Category Archives: boating

Speaking about filming ‘Coot Club’ and ‘The Big Six’ on the Norfolk Broads

 

Sophie Neville with Titmouse

~Sophie Neville with the star of ‘Coot Club’~

I was invited to talk about making the BBC TV classic serial ‘Coot Club’ and ‘The Big Six’ at the Norfolk Broads Yacht Club to help celebrate their 80th Anniversary. Titmouse, then 1930s dinghy owned by Hunter’s Yard had been brought down from Ludham for the occasion.

The bonus was that I was able to go sailing in one of the classic boats gathered at the club for their Open Day.

Geoff and Rose Angell kindly took me out on Pippa, their beautiful yacht with brown sails that appeared in ‘The Big Six’. I am sure Arthur Ransome would have loved her.

I’d spent nine months working with the BBC production back in 1983 when it had been my job to cast the children and teenagers who appear in the drama, many of whom needed genuine Norfolk accents.

Coot Club - book cover

~Henry Dimbleby, Nicholas Walpole, Jake Coppard, Mark Page, Caroline Downer and Richard Walton as they appeared in ‘The Big Six’ (1984)~

We had been looking for young actors who could swim well and were able handle boats. We then spent three months filming in East Anglia when I looked after the children and helped rehearse their lines. I set up this shot for the cover of the Puffin paperback that accompanied the series.

~Author Sophie Neville giving a talk at the Norfolk Broads Yacht Club~

At a forum organised after my talk, Pat Simpson from Stalham Yacht Services explained how he found one of the stars of the series – an old lifeboat suitable to play the Death and Glory. She had been brought from where she is kept at Belaugh for the evening. You can see more photographs of her in the previous blog post here.

'The Death and Glory'

Pat provided a number of other vessels for the series including Buttercup and support boats such as the safely boat, a large modern cruiser used as a school room along with another for the costume and make up personnel. He explained that this came as a god-send as boat rentals had not been good that summer. Working on the series was harder than he imagined, ‘We once had to take a boat from Regan to Horning Hall overnight’ but he was pleased that ‘after three months of concentrated work, we got it all done.’

~Robin Richardson~

Robin Richardson, who co-owned Pippa back in 1983, explained how the shot of her being cast adrift was achieved. This wasn’t as easy as first thought as even when Simon Hawes, who was playing George Owdon, flung her stem line on the deck, a gentle breeze was blowing her back against the staithe. ‘Pippa didn’t want to go anywhere’. Robin had to stage the action by throwing out a mud anchor, climbing under her awning and pulling on the line to create the effect of a boat drifting out of control into potential danger. Pippa’s white canvas cover is pulled back here, but you can imagine the scene.

He was on location when Henry Dimbleby, who played Tom Dudgeon, was attempting to tow the Teasel under Potter Heigham bridge. He was rowing Titmouse, pulling hard on the aors but nothing was happening. ‘Stop for lunch,’ Robin advised the director, ‘and the tide will turn.’ This they did, and Henry we able to row under the bridge, towing the Teasel quite easily. Hunter’s Yard, who own Lullaby, who played the Teasle, could not bring her down for the weekend as she had been leased out with other boats, but they sent her transom, painted with her stage name.

'TEASEL'

Robin Richardson owns the ‘Slipstream’ class dinghy called Spindrift who played Shooting Star in the serial. She was built by her father but couldn’t be with us as they were not able to complete her winter maintenance in time but Richard Hattersley said she came tenth in this year’s Three Rivers race when only 15 of the 98 entries actually finished. It’s a 24 hour endurance challenge, which they completed despite light winds. He sent me this shot, ‘of her battling it out with much larger Thames A Raters.’

Spindrift a Slipstream class dinghy

I was shown a wonderful black and white photograph of the vessel used to play the Cachalot. She was skippered in the series by the film actor Sam Kelly in the role of the unnamed pike fishermen who the Death and Glory boys simply called ‘Sir’. She is seen here with John Boswell, her real owner who has sadly passed away. His son, the artist Patrick Boswell, brought along an album of behind-the-scenes photos.

The theme of the weekend was ‘Boats of the 1930s’. I explained how Swallow, the dinghy used in the original film ‘Swallows and Amazons’ originally came from Burnham-on-Sea where she was made by W. King and Sons to be used as a run-a-round boat. She was stabilised by a keel that ran the length of the hull, as Ransome described. It makes her rather difficult to turn. You can sail her today and is in the Lake District right now. Please see Sailransome for details.

There was quite a bit of interest in memorabilia from the original movie ‘Swallows and Amazons’. I bought along the white elephant flag captured from Captain Flint’s houseboat in the 1974 film, which was approved by a young Amazon pirate.

After a celebratory dinner, David and Nicky Talbot invited me to spend the night in the comfortable for’ard cabin of Kingfisher, a 1970’s motor yacht moored at the club.

I woke early on the Sunday morning to find mist hanging above the water as the sun was rising on what proved to be another sunny day with a fair wind for sailing.

After breakfast aboard, I was invited out in the 1930s river cruiser ‘Water Rail’, who had also appeared in the serial. We took her down the River Bure to her mooring in Horning where she is still part of the scene.

It was wonderful to be out on the waterways of Norfolk, passing traditional buildings. This was a stretch of river never featured in the television drama as Rosemary Leach, who played Mrs Barrable, took Dick and Dorothea from Wroxham to Horning in a trap pulled by Rufus the pony. One reason for this was that in 1983 we had to use the North Norfolk Steam Railway, since Wroxham Station had been modernised but Joe Waters, the producer, said he wanted to add variety by featuring a pony rather than a motorboat.

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We encountered a number of period cruisers, although Janca, who we used to play the Hullabaloos’ Margoletta, sadly could not be with us, as she is still under repair.

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However, by motoring into Horning ourselves, we passed The Swan Inn and Horning Staithe where a number of scenes had been shot, including some that featured Julian Fellowes and Sarah Crowden, playing the hated Hullabaloos. You can see photographs of them in an earlier post here.

~Horning in Norfolk showing The Swan Inn and Horning Staithe where boats are moored~

Another vessel that interested me was a river launch that reminded me of the 1901 steamboat Daffodil, which I renovated with my father in 1978. I have photographs of her here.

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You can read more about the traditional boats used in the series by clicking here.

Gerry Spiller, has written from Woodbridge in Suffolk, to say that she has found an oar labelled TITMOUSE, bought at a boat jumble. Could this date from the early 1930? Does anyone have the pair?

Blade labelled TITMOUSE

 

The DVD of the serial is now available on a re-mastered DVD, available from Amazon here

(Do not be tempted by the old version with a more colourful cover as the image quality is very poor)

New DVD of 'Coot Club and The Big Six'

Additional photographs by Richard Hattersly

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Filed under 1983, Arthur Ransome, boating, Dinghy sailing, sailing film, Sophie Neville, Swallows & Amazons, Swallows and Amazons, Uncategorized

Sophie Neville with camera

~Sophie Neville with the yacht ‘Goldfish’ sailing on Wroxham Broad~

Last weekend, I travelled up to Wroxham with my camera and memory stick for the Norfolk Broads Yacht Club’s Open Day. They were celebrating life on the Broads in the 1930s, along with the books by Arthur Ransome’s that are set in East Anglia.

We were blessed by such glorious weather that almost everybody seemed to be sailing when I arrived.

A number of vessels that appeared in the BBC TV adaptations of ‘Coot Club’ and ‘The Big Six’ entitled ‘Swallows and Amazons Forever!’ were on display at the club, including Titmouse, the dinghy belonging to Tom Dudgeon in the story, that normally resides at Hunter’s Yard in Norfolk. She is no longer seaworthy.

Tom’s punt, the Dreadnaught was pulled up alongside an elegant Edwardian skiff called Joan B that was once set adrift at Horning by George Owden. She had been brought along by Pat Simpson, a member of the Norfolk Broads Yacht Club.

Pippa, a classic broads river-cruiser with dark sails belonging to Geoff and Rose Angell, was cast adrift at Horning in the dark of night. She came to no harm and was now out on the water, racing against a 1904 yacht with white sails, number 4, called Swallow.

‘White Boats’ or ‘Yare and Bure one-designs’ originally brought out in 1908, were also  racing as they have been since the Farland twins, Port and Starboard, crewed for their father in ‘Coot Club’. Ransome refereed to a white boat called Grizzled Skipper who belonged to Chris Shallcross, but no one could remember which of the 140-odd White Boats registered was used in the series. You can see a fleet of White Boats here racing at Horning, the Swan Inn in the background.

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I spotted ‘Brown Boats’, a Broads’ one-design with a distinctive counter stern and spoon bow, which would also have been seen racing in the 1930s. They were first built in 1907 and although a few were lost during the war there are still 88 in existence, although some now have fibre glass hulls. Number 61, called Hanser, is owned by Danny Tyrrell.

Lullaby, who played the Teasel in the series, was up at Horsey Mere with other from her fleet but we had her costume on display. It is a varnished transom painted with the name Teasel. Janca, the motorboat who played the infamous Margoletta, hired by the Hullabaloos, was unable to come as she is currently being renovated, but Water Rail, a Herbert Woods Delight Class B 1930s cruiser belonging to Liz Goodyear was safely moored alongside other classic boats. She appeared in the back ground of several scenes in the television drama.

I then spotted a distinctive burgee that took me back thirty-five years:

Bird Preservation Society – it was the flag belonging to the Death and Glory, flying next to ‘the little old chimney’ made from a galvanised bucket.

Originally a German lifeboat washed up on the beach at Southwold, she had been bought for the series by Pat Simpson of Stalham Yacht Services, who found her moored at Snape in Suffolk.

Pat kept her for his sons to take out on the Norfolk Broads and it has been operated by children as Death and Glory, ever since.

It must have taken a bit of work to make her sea-worthy but tarred and fitted-out correctly, she closely resembles Arthur Ransome’s illustrations, the homemade cabin mysteriously larger inside than out.

I was asked to sign a copy of ‘The Big Six’ bought along by Professor John Farrington from Aberdean, who acquired the Death and Glory for his own children in 1989.

‘I took them to the boatyard and suggested they climbed aboard. “Get on!” ‘They were aged ten and eleven.’

‘”But what about the owners?” they asked.’

“You are the owners,” I told them.’ He had just bought it for them as an unexpected present. ‘Before long they rowed it from Stalham to Sutton and back.’

This year is the 80th Anniversary of The Norfolk Broads Yacht Club, which is why they have a 1930’s theme running through their calendar. The day proved a true celebration of traditional boats that would have been seen back then.

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I had been asked to give a talk about filming the series, which I will relate in my next blog post. The re-mastered DVD, for which I wrote the DVD extras, is available on Amazon here:

New DVD of 'Coot Club and The Big Six'

 

You can read more about how these boats were used in the series here

and on

Norfolk Broads Yacht Club website

Do add any information about these boats or ask questions about making the book adaptions in the comments below.


~Photograph of Water Rail moored on Wroxham Broad by Richard Hattersley~

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May 10, 2018 · 11:23 am

Rowing The Queen’s Barge Gloriana in the Boat Race Flotilla

If you were able to watch the Oxford and Cambridge Boat Race or catch it on BBC Television, you might have caught sight of the Queen’s Row Barge Gloriana, her gold dolphins glaring at the dark water of the Thames.

She led the Boat Race Flotilla ahead of the actual races, a warm-up act for the crowds waiting along the bank for the great event.

We were promoting the Future Blues – a new year-round community outreach project that aims to increase the total number of school rowing clubs in the UK by 50%. The Boat Race Company say, ‘We hope this initiative will leave a legacy of not only social upliftment but diversity and education for the future.’

I was fortunate enough to join the crew as they rowed from Chiswick Pier up to Putney Bridge on the morning of 24th March. I wore the black cap of my rowing club, City Barge and the red shirt of the Gloriana:

After taking a stroll past the Putney boatsheds where the television cameras were lining up under the sponsors’ banners, we rowed our passengers down the official four-mile course. I’m on the right of this shot (above) wearing a black City Barge cap.

The Men’s Boat Race, from Putney to Mortlake, was established in 1845 and has also been used for The Women’s Boat Race since 2015.

Map of the Oxford and Cambridge Boat Race

We were joined by standing-up oarsmen from City Barge, rowing Italian and Maltese vessels, while other rowing clubs joined us in Thames skiffs and a variety of other traditional craft.

They added colour to a grey day in March and brought life to the River Thames reminding onlookers of her past glory.

Glimpses of this was depicted on the cabin walls of the Gloriana, while hand-painted pictures of water birds adorned the ceiling.

Food and drinks were laid on for our guests including excellent English sparkling wine, which has become a feature of the day.

The Gloriana from the water

 

While the men’s eights to row the course in under 17 minutes, it took us 52 minutes to reach Chiswich Bridge in the Gloriana.

11 We follow Glorianna

However, we were pulling 9 tons. Since we were a crew of 18 oarsmen, we each pulling the equivalent of half a ton, against the stream but with the tide.

Rowing the Gloriana through London

We also had more than twenty passengers on board – representatives from schools nearby who hope to participate in the Future Blues scheme.

Rowing the Gloriana under Chiswick Bridge

 

We were watched by thousands crowded along the riverside. The big thing was to keep together, which his trickier that you might imagine given the curve of the hull.

The White Hart pub on the Thames

The challenge was in raising our oars to salute almost every crowded pub or boat-house along the route.

Saluting

The wooden oars are 16 foot long and quite a weight. I look at myself now (thrid from the right in a black cap) and wonder how I did it.

Gloriana salute on the Thames

I have managed to lift my oar in Venice after rowing the Voga Longa and in Nantes after rowing 45 kilometres through Brittany but I found it tricky in the Gloriana.

Our cox was gracious but it was clear I need more practice. I got there in the end.

Once under Chiswick Bridge we were able to wait for the racing eights to come through after the finish.

We had been asked to grace the back of shot for the BBC coverage of the event,

which put us in a prime position to watch the crews pull in and gather for the prize-giving.

We almost became part of the antics that otherwise could only be seen on television

Cambridge University won both the Men’s and Women’s races with ease and enjoyed traditional celebrations despite the cold.

You can watch the coverage of the event on BBC iPlayer here

It was great to have taken part in such an exciting a national event. Many thanks to Malcolm Knight and The Queen’s Row Barge Gloriana for having me.

Sophie Neville on the crew of the Queen's Row Barge Gloriana~Sophie Neville in the QRB Gloriana~

 

with additional photos by Richard Bailey of City Barge

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A marathon reading of ‘We Didn’t Mean To Go To Sea’ by Arthur Ransome

On Saturday 21st October, local  ITV News interviewed Griff Rhys Jones and myself at Pin Mill in Suffolk. We were taking part in a marathon reading of Arthur Ransome’s iconic book ‘We Didn’t Mean To Go To Sea’ with other authors including Libby Purves, Francis Wheen, Christina Hardyment, Julia Jones and Marc Grimstone. Ivan Cutting of Eastern Angles and Dan Houston, editor of Classic Sailor, also read chapters. You can read more about the event here.


~Pin Mill on the Owell ~ photo: Anthony Cullen(c)~

The story begins at Pin Mill where the Swallows – John, Susan, Titty and Roger Walker, along with their mother and Bridget-the-ship’s-baby, are waiting for their father to take up a Naval posting nearby at Shotley. The four children didn’t mean to go to sea at all but somehow ended up sailing to the Netherlands in a terrific storm. I was asked to read the last chapter.

Griff Rhys Jones and Sophie Neville at Pin Mill 21st Oct 2017

~Gryff Rhys Jones and Sophie Neville appearing on Anglia Television~

The reading, which lasted nine hours, was held to celebrate the 80th anniversary of the book’s publication in 1937. It has been profiled in the magazine Classic Boat and on the BBC News website. The event was organised by Peter Willis of The Nancy Blackett Trust who spoke at length to Lesley Dolphin on BBC Radio Suffolk

Julia Jones, Francis Wheen and Sophie Neville - photo by Anthony Cullen

~Julia Jones, Francis Wheen and Sophie Neville with a photograph taken by Arthur Ransome when his yacht Selina King was being built. Photo: Anthony Cullen~

You can read about our adventures sailing Nancy Blackett this summer in Country Life magazine:

Sophie Neville profiled in Country Life magazine 12 July 2017

There are also photos of our cruise through the Netherlands on the Nancy Blackett Trust website, as well as a six page colour feature in Classic Sailor magazine. You can watch the ITV News clip here.

Nancy Blackett in Classic Sailor

Going back twenty years: Members of The Arthur Ransome Society alerted me to a BBC Children’s Television programme, which shows Griff Rhys Jones at Pin Mill in 1997 when he met Taqui Altounyan who knew Ransome when she was a girl. The Swallows were originally based on her family who learnt to sail in two clinker-built dinghies called Swallow and Mavis when they stayed at Bank Ground Farm (Holly Howe) above Coniston Water in the Lake District. I recently discovered the secret that Taqui was also the model for Captain Nancy in Ransome’s well-loved books. This episode also contains clips from the 1963 television adapation of ‘Swallows and Amazons’, with Susan George playing ‘Kitty’. Forgive the series titles – it is worth viewing:

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Sailing the Nancy Blackett in Dutch waters – part two

Nancy Blackett, the 28 foot cutter that Arthur Ransome bought with Spanish gold, as he called his royalties from ‘Swallows and Amazons’, is an old lady now. Built by Hillyards of Littlehampton in 1931, she turns eighty-five this year and yet looks pristine. If you ever wanted to sail the Goblin in ‘We Did Mean To Go To Sea’ you must know that it was Nancy who took this starring role in Ransome’s novel, first published eighty years ago.
Nancy Balckett in Middleburg photo Sophie Neville

Nancy Blackett

I arrived in the Netherlands this summer to find Nancy receiving visitors at a nautical festival in Midddleburg, while a jazz band played on the quay.  She was moored by a lifting bridge in the centre of town, neatly rigged and ready for anything. After taking a look at a number of old gaffers, her crew enjoyed a cold beer and walked down the canal to vittel-up at a supermarket before having dinner in what was once a packing house for silks and spices imported from the East Indies.
Nancy seen through the bridge in Middleburg

Nancy seen through the swing bridge in Middleburg

As the swing bridge rose the next morning, we made way and motored down the wide canal to Veere, mooring up by the grassy port bank. 
Hollyhocks of Veere

Hollyhocks of Veere

After being granted permission to go ashore, I passed the historic town well and walked down lanes bordered by hollyhocks to visit the museums of this ancient port. They house a number of charts and medieval maps that would have delighted the Swallows, along with old photographs of Dutch natives in traditional dress. I was tempted to buy a pair of clogs to take home for Bridget.
The waterways of Zeeland

The waterways of Zeeland

We left Veere to explore the islands and creeks of the Veersemeer before sailing down-channel and through a modern lock into the Oosterschelde estuary formed by the River Scheldt. It was once an important shipping route that bought wealth to the Netherlands but is quieter now. I spotted a seal and watched a cormorant swallow a large eel, that wriggled and jiggled inside its gullet.
Windmill of Zeeland

A windmill of Zierikzee

After negotiating the impressive Zeelandbrug that spans the delta, we sailed down to Zierikzee where you can climb the church tower, if you dare, and look out across the once fortified town. The windmills, ornate spires and ancient buildings help one to imagine what life must have been like in the 1500s when it became famous as a trading centre for salt and madder. I found scold’s stones and a whaler’s kayak from Greenland at the Stadhuis Museum in Zierikzee where Veronica Frenks was once the curator.
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The lock gates of Zierikzee

Our skipper, Ian McGlynn, wondered if we could sail back under an arch of the Zeelandbrug instead of waiting for one section of the road to lift. Built between 1963 and 1965 the Zeeland Bridge is more than five kilometres long and hardly comparable to the arch of Potter Heigham but Mate Judy Taylor didn’t want to take any risks. We had Nancy’s new mast to consider.
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Crewing the Nancy Blackett

It was only on our last evening-but-one that rain hit us. We’d had blue skies and sunshine all week. As the salt water was washed away from Nancy’s portholes I opened the pages of ‘We Didn’t Mean To Go To Sea’ to find Ransome’s illustrations and read the final passages of the Swallows’ unplanned voyage to Holland. The book is eighty years old this year and yet moves me still. There is Nancy, portrayed as the Goblin moored up in a foreign port, which is where we left her to be enjoyed by other members of the Nancy Blackett Trust.
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Nancy Blackett in Zeeland

 A marathon reading of ‘We Didn’t Mean To Go To Sea’ is planned, to celebrate the 80 year anniversary of its publication, at Pin Mill Sailing Club on the Orwell in Suffolk on Saturday 21st October 2017.
Pin Mill from the Water
To read more about Nancy or join the Nancy Blackett Trust please click here
Nancy has been featured by Country Life in a July issue you can read here
.
We Did Mean To Go To Sea by Octavia Pollock

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Sailing the Nancy Blackett in the Netherlands – part one

This summer, I grabbed the chance to sail Arthur Ransome’s favourite little ship, the Nancy Blackett. If you recognise her it might be because she was his model for the Goblin in ‘We Didn’t Mean To Go To Sea‘, possibly the most exciting and touching of the Swallows and Amazons series of books. I re-read it while we were in Dutch waters aboard the main character herself.

   ~ Nancy Blackett under sail on the Veersemeer in Zeeland this June ~

~ Beach End Buoy at the mouth of the River Orwell in Suffolk ~

In the story, the Swallows – John, Susan, Titty and Roger Walker – promise their mother that they will not go to sea, but disaster strikes when the Goblin slips her anchor in thick fog, while her owner is ashore, and gets swept out past the Beach End Buoy at Harwich. The wind rises and the children find themselves sailing across the North Sea in a terrific storm before a friendly Dutch pilot guides them into Flushing.

~ Nancy in the old lock at near the medieval port of Veere ~

This year we joined Nancy when she had already made the crossing to the Netherlands but we did take her through an old lock built in the same style as the one the Swallows encountered, all be it at the other end of the canal. It was as if we had sailed into the pages of the book and lived out the adventure ourselves, learning about ropes and reefing each nautical mile.

Mooring up could be tricky, especially since Nancy is an old lady with a bow-sprit, but unlike Susan and Titty, I never felt sea-sick for a moment.

~ Learning how to hoist the mainsail ~

~ The Nancy Balckett undersail on the Veersemeer in the Netherlands ~

~ Sophie sailing in salt water ~

~ Looking out for Dutch barges ~

Local author Veronica Frenks came out with us one morning, taking us up a creek to see the traditional Dutch barges and historic ships that she often writes about. She soon made plans to write about Arthur Ransome for Spiegel der Zeilvaart, a Dutch periodical. Here she is at the helm:

To read about sailing Nancy on the River Orwell in Suffolk, where she is based. please click here.

To read about sailing Nancy on the Beaulieu River and the Solent, please click here

If you would like to grab a chance to sail Nancy or find out more about the Nancy Blackett Trust, please click here

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photographs by Veronica Frenks of Ma Plume, Judy Taylor and Sophie Neville

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A Little Bit of Film History

Contact sheet - Sophie Neville with Amazon's anchor

~ Titty with Amazon’s anchor ~

When I first posted an extract from ‘The Secrets of filming Swallows and Amazons’ on a literary website, someone wrote a review assuming it to be a novel. They must have thought that I was some poor creature who had imagined the whole thing. The reviewer considered the plot too far-fetched and fantastical – as you might if it had not been true.

‘You must have been dreaming.’

‘But Captain Flint, there were burglars, you’ve got to believe me.’

Poor Titty! No one ever believed her. Fortunately quite a bit of documentary evidence exists to support the fact that a certain feature film was made in the Lake District in 1973. I do wish I’d kept a copy of the book review though.

Contact sheet - finding Titty in Amazon

~ The Swallows find Titty sleeping in Amazon near Cormorant Island ~

Contact sheet - Suzanna Hamilton and Sophie Neville sailing Amazon

~ Titty and Susan sail Amazon back to Wild Cat Island ~

Contact sheet sailing Swallow & Amazon in 1973

~ Sailing Swallow and Amazon on Derwentwater ~

Contact sheet - sailing Swallow & Amazon on Derwentwater

I was encouraged to collect things as a child, in case they might one day be of value. Back in 1973, I was given a number of black and white photographs and contact sheets of stills taken by Albert Clarke on the set of ‘Swallows & Amazons'(1974) – if you can call Derwentwater a movie set. I pasted some of these in a scrapbook but others remained in a roll that has only recently been returned to me. Each sheet looks roughly like this:

The Making of Swallows & Amazons contact sheet - both boats

The eye is easily tired by looking at the whole set but scanning and editing reveals a little bit of film history in every shot. I can see here that Titty wasn’t letting Amazon’s anchor down, she was hauling it in while Susan was at the helm, with a fair wind in her sails. This must have been quite tricky.

Sophie Neville pulling up Amazons' anchor

You can tell by the numbers above each shot how many were taken and in what sequence. presumably 2003 photographs had been snapped by the time the Swallows found Titty moored near Cormorant Island.

Contact sheet - filming Swallow

~ These bizarre shots show the film crew afloat on their pontoon ~

The photographs below show Virginia McKenna rowing away from Peel Island on Coniston Water in a native canoe with DoP Denis Lewiston and his 35mm camera, which is pretty unique.

One thing is certain, if these contact sheets had not been given to me they would have been thrown out and yet, over time, they have become precious. Do add a comment below if you would like to see more.

It is quite interesting to see which shots were chosen for the press. You can see a few of the action shots used in magazines of the time by clicking here. Newspapers tended to chose photographs akin to portraits as you can see here.

Recent newspaper articles tend to use a black and white film still that was clumsily tinted giving the lake water an unreal and bright blue hue as you find here.

Some of the black and white prints are now held at BFI. StudioCanal hold a vast selection of the best photos in their library and have an on-line shop here. I have included about a hundred behind-the-scenes snaps taken by my parents in the latest edition of ‘The Making of Swallows and Amazons’ recently published by The Lutterworth Press, available from libraries, bookshops and online stockists including The Nancy Blackett shop, where proceeds go towards the upkeep of Arthur Ransome’s favourite little ship.

9780718894962_cover Amazons.indd

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The Arthur Ransome Jamboree at Pin Mill in Suffolk

Arthur Ransome Pin Mill Jamboree

On Saturday 13th May members of the Nancy Blackett Trust asked me to open the Arthur Ransome Jamboree 2017 at Pin Mill in Suffolk.

Pin Mill from the Water

Although Ransome is remembered for his ‘Swallows and Amazons’ books set in the Lake District he moved to the east coast of Suffolk in 1935 where he set a number of his books in the series. 2017 makes the 80th anniversary of the publication of his inspirational sailing book ‘We Didn’t Mean to Go to Sea’.

Sophie Neville with Nancy Blackett

You can actually go aboard the Goblin, since she was modelled on his own favourite little yacht, the Nancy Blackett. I jined her at The Royal Harwich Yacht Club where she was moored alongside Peter Duck one of his other much-loved yachts, named after the book he wrote that begins at Lowestoft. I met up with Octavia Pollock, a feature writer from Country Life and walked down the riverside for supper at the Butt and Oyster in Pin Mill where Ransome himself often ate.

Map of the Jamboree

Soon after leaving unversity, I worked behind the camera on the BBC TV adaptations of ‘Coot Club’ and ‘The Big Six’, Ransome’s two books set on the Norfolk Broads. The Coots also visit Beccles in Suffolk. It was the Swallows who made it to Pin Mill and Ransome set his novel ‘Secret Water’ in the Walton Backwaters nearby.

I first went to Pin Mill when The Arthur Ransome Society asked me to give a talk about making this BBC serial entitled, ‘Swallows and Amazons Forever!’. This year I gave another talk about the cast and signed copies of the new edition of ‘The Making of SWALLOWS and AMAZONS – 1974’.

Pin Mill

~The Orwell at Low tide~

Arthur Ransome’s biographer Professor Hugh Brogan was interviewed by erstwhile BBC reporter Tim Fenton at the Pin Mill Sailing Club where author Julia Jones also spoke about her children’s books.

Sophie Neville opening the Arthur Ransome Jamboree at Pin Mill~ Sophie Neville ~

This VisitEngland event was great fun. There was a geo-caching route along the footpath from Shotley to Pin Mill. Marine artists Claudia Myatt and Christine Bryant hosted drop-in sessions on the riverside where the Rabble Chorus were singing.

Nancy blackett product shop

~Mugs with artwork by Claudia Myatt sold in aid of the Nancy Blackett Trust~

There was an outdoor installation of old Pin Mill images enabling you to look back in time. These were taken by Arthur Ransome himself of the building of his boat Selina King at King’s boatyard nearby. It’s the first public exhibition of these pictures ever seen and will continue to be on show at the Pin Mill Studio.

Pin Mill archive photo

The Pin Mill Studio also hosted an exhibition of photographs from the restoration of Melissa, a barge restored to her former glory by Webb’s boatyard, with additional archive images of Pin Mill from the early 1900s.

The Vintage Mobile Cinema, as seen on BBC Television’s Reel History of Britain, screened unique archive film of Pin Mill and Shotley.

The Nancy Blackett

~The Nancy Blackett in her 85th year~

A Pin Mill ‘Wooden Boat’ race was held along the stream leading down to the river and you could take a ride on the Victorian swing boats on the Common as in years gone by. There was pirates and seafarers fancy dress competition for children and an Arthur Ransome lookalike competition (pipe and moustache!) along with stalls and sideshows from local groups, charities and organisations.

Live music, including shanties from Pin Mill favourites, High Water Mark and a performance of We Didn’t Mean to go to Sea by pupils from Holbrook Academy entertained visitors while cream teas, a barbecue and refreshments were served at the Butt and Oyster and Pin Mill Sailing Club.

T-shirts celebrating this special anniversary were sold along with gifts to generate funds for The Nancy Blackett Trust, who celebrate their 20th anniversary this year.

Do let us know if you came along by leaving a comment!

The event has a Facebook page here

To read more please visit the Nancy Blackett website by clicking here.

The Nancy Blackett by Claudia Myatt

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News of 2nd edition of ‘The Making of SWALLOWS and AMAZONS (1974)’ published by The Lutterworth Press on 25th May 2017

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The long-awaited second edition of ‘The Making of SWALLOWS AND AMAZONS (1974)’ is being published in paperback by The Lutterworth Press on 25th May. Pre-orders are now available from their website here
This memoir of an odd thing that happened in the early 1970s is similar to the first edition but has a new cover and includes a few more stories, photographs and names from the ‘seventies that have floated to the surface. It compliments StudioCanal’s 40th Anniversary DVD and Blu-ray and makes a good present for anyone who has grown up watching the 1974 film.
StudioCanal DVD cover
The new paperback edition will be stocked by the vast majority of book retailers including Amazon, Waterstones, Blackwells, Paperback Bookshop, Books Etc. and is available direct from The Lutterworth Press  who also publish ‘Swallows, Amazons and Coots’ by Julian Lovelock that has a forward by Sophie Neville.  Those in North America can order copies from the US distributor Casemate Academic
 Swallows & Amazons flags for book

Sophie hopes to be signing copies at events around the country this summer.

Please click here for details

Roseland Festival 2017
Last weekend Sophie was signing copies of her books at the Tavistock Festival and gave a talk at the Roseland Festival in St Mawes before a screening of ‘Swallows and Amazons’ (1974) on Sunday evening at the lovely Hotel Tresanton cinema.
Arthur Ransome Pin Mill Jamboree
We are hoping copies of the 2nd Edition will be available by Saturday 13th May when Sophie will be opening the Arthur Ransome Pin Mill Jamboree in Suffolk, to celebrate the  20th Anniversary of the Nancy Blackett Trust and Visit England’s Year of Literary Heroes. As we Discover the Land of Literary Greats, Sophie will be giving a talk on the adaptations of Ransome’s books set in East Anglia and the English Lake District.

Map of the Jamboree

 this Saturday 22nd May at 2.00pm

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‘Swallows and Amazons’ launch of the 2016 film on DVD and Blu-Ray

The new Harbour Pictures film of ‘Swallows and Amazons’ starring Rafe Spall, Andrew Scott and Kelly Macdonald is now available on DVD and Blu-ray in the UK.

Saga are giving away one copy on Blu-ray. Please go to the Saga Facebook page and follow the instructions – you just might win the prize draw!

or you can attempt to win a copy by entering their prize draw competition on Twitter, which you can reach by entering the #SwallowsandAmazons into your Twitter search box.

You can order the film from Amazon by clicking here (also available from other outlets).

It makes a great Christmas present.

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Filed under Arthur Ransome, boating, British Film, Cinema, Cumbria, Dinghy sailing, Entertainment news, family Entertainment, Family Film, Film, Lake District, sailing film, Swallows & Amazons, Swallows and Amazons, Uncategorized