Tag Archives: puffin books

Book covers inspired by the film ‘Swallows & Amazons’

Stephen Grendon, Simon west, Sophie Neville and Suzanna Hamilton on the cover of the 1974 Puffin edition of 'Swallows and Amazons'

Stephen Grendon, Simon West, Sophie Neville and Suzanna Hamilton on the cover of the 1974 Puffin edition of ‘Swallows and Amazons’ by Arthur Ransome

When the EMI/Theatre Projects film of Swallows & Amazons was released forty years ago, Puffin books brought out a paperback featuring the dinghies near Cormorant Island on the front cover. The photograph was taken on Derwentwater at the point in the story soon after Titty has been found to have captured the Amazon. Did you ever have one of these?

Swallows and Amazons ~ Puffin edition, 1984

Nancy and Peggy Blackett are featured on the back cover, hiding in the reeds at the mouth of the Amazon River.  We were invited to a Puffin Club party at the Commonwealth Institute to launch the book. It was re-printed twice in 1974, which might reflect the popularity of the film.

Unbeknownst to me until this afternoon, Heinemann Educational books brought out this cover in 1982.

Swallows & Amazons Heinemann Educational Books

The photograph would have been shot when we were rehearsing the scene when the Swallows first land at Peel Island on Coniston Water. It was mid-May and I got terribly cold in my thin cotton dress. Suzanna wasn’t feeling well and we all felt a bit tired, as you can see.

Sophie Neville and Simon West on the cover of 'Swallows and Amazons' published by the Daily Mail

Sophie Neville and Simon West on the cover of ‘Swallows and Amazons’ published by the Daily Mail in 2003

Almost thirty years after Richard Pilbrow released the movie, a hardback was produced with a tinted black and white still from the film taken when we were fishing in Shark Bay. We have Arthur Ransome guardians to thank for this. The draft copy had a rather clonky cartoon that they were not happy with. It can be seen by clicking here.

This book cover was advertised every day for a week on the front cover to the Daily Mail and profiled in the magazine as one of their thirty books featured in their Children’s Golden Library collection.

Swallows and Amazons promoted by the Daily Mail

The offer was featured nationally in a television commercial. I saw the advert myself a couple of times and wondered what effect the promotion would have. Simon and I weren’t given any warning and received no remuneration for having our faces spun around in the advertisement, although a box of books arrived unexpectedly at my house. I gave one to the lady who was translating Swallows and Amazons into Chinese.

Swallows and Amazons in the Daily Mail -

This hardback is often available on eBay, where I found this 1992 edition published by Cresset Press. I hadn’t seen it before. Suzanna Hamilton thought the choice of photograph rather bizarre.

'Swallows and Amazons' book cover 1992

I preferred the still from the movie used on the cover of the first VHS tape.

'Swallows and Amazons' on VHS

The cover of the original VHS version of  ‘Swallows & Amazons’

This is probably because it reminded me of the 1970 Puffin book cover that I read as a child and took with me to the Lake District when we started filming in May 1973. I underlined all Titty’s dialogue in pencil.

'Swallows and Amazons' Puffin book cover 1970

The cover of this audio cassette tape ‘talking book’ is quite interesting. Which scene does it depict?

Mike Dennis wrote in to say:

‘It’s an abridged version read by Bernard Cribbins, originally released as two cassettes. He does a good job but I seem to remember the adaptation is a bit rushed towards the end to get the whole story in to the time limit of the cassettes (2 hours), it was released by EMI’s ‘Listen For Pleasure’ division.

The publishers, Red Fox, commissioned an illustration for their cover along the same lines, depicting the characters in the 1974 movie.

Swallows and Amazons book cover by Red Fox

The current designs for Arthur Ransome’s paperbacks have been on display at the V&A having won the Book Cover Illustration Award. Association with the movie can hardly be claimed, but hopefully the film will have helped to keep Ransome’s stories on the shelves of bookshops worldwide.

S&A book cover in the V&A

Possibly as a result of this, or perhaps because they just liked the colours of the design and the book, Apple iPad featured the cover on their illuminated advertisements seen around London:

Apple iPad ad featuring Swallows and Amazons

I walked up the steps of Tower Bridge underground station to see Swallow’s flag flying: fabulous!

Apple iPad ad in the London Underground

Robert Thompson has made an online survey including covers of all the children’s books by Arthur Ransome, which you can access by clicking here.

Does anyone know of any other book or audio tape covers that used photographs from the film?  Do add your comments in the box below.

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Filed under Acting, Arthur Ransome, Bestseller, Cumbria, Dinghy sailing, Lake District, Richard Pilbrow, Sophie Neville, Suzanna Hamilton, Swallows and Amazons, Uncategorized, Zanna Hamilton

Plans for a new DVD release of the 1984 BBC drama serial of ‘Coot Club’ and ‘The Big Six’

Revelation Films have just contacted me, saying that they are thinking of producing new packaging for a 30th Anniversary release of ‘Swallows and Amazons Forever!’  This is the BBC Drama adaptation of ‘Coot Club’ and ‘The Big Six’ that starred Rosemary Leach, Julian Fellowes, Colin Baker, John Woodvine and Henry Dimbelby not to mention William the pug dog, who became a national treasure when he took on the role of Ethel’s Little Willie in Eastenders. I worked on the television series that was shot on 16mm film entirely on location in East Anglia. We spent an idyllic summer, mainly afloat on the Norfolk Broads.

They tell me that this DVD is one of their top ten bestsellers along with LA Law, Highway to Heaven and Dr Quinn, Medicine Woman starring Jane Seymour.

Henry Dimbleby and Rosemary Leach in 'Coot Club' and 'The Big Six'

Click here for the page on the Revelation Films Website

What wording would you use on the new cover? I want to suggest they have the book titles in larger letters: ‘Coot Club’ and ‘The Big Six’ by Arthur Ransome. Neither the Swallows or the Amazons appear in it after all. However, interesting actors such as Patrick Troughton and Sam Kelly do. I thought that including photos of them might appeal to those who appreciate Classic TV.

Patrick Troughton as the eel man

It was thought that my shot of Julian Fellowes playing Jerry the Hullabaloo showed him looking too young to be recognised these days. I am sure he’d agree with me that it is just the mustache that is somewhat distracting. I don’t remember it being a real one.

Julian Fellowes as Jerry in Coot Club

The production manager at Revelation Films told me she liked the photograph used on the cover of the Puffin Book, which I explained depicted The Big Six. The publishers are currently searching their archives for the original shot, which I remember setting up at Gay Staithe. Sadly this abridged version of the books lacks Ransome’s own illustrations.

Coot Club - book cover

What would you like to see inside the packaging? 

Would you like an illustrated book talking about how the series was made?

I suggested they edit the episodes together into two films. I understand some parents like being able to show each 28 minute episode at a time. We loved the opening titles graphic and music at the time but they seem rather dated now.

DVDs now offer Extras, of course. We could put together a slide-show using my behind the scenes photos voiced with a commentary explaining how the serial was made. Would this spoil the magic?

I’d love to go searching for the locations we used. I wonder if Countryfile would be interested in this?

Do add any other ideas or requests to the Comments below.

Coot Club - The Teasel sailed by a double

We chose the pug as a puppy so he really was called William. He was quite young and playful when the series was made.

Sadly Revelation Films only own the UK rights but I’ve noticed you can buy it on Amazon.com . There are other outlets but you want to be able to guarantee the quality.

Roger Wardale's book

I am currently reading Roger Wardale’s new book Arthur Ransome on the Broads, which is also available from Amazon  It is illustrated with photographs of some of the boats that we used when we were filming. This was the Teasel’s costume:

'TEASEL'

The false transom used on the yacht Lullaby during the filming of ‘Coot Club’ that now resides at Hunter’s Yard ~ photo: Roger Wardale

I loved seeing Roger’s photographs of the Fairway yachts in full sail. Perhaps one of Lullaby should be on the new cover of the DVD.

Sailing on the River Ant: photo ~ Roger Wardale

Sailing on the River Ant: photo ~ Roger Wardale

For more about the boats used in ‘Coot Club’ please click here

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Filed under 1983, Arthur Ransome, Swallows and Amazons

30th Anniversary talk on filming ‘Coot Club’ and ‘The Big Six’

Coot Club - Sophie Neville with Port and Starboard in Coot Club

Unbelievably, thirty years have passed since we started filming the BBC adaptations of Coot Club and The Big Six on location in Norfolk.  We drove up to Norwich on 17th June 1983 and by 3rd July would have been in full swing. It had been my job to cast the children who I was now looking after on location.

Coot Club - the hay wagon

Amazingly, we were to able enjoy three months of almost solid sunshine and had the most wonderful time. The eight-part serial, produced by Joe Waters, was first broadcast in 1984 under the generic title of Swallows and Amazons Forever! This was because Joe was hoping to dramatise other Arthur Ransome books, but sadly they proved too expensive.

The Big Six

The Death and Glory Boys weighing their great fish with Sam Kelly

I gave an illustrated talk about how the series was made at the Royal Harwich Yacht Club on the River Orwell for the Nancy Blackett Trust Annual Meeting, explaining how Rosemary Leach and I had both appeared in the BBC drama Cider with Rosie back in 1971. Having starred as Laurie Lee’s mother, she had the lead part of Mrs Barrable, the Admiral in Coot Club.

Henry Dimbleby and Rosemary Leach in 'Coot Club' and 'The Big Six'

BBC TV’s adapation of  ‘Coot Club’ and ‘The Big Six’

Swallows and Amazons Forever! (1984) DVD

The drama, set in the early 1930’s, was nominated for a BAFTA.  It had an exceptionally talented cast including Rosemary Leach, John Woodvine, Sam Kelly and Henry Dimbleby.  I’m not sure if you can spot him that easily on the cover of the DVD, but one of the characters in the story soon became a household name. It was William, Mrs Barrable’s fawn pug dog. He was soon known nationally – if not internationally – as Little Willie, Ethel’s pet dog in the soap opera Eastenders.

Coot Club -

The puppy we chose to play Williams who later starred as Little Willie in ‘Eastenders’

While Jack Watson was at the helm of the Sir Garnet, Julian Fellowes played Jerry, self-appointed skipper of the Margoletta and the leader of the Hullabaloos. Whilst with us on the Norfolk Broads he forged a creative partnership with our director Andrew Morgan that launched his career as a writer.  They were soon working together on adaptations of classic books such as The Prince and the Pauper and Little Lord Fauntleroy.

Julian Fellowes as Jerry in Coot Club

Julian Fellowes as Jerry in ‘Coot Club’

Looking back, I can see a number of connections between Coot Club and Doctor Who. You will see we had not one but two Time Lords with us in the guise of The Eel Man, who was played by Patrick Troughton, and Dr Dudgeon, played by Colin Baker, who went on to become a later incarnation of the Doctor.

Patrick Troughton as the eel man

Patrick Troughton as The Eel Man in ‘The Big Six’

A number of the crew worked behind the scenes on Doctor Who including our Visual Effects Designer, Andy Lazell and the writer Mervyn Haismen. I found myself working on Vengeance on Varos a year later when Colin Baker swapped his Norfolk tweeds for the multi-coloured coat he wore in the TARDIS.

Colin Baker as Dr Dudgeon in 'Coot Club' and 'The Big Six'

Colin Baker as Dr Dudgeon in ‘Coot Club’ and ‘The Big Six’

However,  I expect the members of the Nancy Blackett Trust will want to know most about the beautiful period boats that appeared in the series, some of which members of the Arthur Ransome Society have been tracking down. Sadly some, such as the Catchalot seem to have deteriorated but the Janca, who played the Margoletta has been restored, and the  Death & Glory is still on the Broads.

Lullaby undersail, playing the Teasel with her stage name painted on a false transome

Lullaby under sail, playing the Teasel with her stage name painted on a false transom

 The wonderful thing is that you can still hire the yacht we used to play the Teasel and take the same route through the Broads as Arthur Ransome took with his wife in the 1930’s when he was absorbing experience from which to write. What I did not know until recently was that Titty Altounyan ~ the real Titty portrayed in Swallows and Amazons ~ accompanied them one year, but I will leave that story for a future post.

Coot Club - book cover

I remember setting up this photograph for Puffin at Gay’s Staithe on the Broads

For more information on Saturday’s talk please click here

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Filed under 1983, Acting, Arthur Ransome, Film crew, Film History, Filmaking, Memoir, Movie stories, Sophie Neville, truelife story

Where are they now? More about the traditional boats used when filming of ‘Coot Club’ for BBC TV

Coot Club - Teasel and Titmouse - photo Jill Searle

Mary Soan with Jill and Jim Searle on the Teasel, towing the Titmouse on South Walsham

It was Jim and Jill Searle of the Norfolk Country Sailing Base in Ludham who helped us find the boats that starred in the BBC adaptation of Coot Club and The Big Six set on the Norfolk Broads. Jill has kindly sent me a copy of this photo taken of Lullaby just after she was chosen to play the Teasel. Her costume consisted of a false transom, which is still at Hunter’s Yard in Ludham today.

'TEASEL'

The Teasel’s transom ~ photo: Roger Wardale

Roger Wardale recently took this photograph that I believe is to be included in his new book,  Arthur Ransome on the Broads , which Amberley Publishing will bring out soon in full colour.  He tells of Arthur Ransome’s half-dozen or so holidays on hired yachts and of the young people who sailed in the fleet,  including Titty and Tacky (Taqui) Altounyan. Roger found out that the Ransomes hired a 23′ Fairway’  yacht from Jack Powles of Wroxham. This had a Primus stove with a special cooking locker in the well. It sounds very well kitted out with a wash-basin and self-emptying WC in a separate compartment. The three Somnus spring-berths had drawers underneath and there was even a wardrobe. Like the Teasel she was built of mahogany with a ‘bright varnish finish’ and given a fair wind she would have zipped along at quite a speed.

Roger  said that he spent six days last summer trying to find places Arthur Ransome visited that had not changed since the 1930’s for his photographs but said that was difficult. What he did find was the Titmouse at Hunter’s Yard

'TITMOUSE'

The Titmouse at Hunter’s Yard in Ludham ~ photo: Roger Wardale

It is still possible to hire the mahogany hulled, gunter-rigged yachts much as Arthur Ransome and his wife did in the 1930’s, together with a sailing dinghy or rowing boat. There are fourteen sailing cruisers in the Hunter’s fleet and none have an engine. They have lifting cabin tops so you have more headroom when you moor up. Lullaby, who was built in 1932 is 28ft long with four berths. The mast can be lowered with counter weights so that she can be taken under bridges with a clearance of 6 foot.

Jim and Jill Searle have a restored a traditional gaff-rigged 26′ 1930’s crusier, which is to be sold this year. I gather it is beautiful.

Roger Wardale says that in the 1930’s, many of the yachts had a ‘self-acting’ jib, ‘which according to Ransome was too large, so that there were times  when he lowered his and sailed better without it!’  I gather they still have self-acting jibs but the size may have been altered. (?)

AT HORNING STAITHE

At Horning Staithe today ~ photo: Roger Wardale

Roger also found a cruiser similar to the  Janca, the 1930’s cruiser who played the part of the Margoletta, skippered by Julian Fellowes in his glorious role as a Hullabaloo, the spiteful, arch-baddie of Coot Club. She made a perfect leading lady. I believe the Janca is currently being restored ~ but you’ll have to remind me who owns her.

MARGOLETTA

A large 1930’s Broads crusier similar to the one we used as the Margoletta in ‘Coot Club’ ~ photo: Roger Wardale

Back in 1983 we were hugely helped by a number of Norfolk boatmen who knew the broads well.

Coot Club - Mark and Brian

Mark Page, who played Bill getting help fixing something

You will have to let me know the name of these gentlemen who spent long hours helping us in the summer of 1983.

Coot Club - local boatmen

The skipper of the vessel used as a camera boat on ‘Swallows and Amazons Forever!’

Filming from one boat to another is tricky and their patience was much appreciated. In many ways the easiest boat to film with was the Death and Glory. She can still be found moored somewhere on the Broads.

Henry Dimbleby, Nicholas WAlpole, Jake Coppard, Mark Page, Caroline Downer and Richard Walton as they appeared in 'The Big Six' (1984)

Henry Dimbleby, Nicholas Walpole, Jake Coppard, Mark Page, Caroline Downer and Richard Walton as they appeared in ‘The Big Six’ (1984)

I well remember setting up this shot for the cover of the abridged version of the two stories, which was brought out by Puffin to accompany the series. It shows the Death and Glory complete with her green chimney. The big secret was that the interior of the cabin was larger than the exterior. we puzzled over Ransome’s drawings only to decide that he had cheated the measurements too.

Nicholas Walpole and Jake Coppard looking out of the window of the set that was made to represent the interior of the Death and Glory

Nicholas Walpole and Jake Coppard looking out of the window of the set that was made to represent the interior of the Death and Glory

Bruce McCaddy and his team built the set inside a modern boatshed where it was kept for ‘rain cover’,  since the interior scenes could always be shot if it was wet. It included ‘camera traps’ or sections that could be removed so the scenes could be shot. I never went inside but the boys loved it. In fact the weather was glorious. We enjoyed such constant sunshine in the later part of the shoot that we filmed the interiors when it was dry and so hot that the boys got quite over-heated.

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Filed under 1983, Acting, Arthur Ransome, Film, Film Cast, Film History, Filmaking, Memoir, Movie stories, Sophie Neville, truelife story

Rowing to Cormorant Island ~ filming ‘Swallows and Amazons’ in 1973

Sophie Neville rowing to Cormorant Island

Sophie Neville as Titty and Stephen Grendon as Roger rowing to Cormorant Island

‘Pull harder, Roger!’ ~ hardly a line from Shakespeare, but one that has lodged deep in my memory.Titty was even bossier in Arthur Ransome’s books ~”You keep time with me, Boy,” said the able-seaman.”All right.”Titty lifted her oar from the water. Roger gave one pull.”Boy,” said the able-seaman, “you mustn’t say ‘All right’.””Aye, aye, sir, ” said the boy.**

When we auditioned for Swallows and Amazons the emphasis was on sailing. Could we sail? In fact I needed to be good at rowing. Titty and Roger row back form the Charcoal Burners, I rowed the Amazon from Wildcat Island and here we were rowing across Derwentwater to Cormorant Island. This was more difficult than normal as Swallow was wired to the camera pontoon.

Cormorant Island

When I look at the 16mm footage my father took of me rowing at home before we left to film in the Lake District I cringe. My blades were high above the water, hitting the surface with terrible splashes but I seemed to achieve my objective.   I managed to fit an improvised mast to our Thames skiff and even made my own sail. It doesn’t look great, but I think Arthur Ransome would have approved.

Cormorant Island and the camera boats

Swallow finding Amazon anchored near Cormorant Island on Derwent Water with the camera pontoon and safety boat: photo~ Daphne Neville

Simon West and Suzanna Hamilton joined us for the scene when the Swallows lower the Jolly Roger and start to sail the captured the Amazon back to Wildcat Island.  I can only imagine that I changed my costume in one of the support boats. I think the scene may have been shot with two cameras on different boats ~

Sophie Neville playing Titty Walker in the captured Amazon, with David Cadwallader, Bobby Sitwell, Dennis Lewiston, Claude Whatham and two electricians holding reflector boards on the camera punt: Photo ~ Daphne Neville

This shot shows Claude Whatham using the punt,* which somehow managed to accommodate Dennis Lewiston, the 35mm Panavision and quite a few crew members, while Richard Pilbrow remained on the camera pontoon with Eddie Collins operating the 16mm camera.

Richard Pilbrow and his film crew on the camera pontoon with Eddie Colluins opperating the 16mm camera. Simon West and Stephen Grendon sail Swallow. Suzanna Hamilton is cilmbing aboard the Amazon with Sophie Neville

I remember the scene itself as being difficult to achieve in terms of sailing. Swallow has a keel, and Amazon with her centre board is much the faster dinghy. It is not like racing two boats of the same class. After hauling up the anchor Suzanna and I battled to turn the Amazon, not wanting to wiggle the rudder and jeopardise her pins. I remember Simon calling advise over the water.  He stalled and we caught up, trying to get close together for the shot. The result was a photograph used on the front cover of the next Puffin edition of the book.

Swallows and Amazons book cover 1974

Stephen Grendon, Simon West, Sophie Neville and Suzanna Hamilton on the cover of the 1974 Puffin edition of ‘Swallows and Amazons’

* I may be wrong about these photographs. The still surface of the water in the shot of Titty alone in Amazon suggests that it was taken later on, when we filmed the burglars landing on Cormorant Island with Captain Flint’s trunk, but we probably had a very similar set up on this more sparking day ~ 15th June 1973.

We went on to film various shots of us sailing on to Wildcat Island, when I think the camera was in Swallow capturing close-ups of a triumphant Captain John. He did indeed do well.

**Swallows and Amazons by Arthur Ransome, 1970 Jonathan Cape edition

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Swallows and Puffins ~ The film, the paperback and the publicity

I have just been asked about the promotion of the 1974 feature film of  Swallows and Amazons:

‘I remember going to the Puffin Club exhibition in London around the time of the film release and some of the cast were there with one of the boats.  There was a quiz about S & A and you could win a copy of the book – which I did!  Sophie, were you there?  And do you know if the boat was ‘Swallow’ or ‘Amazon’?’

I do remember going to the Puffin Club. They published a very good article about Arthur Ransome and the film using the black and white stills in a far better way than any other magazine. I still have the clipping.

Article on Swallows and Amazons in Puffin Magazine

We were very excited because the publishers had just brought out a copy of Swallows and Amazons with a photograph of the two little ships near Cormorant Island on the cover.  You can’t see us clearly but it was from the scene after Titty had just captured Amazon and both dinghies were being victoriously sailed back to Wildcat Island by John and Roger, Titty and Susan. On the back of the book was a photograph of the Amazons in their red knitted caps waiting in the reeds at the mouth of the Amazon River.

About ten years later Puffin also bought out a copy of Coot Club and The Big Six, the series I worked on behind the camera at the BBC. I can remember getting the cast together for the shot of them on the Death and Glory – an old black boat. It was a happy time.

Swallows and Amazons book cover Coot Club and The Big Six book cover

My two book covers for Puffin

I have to say I had forgotten that we had one of the boats at Puffin Books but the Swallow was used to publicise the film. I found appearing on television could be rather more daunting than public appearances. We were once taken to the BBC television studios to appear, live, on Points West, the regional news programme that came under the Nationwide banner at the time.  The designer had gone to a great effort and made a camp fire in the studio, but it felt weird sitting around it in our own clothes. I think the problem had been that the presenters had not actually read the book so were not in touch with the subject matter. Before we knew it the item had finished and we were whisked off again, home to bed no doubt. Being interviewed on the Radio was less scary although I broke into French once when being interviewed on Woman’s Hour. That scarred the presenter.

By far the most enjoyable programme to be in was Animal Magic, which was presented in those days by Johnny Morris. The Assistant Producer Robin Hellier came with a small crew to film me at home with my own boat and my green parrot Chico.

Appearing in ‘Animal Magic’, with my sisters and Chico our own green parrot

I was deeply impressed by Robin as a director and I thought him far more talented than Claude Whatham, who had directed the movie. More than twenty years later I met up with Robin when I was working on a BBC natural history programme in South Africa called Global Sunrise. He arrived at Johannesburg International Airport having flown from the Kruger Park in a small passenger plane. They had been delayed by a terrible storm and I had ten minutes to get him onto the Friday night scheduled flight to Cape Town. It was a good thing I knew him. I saw him at a distance and shouted, ‘Quick, Robin! Run.’ And we just made it through the gate in time, laughing about Animal Magic. He told me that the film he made at our house with me and my parrot was the very first he had ever directed. I never knew.

Swallows and Amazons premier

The programme from the 1974 premier of the movie ‘Swallows and Amazons’

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Filed under 1973, Arthur Ransome, Autobiography, Biography, Cinema, Claude Whatham, Cumbria, Film, Film Cast, Memoir, Movie stories, Sophie Neville, Suzanna Hamilton, Swallows and Amazons