David Wood – Page 5 – Sophie Neville

Memories of filming ‘Swallows & Amazons’ (1974) from Jane Grendon

Jane Grendon and Sten Grendon — Sten Grendon with his mother Jane Grendon in 1973

When Sten Grendon was given the part of Roger in Swallows & Amazons (1974), his mother Jane Grendon came up to the Lake District with him to work as a chaperone, looking after all the children appearing in the movie.

Jane Grendon opposite Peel Island — Jane Grendon keeping an eye on the children watching ‘Swallows & Amazons’ being filmed on Coniston Water in 1973 – seen here opposite Peel Island

Jane said that before filming began,

‘…one of the very first things we were asked was, ‘can Sten swim?”

‘I know he could doggy paddle. Neville organised swimming lessons at Pitville Pool, Cheltenham which included jumping off the diving boards. At the time I didn’t know why and I don’t think Sten is a natural in the water and the swimming lessons didn’t prove very successful. Claude told me – at the end of filming I think, when he gave me a copy of he original script – these lessons were because in the original script Roger was to jump in the water after Uncle Jim walked the plank.’

Jane sent me a copy of the page in question. I had not seen it before:

A page of David Wood's original screenplay: 'Swallow & Amazons' (1974) — A page of David Wood’s original screenplay: ‘Swallow & Amazons’ (1974)

‘There are some personal memories. An aunt gave me the book for my birthday and I tried reading it but I hated all the technical boating details and I thought the children rather priggish so I didn’t enjoy it one bit and so was rather downhearted for Sten to be part of a story I hadn’t liked.’

Jane and her husband lived deep in the Cotswold countryside, at the rural Whiteway community, near Stroud in Gloucestershire. As I recollect, they had both qualified as teachers.

‘At the time of casting and during all the arrangements we had no phone at home and had to rely on a neighbour and the production team used to hold on while Ros came and fetched me! They must have really been fed up as it must have taken 10 minutes or so sometimes for me to get to the phone!’

Jane hadn’t imagined that she would end up in costume herself, if only for a day. She looked wonderful.

Jane Grendon and the bus — Jane Grendon in 1929 costume whilst filming the Rio scenes for ‘Swallows & Amazons’ at Bowness-on-Windermer in 1973

‘…. so there I was – a naïve, country girl flung into this alien world of a film unit. I was like a fish out of water! But I think it came out in your account that I related to you children better than I did to the adults around.’

Jane’s husband Michael was able to bring Sten’s sister, their little daughter Jo, up to watch the filming over half-term.

Jane Grendon with Martin Neville, taking part in a Weetabix commercial shot on location near Bisley in the Cotswolds in 1973

That summer Jane appeared in costume once more when Claude Whatham asked if Sten Grendon could also appear in a commercial he was directing for Weetabix, back in Gloucestershire at harvest time. This time she found herself on location not far from her own home and was always smiling.

Jane still lives the same house. Her husband Michael has retired from teaching and they have just celebrated their 50th wedding anniversary.

Sophie Neville with Jane Grendon in 1973 — Sophie Neville with Jane Grendon, filming at Runnymede in September 1973

‘The Secrets of Filming Swallows & Amazons’ ebook is out now

Thanks to the encouragement and help of my blog followers and Arthur Ransome enthusiasts around the world, I have managed to put my diaries, letters, old photographs and documents together into a 70,000-word memoir.

“Sometimes extraordinary things do happen to ordinary people. Little girls can find themselves becoming film stars. Long ago, and quite unexpectedly, I found myself appearing in the EMI feature film of Arthur Ransome’s book Swallows and Amazons, made for a universal international audience. I played Able-seaman Titty, one of the four Swallows. Perhaps it would be more accurate to say that I became Titty for a while, wearing thin cotton dresses and elasticated navy blue gym knickers, which the camera crew soon referred to as passion killers. The book was written in 1929 and although the film adaptation was made in the early 1970s it had an ageless quality and has been repeated on television year after year, typically on a Bank Holiday between movies starring Rock Hudson or Doris Day.

I got the part of Titty because I could play the piano. Although I had no ambition to be an actress, at the age of ten I was cast in a BBC dramatisation of Cider with Rosie. They needed a little girl to accompany the eleven-year-old Laurie Lee when he played his violin at the village concert. I plodded through Oh, Danny Boy at an agonising pace.

‘Do you think you could play a little faster?’ the Director asked.

‘No,’ I said, flatly. ‘These are crotchets, they don’t go any faster.’

Claude Whatham must have remembered my crotchets, for two years later, in March 1973, my father received a letter. It arrived completely out of the blue, from a company called Theatre Projects.

We are at present casting for a film version of SWALLOWS AND AMAZONS which Mr Whatham is going to direct. We were wondering if you would be interested in your daughter being considered for one of the parts in this film.

Amazing!”

From ‘The Secrets of Filming Swallows & Amazons’ by Sophie Neville

Preview copies of ‘The Secrets of Filming Swallows & Amazons’ at the Cruising Association dinner at the Water’s Edge Bar and Restaurant, Mermaid Marina on the River Hamble.

“This heart-warming memoir is illustrated with colour photographs, most of them taken at the time by Sophie’s family, and contains links to behind-the-scenes home movie footage for readers with browser-enabled tablets. It delivers a double helping of nostalgia for both fans of the era of Arthur Ransome, and the groovy times of the early 70’s.” ~ from the Amazon Kindle description

Also available for other reading devices on Smashwords

Thanks to those of you who contributed comments, questions, and aspects of local history on this blog. I would love to know what you think of the book!

If you would like a copy but don’t have a Kindle, you can download a free Kindle app.

Sophie Neville on the pontoon during the filming of 'Swallows and Amazons' — Richard Pilbrow, Denis Lewiston, Claude Whatham, David Cadwallader and Sophie Neville aged 12 playing Titty ~ photo: Daphne Neville

Questions about making the classic film Swallows and Amazons (1974)

Behind-the-scenes while filming 'Swallows & Amazons' in 1973 — Behind-the-scenes while filming ‘Swallows & Amazons’ in 1973

The classic movie of Swallows & Amazons is often broadcast on BBC TV. If you would like to know more about how the film was made you can find the details on this site or leave any questions in the comments box below.

To read about our first day’s filming at Haverthwaite Railway Station click here and keep reading.

Sophie Neville having her hair cut on location for the part of Titty Walker in 1973

Do you know what lake we were on in the photograph below? We were busy loading urns of tea into a run-around boat to take out to the film crew who might have been on Cormorant Island. If you click on the photo you will get to the page of my diary, kept in June 1973, which describes this day.

Wardrobe Master Terry Smith and Sophie Neville in her costume to play Titty. But what is the name of the boatman? Doers anybody know? — Wardrobe Master Terry Smith and Sophie Neville in her costume to play Titty. But what is the name of the boatman? Does anybody know?

There are still many questions about the making of the movie that remain unanswered.

A journalist on Peel Island — Does anyone know the name of this journalist who visited us on Peel Island?

This shot was taken while setting up the scene at Peel Island when Captain Flint brings Sammy the Policeman to question the Swallows. If you click on the photo you will find the photograph that the journalist ended up with. Titty’s hand is still on Captain Flint’s arm.

Making a movie is very different from watching one. Here is a record of Titty rehearsing the shot when she moves the camping equipment for fear of a tidal wave. It was a cold day on Coniston Water. The jersey came off when they went for a take.

Here you can see Lesley Bennett, playing Peggy Blackett, careening Amazon at Beckfoot. The same 35mm Panavision camera was focused on Kit Seymour, playing Captain Nancy.

The location used for Beckfoot and the Amazon boathouse can be found at Brown Howe on the western bank of Coniston Water. If you click on the photograph of Peggy you can read more about what happened that day.

If you would like to get future posts, please click the Follow button at the bottom of the side-bar.

You can read the full story about the making of Swallows and Amazons here:

Other Arthur Ransome books adapted for film and television by David Wood

Sophie Neville in Secret Harbour — Sophie Neville playing Titty Walker in 1973

David Wood, who wrote the screenplay for SWALLOWS & AMAZONS in 1973, has recently told me about his work adapting other Arthur Ransome books – GREAT NORTHERN?, PIGEON POST, WE DIDN’T MEAN TO GO TO SEA and WINTER HOLIDAY – all for Richard Pilbrow of Theatre Project Films.

Richard Pilbrow and Claude Whatham at The Secret Harbour on Peel Island, Coniston Water — Producer Richard Pilbrow with Director Claude Whatham in their wet weather gear at The Secret Harbour on Peel Island, Coniston Water

‘It was decided that GREAT NORTHERN? should be the follow-up to the SWALLOWS film, because it was ‘different’, being the only book set in Scotland. Also, the villainous birds’ egg collector was a strong adult role – Peter Sellers was mentioned….. We had great fun looking for locations, swooping around in a helicopter over Harris, Lewis etc.

Sophie Neville, Suzanna Hamilton & Sten Grendon with David Wood and Claude Whatham in 1973

‘Word got out that I was working on GREAT NORTHERN? and I had a very firm letter from Mrs Ransome saying that no permission had been granted to work on this title, and that it would not be granted!! No reason was given. Years later, the Ransome autobiography suggested that Mrs R didn’t like GREAT NORTHERN? and criticised it to Ransome’s face. Also, he used sometimes to swan off to the Highlands with his friend, Quiller-Couch (I think) to fish, leaving Evgenia on her own back in the Lake District. The only communication from him would be the occasional delivery on a horse and cart from the railway station of a salmon, caught in Scotland the day before! Maybe she resented Scotland for luring him away! But she was determined that GREAT NORTHERN? the movie would never see the light of day!! But I still wrote a complete screenplay! I did a film treatment for WINTER HOLIDAY, that never got off the ground either.’

David Wood's screenplay of Swallows and Amazons — The script of the movie ‘Swallows and Amazons’ that I never saw until 2011

PIGEON POST was to be a six-part serial, a BBC-Theatre Projects co-production. David remembers that they got as far as looking for locations in the Lake District. I started making preparations to cast the children for this drama which Joe Waters wanted to produce in 1983, directly after making COOT CLUB and THE BIG SIX under the generic title SWALLOWS AND AMAZONS FOREVER! that had been adapted for television by Michael Robson.

‘WE DIDN’T MEAN TO GO TO SEA was also to be a serial. I did a treatment, visited Pin Mill and other locations, and met the man who built one of Ransome’s boats, or maybe worked on it with his father. All the materials and scripts still exist, but they are probably a bit too ‘straight’ for contemporary taste.’

David Wood’s numerous other forthcoming events and theatrical releases are listed on his website.

Sophie Neville with Claude Whatham on Peel Island

Can you help us? Was Quiller-Couch the friend who whisked Arthur Ransome off to fish in the Hebrides? Does anyone know where they went?

You can read more about the adventures we had whilst making Swallows and Amazons is these books, available to order online here

'The Making of Swallows and Amazons (1974) by Sophie Neville' — Different editions of ‘The Making of Swallows and Amazons (1974) by Sophie Neville’

News from David Wood, who adapted Swallows & Amazons for the big screen in 1973

Sophie Neville with David Wood and Claude Whatham

David Wood, who originally worked with Evgenia Ransome to adapt her husband’s book Swallows & Amazons for the big screen in 1973, has recently written to tell me:

‘Several attempts were made to follow up SWALLOWS. I did a screenplay of GREAT NORTHERN?, plus detailed treatments of WINTER HOLIDAY (for film) and WE DIDN’T MEAN TO GO TO SEA (for television), plus a six-part serial based on PIGEON POST. But all of them bit the dust!!!

Claude is the only director for whom I worked as an actor on film (SWEET WILLIAM), television (CHERI, DISRAELI) and stage (VOYAGE ROUND MY FATHER), as well as working with him as a writer (SWALLOWS and a film that never got made called THE HEYDAY).

Claude Whatham must have made the BBC adaptation of Colette’s novel Cheri just before Swallows & Amazons as it was broadcast in April 1973. Brenda Bruce, who I knew as Mrs Dixon, played Charlotte whilst David was Desmond, supporting Scott Anthony and Yvonne Mitchell as the lovers Cheri and Lea.

David Wood played Lord Derby in the 1978 BBC costume drama Disreali that Claude Whatham directed. Whilst Ian McShane had the title role, the part of Queen Victoria was given to Rosemary Leach, who later played Mrs Barrable in the BBC serial of Coot Club and The Big Six. Suzanna Hamilton appeared in it too as one of the princesses. She must have been about seventeen – a good age to be zooming about in a crinoline with scooped up hair. It would have been quite a contrast to playing Mate Susan on Peel Island in the Lake District.

Suzanna Hamilton with director Claude Whatham on Peel Island

When he was in his twenties David starred in the feature film if…. with Malcolm McDowell. You can get it on DVD or watch the Youtube pasted in the Comments below. I’d love to see the wartime drama Aces High, the movie directed by Jack Gold in which David played Lt Tommy Thompson opposite Simon Ward, Peter Firth and Christopher Plumber as well as Malcomb McDowell. John Gielgud played the Headmaster in scenes shot at Eton in this film, while Arthur Lowe played his house master in if… I am not sure which school they used. You will have to let me know. Arundel?

In 2004 David was awarded an OBE for services to literature and drama. I was not surprised. His output has been prolific. To find out more about his work as an author and playwright do watch this short BBC documentary Meet the Author presented by Nick Higham.

David Wood, who wrote the screenplay of ‘Swallows & Amazons’ on Radio 4

BW David Wood — David Wood on Peel Island in 1973 with Claude Whatham, Sten Grendon, Suzanna Hamilton and Sophie Neville who is wearing David’s velvet hat.

On 19th August 2013, David Wood, who wrote the screenplay of Swallows & Amazons in 1973, took part on the Radio 4 show Quote…Unquote presented by Nigel Rees, an old friend of his from Oxford University. His fellow panelists were Matt Barbet, Katherine Whitehorn and Jenni Murray of Woman’s Hour. The programme can be heard on BBC i-Player and will be repeated on Saturday 24th August.

The reference to Arthur Ransome is 17 minutes in. David does a wonderful impression of Evgenia Ransome with whom he met for a number of script meetings whilst working on the adaptation. Her husband had died in 1967 and her grasp on his literary estate was legendary.

Click here for Quote…unquote on BBC i-Player presented by Nigel Rees

Here is the exact page of the script they were referring to:

This was shot on location in the field below Bank Ground Farm in the Lake District. Richard Pilbrow, the producer, gave me a copy of this still, part of which was used on the front cover of both the Express and Daily Telegraph after the film was released in 1974.

If not Duffers... — Simon West as John Walker, Sophie Neville as Titty and Suzanna Hamilton playing Susan in Richard Pilbrow’s movie ‘Swallows & Amazons’ released by EMI in 1974

Suzanna Hamilton wrote in her diary that David Wood came to visit us on location in Cumbria on 29th May 1973, as you can see in the contact-sheet photo above. She had appeared in photo-captions illustrating a story called The Treasure Seekers that she thought he had narrated on the BBC Children’s programme Jackanory. David is not so sure, although he narrated three other series of Jackanony including The Hobbit, which is about to be released as a BBC CD.

Here is another page from the screenplay of Swallows & Amazons (1974) with more stage directions than dialogue.

At the beginning of Nigel Rees’ radio programme there is a reference to The Gingerbread Man, one of David’s original theatre plays written for children. This was premiered at the Swan Theatre, Worcester in 1976. My mother appeared as Miss Pepper in a subsequent production at the Everyman Theatre in Cheltenham.

A production of 'The Gingerbread Man' at the Everyman Theatre in Cheltenham, 1976 — A production of ‘The Gingerbread Man’ at the Everyman Theatre in Cheltenham, 1976

In April 2013 David Wood’s adaptation of Michelle Magorian’s classic book Goodnight Mr Tom won the Olivier Award for Best Entertainment and Family, which is really exciting.

For more information about David Wood’s plays, books and magic shows – please click here

A screening of ‘SWALLOWS & AMAZONS’ (1974) in London

On Sunday 21st April I took the train to Waterloo, not to run the London Marathon, but to watch ‘Swallows & Amazons’, which was being shown by Dulwich Film at the Michael Croft Theatre. Suzanna Hamilton, who played Susan and Sten Grendon, who played Roger, joined us to celebrate the fact that forty years ago, in April 1973, we embarked on the adventure of making the movie.

I had been asked to introduce the film and answer questions about how it was made after the screening. Members of the audience were keen to know what lakes had been used as locations and if we had enjoyed our time on set. One family flew back from Spain especially so that they could come, even though they had seen the DVD of the film fifteen times. The children in the audience, who I guess were aged from about 4 to 10 years, sat in complete silence, totally absorbed.

Happy New Year!

2013 will be the 40th Anniversary of making of the EMI movie ‘Swallows and Amazons’. Forty years! Where did they go to? I must have been looking the other way.

Everyone wants to know what we are all doing now. I am only in touch with Richard Pilbrow, Suzanna Hamilton, Virginia McKenna, Lucy Batty of Bank Ground Farm and my own family. Please do send me an e-mail if you were involved in the film in anyway. It would be wonderful to hear from you. I am sophie@sophieneville.co.uk

Magazine articles written about ‘Swallows and Amazons’ in 1974

Homes and Garden magazine ~ April 1974 — Kit Seymour, Stephen Grendon, Sophie Neville, Lesley Bennett, Virginia McKenna, Simon West Suzanna Hamilton and the station master of the Haverthwaite Steam Railway in Westmorland, appearing in the April edition of Homes and Garden 1974

Newspapers are read one day and on the kitchen floor the next. Back in 1974 they might have been used to wrap up fish and chips. Either way, an article in the ‘paper is soon forgotten. Not so a feature in a magazine. They tend to hang around in hotel foyers and doctor’s surgeries for waiting to have their pages turned for months, if not years. The judgement they cast on our movie was important.

Homes and Gardens April 19741 — Director Claude Whatham and Producer Richard Pilbrow on location in the summer of 1973 in the Lake District

To my surprise I found an article about how we spent the summer of 1973 in ‘Homes and Garden’ magazine.

Homes and Garden article page three — Photographs featuring Simon West, Suzanna Hamilton, Sophie Neville, Stephen Grendon, Lesley Bennett and Kit Seymour in the EMI film of ‘Swallows and Amazons’.

What amazed me was that the black and white photographs taken on the film set had been colour tinted. Please forgive my scanning – the pages were stuck in albums long ago and the images blur at the edge.

Homes and Gardens April 1974 — Stephen Grendon, Simon West, Virginia McKenna, Suzanna Hamilton and Sophie Neville on location at Bank Ground Farm in Cumbria

Surely she was the journalist also known by her married name of Elspeth Huxley, the author who had written The Flame Trees of Thika and so many other books? She wasn’t quite right in saying the film was shot entirely on location in the Lake District, but still. She was not to know about our day at Runnymede.

The Tatler 4th April 1974 — Simon West, Sophie Neville and Suzanna Hamilton appearing in The Tatler

Films Illustrated ~ April 19741 — Virginia McKenna in an article in Films Illustrated, April 1974

We were in both Punch and The Sunday People. My mother saved them all, scratching lines alongside the paragraphs in which I was mentioned.

and The Tablet.

What’s On and the News of the World:

The April addition of the film fan magazine Photoplay, which featured Steve McQueen on the cover. It cost 20p in those days.

and a publishing magazine I hadn’t heard of called Smith’s Trade News ~

Smith's Trade News 1974 — Virginia McKenna eating a banana with Claude Whatham outside the catering bus with quite a good photo of Swallow wired to the camera pontoon

The true story is told in ‘The Making of Swallows and Amazons’ available online in different formats including an audiobook.

Riding the waves of film critics ~ after the release of ‘Swallows and Amazons’ in 1974

From the premier programme 1974 — Virginia McKenna, Lesley Bennett, Suzanna Hamilton, Sophie Neville, Stephen Grendon and Ronald Fraser appearing in the film premiere programme

I opened the pages of the programme at the film premiere to find one of the publicity photographs of us taken at Bank Ground Farm. I wasn’t sure the face Simon was making would sell a cinema ticket.

From the premier programme 1974 page two — Simon West, Kit Seymour, Ronald Fraser, Sophie Neville and Suzanna Hamilton with half of Stephen Grendon on the second page of the premier programme

But the film was now out. It had to sell itself. Everyone was waiting to hear what critics from within the movie industry felt about it.

Would this photograph ever sell the film?

I think my mother must have written to Barry Norman, inviting him to bring his daughters to one of the promotional events held at the Commonwealth Institute. I wonder if she met him at the Preview of the Premiere. He was then presenting BBC Television’s Film 74 and writing a weekly column in The Guardian newspaper. Here is his reply:

Barry Norman enjoyed it! The Radio Times says that he was looking at ‘films for the family over the Easter holidays’. Film 74 was shown on BBC TWO at 10.15pm – and repeated on Fridays even later so he must have been speaking to parents. Here’s his theme tune.

One thing that strikes me when I open the March 1974 copy of ‘Films and Filming’, kept by my mother, is that ‘Swallows and Amazons’ has to be one of the most enduring movies to come out at the time. Sean Connery opted to appear with Charlotte Rampling in ‘Zardoz’. I’ve neither seen or heard of it. Why couldn’t he have played Captain Flint with us? I did see Steve McQueen in ‘Papillon’ but had no desire to watch it more than once. Richard Lester’s version of ‘The Three Musketeers’ was also made in 1973. Even though it stared Oliver Reed, Raquel Welch, Richard Chamberlain, Michael York and dear Spike Milligan I don’t think it can have been broadcast on television as many times as ‘Swallows and Amazons’.

The magazine goes on to review ‘The Optimists of Nine Elms’ starring Peter Sellers, ‘Magnum Force’ starring Clint Eastwood, ‘Herbie Rides Again’ starring Stephanie Powers and many others, films I have never heard of. ‘American Graffiti’ came out in the States, directed by George Lucas starring Richard Dreyfuss, Ron Howard, Paul Le Mat and Harrison Ford. It made gross profits of more than U$200 million becoming one of the most profitable films of all time, but I wonder how many times it has been shown on British television this year? Do your children know anything about it? Has it been projected in the pouring rain for loyal fans sitting on a lake shore?

I his book, ‘A Theatre Project’ Richard Pilbrow says, ‘We had a success.’ He quotes Variety magazine, “Charming, delightful, beautifully made film,” but said it was, ‘Not a hit but a reasonable success that continues to play, principally on television, around the world.’ Richard goes on to quantify how it did financially. ‘The world of film finance is a distinct mystery. Our production costs were just under £300,000. Over the years, income trickled in from an international market. Curiously the costs inexorably rose to match the income. The costs of marketing the movie always seemed to equal receipts at the box office. In 2004 our film actually recouped. That’s why I have the temerity to call it a success.

Not all the newspapers thought so in 1974. You can read how much we hated the publicity in any of the books on how the film was made: