Tag Archives: Home movie footage

More behind the scenes footage of ‘Swallows & Amazons’ (1974)

We have just found another reel of 16mm home movie footage shot, not on location in the Lake District, but at Runneymede near Egham in Surrey. It captures the essence of a hot day in September 1973 when we were re-called for pick-up shots after the main body of the film of Swallows & Amazons had already been edited.

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Ronnie Cogan trimming Sophie Neville’s hair for the part of Titty in September 1973

The clip opens with the film hairstylist Ronnie Cogan cutting my hair. It had been a good six weeks since I had last played Titty in front of the camera and I needed a trim to restore it to the same length it had been on 14th May when we had first started filming on the Lakeside and Haverthwaite railway. Suzanna Hamilton’s thick dark hair had grown a great deal, as had Sten Grendon’s.

Cutting Sten's hair

Sophie Neville watching Ronnie Cogan cut Sten Grendon’s hair.

Peter Robb-King the Make-up artist had been toning down out complections inside the same Make-up caravan we’d used while on location for seven weeks in Cumbria. I remember it had orange flowery curtains, a pattern much in vogue at the time.

Sophie Neville with Sten Grendon, Jane Grendon, Claude Whatham and Neville Thompson

Sophie Neville looks on as Stephen Grendon organises his costume helped by Jane Grendon with Claude Whatham and Neville C Thompson.

Neville C Thompson, the Associate Producer, who was wearing a red shirt that day, seemed happy to be back on location. The film director, Claude Whatham was working, as I will always remember him, in a pair of navy blue shorts and sailing shoes. I loved putting on the school hat and silk dress I’d worn in the train but was difficult for the boys to climb into their woolen costumes on such a bright sunny day.

Theatre Projects Call Sheet for 'Swallows and Amazons'

Richard Pilbrow, the Producer, who you can see wearing a white stripy cheese-cloth shirt so typical of the early 1970’s, seemed rather on edge. Bringing a camera crew along for what amounted to three shots must have been expensive, stretching his budget to the limit.

Sophie Neville, Claude Whatham and Simon West with Richard Pilbrow in the foreground ~photo:Daphne Neville

Gordon Hayman with a 35mm Ariss camera, Sophie Neville, Claude Whatham and Simon West, with Richard Pilbrow in the foreground ~photo:Daphne Neville

The oak tree, under which the 35mm Arriflex camera was set, was chosen to represent the Peak of Darien from which we looked out over an imaginary lake to an imaginary island. The finished movie cuts from the Walker children’s faces to a shot taken of Derwentwater at sunset with the opening title graphics superimposed over what is in reality Blakeholme, or Wild Cat Island as it is called in Arthur Ransome’s world.

Opening Titles

Denis Lewiston, the Director of Photography, was working with the Cameraman Gordon Hayman, using reflector boards to light our faces. At one stage he had me standing on a cream coloured blanket to reflect light from below. You can see it in this shot:

Sophie Neville playing Titty Walker with Stephen Grendon as Roger Walker with Gordon Hayman, Denis Lewiston and Claude Whatham behind the camera

Sophie Neville playing Titty Walker with Stephen Grendon as Roger Walker with Gordon Hayman, Denis Lewiston and Claude Whatham behind the camera

What I had forgotten was that two little girls came along that day to stand-in for us when the shot was being lined up. You can see them in the home-movie footage, one wearing a pale blouse with puffed sleeves.

Claude was very keen on running. He often took us for a short run before going for a shot to aerate our minds and freshen up our faces. In the story we had run down the hill from Holly Howe, so he had us running quite far before we landed on the marks that the cameraman had given us so that we’d be in focus. We had no dialogue, but the expressions on our faces were crucial to engaging the audience.

Denis Lewiston, Claude Whatham, Sophie Neville, Suzanna Hamilton, Simon West and the cameramen

Denis Lewiston, Claude Whatham, Sophie Neville, Suzanna Hamilton, Simon West and the cameramen

You see a few other people on location, not least Sten’s mother, Jane Grendon, my little sister, Molly Pilbrow and a few others who were watching. My mother had been taking the footage.

Daphne Neville with Stephen Grendon, Suzanna Hamilton, Sophie Neville, Jane Grendon and Simon West

Daphne Neville with Stephen Grendon, Suzanna Hamilton, Sophie Neville, Jane Grendon and Simon West

To read about this day from another angle, please click here to visit an earlier post with a few more photos.

On Friday 21st November 2014, I was invited to talk about the making of Swallows & Amazons on the CBBC movie show with David Wood, who wrote the screenplay. I’ll let you know when this will be broadcast. While I was at Novel Entertainment I met Dexter Fletcher and Bonny Langford as well as Justin Johnson from the British Film Institute who is an adviser on the series of 6 x 30 minute programmes..

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Filed under Acting, Arthur Ransome, Autobiography, Biography, Cinema, Claude Whatham, Cumbria, Film, Film Cast, Film crew, Film History, Film production, Filmaking, Lake District, Memoir, Movie, Movie stories, Richard Pilbrow, Sophie Neville, Suzanna Hamilton, Swallows and Amazons, truelife story, Zanna Hamilton

For the forthcoming book ~

With thanks to Richard Pilbrow and Theatre Projects who produced SWALLOWS & AMAZONS (1974)

Copyright Sophie Neville

~ but please share with your friends ~

~~~~~~~~~

To read the filmography posts about the 1974 film please go to ~ https://sophieneville.net/category/autobiography/

The Gondola on Coniston Water in 1973 ~ photo: Martin Neville

The Gondola on Coniston Water in 1973 ~ photo: Martin Neville

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Walking the Plank – The Battle of Houseboat Bay ~ Part Two

Filming on location in Cumbria in 1973 ~ nearly forty years ago.

Our designer Simon Holland was rowing Swallow without his shirt. Producer Richard Pilbrow was hanging on the side of the houseboat clad in denim.  Terry Smith, the wardrobe Master, was busy drying off Ronald Fraser’s wet costume on the aft deck.  The white pith helmet was being touched up by the unit painter.  Unions must have been strict back then.

Director Claude Whatham was making the most of the rare but glorious Lake District weather to complete the scene on the foredeck of the houseboat. The Swallows, the Amazons and their Uncle Jim, who had just been made to walk the plank and was now dripping wet, waited patiently while I delivered Titty’s immortal line: ‘Captain Flint – we’ve got a surprise for you.’ Not quite the same as in Arthur Ransome’s book but it worked well.

War cries from everyone…

Kit Seymour, who was playing Nancy, must have dropped on top of us all.

The cabin of the houseboat had been turned into a dressing room for Ronald Fraser.

A long day’s filming out on the lake.

My mother took a series of photographs showing how the crew managed in the limited space:

Director Claude Whatham in blue demin talks to DoP Denis Lewiston. Terry Needham stands on deck ~ Photo: Daphne Neville

The 16mm camera in the grey punt.

The film crew with Director Claude Whatham talking to Simon West, Lesely Bennett, Ronald Fraser and Stephen Grendon on the foredeck ~ photo: Daphne Neville

I think the chap in the swimming trunks is a boatman from Keswick. Does anyone recognise him?

http://www.amazon.com/Swallows-Amazons-Region-Dinah-Sheridan/dp/B00008IARQ/ref=sr_1_4?ie=UTF8&qid=1344950585&sr=8-4&keywords=Swallows+and+Amazons+DVD

DoP Denis Lewiston with his assistant camerman, Sue Merry in black Claude Whatham and the film cast ~ photo: Daphne Neville

The 16mm camera was noisy. This would have been the shot taken when I said we just went through the movements.

Molly Pilbrow in the plaid jacket witht he cast and crew on the houseboat ~ photo: Daphne Neville who was acting as chaperone.

And all the time Molly Pilbrow was keeping an eye on the script. I don’t think there was any room for Graham Ford. He was looking after the base camp:

Production Manager Graham Ford in Derwent Water: photo ~ Daphne Neville

It had been a productive day; a battle well fought, the treasure returned.

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Filed under 1973, Acting, Arthur Ransome, Autobiography, Biography, Cinema, Claude Whatham, Cumbria, Diary, Film, Film Cast, Film crew, Film History, Filmaking, Lake District, Memoir, Movie, Movie stories, Richard Pilbrow, Sophie Neville, Suzanna Hamilton, Swallows and Amazons, truelife story

‘Country Tracks’ with Ben Fogle

At last!

We have the clip from Country Tracks presented by Ben Fogle, that includes interviews with Director Claude Whatham, Lucy Batty of Bank Ground Farm, Suzanna Hamilton and myself discussing the swimming scenes, with the unique behind-the-scenes footage my father shot on 16mm film, with his Bolex camera back in 1973. You might have seen a longer version of this on Countryfile and Big Screen Britain. I am yet to receive residuals.

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Filed under 1973, Arthur Ransome, Biography, Cinema, Claude Whatham, Cumbria, Dinghy sailing, Film, Film Cast, Film crew, Film History, Filmaking, Humor, Lake District, Memoir, Movie, Movie stories, Sophie Neville, Swallows and Amazons, Travel, truelife story