Sophie Nevilleova’s foreward to ‘Swallowdale’ by Arthur Ransome illustrated by Zdenek Burian

Albatros Media in the Czech Republic have re-published a hardback edition of ‘Swallowdale’ by Arthur Ransome, illustrated by the great Czech artist Zdenek Burian.

Sophie Nevilleova

The Foreword has been written by me, Sophie Nevilleová.

I was commissioned by Ondřej Müller, Fiction Program Director, thanks to an introduction by Petr Korbel, a feature writer in Prague. My somewhat daunting task was to introduce the well-loved story that comes with classic illustrations.

I took the opportunity to recommend that readers book a holiday in Cumbria. It’s always exciting to find the actual locations described in a novel, particularly one you know well, although I believe finding Swallowdale is quite a challenge.

Do tell any Czech friends or collectors of Ransome’s books about this publication. Click here for  the sales site.

Albatros Media bookmark

Here is the English version of my contribution:

Of all Arthur Ransome’s books, it was Swallowdale that inspired me to go camping. I have since pitched my tent all over the world from Papua New Guinea in the Pacific to Patagonia, which I crossed on horseback. I once spent six months driving down through Africa, sleeping in a tent and using all I had learnt from this beautifully written book. Not long after this expedition, I started to draw maps in the hope that I that might encourage others to travel and explore the world as the Swallows did.

Back in 1973 I had the great privilege of playing the part of Titty in the movie of ‘Swallows & Amazons’ that has been translated into Czech twice. Throughout my life I have received letters from people telling me how Arthur Ransome’s books have given them direction in life, encouraging them to set sail and explore unchartered waters.

If you ever visit the English Lake District take the charcoal burners’ advice and keep a good lookout for adders but in searching for Swallowdale one thing is for sure, you will be walking in Arthur Ransome’s footsteps. He was taken to the summit of Old Man Coniston, the mountain known in the book as Kanchenjunga, as a small baby and rowed into the secret harbour of Peel Island, or Wild Cat Island as the Swallows called it, when he was a boy.

The people of Cumbria still welcome visitors, indeed you can stay at the farm known as Holly Howe and it is possible to take a boat out on the lake below it. Coniston Water is not an exact replica of the map in the book, but you can enjoy looking for Horseshoe Cove and the Amazon boathouse. Rio can be found on Windermere where you might also find the Peak of Darien along with native steamers. Titty would encourage you to let your imagination take you further and I am sure Roger would suggest you take a fishing rod.

Even if travelling does not appeal to you, ‘Swallowdale’ is such a vivid story that you will sail back in time to 1931 quite effortlessly. This classic book is a full of wonderful imagery from ‘black wretched thoughts…crowding in like cormorants coming to roost’, to potatoes being in bad mood. It is enjoyable on many levels. I laughed when Titty decided, ‘Miss Turner could hardly be dead if she was complaining of cold plates’ and was uplifted by her joy at discovering, ‘the most secret valley that ever there was in the world.’

I am so pleased that Albatros Media are able to bring you this beautifully illustrated edition, to read, enjoy and perhaps pass on to others. 

Czech skull logo

Burian’s version of the Swallows and Amazons flags

If you are in North America and are looking for a copy of ‘Swallowdale’ in English, Capital One have copies on sale for U$15.77.

Swallows & Amazons flags for book

Arthur Ransome, his boats and the Altounyan family

‘Paddling with Peter Duck’, John McCarthy’s  documentary for BBC Radio 4, portrays the boats owned by the author Arthur Ransome and includes extracts read by Kate Taylor from his classic book Swallows and Amazons.

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Peter Willis in the Nancy Blackett with John McCarthy

While the broadcast is a portrayal of Arthur Ransome and his boats, it touches on his friendship with the Altounyan family who inspired him to embark on writing the series of twelve Swallows and Amazons books. It is easy to understand this when looking at their photographs.

Family Photo with donkeys

The Altounyan children with friends in Syria.

The girls seem to be Taqui, Brigit and Titty

Could it possibly be Arthur Ransome sitting on the right? He visited the family in Syria in 1932, when he must have been about forty-eight, but was never known to have worn shorts, although it would have been exceptionally hot in the Middle East. Click on the photos to enlarge.

Possibly Arthur Ransome in bow of Peter Duck the boat he took to Syria

Is this Arthur Ransome ? sitting on the bow of Peter Duck in Syria, the chap wearing the same hat and clothes as in the photo above? He took this  dinghy out to Syria as a gift for the Altounyan  children and wrote his novel Peter Duck while he and his wife Evgenia were staying with the family in Aleppo.

Possibly Arthur Ransome in the Altounyan's dinghy Beetle II on Amouk in Syria

Possibly Arthur Ransome sailing Beetle II the Altounyans’ gunter-rigged dinghy at Amouk in Syria

Dr Ernest Altounyan 1935

Ransome’s friend Dr Ernest Altounyan in 1935

Dora Altounyan 1935

Dora Altounyan (nee Collingwood) in 1935

Was Dora the model for Mary Walker, the Swallows’ mother who grew up in Australia?

Roger at Dovedale

Roger Altounyan as a boy


Roger sailing off Peel Island 1978 by Asadour Guzelian

Dr Roger Altounyan sailing ‘Mavis’ on Coniston Water.

Sadly there is no sign of the original Swallow bought at the same time as Mavis by Arthur Ransome and Ernest Altounyan in Barrow-in-Furness, and later sailed by the Ransomes on Windermere.  Mavis was later re-named Amazon by Brigit Altounyan, the youngest of the five Altounyan children, known as The Ship’s Baby.

Brigit seated

Brigit Altounyan as a girl

Brigit married, becoming known as Brigit Sanders and later became President of The Arthur Ransome Society. The original lugsail dinghy Mavis or Amazon can be visited in the Coniston Museum in Cumbria. To read more please click here to see this previous post.

Ernest Altounyan sailing Mavis on Coniston

Dr Ernest Altounyan on Coniston Water with ‘Mavis’, one of the dinghies that inspired ‘Swallows and Amazons’

These unique photographs were recently found in Cheshire by the antiques dealer John Jukes who asked me if I could return them to the Altounyan family. This I have done and show them here by kind permission of Roger’s daughter, Barbara Altounyan. Please do not copy these photos.

To listen to John McCarthy’s  Radio 4 broadcast, please click here

You can read other stories behind ‘Swallows and Amazons’ here:

Recent comments on ‘The Making of Swallows & Amazons’

‘I bought a signed copy of The Making of Swallows & Amazons and have just finished reading it. It’s a lovely, flowing read and I loved all the interesting details, especially chapters 12 to 18 in the later half of the book… I shall treasure it.’ Nigel

Blu-ray fishing scene

‘I am thoroughly enjoying reading your diary entries and hearing how life was on set etc… All the things I have always wanted to know about the film are in the book! I do hope you have lovely memories of all the locations you filmed at, especially Bank Ground Farm. Jonathan, who now owns the place and does all the farming has made my family and I very welcome indeed! (only) we can not tack up the field as they are growing it for Silage!!!! Thank you for inspiring my family and I so much! Yours sincerely, Benjamin’ (aged 10) ‘P.S. We’re off to Wild Cat Island tomorrow!’

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Simon West as Captain John by the lighthouse tree

‘All of your recollections are insightful and tinged with humour (as always). In particular the story about Mrs Batty locking out the film crew and all the Cumbrian characters that were involved in the film. I didn’t know George Pattinson appeared in the Rio scene either, and I can just imagine the giggles you must have had when watching the double-deckers playing footsie with one another!’ David.

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Lesley Bennett and Kit Seymour as the Amazons stranded on Wild Cat Island

‘Good little book full of information and funny tales.’ Jennifer

‘This book has rekindled my interest and memories from the 70’s when I first saw the film and read all the books, so well written and very entertaining, in some ways it ll seems a long time ago but this book makes it seem like yesterday! Thoroughly recommended.’ Richard on Amazon.co.uk

‘Loved your book about filming Swallows & Amazons – my favourite childhood film, very nostalgic.’ Nicola

‘Just wanted to say how much I am enjoying The Making of Swallows & Amazons. What a wonderful time you all had… I have all the books & love the film & TV series Coot Club and The Big Six, so it’s fab to read about them.’

Blu-ray John rowing swallow

Sten Grendon, Simon West and Suzanna Hamilton in Swallow

If you would like to write a short book review, please click here for the link.

The facts behind the concept of a ‘Swallows & Amazons’ childhood

What strikes me about Arthur Ransome’s whole series of ‘Swallows and Amazons’ books is that they are set almost exclusively outside in the open – or afloat. When we made the film in 1973 it rained so much in the Lake District that the producer must have longed for the existence of a few more interior scenes. As it was, the longest one ended up on the cutting-room floor. Is this because the essence and appeal of the stories is that they occur beyond the confines of domestic realms?

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‘If not duffers, won’t drown.’ Simon West, Sophie Neville and Suzanna Hamilton in ‘Swallows & Amazons’ (1974)

When I appeared on Channel 5 last year I learnt the most depressing facts about the decline in the amount of time children spend outdoors. Recent research shows that children tend to stay indoors, watching television, playing computer games or even spend time doing homework, rather than go out to play. Kids today play outside for less than five hours a day at weekends and only for an hour or so during the week, which is half the time their parents spent outdoors, whatever the weather. You’d have thought they must have had higher levels of vitamin D. Apparently only 21% children today play outside near their homes, as compared to 71% of their own parents when they were young.

Blu-ray Swallow's stern

However:

  • 44 % of parents wish their children played outdoors more often.
  • 54 % seriously worry their child doesn’t spend enough time playing outdoors.
  • But 43 % of parents admitted they rely on school to ensure their children are getting plenty of time outdoors through PE and play times, and spend very little outdoor time with their children themselves.
  • One study found that eight in ten parents said their favourite activities as children involved being outdoors. But only half their children lead the same active life.

Apparently parents have forgotten how to play with their kids. While nine of ten parents recognise that it is vital for children to use their imaginations, 16 per cent of parents say they have no idea how to make up stories or create imaginative play. What would Titty say?

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‘X marks the spot where they ate six missionaries!’ Simon West, Sophie Neville, Suzanna Hamilton and Sten Grendon on Peel Island in the English Lake District.

So what’s changed?

  • 32% of parents quote safety fears as the reason their children didn’t play out more often.
  • 19% said it was due to a lack of time.
  • 16% said their children would rather do other things.
  • 53% of parents were reluctance to letting children out of their sight on the danger posed by traffic
  • 40% feared their child would be snatched by a stranger.
  • Over 25% worry their neighbours would disapprove if their children played outdoors unsupervised.

 Blu-ray gutting fish

The Arthur Ransome Society have organised a number of activities for families this summer, including a camp at Cobnor Point on Chichester Harbour from Friday 14th August to Sunday 16th August. The idea is that you bring your own tent, food, drink and a boat if you have one but the cost is very low at £20 for adults and £10 for children. Activities include nature walks, archery, games, signalling and water divinging with sailing when the weather permits. The cost includes a barbeque on the Saturday evening. Please click here for details.

If you missed Dan Damon’s programme on BBC Radio 4, when I spoke on the appeal of a Swallows and Amazons childhood, you can listen to the full recording on BBC World Update by clicking here.

If you would like to read more about the making of the 1974 film of ‘Swallows and Amazons’, please click here:

Can you remember ‘Swallows & Amazons’ coming out in the cinema?

Swallows and Amazons at the Belfast Film Festival
‘Swallows & Amazons’ at the Belfast Film Festival ~ photo by Debbie Davidson who said, ‘We had a fab day watching the movie, reliving our childhood.’

The film ‘Swallows & Amazons’ (1974) was screened at the Belfast Film Festival. Curiously, the ‘Terms and Conditions of Entry’ specified:
 
  • CHILDREN UNDER 16 MUST BE ACCOMPANIED BY AN ADULT
  • NO GLASSWARE OR CANS PERMITTED ON SITE
  • NO BARBEQUES OR NAKED FLAMES
This was ironic since, ‘Swallows and Amazons’ is about children cooking on campfires, eating canned bully beef or ‘pemmican’ while swigging ‘grog’ out of bottles, as far as possible form adult supervision. However, the movie was shown outside – on a huge screen under the trees opposite Belfast City Hall. ‘THIS OUTDOOR EVENT’, they declared, ‘WILL HAPPEN REGARDLESS OF WEATHER CONDITIONS’. Since the story is about camping this did seem apt but as you can see from the photograph above, it was an idyllic sunny summer’s day.
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Ronald Fraser walking the plank
Ronald Fraser walking the plank in ‘Swallows & Amazons’ (1974)

‘How lovely…we love seeing this wonderful film,’ Gerry Spiller said.

‘My Mother took me to see the film when it was first released, it was in a double bill with ‘Born Free’, which also had Virginia McKenna in. In those days you could just sit in the cinema and see the film again if you wanted to. We did.’  Jon Ford

‘Ok, a confession. When I was twelve I was a spoilt little brat. My parents had decided to take my brothers and I out for a surprise. I refused to go until I was told what it was as I hated surprises. My parents wouldn’t tell me so I very nearly didn’t go. I went only after being told by my big brother that if I didn’t he would hit me. The surprise? A trip to the cinema to see Swallows and Amazons! ‘ Marc Grimston, Author

‘Can’t believe how long ago it was. I remember going to see the film at the Aylesbury Odeon and loving it.’ Kate Pearson

‘… the first film I saw in a cinema, Swallows & Amazons, ABC Colchester April 1974. Cinema now a pub.’ Fabian Breckels on Twitter

‘It was on at the local cinema. My son was too young to go so I offered to take a neighbour’s child on condition that the neighbour’s older child baby-sat for me.’ Janet Mearns

‘One of my all time favourite films. Watched it just the other day in fact. I never seem tire of it. Especially after a trip to the Lakes.’ John Heath

Nancy and Peggy on Wild Cat Island
Lesley Bennett and Kit Seymour as the Amazons when filming in 1973
‘I don’t know why we missed it when it was first shown (I was six at the time)…  it came back to the cinema for another showing a few years later and the place was almost empty, so it felt as if they’d put it on specially for us.’ David Cooper

‘Rather like David, missed it as a child. Which makes me rather sad in retrospect. Had no idea it existed until I discovered it through ‘Google’! a few years ago. I now have two copies of it on DVD.’ Paul Thomas

‘I was 11 when the film came out and I was already a huge S&A fan. I loved the film and you, well Titty really, she became my first ever crush. Thank you for the excellent portrayal of Titty. Thanks also on behalf of my own daughters who also fell in love with the film, probably due to my regular screenings!’ Mike Embleton

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Sten Grendon and Sophie Neville on Derwentwater in 1973
‘I finally got to see it while we stayed at Bank Ground Farm our first visit to England. Loved it, cried over it, was delighted to finally see it after many years of sharing a love of Swallows & Amazons books with my mother, my sisters & my children! Mrs. Batty kindly put it on for us to watch in the farmhouse living room.’ Elizabeth Rondthaler Jolley, USA

‘It was two years ago in my 36th year. I found it somewhere on internet after I have read the first (book) to my son. And then we watched together. It was perfect. In Czech republic where I live, Ransome was in my childhood one of the most favourite authors.’ Jiri Precek, Romania

‘In June 1973 I was 9 months into my 3 year teacher training course at Didsbury Teacher Training College… It was not for many years – probably 15 that I contacted Cape for info about locations – still have the reply !!’
Martin Robinson

John and his Flagship with Nancy and Peggy
Sten Grendon, Simon West, Kit Seymour and Lesley Bennett on Peel Island 1973
‘I was 9 in 1974 and saw the film about four times that summer (I think it was shown with Born Free as a double feature) and I had a huge crush on Lesley Bennett! (Where is she now?) I read all the books several times over during the 70’s . Reading your memories made me re-read the book and watch the film for the first time since the 70’s and I have to say the film holds up very well!’ Richard Meads, Worthing, West Sussex

The DVD reviewer Stuart McLean writes: ‘The cast were pretty much the same age as me in 1973 (when it was filmed) and I remember enjoying this tremendously when it came out in 1974, forty years ago. Back then, the idea that four school-kids could take off in a boat for days at a time with no life-jackets seemed perfectly plausible. These days it would be cause for 24 hour rolling news reports.’ Please click here to read on.

Simon Hodkin first went to see  Swallows & Amazons in Wales some forty years ago. He kept a scrapbook full of souvenirs, including a letter from Arthur Ransome.

Can you remember the first time you saw the film?  Please add to the Comments box.

To watch a filmbeat interview about making the film please click here

You can read about how the film was made here:

‘Man Friday!’ found in the pages of an old copy of Lancashire Life

Virginia McKenna rowing
The 2014 Blu-ray of  ‘Swallows & Amazons’ (c) StudioCanal

This shot of Virginia McKenna valiantly playing Man Friday, was taken as she rowed away from what I had decided was a desert island. It was 1973 and we were filming on Coniston Water in the Lake District. She was playing my mother, concerned about leaving a small girl alone as the evening drew in. I’ve been set a copy of Lancashire Life, published in 1974, which describes the filming at length. Quite fun. You can see a still of Man Friday and I cooking Pemmican cakes for supper on the camp fire, top right.

Lancashire Life May 1974 - S&A2 - lr

Being awarded an OBE in 2004 for services to wildlife and the arts, Virginia has since become a national treasure. She will quickly deny this but you will find photographs of her at the National Gallery, along with Suzanna Hamilton, who played her daughter – and my sister, Susan in Swallows & Amazons (1974).

NPG x126895; Stars of the British Screen by Norman Parkinson
‘Stars of the British Screen’ by Norman Parkinson. Virginia McKenna sits bottom centre, Suzanna Hamilton bottom right, either side of Susannah York.

Having just celebrated her 84th birthday Virginia has also been heralded as one who inspires others. I concur. ‘Do one thing at a time,’ was her advice to me, ‘Otherwise you can’t do anything well.’

Virginai McKenna with an Oscar

Virginia has appeared in over thirty feature films, numerous television dramas and many fascinating documentaries. She won a  BAFTA Award for Best British Actress in ‘A Town Like Alice’ and was nominated Best Actress by BAFTA for playing Violette Szabo in the WWII story ‘Carve Her Name With Pride.’. She was nominated for a Golden Globe for her portrayal of Joy Adamson in ‘Born Free’ , which won the composer John Barry two Academy awards. She is still happy to work as an actress, soon to appear in ‘Golden Years’ with Simon Callow and her granddaughter, Lily Travers.

Virginin McKenna with Born Free composer John Barry
Virginia McKenna with ‘Born Free’ composer John Barry

If you interview her now, Virginia is more likely to talk about wildlife than acting. She uses her name to promote kindness. And to stop the slaughter of elephants. One of her latest missions is to urge schools to teach children about conservation. She has recently become patron of  Shropshire Cat Rescue’s Purr project. Arthur Ransome helped finance a similar project himself.

Virginia McKenna in Mail on Saturday 214

2015 marks the thirty-first anniversary of the Born Free Foundation, which Virginia established with her son Will Travers to help big cats and other large mammals held in captivity. She still travels the world to raise awareness and alleviate suffering, drawing on all she learned from George Adamson whilst filming Born Free in Kenya back in 1966, and An Elephant Called Slowly in 1970. You can read more about her work by clicking here.

Virginia McKenna onthe cover of Saga Magazine

Virginia has written about her career and conservation work in a number of books including Into the Blue and an autobiography entitled The Life in My Years available online from the Born Free shop.

Sophie Neville with Virginia McKenna in about 2001
Sophie Neville with Virginia McKenna in about 2001

42 years ago we were filming with Virginia McKenna at Bank Ground Farm in the Lake District.

To read the sections of my diary on filming Swallows & Amazons please see:

Fifty years ago in Bowness-on-Windermere in the Lake District

The Guardian 8th June 1973The Guardian published this photograph, taken on the set of ‘Swallows & Amazons’ when the original film of Arthur Ransome’s well-known book was being shot at Bowness-on-Windermere in the Lake District on 7th June 1973.

Newspaper article on Rio 31

The story was set in 1929. The production team battled to find local men to appear as film extras. None of them wanted a short-back-and-sides hair cut. The ladies of the Lake District found this most amusing. Many of them wore their hair shorter than the men.

Rio Bay ~ newspaper article

To see more photographs and footage taken behind-the-scenes on this day, with diary extracts, please click here

Ronnie Cogan cutting Martin Neville's hair
Ronnie Cogan cutting Martin Neville’s hair for ‘Swallows and Amazons’

For more photographs and a description of what happened please click here

Rio Bay ~ donkeys and rowing skiffs
Jane Price, Perry Neville, Jane Grendon, Tamzin Neville and Pandora Doyle in 1929 costumes at Bowness in 1973

It was Pandora Doyle, seen in this photo as a little girl in a blue dress on the right, who sent me the newspaper clipping from the Guardian pasted above. Her father Brian Doyle was the Publicity Manager on the film. She kept all his files with notes from all the film stars he’d worked with. Do leave a comment below to let us know what you were doing in June 1973.

Brian Doyle, the publicity manager on 'Swallows and Amazons'
Brian Doyle, the film publicist on ‘Swallows and Amazons’ (1974)

You can read the whole story about how the film was made in Cumbria in ‘The Making of Swallows and Amazons (1974)’ available to order from libraries or online retailers worldwide.

Screenshot of The Making of Swallows and Amazons book cover on Instagram

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Why is ‘Swallows and Amazons’ still a bestseller?

An orange flag has been labelling the Vintage paperback edition of ‘Swallows and Amazons’ as a #1 Best Seller in the Amazon UK sales.  Not bad for a book written in 1929.

I was giving a talk at the International Annual General Meeting of The Arthur Ransome Society, when I asked learned members, ‘What has made it such an enduring success?’

Is it that ‘Swallows and Amazons’ set in the Lake District where so many of us long to spend our holidays?

Or that we can buy a set of wooden postcards depicting Ransome’s inspirational illustrations?

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Is it because the stories are driven by the characters of the children themselves, as Jill Goulder has observed, and that adults are relegated to native status, featured as little as is possible so that we enter a child’s world?

Do children relish the idea of independence and being in control of all they do, as John and Nancy seem to be? Is it that dressing up as pirates is cool?

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Swallows and Amazons is about the importance of listening to children. It’s about integrity. Readers love the fact that Titty, the lowly able-seaman comes out as the unexpected hero. It was, after all, a brave thing to capture the Amazon at night and perhaps braver still to return to Cormorant Island with Roger to look for the treasure no one believed was there.

Could it be because the story is about sailing, and how to handle a simple dinghy? Claude Whatham, who directed the 1974 movie, recognised Ransome’s skill in describing how to make a camp was of huge appeal to children. Do we like to learn without the indignity of being taught?

Arthur Ransome’s style of writing is certainly vivid, drawing you into the world he created having been inspired by reading ‘Robinson Crusoe’,  ‘Treasure Island’ and exotic tales himself. Martin Smith, whose comments on this strand have been endlessly interesting, has observed that there is something of ‘The Tempest’ by Shakespeare in the adventures set on Wild Cat Island.

Ransome was able to draw on years of experience as a writer before he launched the Swallows & Amazons series and this shines through. Since virtually only six children and two adults appear in his first book we get to know them well and are ready to welcome others such as Dick and Dorothea when they come along in Winter Holiday.

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Is it because, ‘nothing happens in the books that couldn’t really have happened’, as Caroline Lawrence wrote recently in The Outlaw, a magazine written for children who readily identify with the characters. You can certainly enjoy looking for Ransome’s locations yourself. Those who do so are almost certain to buy the books for their own offspring.

Adults read the books, saying they bring great solace, evoking nostalgic memories and taking them back to a carefree childhood when summer days were spent devising camps and imaginary sailing adventures. Perhaps the traditional values act as an anchor in our stormy lives.

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Despatches?

One thing is for certain. While many of the forty-two books Arthur Ransome wrote are now seen as obscure, his series of twelve ‘Swallows and Amazons’ novels line the shelves of almost every bookshop in Britain and are ever popular overseas. The Arthur Ransome Society has a thriving membership, enabling families to live the adventures for themselves. You can find out about joining yourself by clicking here.

The new feature film of ‘Swallows and Amazons’ starring Ralph Spall, Andrew Scott and Kelly Macdonald and released in 2016 has hopefully brought the story to the nation’s consciousness. It won awards in the USA where it was released in cinemas by Samuel Goldwyn.

The film adaptation of ‘Swallow & Amazons’ made in 1973 and repeated on television so many times, helped to keep the flags flying. It too has been labelled as ‘a timeless classic’ and ‘an enduring success’. StudioCanal released a 40th Anniversary DVD with footage so beautifully restored that if it wasn’t for the extras package you might think it had been shot last summer.

StudioCanal DVD cover

Recent comments about ‘The Making of Swallows & Amazons’

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‘The 1974 Swallows and Amazons film is a classic, and this is a really enjoyable look behind the scenes, written by the actress who (for me, at least) gave the stand-out performance as Titty Walker. If the film recaptured the lost world of 1929, then the book recaptures the lost world of 1973, when rules on child actors were strict (chaperones and schoolwork absolute requirements) but regulations on health and safety a bit more lax, even when on water. We even learn the truth behind that strange scene on the jetty in Rio where Roger is left minding Swallow. Highly recommended.’ P. Stevens, Bath, UK

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‘Every now and again in cinematic history a classic is born. It doesn’t have to be a multi-billion pound blockbuster featuring legendary names, sometimes something timeless and endlessly endearing is born and this is most definitely the case with ‘Swallows and Amazons’.

‘This film has become an old friend to me; I must have watched it a thousand times and I never tire of it! It brings back memories of a summer childhood spent in wonder-filled Cumbria, in particular Windermere, Ambleside, Derwent and Coniston Water; places we’d visit as a family before the fates would, sadly intervene.

‘Sophie Neville’s excellent book recaptures again the halcyon days of youth in a summer-land of mountains, fells and shimmering lakes. She writes beautifully and with an easy style that’s a joy to read. The love for her subject is very evident, as is her passion for the work of Arthur Ransome. She takes you behind the scenes of the making of the film and the realities of filming on the water; how the director and crew worked tirelessly to bring out the best in the young actors and the splendours of the landscape. So glad I made this purchase. Pride of place on the old bookshelf.’ Allen Fairhurst

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‘Sophie has lost none of her infectious enthusiasm and this shines through on every page.’  Julian Lovelock in Mixed Moss, the journal of The Arthur Ransome Society.  ‘As well as using her own diary Sophie has mined the recollections and scrapbooks of a number of cast and crew.’

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‘The book itself is indeed a delight. I have long been a fan of Swallows and Amazons. I am delighted with the film which was made and Sophie’s account of the making of it adds a very charming and interesting dimension. I loved the account and I fully recommend any fan of Swallows and Amazons to get a copy for themselves.’

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You can read about how the original film of ‘Swallows and Amazons’ was made and find the complete collection of behind-the-scenes photos in this ebook available from Kobo, Smashwords, iTunes and on Kindle for £2.99

What hit the cutting room floor on the film ‘Swallows & Amazons’ (1974)?

One of the questions asked by fans of the film Swallows & Amazons, produced by Richard Pilbrow for EMI Films in 1974, is, ‘Did any of the scenes written by David Wood ever hit the cutting-room floor?’

Simon West and Sophie Neville in Swallows and Amazons (1974)
Simon West and Sophie Neville on Peel Island in 1973

 

Although I had a lead part, I wasn’t allowed to read the script as a child, only Arthur Ransome’s book on which the movie was based. I never gave it a thought, and for years, but looking back through the original screenplay I can see that the answer is, ‘Not many.’

The shots of finding Swallow in the boatshed, bringing her out and raising her flag were moved forward and set under the voice-over of the Walker children reading out the letters written to their father. This moved the story along.Claude Whatham at the Boathouse with Simon West and Sophie Neville

Simon West talking to director Claude Whatham with Sophie Neville

There is a scene in the book set at Holly Howe when medical supplies are being packed for the voyage. This was shot with Virginia McKenna at Bank Ground Farm above Coniston Water, but must have slowed down the pace of the film as it was replaced by a more exciting montage of shots, that also progressed what is a pretty gentle start to an adventure story.Virginia McKenna and Sophie Neville

Virginia McKenna as Mother with Sophie Neville as Titty making Swallow’s flag

Making patterans on the way to the charcoal burners, was a lovely scene from the book that was recorded but never included in the film. Captain John can been seen explaining how gypsies use them as secret markers in this black and white still.BW The Swallows make PatteransIt was shot on a mossy bank in oak woodland so very characteristic of the Lake District and profiled by the Guardian newspaper the author Arthur Ransome had once worked for.

Local newspaper cutting of Patterran rehearsal

It was at this dramatic location, high above Derwentwater, that my favourite behind-the-scenes shot of the director, Claude Whatham was taken. You can see Cat Bells in the background. Claude Whatham and his cast of Swallows

Claude Whatham talking to his cast: Sten Grendon, Simon West, Sophie Neville & Suzanna Hamilton

Mrs Ransome, who worked closely with the screenwriter, had agreed that the storm scene on Wild Cat Island would not to be included in the screenplay. We children thought a great pity. Such a violent gale blew in one day when we were filming on Peel Island that we would have had the right weather conditions, but you can not include everything. It was only a 90 minute movie.

Jane Grendon, whose son Sten played Roger, wrote to tell  me that before filming began, ‘…one of the very first things we were asked was, ‘can Sten swim?” ‘I know he could doggy paddle,’ she continued. ‘Neville (Thompson, the online Producer) organised swimming lessons at Pitville Pool, Cheltenham which included jumping off the diving boards. At the time I didn’t know why and I don’t think Sten is a natural in the water and the swimming lessons didn’t prove very successful. Claude (Whatham) told me – at the end of filming I think, when he gave me a copy of he original script – these lessons were because in the original script Roger was to jump in the water after Uncle Jim walked the plank.’ Jane sent me a copy of the page in question. I had not seen it before: A page of David Wood's original screenplay: 'Swallow & Amazons' (1974) It was a page of the script we never had time to shoot. I am so glad. It wasn’t needed. We just made sure Captain Flint had no access to a rope ladder for a while.

Captain Flint having walked the plank

I’m often asked if any scenes involving the Amazons were cut, but none were left out. Nancy and Peggy simply do not appear in the book as much as one might remember. Amazon Boathouse

Please leave any questions about the making of ‘Swallows & Amazons’ in the comments below.

You can read the full story of the making of Swallows and Amazons (1974) in one of the editions listed online here:

'The Making of Swallows and Amazons (1974) by Sophie Neville'
Different editions of ‘The Making of Swallows and Amazons (1974) by Sophie Neville’