Amazon, originally known as Mavis, now residing at the Coniston Museum
People come from all over the world to visit Mavis, the traditional gaff-rigged dinghy known to all those who love the Arthur Ransome books as Amazon. She has been lovingly renovated but, still being a bit leaky, is on permanent display at the Coniston Museum in the Lake District. It was in this clinker-built dinghy and another little ship named Swallow that the Altounyan children learnt to sail on Coniston Water in the late 1920s.
In later life they used Mavis to teach their own children and grandchildren to sail. She was kept in Brigit Sander’s (ne Altounyan) boathouse at Slate Quay, which so resembles Ransome’s illustrations of the Amazon boathouse.
Suzie, Taqui and Brigit Altounyan
One of the secrets of ‘Swallows and Amazons’ is that the character of Captain John, was, if anything, loosely based on a the eldest girl in the family. Arthur Ransome obviously needed to balance genders and have two boys and three girls instead of only one boy, as in real life. Taqui Altounyan seemed to take this in her stride, giving him what advice she could. She has detailed this in her memoirs of the family’s lives: In Allepo Once and Chimes from a Wooden Bell – excellent books that have become much sort after.
Roger Wardale, author of many books about Arthur Ransome and the locations he used in his stories, kindly sent me these photographs of Taqui that he took when she was showing him some of the places where she played as a girl.
Taqui Altounyan on Peel Island, Coniston Water
The Lake District, where her Collingwood Grandparents lived, was obviously a special place for her.
Taqui Altounyan pointing to the rocks from which they would jump into Trout (Beacon) Tarn.
These photographs of Roger’s show her walking back in time,
visit Mavis in Coniston Museum
Taqui Altounyan looking at Mavis, who was later renamed Amazon
and go aboard SL Esperance on Windermere,
‘You can sweep up’ Taqui Altounyan in Esperance
soaking up the atmosphere in her cabin.
Taqui Altounyan with Roger Wardale and some of his former pupils inside the Esperance, which was the model for Captain Flint’s houseboat
Very many thanks to Roger Wardale, whose own books can be found listed here.
I am assured that Titty’s family will not be offended if I re-publish these news clippings. She has become well-loved by many who I know would like to learn more about her. The Times used her Christian name of Mavis, but she was always known as Titty.
Titty Altounyan was born in Aleppo on 28th May 1920, and would have been aged nine when Arthur Ransome began writing ‘Swallows and Amazons’. She died in Bradford at the age of seventy eight.
Although she was heralded as Arthur Ransome’s muse, I know that Titty Altounyan had no wish to be famous. If anything, she gradually disassociated herself with the character in the books, who struck her as being so good and clever. But Titty was her name.
It was a name I have lived with too, for I played the part of Titty in the film of Swallows & Amazons produced by Richard Pilbrow in 1973. Children and adults alike still call me Titty all these years later. One summer, when I was sailing Swallow, the dinghy used in the 1974 film, someone took this shot of me. It is as if I am still flying Titty’s inspirational flag, which I do with humility and with honour.
Sophie Neville lowering Swallow’s sail on Ullswater in 2014
Titty Altounyan with the Ransome’s flotilla on the Norfolk Broads in 1934 (?)
Mrs Ransome wrote to Titty’s mother, Dora Altounyan, from Wroxham. This postcard was kindly shown to us by Ted Alexander who rescued it from certain destruction.
I thought I was far too fair to play Titty but Mrs Ransome approved. Despite Ransome’s book illustrations of girls with dark hair, she was most decisive about casting “An English rose” to play Titty and that the children should have British colouring. The idea was that viewers could easily associate with us. I am of Scots/English/Irish heritage, like three of Titty’s grandmothers, but have no Armenian blood. I rather wish I did. It’s nuisance having such fair skin. My second name is Rose.
Hairstylist Ronnie Cogan giving Sophie Neville a Titty hair cut on location
I don’t know if Titty ever saw the 1974 film of ‘Swallows and Amazons’. She might have done. I only hope that we captured the sense of adventure experienced by the Altounyans when they were little and went camping on Peel Island during the weeks when they stayed with their grandparents, Mr and Mrs WG Collingwood, at Lane Head at the northern end of Coniston Water.
Simon West and Sophie Neville bring Swallow into the Secret Harbour on Wildcat Island (c) Studiocanal
Although they are seen wearing shorts as young children I have been told that the Altounyan girls sailed in dresses, which they tucked up into their knickers if they had to wade ashore, much as I did in the film.
Sophie Neville as Titty (c) StudioCanal
The reference to Titty’s name coming from The Tale of Mrs Tittlemouse in the article feature in The Times above is incorrect. Titty’s name was based on a character in fairy story Titty Mouse and Tatty Mouse by Joseph Jacobs published in 1890, that begins when Titty Mouse and Tatty Mouse go leasing (or gathering) corn. Here is a later edition. Titty ‘never could resist anything in print.’
With thanks to Roger Wardale who showed me the handwritten letters that Titty sent him. She had the most beautiful writing.
Titty’s niece, Barbara Altounyan, with Sophie Neville at a TARS Weekend.
If you would like to read more about the amazing time I had playing Titty in Swallows and Amazons, the first section can be leafed through, free of charge here:
We have just found another reel of 16mm home movie footage shot, not on location in the Lake District, but at Runneymede near Egham in Surrey. It captures the essence of a hot day in September 1973 when we were re-called for pick-up shots after the main body of the film of Swallows & Amazons had already been edited.
Ronnie Cogan trimming Sophie Neville’s hair for the part of Titty in September 1973
The clip opens with the film hairstylist Ronnie Cogan cutting my hair. It had been a good six weeks since I had last played Titty in front of the camera and I needed a trim to restore it to the same length it had been on 14th May when we had first started filming on the Lakeside and Haverthwaite railway. Suzanna Hamilton’s thick dark hair had grown a great deal, as had Sten Grendon’s.
Sophie Neville watching Ronnie Cogan cut Sten Grendon’s hair.
Peter Robb-King the Make-up artist had been toning down our complexions inside the same Make-up caravan we’d used while on location for seven weeks in Cumbria. I remember it had orange flowery curtains, a pattern much in vogue at the time.
Sophie Neville looks on as Stephen Grendon organises his costume helped by Jane Grendon with Claude Whatham and Neville C Thompson.
Neville C Thompson, the Associate Producer, who was wearing a red shirt that day, seemed happy to be back on location. The film director, Claude Whatham was working, as I will always remember him, in a pair of navy blue shorts and sailing shoes. I loved putting on the school hat and silk dress I’d worn in the train but was difficult for the boys to climb into their woolen costumes on such a bright sunny day.
Richard Pilbrow, the Producer, who you can see wearing a white stripy cheese-cloth shirt so typical of the early 1970’s, seemed rather on edge. Bringing a camera crew along for what amounted to three shots must have been expensive, stretching his budget to the limit.
Gordon Hayman with a 35mm Ariss camera, Sophie Neville, Claude Whatham and Simon West, with Richard Pilbrow in the foreground ~photo:Daphne Neville
The oak tree, under which the 35mm Arriflex camera was set, was chosen to represent the Peak of Darien from which we looked out over an imaginary lake to an imaginary island. The finished movie cuts from the Walker children’s faces to a shot taken of Derwentwater at sunset with the opening title graphics superimposed over what is in reality Blakeholme, or Wild Cat Island as it is called in Arthur Ransome’s world.
Denis Lewiston, the Director of Photography, was working with the Cameraman Gordon Hayman, using reflector boards to light our faces. At one stage he had me standing on a cream coloured blanket to reflect light from below. You can see it in this shot:
Sophie Neville playing Titty Walker with Stephen Grendon as Roger Walker with Gordon Hayman, Denis Lewiston and Claude Whatham behind the camera
What I had forgotten was that two little girls came along that day to stand-in for us when the shot was being lined up. You can see them in the home-movie footage, one wearing a pale blouse with puffed sleeves.
Claude was very keen on running. He often took us for a short run before going for a shot to aerate our minds and freshen up our faces. In the story we had run down the hill from Holly Howe, so he had us running quite far before we landed on the marks that the cameraman had given us so that we’d be in focus. We had no dialogue, but the expressions on our faces were crucial to engaging the audience.
Denis Lewiston, Claude Whatham, Sophie Neville, Suzanna Hamilton, Simon West and the cameramen
You see a few other people on location, not least Sten’s mother, Jane Grendon, my little sister, Molly Pilbrow and a few others who were watching. My mother had been taking the footage.
Daphne Neville with Stephen Grendon, Suzanna Hamilton, Sophie Neville, Jane Grendon and Simon West
To read about this day from another angle, please click here to visit an earlier post with a few more photos.
On Friday 21st November 2014, I was invited to talk about the making of Swallows & Amazons on the CBBC movie show with David Wood, who wrote the screenplay. I’ll let you know when this will be broadcast. While I was at Novel Entertainment I met Dexter Fletcher and Bonny Langford as well as Justin Johnson from the British Film Institute who is an adviser on the series of 6 x 30 minute programmes.
You can read the whole story of making the film here:
For some time now we have been doing a variety of things to raise interest in Arthur Ransome and his books, particularly the ‘Swallows and Amazons’ series originally written for children.
Sten Grendon as Roger and Sophie Neville as Titty rowing Swallow (c)StudioCanal
SailRansome have made Swallow, the original clinker built dinghy used in the film, available for families to use there.
Swallow, the dinghy used in the 1974 film on Ullswater this summer
We’ve been using the Draper’s shallop to teach children how to row on the River Lee under the auspices of Countryside Live. We have now taught hundreds of children most of whom have never been in a boat before. The idea is to inspire them to join the Sea Scouts or a local rowing or canoeing club.
Countryside Live at Lee Valley 2014
Another boat you can sail is the Nancy Blackett portrayed as Goblin from We Didn’t Mean To Go To Sea and Secret Water.
Arthur Ransome’s cutter the Nancy Blackett sailing on the Orwell
It only costs £25 a year to join the Nancy Blackett Trust. This is wonderful for anyone living near the Orwell as Ransome once did.
Sophie Neville with Titmouse in Norfolk – photo Diana Dicker
I’ve also been promoting StudioCanal’s re-release of the 1974 film of Swallows & Amazons on Radio Cumbria, Premier Radio, Lakeland Radio and Channel 5’s live TV programme The Wright Stuff. There’s a lot going on in the media with pictorials in Country Life, The Lady, Cotswold Life and Practical Boat Owner magazine as well as newspapers and colour supplements.
Q&A with a large cinema audience in Kendal this August
We brought the original film of Swallows & Amazons back to cinemas in London, Ambleside, Kendal and to Hastings on Pirate Day. I took Captain Flint’s trunk along and wore a tricorn hat only to be told by one little boy in the audience, ‘I hate pirates. They are my enemies.’ Other children asked, ‘Did you enjoy being in the film?’ and ‘Were the spiders in your tent real?’
When we were in Kendal, the curator of the Museum of Lakeland Life gave a talk to the cinema audience bringing along the actual red slippers given to Arthur Ransome by the Altounyan children in 1929 which inspired him to write Swallows and Amazons.
An official still from the film of ‘Swallows & Amazons’ (c) StudioCanal
Some schools have Swallows and Amazons as a set book. I was invited to give a talk at Walhampton School who claim a ‘Swallows and Amazons ethos’. They aspire to giving their pupils as much of an exciting outdoor education as possible with sailing and exploring on the curriculum. School House magazine backs this up saying, ‘There is a distinct ‘Swallows and Amazons’ spirit that burns brightly here.’
Swallow sailing from Wild Cat Island (C) StudioCanal
What could you do to keep Ransome’s writing on book shop shelves?
Could you organise an event at your local sailing club? Or request a screening of newly restored version of the film at your local cinema? One is being planned in Oxford with hopefully another at Wolverstone. PictureHouse cinemas are particularly open to the idea of screening classic family films.
I am planning ‘An Arthur Ransome Day’ at my local Waterstones and another at our library. How can we make this special and attract people off the street?
Do add your ideas to the comments below.
Easy things you can do right now to help promote the books:
‘Forty years after she enchanted film-goers as Titty in Swallows and Amazons, Sophie Neville has found a new audience… telling the behind-the-scenes secrets of the film of Arthur Ransome’s classic novel.’ The Daily Mail The Making of Swallows & Amazons ‘…is based on diaries, letters and old photographs which Sophie has turned into a heart-warming account of making the movie, which starred Virginia McKenna and Ronald Fraser.’
The Telegraph~ Culture: ‘Set in the Lake District in 1929, the film follows four young adventurers who sail a dinghy around Lake Coniston, cook for themselves over campfires and sleep in makeshift campsites.’
‘…The occasional chaos and terrible weather during filming contributed to the eventual popularity of the extraordinary and very much loved film.’ The Times
‘The film Swallows & Amazons is 40 years old, but thanks to its careful period evocation, its respect for Arthur Ransome’s original book and the performances of its child actors, it’s become a timeless classic. One of those children was Sophie Neville, who played Titty, and who kept a diary during the filming. That diary, with her adult recollections, is this book. It’s a fascinating insight into filming on location in the Lake District…’ Classic Boat
‘… The result is compulsive reading as she recalls that cold wet summer, while the camera crew wrapped up warm and she shivered in her skimpy dress as Able Seaman Titty Walker. Sophie brings to life all the many memorable characters who worked on the film and in particular the other children, the Director Claude Whatham who developed a great relationship with his young cast and the stars Virginia McKenna and Ronald Fraser. Nor are the other young actors forgotten for there are diary contributions from Suzanna Hamilton who played Susan, Stephen Grendon who played the Boy Roger and Kit Seymour who played Nancy Blackett. The text is supported by numerous illustrations showing life on and off the set.’ Roger Wardale, author of Arthur Ransome: Master Storytellerand other books
‘You don’t need to be a Swallows & Amazons fan to enjoy this book – it’s universal!’ Winifred Wilson, Librarian of The Arthur Ransome Society
‘This was a most unusual and interesting book. I picked it up expecting to browse through it, and found myself so drawn in to Sophie Neville’s detailed, amusing and insightful description of film making in the 1970’s that I was unable to put her book down. As Arthur Ransome fans, my family and I have always loved the film, and felt that Sophie Neville was ‘just right’ as Titty. What fun it has been to be introduced to the young twelve year old Sophie with her intelligent awareness of the challenges facing the production crew while she shivered in her cotton dresses. The many photographs and illustrations contribute richly to bringing the 1970s setting to life. Sophie recorded her experiences beautifully, and in so doing, added one more valuable book to the cultural heritage of all Arthur Ransome fans.’ Juliet Calcott, English teacher,South Africa
Lots of photos throughout the book bring the scenes to life – a delightful read.’ Celia Lewis author of An Illustrated Country Year
Sophie Neville has been chatting to Mark Forrest on The Evening Show.
The second edition of this paperback is published by The Lutterworth Press, available online here
I am always interested by the questions I am asked on the making the feature film of the 1974 film of ‘Swallows & Amazons’, in which I played the part of Titty when I was twelve years old.
Did you have to wear make-up?
What did you do about school?
Did you still live in a tent?
These are some of the questions I’ve been asked recently by a journalist:
How different do you think your life would have been if you had not been in Swallows & Amazons? I am not an actress but working on Swallows & Amazons, as well as a subsequent adventure movie called The Copter Kids, gave me enough experience to gain a graduate placement at the BBC and work behind the scenes on interesting television dramas including the adaptations of ‘Coot Club’ and ‘The Big Six’, written of course by Arthur Ransome. Funnily enough, it was only when I was producing a documentary in Cumbria that anyone recognised me as Titty.
How different do you think your life would have been without the publicity that the film has brought you? While publicity generated by the film did not count one jot amongst my peers in television production, it does help me as an author since fans of the film appreciate the books I’ve written and often invite me to give talks.
Do people expect you to be an expert on Arthur Ransome? Are you? I’ve just been elected President of The Arthur Ransome Society, which is a great honour. Although I have read many biographies about Arthur Ransome and grew up reading his series of twelve Swallows and Amazons books, I only claim unique knowledge of the 1974 film and the BBC series ‘Coot Club’ and ‘The Big Six’, which I worked on as an adult over nine months in 1983.
There is huge interest in how these adaptations of the well-loved stories were made, especially since both are being restored and re-leased on DVD this summer. Being a landscape movie, Richard Pilbrow’s movie of Swallows & Amazons looks amazing on the big screen will be shown in cinemas from July in celebration of its 40th Anniversary.
Are you surprised that there’s still such an interest in the film? The film of Swallows & Amazons has gained in popularity over the years. This seems unusual but parents, and now grandparents, want their children to see the same film they loved growing up. They trust it as a baby-sitting DVD.
I hope its popularity has kept Arthur Ransome on the shelves of bookshops as they are truly inspirational. Together, the film and books seem to have figure-headed a ‘Swallows and Amazons lifestyle’ advocated in magazines, along with camping and picnic food, themes for weddings, knit-wear and even cat-walk fashion. ‘Very Swallows and Amazons…’ is the often used phrase, alongside a black and white photograph of me as a little girl, heaving on an oar.
Telegraph Magazine
Are you surprised that you are still so involved in it? I wasn’t much involved until we clubbed together to buy Swallow, the original dinghy used in the film. After displaying her glorious new coat of varnish at the London Boat Show in 2011 there has been an endless stream of requests to know more about how the film was made. Looking back through my diaries there were a surprising number of film-making secrets. I’ve only just remembered the funniest one.
What’s it like to be famous? This is the most difficult question as I always dreaded becoming celebrity. We all loathed publicity as children and found projecting ourselves excruciating. I now wish that it had been explained to us that it was part of our work to sell the film as I could have understood the need for that. Instead I felt desperately self-conscious about appearing on television or radio, especially as I wasn’t a glamorous actress and didn’t want to be one. It’s my character that is well-known. Titty is loved worldwide. Forty years on, I am still receiving fan mail, more so than ever since the advent of social media. I have just received a sweet tweet saying: hello titty :o) the family are enjoying the book, thank you. We have watched the film, conservative estimate, 20 times.
If you have any questions, please ask them in the comments blog below.
Brian Crawley sent in these unique photographs of his charcoal burn in Cumbria, telling me:
‘I am a ‘retired’ charcoal burner and we still do an occasional traditional charcoal burn in the same area of south Cumbria.’
He says that this burn was, ‘…done at Hay Bridge Nature Reserve only about a mile from the site where your charcoal burn took place.’ This was when Richard Pilbrow produced the film of Arthur Ransome’s book Swallows & Amazons on location in the Lake District in the summer of 1973. ‘As you can see there is a charcoal burner’s hut on the site like the one used to be on your site.’
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I was fascinated to see how the turf had been laid.
Brian also sent photographs of the dip in the woods where I was shown around a similar hut in 1973 . He tells me, ‘I was shown the site by an acquaintance who lives close by and watched the filming as a young boy.’
Brian sent a photo of our old film location in the woods, taken about ten years ago, when you could still see the stones of the fireplace once set inside the hut. I remember the fire well. It was very smoky.
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Brian also sent me a scan of the postcard published by J Salmon showing the burn site, taken in 1972 about a year before Swallows & Amazons was filmed, featuring the same collier who helped us. ‘The postcard photo was probably taken by a local photographer and I also have other copies of charcoaling photos, taken about that time, from a book by the same photographer but they will be covered by copyright.’
Fortunately Simon Hodkin has just sent me this article that he’d kept in a scrapbook with a programme from the cinema:
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I’ve also found two of my mother’s shots of filming the sequence in 1973 that haven’t been published before. The continuity girl’s typewriter stands on a folding table in the foreground and a section of camera track can be seen to the right.
Behind-the-scenes on the film set of Swallows & Amazons (1974)
We were busy shooting the scene when the Swallows are being shown the charcoal burner’s adder, kept under the bed for luck.
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Director Claude Whatham, John Franklin-Robbins, Sophie Neville and Jack Woolgar. The 35mm Panavision camera can be seen to the left of shot.
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For earlier posts describing the filming of the charcoal burner scenes please click here
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‘…we still do an occasional traditional charcoal burn in the same area of south Cumbria.’ Brian explained adding, ‘The DVD that I have is also copyrighted but a video of one of my burns is on YouTube and can be viewed via our Coppice Association website.
Stephen Sykes, who lives at Hill Top, where Arthur Ransome once lived, has sent a link to a picture of Charcoal Burning near by at Bouth by Alfred Heaton Cooper. Please click here
You can read about the evidence of charcoal burning that he has found in his own wood here.
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You can read about the making of the original film ‘Swallows and Amazons’ here:
For some time now, I’ve had a Swallows and Amazons mug at home, which I use to keep my pens in. Featuring the design of the Jonathan Cape book jacket, it was given to me by Scruffie Buchanan who stocked the full set of Arthur Ransome mugs in her shop aptly called The Museum of Childhood. I treasure it as a part of mine. It is difficult to find these now. They have become collectors’ items.
Not long ago I was presented with this handsome mug from Hill Top Cottage at Ealinghearth, by Stephen and Janine Sykes when they showed me around the Ransome’s last home, which they have restored in the Lake District.
I’ve just discovered that it is possible to buy mugs depicting scenes from the film of Swallows & Amazons (1974). This one (above) is quite fun as it resembles the cover of ‘The Making of Swallows and Amazons (1974)’ There are others:
There are various scenes, but if you want to drink to Captain Flint walking the plank, you can.
My favourite design shows the film poster of Swallows & Amazons, which comes in two ways.
There are a variety of other stills from the film to chose from. These mugs and other movie merchandise such as mouse-mats, jigsaw puzzles and framed prints can be purchased from StudioCanal, the film’s distributors, who have an online shop.
Meanwhile, Jago Silver has designed these Expresso mugs that are great for camping.
Just when I was wondering if there were any more ‘Swallows and Amazons’ inspired mugs, I was sent this beautiful depiction of Hill Top near Haverthwaite, showing the view Arthur and Genia would have enjoyed in their twilight years. Here are two views of the same mug:
Photos of this historic mug were taken by Craig Wadhurst.
These bone china mugs depicting Ransome’s yachts Peter Duck and the Nancy Blackett cost £10, or lessor a pair, and are available from The Nancy Blackett Trust here. They also sell a selection of books, audio books and videos for Arthur Ransome enthusiasts.
I have had decorative maps of Arthur Ransome locations around Windermere and Coniston applied to mugs available from Redbubble. Here is one featuring the cover of my book available here.
These come from Australia, so take a while to arrive but are good quality.
Mugs printed with maps used to illustrate Sophie’s books
The most popular is the mug with the map of Coniston Water, which you can find here
If you like using thermal cups with lids, the decorative map of Coniston Water can be found here
A full range of items in this range including t-shirts and bags can be seen on a previous post here.
Map showing ‘Swallows and Amazons’ film locations around Coniston Water
The most beautiful range of Swallows and Amazons china including these small coffee mugs featuring the map from the book (above) and this plate, were once available from The Nancy Blackett shop but you might find they have sold out.
They do stock larger, more practical mugs depicting ‘Swallow’, and the ‘Nancy Blackett’ for £8.50 each here.
Do let me know if you know of any other Swallows & Amazons mugs and where they can be found in the comments below.
Premier ticket for the Gala of ‘Swallows and Amazons’
The premier of the feature film Swallows & Amazons was held at 2.30pm on Thursday 4th April 1974 in Shaftesbury Avenue, in London’s West End when I was aged 13. Those who watch it on television today, or have the DVD, are amazed to hear it was first released more than fifty years ago. Please forgive me if you have seen these photos before but it seems quite a date to celebrate.
I was aghast when the tickets arrived. They were so expensive. Normal cinema tickets cost 80p. However, unknown to me, two families we knew well came along and I still meet others who made the screening, one of whom became a good friend of mine at university.
The ABC in Shaftesbury Avenue in 1974. It is now the Odeon Cinema.
The Royal Gala Matinee was held in aid of the charity KIDS, which works with disabled children, young people and their families. The society is still going strong and has been celebrating its own milestone anniversary recently.
The Neville girls modelling fashions of 1974
I broke up from boarding school on 2nd April and arrived home to find Mummy had bought be a green pinafore dress for the occasion. I still have it. She put my hair in Carmen Rollers and found velvety outfits for my younger sisters Perry and Tamzin who had appeared as film extras in the Rio scenes. She persuaded us all to wear ballet shoes. I felt conscious and would have preferred my clonky school shoes but they were black and had a classic feel. Mum wore a new blue two-piece appropriate for the afternoon screening, with a broach her father had given her. Dad took these black and white photos and drove us to London. Busy at work, he went to Paris the next day, my mother’s 37th birthday.
Arriving by taxi ~ Sister Allyne with Daphne Neville, Tamzin Neville and Sophie Neville
I don’t remember where we met up but we arrived in Shaftesbury Avenue by taxi with my house mistress, Sister Allyne, and head mistress Sister Ann-Julian, who had travelled up from Wantage in Oxfordshire.
Sophie Neville with Daphne Neville outside the ABC Shaftesbury Avenue in 1974
Of all films, they found The Exorcist was showing at the same cinema. I gazed up at the billing outside the entrance, more interested in seeing the names of Virginia McKenna and Ronald Fraser with the romantic design of the graphics spelling out Swallows & Amazons.
The first thing that happened was that I was whisked off for lunch with the five other children in the cast by Claude Whatham, the director. He chose a bistro where I chose hamburgers and chips. It was good to have a chance to catch up with the others and avoid the press. I’m not sure what the rest of my family did, but can only presume they found something to eat.
Sophie Neville, Suzanna Hamilton in Laura Ashley and her mother
We arrived at the ABC cinema to find they had already taken their seats in the audience. We met up with Ronald Fraser and Richard Pilbrow, the film producer, who introduced us to Princess Helena Moutafian, Patron of KIDS, who the Earl and Countess of Compton had brought to celebrate the film’s release and help raise funds for the charity. Mummy had insisted I made a curtsey to each person I was introduced to. Did this include members of the Press?
Jane Grendon braving the crowds outside the cinema
We also met a number of Ladies: Lady Bridport, Lady Onslow, Lady Nelson of Stafford, Lady Harford and others listed below who must have arrived with their children. It was all quite something.
Please note that Simon West, (to the right in the top photo) was wearing a tie that matched exactly with the floral print of his shirt. This was the height of fashion in 1974, something I have yet to see revived or replicated. While Kit Seymour and Lesely Bennett who played the Amazons both wore jackets with trousers, Suzanna Hamilton wore a Laura Ashley pinafore dress, which would be considered a treasured vintage piece today. My mother was horrified that Ronald Fraser had his collar button undone, but I think that was a nod to trendy-ness. He also wore a badge in support of the charity pinned to his lapel. Badges were all the rage at the time and collected by all.
The premier of Arthur Ransome’s story ‘Swallows & Amazons’ – reported by Cinema TV Today in 1974
As you can see, we met Bobby Moore, the Hollywood actress Patricia Neal, the Norwegian Bond Girl Julie Ege and Spike Milligans’ family. Will Travers, now the CEO of the charity Born Free, came with his sister Louise Travers to represent his mother, Virginia McKenna who sadly couldn’t be with us.
A commemorative programme was being sold with a sepia version of the film poster on the cover:
Inside there were several pages about those who appeared in the film. I still have a copy:
Virginia McKenna, Lesley Bennett, Suzanna Hamilton, Sophie Neville, Sten Grendon and Ronald Fraser appearing in the centre pages of the film premier programme
The opposite page:
Simon West, Kit Seymour, Ronald Fraser, with Sophie Neville, Suzanna Hamilton and Lesley Bennett also appearing in the action photo onboard the houseboat.
It wasn’t until years later that I was shown copies of the stills used to advertise the film inside cinemas.
Sophie Neville holding the original publicity photograph found on eBay ~ photo: Kitty Faulkner
The original film posters, which once hung in the London Underground, have become collector’s items, valued at about £240 each on eBay. Studiocanal, who now own the film rights, have a selection of posters available as framed prints if you click here.
This was the version used as an advertisement in the Sunday Times forty years ago.
Kit Seymour, Lesley Bennett, Simon West, Sophie Neville, Sten Grendon, Ronald Fraser and Virginia McKenna on the newspaper advertisement for ‘Swallows and Amazons’
‘The Secrets of Filming Swallows & Amazons’ is available as an ebook on Amazon Kindle and for other e-readers via Smashwords. It has been described by one reviewer on Amazon as the equivalent of DVD Extras, as it explains how we made the movie in the Lake District, back in the summer of 1973, as well as how the film was promoted and received in the UK.
While the paperback includes a number of illustrations, but this ebook is unique in that it gives links to behind-the-scenes footage shot on location by my parents.
If you would like to know how the movie of Swallows & Amazons (1974) was made and know where the real locations can be found, ‘The Secrets of Filming Swallows & Amazons(1974)’ is currently available as an ebook on Amazon and Smashwords for £2.99. The paperback was launched to mark the 40th anniversary of the film’s release and is available online here.
Do you know where the Peak of Darien can be found?
The paperback, which is suitable for any age group, is based on the diary that I kept when I played the part of Titty Walker in 1973. It is illustrated with behind-the-scenes photographs and memorabilia such as one of the tickets to the Royal Gala premier in Shaftesbury Avenue held on 4th April 1974. You will also find out what the actors who played the Walker family ~ the Swallows ~ are doing now.
The joy of the ebook is that it includes a number of home-movie clips that my parents took of life behind the scenes that you can play wherever you have internet access.
A review of the ebook in Classic Boat magazine ~ Feburary 2014
If you have any questions about making the film, please add them to the comments below, and I will get back to you.
A review of ‘the Secrets of Filming Swallows & Amazons’ in Richard Kay’s column in the Daily Mail ~
There were rather over-excited headlines in the Times and Telegraph when the ebook was launched but they only spoke of the legendary drinking of Ronald Fraser. Please don’t worry – there is nothing X-rated about the book – it is just the price one pays for half a page in a daily newspaper, especially since it came out on a Saturday.
The ebook has been doing well in the Amazon charts and hit Number 1 in the category ‘Stage and Theatre’.
A preview of what the book holds in store can be watched here:
Very many thanks to all those who have left customer reviews on Amazon. It is always exciting to find out how the book has impacted others, especially those who love the Arthur Ransome books.
The Swallows and Amazons map of Windermere on a thermal cup 
Sophie Neville 