If you are keen on dinghy sailing and looking for adventure, this is a book to accompany you through the summer months ahead. It is full of sound advice from Roger Barnes who learnt to sail on Windermere in Cumbria and is now President of the Dinghy Cruising Association. He has written for Classic Boat, Watercraft, Dinghy Sailing Magazine and currently writes for Classic Sailor.
Roger emailed me to ask if I had a photograph of us sailing Swallow without life jackets. I supplied him with this shot my mother took in 1973 since I am standing in the dinghy. I am not sure how we managed to go about when we sailed off, as it also contained the parrot’s cage.
I will certainly take The Dinghy Cruising Companion with me if I manage to get Swallow to Brittany in the near future. As you can see from the cover Roger often takes his own boat to regattas in France.
I bought my copy of Roger’s paperback online but it’s available from all good bookshops. To find out about sailing Swallow, the dinghy used in the 1974 film of Swallows and Amazons, please click here for Sail Ransome.
Last weekend we had the IAGM of The Arthur Ransome Society in Dumfries. Why not join this literary society who organise great events and summer camps. If you are not able to get out and about there is a wonderful Arthur Ransome Group on Facebook
To read my own article for Classic Sailor please click here
I’ve just had an article published in a fabulous new magazine for all those who love classic boats and traditional craft. The balotina Nicoletta, a ceremonial gondola, pictured below, must be one of the most elegant on the River Thames.
I am rowing at No 4 in this photograph of the Drapers’ shallop Royal Thamesis taken by Peter King. the shots of the Gloriana are my own:
There is lots more to read in the magazine including a story from Roger Barnes about taking his dinghy to a sail-and-oar challenge in France, as well as news of Thames barges on the east coast.
Classic Sailor are eager to hear from readers about what kind of articles they’d like included. If anyone can send me a book review or perhaps a piece on sailing films, I could forward it to the editor.
To read more about the event and see wonderful photographs, please click here
Comments from readers are flooding in:
If you have ever wondered what Nancy Blackett is doing now – here she is. Built by Hillyards of Littlehampton in 1931 she was bought by Arthur Ransome with royalties from Swallows and Amazons and became both the inspiration and model for his book about the Swallows’ unplanned voyage to Holland ~ We Didn’t Mean to go to Sea, in which she was known as the Goblin. She also appears in Secret Water.
I was at the Royal Harwich Yacht Club to give a talk on making the BBC adaptations of two other Arthur Ransome books set in East Anglia, Coot Club and The Big Six.
I thought that people would rather be out in the sunshine or watching the Wimbledon finals but it was well attended.
After watching a clip of Ginger and Rosa, the BFI/BBC feature film directed by Sally Potter that Nancy Blackett starred in last year, we wandered down to the jetty in front of the new club house, and grabbed a chance to go out on the Orwell.
Soon sails were being hoisted and we were underway, sailing down river in the evening light.
Conditions were perfect for Nancy, a 28 foot Bermurdan cutter.
I took the helm, whilst the others did the hard work.
We were soon sailing past Pin Mill, which also features in the book.
Some members of the crew were experienced sailors,
others had previously managed to avoid spending much time on the water, but we all had a wonderful experience and were sad when the sails were stowed for the night.
We saw a couple of Thames barges also coming in, as Nancy settled down after a successful day.
For more photos please click here
Unbelievably, thirty years have passed since we started filming the BBC adaptations of Coot Club and The Big Six on location in Norfolk. We drove up to Norwich on 17th June 1983 and by 3rd July would have been in full swing. It had been my job to cast the children who I was now looking after on location.
Amazingly, we were to able enjoy three months of almost solid sunshine and had the most wonderful time. The eight-part serial, produced by Joe Waters, was first broadcast in 1984 under the generic title of Swallows and Amazons Forever! This was because Joe was hoping to dramatise other Arthur Ransome books, but sadly they proved too expensive.
I gave an illustrated talk about how the series was made at the Royal Harwich Yacht Club on the River Orwell for the Nancy Blackett Trust Annual Meeting, explaining how Rosemary Leach and I had both appeared in the BBC drama Cider with Rosie back in 1971. Having starred as Laurie Lee’s mother, she had the lead part of Mrs Barrable, the Admiral in Coot Club.
The drama, set in the early 1930’s, was nominated for a BAFTA. It had an exceptionally talented cast including Rosemary Leach, John Woodvine, Sam Kelly and Henry Dimbleby. I’m not sure if you can spot him that easily on the cover of the DVD, but one of the characters in the story soon became a household name. It was William, Mrs Barrable’s fawn pug dog. He was soon known nationally – if not internationally – as Little Willie, Ethel’s pet dog in the soap opera Eastenders.
While Jack Watson was at the helm of the Sir Garnet, Julian Fellowes played Jerry, self-appointed skipper of the Margoletta and the leader of the Hullabaloos. Whilst with us on the Norfolk Broads he forged a creative partnership with our director Andrew Morgan that launched his career as a writer. They were soon working together on adaptations of classic books such as The Prince and the Pauper and Little Lord Fauntleroy.
Looking back, I can see a number of connections between Coot Club and Doctor Who. You will see we had not one but two Time Lords with us in the guise of The Eel Man, who was played by Patrick Troughton, and Dr Dudgeon, played by Colin Baker, who went on to become a later incarnation of the Doctor.
A number of the crew worked behind the scenes on Doctor Who including our Visual Effects Designer, Andy Lazell and the writer Mervyn Haismen. I found myself working on Vengeance on Varos a year later when Colin Baker swapped his Norfolk tweeds for the multi-coloured coat he wore in the TARDIS.
However, I expect the members of the Nancy Blackett Trust will want to know most about the beautiful period boats that appeared in the series, some of which members of the Arthur Ransome Society have been tracking down. Sadly some, such as the Catchalot seem to have deteriorated but the Janca, who played the Margoletta has been restored, and the Death & Glory is still on the Broads.
The wonderful thing is that you can still hire the yacht we used to play the Teasel and take the same route through the Broads as Arthur Ransome took with his wife in the 1930’s when he was absorbing experience from which to write. What I did not know until recently was that Titty Altounyan ~ the real Titty portrayed in Swallows and Amazons ~ accompanied them one year, but I will leave that story for a future post.
For more information on Saturday’s talk please click here
Sophie Neville with Swallow on Coniston Water, Cumbria
Nick Barton of Harbour Pictures, in collaboration with BBC Films, launched a new adaptation of Swallows and Amazons on 19th August 2016. They hope it will be the new Harry Potter or Chronicles of Narnia franchise, but are yet to start casting.
I joined him and his wife on the first recce to the Lake District in 2011, staying at Bank Ground Farm, sailing Swallow on Coniston Water and taking a boat trip down Lake Windermere in Cumbria. He went on to find locations on Derwentwater and in Yorkshire with his director Philippa Lowthorpe who developed the new script with Andrea Gibb.
To see a clip of the opening scenes, starring Kelly Macdonald and Andrew Scott – please click here
If you want to know what it was like to be in the film made back in 1973 ~ please click here: https://sophieneville.net/category/autobiography/
Jim and Jill Searle of the Norfolk Country Sailing Base in Ludham helped us find traditional boats for the BBC adaptation of Coot Club and The Big Six set on the Norfolk Broads. Jill has kindly sent me a copy of this photo taken of Lullaby just after she was chosen to play the Teasel. Her costume consisted of a false transom, which is still at Hunter’s Yard in Ludham today.
Roger Wardale recently took this photograph that I believe is to be included in his new book, Arthur Ransome on the Broads , which Amberley Publishing will bring out soon in full colour. He tells of Arthur Ransome’s half-dozen or so holidays on hired yachts and of the young people who sailed in the fleet, including Titty and Tacky (Taqui) Altounyan. Roger found out that the Ransomes hired a 23′ Fairway’ yacht from Jack Powles of Wroxham. This had a Primus stove with a special cooking locker in the well. It sounds very well kitted out with a wash-basin and self-emptying WC in a separate compartment. The three Somnus spring-berths had drawers underneath and there was even a wardrobe. Like the Teasel she was built of mahogany with a ‘bright varnish finish’ and given a fair wind she would have zipped along at quite a speed.
Roger said that he spent six days last summer trying to find places Arthur Ransome visited that had not changed since the 1930’s for his photographs but said that was difficult. What he did find was the Titmouse at Hunter’s Yard
It is still possible to hire the mahogany hulled, gunter-rigged yachts much as Arthur Ransome and his wife did in the 1930’s, together with a sailing dinghy or rowing boat. There are fourteen sailing cruisers in the Hunter’s fleet and none have an engine. They have lifting cabin tops so you have more headroom when you moor up. Lullaby, who was built in 1932 is 28ft long with four berths. The mast can be lowered with counter weights so that she can be taken under bridges with a clearance of 6 foot.
Jim and Jill Searle have a restored a traditional gaff-rigged 26′ 1930’s crusier, which is to be sold this year. I gather it is beautiful.
Roger Wardale says that in the 1930’s, many of the yachts had a ‘self-acting’ jib, ‘which according to Ransome was too large, so that there were times when he lowered his and sailed better without it!’ I gather they still have self-acting jibs but the size may have been altered. (?)
Roger also found a cruiser similar to the Janca, the 1930’s cruiser who played the part of the Margoletta, skippered by Julian Fellowes in his glorious role as a Hullabaloo, the spiteful, arch-baddie of Coot Club. She made a perfect leading lady. I believe the Janca is currently being restored ~ but you’ll have to remind me who owns her.
Back in 1983 we were hugely helped by a number of Norfolk boatmen who knew the broads well.
You will have to let me know the name of these gentlemen who spent long hours helping us in the summer of 1983.
Filming from one boat to another is tricky and their patience was much appreciated. In many ways the easiest boat to film with was the Death and Glory. She can still be found moored somewhere on the Broads.
I well remember setting up this shot for the cover of the abridged version of the two stories, which was brought out by Puffin to accompany the series. It shows the Death and Glory complete with her green chimney. The big secret was that the interior of the cabin was larger than the exterior. we puzzled over Ransome’s drawings only to decide that he had cheated the measurements too.
Bruce McCaddy and his team built the set inside a modern boatshed where it was kept for ‘rain cover’, since the interior scenes could always be shot if it was wet. It included ‘camera traps’ or sections that could be removed so the scenes could be shot. I never went inside but the boys loved it. In fact the weather was glorious. We enjoyed such constant sunshine in the later part of the shoot that we filmed the interiors when it was dry and so hot that the boys got quite over-heated.