Titty was the name of an imaginative and ‘highly original’ little girl who Arthur Ransome first got to know in the Lake District when she was aged eight. I met her niece Barbara Altounyan recently. She was most amused that I had once played her Aunt Titty.
~Sophie Neville playing Titty Altounyan in the 1974 film ‘Swallows & Amazons’. Official photograph taken a Bank Ground Farm above Coniston Water copyright: StudioCanal~
I’d brought Barbara some long lost family photographs that included some of Titty’s wedding in Aleppo. They are beautiful.
Titty on the arm of her father, Dr Ernest Altounyan in Aleppo, 1954
Titty on her wedding day with her husband Melkon Guzelian, her sister-in-law, her father Ernest Altounyan, her mother Dora and brother Roger, far right. You can also see Roger, Ernest and Dora below, with Roger’s wife standing far right.
There is also a more informal shot.
‘Don’t you want to know about Titty?’ Barbara asked me. ‘She was a very detailed person and quite a perfectionist.’ I knew she was a wonderful artist who had studied under Henry Moore at the Chealsea School of Art, but was unwilling to ever attempt to sell her work. I was also told she also had long legs. I only hope that I have represented her well.
Titty Altounyan at her sister Brigit’s wedding to John Sanders in 1953
(NB: Ransome did not write ‘Swallows and Amazons’ while on holiday on Coniston Water as was stated in the programme. To see a photograph of Low Ludderburn, the house above Windermere where Arthur Ransome lived and wrote ‘Swallows and Amazons’ please click here and scroll down.)
A bright sunny day on Derwentwater. I wore what was my favourite costume, not least because I had the option of wearing a vest beneath the blouse and I didn’t have to worry about the divided skirt. I went to such an old fashioned school that I had a pair of grey flannel culottes myself, to wear on the games field, and thought them very much the sort of thing Titty would have worn. Roger, meanwhile was in long shorts or knickerbockers as the real Altounyan children would have called them, kept up with a snake belt. His even longer underwear was an item requested by Claude Whatham the director who, being born in the 1920s himself, had worn exactly the same sort of underpants as a child. As the day warmed up Claude stripped down to a pair of navy blue taylored shorts and sailing shoes. We were on a desert island after all. Even if it was a desert island in the Lake District.
In Arthur Ransome’s book of ‘Swallows and Amazons’ the hunt for the treasure is slightly different and Captain Flint’s trunk lies buried under rocks. I wasn’t expecting the set-up with the tree trunk, although I think it works well and looks good, giving movement to the sequence. The only hesitation was that Claude didn’t want me to get hit by the rocks as they slid off. This was a pity as I would have jumped aside.
I am not sure why the Amazon had not been bailed out. I can remember having to lie in the bilge water, which proved cold and uncomfortable. Perhaps it gave my performance an edge. Titty would have been cold and stiff aftrer a night wrapped in the sail. Great grey clouds were gathering by then and we were all getting tired.
Being together in a confinded space becomes difficult to endure after while, not least when the space is a pontoon on a lake with not much to sit on. Small boys tend to muck about and become annoying when they are bored. The time had come when someone was going to crack – and they did. The result was silence. A sobering moment. And one very wet pair of knickerbockers.
In the end three of us went home in wet underwear. Gareth Tandy, the third assistant director – who I think was only about 18 – was pushed in to the lake, this time to great hilarity.
The big question, of course, it what is the name of the island on Derwentwater that we used as the location for Cormorant Island? Duncan Hall has written in to suggest it is called Lingholm Island (or possibly One Tree Island)What is the name of the larger island, seen in the background of shots, that represents Wildcat Island? Is it Rampsholme Island?
I have one behind-the-scenes clip of the crew on the pontoon – shot on a sunny day, I think at the southern end of Coniston Water. It looks most bizarre. It was. You can see how crampt and overloaded we were and guess at the patience demanded of us all. Imagine how long it took to set up shots, while totally exposed to the elements. It was quite a stable raft but when we went for a take it was vital that everyone kept comepletly still or there would have been camera wobble. We used a conventional boat with a cabin when we filmed ‘Coot Club’ and ‘The Big Six’ on the Norfolk Broards ten years later in 1983. It proved much easier – but had more wobble.