Tag Archives: Suzanna Hamilton

Launching the second edition of The Secrets of Filming ‘Swallows and Amazons'(1974)

 

front-cover-1974

A second edition of the ebook ‘The Secrets of Filming ‘SWALLOWS & AMAZONS'(1974) is now avaialble on Amazon Kindle, Smashwords, itunes, Kobo, and Nook for £2.99 . You can download this free of charge if you already own the first edition.

If you would like a copy but don’t have a Kindle, worry not. We have added a link whereby you can download a free Kindle app. Please go to my Book Page and scroll down for the details.

If you already have a copy of the ebook, contact a Customer Advisor and ask for a free update. You just need to give Kindle the ebook’s ASIN number. The ISBN for all online editions except Kindle is: ISBN 9781311761927

ASIN is: B00GNFYZJS. The full instructions are: Select “Help” from the right hand end of the top grey bar on your online Amazon account page on the main site. Click on ‘Contact us’ on the right. Under ‘What can we help you with?’ select Amazon Content and Devices. Tap on your Kindle device in the boxes shown, then scroll down the page to ‘Select an issue’ and in the drop down menu select ‘My Kindle books and subscriptions’ Follow the prompts to connect to a Customer Advisor on live chat. Tell them that there is a newer version of the book than when you originally purchased and ask them to deliver the latest updated edition to all of your devices. This is free, although it takes a few minutes. There may be a different proceedure to download new versions from other booksellers – I advise doing whatever is similar. From other sellers you will need to supply the book’s Smashwords ISBN: 9781311761927

virginia-mckenna-photo-by-philip-hatfield

A beautiful photograph of Virginia McKenna taken on location in the Lake District in 1973 by Philip Hatfield

Since being contacted by others who were involved in the filming, I have been able to add a few more anecdotes and images, including this beautiful shot of Virginia McKenna kindly sent in by the photographer Philip Hatfield.

I found a copy of my original contract for the film and when Jean McGill rang from Bowness, a few more secrets floated to the surface.

Sophie Neville and David Wood

CBBCTV’s Cinemaniacs  interviewed the screenwriter David Wood and myself on how the original movie of Arthur Ransome’s ‘Swallows and Amazons’ was made back in the summer of 1973.  The idea was to use 30 second clips, so please excuse my over-the-top reactions, but you can watch the whole recording below.

‘This has to be one of the most delightful interviews in my recent memory.’ Tim Lewis, USA

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What did you think of ‘The Making of Swallows & Amazons’?

The Secrets of Filming Swallows & Amazons

‘I’ve just read this delightful ebook – thank you so much for writing it! I’m sure you must get messages all the time like this, but I hope you will deservedly enjoy hearing that I absolutely adored the film of S&A and learned your name, along with all of the other actors and actresses off by heart from the record, which I played and played.

LP of Swallows and Amason with vinyl record

‘I also had the jigsaw of the campsite scene, which I thought was an incredible piece of merchandising (and it was, for its day).

5664403747_508e9eb7d7_n

‘I read my first S&A book (Swallowdale, but never mind) in the summer holidays when I was 7, and rapidly recruited my best friend Linda to being a fan. One of our mums spotted that the film was on at our local cinema in Dundee that Christmas, but the next day was the last date it was showing – so we were collected early from our school Christmas party, so that we could make it in time. We were in heaven. The next Easter, our families took us to the Lake District (staying in Coniston) for the first of many holidays there. We remember “finding” Gondola submerged in the reeds, and sailing with our dads over to Bank Ground and seeing the two dinghies named Swallow and Amazon. We soon found a favourite picnic on the shore close to Peel Island, and in later years, my dad and I rowed over to the Island in a rubber dinghy, which was tremendously exciting. Fascinating to hear about the artificial shingle beach!

I was interested to read that one of your qualifications for getting the job was that you could row, and that you’d practised at home in a Thames Skiff.  Many thanks again for giving me such a delightful film to immerse myself in as a child. Helena Smalman-Smith

Fan letter for Swallows & Amazons -

‘We love your book and tales of filming.’  Love Ambleside – on Twitter

‘…the girls adore your film of Swallows and Amazons. In fact, I fear it is thanks to your film rather than the book that my Swallows and Amazons camping weekend was full to bursting. I also have friends in Suffolk who would happily hot foot it across the country with their three children to hear you!’  Grainne Dennison (teacher and Ransome fan).

‘My daughter is 11 today & this is her favourite present!  Titty was always Moira’s favourite character from the books AND the film, she is thrilled!’

Fan mail

‘My daughter LOVED your book! She couldn’t help sharing gems & finished it in a few days on hols. Magic! My turn now!’

‘I have been hesitating to write, but I do want to tell you how much I enjoyed reading ‘The Making of Swallows and Amazons’. It made watching the film so much more enjoyable. I came to Arthur Ransome late in life, but I’ve read all of them, and have a complete collection of the ‘Swallows and Amazons’ adventures.’ Mark Cheng, Bedford

Puzzels

‘I really love the Swallows and Amazons movie. I actually went to see it at the pictures in London, with my family when it first came out, but I was only about 4 or 5 years old, so I don’t remember much about that day. But of course I have watched it many times over the years and since I have the DVD I make a point to watch it at least once every year. You are my favourite as you are so charming!!’ Robert Newland, Dorset

If you have a memory of the film, do leave a comment in the box below.

If you would like to write a short review on Amazon, here is the link for readers in the UK

A publicty photograph for 'Swallows and Amazons'

Lesley Bennett, Suzanna Hamilton, Stephen Grendon, Sophie Neville, Virginia McKenna, Simon West and Kit Seymour gathered at Bank Ground Farm above Coniston Water

 

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‘…is swallows up the amazon a film?’

This question has recently been typed into the Google search engine. It has to be said the ‘Swallows and Amazons’ is a pretty abstract title. What does it mean? Is it about South America?

The national press brewed a great storm last summer when they discovered that BBC Films and the BFI had changed the lead character’s name to Tatty. When the Daily Telegraph phoned me for comment, I asked if someone had made a spelling mistake. Titty was mistakenly referred to as Tilly in The Times a year before, along with rather an over excited headline:

The Times Sat 23 Nov 20131

I’ve received letters addressed to Titty for so long that I couldn’t understand the problem until I typed the name Titty into Twitter. You do not see my face – or anybody else’s. I am not sure if it has been defined by the Oxford Dictionary yet but it seems a titty-tatty is now the term used for a certain kind of tattoo.

Last week I found an interesting document. It is the original contract that my father was sent in April 1973 when I was offered a part in the film of ‘Swallows & Amazons’. It doesn’t refer to Titty at all:

Theatre Projects contract 1973 'Titania'

This was the reason why my mother suggested I wrote the name Titania Walker on the front of the ship’s log which you can see if you watch the movie closely. Why Theatre Projects used the classical name I do not know. It could be argued that ‘Swallows and Amazons’ contains traces of Shakespearean influence but Arthur Ransome insisted the name Titty wasn’t short for anything.

People often ask how much I was paid for appearing in the feature film. The contact states, ‘We…

Theatre Projects contract 1973 payment

This period refereed to the seven weeks spent filming on location. I paid another £10 a day for dubbing the film and for a pick-up day when we filmed a scene in Surrey. Although publicizing the movie was more demanding than being on location we were neither licensed or paid. I did receive a book token for promoting EMI Films at the Lord Mayor’s Show.

Theatre Projects contract 1973 dubbing

Dubbed it was – into a number of languages including French, Czech and Norwegian:

The Norweigian version

The Norwegian version ?

People imagine that we receive residuals when the film is sold abroad or broadcast on television but we actors are only due a fee if our image is used to advertise a product. This is a few years old but does it count?

Swallows and Amazons Daily Mail DVD

Or could this?  I saw the image used in a TV commercial with my own eyes, so I’d love to know.

Swallows and Amazons advertised by the Daily Mail

When interviewed aboard the yacht Ransome bought with his royalties, Taqui Altounyan said that on receiving a new copy of ‘The Swallows and The Amazons’, as the first edition was titled, her family were also thrown by the abstract title, wondering if it was about South America. It could be about migrating birds.

You can see Anita Singh’s article that sparked up international debate last summer by clicking here  The juxtaposition of the photos is so naughty, but brilliant of course. I’m the one with the telescope.

Daily Telegraph - 25th July 2015

 

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Memories of making the original movie of ‘Swallows & Amazons’

The phone in my office rang at about 6.30pm.

“Is that my little Titty?” a voice asked.

“Well…”

“Do you know who I am?”

I had no idea.

“I haven’t seen you since 1973!”

“It’s Jean!” It was Jean McGill ringing from Bowness in Cumbria. She had been our driver and the unit nurse on the film of ‘Swallows & Amazons’ made in the Lake District from May to July 1973, released a year later in 1974.

Jean our driver and location nurse operating the radio with Sophie Neville ~ photo:Martin Neville

Jean McGill our unit driver and location nurse with Sophie Neville ~ photo:Martin Neville

“I’ve never seen the film,” Jean declared, “but I loved your book about making it.  It brought back such memories.”  I urged her to tell me more. “I remember when Suzanna Hamilton cut her hand whittling wood. It was bleeding like anything. I bandaged it up nicely but the director was horrified and made me take the dressing off again.”  I think this was when we were in the middle of filming on Peel Island. The accident put an end to our wood carving hobby, which was a shame. We’d been using a Swiss Army knife to make our own bows and arrows with Bob Hedges the prop man.

Ronnie Fraser and DoP Denis Lewiston with paper cups of champagne and the call sheet for the next day ~ photo: Daphne Neville

Ronnie Fraser outside the dining bus on location with a paper cup of champagne

” You children persuaded me to go out to dinner with Ronnie Fraser! Why I went, I haven’t the foggiest. He was a rough character – very coarse.” Ronald Fraser was the movie actor playing Captain Flint. “I used to have to drive him to the local hotel in the mornings and order champagne to sober him up.”

“How would champagne have helped to sober him?”

“I don’t know. He told me it would.”

“I think he’d been divorced for a while at the time.”

“I wouldn’t have married him in the first place,” Jean assured me.

Terry Smith and Jean McGill on Derwentwater

Terry Smith wearing the safety officer’s wetsuit with unit nurse and driver Jean McGill

Jean had been taken on as the unit nurse after the first nurse proved rather out of her depth. I thought she was a State Registered Nurse but she corrected me. She had 26 years experience in nursing becoming a hospital sister but was never an SRN. “I was a driver for Browns (of Ambleside)” and as such was paid to work on the film. “I wasn’t paid to be the unit nurse. It didn’t matter, I wouldn’t have missed it for the world.”

I only found out recently that my mother hadn’t been paid to be a chaperone either, despite the responsibility as well as her legal obligations. It was hardly a big budget movie. Like Jean, she was simply thanked with a bouquet of flowers at the end of the filming.

Jean was one of the few local people who worked on the film throughout the seven weeks we were on location. Her local knowledge made all the difference as she knew the roads well, took short cuts to avoid the traffic and knew the best swimming spots when the weather warmed up.

A Day Off in Blackpool

Suzanna Hamliton, Simon West, Claude Whatham Sophie Neville, Kit Seymour, Jean McGill with Daphne Neville (kneeling) Blackpool, 1973

I reminded Jean about the early 1970s – what we ate and how we dressed.  ” I bought a pair of jeans for the first time in my life. It was so hot that I changed into shorts while we were on set. You children took the jeans and stitched a big red heart on the backside.” There was a craze for adding embroidered patches to denim clothing. These were expensive to buy but we persuaded to Sten Grendon’s mother to make red hearts for everyone’s jeans. “It made walking through Ambleside very embarrassing.” Jean sounded as if she was still recovering from the indignity 43 years later. “It mucked me up!”

Jean went on to drive for Mountain Goat Tours in Cumbria and worked in a doctor’s surgery before becoming a registrar for ‘hatches, matches and dispatches’. “I’m a coffin-kicker now,” Jean told me cheerfully. She never worked on another film but kept a copy of the original screenplay and other memorabilia.

Not long after I spoke to her a brown paper package arrived in the post.  It contained an envelope with the writing,

FOR THE ATTENTION OF TITTY

‘Still looking for the photographs. Will send to you when I find them. 43 years old?  It was this tatty when I got same! Jean.’

And this is what the envelope contained:

Original Screenplay of Swallows & Amazons page 1

Here is Jean in her red top talking to my mother in her Donny Osmond hat:

 

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Notes for the second edition of ‘The Making of Swallows & Amazons’

Since Classic TV Press published ‘The Making of Swallows & Amazons’ in 2014, a number of facts have floated to the surface. The most amazing recollection was one that occurred to my mother.

‘The letter inviting you to come for an interview for a part in the film was addressed to your father. He was working abroad when it arrived. I never, ever opened his mail but something urged me to open that one envelope. It was a good thing I did as he was away for three weeks and we would have missed the opportunity altogether.’  She was amazed by the contents and replied at once, sending a photograph to Theatre Projects. I think it was this rather miserable one of me wearing a Laura Ashley dress.

Sophie Neville  wearing Laura Ashley in 1972

Sophie Neville in 1972

A date was made to meet the director. I now remember that I was taken up to Long Acre in the West End to meet Claude Whatham very soon after Dad arrived back from his business trip. We walked through Soho and visited a Chinese grocery store on the way home.

 

Daphne Neville presenting 'Women Only'1

Daphne Neville on HTV in 1973

‘I was never paid to work on the set as chaperone,’ Mum told me. ‘Neither was Jane. We were just happy that our expenses were covered but it ended up costing me quite a bit as I had to travel back to Bristol to work now and again.’ She was working for HTV as a television presenter alongside Jan Leeming, who is currently appearing on ‘The Real Marigold Hotel’. For the photo of them both on an HTV West show, please click here

Jean McGill said she didn’t get paid for acting as the Unit Nurse, as far as she could remember, ‘But I wouldn’t have missed it for the world.’

Nurse with Baby Vicky, the ship's baby

Kerry Darbishire playing Nurse

The most exciting thing was meeting Kerry Darbyshire, who played Vicky’s nurse, at Zeffirelli’s cinema in Ambleside for the 40th Anniversary screening of the film. I learnt to my horror that I had mis-spelt her name in the credits I gave the actors. All I had to go on was her signature in the back of my copy of the hardback book of ‘Swallows and Amazons’ where I’d collected autographs.

Signatures of the rest of the cast and crew of 'Swallows and Amazons' in the back of my Jonathan Cape edition of Arthur Ransome's book

Kerry Darbishire’s signature

Kerry laughed, telling me, ‘I should have had more legible handwriting.’ She  appeared in the film quite a bit. ‘It was a pity I wasn’t able to bring my own child. She was the exact same age and colouring as the little girl they found to play baby Vicky.’ Kerry was with us in the compartment of the train on day one of the shoot. ‘I found it very difficult to laugh with you when the train went into the tunnel.’ I couldn’t think what she meant at first but it was the laughter that followed Virginia McKenna’s line: ‘He’d say, “Just look at that scenery”.’ at the moment the train goes into a dark tunnel. ‘You children found it no problem at all, but I couldn’t laugh. I was too shy.’ Zeffirelli’s are next screening ‘Swallows & Amazons’ (1974) at 7.30pm on 2nd March.

I never knew the name of the snake wrangler – who brought the charcoal burners’ adder along, but Ken Foster wrote in recently to say it was his father, John Foster whose family farmed near Satterthwaite. He was once employed as an assistant at the fresh-water biology research establishment at Windermere and became a biological specimen supplier. You can read more about his unusual occupation here

To read more about the day the adder arrived on location, please click here.

Charcoal Burners' Adder

John Foster & the charcoal burners’ adder

Simon West, who played Captain John, remembered that Claude Whatham often used to take us for a quick run before going for a take. It freshened us up and was appropriate when we had to run into shot, slightly out of breath.

One little girl wrote to tell me how she pulls her dress over her knees just as I did when I played Titty, as I got rather cold in a scene when were were first sailing Swallow to the island.

Sophie Neville with Terry Needham and the unit radio at Derwentwater ~ photo: Daphne Neville

Sophie Neville with Terry Needham

George Marshall, the veteran film accountant, assured me we had a very talented film crew. Mark Birmingham, a film producer currently working on the bio-pic of Noel Coward, knew quite a few of the individuals working on ‘Swallows & Amazons’ and told me of the amazing careers they went on to lead. ‘Your Best Boy, Denis Carrigan, went on to run Sherperton Studios.’ Denis worked closely with Ridley Scott who made many great films there. ‘Sadly one of the other electricians died when he grabbed a live cable.’

Other people have written with interesting stories relating to the film locations.

Swallows & Amazons filmography - ebook_html_m52e3dc61

‘The shop in Woodland Road was my grandfather Tom Kirkbride’s cobblers shop from 1930s to 1956,’ Brian Salisbury wrote. ‘After he retired, the wooden building became Stan Cropper’s sweet shop doing a roaring trade with the boys at St Mary’s Boys School just along the road and the newly built Droomer Estate.’  This was the shop where we bought rope for the Light House Tree that is now a barber’s in Windermere. To read more about this location and others in Windermere, please click here

Is there anything you would like to add?

Daphne Neville, Stephen Grendon, Suzanna Hamilton, Sophie Neville, Jane Grendon and Simon West after the last shot was taken.

Daphne Neville, Stephen Grendon, Suzanna Hamilton, Sophie Neville, Jane Grendon and Simon West.

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Were there any disasters? and other questions asked about making the film ‘Swallows & Amazons’ in 1974

On Saturday 26th September at 3.00pm the original film of Arthur Ransome’s book ‘Swallows and Amazons’ was screened at the Riverside cinema in Woodbridge, Suffolk as part of their celebration of ‘100 Years of Film’.

I was on stage to answer questions about how we made the film after the screening.  Swallow, the dinghy we used on the movie was rigged up outside the cinema and admired by many.

Q&A title on screen

Back in April, I was invited to a similar screening of ‘Swallows & Amazons’ (1974) also held to raise funds for the up-keep of Arthur Ransome’s yacht Nancy Blackett. As the film ended I was invited up on stage to answer questions about how it was made. Marc Grimston sent a list of these, so I could answer them here for those unable to get cinema seats.

As a child were you like Titty? In 1973, I was aged twelve and at five-foot two, was really too old and too tall for the role of Titty but it was easy enough to pretend to be nine years old. I was on-screen a great deal so it probably a good thing that I was old enough to cope with long filming days. I thought I was much more like Mate Susan but perhaps that made it easier for me to play Titty.

How many tried for the role of Titty? About 1,800 children originally auditioned for the six parts in ‘Swallows & Amazons’. Claude Whatham, the director, wrote inviting me to an interview. In the end there were five girls up for the part of Titty. You can read more about the final audition here.

Q&A at Cinema Screening

Sophie Neville on stage with Peter Willis, President of the Nancy Blackett Trust

Had you read the books before? I had read most of the books in the series and loved them, so it was very easy to take on the part. We never had to sit down and learn lines because we knew what to say from reading the book.

Q&A to packed house

Sophie Neville  taking about Swallows & Amazons

Were they any disasters during filming? Swallow’s mast broke!

How did you stay safe with the snake? It was a real adder, but quite a tame one. I think they lowered its metabolism by keeping it cool.

How did they make the lion noises? It was a recording of a real lion.

How did you capture their boat? In one take!

How did they film the night scenes? We shot many of them inside Mrs Batty’s barn.

Q&A ar Riverside Screening

Sophie Neville with Swallow’s flag

When you filmed the approach to the houseboat it seamed as if Amazon was coming in fast, was she? Yes, she hit it quite hard!

How long did it take to film? We spent forty six days onset in total, which meant spending about seven weeks in the Lake District.

Do you still have the parrot? I don’t. The green parrot belonged to Mrs Proctor of Kendal where the residents were terrified of him.

What happened to Amazon? She is owned by a family living in Kent who love sailing her in the lakes. She was the same Amazon as used in the BBC serial of ‘Swallows and Amazons’ made in 1962, when Susan George played Kitty.

Have you been back to the island? Yes! I last returned with Nick Barton who is planning a new film adaptation of ‘Swallows and Amazons’.

Are there adaptations of any other Swallows and Amazon books? Yes, in 1983 I was able to work on the BBC serialisation of ‘Coot Club and The Big Six’, starring Rosemary Leach, Colin Baker, Henry Dimbleby and Julian Fellowes as one of the Hullabaloos. It was my job to cast the children and look after them during the three months we spent on location, which was great fun.

Q&A at Woodbridge Screening

Click here for further details: Riverside Cinema in Woodbridge

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Recent comments on ‘The Making of Swallows & Amazons’

‘I bought a signed copy of The Making of Swallows & Amazons and have just finished reading it. It’s a lovely, flowing read and I loved all the interesting details, especially chapters 12 to 18 in the later half of the book… I shall treasure it.’ Nigel

Blu-ray fishing scene

‘I am thoroughly enjoying reading your diary entries and hearing how life was on set etc… All the things I have always wanted to know about the film are in the book! I do hope you have lovely memories of all the locations you filmed at, especially Bank Ground Farm. Jonathan, who now owns the place and does all the farming has made my family and I very welcome indeed! (only) we can not tack up the field as they are growing it for Silage!!!! Thank you for inspiring my family and I so much! Yours sincerely, Benjamin’ (aged 10) ‘P.S. We’re off to Wild Cat Island tomorrow!’

Blu-ray Lookout tree

Simon West as Captain John by the lighthouse tree

‘All of your recollections are insightful and tinged with humour (as always). In particular the story about Mrs Batty locking out the film crew and all the Cumbrian characters that were involved in the film. I didn’t know George Pattinson appeared in the Rio scene either, and I can just imagine the giggles you must have had when watching the double-deckers playing footsie with one another!’ David.

Blu-ray Amazon Pirates

Lesley Bennett and Kit Seymour as the Amazons stranded on Wild Cat Island

‘Good little book full of information and funny tales.’ Jennifer

‘This book has rekindled my interest and memories from the 70’s when I first saw the film and read all the books, so well written and very entertaining, in some ways it ll seems a long time ago but this book makes it seem like yesterday! Thoroughly recommended.’ Richard on Amazon.co.uk

‘Loved your book about filming Swallows & Amazons – my favourite childhood film, very nostalgic.’ Nicola

‘Just wanted to say how much I am enjoying The Making of Swallows & Amazons. What a wonderful time you all had… I have all the books & love the film & TV series Coot Club and The Big Six, so it’s fab to read about them.’

Blu-ray John rowing swallow

Sten Grendon, Simon West and Suzanna Hamilton in Swallow

If you would like to write a short book review, please click here for the link.

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