Fifty years ago this day, auditions were being held at 10 Long Acre near Leicester Square in London for parts in the original film of Arthur Ransome’s book ‘Swallows and Amazons’ produced by Richard Pilbrow of Theatre Projects with the help of Neville C Thompsom and financed by Anglo EMI Films. It was to star Dame Virginia McKenna, but the leading roles were all for children under the age of thirteen who needed to be able to row and sail.
I recently received a Tweet from the award-winning author Wendy Clarke who wrote: ‘Funnily enough (many, many years ago) I auditioned for the film role of Titty Walker… I would have been 12 then. I didn’t belong to a sailing club and couldn’t sail! Amazed I got the audition!’
When I asked if she could tell me more, she replied: ‘I have next to no memory of the day so wouldn’t have very much to say about it! I’m seeing my mum tomorrow and have asked her to bring her 1973 diary!’ Here it is:
‘This is where I went for the audition apparently. Was that the same place as you?’
It was! I remember the actual room.
Wendy explained that her mother, Joy Matthews, ‘has written a diary every day since I can remember (even if it’s just to say what the weather was like). Over the years it’s been very useful. She is now 91. I think this was the photo we sent!’
‘I’ve just been reading your post and laughing at the escapades during the shooting of S&A. Can I really picture myself in your shoes… if I’m honest, no! I would have been too much of a scary cat. Especially when the mast broke!‘
A friend of mine also auditioned for ‘Swallows and Amazons’ but she couldn’t remember any details. Simon West, who ended up being cast as Captain John, told me that he met Richard and Neville for a first audition at his sailing club. His sister, Ginny, who was keen on acting, spotted a notice, but his father was amazed when he said he would also like to be considered for a role in ‘Swallows and Amazons’. Aged eleven, he was a little young for the part of John, but he was bright, practical with a passion for sailing. Kit Seymour and Lesley Bennett, who would eventually play the Amazons, also heard about the opportunity at their respective sailing clubs. Richard Pilbrow was very keen to find children who could sail and were able to swim well.
Kay Frances Ecclestone wrote to say she saw a, “poster in my sailing club. If it was in 1973, I’d have been 12 or 13 & had been sailing since I was 9 & just started helming in races.” This was at “Pagham Yacht Club which was where my family sailed… I didn’t (audition) although I seriously thought about it, but I didn’t want my long hair bobbed! I can remember clearly being at the Club noticeboard and excitedly reading the poster. I loved all the Arthur Ransome books and spent my first ever sailing prize that year (which was a book voucher) on buying the final in the series of Puffin paperbacks that I didn’t have. I have no idea why my Mum didn’t point out that my hair would grow back!” She is still racing her Scorpion dinghy today. “The original Puffins (with some replacement Puffins as the original fell apart from constant reading) in my AR book collection.”
Wendy wrote: ‘Second interview… so I couldn’t have done too badly! (Probably still hadn’t mentioned the small matter of not being able to sail)… I may not have got the part but least I got to go to Madame Tussauds and the Planetarium!’
My parents only received a letter asking if I would like to be considered for a part on 26th March 1973. It was addressed to my father who was on an export mission to South Africa and the envelope lay unopened in our hall for a while. Luckily it was printed with the Theatre Projects logo and Mum did open it. We collected Dad from Heathrow and drove straight to Leicester Square and walked through China Town. I remember Claude looking rather intense as he asked me questions. He wanted to know what my favourite television progamme was. I don’t think he asked me to read anything, which was just as well as I would have been hopeless. Did he ask if I could row or sail? I might have told him that I could swim well, as I’d just gained a bronze life saving medal, one of my few achievements to date.
I too was taken to Madam Tausauds when the ticket took you to the neighbouring Planetarium as a double bill. We possibly went after another visit to London for ‘Swallows and Amazons’.
Wendy returned to Theatre Projects’s offices in Long Acre for a third interview. She was doing well:
I was fortunate in that I’d worked for Claude Whatham in 1971 when he had cast me as Eileen Brown in the first BBC adaptation of Laurie Lee’s book ‘Cider With Rosie’, set in the 1920s. We later found out that Claude liked working with actors like Brenda Bruce who he had employed on previous occasions. I’m not sure when he joined the production of ‘Swallows and Amazon’ but it could have been late in the day as he was the second director taken on board.
We were told that 1,800 children had been considered for the six parts in ‘Swallows and Amazons’. Most of them had been members of sailing clubs. Claude had not wanted to visit stage schools but Suzanna Hamilton, who was cast as Mate Susan, had been going to the Anna Scher after school Theatre Club in Islington, which he may have visited. I had first met him at a drama club in Stroud in Gloucestershire in 1971.
Our final audition was held afloat, when about twenty children spent a weekend on a scout boat at Burnham-on-Crouch in Essex. This can’t have been an easy location for my parents to get to but Richard and Claude wanted to see how confident we all were on the water. We were taken dinghy sailing in wet and windy conditions. I remember Kit and her twin sister Alison Seymour facing the waves without a qualm. Richard bought his children Abigail and Fred along and I knew Sten Grendon who had also been in ‘Cider With Rosie’. We might have travelled to Essex together. The five girls up for the part of Titty all shared a cabin. I thought I was too old, too tall and too gangly. We were not aware of a screen test but Richard’s assistant Molly took super 8 cine footage.
Meanwhile, Wendy Clarke had been taken to Cumbria by her parents: ‘We’d gone to the Lake District to get a feel for it. Hadn’t heard anything about interview so Mum rang and, as she so very succinctly put, ‘that’s that’. That made me laugh.’
I noticed they had been to see the waterfall where we eventually shot a scene on the way to visit the charcoal burners.
Wendy wrote: ‘That May, mentioned in Mum’s diary extract, was my very first time in the Lake District. It was only years later, in my forties, that I visited again and fell in love with it. Maybe I’m destined to sail that boat after all! So lovely to ‘meet’ you (even though I probably hated you at the time for taking my part (which I would have been rubbish at anyway!) x
Wendy Clarke, whose website can be found here
‘My husband has just said, ‘why did you not tell me any of this?’ I was probably just relieved I didn’t have to get in a boat! In later life I discovered I was better at novel writing than acting!’
She added: ‘I’ve just found something else that links us. We both entered our books into the Flash Fiction Novel Opening Competition. My debut psychological thriller What She Saw, which was set in the Lake District, won it in 2017!’ I had a story shortlisted in 2022, which was encouraging.
I would love to hear from others who auditioned all those years ago – do email me or leave a comment below. I have written a little more about the gaining the part from my perspective on an earlier post here.
We are approaching the 50th Anniversary of the filming, which began on 14th May 1973 – only a few weeks after my first interview. I’ve been asked to give a few talks on ‘The Making of Swallows and Amazons’, which I will detail on my Events page. You can find different editions of my books listed here
with an audiobook, narrated by me, Sophie Neville, available on all the usual platforms.