This coming Sunday 9th May, BBC Antiques Roadshow returns to Windermere Jetty in the Lake District at 7.00pm.
Swallows and Amazons fans expressed great excitement when an episode was first broadcast from the museum on Sunday 21st February as they featured ‘Swallow’, the dinghy from the original film, which was made on location in the Lake District in 1973 and brought to cinema scenes in 1974.
‘Such an iconic film,’ the expert Rupert Maas, commented, admitting that it once inspired him to sail across the Atlantic Ocean.
He chatted to Rob Boden who looks after Swallow for the organisation Sail Ransome before placing a pretty high value on the old girl.
They had just enough wind to sail off into the sunshine.
I had been invited along to BBC Antiques Roadshow for the second episode, recorded the next day, when it was pouring with rain.
Rupert Maas was busy valuing a painting by the waters edge but came along to say Hello in the cafe at Windermere Jetty while we watched the expert, Marc Allum value another item.
Marc later walked over to meet us and see my collection of movie memorabilia relating to the film of ‘Swallows and Amazons'(1974), filmed partly on Windermere nearly forty-eight years ago.
The camera crew seemed adept at keeping their equipment dry, but lining up shots was tricky since everyone had to be carefully distanced.
I knew that signed, first edition copies of the book ‘Swallows and Amazon’ are worth up to £11,000. A note sold in an envelope addressed to Cartmell, postmarked 1939, and accompanied by a small card signed by Ransome, with a pen and ink sketch of a sailing boat, sold recently with an estimate of £1,000-1,500 but I did not think my collection of movie memorabilia from the early 1970’s would be worth much.
Marc invited me to take up the bow an arrow, whittled on location during the filming and fletched with feathers from a ‘Red Indian Headdress’ purchased from a toy shop in Ambleside in 1973.
I suggested the director might like to take a shot of the ML Tern as she passed but visibility was too low. Marc concentrated on my collection, which I had to admit had nearly been thrown out in a fit of de-cluttering. He valued it at far more than I ever would have imagined.
But, will my item be included? I was thinking it could easily hit the cutting room floor until a kind reader alerted me to the Radio Times billing here
To see more photos of BBC Antiques Roadshow at Windermere Jetty, please see the previous post here
We are an island nation. Our coastline is precious. It speaks to us of freedom, holidays and relaxation. Those who live near beaches are well aware that they attract visitors who boost the local economy, and yet our shoreline is often covered in rubbish.
I find hundreds of small pieces of fishing net, plastic wrappers and cellophane, washed up on the Solent, along with glass bottles and rope. It’s been going on for years, threatening the environment and wildlife, if not our sanity.
This is historic litter found lodged in bushes along the Solent shore. Much of this is more than ten years old.
After a while it melds with the landscape, remaining a risk to animals. Below, you can see what is typically brought in on the tide.
There is often the remains of one shoe. Have we come to accept the phenomenon of an errant flip-flop? The lettering on this one amused me.
We have begun to accept society’s cast-offs, but why so many plastic pegs?
Metal fish, their hooks elsewhere.
There is often a lot of blue. Perhaps it’s the recent prevalence of masks.
This mask was worn over the eyes but she’s wearing protective gloves.
This is a battle we all need to fight. The bottom line is that we can’t even use beaches if there is too much broken glass.
Be a litter hero and turn the tide on plastic pollution. Day by day, we’ll get there.
To see a collection of the weirdest this found on a Solent beach clean, please click here.
The charity Keep Britain Tidy is asking everyone to join their million mile litter picking mission #GBSpringclean – Please click here for details
Since the experts on BBC Antiques Roadshow have been taking an interest in the original feature film ‘Swallows and Amazons’ (1974), I thought I ought to add to a few facts. Although the movie was released forty-seven years ago, the cast list remains incomplete. A few credits are missing:
Jim Stelfox was in uniform, playing a guard or station master at the Haverthwaite Steam Railway station in the opening scenes, when the Swallows first arrive in the Lake District. He ended up appearing in some of the publicity stills that were used in magazines and newspapers. One features on a jigsaw puzzle that accompanied the release of the movie. The little boy leaning out of the train window is Robin Smith, who grew up in Ambleside. He came along with his mother Eileen and his brother, Alan Smith, who became a newsreader on BBC Radio 4.
Kit Seymour, Sten Grendon, Sophie Neville, Lesley Bennett, Virginia McKenna, Simon West Suzanna Hamilton with Jim Stelfox, the station master.
David Watkin Price, also from Cumbria, played the native on the jetty in Rio. His speaking part was cut from the television version of the film broadcast on ITV but remains in the remastered 2014 cinema Bluray and DVD available online.
Mr Price played an important part in our lives when the film was being made as he owned and ran the Oaklands Guest House in Ambleside where we stayed. His daughter Jane, told me, ‘They wanted you to stay in a place that had a family atmosphere with other children.’ I expect that she did a lot to help.
Jane appeared with her two brothers as film extras in the Rio scenes, remembering that it gave her a day off school. Sadly, her little brother’s knickerbockers kept falling down. You can see Jane in a grey dress with long pigtails, hoiking them up in this behind-the-scenes shot. To see other photos of the Price family in costume, please click here.
The people of the Lake District have written in with other stories. Philippa Poulson knew the real charcoal burner, Norman Allonby – ‘I lived around the corner from him in 1973. He lived in a tiny one up, one down traditional cottage, walked everywhere, and made a lovely cup of tea. He was very interested in my English Literature A’ level course, being a keen reader. I wonder how many people know he knew Paradise Lost and Paradise Regained, by heart, and in their entirety and could recite any part, at any time, on request. He would happily talk for hours on the subject, with a twinkle in his eye and his pickle catching front tooth. Lovely, gentle man, living life at the right pace.’ You can read more about the real charcoal burners of Grizedale Forest here.
Susie Trezise said, “I remember them filming ‘Swallows and Amazons’ – it was right in the middle of my O’Level exams and their walkie-talkies kept coming through my stereo speakers! It was fascinating listening. I lived at Stock Ghyll Mill, so about five miles away from the filming. The strangest thing was it still came through the speakers when they were turned off but still plugged in!”
~Comic strips based on the 1974 film found by Arthur Herbertson~
Joss Bundy wrote to say: “My Father, between being the technical director of the Royal Opera House and the National Theatre, worked with Richard Pilbrow at Theatre Projects in the ’70s. He had been a friend of Richard’s for many years. Theatrical lighting design was still in its infancy and designers tended to stick together. Richard and my Dad were the founders of The Association of Lighting Designers, along with various others.
“My mother, Rosemary Lindsay, had been a ballerina at the ROH, which is where they met. My Mother had sailed since a small child and had devoured each new Ransome book as it was published and loved them more than any others. When Richard mooted the film, my father mentioned what an expert Rosemary was and when the project was getting up on its feet she was given an early script to vet. Various things had been added in for dramatic effect and she vetoed one: Roger getting stuck on top of a cliff, as she felt John and Susan would never have let him get in such a situation.”
“I was clearing yet another box of theatre-related photos and as well as a couple of publicity stills.” One shows filming the Amazon boat house. “I can only assume Richard or Molly sent them back to my Dad, who would have been running Theatre Projects while Richard was away.”
“After the film was finished, Richard offered Swallow to my Mum, but she didn’t want the responsibility of another wooden boat. We still own the one she sailed as a child, a smaller version of a Swallow type boat. She also felt that a boat only sailed in fresh water would not necessarily do well in salt water.”
Do add any memories you have to the Comments, below. It would be lovely to hear from you.
It would be great to have some more review on the film on the International Movie Database. You can easily add one here.
When Lakeland Arts declared that Antiques Roadshow was coming to Windermere Jetty, I sent the BBC a photograph of some of the props used in the 1974 film of ‘Swallows and Amazons’.
I was hoping their expert on movie memorabilia might be interested in the film posters, but couldn’t think that a hand-whittled hazel bow and arrow could be worth much.
I was keen to talk about my scrapbooks and diaries kept on location and thought they might want to use photos my father took of George Pattinson whose collection of boats formed the basis of the original Windermere Steamboat Museum. He brought his 1900 steam launch Lady Elizabeth to Bowness-on-Windermere when we shot the Rio scenes there in the summer of 1973 . She is currently being restored at the museum.
I also suggested they featured Swallow the dinghy we used in the film. A group of us clubbed together in 2010 to purchase her when she came up for auction.
She was valued by Rupert Maas who is a great fan of Arthur Ransome’s books and watched the film himself as a boy. He liked the fact she hadn’t been over-restored. I didn’t know her ribs were made of elm.
The best photograph of Swallow under sail was used on the cover or the first edition of my book about making the 1974 film:
If you enjoy ebooks, ‘The Secrets of Filming Swallows and Amazons’ has links to behind-the-scenes home movie footage. It is available for £2.99 here
The billing from the Radio Times lists the other interesting items on the show. You can watch the episode, mostly shot on a lovely sunny day, on BBC iPlayer. Further details are reported here.
If you would like to find out about sailing ‘Swallow’ yourself, please contact Sail Ransome.
I might appear in the second of the two episodes broadcast from Windemere Jetty – the one shot in rain.
When the BBC rang inviting me to come up, it was clear that I was the antique they wanted to see. The first thing they asked me was my date of birth. This turned out to be due to Covid-19 restrictions but the director did, later, ask if she could call me Titty.
Filming was already in progress when we arrived at the museum. It was a typical day in late September, pouring with rain.
There was a great deal of impressive camera and lighting equipment in evidence but a number of marquees had been erected to keep everyone dry.
We were introduced to the designer, who whisked off various items I’d brought with me to display, and Marc Allum, antiques expert, author and long-time contributor to the Roadshow. He’s tough. It wasn’t freezing but the weather was far from warm.
Once at the water’s edge I met Debbie, the director who was surprised by the length of my hair. I explained it had grown during lockdown having not been cut for a year.
My position was marked by small sticks in exactly the same manner as during the filming of ‘Swallows and Amazons’ when I was aged twelve. Camera tape would not stick to the slate shingle.
A measuring rod was used to ensure we remained two meters apart, even whilst on camera, before I was asked to take up the bow and arrow I had helped whittle on location long ago.
The display included Swallow’s burgee. I did ask for the flags to be crossed, but the significance of this was lost on the design team. You will have to write in and explain the importance.
When it came to being given an estimate for the value of what my husband calls ‘my junk’, I was truly amazed, especially since I nearly chucked half of it away in a fit of de-cluttering.
I am sworn to secrecy, so you’ll need to watch the show to find out how much my collection of movie memorabilia is meant to be worth. It should be broadcast on Sunday 21st February 2021 – but will I be on? I know they will feature Swallow this week but my item could either be featured in a different episode or hit the cutting-room floor.
We talked about the film premiere and influence the Swallows and Amazons books have had in encouraging children to get out into the wild. As I walked around the museum afterwards, I found the Lady Elizabeth being restored, which you can see in a previous post here.
There is already a movie poster at the Windermere Jetty museum. I dug out a large, sepia poster designed for cinemas that has not been seen since 1974 but the BBC were not able to feature these for copyright reasons. Since receiving a valuation, I am getting it framed.
You may have already seen this set of ‘Swallows and Amazons’ mugs printed with hand-painted maps of locations featured in my book on ‘The Making of Swallows and Amazons (1974)’. Redbubble, the manufacturers often have discount coupons, which you should be able to find here.
The three different designs are now available in a ‘classic’ or ‘tall’ style, as a travel mug or a water bottle. The full collection is available here.
These high-quality goods are manufactured in Australia by RedBubble who take care of all custom charges. If you are asked to pay customs, send them a picture of proof of payment of customs charges and they’ll sort it out.