‘The Girl Who Got out of Zanzibar’ originally won a place on Eyelands’ Three Rock Writer’s Residency in Crete in September 2019, where Sophie worked on the first 20,000 words. It went on to win third prize in the Association of Christian Writers’ novel competition 2020, when the judge, Tony Collins, described it as: ‘a treat: full of atmosphere, detail, vivid characters, and a love for the island and its culture. I liked the fact that the narrator is a young black girl, which I find refreshing, and the relish with which the food was described is delightful. The underlying theme of FGM (and its place in a patriarchal society, the practice perpetuated by grandmothers) is a dark thread, well sustained, which both horrifies and compels.’
The sequel ‘The Man Who Got Out of Japan’ won the Eyelands Book Award for an unpublished historical novel in 2019. An awards ceremony in Athens is planned for April 2021.
The 2014 Blu-ray of ‘Swallows & Amazons’ (c) StudioCanal
This shot of Virginia McKenna valiantly playing Man Friday, was taken as she rowed away from what I had decided was a desert island. It was 1973 and we were filming on Coniston Water in the Lake District. She was playing my mother, concerned about leaving a small girl alone as the evening drew in. I’ve been set a copy of Lancashire Life, published in 1974, which describes the filming at length. Quite fun. You can see a still of Man Friday and I cooking Pemmican cakes for supper on the camp fire, top right.
Being awarded an OBE in 2004 for services to wildlife and the arts, Virginia has since become a national treasure. She will quickly deny this but you will find photographs of her at the National Gallery, along with Suzanna Hamilton, who played her daughter – and my sister, Susan in Swallows & Amazons (1974).
‘Stars of the British Screen’ by Norman Parkinson. Virginia McKenna sits bottom centre, Suzanna Hamilton bottom right, either side of Susannah York.
Having just celebrated her 84th birthday Virginia has also been heralded as one who inspires others. I concur. ‘Do one thing at a time,’ was her advice to me, ‘Otherwise you can’t do anything well.’
Virginia McKenna with ‘Born Free’ composer John Barry
If you interview her now, Virginia is more likely to talk about wildlife than acting. She uses her name to promote kindness. And to stop the slaughter of elephants. One of her latest missions is to urge schools to teach children about conservation. She has recently become patron of Shropshire Cat Rescue’s Purr project. Arthur Ransome helped finance a similar project himself.
2015 marks the thirty-first anniversary of the Born Free Foundation, which Virginia established with her son Will Travers to help big cats and other large mammals held in captivity. She still travels the world to raise awareness and alleviate suffering, drawing on all she learned from George Adamson whilst filming Born Free in Kenya back in 1966, and An Elephant Called Slowly in 1970. You can read more about her work by clicking here.
Virginia has written about her career and conservation work in a number of books including Into the Blue and an autobiography entitled The Life in My Years available online from the Born Free shop.
Sophie Neville with Virginia McKenna in about 2001
Sophie Neville 