Tag Archives: health and safety

Being a cormorant ~ filming more swimming scenes for Swallows and Amazons on 4th July 1973

Stephen Gredon as Roger Walker being taught to swim by Suzanna Hamilton playing his elder sister Susan Walker on location at Peel Island on Coniston in 1973

Roger still couldn’t swim, but he was trying to. Very hard.  The production manager had kindly scheduled the second of our swimming scenes as late in the summer as possible. The weather was warmer – we’d elected to go bathing in a river up near Rydal Water on our day off – but it was still pretty chilly out on Coniston.

Whilst we tried to acclimatise by running around in our swimming costumes the crew were all in their thick coats as you can see from this home movie footage shot by my mother. We had bought her 8mm camera by saving up Green Shield stamps. (Can you remember collecting Green Shield stamps from petrol stations? They were an icon of the early 1970s all by themselves.) I remember someone on the crew calling out ‘Second unit!’ as Mum lifted what looked like a grey and white toy to her face. It was a bit noisy so she was not able to record during a take. You only see us before and after the sequences in the film, but her footage shows quite a few of the members of the crew – all smoking away, even when they were trying to warm us up after each sequence. You can watch Jean McGill, from Cumbria, our unit nurse who was dressed in red popping Dextrose into our mouths and giving us hot drinks to warm us up. Jean made Gareth Tandy, the third assistant, who was aged about 18, wear a sun hat because he had previously suffered from sun stroke. David Blagden can be glimpsed as one of the only other men with short hair.

The camera pontoon must have been left up on Derwentwater. Claude was obliged to shoot these scenes from what we called the camera punt, which was smaller but quite useful. Richard Pilbrow sent me a picture. He has included others in a new book that he has written about his career, including a section on the making of ‘Swallows and Amazons’ called ‘A Theatre Project’

Claude Whatham and his crew on the camera punt

First assistant David Bracknell, director Claude Whatham, grip David Cadwallader and DoP Dennis Lewiston (seated) with three local boatmen ~ photo: Richard Pilbrow

Do please let me know if you can tell me the names of the three Cumbrian boatmen featured in this photograph who helped us. Others are featured in the home-movie footage. They all look like pirates. Real ones.

Goodness knows that Health and Safety would say about that punt today. The DoP managed to get two sizeable electric lights, on stands, into a boat already overloaded with personel and expensive equipment. You can see for yourself. Were these ‘Filler’ lights powered by portable batteries?  The Lee Electric generator was on the shore. I was in the water. Busy being a cormorant.

We had an interesting afternoon filming with both dinghies. At one point we had the camera with us in Swallow. I found these photographs of us on the internet.

Sophie Neville, Simon West and Suzanna Hamilton

I was given the honour of clapping the clapper-board and calling out, ‘Shot 600, Take one!’ for a close-up of Suzanna Hamilton.

Suzanna Hamilton as Susan Walker sailing Swallow on Coniston Water in 1973

‘The worse possible kinds of natives’… Tourists were beginning to arrive for their summer holidays in the Lake District and we still had quite a bit more to film.

Sophie Neville, Suzanna Hamilton and Simon West sailing Swallow in 1973

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‘Here we are intrepid explorers…’ filming in Swallow on Derwentwater in 1973

The Swallows voyage to Wild Cat Island

Sophie Neville, Suzanna Hamilton and Simon West as the Walker children sailing to Wild Cat Island in Swallow

If you ever see a cormorant you must sing out, ‘They’ve got India-rubber necks!’

And then, if you are on a long journey you can add, ‘ Cormorants. We must be near the coast of China. The Chinese have cormorants. They train them to catch fish for them. Daddy sent me a picture.’

If you ever get lost – or the journey really is a long one, you can say,

‘Here we are intrepid explorers making the first ever voyage into unchartered waters. What mysteries will they hold for us? What dark secrets will be revealed?’

They were most complicated speeches to deliver afloat, ones I had to learn.  In the end the second part was heard OOV – out of vision. I could have read the lines.  But then they wouldn’t have stayed in my head forever, as they have.

The Swallows on their voyage to Wildcat Island

Stephen Grendon, Sophie Neville, Suzanna Hamilton and Simon West sail Swallow on the voyage to Wild Cat Island, scenes shot on Derwentwater in 1973

If, on your journey, you happen to see a man sitting in a chair writing notes you score high and can say, ‘What’s that man doing?  He’s probably a retired pirate working on his devilish crimes.’

(I’m a bit hestitant about that one because my Aunt Hermione really was approached by pirates when she was sailing round the world. The Daily Mail published her dairy chronicling the adventure; a full page double- spread with photographs no less. Rather sadly they ran  headline ‘Intrepid Pensioners…’ What a swizz. She should have lied about her age and said she was 27 instead of 60. Well perhaps 57, what with the photos.)

The scene behind the camera that day on Derwentwater was rather different from from the scene in front of it.

28th June ~ my diary

28th June ~ my diary page two

28th June ~ my diary page three

28th June ~ my diary page four

I’m pretty sure that the photographs below were taken this same day. Please let me know if the far bank is indeed Derwentwater or if I am mistaken and this was shot on Coniston.

This shows the pontoon being used as a safety craft rather than a camera platform. Swallow is moored to it with Simon West, Suzanna Hamilton, Sophie Neville and Stephen Grendon onboard. Their chaperone Daphne Neville is standing-by with a track suit top as I was cold. First assistant David Bracknell is approaching in the Dory.

I got cold sailing but it was a glorious sunny day with a fair wind. We achieved a huge amount even if Cedric fell in. As you can see, some of the boatmen and crew were wearing life jackets, others were not – including my mother. We wore BOAC life jackets for rehearsals but Swallow is a safe little boat – her keel ensuring we didn’t capsize if we happened to jibe and we never fell in. The pontoon was really rather more dangerous being a raft with no gunwale. Any one could have misjudged their step and plopped overboard. Luckily we were not stiffled by Health and Safety in those days – only the rigorous demands of movie insurance companies.

This shows the camera crew climbing aboard the pontoon in order to film Swallow sailing. Daphne Neville sits in the Dory safety boat in the foreground.
A reflector board, wrapped camera mount and microphone are already on board.

I’m sure we had already shot the first two scenes of the day when I was in Amazon, setting the anchor and later hearing the robbers. I expect Claude needed to re-shoot for technical reasons. Day-for-Night filming requires clear, sunny days and he would have needed still water.

I have some of my father’s 16mm footage showing us at around this stage in the filming. It was shot on a different day but shows us on the shores of Derwentwater, waiting around before rushing off across the lake in motor boats to finish filming before Claude lost the light. You see the pontoon and a safety boat towing Swallow, me snapping bossily at Roger to get a move-on, (unforgiveable but I was 3 years older than him and irritated to distraction), the third assistant Gareth Tandy in blue with glasses, our sound recordist Robin Gregory throwing his arms wide open, Kit Seymour and Lesley Bennett by the lake shore, David Blagden with his short hair-cut splicing rope, me in my Harry Potter-ish blue nylon track-suit top with Albert Clarke the stills photographer, Swallow and some mallard duckings.

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Cormorant Island ~ and the day one of the camera crew cracked

22nd June - my diary - filming 'Swallows and Amazons' 1973

22nd June - my diary page two - filming 'Swallows and Amazons' 1973

Cormorant Island - Sophie Neville as Titty filming 'Swallows and Amazons' 1973

Sophie Neville as Titty about to discover the Captain Flint’s trunk hidden on Cormorant Island ~ photo: Daphne Neville

22nd June - my diary - page three - filming 'Swallows and Amazons' in 1973

What a day!

A bright sunny day on Derwentwater. I wore what was my favourite costume, not least because I had the option of wearing a vest beneath the blouse and I didn’t have to worry about the divided skirt.  I went to such an old fashioned school that I had a pair of grey flannel culottes  myself, to wear on the games field, and thought them very much the sort of thing Titty would have worn. Roger, meanwhile was in long shorts or knickerbockers as the real Altounyan children would have called them, kept up with a snake belt. His even longer underwear was an item requested by Claude Whatham the director who, being born in the 1920s himself, had worn exactly the same sort of underpants as a child. As the day warmed up Claude stripped down to a pair of navy blue taylored shorts and sailing shoes. We were on a desert island after all. Even if it was a desert island in the Lake District.

Amazon moored near Cormortant Island on Derwentwater with the pontoon and safety boats. What is the real name of the island used for the location?

In Arthur Ransome’s book of ‘Swallows and Amazons’ the hunt for the treasure is slightly different and Captain Flint’s trunk lies buried under rocks. I wasn’t expecting the set-up with the tree trunk, although I think it works well and looks good, giving movement to the sequence. The only hesitation was that Claude didn’t want me to get hit by the rocks as they slid off. This was a pity as I would have jumped aside.

I am not sure why the Amazon had not been bailed out. I can remember having to lie in the bilge water, which proved cold and uncomfortable. Perhaps it gave my performance an edge. Titty would have been cold and stiff aftrer a night wrapped in the sail. Great grey clouds were gathering by then and we were all getting tired.

Being together in a confinded space becomes difficult to endure after while, not least when the space is a pontoon on a lake with not much to sit on. Small boys tend to muck about and become annoying when they are bored. The time had come when someone was going to crack – and they did. The result was silence. A sobering moment. And one very wet pair of knickerbockers.

In the end three of us went home in wet underwear. Gareth Tandy, the third assistant director – who I think was only about 18 – was pushed in to the lake, this time to great hilarity.

The big question, of course, it what is the name of the island on Derwentwater that we used as the location for Cormorant Island? Duncan Hall has written in to suggest it is called Lingholm Island (or possibly One Tree Island)What is the name of the larger island, seen in the background of shots, that represents Wildcat Island?  Is it Rampsholme Island?

Sophie Neville on the pontoon during the filming of 'Swallows and Amazons'

The pontoon on Derwentwater with Richard Pilbrow, Bobby Sitwell, Denis Lewiston, Claude Whatham, David Cadwalader and Sophie Neville aged 12 playing Titty. Cameraman Eddie Collins looks on ~ photo: Daphne Neville

I have one behind-the-scenes clip of the crew on the pontoon – shot on a sunny day, I think at the southern end of Coniston Water. It looks most bizarre. It was. You can see how crampt and overloaded we were and guess at the patience demanded of us all. Imagine how long it took to set up shots, while totally exposed to the elements. It was quite a stable raft but when we went for a take it was vital that everyone kept comepletly still or there would have been camera wobble. We used a conventional boat with a cabin when we filmed ‘Coot Club’ and ‘The Big Six’ on the Norfolk Broards ten years later in 1983. It proved much easier – but had more wobble.

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Suzanna’s diary ~ about filming ‘Swallows and Amazons’ in 1973

Suzanna Hamilton as Susan with Sophie Neville as Titty busy writing the ship’s log

Something very exciting happened last week. Suzanna Hamilton came to see me, bringing the photographs that she was given during the filming of Swallows and Amazons along with a bundle of papers. I immediately recognised the blue bound diary that she had kept.  Her God-given sense of humour fills the pages.

Although Titty was the one who always kept the ship’s log in Arthur Ransome’s stories, we children all kept journals during the filming as part of our school work. It was quite a task.

Suzanna Hamilton's Diary prior to the fiming of 'Swallows and Amazons'

Suzanna’s diary gives the story of making the film of Swallows and Amazons from the perspective of an actress, the actress she was then and ever more will be. Even before we began filming she was  getting as excited as Susan about grog and molasses, calling us by our charcter names as Claude Whatham suggested.

Suzanna Hamilton's Diary on the filming of 'Swallows and Amazons' 1973

Anna Scher ran the most wonderful children’s theatre club in Islington, which Zanna went to after school, along with Pauline Quirke and Linda Robson. I visited Anna Scher’s Theatre Club ten years later when I was casting children for the BBC drama serial of ‘Coot Club’ and ‘The Big Six’. Although I didn’t find anyone there who could sail I held Anna Scher in huge admiration and respect, using her exercises when I was auditioning kids in Norfolk. She did so much for the young people of east London, giving children confidence with self-discipline aquired during their drama lessons and workshops.

David Wood, who wrote the screenplay of Swallows and Amazons, was already well known as an actor. Mum was rather in awe of him since he had played Johnny in Z Cars and had starred the feature film ‘If…’   alongside Malcolm McDowell. He had been a storyteller on the BBC Childrens Television programme we all adored called Jackanory.  Suzanna had been involved in the same series when E.Nesbit’s ‘The Treasure Seekers’ had been read.  She had also appeared in ‘The Edwardians’  form the book by E.Nesbit directed by James Cellan Jones in 1972. By coincidence Pauline Quirke played Eliza in ‘The Story of the Treasure Seekers’ in 1982 and I worked with her a few years later on Rockliffe’s Babies. My mother appeared in a pantomine David Wood wrote called The Gingerbread Man when it was produced at The Everyman Theatre in Cheltenham. She wore red with a pill-box hat as Miss Ginger.

Suzanna Hamilton's diary of filming 'Swallows and Amazons in 1973

Suzanna Hamilton playing Susan Walker with Stephen Grendon as Roger Walker camping on Peel Island, Coniston Water in Cumbria, the Lake District

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‘Country Tracks’ with Ben Fogle

At last!

We have the clip from Country Tracks presented by Ben Fogle, that includes interviews with Director Claude Whatham, Lucy Batty of Bank Ground Farm, Suzanna Hamilton and myself discussing the swimming scenes, with the unique behind-the-scenes footage my father shot on 16mm film, with his Bolex camera back in 1973. You might have seen a longer version of this on Countryfile and Big Screen Britain. I am yet to receive residuals.

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Ronald Fraser arrives in the Lake District to play Captain Flint ~ in 1973

Sophie Neville and Simon West with Ronald Fraser playing Captain Flint

Sophie Neville, Simon West and Suzanna Hamilton with Ronald Fraser playing Captain Flint in the 1973 film of Arthur Ransome’s ‘Swallows and Amazons’

Ronald Fraser! veteran of World War II movies who had won an award for playing Basil Allenby-Johnson in The Misfits had arrived on the shore of Coniston Water. Curiously so had two Stand-ins. A short lady for me, with dark hair,  and a lady with blonde hair for Suzanna. I have blonde hair and Suzanna is dark, but that is how it was. The other four actors didn’t have stand-ins, which seemed odd.  Simon West and Stephen Grendon, the two boys were younger than us, so that seemed odder. And we were some way into the filming. However the ladies were very excited about coming over to Peel Island. They sat in our positions and read our lines back to Ronald Fraser whilst the scene at the camp site was lit, and returned to stand-in for us later when his close-ups were shot. Somehow they managed to do this in scanty summer clothing dispite the brewing storm.

My stand-in. I liked her very much and was most interested in her tapestry, since I was doing one myself. Lots of the men in the crew were interested in her tapestry too. They hadn’t noticed mine.

Our stand-ins got a lot of help from the crew as they went from boat to shore. We didn’t really, but then we were used to it and had to wear life-jackets. Mummy didn’t wear a life jacket, but she has always been surprising good at getting in and out of boats too.

My mother’s present day comment on the whole matter of my stand-in is concise: ‘I don’t think she was invited. I think she just turned up. Most unsuitable for a children’s film.’

Enthused by our Stand-in, Lesely Bennett and I went into Ambleside that evening to buy more wool for our own tapestries.

The poor production team. I think the recording of our scene with Captain Flint on Peel Island went well, and that Claude Whatham the Director was happy with the result, but my diary reports how a Force 8 gale came in. The Call Sheet for 20th June documents how truly unpredictable the weather was. We had a ‘Fine Weather Call’, an ‘Alternative Dull Weather Call’, ‘Rain Cover’ in the Houseboat cabin and a pencilled-in end-plan entitled ‘Peel Island’.  Richard Pilbrow, the Producer, had a 1970s embroidered patch sewn to his jeans which read: THE DECISION IS MAYBE AND THAT’S FINAL.

The Call Sheet that never-was for 20th June 1973. We ended up on Peel Island.

In Arthur Ransome’s book Swallows and Amazons there is a dramatic storm with lashing rain. We were rather disappointed that it was not included in David Wood’s screenplay. It could have been shot that afternoon, but this was not to be. I can remember Mum saying, ‘You can’t have everything.’

The day that ended up on the cover of a puzzel promoting the movie.

What had been good about the 20th June was that we, the Swallows and the Amazons, were all together, not sailing but on Peel Island, with the novelty of working with Ronald Fraser for the first time. Kit Seymour, who played Nancy Blacket and Lesley Bennett in the role of her sister Peggy, had been so patient, waiting day after day for their scenes with their Uncle Jim to come up. They were stuck having endless lessons with Mrs Causey in the red double-decker bus most of the time. But the fact that they were on Stand-by was hugely helpful to the Production Manager who had to wrestle with the film schedule and Call Sheets.

As it was the storm blew hard but cleared the dull-weather clouds and the next day was glorious, one to remember forever…

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Filming the night scenes for ‘Swallows and Amazons’ in 1973

Sophie Neville as Titty Walker

Sophie Neville as Titty Walker

The Lake District is very beautiful. The problem about filming there is that it can rain quite hard – heavely – was the word I used in 1973. By this stage in the filming of Swallows and Amazons Claude Whatham only had one ‘rain cover’ option. We were kept busy recording sea shanties with Virginia McKenna at the Kirkstone Foot Hotel by Lake Windermere while Dennis Lewiston, the DOP, lit Mrs Batty’s barn at Bank Ground Farm above Coniston Water. Arthur Ransome must have done much to revive the songs of the sea ~

Farewell and adieu to you, fair Spanish ladies, Farewell and adieu to you, ladies of Spain; For we’ve under orders for to sail for old England, And we may never see you fair ladies again.

We never got as far as the ranting and roaring bit in the film.

No one really knows how old this naval song is. The Oxford Book of Sea Songs, mentions it in the logbook of the Nellie of 1796, long before shanties really came extablished as a genre. All I know is that Titty loved it and was still singing it in Peter Duck when the song became quite useful for navigating the English Channel.

‘The first land we sighted was called the Dodman, Next Rame Head off Plymouth, Start, Portland and Wight; We sailed by Beachy, by Fairlight and Dover, And then we bore up for the South Foreland light,’  or sort of.

Walking into Mrs Batty’s barn that day was hugly excting. Simon Holland, the designer, had mounted Swallow on a cradle so that she could be rocked, as if by water, as the scenes of her sailing at night were shot.  It was brilliant, she even went about. Moonlight wasn’t not a problem. Richard Pilbrow can correct me, but I think it was produced by a lamp called a ‘tall blonde’. I don’t think we had a wind machine. The Prop Men used a large sheet of cardboard to produce a breeze.

‘Wouldn’t Titty have liked this?’

‘Liked what?’

‘Sailing like this in the dark.’

’57, 58, 60, 61…’

‘What’s the matter?’

‘Can’t you hear it? The wind in the trees?  We must be near the bank. Quick, Susan lower the sail! Roger, catch the yard as it comes down!’ Then there is a crunch as the Swallows hit a landing stage. All mocked up. Quite fun.

‘What about Titty?’

Amazon was placed on the same mounting. I climbed aboard and started wrapping myself up in her white sail.

Children always love the irony of John saying, ‘She’s at the camp. She’ll be allright. She’s got a tent,’ when the shot cuts to me looking damp and uncomfortable about sleeping in Amazon, anchored out on the water.

Later I wake up and come out from under the sail to hear the burgulars heaving  Captain Flint’s trunk across Cormortant Island. All in all we achieved quite a bit on that wet day in Westmorland. Much safer and easier than being out on the water.  Because the cradle was at waist height Claude was able to get lower angle shots than when out on the camera pontoon. I think Simon West, who played John, did really well.  He managed to convince me that he was really sailing when I watched the film and I knew he wasn’t.

Back at our guest house in Ambleside there was a real life drama. Little Simon Price had gone missing.  He was the small boy last seen on the beach at Rio, having his shorts pulled up by his sister. The Police were called and everything. But as in a lot of real life situations, things were sorted out, and we returned to the mundane world of maths lessons. I was tutored by Helen, one of the students at the Charlotte Mason College of Education who was also lodging at Oaklands as Mrs Causey, our teacher, could not ‘do modern Maths.’

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Rowing to Cormorant Island ~ filming ‘Swallows and Amazons’ in 1973

Sophie Neville rowing to Cormorant Island

Sophie Neville as Titty and Stephen Grendon as Roger rowing to Cormorant Island

‘Pull harder, Roger!’ ~ hardly a line from Shakespeare, but one that has lodged deep in my memory.Titty was even bossier in Arthur Ransome’s books ~”You keep time with me, Boy,” said the able-seaman.”All right.”Titty lifted her oar from the water. Roger gave one pull.”Boy,” said the able-seaman, “you mustn’t say ‘All right’.””Aye, aye, sir, ” said the boy.**

When we auditioned for Swallows and Amazons the emphasis was on sailing. Could we sail? In fact I needed to be good at rowing. Titty and Roger row back form the Charcoal Burners, I rowed the Amazon from Wildcat Island and here we were rowing across Derwentwater to Cormorant Island. This was more difficult than normal as Swallow was wired to the camera pontoon.

Cormorant Island

When I look at the 16mm footage my father took of me rowing at home before we left to film in the Lake District I cringe. My blades were high above the water, hitting the surface with terrible splashes but I seemed to achieve my objective.   I managed to fit an improvised mast to our Thames skiff and even made my own sail. It doesn’t look great, but I think Arthur Ransome would have approved.

Cormorant Island and the camera boats

Swallow finding Amazon anchored near Cormorant Island on Derwent Water with the camera pontoon and safety boat: photo~ Daphne Neville

Simon West and Suzanna Hamilton joined us for the scene when the Swallows lower the Jolly Roger and start to sail the captured the Amazon back to Wildcat Island.  I can only imagine that I changed my costume in one of the support boats. I think the scene may have been shot with two cameras on different boats ~

Sophie Neville playing Titty Walker in the captured Amazon, with David Cadwallader, Bobby Sitwell, Dennis Lewiston, Claude Whatham and two electricians holding reflector boards on the camera punt: Photo ~ Daphne Neville

This shot shows Claude Whatham using the punt,* which somehow managed to accommodate Dennis Lewiston, the 35mm Panavision and quite a few crew members, while Richard Pilbrow remained on the camera pontoon with Eddie Collins operating the 16mm camera.

Richard Pilbrow and his film crew on the camera pontoon with Eddie Colluins opperating the 16mm camera. Simon West and Stephen Grendon sail Swallow. Suzanna Hamilton is cilmbing aboard the Amazon with Sophie Neville

I remember the scene itself as being difficult to achieve in terms of sailing. Swallow has a keel, and Amazon with her centre board is much the faster dinghy. It is not like racing two boats of the same class. After hauling up the anchor Suzanna and I battled to turn the Amazon, not wanting to wiggle the rudder and jeopardise her pins. I remember Simon calling advise over the water.  He stalled and we caught up, trying to get close together for the shot. The result was a photograph used on the front cover of the next Puffin edition of the book.

Swallows and Amazons book cover 1974

Stephen Grendon, Simon West, Sophie Neville and Suzanna Hamilton on the cover of the 1974 Puffin edition of ‘Swallows and Amazons’

* I may be wrong about these photographs. The still surface of the water in the shot of Titty alone in Amazon suggests that it was taken later on, when we filmed the burglars landing on Cormorant Island with Captain Flint’s trunk, but we probably had a very similar set up on this more sparking day ~ 15th June 1973.

We went on to film various shots of us sailing on to Wildcat Island, when I think the camera was in Swallow capturing close-ups of a triumphant Captain John. He did indeed do well.

**Swallows and Amazons by Arthur Ransome, 1970 Jonathan Cape edition

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‘Look, John! Steamer ahead!’ ~ Near disaster whilst filming ‘Swallows and Amazons’ in 1973

Ronnie Cogan having a cigarette and a drink with one of the Supporting Artistes. Terry Smith the Wardrobe Master is going below in the background. photo: Martin Neville.

It was a glorious day to film on Windermere. Conditions were perfect. My father had been asked to appear as a Extra in the scene in the film of Swallows and Amazons when the the crew of Swallow narrowly miss colliding with a steamer, that transports tourists up and down the lake, on their voyage to Wildcat Island. He was the tall dark native in a blazer and white flannels aboard the very elegant Lakeland steamer, The Tern. A lovely way to spend a sunny morning in the Lake District.

MV Tern on Windermere was built in 1890 with a steam engine, converted to diesel in the 1950s, and is still operating today.

Simon West, Suzanna Hamilton, Stephen Grendon and I were in the Swallow, which at the start of the day was attached to the camera pontoon so that Claude Whatham, our Director could capture the dialogue on film. In the script Roger is down to say, ‘Steamship on the port bow’.  I think what came out was, ‘Look John!  Over there – Steamer ahead!’

The screenplay of David Wood’s 1973 adapation of Arthur Ransome’s classic book ‘Swallows and Amazons’ set in the Lake District in 1929

My mother had been obligued to go to Bristol as she presented a weekly programme for HTV with Jan Leeming in those days, so Dad must have been in the dual role of chaperone.  A sailor with years of experience racing on the Solent he took a keen interest in all our sailing scenes.

Three men of Cumbria who were happy to have short-back-and-sides haircuts in 1973 on the deck of the MV Tern on Windermere in 1973 ~ photo: Martin Neville

And the next day… 

‘Carry on Matron’. I wonder what near disasters they had on that film.

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Filed under 1973, Acting, Arthur Ransome, Autobiography, Biography, Cinema, Claude Whatham, Cumbria, David Wood, Diary, Dinghy sailing, Film, Film Cast, Film crew, Film History, Filmaking, Lake District, Memoir, Movie, Movie stories, Richard Pilbrow, Sophie Neville, Swallows and Amazons, truelife story

‘Away to Rio’ ~ Part Two

In Arthur Ransome’s book Swallows and Amazons Titty is left keeping watch on an island, so small it is little more than a rock, whilst the Swallows sail into Rio Bay in search of the Amazons. Luckily for me, this is not so in the film. Susan declares, ‘They must be making for Rio’ and the scene cuts to a band playing in the municipal park at Bowness-on-Windermere. John rows into the bay pretty sure that the Amazons have given them the slip, Susan suggests that we could explore Rio and I happily declare, ‘We could buy rope for the lighthouse tree.’  And that is what we did – leaving the boy Roger in charge of Swallow. It was such a hot day I whipped off my grey cardigan before I leapt out of the boat, no doubt causing havoc for the Film Editor.

The Swallows approach the jetty in Rio. Empty camera boats are moored in the foreground beside a period launch. Are those green boatsheds still standing today?

Simon Holland, the Set Designer on Swallows and Amazons had transformed the busy Bowness of 1973 into a Lakelandtown of 1929. To do this he must have had a huge amount of glassfibre boats moved. These were replaced by the beautiful wooden launches and skiffs of the period. You can see my father in white flannel trousers, his dark hair cut short, standing on the jetty in front of the lovely old green boathouses that then overlooked the bay. He is talking to the owner of the launch with the green and white striped awning.

Much of the first part of this sequence, including the close ups in Swallow, was filmed from the grey punt used as a camera boat. It seems that Simon West, who played John was towing this as he rowed up to the jetty. It was a hot day and for once we were all feeling the heat.

Kit Seymour and Jane Grendon watch the filming on the jetty whilst Tamzin and Perry Neville eat ice creams with the one man in Cumbria willing to have a short-back-and-sides. You can just see the period cars parked in the background

Although the Swallows spurned the conventional attractions of tripperdom, we spotted the Stop-me-and-by-one ice cream cart like lightening.  I was entranced by the old cars, the pony and trap and the number of people dressed to populate Rio. They were organised and directed by Terry Needham, the Second Assistant Director. To our delight we found Gareth Tandy, the Third Assistant, was dressed in period costume too, his Motorola hidden under a stripy blazer so he could cue the Supporting Artists and keep back the general public without having to worry about appearing in vision himself. To his dismay he had had to have his hair cut. We all thought this a distinct improvement. He looked so handsome! I’m not sure if you can see him in the distance when we are climbing out of Swallow. You can just see my sisters walking towards the town at this point with Pandora Doyle, Brain Doyle’s daughter.

The Price children, Perry Neville, Jane Grendon, Tamzin Neville and Pandora Doyle in their 1929 costumes on the shore of Lake Windermere at Bowness in 1973 ~ all photos on this page : Martin Neville

Jane Grendon, our chaperone looked fabulous in her 1929 costume. It was the one and only time I saw her in a dress. She was wonderful. Being in costume enabled her to keep an eye on all the children playing on the beach. I know she would have kept them going and maintained safety as they flung pebbles into the water or rushed about with the donkeys that were giving rides along the shore – no one wearing helmets of course.

Another excitement of the day was that Claude Whatham had given Mr Price, the owner of the Oaklands Guest House where we were staying, the part of the native. The native who says, ‘That’s a nice little ship you’ve got there.’ Mum said that Kit Seymour, Suzanna Hamilton and Lesley Bennett had spied him, pacing the garden at Oaklands trying out every possible way of saying this line. ‘That’s a nice little ship you’ve got there.’  Then, ‘That’s a nice little ship you’ve got there,’ leaving the girls in fits of giggles.

After we leave the general stores, me clutching bottles of grog, you can see Tamzin in a pink dress and straight back riding a chocolate coloured donkey along the beach while Dad is pushing out a rowing skiff with a log oar. Roger looks on from the Jetty to see Perry riding another donkey in a yellow dress while Tamzin walks by in the opposite direction with none other than Mr Price, in his striped blazer, who is walking along towards the boathouses holding a little boy’s hand.  I am sure it was one of his own children but it looks a bit dodgy because while Roger watches my sisters and Pandora throwing stones into the lake from the beach were the skiffs are pulled up, David Price comes walking along the jetty and delivers his line: ‘That’s a nice little ship you’ve got there.’ It’s shot in rather a creepy way. John did warn Roger to ‘Beware of natives.’

The film crew of ‘Swallows and Amazons’ wait with Swallow and Stephen Grendon at the end of the jetty while Simon West, Suzanna Hamilton and Sophie Neville line up by the launch

A moment later Pandora and my sisters are surrounding the ice cream man while John, Susan and Titty return, striding along the jetty like the three wise men, carrying rope, buns and bottles of grog.  My father’s all time passion in the form of a very graceful steam launch passes, almost silently, in the foreground. A happy, happy day. They only sad thing was that we didn’t have time to film inside the bun shop, which was such a pity as it looked glorious. Claude had been obliged to re-take a scene when some ladies – real life ladies in 1970’s garments and bouffant hairdos – had come scootling out of the Public Conveniences in the middle of a take.

What none of us knew was that is was nearly our last day on earth. The same Supporting Artists, including my father, had been booked for the next morning…

My father writes to say:

‘Mr Pattinson, the man who revived the steamboat world, along with Roger Mallinson, was the character in Elisabeth the little steamer.’

George Pattinson in his steam launch Elisabeth ~ photo: Martin Neville

‘The Bowness skiffs were not like the Thames version. The outriggers caught the oars and allowed a fisherman to let go of the grip if and when he caught an Artic char, the Winderenmere fish, the oars were retained.  A heavy boat.

I remember the rope was huge, fat and unsuitable!  Daphne was not around as she had to go south to present Women Only for HTV. She was devestated to leave the donkey scene.’

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Filed under 1973, Acting, Arthur Ransome, Autobiography, Biography, Cinema, Claude Whatham, Cumbria, Diary, Film, Film Cast, Film crew, Film History, Filmaking, Lake District, Memoir, Movie, Movie stories, Richard Pilbrow, Sophie Neville, Swallows and Amazons, truelife story