The original VHS version of ‘Swallows and Amazons’ (1974)
The Arthur Ransome Society has launched a new venture: Sail Swallow and Amazon
The classic dinghies from the original Swallows and Amazons 1974 film are being restored by Hunters Yard at Ludham on the Norfolk Broads. We are looking forward to welcoming people to come and sail, or row, the boats in due course. Hopefully, the Amazon may be ready this June, but Swallow‘s keel needs attention so she will be not be seaworthy until next season.
From 28th-30th June 2024, both boats will be appearing at the 50th anniversary celebrations of the 1974 filmat Windermere Jetty in the Lake District. All welcome! We are hoping the dinghies will be joined by some of the traditional steamboats that appeared in the Rio Scenes such as Osprey and the Lady Elizabeth.
Guy Willson, a reader from Papua New Guinea, has written to say: ‘I have read your book and I really liked it. I could see behind the scenes and often read between your lines as well.’
‘When you were making the movie (in 1973) I was on my way to Norfolk Island as a starting point of my adventures in the South Seas; so I never knew of the release of your film until much later when I had children of my own that had reached the age to go ‘avasting’ and ‘timber shivering’, when we were living in Rye in the 1990’s.’
‘Some years ago I restored a 13ft clinker dinghy and after adding a false keel, added a standing lugsail and trailed her up to Coniston for my children to sail…I had in mind an article from Classic Boat on the Swallow, how the Altounyan children preferred Swallow as a boat because they could stow more things in her and she could still sail well. I had noticed on a drawing in the article that Ransome had given her an extra 2 or 3 inches of false keel and this helped tremendously in reducing her leeway. I added a piece of oak to do the same thing but gave her an extra 9” aft and planed it down to a feather edge forward so the she would go about a bit easier. Well, it worked and Eaglet would have done the original Swallow proud.’
Swallow – the 12′ dinghy used in the film
‘If you would permit me a little correction: you described the rig as being gaff rig, but this is not so. Both the boats, originals and the ones you sailed were in fact luggers. The nearest thing to a gaffer among the luggers is the Gunter Rig which has jaws at the front of the yard but is hauled up by a single halyard. You can see this in the Mirror dinghy (in truth it is about halfway between the two). However the lug rig of Swallow is known as a ‘standing lug’ and it can be used to go about freely. After hauling up the sail on its traveller; the peak of the yard is raised by the downhaul line (usually attached to the bottom of the boom). This tightens the luff of the sail and lifts the outer end of the boom as well giving the best efficiency to the sail.’
A gaff rigged cutter
‘Lugsails were the working sails of England for most boats less than 60ft but they were usually rigged with a ‘dipping’ lug as the mail sail and a standing lug aft. This dipping lug had to be dropped and the yard hauled round behind the mast every time they went about. It was a powerful sail and they found their best expressions in the three masted Bisquines which used to raid British shipping in Napoleonic days. You can still see them at the classic boat events at Douarnenez and Brests, where I took the gaff schooner Soteria in 2006.’
Soteria at Douarnenez
‘If you had had a gaff rig you would most probably have needed a jib to balance it (unlike the American catboats which have their masts right up in the bow, not even a space for the Boy Roger on those! Thanks for writing a lovely book which I will pass on to my daughter.’
“X marks the spot where they ate six missionaries”
‘You did such a grand job as Titty and I am not really surprised to find that you are a bit of a wordsmith. I am a missionary (uneaten) in Papua New Guinea and we are planning to sail back there in our steel schooner see www.livingwatermission.org On our return we will be calling in at Erromanga in Vanuaatu where ‘x’ was the spot where two missionaries were eaten. Recently the descendant of one of them, John Williams, went to Erromanga for a service of reconciliation.’
If you have noticed any errors in ‘The Making of SWALLOWS & AMAZONS’ please use the Comments box to let us know so that we can make corrections! We might be able to bring out a third edition. Readers who already have a Kindle edition will be able to update it free of charge.
Different editions of ‘The Making of Swallows and Amazons (1974) by Sophie Neville’
If you are keen on dinghy sailing and looking for adventure, this is a book to accompany you through the summer months ahead. It is full of sound advice from Roger Barnes who learnt to sail on Windermere in Cumbria and is now President of the Dinghy Cruising Association. He has written for Classic Boat, Watercraft,Dinghy Sailing Magazine and currently writes for Classic Sailor.
Roger emailed me to ask if I had a photograph of us sailing Swallow without life jackets. I supplied him with this shot my mother took in 1973 since I am standing in the dinghy. I am not sure how we managed to go about when we sailed off, as it also contained the parrot’s cage.
I will certainly take The Dinghy Cruising Companion with me if I manage to get Swallow to Brittany in the near future. As you can see from the cover Roger often takes his own boat to regattas in France.
I bought my copy of Roger’s paperback online but it’s available from all good bookshops. To find out about sailing Swallow, the dinghy used in the 1974 film of Swallows and Amazons, please click here for Sail Ransome.
‘Paddling with Peter Duck’, John McCarthy’s documentary for BBC Radio 4, portrays the boats owned by the author Arthur Ransome and includes extracts read by Kate Taylor from his classic book Swallows and Amazons.
Peter Willis in the Nancy Blackett with John McCarthy
While the broadcast is a portrayal of Arthur Ransome and his boats, it touches on his friendship with the Altounyan family who inspired him to embark on writing the series of twelve Swallows and Amazons books. It is easy to understand this when looking at their photographs.
The Altounyan children with friends in Syria.
The girls seem to be Taqui, Brigit and Titty
Could it possibly be Arthur Ransome sitting on the right? He visited the family in Syria in 1932, when he must have been about forty-eight, but was never known to have worn shorts, although it would have been exceptionally hot in the Middle East. Click on the photos to enlarge.
Is this Arthur Ransome ? sitting on the bow of Peter Duck in Syria, the chap wearing the same hat and clothes as in the photo above? He took this dinghy out to Syria as a gift for the Altounyan children and wrote his novel Peter Duck while he and his wife Evgenia were staying with the family in Aleppo.
Possibly Arthur Ransome sailing Beetle II the Altounyans’ gunter-rigged dinghy at Amouk in Syria
Ransome’s friend Dr Ernest Altounyan in 1935
Dora Altounyan (nee Collingwood) in 1935
Was Dora the model for Mary Walker, the Swallows’ mother who grew up in Australia?
Sadly there is no sign of the original Swallow bought at the same time as Mavis by Arthur Ransome and Ernest Altounyan in Barrow-in-Furness, and later sailed by the Ransomes on Windermere. Mavis was later re-named Amazon by Brigit Altounyan, the youngest of the five Altounyan children, known as The Ship’s Baby.
Dr Ernest Altounyan on Coniston Water with ‘Mavis’, one of the dinghies that inspired ‘Swallows and Amazons’
These unique photographs were recently found in Cheshire by the antiques dealer John Jukes who asked me if I could return them to the Altounyan family. This I have done and show them here by kind permission of Roger’s daughter, Barbara Altounyan. Please do not copy these photos.
My mother, Daphne, started working as a television presenter for Harlech Television in Cardiff. By 1973 Mum was working at the HTV studios in Bristol two days a week, presenting an afternoon programme called Women Only with Jan Leeming, and doing a bit of radio work for the BBC. Occasionally she appeared on other shows.
Mum appearing as a member of the Salvation Army on ‘The Dick Emery Show’
While my father’s life was influenced by Arthur Ransome, my mother drew inspiration from the author Noel Streatfield and her novel Ballet Shoes, the story of three little girls who went on the stage.Before her own three daughters were old enough to read she was dreaming dreams. Since she worked at the HTV studios in Bristol, it was natural enough for us to take part in their drama productions that were being made locally.
Daphne Neville appearing with Tamzin Neville and Shaun Dromgoole in the HTV drama ‘Arthur of the Britons’ in 1972. I am not sure who the bearded man is.
When I was offered the part of Titty in Swallows & Amazons, Mum somehow managed to take enough leave to come up to the Lake District and work on the film as a chaperone, although she had to return to Bristol for two HTV commitments. She missed some of the best scenes, and some of our worst moments.
‘You owed your life to Simon West, of course.’
‘Did I?’
‘Oh, yes. Simon was such a good sailor. He was totally reliable.’ She was thinking of the scene when Swallow was meant to narrowly avoid colliding with the Windermere steamer, the Tern, when we only just avoided a terrible accident.
‘You would have gone under the Tern if Simon hadn’t been so calm and controlled. He would never have got into the situation himself, he would have gone about much sooner but was waiting for Claude to give him the cue over the Motorola radio. Claude was too late. He had no idea about boats.’
My mother returned from working in Bristol to find my father, Martin, was not happy about how things were being handled when we were on the water. They stayed up, talking all night, making what must have been one of the first ever risk assessments.
‘Quite a few things changed after that.’ You can tell from studying old call sheets.
‘The ridiculous thing was having to strap the kids into life jackets to go to Peel Island, which was not risky at all. Martin and I then discovered they were BOAC rejects.’
Lesley Bennett, Simon West, Kit Seymour, Sophie Neville, Sten Grendon and Suzanna Hamilton on Coniston Water 1973
Simon told me that he really couldn’t remember much about being in Swallows & Amazons. Looking back on it all, he reckoned that if I had talked through each day with Mum it would have reinforced memories. My diaries, which were certainly more detailed than those kept by the other Swallows, were supplemented by Mum’s photos, taken on a daily basis and looked at repeatedly. You have seen them all. They have that early Seventies tint to them.
Daphne Neville in the 1975 film ‘Diagnosis Murder’ with Christopher Lee
Meanwhile my mother’s own memories are coloured by how things have changed over the last forty years, the other films she has been in the actors she has met.
‘Ronnie Fraser was perfectly nice. He was treated like a star and kept very much apart from us. He behaved like a star. Now stars have PAs, but he didn’t!’
Mum went on to appear in all sorts of movies. If you don’t blink, you can see her as a Victorian Lady in The Invisible Woman – Ralph Fiennes’ portrayal of Charles Dickens, soon to be released in cinemas.
For more photos of Daphne Neville in character roles, please click here
Daphne Neville in costume for ‘The Invisible Woman’ 2013
Sophie Neville 
