Sunday 13th May 1973
Sailing on the lakes ~
…And so we spent the Sunday before the filming began sailing. I’m afraid I can’t remember a thing about it. I imagine we sailed out from the Kirkstone Foot Hotel on Lake Windermere.
I’ve always felt the cold. Back then I only had a terrible blue nylon anorak that I don’t think enabled me to enjoy the sailing, which is such a pity. I seemed to have got very cold even when sailing with the wind.
The Amazon has a centre board and was always a much faster boat than Swallow. It proved a bit of a problem during the filming as she always gained more distance when the director wanted a shot with both dinghies sailing together. But, even as old boats with very limited sail, they can go at quite a lick. I remember both were difficult to turn unless you did have a bit of speed up. Swallow’s long keel makes her roomy and stable but I sailed her recently and she’s not a boat that wants to go home. I’m used to modern rudders now, whereas Swallow and Amazon have shallow ones shaped like the letter ‘b’.
We had lunch with Virginia McKenna who was to play our Mother, Mrs Walker. She was sweet and so enthusiastic about what we were doing. I remember that she made a great effort to entertain us at the hotel, instigating games of Consequneces, which we adored. We roared with laughter as she read out the results.
As my father said recently, Virginia McKenna was completely right to play the part of a Naval Commander’s wife. A darling of the British public she is, and was, the star who carried the film. I knew her from having loved the animal movies she’d been in ~ Ring of Bright Water, An Elephant Called Slowly, Born Free and my favorite wartime story A Town Like Alice, for which she won the BAFTA Award for Best Actress. She was also nominated for Best Actress for her portrayal of Violette Szabo in the WWII story Carve Her Name With Pride and played Julie Hallam in The Cruel Sea, another superb wartime classic. Married to Bill Travers she had four children of her own by the time she made Swallows and Amazons. I don’t know how she managed to do so much, all with with so much grace and time for others.
Claude Whatham, the director, Richard Pilbrow, the producer and David Blagden, the sailing director were with us, along with Mum and Jane Grendon, Sten’s mother who was our other chaperone. Neville Thompson, the Associate Producer who was in charge of the budget and schedule, was also with us that first weekend. He later worked on the Mosquito Coast, Time Bandits, Sharpe’s Rifles and produced The Missionary with Michael Palin. He must have been a good man to have on board.