Tag Archives: The Anna Scher Theatre

Casting children for the BBC adaptations of Arthur Ransome’s books ‘Coot Club’ & ‘The Big Six’ in 1983 ~

Sophie Neville with Port and Starboard in 'Coot Club'

Sophie Neville with Port and Starboard in ‘Coot Club’

Looking back, it was a complete miracle that I able to work on the BBC adaptations of the Arthur Ransome books, but in 1983 I spent nine months working on Coot Club and The Big Six, released in 1984 as an eight-part drama serial under the generic title ‘Swallows and Amazons Forever’ . Awarded a BAFTA nomination, it is available on DVD today.

Swallows and Amazons Forever! Coot Club children cast by Sophie Neville

In 1982 I graduated from university and entered the BBC as a researcher on the General Traineee Scheme. I had so enjoyed working for Ronnie Barker on The Two Ronnies that my initial aim was to go into ‘Light Entertainment’.  I joined the Russell Harty team, which had a series of thirty-minute shows broadcast live from a studio at London Bridge. I actually invited Susan George on the show without realizing she had played Kitty Walker (Titty) in the black and white BBC drama serial of Swallows and Amazons in 1963.  Since The Russell Harty Show ended at the same time as my contract, I started looking around for a programme strand that was right for me.

The Unit Manager on our team heard that BBC Drama Series and Serials had acquired the rights to the Arthur Ransome books and suggested I went to see the  Producer, Joe Waters.  I knew we’d get on well as soon as I spoke to him on the phone.  Joe was always laughing. Although he’d made numerous episodes of The Enigma Files and Squadron, as well as Police series such as Z-Cars and Dixon of Dock Green, Joe had never filmed with boats and was interested to see the photographs of the camera pontoon devised for Claude Whatham in the Lake District. Joe explained that he had plans to film a number of the Arthur Ransome books but decided to start with the pair set in Norfolk and already had scripts adapted by Michael Robson.

The first miracle was that, although he had a full production team booked, Joe needed someone to help find children who could handle boats confidently on the Norfolk Broads. In the 1980’s drama directors at the BBC were expected to do their own casting, but Joe’s director, Andrew Morgan, was still editing another series and wasn’t going to have enough time to cast the children’s parts.  This had to be settled at least seven weeks before filming as Education Authorities request six weeks to process licenses required for children to work as actors. The second miracle was that Marcia Wheeler, the BBC Department Manager would not have given the job to me had I not been able to point out that the Graduate Trainee Scheme was paying my salary.  It was January and she had a choice of permanent staff available.

Coot Club - Death and Glories

Jake Coppard, Mark Page and Nicholas Walpole as the Death and Glory boys ~ photo: Sophie Neville 1983

I set to work, scouring the schools of Norfolk, as we needed boys with local accents to play Pete, Joe and Bill – the Death and Glory boys, as well Roger, little Malcomb and youths who could take on the roles of George Owden and his side-kick Ralph as well as Brian and Rob.

Coot Club Baddies

Boys virtually cast for me by the teachers of Norfolk ~ Dean Harkness who played Brian and Sy Rainsbury who played Rob (?)

I must have written to the Head teachers of every single secondary school in the country, and visited most of them. I managed to find really bright boy to play Dick Callum up in Norfolk, but although I auditioned a number of girls in Norwich, Caroline Downer, who played Dot Callum, and the Farland twins were actually represented by London agents.

Coot Club - Richard Walton

Richard Walton, who was cast as Dick Callum, in Norfolk in 1983

You wouldn’t expect it to be difficult, but I couldn’t find a boy to play Tom Dudgeon. He was the most important character. It was essential he was out-going and could sail well. I dredged school after school, meeting literally hundreds of children. Joe had found a very nice lad who went to a London stage school but he was fifteen and had never been in a boat. He rather wanted to give the part to Diana Dor’s son, but he too, admitted that he couldn’t sail either. We were getting very close to the deadline and I was almost in despair when I took my cousin to see a musical in the West End. During the interval I turned round and saw a boy, perfect for the part of Tom, sitting right behind me.

‘Do you by any chance sail?’ I asked.

‘Oh, yes,’ he replied, ‘We’ve got a cabin cruiser. I often take the helm.’

I went to meet his parents and found myself looking up at David Dimbleby, asking if his son would consider taking the lead in the Arthur Ransome series.

Henry Dimbleby in 1983

Henry Dimbleby in 1983 ~ photo: Sophie Neville

Casting parts for book adaptations is never easy.  I’d always envisaged Dot as having straw-coloured plaits and Port and Starboard as being robust Tom-boys, but in the end the right girls seemed to float to the surface. Andrew Morgan was thrilled, appreciative of the fact that finding identical twins of the right age who can swim, sail and act convincingly was not easy. Caroline was the only girl I had met with hair long enough and thick enough to make into the plaits Ransome had drawn in his illustrations of Dorothea. She was dark and had no experience of boats but convinced us she was right in so many other ways that we offered her the part and sent her off to learn how to sail.

Caroline Downer as Dot Callum

Caroline Downer as Dorothea Callum in ‘Coot Club’ and ‘The Big Six’, 1983

Since we were scheduled to make nearly four hours of television, we had three months of filming ahead of us. The six children who had leading parts in both books, legally had to be over the age of thirteen to work for such a long period of time. My job had been to find thirteen-year-olds who looked younger. I also needed to show Andrew and Joe how well the children could act in the space of a few minutes. I had Anna Scher to thank for this.

Anna Scher had been Suzanna Hamilton’s drama teacher and agent. In 1968 she’d started a wonderful after-school theatre for children, based in Islington.  I knew Claude Whatham had respected her enormously and asked if I could sit in on some of her classes. Anna worked fast, getting her students to concentrate and giving them a number of improvisation exercises. I had directed plays at university, so was used to getting good performances out of young people, but she was an expert, explaining that conflict was the key, ‘Drama is conflict!’ she’d declare.

Coot Club Audition

Children who were short-listed for parts in ‘Coot Club’ having lunch at a final audition held in Norwich in 1983. The boys who played Joe and Pete are in the foreground.

When I auditioned children, I extended this by telling them they had to be able to list ten issues for the argument they were putting forward and that I wanted to see each point worked into the drama. For example,

‘You walk into your brother’s room and catch him smoking. I want you to try to persuade him it is stupid and give him ten reasons why he should quit.’

The boy playing the brother had to find ten reasons why he should be able to smoke if he wanted to. Joe Waters hadn’t seen this before but agreed that it worked much better than asking children to read scripts. It amused him. The kids who ended up playing Bill, Pete and Joe of the Death and Glory, responded well both to Joe’s laughter and exercises that required their own imput. Despite never having had drama lessons they were able to prove themselves capable of delivering convincing performances.

But, would they be able to get the lines of a script out, whilst handling a boat on open water?

Coot Club - Joe Waters with Henry DimbJleby

Producer Joe Waters with Henry Dimbleby who played Tom Dudgeon in ‘Coot Club’ & ‘the Big Six’ ~ photo: Sophie Neville

One secret was that I asked all the children from Norfolk who were short-listed if they would like to work as Extras on the series even if they didn’t land a part. These children were issued with licences and could have been called upon if any of the cast had to back down at the last-minute.  If you look carefully you can see them  in some of the busier scenes.

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Filed under Acting, Arthur Ransome, Biography, Claude Whatham, Film Cast, Film History, Filmaking, Memoir, Movie stories, Sophie Neville, Suzanna Hamilton, Swallows and Amazons, truelife story

Suzanna’s diary ~ about filming ‘Swallows and Amazons’ in 1973

Suzanna Hamilton as Susan with Sophie Neville as Titty busy writing the ship’s log

Something very exciting happened last week. Suzanna Hamilton came to see me, bringing the photographs that she was given during the filming of Swallows and Amazons along with a bundle of papers. I immediately recognised the blue bound diary that she had kept.  Her God-given sense of humour fills the pages.

Although Titty was the one who always kept the ship’s log in Arthur Ransome’s stories, we children all kept journals during the filming as part of our school work. It was quite a task.

Suzanna Hamilton's Diary prior to the fiming of 'Swallows and Amazons'

Suzanna’s diary gives the story of making the film of Swallows and Amazons from the perspective of an actress, the actress she was then and ever more will be. Even before we began filming she was  getting as excited as Susan about grog and molasses, calling us by our charcter names as Claude Whatham suggested.

Suzanna Hamilton's Diary on the filming of 'Swallows and Amazons' 1973

Anna Scher ran the most wonderful children’s theatre club in Islington, which Zanna went to after school, along with Pauline Quirke and Linda Robson. I visited Anna Scher’s Theatre Club ten years later when I was casting children for the BBC drama serial of ‘Coot Club’ and ‘The Big Six’. Although I didn’t find anyone there who could sail I held Anna Scher in huge admiration and respect, using her exercises when I was auditioning kids in Norfolk. She did so much for the young people of east London, giving children confidence with self-discipline aquired during their drama lessons and workshops.

David Wood, who wrote the screenplay of Swallows and Amazons, was already well known as an actor. Mum was rather in awe of him since he had played Johnny in Z Cars and had starred the feature film ‘If…’   alongside Malcolm McDowell. He had been a storyteller on the BBC Childrens Television programme we all adored called Jackanory.  Suzanna had been involved in the same series when E.Nesbit’s ‘The Treasure Seekers’ had been read.  She had also appeared in ‘The Edwardians’  form the book by E.Nesbit directed by James Cellan Jones in 1972. By coincidence Pauline Quirke played Eliza in ‘The Story of the Treasure Seekers’ in 1982 and I worked with her a few years later on Rockliffe’s Babies. My mother appeared in a pantomine David Wood wrote called The Gingerbread Man when it was produced at The Everyman Theatre in Cheltenham. She wore red with a pill-box hat as Miss Ginger.

Suzanna Hamilton's diary of filming 'Swallows and Amazons in 1973

Suzanna Hamilton playing Susan Walker with Stephen Grendon as Roger Walker camping on Peel Island, Coniston Water in Cumbria, the Lake District

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Filed under 1973, Acting, adventure, Arthur Ransome, Autobiography, Biography, Cinema, Claude Whatham, Cumbria, David Wood, Diary, e-publication, Film, Film Cast, Film crew, Film History, Filmaking, Humor, Lake District, Memoir, Movie, Movie stories, Sophie Neville, Suzanna Hamilton, Swallows and Amazons, truelife story