The lighthouse tree lantern from Swallows and Amazons (1974) has come to light

I received an interesting series of emails recently from a stone mason called Philip Chatfield:

‘Hi Sophie, I was watching ‘Swallows and Amazons’, the old classic, on Talking Pictures TV… great channel. Curiously, I have, hanging in my cottage ceiling timbers, the lantern you used for the Lighthouse on Wild Cat Island !!!!!!’

The lighthouse tree lantern today

‘Lanterns like this pattern are not common, so I presume it must be the one used in your film. I like to think so.’

Sten Grendon (Roger), Suzanna Hamilton (Susan) and Sophie Neville (Titty) at the lighthouse tree in the 1974 movie of Arthur Ransome’s book ‘Swallows and Amazons’

It certainly looks like the lantern we used, which I knew well at the time. A hurricane lamp is used in the book Swallows and Amazons. John, ‘tied the other end round the oil box at the bottom of the lantern’, although candle lanterns were used to mark Secret Harbour.

You can see the lantern lying near Swallow’s mast

It was packed into Swallow on the voyage to the island, visible when the Walker children narrowly miss the Tern. You can see it lying in the shallow basket.

Film stills taken by Albert Clarke in 1973

It was rather uncomfortable to lean over when handing Roger the telescope.

Swallow nearly collides with MV Tern

The basket was taken out of Swallow at the landing place and Titty moves it up the beach ‘for fear of tidal waves.’ See if you can take some screen shots of it hanging from the lighthouse tree.

Philip says, ‘Clearly all the props went back to the Turk Phoenix shed near Teddington after shooting.’

Mike Turk’s warehouse full of film props

‘I never thought about it before but I used to work on a sailing ship called Grand Turk, which was owned by Mile Turk of Turk Phoenix who did a lot of film work.’

SV Grand Turk with Philip Chatfield firing a live shot on the Solent.  “That would have given Captain Flint’s houseboat a shaking up!”

‘The Grand Turk played the HMS Indefatigable in ‘Hornblower’ with Ioan Griffiths and co. While I was on board (as Third Mate and Gun Captain) I needed more props for the gunnery dept. The lantern was one of the props we had on board. It came from Turk Phoenix who still had one of the boats used in your wonderful film.’

Swallow at Mike Turk’s warehouse in 2010

‘Mike Turk’s business provided nautical props.’ When Mike reached the end of his life and fell ill, many of these were sold at auction in 2010, including the dinghy that played Swallow in ‘Swallows and Amazons’ (1974), which was purchased by group of film fans now known as SailRansome.

Swallow prepared for auction in 2010

‘Before my time on Grand Turk I spent five years working on a lovely old square rig ship called MARIA ASUMPTA. Back in 1991 we sailed from London’s St Katherine’s Dock to Ipswich. We anchored off Shotley on the Orwell pretty much where the GOBLIN in Ransome’s book ‘We Didn’t Mean To Go to Sea’ book was set. As we hauled up our anchor we brought up a small kedge anchor. I still have it. At the time I was convinced it may have been from the story or even the sailing trip the story was originally based on. Who knows, but it is a lovely anecdote.  We had sailed the autumn before to Flushing in Holland and did a tour of the inland waters of Holland.’ 

Philip Chatfield with a kedge anchor

‘Sadly, Maria Asumpta was lost off Padstow in May 1995 with the loss of three crew. Thankfully I was one of the survivors.’

Maria Asumpta wrecked on a desolate shore

‘You can just see me standing staggering, second from the left, in a state of shock. Three were lost but I was amazed more weren’t, frankly. My friend the bosun Graham is sitting on the stern about to leap off. He survived, just. The ship had been built in Barcelona and launched in 1858.’ By the 1990’s it was the oldest square rigger still sailing.’ A true ship wrecked sailor! What would Titty say?

Philip Chatfield in HMS Victory working on a carving of Lord Nelson in 2008

‘As a stone carver and sculptor I make memorials. A few years ago I was asked to do the memorial for one of my old school teachers and eventually his wife, who now shares his grave in Monmouth. She was Helen Bucknall but her mother was Mrs Henry Clay. The Ransome book  ‘We Didn’t Mean To Go To Sea’ is dedicated to Mrs Henry Clay no less. Henry Clay was a friend and colleague of Ransome’s on the Manchester Guardian, also a keen sailor. I think Helen and her family were the inspiration for the story in the book. So Helen has a carving of the yacht they sailed as children on the large Welsh slate memorial in Monmouth cemetery.’

‘The galling thing for my friends, whose mother was Helen, is that they can’t find the original first edition of ‘We Didn’t Mean To Go To Sea’ that Ransome signed. Hope it turns up. At least that charming card exists. Love his little sketch of the dinghy.’

‘Anyway, hope this is of interest… well done for all you do.  I have a hard copy of the book on order! Can’t wait. Very best wishes, Philip Chatfield’

The lighthouse tree lantern today

To read more about some of the Swallows and Amazons movie memorabilia, including Swallow’s flag and the fishing rods, please click here

To read more about ‘The Making of Swallows and Amazons (1974)’ – click here

This lovely documentary shows Philip’s recent work on railways:

Diary of a Litter Picker: Sea plastic and pick it up

A sample of sea plastic washed up on Solent shores, 2021

Plastic straws and cotton bud stalks, along with plastic tampon applicators and shot gun cartridges, have become a sad portrait of society: what the sea sees of us. Why do we come across so many short pieces of PVC rope and fishing net?

‘Sea kisses’ found washed up on the Solent 2021

I am told these ‘sea kisses’ are the result of trawlers shredding torn nets at sea and dumping this ‘waste’ overboard as it is cheaper and more convenient than bringing it ashore to be buried.

Will this ultimately poison fish and make them inedible?

All these micro-plastics have washed up on the shores of the New Forest National Park. I’ve been trying to make ‘beautiful pictures of horrible things’, as the broadcaster JJ Walsh describes my photographs and framed collages.

Cotton bud stalks indicate sewage is entering the Solent

Any throw-away plastic rings should be regarded as ‘wildlife crime’ – they strangle too many birds.

Do you know how much lead there is in a tennis ball? Despite the fact they they are not recommended as toys for dogs, huge numbers are washed up on our beaches. I find them all the time.

Tennis balls found on Solent beaches, 2021

One of my biggest hates are the plastic things used to sell six-pack drink cans as they easily get stuck around creatures’ necks. This four-pack plastic was washed up near a seabird breeding colony. I won’t even re-cycle one without cutting it apart.

Washed up near a major seabird breeding colony

The ear-loops on masks also need to be cut, along with PPE gloves. They are washed up on the shore every day.

PPE washing up on Solent shores daily

And there are always gloves –

The blob of blueish plastic in the palm of the large glove has already travelled through the digestive system of an animal.

Children tend to be good at finding micro-plastics on beaches once they catch the vision. We have begun classifying them by colour or type. This black party-popper was a favourite.

I’m assured that some councils need to check beaches for ‘sharps’ before volunteer litter-pickers are allowed to begin collecting in earnest. Can you spot the needle and syringe here?

Collecting all these tiny pieces takes time and one has to watch out for hazards – but if it is not collected children will no longer be able to play on our beaches. Some parts of the coast have so much broken glass that you can’t pick it up with a dog in tow. It remains sharp for decades where there is no wave action.

Broken glass collected on a beach where children play barefoot.

The Marine Conservation Society likes to classify sea plastic into Litter, Fishing by-products, and sewage-related finds such as cotton-bud stalks and plastic tampon applicators.

We counted 21 cotton-bud stalks collected with this haul

After collecting flotsam, it takes a different mind-set to do the sorting, but it’s important to analyse and report back on what the tide is bringing in.

Sea plastic littering the New Forest National Park

I began to collect fishing tackle in a crate that was washed up on the Solent. Let me know, in the comments below, if you ever need some of this for a talk on conservation or plastic pollution. I’m giving it away freely.

For a list of weird and elderly things found washed up on the Solent, please click here

Plastic detritus washed up on Solent shores where wild geese and New Forest ponies graze

Memories of making ‘Swallows and Amazons’ (1974): part six

Sophie Neville playing Titty Walker in the 1974 movie

‘Titty from Swallows and Amazons’ often gets typed into the Goggle search engine but when I attempt to use it as a ‘tag’ a message pops up saying: ‘Sorry, you are not allowed to assign the provided terms.’ I can only conclude that Google lacks literary enlightenment but the BBC were happy for me to talk about Titty on BBC Antiques Roadshow recently.

Sophie Neville on BBC Antique’s Roadshow

‘Memory picks and choses,’ as Arthur Ransome said in his autobiography (p33) but those who love his novels often wonder what would have happened to the characters when they grew up. It dawned on me that this might be one reason why people are interested to know what we all did with our lives. I played Titty Walker in Richard Pilbrow’s 1974 movie of ‘Swallows and Amazons’. In 1962, the film actress Susan George played the same character in the black and white BBC television serial of ‘Swallows and Amazons’ with her hair in pigtails. She was called Kitty, apparently with Arthur Ransome’s approval. BBC Films decided to call the Able seaman ‘Tatty’ in the 2016 movie ‘Swallows and Amazons’, when she was brilliantly played by Teddy-Rose Malleson-Allen who went on to star in ‘Four Kids and It'(2020).

The character was inspired by a real little girl, Titty Altounyan, who stayed at Bank Ground Farm (or Holly Howe) when visiting her grandparents who lived above Coniston Water. In 1939, Miss Joyce Cartmell acquired a signed note from Arthur Ransome explaining that, ‘Titty is short for Tittymouse which is what she was called when she was a baby. Nobody ever calls her anything but Titty now’. It appears that Ransome was also asked for a photograph of himself, to which he responded, ‘Too ugly’.

Edward Thomas (1878-1917) described Arthur Ransome as ‘exuberant, rash and intelligent.’ In 1973, I can only assume the film director Claude Whatham was looking for the same spirit in us children. It was certainly captured by Wilfred Joseph’s nautical film score.

What constantly impacts me is the number of people who write in to say how much they wanted  Titty to become their best friend. In many ways the characters from Ransome’s books become friends for life. You can easily gain others who have the same outlook on life by joining The Arthur Ransome Society, who offer activities and grants for young people as well as adults with a literary bent.

You can read more about making the movie in the multi-media ebook entitled ‘The Secrets of Filming Swallows and Amazons’.

And in the illustrated paperback on ‘The Making of Swallows and Amazons’ by Sophie Neville available online and from the Nancy Blackett Trust

 

Talking about ‘Swallows and Amazons’ (1974) movie memorabilia on Antiques Roadshow this Sunday 9th May at 7.00pm on BBC One

This Sunday 9th May, BBC Antiques Roadshow returns to Windermere Jetty in the Lake District at 7.00pm.

Swallows and Amazons fans expressed great excitement when the first episode was broadcast from the museum on Sunday 21st February as it featured ‘Swallow’, the dinghy from the original movie made on location in the Lake District in 1973 and brought to cinema scenes in 1974.

‘Such an iconic film,’ the expert Rupert Maas, commented, admitting that it once inspired him to sail across the Atlantic Ocean.

He chatted to Rob Boden who looks after Swallow for the organisation Sail Ransome before placing a pretty high value on the old girl.

They had just enough wind to sail off into the sunshine.

I had been invited along for the second episode, recorded the next day, when it poured with rain. While others were arriving with exquisite treasures, I staggered into the museum with two carrier bags of old photographs and what my family regard as clutter.

Rupert Maas was busy valuing a painting by the waters edge but came to say Hello in the lovely new cafe at Windermere Jetty while we watched the expert, Marc Allum value another item.

Marc later walked around to inspect my collection of ‘movie memorabilia’ relating to the film of ‘Swallows and Amazons'(1974), filmed in the Lake District forty-eight years ago. He liked the programme from the premier and the original black and white film stills, along with the flags kindly sent to me from America by Richard Pilbrow who produced the movie now distributed by StudioCanal who have a remastered cinema Bluray and DVD with Extras.

The camera crew seemed adept at keeping their equipment dry, but lining up shots was tricky since everyone had to be carefully distanced.

Marc Allum socially distanced from Sophie Neville and her bow

I knew that signed, first edition copies of Arthur Ransome’s book ‘Swallows and Amazon’ are worth up to £11,000. A note sold in an envelope addressed to a Miss Cartmell postmarked 1939 and accompanied by a small card signed by the author with a pen and ink sketch of a sailing boat, sold recently with an estimate of £1,000-1,500 but I did not think my collection of movie memorabilia from the early 1970’s would be worth much.

Marc Allum lining up a shot with Sophie Neville

Marc invited me to take up the bow an arrow, whittled on location during the filming and fletched with feathers from a ‘Red Indian Headdress’ purchased from a toy shop in Ambleside in 1973.

Marc Allum and Sophie Neville with the director

I suggested the director might like to take a shot of the ML Tern as she passed but visibility was too low. Marc concentrated on my collection, which had nearly been thrown out in a fit of de-cluttering years ago. He valued it at far more than I ever would have imagined.

I wondered if my item would ever be included, thinking it could easily hit the cutting room floor, but this well a kind reader alerted me to the Radio Times billing here

To see more photos of BBC Antiques Roadshow at Windermere Jetty, please see the previous post here

You can find the illustrated book on ‘The Making of Swallows and Amazons’ here:

For details on the BBC Antiques Roadshow website, please click here They tell me they, “would be delighted to hear of any developments that may occur following the transmission of the programme. For instance, further information about the history of an item occasionally comes to light or a decision is taken to put the featured piece up for sale. Should you have any such news, please contact the Antiques Roadshow Office at antiques.roadshow@bbc.co.uk.”

The episode ‘Windermere Jetty 2 – series 43’ will be on BBC iPlayer here

Detail of an original ‘Swallows and Amazons'(1974) movie poster hanging at Windermere Jetty Museum

You can read more about how ‘Swallow’ was bought at auction and restored, in Yachts and Yachting and on the Sailransome website.

You can listen to Sophie chatting about the experience on BBC Radio Cumbria here

Swallow’s original burgee and the White Elephant flag captured from Captain Flint’s houseboat, featured in the 1974 film of ‘Swallows and Amazons’

Diary of a Litter Picker: We Will Fight on The Beaches

We are an island nation. Our coastline is precious. It speaks to us of freedom, holidays and relaxation. Those who live near beaches are well aware that they attract visitors who boost the local economy, and yet our shoreline is often covered in rubbish.

I find hundreds of small pieces of fishing net, plastic wrappers and cellophane, washed up on the Solent, along with glass bottles and rope. It’s been going on for years, threatening the environment and wildlife, if not our sanity.

This is historic litter found lodged in bushes along the Solent shore. Much of this is more than ten years old.

After a while it melds with the landscape, remaining a risk to animals. Below, you can see what is typically brought in on the tide.

There is often the remains of one shoe. Have we come to accept the phenomenon of an errant flip-flop? The lettering on this one amused me.

We have begun to accept society’s cast-offs, but why so many plastic pegs?

Metal fish, their hooks elsewhere.

There is often a lot of blue. Perhaps it’s the recent prevalence of masks.

This mask was worn over the eyes, rather than mouth, but she’s wearing protective gloves.

This is a battle we all need to fight. The bottom line is that we can’t even use beaches if there is too much broken glass.

Be a litter hero and turn the tide on plastic pollution. Day by day, we’ll get there.

My helpers on a Solent litter-pick

To see a collection of the weirdest this found on a Solent beach clean, please click here.

The charity Keep Britain Tidy is asking everyone to join their million mile litter picking mission #GBSpringclean – Please click here for details

Litter Pickers of the New Forest Beach Picker of the Year 2020

Memories to add to the third edition of ‘The Secrets of Filming Swallows and Amazons’ – part two:

Since the experts on BBC Antiques Roadshow have been taking an interest in the original feature film ‘Swallows and Amazons’ (1974), I thought I ought to add to a few facts. Although the movie was released forty-seven years ago, the cast list remains incomplete. A few credits are missing:

Jim Stelfox was in uniform, playing a guard or station master at the Haverthwaite Steam Railway station in the opening scenes, when the Swallows first arrive in the Lake District. He ended up appearing in some of the publicity stills that were used in magazines and newspapers. One features on a jigsaw puzzle that accompanied the release of the movie. The little boy leaning out of the train window is Robin Smith, who grew up in Ambleside. He came along with his mother Eileen and his brother, Alan Smith, who became a newsreader on BBC Radio 4.


Kit Seymour, Sten Grendon, Sophie Neville, Lesley Bennett, Virginia McKenna, Simon West Suzanna Hamilton with Jim Stelfox, the station master.

David Watkin Price, also from Cumbria, played the native on the jetty in Rio. His speaking part was cut from the television version of the film broadcast on ITV but remains in the remastered 2014 cinema Bluray and DVD available online.

Mr Price played an important part in our lives when the film was being made as he owned and ran the Oaklands Guest House in Ambleside where we stayed. His daughter Jane, told me, ‘They wanted you to stay in a place that had a family atmosphere with other children.’ I expect that she did a lot to help.

David Price who played the part of the Native in Rio with his family in Ambleside. They ran the Oakland’s Guesthouse ~ photo: Daphne Neville

Jane appeared with her two brothers as film extras in the Rio scenes, remembering that it gave her a day off school. Sadly, her little brother’s knickerbockers kept falling down. You can see Jane in a grey dress with long pigtails,  hoiking them up in this behind-the-scenes shot. To see other photos of the Price family in costume, please click here.

The Price children in their 1929 costumes on the shore of Windermere, 1973

The people of the Lake District have written in with other stories. Philippa Poulson knew the real charcoal burner, Norman Allonby – ‘I lived around the corner from him in 1973. He lived in a tiny one up, one down traditional cottage, walked everywhere, and made a lovely cup of tea. He was very interested in my English Literature A’ level course, being a keen reader. I wonder how many people know he knew Paradise Lost and Paradise Regained, by heart, and in their entirety and could recite any part, at any time, on request. He would happily talk for hours on the subject, with a twinkle in his eye and his pickle catching front tooth. Lovely, gentle man, living life at the right pace.’ You can read more about the real charcoal burners of Grizedale Forest here.

The real charcoal burner
The real charcoal burner outside the hut. Behind him the 35mm Panasonic camera is being mounted on a short section of track ~ photo: Daphne Neville

Susie Trezise said, “I remember them filming ‘Swallows and Amazons’ – it was right in the middle of my O’Level exams and their walkie-talkies kept coming through my stereo speakers! It was fascinating listening. I lived at Stock Ghyll Mill, so about five miles away from the filming. The strangest thing was it still came through the speakers when they were turned off but still plugged in!”

~Comic strips based on the 1974 film found by Arthur Herbertson~

Joss Bundy wrote to say: “My Father, between being the technical director of the Royal Opera House and the National Theatre, worked with Richard Pilbrow at Theatre Projects in the ’70s. He had been a friend of Richard’s for many years. Theatrical lighting design was still in its infancy and designers tended to stick together. Richard and my Dad were the founders of The Association of Lighting Designers, along with various others.

Richard Pilbrow and Neville Thompson ~ photo:Daphne Neville

“My mother, Rosemary Lindsay, had been a ballerina at the ROH, which is where they met. My Mother had sailed since a small child and had devoured each new Ransome book as it was published and loved them more than any others. When Richard mooted the film, my father mentioned what an expert Rosemary was and when the project was getting up on its feet she was given an early script to vet. Various things had been added in for dramatic effect and she vetoed one: Roger getting stuck on top of a cliff, as she felt John and Susan would never have let him get in such a situation.”

“I was clearing yet another box of theatre-related photos and as well as a couple of publicity stills.” One shows filming the Amazon boat house. “I can only assume Richard or Molly sent them back to my Dad, who would have been running Theatre Projects while Richard was away.”

“After the film was finished, Richard offered Swallow to my Mum, but she didn’t want the responsibility of another wooden boat. We still own the one she sailed as a child, a smaller version of a Swallow type boat. She also felt that a boat only sailed in fresh water would not necessarily do well in salt water.”

 
 
Do add any memories you have to the Comments, below. It would be lovely to hear from you.
 
It would be great to have some more review on the film on the International Movie Database. You can easily add one here.
 

You can read more in the ebook about ‘The secrets of filming Swallows and Amazons (1974)’

and  ‘The Making of Swallows & Amazons’ in paperback.

You can see some of the illustrations here:

Swallow appeared on BBC Antiques Roadshow at Windermere Jetty with a movie poster from the original film of Swallows and Amazons (1974)

When Lakeland Arts declared that Antiques Roadshow was coming to Windermere Jetty, I sent the BBC a photograph of some of the props used in the 1974 film of ‘Swallows and Amazons’.

Swallow’s burgee made in 1973 for the original film of ‘Swallows and Amazons'(1974)

I was hoping their expert on movie memorabilia might be interested in the film posters, but couldn’t think that a hand-whittled hazel bow and arrow could be worth much.

Diaries kept on location in 1974, which form the basis of ‘The Making of Swallows and Amazons’

I was keen to talk about my scrapbooks and diaries kept on location and thought they might want to use photos my father took of George Pattinson whose collection of boats formed the basis of the original Windermere Steamboat Museum. He brought his 1900 steam launch Lady Elizabeth to Bowness-on-Windermere when we shot the Rio scenes there in the summer of 1973 . She is currently being restored at the museum.

George Pattinson in his steam launch Lady Elisabeth in 1973 ~ photo: Martin Neville

I also suggested they featured Swallow the dinghy we used in the film. A group of us clubbed together in 2010 to purchase her when she came up for auction.

She was valued by Rupert Maas who is a great fan of Arthur Ransome’s books and watched the film himself as a boy. He liked the fact she hadn’t been over-restored. I didn’t know her ribs were made of elm.

The best photograph of Swallow under sail was used on the cover or the first edition of my book about making the 1974 film:

This first edition is now selling for ridiculous amounts on Amazon, but please email me if you’d like a signed copy. I have a few left.

You can order a copy of the 2nd edition online here

If you enjoy ebooks, ‘The Secrets of Filming Swallows and Amazons’ has links to behind-the-scenes home movie footage. It is available for £2.99 here

The billing from the Radio Times lists the other interesting items on the show. You can watch the episode, mostly shot on a lovely sunny day, on BBC iPlayer. Further details are reported here.

If you would like to find out about sailing ‘Swallow’ yourself, please contact Sail Ransome.

I might appear in the second of the two episodes broadcast from Windemere Jetty – the one shot in rain.

When the BBC rang inviting me to come up, it was clear that I was the antique they wanted to see. The first thing they asked me was my date of birth. This turned out to be due to Covid-19 restrictions but the director did, later, ask if she could call me Titty.

BBC Antiques RoadShow at Windermere Jetty in Cumbria

Filming was already in progress when we arrived at the museum. It was a typical day in late September, pouring with rain.

There was a great deal of impressive camera and lighting equipment in evidence but a number of marquees had been erected to keep everyone dry.

We were introduced to the designer, who whisked off various items I’d brought with me to display, and Marc Allum, antiques expert, author and long-time contributor to the Roadshow. He’s tough. It wasn’t freezing but the weather was far from warm.

BBC Antiques Roadshow Expert Marc Allum

Once at the water’s edge I met Debbie, the director who was surprised by the length of my hair. I explained it had grown during lockdown having not been cut for a year.

My position was marked by small sticks in exactly the same manner as during the filming of ‘Swallows and Amazons’ when I was aged twelve. Camera tape would not stick to the slate shingle.

A measuring rod was used to ensure we remained two meters apart, even whilst on camera, before I was asked to take up the bow and arrow I had helped whittle on location long ago.

Expert Marc Allum setting on a display of movie memorabilia with Sophie Neville

The display included Swallow’s burgee. I did ask for the flags to be crossed, but the significance of this was lost on the design team. You will have to write in and explain the importance.

When it came to being given an estimate for the value of what my husband calls ‘my junk’, I was truly amazed, especially since I nearly chucked half of it away in a fit of de-cluttering.

I am sworn to secrecy, so you’ll need to watch the show to find out how much my collection of movie memorabilia is meant to be worth. It should be broadcast on Sunday 21st February 2021 – but will I be on? I know they will feature Swallow this week but my item could either be featured in a different episode or hit the cutting-room floor.

We talked about the film premiere and influence the Swallows and Amazons books have had in encouraging children to get out into the wild.  As I walked around the museum afterwards, I found the Lady Elizabeth being restored, which you can see in a previous post here.

There is already a movie poster at the Windermere Jetty museum. I dug out a large, sepia poster designed for cinemas that has not been seen since 1974 but the BBC were not able to feature these for copyright reasons. Since receiving a valuation, I am getting it framed.

Collectors Swallows & Amazons mugs available!

You may have already seen this set of ‘Swallows and Amazons’ mugs printed with hand-painted maps of locations featured in my book on ‘The Making of Swallows and Amazons (1974)’. Redbubble, the manufacturers often have discount coupons, which you should be able to find here.

Swallows and Amazons mugs
Mugs printed with maps used to illustrate Sophie’s books

The three different designs are now available in a ‘classic’ or ‘tall’ style, as a travel mug or a water bottle. The full collection is available here.

Swallows and Amazons map of Windermere

Map of Windermere water bottle available here

and travel mug available here.

Swallows and Amazons map of Derwentwater 

Map of Derwentwater water bottle available here

and travel mug available here.

Swallows and Amazons map of Coniston Water

Map of Coniston water water bottle available here

and travel mug available here.

You can see these designs on women’s clothing and men’s clothing with other useful items:

These high-quality goods are manufactured in Australia by RedBubble who take care of all custom charges. If you are asked to pay customs, send them a picture of proof of payment of customs charges and they’ll sort it out.

Here’s a link to the help center – https://help.redbubble.com/hc/en-us.

The maps can be found in the paperback of ‘The Making of Swallows and Amazons (1974), available from libraries, bookshops and online here.

'The Making of Swallows and Amazons (1974)'