The original VHS version of ‘Swallows and Amazons’ (1974)
The Arthur Ransome Society has launched a new venture: Sail Swallow and Amazon
The classic dinghies from the original Swallows and Amazons 1974 film are being restored by Hunters Yard at Ludham on the Norfolk Broads. We are looking forward to welcoming people to come and sail, or row, the boats in due course. Hopefully, the Amazon may be ready this June, but Swallow‘s keel needs attention so she will be not be seaworthy until next season.
From 28th-30th June 2024, both boats will be appearing at the 50th anniversary celebrations of the 1974 filmat Windermere Jetty in the Lake District. All welcome! We are hoping the dinghies will be joined by some of the traditional steamboats that appeared in the Rio Scenes such as Osprey and the Lady Elizabeth.
~Sophie Neville with the yacht ‘Goldfish’ sailing on Wroxham Broad~
In May 2018, I travelled up to Wroxham for the Norfolk Broads Yacht Club’s Open Day. They were celebrating life on the Broads in the 1930s, along with the books by Arthur Ransome that are set in East Anglia.
We were blessed by such glorious weather that almost everybody seemed to be sailing when I arrived.
A number of vessels that appeared in the BBC TV adaptations of ‘Coot Club’ and ‘The Big Six’ entitled ‘Swallows and Amazons Forever!’ were on display at the club, including Titmouse, the dinghy belonging to Tom Dudgeon in the story, that normally resides at Hunter’s Yard in Norfolk.
Tom’s punt, the Dreadnaught was pulled up alongside an elegant Edwardian skiff called Joan B that was once set adrift at Horning by George Owden. She had been brought along by Pat Simpson, a member of the Norfolk Broads Yacht Club.
Pippa, a classic broads river-cruiser with dark sails belonging to Geoff and Rose Angell, was cast adrift at Horning in the dark of night. She came to no harm and was now out on the water, racing against a 1904 yacht with white sails, number 4, called Swallow.
‘White Boats’ or ‘Yare and Bure one-designs’ originally brought out in 1908, were also racing as they have been since the Farland twins, Port and Starboard, crewed for their father in ‘Coot Club’. Ransome refereed to a white boat called Grizzled Skipper who belonged to Chris Shallcross, but no one could remember which of the 140-odd White Boats registered was used in the series. Many members of this class of 20 foot half-deckers are named after moths or butterflies. You can see a fleet of White Boats here racing at Horning, the Swan Inn in the background:
I spotted ‘Brown Boats’, a Broads’ one-design with a distinctive counter stern and spoon bow, which would also have been seen racing in the 1930s. They were first built in 1907 and although a few were lost during the war there are still 88 in existence, although some now have fibre glass hulls. Number 61, called Hanser, is owned by Danny Tyrrell.
Lullaby, who played the Teasel in the series, was up at Horsey Mere with other from her fleet but we had her costume on display. It is a varnished transom painted with the name Teasel.Â
Janca, the motorboat who played the infamous Margoletta, hired by the Hullabaloos, was unable to come as she is currently being renovated, but Water Rail, a Herbert Woods Delight Class B 1930s cruiser belonging to Liz Goodyear was safely moored alongside other classic boats. She appeared in the back ground of several scenes in the television drama.
I then spotted a distinctive burgee that took me back thirty-five years:
Bird Preservation Society – it was the flag belonging to the Death and Glory, flying next to ‘the little old chimney’ made from a galvanised bucket.
Originally a German lifeboat washed up on the beach at Southwold, she had been bought for the series by Pat Simpson of Stalham Yacht Services, who found her moored at Snape in Suffolk.
Pat kept her for his sons to take out on the Norfolk Broads and it has been operated by children as Death and Glory, ever since.
It must have taken a bit of work to make her sea-worthy but tarred and fitted-out correctly, she closely resembles Arthur Ransome’s illustrations, the homemade cabin mysteriously larger inside than out.
I was asked to sign a copy of ‘The Big Six’ bought along by Professor John Farrington from Aberdean, who acquired the Death and Glory for his own children in 1989.
‘I took them to the boatyard and suggested they climbed aboard. “Get on!” ‘They were aged ten and eleven.’
‘”But what about the owners?” they asked.
“You are the owners,” I told them.’ He had just bought it for them as an unexpected present. ‘Before long they rowed it from Stalham to Sutton and back.’
This year is the 80th Anniversary of The Norfolk Broads Yacht Club, which is why they have a 1930’s theme running through their calendar. The day proved a true celebration of traditional boats that would have been seen back then.
I had been asked to give a talk about filming the series, which I will relate in my next blog post. The re-mastered DVD, for which I wrote the DVD extras, is available on Amazon here:
Swallows And Amazons Forever! (Coot Club & The Big Six) SPECIAL EDITION [DVD]You can read more about how these boats were used in the series here
Nancy Blackett, the 28 foot cutter that Arthur Ransome bought with Spanish gold, as he called his royalties from ‘Swallows and Amazons’, is an old lady now. Built by Hillyards of Littlehampton in 1931, she turns eighty-five this year and yet looks pristine. If you ever wanted to sail the Goblin in ‘We Did Mean To Go To Sea’ you must know that it was Nancy who took this starring role in Ransome’s novel, first published eighty years ago.
Nancy Blackett
I arrived in the Netherlands this summer to find Nancy receiving visitors at a nautical festival in Midddleburg, while a jazz band played on the quay. She was moored by a lifting bridge in the centre of town, neatly rigged and ready for anything. After taking a look at a number of old gaffers, her crew enjoyed a cold beer and walked down the canal to vittel-up at a supermarket before having dinner in what was once a packing house for silks and spices imported from the East Indies.
Nancy seen through the swing bridge in Middleburg
As the swing bridge rose the next morning, we made way and motored down the wide canal to Veere, mooring up by the grassy port bank.
Hollyhocks of Veere
After being granted permission to go ashore, I passed the historic town well and walked down lanes bordered by hollyhocks to visit the museums of this ancient port. They house a number of charts and medieval maps that would have delighted the Swallows, along with old photographs of Dutch natives in traditional dress. I was tempted to buy a pair of clogs to take home for Bridget.
The waterways of Zeeland
We left Veere to explore the islands and creeks of the Veersemeer before sailing down-channel and through a modern lock into the Oosterschelde estuary formed by the River Scheldt. It was once an important shipping route that bought wealth to the Netherlands but is quieter now. I spotted a seal and watched a cormorant swallow a large eel, that wriggled and jiggled inside its gullet.
A windmill of Zierikzee
After negotiating the impressive Zeelandbrug that spans the delta, we sailed down to Zierikzee where you can climb the church tower, if you dare, and look out across the once fortified town. The windmills, ornate spires and ancient buildings help one to imagine what life must have been like in the 1500s when it became famous as a trading centre for salt and madder. I found scold’s stones and a whaler’s kayak from Greenland at the Stadhuis Museum in Zierikzee where Veronica Frenks was once the curator.
The lock gates of Zierikzee
Our skipper, Ian McGlynn, wondered if we could sail back under an arch of the Zeelandbrug instead of waiting for one section of the road to lift. Built between 1963 and 1965 the Zeeland Bridge is more than five kilometres long and hardly comparable to the arch of Potter Heigham but Mate Judy Taylor didn’t want to take any risks. We had Nancy’s new mast to consider.
Crewing the Nancy Blackett
It was only on our last evening-but-one that rain hit us. We’d had blue skies and sunshine all week. As the salt water was washed away from Nancy’s portholes I opened the pages of ‘We Didn’t Mean To Go To Sea’ to find Ransome’s illustrations and read the final passages of the Swallows’ unplanned voyage to Holland. The book is eighty years old this year and yet moves me still. There is Nancy, portrayed as the Goblin moored up in a foreign port, which is where we left her to be enjoyed by other members of the Nancy Blackett Trust.
Nancy Blackett in Zeeland
A marathon reading of ‘We Didn’t Mean To Go To Sea’ is planned, to celebrate the 80 year anniversary of its publication, at Pin Mill Sailing Club on the Orwell in Suffolk on Saturday 21st October 2017.
To read more about Nancy or join the Nancy Blackett Trust please click here
Nancy has been featured by Country Life in a July issue you can read here
One summer, I grabbed the chance to sail Arthur Ransome’s favourite little ship, the Nancy Blackett.
  ~ Nancy Blackett under sail on the Veersemeer in Zeeland this June ~
If you recognise her, it might be because she was his model for the Goblin in ‘We Didn’t Mean To Go To Sea‘, possibly the most exciting and touching of the Swallows and Amazons series of books. I re-read it while we were in Dutch waters aboard the main character herself.
~ Beach End Buoy at the mouth of the River Orwell in Suffolk ~
In the story, the Swallows – John, Susan, Titty and Roger Walker – promise their mother that they will not go to sea, but disaster strikes when the Goblin slips her anchor in thick fog, while her owner is ashore, and gets swept out past the Beach End Buoy at Harwich. The wind rises and the children find themselves sailing across the North Sea in a terrific storm before a friendly Dutch pilot guides them into Flushing.
~ Nancy in the old lock at near the medieval port of Veere ~
I was able to join Nancy when she had already made the crossing to the Netherlands but did take her through an old lock built in the same style as the one the Swallows encountered, all be it at the other end of the Dutch canal. It was as if we had sailed into the pages of the book and lived out the adventure ourselves, learning about ropes and reefing each nautical mile.
Mooring up could be tricky, especially since Nancy is an old lady with a bow-sprit, but unlike Susan and Titty, I never felt sea-sick for a moment.
~ Learning how to hoist the mainsail ~
~ The Nancy Balckett undersail on the Veersemeer in the Netherlands ~
~ Sophie sailing in salt water ~
~ Keeping a look out for Dutch barges ~
Local author Veronica Frenks came out one morning, taking us up a creek to see the traditional Dutch barges and historic ships that she often writes about. She soon made plans to write about Arthur Ransome for Spiegel der Zeilvaart, a Dutch periodical. Here she is with me, at the helm:
To read about sailing Nancy on the River Orwell in Suffolk, where she is based. please click here.
To read about sailing Nancy on the Beaulieu River and the Solent, please click here
If you would like to grab a chance to sail Nancy or find out more about the Nancy Blackett Trust, please click here
photographs by Veronica Frenks of Ma Plume, Judy Taylor and Sophie Neville