I grew up with boats in the garden. My father owned eight at one time, including two coracles and a vintage river launch called Ottor that he renovated himself.
As a young man, while setting up a team to develop the fibreglass hull, Dad raced on the Solent, volunteered on a tall ship, and wrangled an Atlantic crossing on the maiden return voyage of the QE2, taking us children around the liner when it reached Southampton.
I learnt to sail dinghies at Newport Bay in Pembrokeshire, later making my own sail for a Thames skiff so that I could take it down the lake where I grew up in Gloucestershire.
My father wanted a Mirror dinghy, but since they were beyond his budget we had a dubious one-design with a ? on its sail.
Dad bought one of the first Toppers, which seemed quite daring at the time. It had no halyards. Its arrival caused much excitement. Called Earwig, the fibreglass hull was portable but proved precarious, soaking the crew as waves sloshed over her orange deck. I wasn’t much good at withstanding the cold and grew to loath setting off with wet feet.
Playing Titty in original film of ‘Swallows and Amazons’ involved quite a bit of rowing, which I kept up first as a member of the Collingwood Ladies Four at Durham University and later on the crew of The Drapers’ Shallop, a ceremonial barge that can be spotted on the Thames and River Lea, the Dart or Poole Harbour.
My dedication to fixed thwart rowing enabled me to take part in a Jubilee Pageant for The Queen at Henley, transport a copy of the Magna Carta to Windsor, and man an oar of the royal barge Gloriana in the Boat Race flotilla at Putney a year when Cambridge won.
Belonging to the rowing club,City Barge, enabled me to take part in the Voga Longa in Venice – a 35km marathon – with the gold medalist Ed Coode as stroke. I later rowed a sandalo down the Amstel into Amsterdam standing to row Venetian-style, getting used to the idea of using a forcola in windy weather.
We navigated the shallop down a tributary of the Loire in Brittany, leading a procession of two hundred and forty traditional boats into Nantes for the Rendez-vous de l’Erdre. I was asked to take the helm on the way back, great Dutch barges bearing down on us.
One of my favourite vessels is a two-man canvas canoe my sister found on a rubbish dump. I nearly drowned after getting stuck in a kayak and prefer an open dugout or fibreglass equivalent. These have taken me on adventures in Papua New Guinea, across Lake Malawi and through the Okavango Delta in Botswana.
Back in 1978, I helped my father, Martin Neville, to restore a 1901 steamboat called Daffodil, which they kept near Oxford at Port Meadow on the Thames.
We would steam down to Henley each year for the royal regatta or upstream towards Letchlade. You can read about how we renovated here here.
We took a Humber Yawl that Dad built to take part in a Steam Boat Association rally on Windermere and pay homage to launches used in the film ‘Swallows and Amazons’ kept by George Pattinson at the Steam Boat Museum, now known as Windermere Jetty.
I a lot of time on the water while filming the 1984 BBC adaptation of ‘Coot Club’ and ‘The Big Six’ when we spent three months filming on the Norfolk Broads. The series starred a yacht called Lullaby from Hunter’s Yard, which you can now hire for holidays.
I went away from my wedding in a punt, Dad polling while I sat with my new husband, holding an umbrella while a rainbow appeared over the water.
While serving as President of The Arthur Ransome Society, I gave twelve Q&As at cinemas. Members of SailRansome have often come along with the little clinker-built dinghy used as Swallow, which I helped purchase when she came up for auction in 2010.
I am often asked to write articles about my life afloat, and have spoken at literary festivals, on BBC Radio and on ITV News when I nearly capsized.
It is with The Arthur Ransome Society that I have been able to sail an historic wherry down the Norfolk Broads, take an old German ferry to Lundy Island and cruise down Coniston Water on SL Gondola.
As a member of the Nancy Blackett Trust, I’ve sailed on the Orwell, in the Solent and through the inland waterways of the Netherlands, visiting Middleburg.
I enjoyed crossing the Veersemere to Zierikzee in the wake of my own forefathers.
Over the years, I’ve grabbed the chance to sail yachts to Salcombe, up the coast of Norway and through the Mediterranean but I still love taking out a small boat in the Lake District or on the Norfolk Broads.
You can read more in ‘The Making of Swallows and Amazons’ available on line.
Over the years, I have been suggesting a variety of useful, literary gifts. I brought out this mug featuring a map of the Swallows and Amazons locations on Consiton Water, featuring on the cover of ‘The Secrets of Filming Swallows and Amazons.’ It’s currently available online from about £8.86
I’ve brought out maps in a range of colours.
These t-shirts might be useful for anyone liable to get lost.
I’m selling a variety of garments with my Swallows and Amazons map of Coniston Water on the Redbubble site where you can also find cushion covers
along with throws, duvet covers and a variety of products from phone covers to laptop sleeves if you fiddle around with the site here
There is a whole selection of socks, which I have listed here
The Nancy Blackett Trust have wooly hats and some great clothing, embroidered with Arthur Ransome’s good little ship. They have an online shop where you can also find yachting caps here
These new 90th anniversary tea towels make a useful gift for sailors, which can be purchased here
Peter Willis is offering his book ‘A Good Little Ship’ about rescuing Nancy for £10 – a great present for fans of Arthur Ransome.
I love these Swallows and Amazons bookmarks available from sky.n.fern for £2.50. They stock an assortment of unique stationery, which you can see here
I found this spectacle chain decorated with swallows, appropriate for web-footed grandparents, available here
For someone without much space, you can find handmade dolls house miniatures of the ‘Swallows and Amazons’ books here Each tiny book has tunable blank pages 1:12th the original size. I’m not sure if they are paying royalties to the Arthur Ransome Estate but what a compliment to the author. I’d be thrilled if they made miniatures of my books.
There is ‘Swallows and Amazons’ confetti, for sale on this site. Each heart is about one inch in size and can be used for a table decorations.
Jago Silver has some new ‘Never Stop Exploring’ cards, journals and notebooks, which you can find at his online shop here
This year, I bought packs of book-ish Christmas cards from the charity SchoolReaders. They have a variety here.
Here is something for sailors, which could include a voucher to sail Swallow, the dinghy from the 1974 film of ‘Swallows and Amazons’, which you can find out about here.
Jigsaw puzzles and digitally hand drawn reproductions of StudioCanal’s Vintage Classics film poster designed by Arnaldo Putzu for the original movie of ‘Swallows and Amazons'(1974) are available here
Or you could give a copy of the book on how the original film of Swallows and Amazons was made. Large paperbacks can be ordered from Amazon or direct from the publisher here or other stockists listed here.
I received an interesting series of emails recently from a stone mason called Philip Chatfield:
“Hi Sophie, I was watching ‘Swallows and Amazons’, the old classic, on Talking Pictures TV… great channel. Curiously, I have, hanging in my cottage ceiling timbers, the lantern you used for the Lighthouse on Wild Cat Island !!!!!!”
‘Lanterns like this pattern are not common, so I presume it must be the one used in your 1974 film. I like to think so. There is a hole in the top of my lantern which has been plugged up and holes in the base too. If you use the lantern with candles, which is what I always do. then you cannot have a hole in the top of the lantern. Heat goes up and out of it and the rope or wooden handle may catch fire! It is stopped up with a small bolt with a flat rounded top.’
The holes would have been made to insert an electric light behind the candle so that it would show up on film.
It certainly looks like the lantern we used, which I knew well at the time. A hurricane lamp is used in the book Swallows and Amazons. John, ‘tied the other end round the oil box at the bottom of the lantern’, although candle lanterns were used to mark Secret Harbour.
The black lantern was packed into Swallow on the voyage to the island, visible when the Walker children narrowly miss the Tern. You can see it lying in the shallow basket.
It was rather uncomfortable to lean over when handing Roger the telescope.
The basket was taken out of Swallow at the landing place and Titty moves it up the beach ‘for fear of tidal waves.’ See if you can take some screen shots of it hanging from the lighthouse tree.
The same lantern was used in the movie ‘Far From the Madding Crowd'(1967) starring Alan Bates, Peter Finch, Terence Stamp and Julie Christie.
You can also see it hanging from a farm cart.
Philip says, ‘Clearly all the props went back to the Turk Phoenix shed near Teddington after shooting.’
‘I never thought about it before but I used to work on a sailing ship called Grand Turk, which was owned by Mile Turk of Turk Phoenix who did a lot of film work.’
‘The Grand Turk played the HMS Indefatigable in ‘Hornblower’ with Ioan Griffiths and co. While I was on board (as Third Mate and Gun Captain) I needed more props for the gunnery dept. The lantern was one of the props we had on board. It came from Turk Phoenix who still had one of the boats used in your wonderful film.’
‘Mike Turk’s business provided nautical props.’ When Mike reached the end of his life and fell ill, many of these were sold at auction in 2010, including the dinghy that played Swallow in ‘Swallows and Amazons’ (1974), which was purchased by group of film fans now known as SailRansome.
‘Before my time on Grand Turk I spent five years working on a lovely old square rig ship called MARIA ASUMPTA. Back in 1991 we sailed from London’s St Katherine’s Dock to Ipswich. We anchored off Shotley on the Orwell pretty much where the GOBLIN in Ransome’s book ‘We Didn’t Mean To Go to Sea’ book was set. As we hauled up our anchor we brought up a small kedge anchor. I still have it. At the time I was convinced it may have been from the story or even the sailing trip the story was originally based on. Who knows, but it is a lovely anecdote. We had sailed the autumn before to Flushing in Holland and did a tour of the inland waters of Holland.’
‘Sadly, Maria Asumpta was lost off Padstow in May 1995 with the loss of three crew. Thankfully I was one of the survivors.’
‘You can just see me standing staggering, second from the left, in a state of shock. Three were lost but I was amazed more weren’t, frankly. My friend the bosun Graham is sitting on the stern about to leap off. He survived, just. The ship had been built in Barcelona and launched in 1858.’ By the 1990’s it was the oldest square rigger still sailing.’ A true ship wrecked sailor! What would Titty say?
‘As a stone carver and sculptor I make memorials. A few years ago I was asked to do the memorial for one of my old school teachers and eventually his wife, who now shares his grave in Monmouth. She was Helen Bucknall but her mother was Mrs Henry Clay. The Ransome book ‘We Didn’t Mean To Go To Sea’ is dedicated to Mrs Henry Clay no less. Henry Clay was a friend and colleague of Ransome’s on the Manchester Guardian, also a keen sailor. I think Helen and her family were the inspiration for the story in the book. So Helen has a carving of the yacht they sailed as children on the large Welsh slate memorial in Monmouth cemetery.’
‘The galling thing for my friends, whose mother was Helen, is that they can’t find the original first edition of ‘We Didn’t Mean To Go To Sea’ that Ransome signed. Hope it turns up. At least that charming card exists. Love his little sketch of the dinghy.’
‘Anyway, hope this is of interest… well done for all you do. I have a hard copy of the book on order! Can’t wait. Very best wishes, Philip Chatfield’
To read more about some of the Swallows and Amazons movie memorabilia, including Swallow’s flag and the fishing rods, please click here
To read more about ‘The Making of Swallows and Amazons (1974)’ – click here
This lovely documentary shows Philip’s recent work on railways:
‘Titty from Swallows and Amazons’ often gets typed into the Goggle search engine but when I attempt to use it as a ‘tag’ a message pops up saying: ‘Sorry, you are not allowed to assign the provided terms.’ I can only conclude that Google lacks literary enlightenment but the BBC were happy for me to talk about Titty on BBC Antiques Roadshow recently.
‘Memory picks and choses,’ as Arthur Ransome said in his autobiography (p.33) but those who love his novels often wonder what would have happened to the characters when they grew up. It dawned on me that this might be one reason why people are interested to know what we all did with our lives. I played Titty Walker in Richard Pilbrow’s 1974 movie of ‘Swallows and Amazons’. In 1962, the film actress Susan George played the same character in the black and white BBC television serial of ‘Swallows and Amazons’ with her hair in pigtails. She was called Kitty, apparently with Arthur Ransome’s approval. BBC Films decided to call the Able seaman ‘Tatty’ in the 2016 movie ‘Swallows and Amazons’, when she was brilliantly played by Teddy-Rose Malleson-Allen who went on to star in ‘Four Kids and It'(2020).
The character was inspired by a real little girl, Titty Altounyan, who stayed at Bank Ground Farm (or Holly Howe) when visiting her grandparents who lived above Coniston Water. In 1939, Miss Joyce Cartmell acquired a signed note from Arthur Ransome explaining that, ‘Titty is short for Tittymouse which is what she was called when she was a baby. Nobody ever calls her anything but Titty now’. It appears that Ransome was also asked for a photograph of himself, to which he responded, ‘Too ugly’.
Edward Thomas (1878-1917) described Arthur Ransome as ‘exuberant, rash and intelligent.’ In 1973, I can only assume the film director Claude Whatham was looking for the same spirit in us children. It was certainly captured by Wilfred Joseph’s nautical film score.
What constantly impacts me is the number of people who write in to say how much they wanted Titty to become their best friend. In many ways the characters from Ransome’s books become friends for life. You can easily gain others who have the same outlook on life by joining The Arthur Ransome Society, who offer activities and grants for young people as well as adults with a literary bent. You too can stay at Bank Ground Farm and run down the field to dip your hands in the lake.
You can read more about making the movie in the multi-media ebook entitled ‘The Secrets of Filming Swallows and Amazons’.
“One pandemic discovery for my family was 1974’s ‘Swallows and Amazons,’ a charming British film about kids just playing on a lake. On their own, they’re plenty capable of making their own tents and adventures”, the US film critic Jake Coyle wrote in a review for the Associated Press.
Many people have fond memories of watching the original movie of ‘Swallows and Amazons’ when it first came out in cinemas nearly forty-seven years ago and list it in their Top Ten feature films of all time.
David Kerr wrote: “I first saw the film while I was a junior projectionist. I was 17 at the time. My cinema was called the Astor in Bromley, part of south east London. While an independent cinema, we took the ABC circuit films. Somewhere, I have the LP record and a poster of the film. I went on to a career spanning 40 years in international film distribution.”
“It remains one of my top ten films even to this day. I worked for 20th Century Fox…Polygram…and United International Pictures which distributed Universal, Paramount and Dreamworks films. I had a good career and witnessed the good the bad and the ugly during my travels.”
“From memory, I can recall that the film was released over the Easter school holidays in 1974. It’s just been helped as I have found a press ad online and it lists South London unusually running the film first on April 14th.”
“I believe the film was supported by ‘The Lion at Worlds End’ …the documentary that Virginia and Bill Travers made with George Adamson about returning an African lion to the wild. I know I ran the film again either in 1975 or ’76 as an afternoon matinee only with a Kung Fu adult programme in the evenings.”
“The film means a lot to me and has done so since 1974. It made me revisit the books…which I still read (currently dipping in and out of an old hardback edition of ‘Pigeon Post’) but I believe I had only read one during my childhood, which I think was ‘Swallowdale’. I also embarked on a number of holidays in the lakes because of the film. That first year I camped on a farm at Torver on the west side of Coniston.”
“The reason I include it in my top ten is simple. It is pure storytelling that takes the viewer on an adventure. You do not notice the individual aspects of film making you just become engrossed in the story. And that is what a good film should do. I watched it again just last week on a streaming service… It makes me smile ….what more can I say.”
John Rose wrote: “I can remember watching the film in 1974 with my mum and grandma when I was a nine or ten year-old, at the then called Mecca Cinema in Horsham, Sussex (sadly now demolished). I remember loving the natural setting and the adventure in the film and remember it being thrilling and suspenseful! Still my favourite film, so cheerful and up-lifting. The lovely music! All still brings a tear to my eye. Back then in the ’70s we didn’t have the lakes but at every opportunity our little band of local children would run off over the fields playing, building camps and climbing trees in the woods – such happy, carefree days.”
Last time the film was broadcast on BBC Two, David Stott, who worked as a unit driver on ‘Swallows and Amazons’ when he was fresh out of college, wrote in to say: “I remember how cold you all were whilst filming the swimming scene. The lily pond scene brought back memories of a very wet day on Pull Wyke caravan park. Most of the day was spent in the two double decker buses that were your school room and the canteen waiting for the rain to clear. Everyone was so grateful to pack up and go home.”
“I had many incidents with the parrot that I had to collect in the morning and return at night. I hated the bird, often it was let free in a bathroom at Kirskstone Foot and l would have to catch it and put it in its travel bag. I notice in the film that it is chained down whilst it is sitting on your shoulder.”
“I would spend a lot chatting to Ronnie Logan the hairdresser while the shooting was taking place, such a nice man.”
“The day they filmed the walking the plank scene I remember very well. I took Ronnie Fraser to the Lodore Swiss hotel at lunchtime and he was really very well plastered by the time I got him back for the afternoon filming. I suppose it was the only way they managed to get him in the water. He was not a happy chappy that afternoon when I eventually took him back to Ambleside.”
“I had to put the rushes on the train to London in the evening and collect developed film (how times have changed). One of my treats was that I was allowed to watch the rushes with the production team in the evening. Watching it again this afternoon was a real trip down memory lane. I cannot believe that I was a student starting out in life at the time and now l am a pensioner. Where has all that time gone?”
Movies are made for watching. In the end, they belong to those who love them and it is wonderful to hear of the impact they have had on people’s lives.
The screenwriter Caleb Ranson wrote: “You’ve no idea how thrilling this is for me to hear from you. Swallows & Amazons was a life changing cinema visit for me, set me off on my path writing/producing TV/films. I played the soundtrack album every night for years. And I love your book BTW, bought it when it first came out.”
Paddy Heron of Children in Read describes the movie Swallows and Amazons(1974) as “a national treasure of a film.”
Nigel Seymour wrote to say, “that the original film has an ambience which cannot be calculated. It sits in time, yet it is as fresh as if it was made yesterday!” An international musician today, Nigel believes, “It possesses a simplicity of life we’ve lost, so watching it is a refreshing reminder of great days… a journey into another dimension and another world steeped with love and belonging, adventure and moral understanding, which is shared between a family and accepted. The characters are brought to life almost as if they are an infinite, integral part of the immortality of the story, each giving that picturesque understanding the viewer finds impossible to explain. After watching this film one arrives back in real time with a resounding bang! We wonder why such a simple story can create such an iconic understanding. Why watching this film can make you feel happy, totally complete and yearning to return again and savour that wonderful, eternal landscape we have all learned to grow and love as the Lakes.”
Tracy Kenny from Ketts Books wrote: “Swallows and Amazons is a firm family favourite in our house and for a while there, your movie was the only film my eldest would watch!”
The author Catherine Randall said: “I lived and breathed Swallow & Amazons including your film. Knew nearly all the words!”
The fan letters continue to arrive. Each one treasured.
Nigel Young writes: “‘Swallows and Amazons’ is one of those films which sets itself in that timeless space no one can quite fathom or understand, almost verging on ‘Immortality’. I’m sure no one at the time working on it ever thought the film would achieve the cult status it seems to enjoy today. You are possibly smiling when you read this, but it’s a true reflection of a film, which is more than a film and touches on those beautiful innocent moments and times which have been lost forever.”
Charles H Ball wrote: “‘Swallows and Amazons’ was instrumental in helping me through a very stressful period of my life… I will be obtaining ‘The making of Swallows and Amazons’ and no doubt many more of your other publications in due course. “
C.H.B. left a review of ‘The Secrets of Filming Swallows and Amazons’ writing: ‘the feelings of anybody who would have loved to have had the opportunity of actually taking part in the film are summed up by Nancy Blackett when the D’s are explaining how they managed to get to the North Pole a day earlier than planned. ‘And you two came by yourselves and got here through that blizzard?’ said Nancy. ‘However did you find the Pole?’ ‘The blizzard helped really,’ said Dorothea. ‘We were sailing,’ said Dick………..’And we’ve gone and opened the stores,’ said Dorothea. ‘And eaten some of them. You see we lost our food when the sledge turned over and the mast broke…’ ‘Capsized!’ cried Nancy. ‘Mast gone by the board! Oh. you lucky, lucky beasts!’ Some of us will forever envy the lucky children who had the opportunity of a lifetime.
I hope to include all these quotes in the 3rd edition of ‘The Secrets of Filming Swallows and Amazons’, to be brought out for the 50th Anniversary of the films release in April 2024. Do leave a comment below or write in, letting us know what the film meant to you or how it effected your life.
After a career as a foreign correspondent, which took him to Russia, Egypt and China, Arthur Ransome wrote ‘Swallows and Amazons’ in the hills above Windermere in 1929.
He was inspired partly by his own childhood holidays in the Lake District and partly by the Altounyan children who brought him a pair of red slippers for his birthday to thank him for enabling them to learn to sail on Coniston Water where their grandparents lived.
The first edition came out on 21st July 1930, with no illustrations apart from Spurrier’s map on the end papers. The illustrated hardback published by Jonathan Cape came out on 1st December 1930, in time for Christmas. It was followed by another eleven (and one unfinished) book in a series that was to be translated and published all over the world.
I paid homage to copies at the Windermere Jetty museum where you can find Arthur Ransome’s desk and typewriter on display with a view looking out over the lake.
Boats, props and film stills from the 2016 film of ‘Swallows and Amazons’ are on display, along with a poster of the 1974 movie, depicting Titty in a pink blouse.
I was fascinated to find sketches of Titty in Arthur Ransome’s notebook.
A number of Ransome’s original illustrations were on display and I came across the first draft of ‘Swallows and Amazons’ in a glass case.
You can read about the making of ‘Swallows and Amazons’ (1974) in this illustrated book by Sophie Neville available online:
Viewers of the original film ‘Swallows and Amazons'(1974) have written to point out that when the Amazons sailed up to Captain Flint’s houseboat there was a terrible crash. I found the quote from ‘The Picts and The Martrys’, which made me realise why this horrified anyone who knows the characters well:
“…when you come sailing along and fetch up with a bump against Jim’s new paint.”
“We never do,” said Nancy. “Remember when we came and made you and Uncle Jim walk the plank last summer? We were aboard and rushing the cabin before you knew we were anywhere near.” ‘Picts and Martyrs’ by Arthur Ransome p.14
Jane Sullivan noticed Captain Flint yelled, “Death or Glory!” as the Swallows and Amazons laid siege to his houseboat. ‘Is that a pre-echo of the East Anglian stories?’ she asked.
Jane also noted: ‘In the closing credits, I notice they spell For Ever as two words, which it is as it should be, rather than the modern way which confuses the adjective “forever” with the adverbial phrase “for ever”.’
Most people are familiar with the fact that Peel Island was used as the location for Wild Cat Island in the 1974 film.
Peter Dowden of the Arthur Ransome Group, pointed out that Peel Island is a classic example of a rocher moutonnee or sheepback, shaped by glacial erosion. Larger examples in Sweden are known as flyggbergs. Others comment that it’s easy to imagine the island as Captain Flint’s schooner the Wild Cat, which sails to the Caribees in ‘Peter Duck’ and is set on fire by Gibber the monkey in ‘Missee Lee’.
Peter also wrote about burgees. He noted, ‘Traditionally, creatures shown on flags face towards the “hoist” – the bit of the flag that is attached to the mast. So head near the mast and tail near the flappy part of the flag (called the ‘fly’). He went on to say, “someone did the research and Arthur Ransome drew the Swallow flag both beak to hoist and beak to fly!”
Our art director, Simon Holland, made what I considered the mistake of having the swallow on Swallow’s burgee flying away from the mast.
My publisher asked me to draw our crossed flags, a sketch which was later stolen and used all over the place from the call sheet of the 2016 movie to badges for sale on eBay.
Paul Thomas, of the Arthur Ransome Group, explained that Swallow and Amazon are standing lugsail dinghies, rather the balanced lugsails as I had been told. “Swallow’s keel was designed for sailing in shallow estuaries and grounding on shifting shoals with sails tanned to protect them from rot and sunshine.”
“What is particularly impressive, to me,” Roger Barnes, president of the Dinghy Crusing Association, commented, “is how well done the sailing scenes are, and sometimes in pretty strong winds. Most sailing in films is really unconvincing.” Roger added: “The boom jaws off the mast as they first approach Wild Cat Island is the only major flaw with that aspect of the film.” I had never noticed! We were bitterly cold on that day when we first sailed Swallow in front of the camera.
Roger Barnes’ illustrated book, The Dinghy Cruising Companion, published by Bloomsbury, included my behind-the-scenes photo of Swallow, where you can see the jaw back in place.
You can also see the jaws in this film still (c) Studiocanal:
Please do add a comment below or write in with any points you notice that I can add to a third edition of ‘The Secrets of Filming Swallows and Amazons’, an ebook available from a variety online stockists. You can look at the first pages here.
You may have already seen this set of ‘Swallows and Amazons’ mugs printed with hand-painted maps of locations featured in my book on ‘The Making of Swallows and Amazons (1974)’. Redbubble, the manufacturers often have discount coupons, which you should be able to find here.
The three different designs are now available in a ‘classic’ or ‘tall’ style, as a travel mug or a water bottle. The full collection is available here.
You can see these designs on women’s clothing and men’s clothing with other useful items that make good presents or stocking fillers such as coasters:
The cover image of ‘The Secrets of Filming Swallows and Amazons’ is now available on a mug and on other products.
These high-quality goods are manufactured in Australia by RedBubble who take care of customs charges. If you are asked to pay customs, send them a picture of proof of payment of customs charges and they’ll sort it out.