who was dragged from one shoe shop to another. It was difficult to find decent shoes in the ‘seventies.

Leaving London for the Lake District in May 1973 – photo Evening Standard

It was difficult to find decent clothes, that didn’t cost a fortune. There was a reason why dressmaking was so popular – we had to make our own garments. At the age of twelve I made a navy blue skirt for school so that it had a fashionably broad waist band. Flared dungarees were all the rage, worn with a stripy polo-neck or blouse with a large collar. Kit, Lesley and I all wore these, although sadly my brushed-cotton dungarees grew rather short during the filming.

Lesely Bennett's visit to Chiddingstone School's Boat Fair in 1974

Lesley signing autographs at the Chiddingstone School Book Fair in 1974

Lesley managed to find what I’d thought was the ideal outfit for our afternoon film premiere, which I’m pretty sure she is wearing in the shot above. Although we were almost obsessed with clothes, they were not a subject people discussed with new acquaintances, which was a pity as it would have provided us something neutral to discuss with the press.

“I remember the journalists at the hotel in the Lake District,” Lesley said, “and Claude saying, ‘Be careful what you say to journalists because they will turn it against you.'” However, when it came to film publicity Lesley was both enthusiastic and gracious turning up at a local school book fair and posing for newspaper photographers. I can see that tank-tops had come in by this time and it was possible to blow-dry your own hair.

Lesley Bennett in 1974

Lesley enjoyed drama at school and looked into going to RADA, but after auditioning for one film decided the acting profession was too precarious. I think we were both interviewed for parts, possibly the same part in the same film. It was set in Wales and involved rock climbing. I said I wasn’t scared of heights, which was a lie! Sadly it was never made. I told her that Ronald Faser wanted us both to appear in another movie but that the funding fell through. She wasn’t disappointed. I was able to tell her that there was an actress called Lesley Bennett of about our age who once had a part in the long-running soap opera ‘Coronation Street’ but she confirmed that this was not her.

Lesley always loved meeting people wanted to travel, so went into marketing, working for Unilever on the first ‘Just one Cornetto’ campaign. She later branched out into international event management, which took her all over the world. She married a tall Dutchman and has two grown sons. They have a policy of visiting a different place each holiday, there by exploring different places, and they lived in Dubai for a while before returning to the Netherlands where she has been based since the early 1980s.

The cast of Swallows and Amazons with Virginia McKenna at Bank Ground Farm in 1973

Lesley looks back fondly on what she calls “The Swallows and Amazons era”, appreciating what recollections mean to those who have grown up with the movie and enjoy Arthur Ransome’s books. “Innocent films like ‘Swallows and Amazons’ (1974) appeal to those who know exactly how the books were written.” One thing she kept was the original film poster. Here she is with it more than forty-three years after the release. And she hasn’t changed a bit.

Lesley Bennett, 2017

Lesley today, with her original film poster of ‘Swallows and Amazons’ (1974)


Filed under 1973, Acting, Arthur Ransome, Biography, British Film, Cinema, Cumbria, Emi film, Family Film, Film, Film Cast, Film History, Lake District, Movie, Movie stories, sailing film, Sophie Neville, Swallows & Amazons, Swallows and Amazons, truelife story, Uncategorized, Vintage Film

Meeting up with Peggy Blackett – from the film ‘Swallows & Amazons'(1974)

Lesley Bennett in 1973

When the original feature film of ‘Swallows & Amazons’ was made in 1973, Peggy Blackett was played by Lesley Bennett. She can be seen here on location at Bank Ground Farm above Coniston Water in the Lake District.

For the last thirty-four years, Lesley has been living in the Netherlands. I met up with her for lunch at Schiphol Airport on my way back from sailing Arthur Ransome’s cutter, the Nancy Blackett, through the inland waterways of Zeeland. (Please see the last two previous posts.) I nearly didn’t make the meeting. A man had been arrested for planting a bomb on a train just north of Middleberg, but the authorities must have acted quickly as I wasn’t delayed for long.

Lesley had brought along a blue file of documents and a number of black and white movie stills that she’d been given by Richard Pilbrow, the producer of ‘Swallows and Amazons’ (1974) on one of our last days in Ambleside after filming had finished. We could both remember them spread out on a table at the unit hotel so we could each chose the ones we appeared in. I had picked one where Lesley and I are sitting together, our hair bobbed in line with the 1930’s, I wearing a cream silk dress, Lesley in a dark top looking very pretty:

With Virginia McKenna on the first day of filming

~A publicity shot featuring Virginia McKenna, with Kit Seymour, Sten Grendon, Sophie Neville, Lesley Bennett, Simon West and Suzanna Hamilton, published in the Guardian and other newspapers~

Lesley’s parents, who lived near Tonbridge in Kent, originally learnt that Theatre Projects were looking for children to take part in the film when the Associate Producer, Neville Thompson, wrote to their local sailing club. Lesley explained that her father, who was very well organised, kept a copy of the letter sent to the Secretary of the club in January 1973.  Plans were made for Lesley to be interviewed for a part with her younger sister Lyn, who sadly fell ill and couldn’t make the audition. The letter contains a mistake that might explain why Lesley ended up playing Peggy when she was thirteen years old.

Lesley got on well with Kit Seymour who ended up playing her elder sister, Nancy Blackett – ‘terror of the seas’. Both girls would sail well and enjoyed being out on the lakes. Lesley told me that the reason why she held her hands between her legs in this photograph is that it was so cold when we were filming on Peel Island.

‘Kit would fold her arms and I’d try to keep my hands warm.’ Although I wore a cardigan in this scene, Swallows had been cold too. I remember thinking that at least the Amazons wore knitted hats. Otherwise their costumes were simple short-sleeved shirts and long shorts with black plymsols, worn without socks.

~Kit Seymour as Captain Nancy and Lesley Bennett as Mate Peggy in 1973~

Lesley told me their hats had been quite a problem – not quite a full-blown movie disaster but a they caused consternation in Consiton. The first scene the Amazons shot was set in the garden of Beckfoot, the Blacketts’ house. Although it does not lie on the ‘Amazon River’ at the northern end of the lake, Brown Howe on the western shore of Coniston Water was used as the location and the crew set up the 35mm Panavision camera, along with reflector boards and enough lighting to bring sunshine to Westmorland. When everyone on the production was ready, Gareth Tandy, the third assistant led the Amazons down to the set wearing red knitted stocking caps – with no bobbles. Beanies were not quite what either the director or producer had expected. Lesley has a photo showing the great discussion that ensued:

~Director Claude Whatham, Producer Richard Pilbrow, 3rd Assistant Director Gareth Tandy, Make-up Artist Peter Robb-King, Hairdresser Ronnie Cogan and Associate Producer Neville Thompson with Kit Seymour and Lesley Bennett at Brown Howe on Coniston Water in May 1973 ~

In the end Claude Whatham shot the scene with the girls bare-headed, their hair blowing all over the place, even though it was meant to be ‘dead-calm’ in the story.  This looked natural as they were at home but they needed to look like pirates in every other scene.

~Nancy and Peggy running down to Amazon at the Blackett’s house Beckfoot~

Wooly hats with ‘longer ends’ were knitted locally at some speed. Red is not a good colour on the screen. I remember a couple of bright pink ribbed bobble-hats arrived when we were filming on Peel Island but they were deemed a complete disaster and rejected in favour of scarlet ones originally described by Arthur Ransome even if the colour might look a bit jarring on screen.

No one on the production knew anything about knitting or subtle shades of wool and Emma Porteous, the costume designer, was back in London. When the third pair of hats arrived we were all a bit worried about the fatness of the bobble-end, as they didn’t quite match the illustrations in the books, but no one knew what else to do. Time ran out and the producer was forced to compromise. ‘They were warm but prone to flop about,’ Lesley said, ‘and sometimes flopped forward, which looked a bit silly.’ I’d never noticed this but it was captured in one photograph:

~Kit Seymour and Lesley Bennett as Nancy and Peggy Blackett on Wild Cat Island in 1973~

Mum was given the pink version of the hats. She kept them for years but no one ever wore them.

To be continued….




Filed under 1973, Acting, Arthur Ransome, Biography, British Film, Cinema, Claude Whatham, Cumbria, Emi film, family Entertainment, Film, Film Cast, Film History, Filmaking, filmography, Lake District, Letters, Memoir, Movie, Movie disasters, Movie stories, Richard Pilbrow, sailing film, Swallows & Amazons, Swallows and Amazons, Titty in Swallows and Amazons, truelife story, Uncategorized, Vintage Film

A Little Bit of Film History

Contact sheet - Sophie Neville with Amazon's anchor

~ Titty with Amazon’s anchor ~

When I first posted an extract from ‘The Secrets of filming Swallows and Amazons’ on a literary website, someone wrote a review assuming it to be a novel. They must have thought that I was some poor creature who had imagined the whole thing. The reviewer considered the plot too far-fetched and fantastical – as you might if it had not been true.

‘You must have been dreaming.’

‘But Captain Flint, there were burglars, you’ve got to believe me.’

Poor Titty! No one ever believed her. Fortunately quite a bit of documentary evidence exists to support the fact that a certain feature film was made in the Lake District in 1973. I do wish I’d kept a copy of the book review though.

Contact sheet - finding Titty in Amazon

~ The Swallows find Titty sleeping in Amazon near Cormorant Island ~

Contact sheet - Suzanna Hamilton and Sophie Neville sailing Amazon

~ Titty and Susan sail Amazon back to Wild Cat Island ~

Contact sheet sailing Swallow & Amazon in 1973

~ Sailing Swallow and Amazon on Derwentwater ~

Contact sheet - sailing Swallow & Amazon on Derwentwater

I was encouraged to collect things as a child, in case they might one day be of value. Back in 1973, I was given a number of black and white photographs and contact sheets of stills taken by Albert Clarke on the set of ‘Swallows & Amazons'(1974) – if you can call Derwentwater a movie set. I pasted some of these in a scrapbook but others remained in a roll that has only recently been returned to me. Each sheet looks roughly like this:

The Making of Swallows & Amazons contact sheet - both boats

The eye is easily tired by looking at the whole set but scanning and editing reveals a little bit of film history in every shot. I can see here that Titty wasn’t letting Amazon’s anchor down, she was hauling it in while Susan was at the helm, with a fair wind in her sails. This must have been quite tricky.

Sophie Neville pulling up Amazons' anchor

You can tell by the numbers above each shot how many were taken and in what sequence. presumably 2003 photographs had been snapped by the time the Swallows found Titty moored near Cormorant Island.

Contact sheet - filming Swallow

~ These bizarre shots show the film crew afloat on their pontoon ~

The photographs below show Virginia McKenna rowing away from Peel Island on Coniston Water in a native canoe with DoP Denis Lewiston and his 35mm camera, which is pretty unique.

One thing is certain, if these contact sheets had not been given to me they would have been thrown out and yet, over time, they have become precious. Do add a comment below if you would like to see more.

It is quite interesting to see which shots were chosen for the press. You can see a few of the action shots used in magazines of the time by clicking here. Newspapers tended to chose photographs akin to portraits as you can see here.

Recent newspaper articles tend to use a black and white film still that was clumsily tinted giving the lake water an unreal and bright blue hue as you find here.

Some of the black and white prints are now held at BFI. StudioCanal hold a vast selection of the best photos in their library and have an on-line shop here. I have included about a hundred behind-the-scenes snaps taken by my parents in the latest edition of ‘The Making of Swallows and Amazons’ recently published by The Lutterworth Press, available from libraries, bookshops and online stockists including The Nancy Blackett shop, where proceeds go towards the upkeep of Arthur Ransome’s favourite little ship.

9780718894962_cover Amazons.indd


Filed under 1973, Acting, Arthur Ransome, Autobiography, Biography, boating, British Film, Cinema, Claude Whatham, Cumbria, David Wood, Dinghy sailing, Emi film, family Entertainment, Family Film, Film, Film Cast, Film crew, Film History, Film production, Filmaking, filmography, Lake District, Landscape Photographs, Memoir, Movie, Movie stories, Photography, Richard Pilbrow, sailing film, Sophie Neville, Suzanna Hamilton, Swallows & Amazons, Swallows and Amazons, titty, Titty in Swallows and Amazons, truelife story, Uncategorized, Vintage Film, Virginia McKenna, Zanna Hamilton

The Arthur Ransome Jamboree at Pin Mill in Suffolk

Arthur Ransome Pin Mill Jamboree

On Saturday 13th May members of the Nancy Blackett Trust asked me to open the Arthur Ransome Jamboree 2017 at Pin Mill in Suffolk.

Pin Mill from the Water

Although Ransome is remembered for his ‘Swallows and Amazons’ books set in the Lake District he moved to the east coast of Suffolk in 1935 where he set a number of his books in the series. 2017 makes the 80th anniversary of the publication of his inspirational sailing book ‘We Didn’t Mean to Go to Sea’.

Sophie Neville with Nancy Blackett

You can actually go aboard the Goblin, since she was modelled on his own favourite little yacht, the Nancy Blackett. I jined her at The Royal Harwich Yacht Club where she was moored alongside Peter Duck one of his other much-loved yachts, named after the book he wrote that begins at Lowestoft. I met up with Octavia Pollock, a feature writer from Country Life and walked down the riverside for supper at the Butt and Oyster in Pin Mill where Ransome himself often ate.

Map of the Jamboree

Soon after leaving unversity, I worked behind the camera on the BBC TV adaptations of ‘Coot Club’ and ‘The Big Six’, Ransome’s two books set on the Norfolk Broads. The Coots also visit Beccles in Suffolk. It was the Swallows who made it to Pin Mill and Ransome set his novel ‘Secret Water’ in the Walton Backwaters nearby.

I first went to Pin Mill when The Arthur Ransome Society asked me to give a talk about making this BBC serial entitled, ‘Swallows and Amazons Forever!’. This year I gave another talk about the cast and signed copies of the new edition of ‘The Making of SWALLOWS and AMAZONS – 1974’.

Pin Mill

~The Orwell at Low tide~

Arthur Ransome’s biographer Professor Hugh Brogan was interviewed by erstwhile BBC reporter Tim Fenton at the Pin Mill Sailing Club where author Julia Jones also spoke about her children’s books.

Sophie Neville opening the Arthur Ransome Jamboree at Pin Mill~ Sophie Neville ~

This VisitEngland event was great fun. There was a geo-caching route along the footpath from Shotley to Pin Mill. Marine artists Claudia Myatt and Christine Bryant hosted drop-in sessions on the riverside where the Rabble Chorus were singing.

Nancy blackett product shop

~Mugs with artwork by Claudia Myatt sold in aid of the Nancy Blackett Trust~

There was an outdoor installation of old Pin Mill images enabling you to look back in time. These were taken by Arthur Ransome himself of the building of his boat Selina King at King’s boatyard nearby. It’s the first public exhibition of these pictures ever seen and will continue to be on show at the Pin Mill Studio.

Pin Mill archive photo

The Pin Mill Studio also hosted an exhibition of photographs from the restoration of Melissa, a barge restored to her former glory by Webb’s boatyard, with additional archive images of Pin Mill from the early 1900s.

The Vintage Mobile Cinema, as seen on BBC Television’s Reel History of Britain, screened unique archive film of Pin Mill and Shotley.

The Nancy Blackett

~The Nancy Blackett in her 85th year~

A Pin Mill ‘Wooden Boat’ race was held along the stream leading down to the river and you could take a ride on the Victorian swing boats on the Common as in years gone by. There was pirates and seafarers fancy dress competition for children and an Arthur Ransome lookalike competition (pipe and moustache!) along with stalls and sideshows from local groups, charities and organisations.

Live music, including shanties from Pin Mill favourites, High Water Mark and a performance of We Didn’t Mean to go to Sea by pupils from Holbrook Academy entertained visitors while cream teas, a barbecue and refreshments were served at the Butt and Oyster and Pin Mill Sailing Club.

T-shirts celebrating this special anniversary were sold along with gifts to generate funds for The Nancy Blackett Trust, who celebrate their 20th anniversary this year.

Do let us know if you came along by leaving a comment!

The event has a Facebook page here

To read more please visit the Nancy Blackett website by clicking here.

The Nancy Blackett by Claudia Myatt


Filed under Arthur Ransome, Autobiography, Bestseller, Biography, boating, Dinghy sailing, family Entertainment, News, Sophie Neville, Swallows & Amazons, Swallows and Amazons, Titty in Swallows and Amazons, truelife story, Uncategorized

Launching the second edition of The Secrets of Filming ‘Swallows and Amazons'(1974)


A second edition of the ebook ‘The Secrets of Filming ‘SWALLOWS & AMAZONS'(1974) is now avaialble on Amazon Kindle, Smashwords, itunes, Kobo, and Nook for £2.99 . You can download this free of charge if you already own the first edition.

If you would like a copy but don’t have a Kindle, worry not. We have added a link whereby you can download a free Kindle app. Please go to my Book Page and scroll down for the details.

If you already have a copy of the ebook, contact a Customer Advisor and ask for a free update. You just need to give Kindle the ebook’s ASIN number. The ISBN for all online editions except Kindle is: ISBN 9781311761927

Since being contacted by others who were involved in the filming, I have been able to add a few more anecdotes and images, including this beautiful shot of Virginia McKenna in 1973 kindly sent in by the photographer Philip Hatfield.


I found a copy of my original contract for the film and when Jean McGill rang from Bowness, a few more secrets floated to the surface.

Sophie Neville and David Wood

CBBCTV’s Cinemaniacs  interviewed the screenwriter David Wood and myself on how the original movie of Arthur Ransome’s ‘Swallows and Amazons’ was made back in the summer of 1973.  The idea was to use 30 second clips, so please excuse my over-the-top reactions, but you can watch the whole recording below.

‘This has to be one of the most delightful interviews in my recent memory.’ Tim Lewis, USA


Filed under 1973, Acting, Arthur Ransome, Autobiography, Biography, boating, British Film, Christian, Cinema, Claude Whatham, Cumbria, David Wood, Diary, Dinghy sailing, e-publication, Emi film, Entertainment news, family Entertainment, Family Film, Film, Film Cast, Film crew, Film History, Film production, Filmaking, filmography, Kindle, Lake District, Memoir, Movie, Movie disasters, Movie stories, News, Richard Pilbrow, sailing film, Sophie Neville, Suzanna Hamilton, Swallows & Amazons, Swallows and Amazons, titty, Titty in Swallows and Amazons, truelife story, Uncategorized, Vintage Film, Virginia McKenna, Zanna Hamilton

Swallows and Amazons (2016) – appearing in an opening scene

Kelly Macdonald starring as Mrs Walker and Andrew Scott as Lazlov, with me, Sophie Neville, as a dithering lady in a hat and rusty-coloured jacket getting into the steam train behind Roger at Portsmouth Station. Blink and you’ll miss me.

So opens the new film version of Arthur Ransome’s story ‘Swallows and Amazons’ (2016) directed by Phillipa Lowthorpe, which is coming out in cinemas around the UK on 19th August.

Meanwhile, here’s one I made earlier:

For news of all things ‘Swallows and Amazons’ please click here

Steam train 1928


Filed under Acting, Arthur Ransome, British Film, Cinema, Entertainment news, Family Film, Film, Film Cast, Film production, Filmaking, Movie, Movie stories, sailing film, Sophie Neville, Swallows & Amazons, Swallows and Amazons, titty, Titty in Swallows and Amazons, Uncategorized, Vintage Film

‘Swallows and Amazons’ profiled on ITV News at Ten

Swallows and Amazons on ITV News 29th July

As president of The Arthur Ransome Society, I am keen to promote ‘Swallows and Amazons’, emphasizing the aspect that children today can enjoy the outdoor activities advocated by Arthur Ransome back in the 1930s.

Sophie Neville sailing with Nina Ninnar

ITV reporter Nina Nannar bravely came out sailing with me in a scow, rigged like Swallow with a balanced lug sail, to experience the excitement of letting the wind take us along at speed.

Nina Nannar sailing with Sophie Neville

One of the shots was used on ITV on Thursday 28th July as a trailer for the next day:

Nina Nannar with Sophie Neville on ITV News

When it came to the News on Friday 29th July, ITV showed clips of the new movie of ‘Swallows and Amazons’, being launched on 19th August 2016. The item was shown on the News in New Zealand on 5th August. A viewer wrote in saying:

‘Great to see a full 3+ minutes about the new S&A film on NZ TV news tonight. Sophie Neville did a great job of promoting the value for modern kids to get out on the water or under canvas.’

Swallow in 'Swallows and Amazons' 2016

It stars Ralph Spall, Kelly Macdonald & Andrew Scott, seen here spying on Captain Flint.

Andrew Scott in 'Swallows and Amazons'

After a clip from ‘Swallows & Amazons’ (1974) starring Virginia McKenna

Showing 'Swallows & Amazons' 1974 on News at Ten

in which I played her daughter, Titty Walker or rather Able-seaman Titty,

Sophie Neville playing Titty in 1974

they showed children today learning to sail, unaccompanied by adults.

Emma sailing on ITV News

Young children were crewing for the junior instructors, aged 16 and 17

Evie Stokes with one of the junior instructors

Nina Nannar interviewed me about summer camps offered by The Arthur Ransome Society

Sophie Neville being interviewed on ITV News at Ten

‘Is Swallows and Amazons relevant to children today?’ was the main question.

Emma instructing

‘It’s timeless, isn’t it?’ I said, proving this by referring to the children sailing around us.

Sophie Neville on News at Ten

Andrea Gibb was interviewed in the studio about her screenplay for the new movie ‘Swallows and Amazons’ (2016), which will reach cinemas this August.

Andrea Gibb talking about 'Swallows and Amazons' 2016

You can watch the item here

itv News at Ten

‘Is Swallows and Amazons relevant to children today?’

Please add your comments below

Sophie Neville sailing with Nina Ninnar (2)


Filed under Acting, Arthur Ransome, boating, British Film, Cinema, Cumbria, Dinghy sailing, Emi film, Entertainment news, family Entertainment, Family Film, Family Life, Film, Film Cast, Film History, Lake District, Movie, Movie stories, questions about filmmaking, sailing film, Sophie Neville, Swallows & Amazons, Swallows and Amazons, titty, truelife story, Uncategorized, Vintage Film, Virginia McKenna

Swallows & Amazons in Aldeburgh

The beach at Aldebrugh

Lovely Aldeburgh on the Suffolk Coast where

StudioCanal’s special re-mastered version of the classic film ‘Swallows & Amazons’ (1974) 

Sophie Neville Q&A in Kendal

was shown at the Aldeburgh cinema with a Q&A afterwards with Sophie Neville who played Titty speaking to the actress Diana Quick.

'The Making of Swallows & Amazons' for sale after a cinema viewing

Sophie was signing the last first edition copies of ‘The Making of Swallows & Amazons’.

Aldebrugh Cinema seating 250

Opposite the cinema, books by Arthur Ransome, who once lived in Suffolk

Arthur Ransome's Books in Aldebrugh Bookshopadorn the shelves of the award-wining Aldeburgh Bookshop

Aldebrugh Bookshop in printThe sun shone and holiday makers enjoyed the beach

Aldebrugh fishing

where you can buy fresh seafood and chat to the fisherman.

Aldebrugh lobster pots.

Swallow, the lugsail dingy that starred in the 1974 film

Swallow with the initials WK

was sailing with the Aldeburgh Junior Lapwings who had a Swallows and Amazons regatta that weekend. You can read about what they got up to here.

blue chain on the sea shore

Thanks go to The Aldeburgh Bookshop for their sponsorship

Aldebrugh Bookshop bag


Filed under Arthur Ransome, Autobiography, Biography, boating, British Film, Cinema, Claude Whatham, David Wood, Dinghy sailing, Emi film, Entertainment news, family Entertainment, Family Film, Film, Film Cast, Film History, Memoir, Movie, Movie stories, News, Richard Pilbrow, sailing film, Sophie Neville, Swallows & Amazons, Swallows and Amazons, titty, truelife story, Uncategorized, Vintage Film

A recent author interview with Sophie Neville

Author Sophie Neville

Sophie Neville this summer

Could you tell us a little bit about yourself?

I graduated from the University of Durham with a degree in anthropology and went straight into the mayhem of the BBC. I worked on a number of drama serials, filming on location in London, Paris and Corfu, and produced INSET programmes for Schools Television before setting up documentaries for the Natural History Unit and ‘Blue Peter’ in Southern Africa. I was based on a game reserve where we ran horse safaris. Disaster struck when I broke my pelvis but I used my time on crutches to turn professional as a wildlife artist. My sketches proved useful to illustrate my first books. I now live on the south coast of England where I use my spare time to raise funds for charitable projects in South Africa.


How did you get started writing?

I began by writing for television. It was a matter of putting my own programmes together and working with BBC Books to bring out accompanying literature. I seemed to be forever submitting blurbs for the Radio Times. It wasn’t until the year 2000 that I started writing books. I self-published ‘Funnily Enough’, that won an international book award, and ‘Ride the Wings of Morning’, made up of the letters I sent home from Africa about riding horses through the wilderness.


Can you tell readers about your latest book?

The publishers Classic TV Press asked if they could bring out a paperback version of ‘The Making of SWALLOWS & AMAZONS’, a memoir I’d launched as an ebook under a similar title. As a child I played Titty Walker in the classic movie of Arthur Ransome’s book, shot on location in the Lake District in 1973. I used the daily account I kept as a 12 year-old to guide the narrative, adding anecdotes as to how disaster was averted. It has appeal for anyone who grew up in the ‘seventies or enjoys light-hearted biographies.


What else have you written recently?

I am just finishing a novel based on a true story from WWII entitled ‘Makorongo’s War’. I’ve recently written Forwards to ‘An A-Z: Cumbria and the Lake District on Film’ for Hayloft Publishing and ‘Swallowdale’ by Arthur Ransome for Albatros Media in the Czech Republic. I’m currently working on a Forward to ‘Swallows, Amazons and Coots’ by Julian Lovelock soon to be published by Lutterworth Press.  Revelation Films asked me to write material for the DVD Extras of ‘Swallows and Amazons Forever!’  and since ‘Funnily Enough’ was serialised in a magazine I’ve had feature articles in Cotswold Life, Country Life, Classic Sailor and Word in Action.


Have you got a favourite genre to read? If so why?

I get totally engrossed in the memoirs I use for research but my book club keep me reading popular literary fiction.


Which writer or writers has had the most influence on your own writing?

Since I write true-life stories, I would say Monica Dickens, Helene Hanff and CS Lewis. I was hugely influenced in my youth by Gerald Durrell and James Herriot, both of whom I met when I was working in television and was impacted by how well their memoirs translated to the screen.


Where is your favourite place to write?

A thatched cottage deep in the African bush, where I can escape everyday life. I use two rooms at home on the south coast of England – one for admin and one for books.


Pen or keyboard?

Laptop, I’m afraid. It’s not good for the posture. The original material for my last three books was handwritten but had to be typed up. My prehistoric computer sadly died when I was writing my first book in South Africa and I couldn’t afford to buy a new one. Miraculously, a brand new PC was donated to the local primary school. The teachers had no idea how to use it, so I introduced them to Microsoft Word in exchange for being able to work on my book while they were busy in the classroom. I sat at a low desk on one of those tiny red plastic school chairs until I had 100,000 words and the headmistress gained computer literacy.


How would you describe your writing regime?

The ideal would be to escape to South Africa for a couple of months to get my first draft on paper so I can assimilate research material or type all day long. I would then work on the structure and keeping adding material every afternoon back at home. I find my mornings are occupied with marketing. Since I was appointed President of The Arthur Ransome Society, which is the second biggest literary society in the UK, I spend quite a few weekends giving talks.

For more photos taken this year please click here for Sophie’s blog, Funnily Enough 



Filed under Biography, Memoir, Sophie Neville, Swallows and Amazons, titty, truelife story, Uncategorized