The school term is over, ‘Swallows and Amazons’ is on BBC iPlayer and Christmas missives are arriving in the post. I have just been sent this homemade card from someone who came to the premier of the original film in 1974, when I was fortunate enough to play Able seaman Titty.
~Captain Flint hanging Christmas decorations around his houseboat on a card made from a Puffin book cover~
I dug out the Puffin paperback of Swallows and Amazons my father gave me when I was a girl and read avidly, along with other books in the series, by the time I was eleven years-old. It is a 1970’s edition in which I’d underlined everything Titty said. I must have re-read this copy when busy preparing for filming the 1974 movie financed by EMI.
Kaye Webb, the editor, had written an introduction saying, ‘This book is about sailing, fishing, swimming, camping, and piratical exploits.’ She wanted to make it available to children, thinking that discovering Swallows and Amazons ‘for the first time must be as exciting as a Christmas morning.’
Underneath, I’d noted down the skills I would need to acquire before playing the part of Titty. ‘Owl Hoot’, was one item, ‘wisle’ (sic) another. I was somewhat apprehensive about dancing the Hornpipe but excited about ‘being a cormorant’, having no idea how cold this experience would prove.
A new edition of the Puffin paperback was brought out to accompany the film. A still was used from the scene where the Swallows sail both dinghies from Cormorant Island.
Today, I am most interested in Ransome’s prose, amused to find the phrase ‘X marks the spot where they ate six missionaries’ does not appear within the pages of the book. It was given to Titty in 1973 by the screenwriter David Wood. However, there are words of wisdom a-plenty that were not used in the film adaptations:
‘I like cooking,’ said mate Susan.
‘If you want to go on liking it, take my advice and get someone else to do the washing up’, is Mother’s reply. (I wonder who might have said this in reality.)
‘You can be wide awake and not see a thing when you aren’t looking’ is one of Roger’s observations.
John was able to look back to ‘a different, distant life’, which is exactly how it feels when the excitement of Ransome’s world spoils you for the ordinary. It’s true: those involved in outdoor activities develop in leaps and bounds ending up, ‘not at all what they had been.’
What is it about Arthur Ransome’s writing that captures your imagination? Rowing? Sailing? Cooking over a camp fire? Which book has most influenced your life?
At least one film fan held a TV party with and 1930’s theme to celebrate. Others stoked up the wood-burner and settled down to spend an afternoon re-living summer in the Lake District. It is as if Christmas wouldn’t be Christmas without ‘Swallows and Amazons’ – a timeless classic to watch again and again.
For the latest edition of the paperback on ‘The Making of Swallows and Amazons(1974)’ with details of where the film was made and what those who appeared in it are doing now, Please click here
The ebook, entitled ‘The secrets of filming Swallows & Amazons (1974)’ is the same with a few more stories for adult readers and has links to behind-the-scenes cine footage. It can be downloaded from iTunes, Smashwords,Kobo and Amazon Kindle
It would be lovely to hear from anyone who saw it in the cinema when it first came out in cinemas in the summer of 1974 – more than forty-five years ago.
Simon Hodkin kindly sent in this cinema programme that he has kept since watching the movie when he was a boy growing up in North Wales.
Arthur Herbertson managed to track down these rare publicity sheets for ‘Swallows and Amazons’ typical of movie games of the period:
Arthur has a collection of the four jigsaw puzzles and the Puffin paperback that came out with the film.
There was a vinyl LP narrated by the screenwriter David Wood that you can still purchase.
Arthur found a publicity brochure that I had never seen before.
To read comments from people who saw the film at the cinema in 1974, please click here
The original story was written by Arthur Ransome in 1929 ninety years ago, so the film hits the half-way mark between the original readers and today’s audience. It’s funny, the critics in 1974 are asking the same question as raised in the billing this week: Do ‘modern youngsters struggle to relate to such old-fashioned game playing’?
Do add your thoughts to the comments below.
~Billing in the Christmas edition of the Radio Times 2019~
In my role as President of The Arthur Ransome Society, I was interviewed by Chris Opperman for a new documentary produced by David Webb on the Walton Backwaters, known by Arthur Ransome enthusiasts as ‘Secret Water’.
The 75 min DVD entitled ‘Walton’s Secret Backwaters’ is compatible with all DVD players displaying the DVD Video & PAL logo. It can be purchased online here
Chris Opperman, who chatted to me at the Royal Harwich Yacht Club on the Orwell, has sailed in the area for years. After a career in newspapers, he produced programmes for Radio 4 and the World Service before presenting the breakfast News and countryside documentaries on BBC Radio Suffolk.
As President of The Arthur Ransome Society, I represent the 1,000 or so members of the literary society devoted to the Swallows and Amazons books, including those set in East Anglia. There is usually a lot of flag flying since many members also sail. Swallow, the dinghy used in the original film ‘Swallows and Amazons’ has taken part in Swamazons events on the Walton Backwaters since she was renovated in 2011.
I don’t know if Swallows and Amazons thimbles are still on ebay
I am not sure Arthur Ransome’s Literary Estate know about them. They do recommend this pair of bone china coffee cups feature exquisite designs incorporating Arthur Ransome’s own illustrations from the Swallows and Amazons books and are currently reduced by 40% here:
You could give someone an activity, such as a sail in Swallow, the original dinghy used in the 1974 film ‘Swallows and Amazons’. She is currently in Kendal so you could ask to go sailing on Coniston or Windermere. This can be booked through SailRansome.com
A member of the Arthur Ransome Group on Facebook is asking for a new DVD that has just come out on the location described by Arthur Ransome in his book ‘Secret Water’. It is available here.
Nothing to do with Swallows and Amazons but I have a short piece in this Christmas book, which might prove useful if you need to hold a carol service and are looking for some new readings. It makes a good present for anyone who loves stories. Check it out on Kindle, order a copy from your library or buy one online here.
I have been sent a copy of a letter written to a reader by Arthur Ransome in June 1955, revealing where some of his locations can be found. I was interested to read that, ‘the lake is mainly Windermere with some things stolen from Coniston.’
This summer, we spent a long weekend with The Arthur Ransome Society when we managed to find quite a few locations around Coniston Water that are featured in Ransome’s books.
~Low Yewdale Farm, near Coniston ~
The curator of the John Ruskin Museum took us on a walk around the village of Coniston and under the Yewdale Crags towards Tarn Howes. We passed Low Yewdale Farm where Arthur Ransome stayed as a young man. It is just as I imagined Swainson’s Farm in ‘Swallowdale’. The footpath takes you down to the beck where Ransome fished for brown trout. I could imagine Roger attempting to tickle trout there.
If you follow the path on south, then branch left up the East of Lake Road around Coniston Water, you will find another footpath leading to Bank Ground Farm.
A hand-painted sign guides you through fields, where Galloway cows maybe grazing. Look up and you will literally find yourself at Holly Howe, the long white farmhouse where Mr and Mrs Jackson live in ‘Swallows and Amazons’. You can imagine the Walker children running down the meadow to the Peak of Darien.
~ Dr Ernest Altounyan rigging Mavis on Coniston Water~
It was here that the Altounyan children, Taqui, Susie, Titty, Roger and Brigit spent one summer holiday in 1928, while visiting their grandparents who lived next door at Lane Head. They learned to sail on the lake in two dinghies: Swallow and Mavis, later re-named Amazons, who can be visited at the John Ruskin Museum in Coniston.
~Bank Ground Farm in Cumbria where the movie ‘Swallows and Amazons’ (1974) was made~
The barn, inside which we filmed some of the night sequences for the original movie of ‘Swallows & Amazons’, has been converted into self-catering holiday accommodation that can house a number of families quite easily. From here you can run down to the boat shed where John, Susan, Titty and Roger found Swallow and imagine them setting off on their voyage to Wild Cat Island leaving the Fair Spanish Ladies on the stone quay.
~The boatsheds below Bank Ground Farm, on Coniston Water~
Wooden jetties have been added recently and it is possible to either launch your own boat or hire a kyak from Bank Ground Farm.
~The northern end of Coniston Water~
We had a bedroom in the barn that looked north towards the Langdales. If you walk up the farm drive, you can look back towards Coniston Old Man, Kanchenjunga, which the Walkers and Blacketts climb in ‘Swallowdale’.
~Bank Ground Farm with the village of Coniston beyond~
Arthur Ransome was taken up the Old Man of Coniston as a tiny baby. You can climb it today but wear more than sand shoes. Stout walking boots are called for. The task of reaching the summit should not be underestimated.
We were able to get out on the lake to find a few more locations. This red-sailed dinghy, named Peggy Blackett, is a copy of Arthur Ransome’s Cochybundhu, used as the model for Dick and Dorothea’s boat Scarab.
~Sailing on Coniston Water towards the village of Coniston~
It is a long way down Coniston Water to Peel Island but it is there that you will spot the Secret Harbour, instantly recognisable as belonging to Wild Cat Island. We went there in the SL Gondola, that now belongs to the National Trust. Ransome knew the steam launch as a boy when he made friends with the captain.
~ Secret Harbour on the southern end of Peel Island, Coniston Water ~
In the cemetery of Coniston village I found the grave of Titty Altounyan, the girl who inspired Arthur Ransome’s well-loved character. I never met her but was with her niece Barbara that long weekend in Coniston, when we both thoroughly enjoyed walking, sailing and steaming along in Ransome’s footsteps.
~ Sophie Neville visiting Titty Altounyan’s grave in Coniston ~
For details of more locations at the southern end of Coniston Water that are featured in the Swallows and Amazons series of books, please click here.
I went on BBC Radio Cumbria recently, to ask if I could meet anyone involved in filming the original film of ‘Swallows and Amazons’ in the summer of 1973, since it was made on location in the Lake District with a young crew.
~Nick Newby of Nicole End Marine~
Nick Newby of Nichol End Marine in Portinscale came to find me when I was helping at the Keswick Convention. As a young man in the 1970s, he provided boats for a number of films and was contacted by Graham Ford, the production manager of Swallows and Amazons in the Spring of 1973. Graham had began working with Mike Turk who had started building boats for TV and films at his family firm, Turk’s Launches, but this was based on the Thames in London. They needed help from someone in the Lake District who knew about traditional boats.
~Ronald Fraser being trransported by Dory to The Lady Derwentwater in 1973~
Arthur Ransome had clearly based Captain Flint’s houseboat on the Esperance, originally a steam launch cruising on Windermere. You can read more about her and see photos here. ‘Since she was sitting on the bottom of Whitecross Bay at the time,’ Nick told me, ‘the film crew decided to use the Lady Derwentwater.’ This was a launch licensed to carry 90 passengers that Nick had worked on and knew well. ‘She is about 58 foot long and quite a rigid boat, having four full length steel RSJs set inside her. She was built the Lakes in 1928. We moored her at Brandelhowe in Great Bay for the filming. You need to be careful getting in, as there is a rock shelf.’ The advantage of using her was that you could see the view over the lake from her large cabin windows, which enhanced interior scenes. The Lady Derwentwater, whose nick-name is Dishy, has since been re-built with a different stern, but you can book a passage and go out on the lake in her yourself.
~The Lady Derwentwater today~
Nick told me that Captain Flint’s eight foot Wright’s dinghy, the houseboat’s tender, had been made by Wright’s Brothers of Ipswich. The Jackson’s ‘native canoe’, rowed out to Peel Island by Virginia McKenna was ‘a family fourteen’ Wright’s sailing dinghy with a centre case. He knew many of the traditional boats in the Lakes. ‘I served me time as a yacht and boat builder at Shepherd’s in Bowness Bay.’ This company was based the green double-story boat sheds featured in the ‘Rio’ scenes. ‘During the winter we used to have to break the ice on the buckets of water when we were rubbing down boats. The sail lofts had a square panel in the apex so we could poke the 8 to 10 metre masts inside. A boom could go up the stairs but a mast certainly couldn’t. ‘
~Virginia McKenna with Sophie Neville and DoP Denis Lewiston~
‘Amazon belonged to a chap called Vosey who was rather reluctant to let her be used for the filming,’ Nick said. ‘We did her up a bit after the filming.’ I gather she had been used in the black and white BBC serial of Swallows and Amazons made in 1962 when Susan George played the party of Kitty.
~Swallow sailing towards the filming pontoon in 1973~
I believe Swallow had been found at Burnham-on-Crouch as she was built by Williams King and Sons. Mike Turk, who had built a shallop for the 1966 movie ‘A Man For All Seasons’, purchased her for the film and brought her up to the Lakes. She had no added buoyancy. Nick claims that being a wooden boat she would never sink but I reminded him that we came close to hitting the MV Tern on Windermere when loaded with camping gear, which was a bit scary.
Swallow was later used at Elstree Studios when the sound was dubbed onto the finished film. Mike kept her out of the water in his store at Chatham until SailRansome bought her at auction in 2010. She was sensitively restored by Pattersons, has a new sail, added buoyancy bags and is now available for anyone to sail in Cumbria.
~Mike Turk’s filming pontoon with Swallow attached in 1973~
‘Mike already had the flat-bottomed filming pontoon. It had originally been used for carrying a vehicle. We added twin outboard engines and rigged scaffold under the water so that either Swallow or Amazon could be attached to it but still keel over naturally as they sailed. When the dinghy went about, I would turn one outboard and thrust the other into reverse so that the pontoon went about with them.’ I remembered that the first time they tried this Swallow’s mast footing broke. Amazon’s mast-gate broke on another occasion. Nick had to persuade a friend to let him borrow his welding workshop and managed to mend it over night, so that she could be ready on set first thing the next day.
~The camera pontoon, Capri and one of the Dorys used behind-the-scenes~
Nick went on to say the pontoon leaked a bit. ‘We would have to pump out hull every morning.’ The Capri used behind the scenes was Nick’s equivalent of a marine Land Rover. ‘It had a reinforced glass fibre hull for increased capability and a 55-horse power engine that had been used for the Olympics. We used it for Ken Russell’s film ‘Tommy‘, the rock opera with Roger Daltry and The Who. Once, when we were using it for Swallows and Amazons, Clive Stuart shoved it into gear with rather too much gusto. Someone only just managed to grab the director, Claude Whatham, before he was flung over the back. ‘Claude was spitting feathers after that.’
~Suzanna Hamilton, Simon West, Sophie Neville & Sten Grendon with David Stanger at the helm of the Dory in 1973~
Mike Turk provided two Dorys, built at his yard, to use as run-around boats. One was driven by David Stanger who is now skipper of a launch on Ullswater. It was a stable boat but you needed to watch how it was not overloaded. Water came over the bows one day giving my mother rather a shock.
~Nick Newby at the Alhambra cinema in 2018: photo Marc Grimston~
‘The boating world is a small world,’ Nick assured me. This July, forty-five years after making the film, he brought his grand-daughter to watch ‘Swallows and Amazons’ at the Alhambra Cinema in Keswick and gamely came up on stage for a Q&A to explain how some of the sailing scenes were achieved.
Mike Turk, Swan Upper and Queen’s Waterman, who provided boats for numerous films from Moonraker to Hornblower, sadly passed away aged 78. You can read his obituary here. He went on to work on a number of James Bond movie. You can see his film credits here.
A group of Arthur Ransome enthusiasts clubbed together to buy Swallow from Mike’s collection in 2010. She is currently kept on a trailer at Kendal in the Lake District. If you would like to sail her, please visit SailRansome.com
For Nicol End Marine, about two miles outside Keswick on Derwentwater please click here
This summer marked the 45th Anniversary of filming the original film ‘Swallows and Amazons’ on Derwentwater when Ronald Fraser was obliged to walk the plank in a solar topi in July 1973.
To celebrate the anniversary, Sophie Neville, who played Titty, introduced a screening of the 1974 film at the Alhambra Cinema in Keswick on Saturday 28th July.
She demonstrated how one of the visual effects was achieved and signed copies of her book ‘The Making of Swallows and Amazons’ after a Q&A.
‘I brought one of the original arrows that the Amazon pirates fired over my head. It looks so dangerous on film that the shot was cut from the television version but is included in the re-mastered cinemascope edition that we are now able to watch on the big screen. You might be able to spot a few other things that went wrong while we were filming, such as the time I inadvertently slipped up to my waist in water.’
‘The elegant Lakeland steamer, the Lady Derwentwater, had the starring role as Captain Flint’s houseboat. She was adapted for the part by the award-winning set designer Ian Whittaker, who went on to receive an Oscar for Best Art Direction on ‘Howards End’ starring Sir Anthony Hopkins and Emma Thompson. His astonishing list of nominations can been seen here
Swallow, the 1930s sailing dinghy used in the original film ‘Swallows and Amazons’ was at the lakeside for Arthur Ransome enthusiasts to admire. She is looked after by Rob Boden, from Kendal, who is happy to take people for a sail by prior arrangement via the SailRansome website here.