Memories of making the original movie of ‘Swallows & Amazons’

The phone in my office rang at about 6.30pm.

“Is that my little Titty?” a voice asked.

“Well…”

“Do you know who I am?”

I had no idea.

“I haven’t seen you since 1973!”

“It’s Jean!” It was Jean McGill ringing from Bowness in Cumbria. She had been our driver and the unit nurse on the film of ‘Swallows & Amazons’ made in the Lake District from May to July 1973, released a year later in 1974.

Jean our driver and location nurse operating the radio with Sophie Neville ~ photo:Martin Neville
Jean McGill our unit driver and location nurse with Sophie Neville ~ photo:Martin Neville

“I’ve never seen the film,” Jean declared, “but I loved your book about making it.  It brought back such memories.”  I urged her to tell me more. “I remember when Suzanna Hamilton cut her hand whittling wood. It was bleeding like anything. I bandaged it up nicely but the director was horrified and made me take the dressing off again.”  I think this was when we were in the middle of filming on Peel Island. The accident put an end to our wood carving hobby, which was a shame. We’d been using a Swiss Army knife to make our own bows and arrows with Bob Hedges the prop man.

Ronnie Fraser and DoP Denis Lewiston with paper cups of champagne and the call sheet for the next day ~ photo: Daphne Neville
Ronnie Fraser outside the dining bus on location with a paper cup of champagne

” You children persuaded me to go out to dinner with Ronnie Fraser! Why I went, I haven’t the foggiest. He was a rough character – very coarse.” Ronald Fraser was the movie actor playing Captain Flint. “I used to have to drive him to the local hotel in the mornings and order champagne to sober him up.”

“How would champagne have helped to sober him?”

“I don’t know. He told me it would.”

“I think he’d been divorced for a while at the time.”

“I wouldn’t have married him in the first place,” Jean assured me.

Terry Smith and Jean McGill on Derwentwater
Terry Smith wearing the safety officer’s wetsuit with unit nurse and driver Jean McGill

Jean had been taken on as the unit nurse after the first nurse proved rather out of her depth. I thought she was a State Registered Nurse but she corrected me. She had 26 years experience in nursing becoming a hospital sister but was never an SRN. “I was a driver for Browns (of Ambleside)” and as such was paid to work on the film. “I wasn’t paid to be the unit nurse. It didn’t matter, I wouldn’t have missed it for the world.”

I only found out recently that my mother hadn’t been paid to be a chaperone either, despite the responsibility as well as her legal obligations. It was hardly a big budget movie. Like Jean, she was simply thanked with a bouquet of flowers at the end of the filming.

Jean was one of the few local people who worked on the film throughout the seven weeks we were on location. Her local knowledge made all the difference as she knew the roads well, took short cuts to avoid the traffic and knew the best swimming spots when the weather warmed up.

A Day Off in Blackpool
Suzanna Hamliton, Simon West, Claude Whatham Sophie Neville, Kit Seymour, Jean McGill with Daphne Neville (kneeling) Blackpool, 1973

I reminded Jean about the early 1970s – what we ate and how we dressed.  ” I bought a pair of jeans for the first time in my life. It was so hot that I changed into shorts while we were on set. You children took the jeans and stitched a big red heart on the backside.” There was a craze for adding embroidered patches to denim clothing. These were expensive to buy but we persuaded to Sten Grendon’s mother to make red hearts for everyone’s jeans. “It made walking through Ambleside very embarrassing.” Jean sounded as if she was still recovering from the indignity 43 years later. “It mucked me up!”

Jean went on to drive for Mountain Goat Tours in Cumbria and worked in a doctor’s surgery before becoming a registrar for ‘hatches, matches and dispatches’. “I’m a coffin-kicker now,” Jean told me cheerfully. She never worked on another film but kept a copy of the original screenplay and other memorabilia.

Not long after I spoke to her a brown paper package arrived in the post.  It contained an envelope with the writing,

FOR THE ATTENTION OF TITTY

‘Still looking for the photographs. Will send to you when I find them. 43 years old?  It was this tatty when I got same! Jean.’

And this is what the envelope contained:

Original Screenplay of Swallows & Amazons page 1

Here is Jean in her red top talking to my mother in her Donny Osmond hat:

 

News and Reviews of ‘The Secrets of Filming Swallows & Amazons’

Have you received the same despatches as me?

I opened my post to find not one but three reviews of my books, including this article published in The Outlaw and another in Signals, for which I am very grateful. I have pasted them here for fans of the film who do not yet subscribe to these literary magazines.

Review by Jack Parker in The Outlaw

This review was followed by by a comment from Winifred Wilson, librarian of The Arthur Ransome Society:

Review by Winifred Wilson1

The Library Supplement in The magazine of The Arthur Ransome Society gives a full description of all three books:

Review in Signals Library Supplement

Review in Signals

Mixed Moss  arrived before Easter with Spurrier’s map on the cover:

Mixed Moss 2014

I found another review inside, this time from New Zealand:

Mixed Moss1

Mixed Moss2

Mixed Moss3

The News is that The Secrets of Filming Swallows & Amazons has been signed up by the publisher Classic TV Press who plan to bring out a new edition in paperback this July. It will include glossy photographs and additional points of interest. If you would like to order a signed copy please email: classictvpress@live.co.uk

If you are interested in joining the Arthur Ransome Society please click here.

Here is a shot from 1973, capturing some of the deb-archery:

Sophie Neville watching the Amazons practicing with bows and arrows

Sophie Neville with Peter Robb-King (Make-Up) and Ronnie Cogan (Hair) watching Lesley Bennett and Kit Seymour trying out their bows and arrows with Terry Smith (Wardrobe) while on location near Peel Island on Coniston Water in the Lake District.

 

Stories from one of the unit drivers on ‘Swallows & Amazons’ (1974) ~ part two

Chris Stott - unit driver on S&A

~ David Stott aged 19, far right ~

David Stott has emailed me, sending a photo of himself with his friends in the summer of 1973:

‘It was taken at college just before l started work on Swallows and Amazons… I am the one on the right with the yellow sweater. Love the hairstyles.  Fashion-wise it was the era of Crimplene, as evident in my friend Pauline’s dress.  I remember I wore a brown Crimplene jacket when I was driving the unit car.’

For the last twenty-six years David has been the resident proprietor at the Crossways Hotel near Willmington, a beautiful Georgian restaurant with rooms in East Sussex near Glynebourne, which makes the perfect place to stay if you are lucky enough to get tickets for the opera.

David recently added more tales of impro-parrot-y to the comments:

‘I also remember the incident when Ronnie Fraser sang “Drunken Sailor”. I delivered him back to location from a very drunken session at The Lodore Swiss Hotel, dragging him from the bar. He was not a pretty sight. Was it that the same afternoon that he had to fall into the lake? My memory is a little sketchy, but l seem to remember he was pretty far gone on that occasion as well.’

Ronald Fraser as Captain Flint in 'Swallows & Amazons' (1974)
Ronald Fraser as Captain Flint in ‘Swallows & Amazons’ (1974)

‘My neighbour Mrs. Dora Capstick was employed to show Captain Flint how to play the accordion. Of course I think the music was dubbed at a later date.’  I can only suppose that she taught him how to play the sea shanty, What shall we do with the drunken sailor? since that is what he was playing in the shot at the end of the film.

‘I had forgotten the name of the parrot lady, Mrs. Proctor, she lived in a cottage in one of the old yards in Kendal. I was scared to death of Beauty and I don’t know how you could bear to have him on your shoulder.

‘I vaguely remember your mother and I was friendly with Jean McGill the unit nurse who was another local Ambleside Girl.’

Jean our driver and unit nurse operating the radio with Sophie Neville ~ photo:Martin Neville
Jean McGill our unit nurse operating the radio with Sophie Neville ~ photo:Martin Neville

‘I was friendly with some of the production assistants but cannot remember their names.  Quiet a few hours were spent on the double-decker buses that were used on location.

‘Another memory I have is having to wait for the London train to collect the rushes then get them back to the Kirkstone Foot Hotel for an evening screening and felt very privileged when l was allowed to stay and watch them.’

Graham Ford giving Mick a cake
Outside the double-decker bus: Production Manager Graham Ford giving scenic painter Mick Guyett a Birthday cake just before filming ended in July 1973. Who else is in the photo?

Does anyone else remember helping to make the movie Swallows & Amazons, or coming to watch the filming in 1973? Please do add your memories in the comments box below.

Outside the red double-decker dining bus at tea time. Kit Seymour and Suzanna Hamilton can be spotted.
Outside the red double-decker dining bus at tea time. Kit Seymour and Suzanna Hamilton can be spotted along with Mick and various film unit drivers

‘The Secrets of Filming Swallows & Amazons’ in the headlines

The Times Sat 23 Nov 2013

The Times. What author would not be thrilled to have their ebook profiled in a Saturday feature article? But look at the headline. I shall never live it down. Far from being scandalous, my story is appropriate reading for any age group.

The Times Sat 23 Nov 20131
‘The Secrets of Filming Swallows & Amazons’ by Sophie Neville, featured in The Times

Richard Kay’s piece in the Daily Mail seems to have sparked off quite a bush fire. A News journalist from the Telegraph rang, as mentioned in my last post. Before I knew it, there was an over-excited headline on the internet

I was told-off by our Church Warden, who then handed me a clipping from the Saturday Telegraph, which read: ‘Swallows and Amazons a debauched adventure’. I didn’t dare look in the tabloids.

I was worried that I would be asked to step down as President of The Arthur Ransome Society but some of the members think it’s hilarious. The Arthur Ransome Group on Facebook have been busy thinking up Newspaper headlines for his novels, such as ‘Soviet agent indoctrinates all British children’.
*
Ronald Fraser and Ian Whitaker on the houseboat1
Ronald Fraser, Make-up artist Peter Robb-King & Set Dresser Ian Whitaker on Captain Flint’s houseboat

Anecdotes about Ronald Fraser’s legendary drinking habits are mounting up.  Spare me from being a prattler, but Ronnie would have loved this. Star of thirty post-war movies and numerous television programmes, he liked nothing more than to sit in a pub sharing scandalous stories with his friends from the press.  A showman to the end, his coffin was carried by Sean Connery, Peter O’Tool, Simon Ward and Chris Evans.

DSCF7719
Can anyone tell me who took this photo? If you click on the shot you will get to my Swallows & Amazons page which has a photo of the photographer.

Peter Walker e-mailed me from Cumbria:

In 1973 I worked for Post Office Telecommunications (now BT) as a local maintenance engineer. One summer’s day I had been given the job of repairing a fault on the payphone in the White Lion Hotel in the centre of Ambleside. As I pushed open the door to the bar it slipped out of my hand and the handle caught a customer in the back who happened to be taking delivery of a large drink.

I apologised, and he said “No damage done my boy… haven’t spilt a drop!”

I said I was referring to his back, “Don’t worry,” he said, “being stabbed in the back is normal in my line of business!”

Ronald Fraser on the cover of the VHS
Ronald Fraser on the cover of the VHS

A wonderful story that I have already added to the ebook:

long after the filming, when Ronald Fraser was having a pint with his friends, he was fond of muttering ‘Natives!’ especially if someone ate the last of his crisps.(As you probably know, this was one of Titty’s lines in the film used when the Swallows were nearly run down by a Windermere steamer.)

Ronnie Fraser and DoP Denis Lewiston with paper cups of champagne and the call sheet for the next day ~ photo: Daphne Neville
Ronnie Fraser and DoP Denis Lewiston with paper cups of champagne in 1973

His fans and old drinking pals added comments below the online feature in Friday’s Telegraph:

Ronald Fraser sounds like he was well cast for the part, the black sheep of the family who was also the favourite uncle and usually totally p-ss-ed.

Ronald Fraser – a joy and wonderfully in-character as the freeloading drunk on the trans-Atlantic liner in the original TV adaptation of Brideshead.

“Debauchery” implies REAL shennanigans. Ronnie was usually too plastered to do more than stand, let alone move, let alone “do” anything. I assume the word is used ironically.

I had the pleasure of meeting Ronnie Fraser several times in the Richard Steele on Haverstock Hill in 1969/70, and of conversing and drinking with him. He was a total lush, but charming, funny and scandalous. His fund of acting stories was endless. I’m surprised he made it safely through S&A! (Swallows and Amazons)

I also remember Ronnie Fraser from the Richard Steele. One evening he was serving behind the bar, in his cups he served me 4 drinks and instead of adding up the price he just said “that looks about 10 shillings worth to me!”

The Richard Steele was a proper boozer with a mixed clientele which included Anthony Booth, Rupert Davies and Eric Sykes. And a great selection of posters on the walls. I went back in there a couple of years ago and it has lost the buzz it had back in those days.

he also was in the star in st.johns wood too dont think i ever saw him sober either.that would be about 1975 -1979

Yep. I too drank with him in The Richard Steele in 1976/7. Total gentleman and a great character. He used to drink with Alan Browning. Glynn Owen was another regular and one or two others of note.

I loved that film and thought it very faithful to the source book. My sister has met Ronald Fraser and as well as being a boozer he was also apparently something of a swordsman.

I thought that Ronald Fraser was miscast – he was too much the buffoon and his speech impediment wasn’t appropriate to the role.

With Ronald Fraser
With Ronald Fraser in 1973

General comments about the film were also added to the Telegraph site:

I had a slightly surreal experience 10 or 12 years after it came out. It was on TV and I sat happily through it, then I put in the video of the John Hurt movie 1984. In it, the girl I’d just been watching playing Susan as a 12 year old instantly aged 10 years.

It was raining in the Lake District- that’s a major surprise. One place there has recorded 200 inches of rain in a year!

It’s good to find someone else who shared those lovely £sd days!! I remember the posters vividly.

It was indeed largely a time of great adventure for a child at that time. As kid’s, at weekends & holidays, we often wouldn’t be seen from morning ’till evening, off exploring our surroundings. Totally unlike the generally mollycoddled, world wrapped in cotton wool that you usually see with today’s parents and their children.

Great book and an excellent, very English film! Pity that Arthur Ransome was a traitorous Communistic Guardian hack! I imagine that Soviet Commissars, used to Black Sea dachas, would have found The South Lakes far too drizzly for a summer holiday. No doubt Mr Ransome would have been keen to host them.

Well, you have to admit it was excellent cover for his job of reporting everything the Bolsheviks did to MI6.

Ronald Fraser being transported to the Houseboat
Ronald Fraser being transported to the Houseboat on Derwentwater

Your comments are invited below.

For those who have not already seen it, here is some behind the scenes footage of filming on that houseboat in 1973.

 

‘What was it like?’ ~ adjusting to life at home after filming ‘Swallows and Amazons’ in 1973

Newspaper articles about 'Swallows and Amazons' in 1973
A newspaper article by Ernest Chapman that came out in July 1973. The main photo features Ronald Fraser as Captain Flint with Sophie Neville, Stephen Grendon, Simon West and Kit Seymour

Being back at home for the summer holidays was lovely. I must have been pretty tired. But, adjusting to real life when articles like this one appeared in Woman’s Realm was tricky. Everyone seemed to be reading about me in their dentist’s surgery.

‘What was it like?’ I was often asked.

How could I begin to describe working like this ~

Sophie Neville with the cast and crew of 'Swallows and Amazons in 1973
The cast and crew of ‘Swallows and Amazons’ filming on the jetty at Rio in 1973

‘Did you have lots of lines to learn?’

How could I explain that this is how we worked on the dialogue?

Filming the movie 'Swallows and Amazons' in 1973
Rehearsing with Claude Whatham out on the lake

‘What were the others like?’

How could I tell people about the whole crew, that I’d had working relationships with so many adults?

Talking to Martin Evans the Gaffer and Terry Smith the wardrobe master while leaning on a lighting stand at Bowness-on-Windermere

Technical questions were much easier to answer than, ‘How did you feel?’  No one wanted to know that most of the time I felt cold.

‘Did you have to wear make-up?’  This was a difficult one, as we didn’t wear conventional make up but my legs were regularly coated in a layer of foundation so as not to appear shockingly white. You can see the smooth effect in the photograph above. Suzanna was amusing about this in her diary. She hated being sponged down with a matt base and sun-bathed whenever she could so as to avoid it in the near future.

‘What did you wear?’

Suzanna drew pictures of the two dresses she wore at Bank Ground Farm. I always rather liked her blue gingham one. Unlike the Duchess of Cambridge I have never worn a yellow dress apart from the sleeveless one I had to climb into to play Titty. It was really too short for 1929. I remember the costume designer, Emma Porteus, confiding in Mum that they would cheat on the length a bit. Hem-lines were very much above the knee in 1973. Arthur Ransome would have turned in is grave. Luckily Titty’s dresses just look a little out-grown.

Suzanna Hamilton's costumes for scenes set at Holly Howe
Suzanna Hamilton’s drawings of her costumes for scenes set at Holly Howe

‘How did they film you sailing?’

Again Suzanna provided wonderful graphics of this. I don’t think I’ve yet published this page of her diary.

Suzanna Hamilton's diary about using a camera pontoon on Coniston Water
Suzanna Hamilton’s diary about using the camera pontoon on Coniston Water. If you click on the picture you should get through to Ben Fogel’s documentary where Claude Whatham describes this in further detail.

‘What was Virginia McKenna like?’

This question was easy. ‘She was lovely.’

The Walker family played by Suzanna Hamilton Stephen Grendon, Sophie Neville, Virginnia McKenna and Simon West at Bank Ground Farm in Cumbria
The Walker family played by Suzanna Hamilton Stephen Grendon, Sophie Neville, Virginia McKenna and Simon West at Bank Ground Farm in Cumbria

Many years have gone since we sat amongst the daisies at Bank Ground Farm. I am now happy to talk about anything. Do click on the comment box below or go on a Facebook page to ask any questions you might have about the filming of ‘Swallows and Amazons’.

‘We sailed the length of the lake’ ~ filming on Derwentwater, 9th July 1973

Sophie Neville as Titty Walker with Stephen Grendon as the Boy Roger and Simon West playing Captain John Walker on Derwentwater
Sten Grendon as the Boy Roger, Sophie Neville as Able-seaman Titty and Simon West playing Captain John, Derwentwater in 1973 ~ photo: Daphne Neville

Monday morning on Derwentwater in the Lake District and we had no lessons. The Cumbrian schools had broken-up for the summer holidays so we were free to play, or as freely as you can be when you are wearing a costume that can not under any circumstances get wet or dirty.

Terry Smith, Sophie Neville and Daphne Neville on location in the Lake District
Behind-the-scenes: wardrobe master Terry Smith with Sophie Neville and her chaperone outside the Make-up caravan on location near Keswick.

Although Claude Whatham was operating with a skeleton crew our wardrobe master Terry Smith was still getting us into the right kit for each scene. My mother said that he either got muddled or distracted at one point as a whole sequence was shot with all of us wearing the wrong costumes. It caused quite a fuss. It would have been expensive in time and money. She thought he had been given the sack, but this doesn’t appear to have been the case.

Simon West, Stephen Grendon and Sophie Neville whilst on location in the Lake District in 1973 ~ photo: Daphne Neville

One of the secrets of filming ‘Swallows and Amazons’ is that, on this day, Terry Smith adapted Ronald Fraser’s costume and white colonial pith helmet for our property master Bob Hedges to wear. It was he that fired the cannon on the houseboat.

The secrets of filming Swallows and Amazons in 1973

A boatman working on Derwent Water in 1973
Clive Stewart our boatman with the houseboat and the dinghies, Amazon and Swallow, on Derwentwater in 1973 ~ photo Daphne Neville

Clive Stewart of the Keswick Launch Co. was one of a number of Cumbrian boatman who worked on the support crew for the filming of Swallows and Amazons in 1973. They played a vital role not only ferrying us to the location but acting as safety boats and keeping modern boats out of shot. They were certainly busy once the wind got up on this particular day. Claude Whatham handed over the direction of montage sequence of the Swallows’ first voyage to the island to David Blagden, our sailing director. At last we had the sun and wind for it – if not too much wind. By now were were pretty experienced but the little ship was challenged to the full as wind gusted down from Cat Bells.

Suzanna Hamilton wrote in her diary that, ‘…it was very rough. We thought we were going to do a Chinese jibe but it was OK. We sailed the whole length of the lake.’  What must have been tricky for Simon West was that he had Denis Lewiston, the lighting-cameraman, on board with a 16mm camera, as well as all our clumsy camping equipment. You can see me heaving the crockery basket past the camera on the movie. The result was probably the most exciting sequence in the film, or so my father later declared.

Filming the voyage to the island in Swallow

Jean McGill, our unit nurse and driver, was ever around to scoop us up and keep everyone cheerful when we came in feeling a bit chilly.

Terry Smith and Jean McGill on Derwentwater
Wardrobe master Terry Smith wearign the safety officer’s wetsuit with unit nurse and driver Jean McGill on Derwentwater. Kit Seymour is sitting behind them to their right ~ photo: Daphne Neville

In the evening Richard Pilbrow, his girl-friend Molly Friedel and his assistant Liz Lomax came up to our guesthouse in Ambleside to show us the cine footage they took on the sailing weekend that had been the final audition for our parts. This had taken place in March at sailing town of Burnham-on-Crouch in the Maldon District of Essex when were stayed on board a moored vessel and went out sailing with David Blagden in quite grey, chilly weather. The conditions had been pretty rough then. I remember telling Claude that we ‘helmed like anything’.  I felt terribly embarrassed later when I realised that ‘helmed’ was not exactly what I had meant to say but I don’t think Claude was familiar with sailing terminology at the time.  He would have like the spirit of what I said.

It had been choppy but none of our days had been as rough as David Blagden’s Atlantic crossing, famously made in his tiny orange-hulled 19 foot yacht Willing Griffin.  I wonder if the footage of this still exists?

Richard Pilbrow must put me right on this, but the theory is that he acquired Swallow that weekend. We were told at the London Boat Show that she was originally the all-purpose run-around dinghy built by and for William King & Sons’ boatyard at Burnham-on Crouch in the 1930s.  She has the initials WK carved on her transom. They designed her well – a stable little ship with plenty of room inside and no centre-board to worry about. You can see detailed photographs of her on the Sailing Swallow website.

Being a cormorant ~ filming more swimming scenes for Swallows and Amazons on 4th July 1973

Stephen Gredon as Roger Walker being taught to swim by Suzanna Hamilton playing his elder sister Susan Walker on location at Peel Island on Coniston in 1973

Roger still couldn’t swim, but he was trying to. Very hard.  The production manager had kindly scheduled the second of our swimming scenes as late in the summer as possible. The weather was warmer – we’d elected to go bathing in a river up near Rydal Water on our day off – but it was still pretty chilly out on Coniston.

Whilst we tried to acclimatise by running around in our swimming costumes the crew were all in their thick coats as you can see from this home movie footage shot by my mother. We had bought her 8mm camera by saving up Green Shield stamps. (Can you remember collecting Green Shield stamps from petrol stations? They were an icon of the early 1970s all by themselves.) I remember someone on the crew calling out ‘Second unit!’ as Mum lifted what looked like a grey and white toy to her face. It was a bit noisy so she was not able to record during a take. You only see us before and after the sequences in the film, but her footage shows quite a few of the members of the crew – all smoking away, even when they were trying to warm us up after each sequence. You can watch Jean McGill, from Cumbria, our unit nurse who was dressed in red popping Dextrose into our mouths and giving us hot drinks to warm us up. Jean made Gareth Tandy, the third assistant, who was aged about 18, wear a sun hat because he had previously suffered from sun stroke. David Blagden can be glimpsed as one of the only other men with short hair.

The camera pontoon must have been left up on Derwentwater. Claude was obliged to shoot these scenes from what we called the camera punt, which was smaller but quite useful. Richard Pilbrow sent me a picture. He has included others in a new book that he has written about his career, including a section on the making of ‘Swallows and Amazons’ called ‘A Theatre Project’

Claude Whatham and his crew on the camera punt
First assistant David Bracknell, director Claude Whatham, grip David Cadwallader and DoP Dennis Lewiston (seated) with three local boatmen ~ photo: Richard Pilbrow

Do please let me know if you can tell me the names of the three Cumbrian boatmen featured in this photograph who helped us. Others are featured in the home-movie footage. They all look like pirates. Real ones.

Goodness knows that Health and Safety would say about that punt today. The DoP managed to get two sizeable electric lights, on stands, into a boat already overloaded with personel and expensive equipment. You can see for yourself. Were these ‘Filler’ lights powered by portable batteries?  The Lee Electric generator was on the shore. I was in the water. Busy being a cormorant.

We had an interesting afternoon filming with both dinghies. At one point we had the camera with us in Swallow. I found these photographs of us on the internet.

Sophie Neville, Simon West and Suzanna Hamilton

I was given the honour of clapping the clapper-board and calling out, ‘Shot 600, Take one!’ for a close-up of Suzanna Hamilton.

Suzanna Hamilton as Susan Walker sailing Swallow on Coniston Water in 1973

‘The worse possible kinds of natives’… Tourists were beginning to arrive for their summer holidays in the Lake District and we still had quite a bit more to film.

Sophie Neville, Suzanna Hamilton and Simon West sailing Swallow in 1973